#(<- has started the whole illustration over like three times)

[scarygreenlightning-art]

Nihlus and Saren are alive and married and have a cat btw

[python333]

task force 141 reacting to [reader] giving them a 'happy father's day' card — python333

— — — —

synopsis you give the tf141 boys some happy father's day cards!!

relationships platonic!taskforce 141 & younger!reader.

characters cap. price, soap, ghost.

warnings 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign], reader is intended to be around 16/17-20/21 but can be interpreted as older as long as they're below 24 (just so that the headcanons make more sense), maybe ooc?

note i'm so sorry but there's no gaz in this one BUT i can explain why!! i was doing my research (going through three different tumblr posts) to figure out the actual age of each character and gaz is apparently 24?? in new updates or whatever?? anyway, even before i found that out, i could only ever imagine writing him as an older brother, simply because he doesn't feel fatherly to me but still has those protecive-familial vibes so if yall want me to write something on him being ur older brother then feel free to request/reply/comment or whatever and i will! :3 this is all comfort no hurt and pure fluff so enjoy!!

JOHN “BRAVO SIX” PRICE

➥ OH GOD.

➥ man i don’t even have daddy issues and i’m crying.

➥ gives you that one dad smile he has—y’all know the one. don’t pretend you don’t—and thanks you for it.

➥ gives you a lil hug too because why not?

➥ tears up just the tiniest bit but it’s pretty unnoticeable but i need you to know that it’s there.

➥ either keeps it propped up on his desk, in one of the drawers of his desk, or puts it in a small frame and puts that on or in his desk.

➥ definitely reads it at least once a week.

➥ he’s so genuinely flattered by it i think that after you leave his office he’d tear up a bit.

➥ you thought he was acting as a father figure to you before?

➥ be prepared for him to take it to a whole nother level.

➥ starts getting you cheesy birthday cards after you start giving him father’s day cards.

➥ is he a father biologically? no. is he one mentally, emotionally, and spiritually? absolutely.

—

You were reasonably pretty nervous.

It wasn’t ever really a secret that you and Price had some sort of father-child-like relationship, what with the amount of hair ruffles, head pats, shoulder pats, etc. that you’d received from him and the swatting at his hand with your own that you had given back. But none of that took away the nervousness you had when you gave Price a father’s day card for the first time.

It’s not that you thought that he would be weirded out by it, you just had a small habit of overthinking things, and this happened to be one of those things. The card didn’t say too much inside of it, a simple ‘happy father’s day!’ and a sentence you wrote that mentioned that you were grateful to know him. That’s it. That’s all it was. And yet, your hand shook as you held it, the other hand knocking on the door of Price’s office.

He nodded in greeting and opened it, and stepped out of the way to let you walk in and sit in front of his desk. He sat at his usual seat after shutting the door, and you set the card in your lap, not wanting him to see it just yet.

“Is there any particular reason why you wanted to come into my office?” Price asked, breaking the silence. You took a deep breath and nodded before you quickly handed over the card, slipping it onto his side of the desk. He took a good look at it for a moment, reading the ‘happy father’s day!’ on the front and looking over the cheesy illustration on the cover. You anxiously waited for him to say something as he simply stared at it, before he picked it up and opened it, reading the short few words that were written on the inside.

You watched as his expression melted into a softer one, and he stared at the card for another moment before wordlessly getting up. Before you could say anything, or question anything, he knelt down to the level of the chair you were sitting in and hugged you. You were frozen with surprise before you hugged him back, loosely wrapping your arms over his shoulders, a little confused by the hug but appreciating the embrace nonetheless. He rubbed your back for a quick moment before standing back up straight and patting your shoulder.

”Thank you,” He said, smiling down at you. “I really appreciated that, kiddo.”

Oh, wow. I don’t know why, but I think I might start crying. “Yeah—yeah, of course,” You’d replied, quickly getting up and giving Price a quick hug before swiftly walking to the door, “I’ll just, uh, I’ll be in my room. Or, actually, no, I’m gonna go—I’m gonna go bother Soap in his office, so if you need me I’ll be in there okaybyeCaptainI’llseeyoulater!” You rushed out, not looking back as you closed the door behind you.

Price had blinked at the door for a moment before huffing out a small laugh and sitting back down in his chair, looking at the card you’d given him one last time before sighing and letting himself tear up a bit. Eventually, after just sitting there and staring at the card, he unlocked one of the few locked drawers at the bottom of his desk and put the card there, for safekeeping.

—

JOHN “SOAP” MACTAVISH

➥ he’s so excited when he reads that card.

➥ he’s so flattered?? and is so happy?? and oh my god he might pass out?? from all the positive emotions he feels??

➥ be careful with what you say because you might break him beyond repair.

➥ it’s like you’ve given a puppy it’s first treat, honestly.

➥ won’t cry but is very close to!!

➥ will definitely show off the card to everyone.

➥ when i say everyone i mean EVERYONE.

➥ he will talk everyone’s ear off about it, no matter who they are or what they’re doing, hell, the man could be pissing with his dick out at the urinals and everything and he’ll still be ranting to the poor soul in the bathroom about what a sweetheart you are and how you gave him a father’s day card.

➥ he starts calling you ‘lamb’ and ‘duckie’ after the whole ordeal.

➥ no i didn’t ask chatgpt for terms of endearment scottish parents use for their children haha!!

➥ he buys a corkboard just to pin the card to in his office.

➥ like it’s literally just in the middle, nothing else on the corkboard, just that singular father’s day card.

➥ the whole thing is just reserved for father’s day cards tbh. he hopes to fill it up with as many cards as you’ll give him, and if you only give him the one, then damn it, the corkboard’s only gonna have one thing on it and whoever questions it can mind their damn business.

—

You didn’t really know what to expect with Soap when you gave him the card.

You felt pretty confident giving it to him, knowing the guy could probably receive a rock with googly eyes on it from you and still cry tears of joy knowing you gave it to him of all people, so giving this card to him was no big deal, right?

You found him in the recreational center, lounging on the couch, reading a book—shocking, I know—and quietly reading the words out loud to himself. The moment you had entered the center, though, he looked up from his book and nodded in greeting at you with a smile on his face and watched as you walked over to him.

Before he could say anything, you quickly put the card in his lap and watched as he looked up at you, a surprised and amused expression on his face.

“What’s this?” He asked, not looking down at the card just yet.

“Read it,” You’d insisted, gesturing towards the card in his lap. He blinked at you for a moment before muttering, “Alright, then,” under his breath and looking down at the card. He picked it up and read the three short words on the front and looked over the illustration on the cover, and the moment the words registered in his brain, his face broke out into a grin and he looked up at you.

“Aww, this is sae sweet,” Soap gushed, “Thank ye!”

He got up before you could talk and hugged you tightly, lifting you off the ground a bit, cooing, “Ye're jist the sweetest, ma God, when did ye get the card?”

“I got it a while ago,” You had admitted, “Decided to give it to you now.”

Soap set you down and put both of his hands on your shoulders, gently rubbing circles into them with his thumb, looking down at you with an elated grin, "I'm gonnae hang this up in ma office—I'll get a corkboard an' everything, jist for this."

You looked up at him with a confused, but amused look on your face, asking, “And you’re just gonna hang that card on there?”

He nodded in confirmation and responded, “Aye, it'll be deid center, naething else on there."

—

SIMON “GHOST” RILEY

➥ oh my goodness.

➥ the moment you hand him the card, it’s like he already knows what it is without reading it.

➥ probably thinks it’s a joke at first.

➥ when he realizes that you’re serious he straight up tears up.

➥ like in front of you and everything he’ll tear up.

➥ “... Are you crying?” ghost, tearing up and literally about to start sobbing, "No.”

➥ he treasures that thing and would literally cease to exist if he ever lost it or if it got destroyed.

➥ won’t flaunt it at all, instead he keeps it in the pocket of a jacket he never wears anymore.

➥ if you ever give him more cards, he’ll consider getting a box to keep them in.

➥ he’s always called you ‘kid’ but after this he starts calling you ‘kiddo’.

➥ THERE’S A DIFFERENCE. I CANNOT TELL YOU WHAT IT IS BUT THERE IS A DIFFERENCE.

➥ listen kiddo is more affectionate and its softer and its not as playful as kid its more personal and and and [explodes]

➥ the others notice the small change in behavior he has towards you (being more lighthearted with his teasing, generally being less cold with you, etc.) and will tease him endlessly about it.

➥ by others i mean soap and gaz. those two team up and tease him to death.

➥ he could care less though!! he tells himself that they’re idiots anyway and that his behavior hasn’t changed that much.

➥ he’s in denial and i think that him and me are the same fr.

—

You had practically searched every corner, crevice, nook, and cranny of the base searching for Ghost. When you finally found him, he was in the armory and weapons room cleaning the barrel of his rifle, hyperfocused on wiping away the gunk on the gun. You stopped by the door, hesitating in giving him the card. It really shouldn’t be that hard, You thought, What’s the worst that could happen?

You were aware that there were many things that could happen, most of which were bad, but you ignored them for the sake of building up your confidence to give him the card. You stood there for a while, just sort of staring at him, before he—not even looking up from his gun—called out to you with a simple yet firm, “Do you need something?”

You probably could’ve died right there, his firm voice almost completely shattering your confidence for reasons you couldn’t specify, but you instead cleared your throat and walked out of the doorway and completely into the room. You walked over to him and before he could ask any further questions you held the card out to him, your hand having a small tremble to it, an uncomfortably visible display of your nervousness.

