#'you just haven't found the right one' i mean....

[yawchi]

"just fucking listen to me and do it already."

there has never been a time in itoshi rin's life that he has ever allowed anyone to speak to him this way.

"yes, beloved."

until now.

leaning back against the headboard, you cross your arms over your chest and let out a light huff of satisfaction. of triumph. he has half a mind to jerk you out of the bed by your ankles.

yet, he doesn't. no, instead he tugs his shirt off over his head, shrugs past broad shoulders. slinks past chiseled forearms. he discards it in the laundry bin (something he's discovered is hard for you to do) and picks up the object of your demands.

a baby pink sweater, with dark pink hearts stitched throughout.

he picks it up and pretends he doesn't hear your faint chuckle at his demise; rubs the fabric between the pads of his fingers. scrunches his nose up in the way you chastise him for.

that's too mean, rin! you say. how are you ever gonna make any friends with a face like that?

he doesn't care. he doesn't want to. why would he need friends when he has you? are you not enough? do you not fulfill all of his needs? he believes so, at the very least.

one arm slips through surprisingly soft cashmere, then the other. then he's poking his head through the middle whole and there's a whole lot of pink passing in his line of sight.

seriously, when the fuck did he start letting people boss him around like that?

when did he start to find it so easy to give in? when did you sneak in? why haven't you left?

"oh. my god," you're whispering, then shrieking, "oh my god!"

"okay," he chokes out, finally, tugging at the collar before the sweater’s even laid properly over his torso. “that’s enough.”

“don’t you dare,” you snap, and he listens.

and what the fuck.

you shimmy your way to the foot of the bed, right in front of rin. pushing yourself onto your knees, you reach forward to swat his hands away and smooth out the wrinkles. there’s something in your eye—a glimmer, maybe. it’s pretty. rin frowns to hide his blush.

“oh, yeah. this is—“

“ridiculous,” rin cuts you off with a fixed glare. “i look ridiculous.”

“ridiculously adorable,” you counter, scoff at him with a wave of your hand. “this is it. i want you to wear this one to dinner.”

“no.”

“yes.”

“no.”

“yes,” and you’re leaning in, smoothing one hand over his clavicle and circling the other around the back of his neck. nose brushing nose, warm breath to warm cheeks. “for me? i’ll be so good.”

you kiss him—more of a peck, really—but it’s enough to have him feigning, giving in.

“fine,” he huffs, jerks his head away from you and grabs his keys off the top of the dresser. “one hour.”

“deal!” you chirp, slipping out of bed to slip into your shoes and itoshi rin is seriously dumb founded.

he isn’t sure when he started letting people boss him around—when he started letting you—but, he must admit that a little piece of him thinks it might be worth it.

especially when you’re going to be so very good for him later.

[tryingahandinholdingapen]

let's combine some tropes

- red eyes are blessed (and therefore Tobirama has been hiding his face (and possibly generally his appearance via seal) bc they're not sure what Uchiha do with red-eyed people)

- Tobirama is a v strong sensor

- He finds Uchiha chakra in general and Madara's chakra in particular to be v pleasant

- He sometimes hides at the edge of Uchiha land borders when he's having a bad day, or just when he feels like it, in order to better immerse himself in chakra he finds comforting

- (and also Butsuma Sucks. he's abusive to his kids, esp Tobirama bc woe red eyes akin to sharingan and Butsuma's never been the most rational about his hatred. on a related note he's a passable clan head but he'd be a lot better if he didn't let said hatred guide his actions more than his reason)

...I don't think this post will get too long but I say that every time and then it does so maybe I should just preemptively stick a read more here??