He stared at the card for a moment before setting down the cloth he was using to clean his gun and grabbing it, reading the front for a moment before huffing out a small laugh and looking up at you to tease you for it. He was going to tell you what a ‘funny’ joke it was, to tell you to just go do whatever work you’re probably skipping out on when he sees the look on your face that tells him that you’re pretty serious about the card.

He looked back down at the card and read it again, the words ‘happy father’s day’ echoing through his mind as he opened it. He read the few short words on the inside of the card and the shitty drawing of a ghost right next to one that was scribbled out—because of course you had to use pen and weren’t satisfied with the first ghost you drew even though Ghost could make out through the scribbles that they practically looked the same.

You were pretty nervous the longer the silence stretched out, and you were about to take back the card and go jump off a cliff to avoid ever looking at Ghost again when suddenly you hear a sniffle.

“Are you… are you crying?” You’d asked, more confused than nervous now, watching as Ghost shook his head negatively and continued to stare at the inside of the card.

“No,” He answered, sniffling again.

“... You sure?” You’d asked again, far less nervous now, your tone becoming more teasing.

“Positive.” Ghost said firmly, though his voice had wavered a bit. He looked up at you and reached his hand up to give you a pat on the shoulder, muttering, “Thank you for that, kiddo.”

"Yeah, no problem," You had said back, smiling down at Ghost before taking a step back, "I'll leave you to keep cleaning your gun, or whatever."

Ghost had simply nodded and looked back at the table where your card and his gun laid, and you didn't stay long enough to watch him tear up all over again at the sight of the letter.

[agent-troi]

mulder and scully’s season 6 dynamic is interesting because in some ways they’re more joined at the hip than ever before. this season has the highest concentration of shippy episodes, including an explicit love confession, getting mistaken for a married couple three times (not including the time they pretended to be married on purpose for a case), a baseball date, scully going feral when mulder gets lost in the bermuda triangle, mulder begging scully to investigate x-files with him even when it’s not their job anymore, mulder tagging along in the background the whole time scully gets sent on an x-file without him, their secret handshake in the hospital afterwards. “agent scully is already in love.”

the only times they really don’t get along are when diana actually appears in the episode (side note: diana only gets mentioned once in the episodes in which she doesn’t appear, a fact which intrigues me to no end. it’s like when she’s not there she doesn’t even exist, and in fact i have actually forgotten she existed while watching some of these episodes lol).

i think their schism in the beginning is partly due to mulder being petulant because scully couldn’t/wouldn’t back him up at the opr hearing after he put himself way out there earnestly insisting with his whole chest she was about to present proof of alien life. it’s not that he suddenly doesn’t trust her anymore, he just feels (somewhat irrationally) like he was let down, and this occurring simultaneously with the reappearance of someone else who not only listens to him but appears more inclined to believe him (which almost never happens) naturally led him to act out, but in the very next episode (drive) they’re a team again, using his intuition combined with her science to figure out what’s going on with crump. the fact that they couldn’t save him wasn’t their fault, and is almost incidental to what this episode really illustrates, which is not only how well they work together, but that they still can work together, and the past five years between them haven’t been erased just because diana’s back in town.

another thing: every time scully gets injured/goes to the hospital, mulder goes absolutely apeshit and starts accosting doctors and demanding answers. when diana got shot, his reaction was to hang out with scully and wait for secondhand info on her condition. we don’t even know if he ever went to visit her. when he finds out she’s taking over the x-files, he’s hurt and accuses her of stabbing him in the back. also in terms of endearment, we find out he’s going through spender’s trash to find x-files that he shredded so he (and scully) can investigate them, but if he really wanted to he could just talk to diana and ask her to slide him some cases when no one’s looking. the fact that he doesn’t shows that he doesn’t necessarily trust her blindly (or at least that he doesn’t want to get involved with her again).

i’m kind of rambling and not really sure where i was going with this, except i think people sometimes overestimate the impact diana had on their relationship. i think she was definitely a catalyst for them to examine some of their feelings more closely, but she was never gonna drive a permanent wedge between them. the closest she came was in one son, and even then they manage to pull back from the brink of destruction. scully asks for mulder’s trust, and he gives it by going to look for proof that diana really has betrayed him. if it had been the other way around, if diana had accused scully of working for the syndicate, he would have dismissed the idea immediately and never even bothered to consider it (actually hold on that’s a great fic idea, maybe diana overplays her hand and mulder catches on a lot sooner to what she’s doing).

[whatbigotspost]

I’m gonna start coining tumblr specific cognitive biases and logical fallacy terms…here’s the first ones I’ve theorized so far. (I’m using “actor” here meaning “the person, acting out the fallacy or bias for us all to see.”)

1. The unique contribution fallacy—reading a post of over 10k notes and the actor thinks of something they surmise is very clever to add. The actor imagines themselves to be the first special unique soul to contribute this add, when OP has actually received this “clever” comment 5000 times of those 10,000 notes driving OP up the wall.

2. The whataboutism bias— reading a post on any given particular topic, and believing that OP should say every single thing that you could possibly say about that topic under said single post. The actor doesn’t know they have a personal agenda on the topic and expects OP would have that same bias to talk about the side of the given topic that correlates to the actor’s personal bias, instead of allowing OP to be somebody who just writes what they wanted to write. This often works in tandem with… 

3. The TLDR bias— seeing a post that is actually extremely long and thoroughly well written, often times with sources, numerous added threads of detail etc. but the actor doesn’t actually read the content of the FULL post. Then, in reblogging it or commenting on it, “adding” something that OP definitely originally said, and revealing oneself as somebody who doesn’t even read the detailed things that they re-blog or add on comments about.

3. The literal URL fallacy— not understanding the total chaos that is the Tumblr URL, in this fallacy the actor thinks that someone’s username is ALWAYS telling you exactly what the content of their blog might be. I’ll illustrate this one in like a totally random example way… Let’s say that you hypothetically made a blog that was all about calling out bigots back in the days of yore, the early twenty teens. And yet somehow, despite the fact that every other user around you seems to not be taken literally by their URLs, the actor decides that everything that you post is therefore bigotry…….even if what you’re posting is your own original content that you’re writing, calling out bigots. Too bad, so sad! Because in this fallacy, the actor is going to see you as what your URL says, literally, always.

4. The missed URL fallacy— this of course is the exact opposite of number three. It is where a blog has a very particular theme and format to it, that is the most important thing you can notice to understand the context of a post. So, again, just a random example here… But let’s just say that the intent of a blog is to always post submitted weird ass dreams people had, but the actor doesn’t realize this in their relogging and thinks that somebody is reporting a real life situation that was definitely, very specifically a wild fever dream.

5. The throw the baby out with the bathwater bias— a fan favorite among left leaning and social justice corners of the site, this bias is when the actor reads a post where somebody doesn’t use the most optimal, virtue signaling language for them personally, so the actor ignores the whole entire point of the post. It could be something as serious as and attention demanding as genocide, but somebody uses a word like “crazy” or “stupid” or “bitch” in it and so the actor’s worldview and general proclaimed values are casually tossed aside because the language that was used to deliver it was not “perfect.”

6. The choose your own reality bias—The actor reads a post and reblogs it, adding commentary that is responding to things that are definitely not said in the original post and definitely not anything in the realm of what OP was talking about. Close cousin to…

7. The this is definitely about me/self-own fallacy— this one is actually one of my favorites to spot out in the wild because it is SUCH a tell. It is like a slightly more specific version of the “choose your own reality bias” but this is when the actor reads a post and blogs it, adding commentary that is responding to things that are definitely not said in the original post as if OP is talking about them personally, and therefore revealing themselves as potentially shady or suspect in someway because why did they make it about them, if it’s not about them, you know?

8. The zombie post fallacy—in this one, the actor most likely does not have time stamps enabled on their dash because that isn’t something that happens here by default, and this site has a higher presence of zombie posts (by the way its designed and how it functions) than any other social media site I know. So when a zombie post from 2011 shambles across their dash in 2024, they react to that content as if it is completely new and relevant information or news or a situation to be dealt with in the modern era.

What needs added?

[milestonekestrel]

STILL WAKES THE DEEPERS COME GET YOUR DINNER!!!

[BODY HORROR AND FLASHING WARNING]

Thoughts under the cut (it gets lengthy)!

So.. we´re finally here huh? Took me a little over a week, but its done at last!

I´ll be honest, the idea first came to me when I listened to the song. I was brainrotting so bad on Still Wakes the Deep, I think I could´ve twisted anything into being about it haha. But this song actually fits it super well. ¨You lose touch with all the things that made you feel sane.¨ fits especially well with Caz, as everything that sort of grounds him on the rig during the shape infestation, the things that make him feel sane (mostly his friends) are all things he loses. In many cases, right in front of him. He also loses his family, as he realizes hes never going to get back to them, and, at the end, he loses himself too.

I tried to draw Caz´s hair progressively worse as his mental and physical state do. At his very best, particularly in the flashbacks at the end, his hair is shaped very specifically. But the more he goes through, the worse it gets, until at the very end where its just a tangled mess. Also his emotions, obviously towards the end he is still super emotional and stuff but I had hoped to sort of make it more...subdued? Maybe that´s not the right word, but he´s been through so much that his reactions aren´t as big to things, he doesn´t quite have the enough energy. He still Goes Through It with Finlay, but after that he´s giving you a constant 5000 yard stare. The, ¨I just watched every single one of my closest friends die in front of me¨ look.¨

Even when he gets to the derrick, he can only stare at the shape abyss.

He´s also in terrible physical condition and I tried to illustrate that with the scene of him standing up after Finlay dies. He is literally on his last legs, he is so, so tired.

also!! three flashy sequences in very quick succession at the end! do you know why? because Caz starts to See. The first, after Brodie dies, is a bunch of unique images about Caz. The people, things, and parts of himself that he is losing or has lost. Accompanied by other things, parts of himself, his life, etc.

There´s also these two images of Muir and Innes that I love very much.

The second one happens as he holds the lighter above the oil abyss! This ones just people he lost. And the third is everything that happened in the pmv flashing before his eyes. Because it is Quite a journey he has been on.

But you know why these flash? because Caz realizes that every step he is taking is one step closer to his death. Because he realizes that he is never going to get off the rig. because he realizes that he is going to die here. So hes thinking about Everything. His life, his family, friends, the horrors he went through, the things he lost and the things he will never, ever get back.

He also hallucinates Suze a lot in the pmv, but unlike in the game its not flashback sequences and she is not normal Suze. Until the end, when he´s reflecting on his life, its Suze With Tendrils!! Shape infected wife!!

and then at the end, she becomes more normal. Because he is flashing through the events of his life. also because he misses her, but he knows that by doing what he is doing, Shape Suze will never, ever exist. She will be safe.

I had a fun time drawing all the scenes in the pmv, but a select few are my favorite.

For example: The Beira D Bookends!

At the beginning and the end of the pmv, you get a full shot of the Beira D!

I like these scenes because I love having secret things like this. The bookends,,, ough do u guys get it they´re bookends... The Beira D is where it all takes place, in the game, and in the pmv. It is the first and last thing you see as Caz, and the first and last thing he sees in the 24 hours this takes place in. It is a very significant location, which is why it bookends the pmv.

Addair and Caz at the Stack:

Getting to animate this whole sequence was a blast. It´s my absolute favorite part of the game! Followed closely by the ending, but still my most favorite. I just think its a really cool part of the game, and it plays a lot into my Addair headcanons so!!! pretty sick!!

Caz´s Memories:

After he drops the lighter, Caz and his family are shown again. You can see him and Suze reconnecting (as well as the fact that I yoinked @inky-ash´s headcanon about them meeting up after he got punched in the face). He also plays with a young Cait. and drawing the hug between them just about made my eyes misty, because he really loves his family,,,, auuuughh,,,

also. the wedding photo.

I didnt really try with their outfits honestly, but I still really love how this came out. the wedding photo means so much to me...

The Lighter:

a little extra bit about the lighter. I drew when it was handed to Finlay, and when she handed it back to Caz. There´s no real scene parellells between these scenes, but I do really love them, and the whole fact that the Lighter was originally given to Finlay before she gave it back to Caz.

The Scene That Is Most Definitely Not A Reference:

Just kidding. it is.

The pose and composition is indeed a self-indulgent reference to the first artwork I made of Still Wakes The Deep!

Sinking:

The first time you see Caz in the pmv? He´s unconscious in the ocean, and sinking.

and the last time you see him? Unconcious, in an ocean, and sinking.

boy I sure do love parallels and things.

The Helmet:

at the very end, his helmet appears in the waves, before sinking below the surface. This is another self-indulgent little detail that serves as a nod to my headcanon!

I also just generally enjoyed drawing Caz and his facial expressions. That man means so much to me, so it was awesome to draw him so much!

also, I think its funny you can tell exactly when I figured out what the Cadal logo looks like, or that there even was a logo on the uniforms.

If you watched the pmv, or read this far, thank you so much!! This game means so much to me, and I´m so glad I could make this pmv. I love all the support this fandom has given me so far, so thank you! Thank you so much! Couldn´t have done this without such an awesome fandom <333

[spookberry]

Shadow High series 3 my new beloved

I didnt even like most of em until i saw them in person, but the knowledge that they'll probably never be in the show has my brain in a "well its free realestate" kinda mood

Random list of information cuz ive been plotting out friend dynamics and background lore

-i like to pretend Rainbow High/Shadow High are actually Rainbow University/Shadow University cuz im in art college Right Now and i think it makes more sense with the whole dorm room situation. And also major makes more sense than focus IMO

-I changed Pinkie's major from film to just undeclared. I think she eventually does land on Film. She just has a lot of interests! Her dream has always been to one day direct films, and I think she comes to love them even more while developing ideas her with the group as she winds up in a Director/Producer position for most of them. BUT also every time she takes a class in a different program she cant help but fall in love with that way of making art too. So she has a hard time picking for a while and changed her major a couple times before landing on Film.

-Pinkie and Berrie bond a lot over a shared interest in vocal synths (tho Berrie knows more about them than her).

-The two made Pinkie's vtuber model together!

-the fandom wiki says PJ is from germany?? Idk how canon that is tbh but ive decided to embrace it i guess

-Rooney's canon name is Scarlet Rose, but i thought it was kinda lame especially when Rosie Redwood is also in this line sooo I renamed her! Stuck to the color name puns tho. Mar Rooney. Maroon. Haha

-Speaking on her though i love that shes from texas and likes writing scifi mystery type stuff and that being said i just Know deep in my bones that she was a Voltron Legendary Defender fan and Keith was/is 100% her favorite. She has a continued fondness for mothman specifically cuz of this.

-PJ and Rooney actually talk about fandom and shows/movies ALL the time. They dont have a ton of overlapping interests, but where they do? The two literally never shut up.

-Rosie is such a random character, like outside of her design she feels very poorly considered. So I scrapped the cosmetology thing and made her an illustrator instead! I think it works better with her love of making art in nature. I can see her being really into illustrated guide books. I think shes a bit snooty when it comes to art too. It takes being friends with other artists to become more open minded.

-I like the idea that Rosie is mainly friends with Rooney and Berrie ontop of that. The three of them often tag team storylines and how theyd interpret them into different mediums. Rosie will draw up a bunch of concept stuff while Rooney writes up a pitch bible and Berrie will start making shit move and throwing in her own ideas on camera angles and character designs.

-as an animation major Berrie was required to take a sound design class early on, which is where she met Oliver! Hes very laid back, and likes to go with the flow, but functions a little like the "mom" of the group. Often reminding the girls to take breaks, drink water, stop looking at their screens lest they get eye strain etc. He's multi-talented tbh but Music is his one true passion and he likes how the girls are always giving him collaboration opportunities.

-Oliver and Rosie like to talk sports a lot, both having played a bunch when they were younger and throughout high school.

-Lavender Lynn is Oliver's number one "person who needs constant reminders to settle down" she is in a constant buzz of trying to get the best shots and is utterly obsessed with the process of artistic documentation. Everything must be documented.

-the whole school loves her for this actually, she has a whole side gig where other students hire her to help photograph their projects. She saves everything she earns from this for her future dream plans to visit paris. She has it set really, many of the artists who she helps photograph now will remain steadfast clients of hers forever onward.

-PJ and Lynn actually took a print media class together at one point. Which didnt at the time spark an everlasting friendship. But it did give PJ an easier in to ask for Lynn's help documenting a project the group was working on. One of Lynn's first times photographing them work happened to fall on a day where Rosie had planned to trick everyone into going on a nature walk sans devices... Lynn wound up really appreciating this outing and decided to continue hanging around the group even after that project had ended.

[strawberry-jan]

Back in late 2022, I started working on a long story about Ishin: a tale of two dummies whose weird one-night stand blossoms into a surprisingly caring relationship even as a (mostly) canon-compliant series of tragedies plays out around them. It’s a now-complete series in approximately 125,000 words and three parts, and you can read the whole thing right now on AO3: The Glorious and Bloody Deeds of Okita Soji, Volume 1: Okita Soji Versus the Scoundrel Saito Hajime; The Secret History of Saito Hajime, Volume 2: The Shiraume Incident; and, finally, Brief Notes on the Domestic Life of one Saito Hajime.

Taken as a whole, it's a story about identity and history and the stories that people tell each other and themselves about those things. And it's a story about one guy getting way too into weird Edo-era egg dishes, and another guy finding himself embroiled in an extended detective sequence, and a third guy composing a series of corny haiku that (almost) nobody wants to read. And, of course, it's also a story about people who are shamelessly and sometimes explicitly in love (so you probably shouldn't read it at work).

This whole big, sprawling thing has been a labour of love on my part: it turns out that I adore writing historical fiction and finding excuses to read books and journal articles in order to write it better. In addition to making not one but four little illustrations to celebrate the fic's completion (and please look at them up-close; I hand-inked all those kimono patterns), I've drawn up a list of some of the sources that I consulted for my writing, and you can find those under the cut.

This is not an absolutely exhaustive list of sources; I don’t think it’s super useful to catalogue the extremely nitty-gritty stuff, like that time that I felt compelled to find out what the state of strawberry cultivation was in 1860s Japan, or when I needed to picture exactly what it looked like when Haruka was repairing Ryoma’s kimono. That being said, I’ve added a couple of things that are really particular to my stories but that I thought were cool enough to share.

Foster, Michael Dylan. The Book of Yokai: Mysterious Creatures of Japanese Folklore. U of California P, 2015. (This one was a really fun read – it combines a short history of yokai in folklore with a little catalogue of yokai.)