basically au in which, from a p young age, Tobirama sneaks off to chakra bathe when he's sad or stressed. the Uchiha clan haven't actually found any red-eyed people in a while so the Senju aren't sure what they do with them but rumours still abound and all the rumours Tobirama have heard have generally been... well they've been bad. very bad. but they've also all had a common theme of 'the red-eyed person is not immediately killed on the spot', which is better than Tobirama could hope for from Uchiha as the Senju surety heir. so anytime he's hiding/skulking around the edges of Uchiha land, he makes sure that, unlike usual, his true appearance+eyes are on display as well as ensuring he doesn't have the Senju mon on him anywhere

he absolutely does not want to get caught by the Uchiha but also it's only sensible to take precautions so that if the worst case scenario happens and he IS caught trespassing, he should at least have a bit more time to try and escape, bare minimum, right?

so that's Tobirama's side of things

the Uchiha side of things is more like

okay they haven't found a Blessed in some time now and it's not like there's a strict manual what you should do if you find one. it's more like "these people are important, don't hurt them if at all possible, help and protect them if at all possible, bringing them into the clan and teaching them abt all things Uchiha including our religion would be a very good thing". so there's like some guidelines but it's fairly vague

this means the patrol predominantly made up of fairly new shinobi has absolutely no idea what to do when a while after sun-down they come across a Blessed child fast asleep, but slowly blinking awake, in the branches of a tree near the edge of their lands. like. hello?? small child?? why are you here how are you here do you want some soup

they're only standing around in confused and slightly awed shock for like, 3 minutes MAX but unfortunately that's long enough for the child to wake up properly, take one look at the patrol and then fucking bolt off Uchiha lands

cue surprised and self-recriminating cursing from the Uchiha shinobi. they can't just abandon their patrol route and they're somewhat wary of a potential trap for (relatively) newbie shinobi, so they don't all go after the child. but they do send their fastest after the kid because cmon that's a tiny Blessed!!

no luck, they return empty handed

apparently the Blessed child is unreasonably fast and tricky

damn

what now?

baby Tobirama returns home absolutely furious with himself. he can't believe he fell asleep!!! of all things! yeah he was exhausted and yeah he was snuggled up in warm comforting chakra but to fall asleep in enemy territory! he's so mad at himself. it was stupid and it was reckless and it was incredibly selfish of him to risk such a thing when his family, his clan, need him and- (continues telling himself off for like, 3 hours, until his brothers eventually manage to distract him from his horrible mood)

he doesn't return to Uchiha lands for ages after that. but he does, eventually, return

he isn't spotted every time he sneaks onto Uchiha lands, far from it, maybe one time in twenty or less, but it definitely happens enough times that they must know there's a little red-eyed child who keeps skulking around their territory and then bolting whenever he's spotted. oops. regardless he's very stressed and very sad because one of his little brothers is now gone (I kind of want this to be an au where his brother lives but is now stuck in an arranged marriage/learning to be a diplomat in the capital or smth, but regardless of how Kawamara is gone now and baby Tobirama is very sad abt it) and despite how many times they've spotted him, none of the Uchiha have actually managed to catch him yet, so he deems it worth the risk. (he maybe is not thinking incredibly rationally rn and just willfully disregarding anything against what he wants to do. give him a break his life sucks rn let him have this one thing)

meanwhile the Uchiha are like. where is this tiny Blessed child coming from/going to and why does he keep running away from us? like okay we know there's some horrendous rumours abt what we do with Blessed and we can't correct those rumours bc doing so risks others using Blessed against us but like....if that was the reason this kid was running from us then surely either he'd be trying to hide his features or he'd stop sneaking onto our land?

.....maybe he's not worried abt us noticing there's a Blessed child on our lands. he doesn't seem TOO bothered by us getting glimpses of him in the relative distance after all. so...he doesn't want us to see him close up? why?