Jansen, Marius B. Sakamoto Ryoma and the Meiji Restoration. Stanford UP, 1971. (Super useful as an introduction to the Bakumatsu era and for biographical details about Ryoma and the figures around him.)

“Japanese Wiki Corpus.” https://www.japanesewiki.com/. (This is a machine-translated collection of articles on the Japanese side of Wikipedia related to Kyoto. As with a lot of things on Wikipedia, the citations on these articles tend to be poor or nonexistent, but it’s a useful starting point for information on figures and events that don’t have an English wiki equivalent. Definitely more useful if you can then head over to the original wiki articles and parse them out yourself.)

“Kabuki21” and “The Noh.” https://www.kabuki21.com/section.php, https://www.the-noh.com/en/plays/index.html. (I’m lumping these two together because I tended to consult them in tandem. Without getting too much into my personal details I am – among other things – a non-practicing theatre scholar, so whenever I wanted to have characters in my old-timey fics refer to something cultural, my first stop was old plays. These sites have, respectively, summaries of kabuki plays and full texts of Noh plays available for you to browse. If you’ve read my other fics you will probably have seen that I referred to the kabuki play “Fuwa” in 亀が如く.)

Katsu, Kokichi. Musui’s Story: The Autobiography of a Tokugawa Samurai. Translated by Teruko Craig. U of Arizona P, 1988. (A book that needs to be taken with a grain of salt because it’s an autobiography written by a guy who sounds like a real blowhard, but it’s still a really fascinating look into the daily life of a low-ranking samurai.)

Leupp, Gary P. and Tao, De-min. The Tokugawa World. Routledge, 2022. (Of particular interest is Kimura Sachihiko’s essay, “The Shinsengumi: Shadows and light in the last days of the Tokugawa shogunate” [1104-1124], which gave me a bunch of incidental details about the Roshigumi that I incorporated into the sections of this series that were told from Inoue and Hijikata’s perspectives.)

“Old Photos of Japan.” https://www.oldphotosjapan.com/. (Pretty self-explanatory. Very useful as a resource for picturing scenes!)

“Shinsengumi Archives.” https://shinsengumi-archives.tumblr.com/. (A long-running tumblr dedicated to cataloguing resources about the Shinsengumi. There’s an absolute wealth of information collected here, and best of all, the creator cites their sources and even provides links to the original texts. Although it’s focused on the Shinsengumi, it’s impossible to overstate how useful this site is for prospective Bakumatsu-era fic writers in general. The collection of Hijikata’s poems with links to others’ translations and commentary is here: https://shinsengumi-archives.tumblr.com/post/683071924948058112/hijikata-toshizos-haiku-poems. The creator of the blog also links to a translation of Nagakura’s and Shimada’s diaries, and while the document is machine-translated, it’s still a great source of historical details: https://shinsengumi-archives.tumblr.com/post/678083336614428672/where-can-you-read-the-memoirs.)

Smits, Gregory. “Warding off Calamity in Japan: A Comparison of the 1855 Catfish Prints and the 1862 Measles Prints.” EASTM 30 (2009): 9-31. (Okay, this one is highly specific to my fic – it comes up in Part 2 when Okita tells his story about Kashima and again a couple of chapters later when his pile of remedies includes a crudely-drawn picture meant to ward off indigestion – but I love little details like this so I did want to make a point of sharing it here.)

“Tamago Hyakuchin” and “Tofu Hyakuchin.” http://codh.rois.ac.jp/edo-cooking/tamago-hyakuchin/recipe/, https://toyama-tofu.jp/tofuhyakutin.html. (These are collections of Edo-era egg- and tofu-based recipes. They’re two of the sources cited in Cookpad’s collection of modernized Edo-era recipes: https://cookpad.com/recipe/list/14604664.)

Vaporis, Constantine N. “Linking the Realm: The Gokaido Highway Network in Early Modern Japan (1603-1868).” Highways, Byways and Road Systems in the Pre-Modern World. Ed. Susan E. Alcock, John Bodel, and Richard J. A. Talbert. Wiley-Blackwell, 2012. 90-105. (Some of the works cited in this article also sound interesting, but I didn’t have a chance to dig any deeper as I just wanted to know a bit about the Tokugawa-era roads. Also interesting in this vein is Jilly Traganou’s book The Tokaido Road: Travelling and Representation in Edo and Meiji Japan [2004].)

Wert, Michael. Meiji Restoration Losers. Harvard UP, 2013. (Not directly useful as a source for writing about Ishin – it’s about later events and it mostly tracks the posthumous construction of one specific Tokugawa magistrate’s history – but it was an engaging read and I found it interesting as an exploration of how people continue to look back on the Bakumatsu era and the Meiji Restoration, which is something that the game is, of course, also doing.)

Yamakawa, Kikue. Women of the Mito Domain: Recollections of Samurai Family Life. Translated by Kate Wildman Nakai. U of Tokyo P, 1992. (Another one of those bits of essential reading on everyday life for low-ranking samurai, this time with a focus on women’s lives and households more generally. I didn’t use a lot of from this book in my fic, but it has everything from translations of songs to records of families’ financial transactions, and it’s fascinating to read about all the turmoil in Mito playing out in the background of these families’ lives.)

“Yokai.com.” https://yokai.com/. (The creators of this site make a point of not going into detail about their sources, and they’re very careful to state that they don’t intend for the project to be “the final authority” on yokai, but I enjoyed browsing the site to get some ideas for Okita’s stories – and once you know the name of a particular yokai that you’re interested in, it’s easy enough to go look up other sources on them.)

[dancy-nrew]

Happy Secret Samol @humanmorph !!! Yo ho ho a pirates life for you!

Id in alt text and also below the cut for legibility

Image one: An Alise Breka book cover. The illustration (meant to resemble an oil painting) features Leap and Figure A back to back, Figure A closer to the camera and Leap behind them. Leap is in a tie dye hoodie, Figure A has a dramatic collar welded to their round torso. Each are holding a sword and fending off attacks on all sides. Laser beams zip across the screen. The title of the book is “High Seas and Distant Stars” and is written on a yellow band across the top of the page. There is a simplified drawing of palisade as a logo for Palisade Publishing. There is a barcode across the bottom left.

Image two and three: Mockup of the inside of the book. Text reads:

The pirate captain, devastatingly handsome — or devastating and handsome, if you put the question to the unlucky sailors across many planet’s seas — lounged about the deck of the ship. A foul wind had blown through the port in the night, and showed no signs of letting up anytime soon. Disadvantageous, and perhaps more terribly, incredibly dull. Exeter Leap had faced down gods and kings and only laughed in their faces; to be trapped here by a measly turn in the weather made his plating itch.

They’d been here a week already, despite no small effort to leave. Unloading, his first mate insisted, takes time if they want it done properly. Leap had insisted he’d never done anything properly in his life and didn’t plan on starting now, but Figure A had tilted their head in that way they had and explained that properly meant more money, which, he supposed, was hard to argue with. Especially considering their other delay. The Bluebird had taken substantial cannon fire in their last battle, and was desperately in need of repairs, as well as the more tedious maintenance work that went into keeping a ship of its size and purpose in fit fighting shape.

So the minutes ticked into hours ticked into days, and here they are, still.

“I’m not a man meant to stay still,” he complains, staring out over the roiling waves.

”Still: up to and including the present or the time mentioned, or still: not moving or making a sound?”

Leap jumps, but only slightly. A pirate can never be too surprised, but he hadn’t realized he had company, lost in thoughts as turbulent as the sea. The familiar red and gold form of his friend leaning next to him is a welcome sight. “Oh- Uh. Both. Either. Not still here, or still physically.”

Figure A nods in easy understanding. They’re better at patience, at being in one place, but Leap thinks they have something restless about them, too. They lean forward as if they have something more to say but then-! A shout! The familiar blistering heat of a laser beam sipping past inches from his face! A scorch mark across metal! Leaps springs into action as

FREE READING PREVIEW LIMIT REACHED

FULL BOOK DOWNLOAD: 45 GLINT

INSTALLMENT PAYMENTS AVAILABLE !

WHOLE BOOK IN 4 ACTS, EASY PAYMENTS OF 15 GLINT EACH!

EXTRAS AND BEHIND THE SCENES CONTENT (AN INTERVIEW WITH THE CAPTAIN HIMSELF!) 25 GLINT!

Image four: A series of sketches of Leap and Figure A.

First sketch; Leap has his arms crossed saying “Thats not how any of that happened!” as he looks over Figure A’s shoulder as they read the book. They laugh and say “I think it’s fun!

Second sketch; Figure A points at the cover and says “Look at my cool collar” as Leap leans forward to look at it and says “it is pretty sick…”

Third sketch: Leap welding a big metal pirate coat-like collar onto Figure A’s torso as they giggle

Fourth Sketch; Leap grins and asks “How’s that?” Figure A says “Thank yo-“ but bonks their face into the collar as they turn their head

Fifth sketch; very small at the bottom of the page. Leap has a hand over his mouth. Figure A’s head slumps forward as they sigh.

[indigovigilance]

Every single minisode is Aziraphale's memory, and why that's [not?] important

There is extensive meta-analysis, my own included, that Before the Beginning is a doctored memory resulting from erasure of Angel!Crowley, and that the trace of him that is left in Aziraphale's memory is the Starmaker, so that this is what we see at the opening of S2. With this foundation of "some scenes are altered memories," we can critically examine the minisodes and see that, in fact, they are ALL Aziraphale's memories that are potentially subject to doctoring.

Evidence (and exploration) below the cut:

A Companion to Owls

The largest part (S2E2 22:10 to 44:00) Book of Job flashback is book-ended by Aziraphale leaning over the physical Book of Job in his bookshop. We enter the memory when Aziraphale enters it, we leave it when he leaves it. Pretty straightforward.

The Ressurrectionists

Similarly, in S2E3, we begin the first flashback to 1827 with Aziraphale's "dear diary" entry. We flash out each time to Aziraphale: in the car to Edinburgh, getting out of the car at the Ressurrectionist Pub, and with Aziraphale staring up at the statue of Gabriel while standing in the graveyard in Edinburgh, respectively for each of the three flashbacks. This all strongly indicates that we've been in his memory.

Nazi Zombie Flesheaters

I didn't even notice until I was doing research for this that basically the entire episode takes place in 1941. From the end of the main title at 5:00 to 37:50, we never come out of the 1941 story. But what is interesting is what bookends this minisode.

Before the main title, Shax has tricked her way into Aziraphale's car and alludes to a time when a rumor started about our ineffable husbands:

Sometime in the last 80 or 90 years I remember hearing that you and Crowley were an item. I didn't believe it then. Not really. Poor old Furfur.

And when we flash back to modern day, we first go to Hell with Shax proposing a full frontal assault on the bookshop, and then we get:

Aziraphale has arrived back in SOHO, and has spent the 8 hour drive reminiscing about what Shax alluded to.

But this part gets even weirder. Because the final line of the episode is:

You're really hosting the meeting? Absolutely! And I can guarantee you: it will be a night to remember!

What this means in context of the 3 memory sequence

This line has been taken by a lot of analysts as a reference to A Night to Remember by Walter Lord, a collection of first person accounts of passengers of the Titanic. Most notably, the thematic ties of this work to the cinematographic design of Good Omens are captured by this quote:

A key to Lord's method is his technique of adopting an unconventional approach to the chronology of the event, "[taking] an imaginative approach to time and space in which hours and minutes prove extremely malleable, the ship itself seems almost infinitely complex, and the disaster assumes order and unity from far away."

Which is an amazing connection, and probably true, in that it was a deliberate reference by the writers. "Malleability of time and space" describes well how this show is put together for us the viewer. But it also illustrates how Aziraphale experiences his relationship with Crowley; skipping over centuries at a time, while dwelling on and protracting intimate moments spent together, create a cohesive whole when viewed from a distance. That whole is their relationship. [Which is about to go down like an unsinkable ship.]

But absent the literary reference, we could even take this line for its literal meaning. Aziraphale is talking about forming new memories, after we have spent the last three episodes living in his memories of times with Crowley that were key to shaping their relationship. This isn't a S1E3-style series of allusions to a furtive, flirtatious, and organically blossoming intimacy; these are rough events where the two are shoved into moral quandaries and forced to make some really difficult decisions that bring them closer together and define "their side." These are core memories, and incredibly precious to Aziraphale. And now, after a few short days in which he has spent a lot of time ruminating on these intense memories, he is embarking upon the task of making another important memory, that is, dancing with Crowley.

Why We Care

Because memories can be altered, all of the information we get from these episodes is subject to a reliable narrator problem. As of the Gabriel trial, we know that memories can be doctored even when the person in question isn't present. Crowley knows that his memories have been removed or altered, and has put painful effort into retrieving them. Aziraphale may not realize that he has suffered the same fate. These memories that he holds so dear might not even be true.

Memory, Identity, and the Relevance of Fidelity

We would probably expect to get some "corrections" to these memories in S3, to see exactly what kind of manipulations our heroes suffered and what that reveals about the motivations of the perpetrators. That's how a paranormal mystery story with a memory manipulation element would normally proceed.

But it will be even more significant if we don't; it would speak to a philosophy-of-self that you are not the product of your objective past, but of what you remember, and so we don't get to know what actually happened because it doesn't matter to informing us about who Aziraphale is.

Aziraphale's love for Crowley springs from what he remembers about their shared past; it doesn't necessarily matter that the memories aren't true, because the love is.

~~~

I realize that I kinda buried the lead, so if you reblog, please tag appropriately? I'm taking suggestions.

If you want to read more on this topic, this meta by @ineffable-suffering is a good place to go.

[whosaidsealscantfly]

My two cents on the whole situation

I think a lot of people in the Welcome Home fandom are misunderstanding the bigger picture here. It's resulting in a lot of people expressing disappointment and pointing fingers at people who aren't even the problem, and while the intentions mean well, it's causing the toxic environment Clown doesn't want.

In his post, which has now been privated, he talks about how overwhelming everything is. He even directly states that it's not just about boundaries, and while he has trouble putting it into words (and I will not put words in his mouth in the process either), Clown indicates that the sudden spotlight and attention is overwhelming him. And that's completely understandable - he's just one guy! Plus, he's been making stuff for Welcome Home for years, so it only makes sense to fluster over the sudden rush of attention in only a week. A week!!!

The reasons why boundaries come into play with all of this isn't just because his THREE rules were violated by garbage people. It's the fact that he had no time to establish boundaries beforehand, and it's stressful to suddenly have to think of EVERY facet of fandom culture and establish the dos and don'ts. But as Clown said, what's happened has happened, and all we can do is move on. Which leads me to my next point:

Clown explicitly said to not reprimand people on his behalf. He doesn't want the fandom to waste time and energy on people who have already crossed the line. What has happened, has happened. With that said, it's important to educate and point out when someone has crossed a boundary, but you shouldn't go through so much effort and anger over someone who clearly doesn't give a shit.

I've seen a lot of people who are making posts with a lot of "shame on you!"s and "You are all trash." I've also seen comments on harmless fanfics or art saying things like "You're the reason this fandom sucks." What awful things to say!

This fandom is probably one of the best fandoms I've been a part of. Why? Because a large majority, and I mean a LARGE majority, are respectful of Clown and want to do right by him. I've never seen a community band together so quickly to change their ways, apologize, spread the word, and evaluate the decisions they've made: not just in this fandom, but every fandom they've ever been a part of. That's HUGE. I've been on the internet for a very long time, and I don't think I've ever seen anything like that.

Yes, there are BAD eggs in this fandom, but there always is. What's important is that I haven't been seeing those bad eggs. Like, at all. I haven't seen a single explicit NSFW post, and I haven't seen a single piece of mass-produced merch. I've only heard about them through word-of-mouth, but I've never actually seen anything with my own eyes. Not that I doubt anyone, but I'm saying this to illustrate just how little bad eggs there are in the community. And this is a HUGE community.

In fact, I think we're so good, that we're starting to punish ourselves for making fandom content, and that is also awful. I want to reiterate what Clown's three major rules are:

Refrain from publicly posting NSFW content or content that wouldn't be safe for children to see/read.

Do not mass produce merch. Commissions and personal projects are fine, but they cannot be mass produced to be sold.

Do not impersonate and claim his art as yours. Give credit!! Don't trick people, and don't profit off of someone else's work!

And that's it! I've seen a lot of people taking down their fanfictions and art and AUs just because they're worried about Clown. That's super sweet and it warms my heart to hear that the community is so considerate, but remember, the three rules above are the only don'ts. Lots of people are scared of continuing to overwhelm him, and they're also scared that he might stop the project all together.

I assure you, he's not. Firstly, his fan works guideline is still pinned on his Tumblr blog!! If he wasn't sure of fanworks all together, he would have simply privated the post and write a new one with new rules. The rules have not changed. He loves to see fan interpretations, your AUs, your OCs, and your art! This is all explicitly stated! You can read it here incase you forgot -> https://www.tumblr.com/partycoffin/712519493403934720/apologies-if-this-has-already-been-asked-but-how?source=share

Secondly, he actually posted an update on his ko-fi that indicates that he's doing much better and that he's "elbow deep" into working on Welcome Home! I'm a member that gets to see all of his posts on ko-fi, and while I'm not going to show you the whole post (obviously), I will quote an important part you guys should see: "You have all been so delightful to me (Setbacks happen with an abrupt shift in attention, I realize, so roll I will with this newfound experience!) and I was like 'Oh, let's post a tasty preview!'"

Clown acknowledges all of the goodwill and kindness the community has shown. He even states that he's learned from the experience and he's working hard on Welcome Home to see it through!

This was a very long two cents, so I'll end it here.

tl;dr, You guys are being too harsh on each other/yourselves, and that's the last thing Clown wants. He's doing better, Welcome Home is still being worked on, and you shouldn't have to shame yourself or others for posting perfectly kosher fandom content. There's only three major rules, three, so you shouldn't have to feel bad about what makes you happy.

[pigeonstab]

@unknownsodabrand Well Lucky you, I also love the artistic process and I keep all my sketches!! (seriously this is the most self indulgent question I could ever answer, thank you sm I'm gonna ramble a while sorry)

First I was only planning on doing the one Geno Illustration, I mostly wanted to experiment with the long 1000x2000 format bc I thought It could make for an appealing composition and it ended up being pretty challenging to get right.

So. I started with some rough planning of where I wanted everything:

Since this was gonna be a full Illustration I planned the colors earlier than I usually would (I have a love/hate relationship with coloring):

Didn't really like how it came out the first time so I just put a color mask over it, I wanted something a little warmer+brighter cause the flowers looked kinda green to me (Geno's was the one that gave me the most trouble and I liked it the least at first, by the time I finished It was my favourite XD)

Then I decided to make the three parts:

again used the same planning, rough sketch then color.

Then onto actually starting the Illustrations. I worked on these one by one but I'll show the process for all three by the steps rather than saying the same thing thrice.

as much as I wanted to keep the best for last I couldn't help myself and did the characters first.

Lineart:

(Error was supposed to be holding a golden flower so I made his hand's lineart and color layers it's own folder so I wuldn't mess it up trying to draw the flower. I looked a bit stupid so I scrapped the idea)

Flat color:

(I think I did Error's coloring after his background?)

In terms of backgrounds:

for Sans I started with the grid pattern, so I used a ruler tool and went in with color directly (the gradients are changes I did at the very end but I'm not editting out) Then I added the columns and the flowers were a last minute addition because the piece just felt a bit... naked. (also! I say columnS cause I planned on putting two, couldn't make it work the angle and space so I scrapped the bottom one)

The light is a yellowish white with gaussian blur of orange, it's an 'add' layer? ("ajouter(éclat)" because my app is in french) It's about 50% opacity.

I also shaded Sans at the same time as this with a multiply layer with a dark and light color (reddish brown and like light yellow) I'm not showing it bc I do have a 30 image limit I think

Then for Error's background it's just a case of making the lineart for the hammock, haing a layer underneath for the color, a white bg with blue gradient and the strings

For geno I have underneath the black to grey of the save screen, then I have the moss and the flowers

(The flowers were very fun to make I think I only copy pasted one?)

The lighting is a multiply layer over the whole image made the exact same way as Sans' coloring, I thought it was maybe a bit too dark so I dupplicated geno's lineart and colors folder to overlay over the lighting so he would pop more (seeing this now I think either would have been good. The first one might be better actually)

and that's it I think! If you read all of this, well first of all thank you but don't you have anything better to do?

also revised Geno's sketch once but it didn't fit in any where:

Error with my attemps of making the flowers work

[tamsinbeybey-she-no-porcupine]

bbc Ghosts tattooshop capvers au

okay completely based on @captain-rickbond amazing modern Caphrey drawings:

My brain ran with an Ghosts tattoo shop au and though it's Caphrey bffs of course my brain made it Capvers (no one saw that coming I'm sure😉):

-Robin: tattoo artist style old school has one big lightning tattoo over his whole body nothing else. Does also do stick n poke.

-Humphrey: tattoo artist traditional and neo traditional does classic paintings on the side that he sells ,covered in tattoos himself (based on cap rickbonds drawings)

-Kitty tattoo artist. Style: fineline, floral work, dot work , watercolour and cartoon style

-Mary tattoo artist style: black work specialised in tattoos that look like old book illustrations and sketch style, loves doing witchy tattoos

-Allison tattoo artist photorealism style I. Colour and black and grey

-Cap: store manager

-Thomas: that one customer who gets turned away frequently because he wants face, neck or hand tattoos as his first tattoo

-Julian customer three tattoos one heart with Margot one with Rachel and some pun/innuendo very close if not directly on his gentleman's excuse me. Robin did all of his tattoos

-Fanny: friend of cap does like Humphreys paintings and comes by when she wants to chat, gossip or ask Humphrey to do a portrait of one of her pets (on canvas obviously)

-Pat: customer. friends with all of them no tattoos over shirt lines because he works in a bank. His tattoos are mainly humourous about stuff he loves in cartoon style kitty is his main artist.

-Obi the shop apprentice focuses on graphic style (tattoos that look like graphic design) and / or trash polka

The story:

Cap has few tattoos from different artists. Fineline flowers from kitty and a date that holds great importance to him done by Humphrey, a morsecode tattoo on his chest etc. his tattoos are not visible to others normally. They are small and personal.

Robin has a certificate in how to tattoo scars and made all of his artists learn as well

Havers just moved there and wants to symbolise a new start in life with something beautiful coming out of the scars of the past (upper body/arm scars not the face ones)

He walks in for a consultation and is a bit nervous because first it has to be determined what can be done, if the scars can be integrated and if the goal is to fade them optically or use them to enhance the picture.

It's a busy day and stuff has gone wrong so there's a waiting period and cap gives him tea and they get talking and find out they're both ex military and he's relaxed and smiling by the time robin comes to collect him

During the consultation Havers let's it shine through that he's not exactly sure what he wants style wise so robin who's very old school in wanting to challenge his artists calls them one by one to look at him and asks them to design something that symbolises his wish of a new start

He even calls cap in to ask something about if they still have a specific needle type. Cap sees Havers shirtless and gets extremely flustered. And everyone's like "??" Because normally cap runs the shop like a well oiled machinery but now he can't remember if they have that needle size

Havers returns the week after to look at the designs and the main themes are phoenixes or flowers (a lot of dandelions and lotuses)And cap can see (because he keeps looking🤭) that Havers is a bit overwhelmed with choosing so he brings them all tea and starts chatting with him and it quickly turns out what he really loves from which design so cap suggests they do a collab piece on Havers. And everyone whose in the design gets really excited and of course it means that Havers has to come back for another consultation. By that point the others have caught on that cap is talking to and mentioning that one customer a bit often.

Havers returns the next week and for some reason he got the appointment wrong and is almost an hour early (oh dear) and so that very handsome store manager who is bored on this very slow day takes it upon himself to drink tea with him and chat telling him that he loves the meaning behind his tattoo and that he's in good hands and it'll look awesome on him and he shows him his own tats which makes kitty run to the others and whisper because normally no one gets to see caps tats.

The design is wonderful and Havers loves it but because of size and difficult level aka sitting through the extra spicy pain it's gonna be done in numerous small sessions. And every time cap and him find time to talk to each other or shooting glances at each other.

His colleagues try to get Cap to ask Havers out before it's too late but cap is like that's unprofessional and the guy is here to get a tattoo not be hit on by staff.

With the sessions and the healing process it takes months before the tat is finished and it's very clear to everyone else around them that the attraction between the two is very much mutual

And on the last appointment cap wants to ask him out before he possibly never sees him again but everything goes wrong because Thomas demands that this new poem of his has to go on his neck and Robin argues with him and Julian Fawcett turns up drunk for his appointment and Alison has morning sickness and so cap who waited anxiously for Havers to come pay and say bye had to do the payment real quick and wants to say bye and ask him but then Julian smashes a vase from the counter because he got in on the argument between Thomas and Robin and Havers at one point slips out sad that he didn't got to talk to Cap one last time.

Cap is feeling a bit down over the next weeks and everyone is trying to cheer him up.

A few weeks later Havers is suddenly there again because he lost some lines during healing and Cap wasn't even aware that there was an appointment but Humphrey is like oops forgot to tell you.

The actual appointment is over suspiciously fast. (Aka Humphrey met Havers somewhere accidentally and used to meddle)

And then it's time to say goodbye and Cap can't get the words out and Anthony looks very anxious and he's almost at the door but cap calls out to him, Havers whipping around and cap is like I eh oh well I meant to say...we'll be having a flash day on the third if you're interested.

And something about calling him back just gives Anthony the kick he needed and he informs him that he doesn't think he's the type just yet to get random tats because he's more after meaning. New beginning specifically at the moment which also means new people in his life and there's one person he really likes and wants to get to know even better and then he asks Cap out.

Over the next two years the teasing sentence "cap stop flirting with your boyfriend we're about to open" can be heard almost every day in the shop at which point Havers leans over the counter to collect his daily goodbye kiss before leaving for work.

Havers design btw I'm thinking a phoenix made out of flowers like a flower bomb gone off all over his flank and pieces on his chest and upper arm like flames out of flowers everywhere around the actual bird where there is scarring.

During those two years Havers gets a tattoo of the date of his first appointment underneath the phoenix.

And after that the only clearly visible tattoo Cap has that is done as a collab and on two people who don't have many tattoos (the absolute exception Robin makes which drives Thomas insane) are the wedding ring tattoos for Cap and Havers.

[ladyyatexel]

Friends, Romans, Tumblrites, lend me your reblogs.

I'm Xel and I live in a society! I think there's a solid chance you do also! So you may relate to the profoundly crappy thing that happened to me and that I once again need a community assist.

I lost a temporary job that was supposed to turn into a permanent job in June because no one there felt safe enough to retire. Only two of us in the apartment were under 50. One of the crew was over 70. Three were chronically ill/disabled. No one felt safe enough to leave in order for me to stay, so I was trained for basically 6 months for nothing.

I have survived on savings from that job until this point, but I'm at the point where I cannot pay rent. I'm looking into getting help from sources more local to me but the internet has always felt like people who cared about me more than the people I share DNA with, really.

Many of the social services that I was signed up for expired the day that I was supposed to be told that I would be a permanent hire, and since that didn't go down, now I have to start it all again from the beginning, and there are gaps in my security net.

I tell you all of that just to say that I am actually trying to do things, I'm not here to just beg and coast along on some sort of lavish lifestyle where I, uh. Keep living in this dodgy apartment with my cat.

I don't want to bore you with an itemized list, but like 2,000 US dollars would get me through September and October without being worried about it like every 3 minutes. My rent is 700 and change, if you would like to know that. So I'm looking for like September and October rent and money to renew my driver's license, pay a few utility bills, buy a bag of cat food, and refill my medications.

If you have the notion to toss help at an internet pal or the extended reblogged acquaintance of an Internet pal, as is more likely the case, probably, that would be super rad of you.

I'm an artist! You could get things with images on them from me! I sell buttons, prints, and commissioned illustrations if that's your thing. My commissions are going a bit slow as of late - I only recovered from being not really able to walk like 2 months ago, and so I'm doing a lot of catch up like everywhere else in my whole life and trying not to spend too much time at a desk since it aggravates the spine thing that was the problem in the first place.

To be honest, it would be a greater help to me to just receive some Aid rather than full-on commissions, but I completely understand feeling fishy about people getting something for nothing and also feeling bad for being a charity case on the internet, so I'm not opposed! If you want to chat about that, I have a commissions post on the side or top of my blog depending on where you're looking at this!

Ko-fi contains my buttons and is a good place to toss digital dead American presidents if that suits you. I will get hit by some PayPal fees in this process but, I'm willing to call that a call for help on the internet tax.

I promise I'm a real person and not a bot who has made up a cat and is pretending to have interests. My blog has been here since 2010! I've met people on this website in person and everything. I've had embarrassing obsessions no bot would bother coming up with. Speaking of:

Similarly to times before, I would like to be able to do something in order to feel like I have earned some kind of support, and as of my birthday last week I have resolved to try very hard in the next year to conquer my fear and absolute mortification about many of the things I make, so I will once again go digging into my archives for things I can post for you to enjoy as thanks and tribute! I also have a poll running right now to see what kind of buttons people want!

Thanks for taking a look! Be nice out there, take care of your spines!

[girlfriendsofthegalaxy]

tuesday again 7/23/24

i woke up at ass o'clock monday morning to find BOTH of my cats sleeping on the bed with me :') temporary peace and love on planet niceys

also read a book where my takeaway was that there are SO many opportunities in the world for evil engineering but not nearly enough for evil puzzle games

listening

my sister sent me ONE instagram reel/screencap of a tiktok and ive been muttering "emergency! emergency! paging DOCTOR BEAT!" under my breath for the past three days. alarmingly catchy remix of this gloria estefan song. this specific video below is pretty close but there are approximately eight zillion versions

-

reading

Dark Wire by Joseph Cox (photo from here, description from the publisher's site).

The inside story of the largest law-enforcement sting operation ever, in which the FBI made its own tech start-up to wiretap the world, shows how cunning both the authorities and drug traffickers have become, with privacy implications for everyone. In 2018, a powerful app for secure communications called Anom took root among organized criminals. They believed Anom allowed them to conduct business in the shadows. Except for one thing: it was secretly run by the FBI.    Backdoor access to Anom and a series of related investigations granted American, Australian, and European authorities a front-row seat to the underworld. Tens of thousands of criminals worldwide appeared in full view of the same agents they were trying to evade. International smugglers. Money launderers. Hitmen. A sprawling global economy as efficient and interconnected as the legal one. Officers watched drug shipments and murder plots unfold, making arrests without blowing their cover. But, as the FBI started to lose control of Anom, did the agency go too far?   A painstakingly investigated exposé, Dark Wire reveals the true scale and stakes of this unprecedented operation through the agents and crooks who were there. This fly-on-the-wall thriller is a caper for our modern world, where no one can be sure who is listening in. 

i really liked this one! cox did a really good job of slowly unfurling the extremely technical details as they became relevant, instead of one horrible infodump near the beginning, and has a real gift for humanizing little anecdotes that illustrate the concept. he's also dryly funny in a very british way, eg the transition between one paragraph describing a very talented olive oil salesman and his lifestyle to how that olive oil processing covered up drug labs with the sentence "But Catanzariti didn't stay with olives; he pivoted instead to methamphetamine." i loooooove reading about how the drug trade gets around customs. i love edge cases and figuring out why things fail. i truly think some of the finest materials engineers of our time are out there trying to figure out how to get cocaine into australia.

this is deeply reported in a way that's very different from a lot of popsci and pop-history books that annoy me: this is NOT a book where it feels like the author is simply padding out a wikipedia page, supplemented with articles he's already written. he's been on this beat since 2016 and it shows: he has quotes from hundreds of people on many sides of the drug war. something i also appreciate is that cox is not automatically, rabidly pro-cop; he does not gloss over the very real tortures and kidnappings and all the other nasty realities of the global drug trade, and frequently shows how much overreach and entrapment took place during this whole endeavor. i particularly liked a chapter where he flipped back and forth from various law enforcement officials assuring him they of course complied with all relevant privacy laws and blacklisted anyone using it for simple secure communications, and lawyers telling cox "no the cops very much did spy on my privileged communication with my clients and i know this because these texts came up in court". also gratifying to read about some cases overturned or thrown out, in the odd case a judge decided it looked too much like entrapment.

i feel like i devoured this book SO fast but it's a solid 352 pages in hardcover. i also had to wait a good two months on the libby holds lists so there is strong interest in this book! good for cox!

how did i find this book: it's austin underscore walker's fault. they used to be coworkers at vice and cox and three others broke off last year to found 404 Media, which has had an absolutely crazy amount of real-world impact for the size (again! four people!) and how long they've been around. rip vice. wish u did better by your people.

-

watching

watched Hercules (1997, dir. Clements & Musker) with my bestie's five year old. i did not grow up with disney movies and don't really have a nostalgic affinity for them but this shit holds up! i like how meg has the silhouette of a greek vase

-

playing

powerwash simulator has a new free DLC out! we get to go to the aquarium and wash some exhibits and wash the research submarine!!! VERY soothing. took me a good solid two hour podcast episode to clean the exhibits.

the temporary summer event in genshin impact is very darling this year-- there are big indie game vibes and unlocking every chest is a little more complicated or has a little bit more story attached than usual. very excited to see if this continues with the next big update that introduces a whole new land.

i also like that they've picked An Art Style to work with-- everything is very toy-like or origami. not that genshin doesn't have a distinct art style, but playing around with something less realistic is fun!

-

making

look im going to have to add a cross stitch update to the morning reblog. the lighting in here is simply Not Good Enough

[maniculum]

Bestiaryposting Results: Miscellaneous Lizards

Slightly delayed, sorry. What happened there is I drafted it, looked at the time, thought I should give it a couple more hours to make sure everyone had time to post their stuff, and then... forgot to go back. Anyway.

Our second week of miscellany, where we have a bunch of the critters who didn't get their own entry grouped together. This one is the shortest, with just three lizards to look at.

If none of that made sense to you, you can find answers at https://maniculum.tumblr.com/bestiaryposting.

To see the entries for the three lizards in question, click here:

And to see next week's miscellany so you can participate, click here:

Without further ado -- and crossing our fingers that the tagging system is cooperating this time -- here are some lizards below the cut.

@coolest-capybara (link to post here) has drawn all three, along with a bonus... well, the post says it's a scorpion, but I thought those looked different... anyway. The smaller lizards are darling, and I think the celestial look of the Rukhgarukh came off really well here. (And thank you for providing alt text.)

@silverhart-makes-art (link to post here) has done some quality pencil sketches that also led me to learn cool things about the tuatara. I think the Nglushogog turned out particularly well here; the draconic vibe is interesting.

@cheapsweets (link to post here) has done a pencil sketch of the three -- I like the Nglushogog again here. The whole "lizard with the face of a frog" thing is honestly turning out more interesting than I expected. And hey -- in the bottom right -- what is that? Looks a bit like a scorpion to me.

@strixcattus (link to post here) has drawn some interestingly varied lizards, and included some nice lettering for us. I think this is the first one where the Hrutdearya really stands out to me -- it just looks so small & cute. As always, I recommend reading the linked post for Strixcattus's work, as she writes naturalistic descriptions to go with the illustrations -- I think the one for the Nglushogog is clever, and also hits pretty close to the mark in one particular way... we'll get to that.

@wendievergreen (link to post here) has drawn some very realistic-looking lizards by doing mashups between various Oregonian species. All extremely solid, in my opinion; I especially like the coloring on the Rukhgarukh. Also the exclamation point over the "scorpion" is a nice touch. More details in the linked post (and thank you for providing alt text).

So! Aberdeen bestiary.

This is actually just the illustration for Lizard. Which... I guess? Come on, monks, surely you've seen a lizard, what are you doing here? Why does it have that face?

Nglushogog

The Nglushogog gets no illustration of its own -- that single sentence describing it occurs in the intro to the brief "lizards" section. However, I can tell you that it is the botruca or botrax. (The entry uses both -- it mentions the "botrax" in a list of lizards at the start, then notes that the "botruca" is called that because it has a face like a frog.) This is not particularly helpful, however, because that is not a real lizard. The Medieval Bestiary website provides a little more information on it at this link here, and suggests that this was actually originally just the entry for a frog (or toad). This theory is supported by the fact that, according to the Aberdeen Bestiary, it is named after the Greek word for "frog". Which... close enough; Wiktionary tells me that Ancient Greek* for "frog" is batrakhos, and that seems plausible to me because we have the English word batrachian. (Even though Tumblr thinks we don't and has red-underlined it.) So probably somehow** "frog" turned into "frog-like lizard that has the same name as a frog".

*I'm specifically using the Ancient Greek forms here because I'm pretty sure those are the ones our authors would be most familiar with unless they happened to be writing from the Eastern Mediterranean.

** Looks like it might have been Isidore of Seville's fault, which... shocker. Or at least, he's the earliest source bestiary.ca has listed for that entry, and we know that he's where the Aberdeen Bestiary gets its etymological trivia, so it seems likely that he did that.

Hrutdearya

This is a very interestingly-stylized interpretation of "looking through a crack in a wall". Who built that little archway, and does it actually help with the sun-gazing?

Anyhow, this is the saura, which... well, I can't say it's not a real lizard, but it's also clearly the result of a misunderstanding. As we all know from (I assume) reading about dinosaurs, saura is just Ancient Greek for "lizard". So probably this was originally supposed to describe something all lizards do, and this bestiary turned it into a specific type of lizard.

Rukhgarukh

This one, as you can tell by it looking absolutely nothing like it, is a newt. It has stars on it because the Latin for "newt" is apparently stellio. It's possible that the artist did not realize it was supposed to be a newt. It's possible it wasn't supposed to be a newt originally, but I don't have time to look into that right now.

Anyway, that's lizards. Tune in next week for some snakes, a category to which the above legless critter apparently does not belong.

[moe-broey]

It's really difficult to be a character who's intrinsically tied to another, who's inseparable from them. Esppp when the other half seems like they'd be able to be independent without them (I have the hard stance that Alfonse would shit himself and die without Sharena though.) I think it's even MORE difficult when you've got girl character (who's intrinsically tied) and guy character (who seems more independent). LIKE. A LOT. Of baggage comes w this. You're up against potential misogyny from the writers. Even if it's not overt, you see it in favoritism (who gets to do what/be the driving force in the narrative). And I think to a degree there's a feedback loop, where if the writers don't give you a reason to care, you may not. Unless if you're like. Oppositional and stubborn about it. Which I've ALSO been in the position of w a handful of the FEH girlies LMFAO. BUT. Beyond the feedback loop, there's also just the male centric favoritism that happens in general, in fandom spaces. Dare I point at Three Houses. Oh god. Listen. I never completed a single route. But I love you Edelgard they can NEVER make me hate you.

Got slightly off topic, but. I esppp want to highlight my opener, here. That it's a really difficult position for a character to be in, story wise, and fan perception wise. Thinking about it bc I brought up Rosado's FBs, and how even in those it ties back to Alfonse.

But like. Man. I'll be real w you, I don't got a greater point or in-depth analysis or hot take. I just really have a soft spot for Sharena, because of this. To be a younger sibling, who's so heavily defined by that. In the way she's treated within her family, in the way she interacts with Alfonse. In almost every single action she takes. She adores him, looks up to him, and that just makes it sting even more, the way it's so clear that Alfonse is absolutely the "golden child" here. But god, it's crazy to me, that she's never resentful about it.

Also do NOT get me started on the Peony twist, but I can't help but think about her too after saying that actually. Like. Peony's defining characteristic that separated her from Triandra WAS that lack of resentment. Triandra wished for retribution, revenge, justice by her own hand. Most of all, she wished for a way to protect her little sister once and for all. Peony on the other hand, all her wishes were for comfort. Happiness and joy. Maybe even safety? But, I'm actually ALWAYS thinking about that one line between the Tana/Peony duo. Paralogue, I think -- okay found it LMFAOO BUT.

LIKE. TO BE SO HONEST. ESPPPP given the way Sharena and Peony were so indistinguishable as children. If this is an ideal Peony has held since she was a child, we could feasibly extend this to Sharena, and. It just perfectly illustrates what I'm getting at, here. Peony was never resentful, Sharena isn't resentful. Both of them have ALWAYS been about Lessening The Burden. Through being supportive, being an unwavering force of positivity, some solace in a shitty situation.

Idkkkkk I'm just. So talking out my ass, and I can never quite capture it. Another half-thought is the way people may write off optimistic sunshine characters as being less complex than your more overt Problems and Issues characters. Another reason I feel like Sharena WAS so looked over, I mean.

Okay confession time it's actually a pet peeve of mine. When people call back to the "I'm gonna kill you too" line from Alfonse too much. Like. I honestly cannot explain it but I get AUTISM MAD ABOUT IT. LIKE if you focus too much on that and that alone, I feel like you're disregarding ALL of the fucking context that led up to that. Context, that gives way to FOCAL. ESSENTIAL characterization notes. If you whittle him down just to that, you get something hollow.

So, why do I bring it up? BECAUSE. AND THIS IS PART OF THE FOCALNESS I WAS TALKING ABOUT. That whole show Alfonse put on for Letizia makes you stop in your tracks, leaves you stunned and speechless, maybe get a wave of "oooooohhhhhhhhhhhhh he's SO COOL", but to ME. What's important, is the way it makes you step back. Makes you think back to other instances where Alfonse jumps out w something crazy. And then you nod and go yeah no that tracks. Dude has been threatening to kill god since day one. He's always made calculated gambits like this, you see it in Book 3 (in before Gustav gives him hell for it, shattering his confidence almost completely). Also Reginn's ordeal. Also Seidr (considering killing her to stop Gulveig). And though this happens a book after, Ratatoskr. Ect ect ect ECT

AGAIN. WHY DO I BRING THIS UP. The thing is.... Sharena hasn't really had any moments even VAGUELY comparable to this. There's nothing that jumps out at you, makes you pause and look back. Her character is really... subtle, in a way. You have to look between the lines. And, you may have to go out of your way to revisit old moments to see how they track (like, nothing prompts you to do so -- it's just me and my autism-fueled commitment to a bit I have to get back to tbh aka my quotes blogs LMFAO). I think MAYBE the closest thing you get is her 40 convo, and the way you have to cross reference it with Katarina's arc (early paralogue), and f!Byleth's FBs. Two things I have yet to revisit actually myself, at least recently. BUT. Through how meaningful it was for Sharena to befriend Katarina (and subsequently how painful her betrayal was), and SO many of Sharena's interactions w Byleth that amounted to being Shocked when Byleth said, "Okay. We are Friends." Like. Like. It paints the greater picture, here. That DESPITE Sharena's social butterfly tendencies, she really does struggle with making connections. The way she's deeply lonely.

LIKE. LIKE. THE COMPLEXITY. IT'S THERE. I SWEAR TO FUCKING GOD IT'S THERE. Godddd don't even get me started on how she struggles to be honest w herself and subsequently everyone else around her. The way Alfonse manages to make deep emotional ties, but Sharena just... can't. Because she struggles so bad just Being. By putting her best foot forward, she creates this paradox. If she can't be real with herself, how can she be real with anyone else? ALWAYS THINKING ABOUT. DOD VERONICA'S CASTLE LINE. About (roughly quoting) "Does Alfonse know what love is? Sharena clearly does not." LIKE. GIRL. THE VIOLENCE. BUT ALSO. Making that call SO confidently. When I get really insane I almost think about the potential lore implications of Sharena being excluded from the DOD banner (my beloathed), like, the In Universe implications. Yeah yeah The Twist, we all know it. But like. Is there something in that line, too...? Nothing will absolve that Choice (to not include her), but. The lore implications. Do fuck me up big time.

I FEEL LIKE. THAT'S ANOTHER THING TOO. AGAIN W READING BETWEEN THE LINES. THE SUBTLETY. To the point of looking for something that may not even be there. It drives me SO INSANE. I feel like (myself included) people start to go hard for Sharena BECAUSE of All This. The neglect/being overlooked, by the writing/game itself. You look between the lines out of spite. And I've reached a weird level of it where yes, that's where I Started, but it's another thing I get autism mad about now actually LMFAO LIKE??????? Whenever anyone points out the favoritism/overshadowing, I do get really defensive in a way???? And I can't even tell you why. Like NO. THERE'S MORE. I SWEAR TO GOD THERE'S MORE than just posturing about how Alfonse gets this that and the other and Sharena does not. It's true, but THERE'S MORE. YOU CAN'T JUST FOCUS ON THAT TO FOCUS ON THAT ALONE IS TO DISCREDIT HER TOO........,

Like. Maybe it's a mixture of feeling like "By pointing out how Alfonse overshadows her you're overshadowing her again" (FEELS slightly inaccurate esp bc I know that's not the goal when people do this. And again, that is where I started, so I Get It). But also. I think it ties back to my opening thoughts, again. "Who am I, without You?" and "My entire life I've loved you and looked up to you" and They're A Set. Do NOT Separate. Like... I think the identity issues are a core part of her, too. It's the emotional enmeshment. It's the co-dependency. It's more pronounced in her, maybe, because she's the younger one. She's also just more emotionally open about it? At least vocally, she expresses her affection through words. But I think these qualities are JUST as strong in Alfonse, too. Ergo, my stance of He would shit himself and die. Without her. You see it in his actions, and the way he may imprint on certain characters. Veronica/Thrasir being the go-to example, but I think it's also true for Reginn and Ratatoskr to varying degrees (ESP don't want to discount the Practicality. The Practicality is important to me).

Once again I fear I'm doing the exact thing I was complaining about (the overshadowing) but the THING IS. IS THAT. Alfonse and Sharena have an endless feedback loop of their own. You need to analyze each individually AND together, to get the Full Picture. They are like two halves of a whole.

Idk maybe it just boils down to like. Very loosely quoting/reffing this joke, but. If you told Mario you don't like Luigi he would be So Fucking Mad at you. If you told Luigi you don't like Mario he would cry. They're Mario and Luigi. To me.