..maybe he's like, really obviously from a neutral/enemy clan or something when you get a better look at him? hmmm

maybe he'll let us talk to him/catch him eventually if we keep trying. I mean it doesn't seem like he plans to stop sneaking onto our lands and WE'RE certainly not going to stop so surely its only a matter of time before he realises that if we wanted to actually hurt him we absolutely could have been throwing jutsu or weapons at him from this distance or senbons laced with sedatives or-

(should we do that instead actually? hit the kid with a sedative, deal with the rest later?

no, then we might permanently fuck over any chance of him ever trusting us and that would make helping/protecting/integrating him SO much harder

urgh. you're right I guess. okay)

anyway. maybe the little Blessed kid will relax eventually

(Tobirama does not relax eventually)

they've fallen into a frustrating stalemate in which Tobirama will fairly frequently lurk around Uchiha lands and occasionally an Uchiha will spot him and halfheartedly attempt to catch him, only to fail because Tobirama is unreasonably fast (....part of me wants to start spouting my mokuton secondary agenda again here to explain his Speed) and also they're trying not to hurt him in any way which makes it a lot harder

Tobirama has technically relaxed somewhat in that he's now significantly less worried about the prospect of the Uchiha hurting or catching him (as long as he's obviously red-eyed and absent any Senju mon, at least, all bets are off on missions/battlefields) and has as a result started to a) gradually creep further into Uchiha lands each time bc hey if the Uchiha aren't too much of a threat then it's better to be within the patrols who would stop any bandits or rogue shinobi right? and b) has started wandering off to Uchiha lands whenever he feels like it instead of just when he's near his breaking point. like now whenever he has a free moment he's like 'hmmmm do I want to spend time fucking about with research or with Touka/brothers or do I want to go chakra bathe' and they're all weighed up near equally in his mind

(assuming that said free moment would also give him the time/cover/distraction needed for him to reach Uchiha lands and back without Butsuma noticing, ofc. he isn't stupid nor does he have a death wish. That Man assuming he'd gone traitor would be.............bad.)

so I mean the Uchiha were sort of right in assuming he'd relax once he realised they weren't incredibly intent on hurting/catching him. they were just wrong in hoping he'd relax ENOUGH to let them catch/talk to him

they're very disappointed. however they're also cautiously pleased that the Blessed child has not stopped coming back over and over again, and also that he is gradually coming further into their lands and two months ago when some (significantly less welcome) trespasser turned up and tried to attack the kid he even ran to an Uchiha patrol for help! Admittedly he didn't say anything, or stick around after, but hey he at least trusts them a tiny bit to go to them for help against an enemy, right? Progress! It might take a billion years at this rate but they WILL win over the Blessed kid eventually!

at this point it's been like, at least two years since Tobirama was first spotted. probably significantly more. the stalemate truly is getting a bit ridiculous but neither party is willing to break it for fear it would end badly (and probably specifically end badly for Tobirama/little Blessed child, realistically. given he's a small child and they're an entire clan whose land he is trespassing on, there's v few ways they could break the stalemate which wouldn't risk - at best - the kid simply never returning again or at worst the the kid/Tobirama dying or living but hating+distrusting the Uchiha forever or Tobirama getting kidnapped and suffering [unspecified bad fate bc Tobirama doesnt know which rumours may be accurate but he hates them all])

eventually, fucking years later (I'm imagining Tobirama somewhere between 11 and 16 but truly can't pin it down further it depends if/what plot I include later in this theoretical fic) the stalemate does get broken, but not exactly by choice

Tobirama was on a mission and fairly badly injured. not enough that he's at risk of dying, unless he does something truly incredibly stupid + fucks up his own condition further, but he's in a lot of pain, his adrenaline is sky high, and he generally had a shitty time on the mission. he completed it successfully- barely - but it sucked and he's pretty miserable at the moment. he knows what he SHOULD do is go home and report to the healing hall to be fixed up and then go recount the mission (and his many failures/perceived failures on said mission) to Butsuma but.

but.

he doesn't want to do that

to put it mildly

anyway, the Uchiha is significantly closer than his own clan due to the direction the mission led him in, and he's exhausted and hurt, and his disguise is compromised..

(if it's something physical like a mask/contacts/dyed hair/etc then he lost it on mission or it got washed out due to how So Many Things Happened. if it's something chakra based like a jutsu or seal then he's too low on chakra and too hurt/distracted to maintain it)

...so trying to get all the way past the Uchiha, in his Senju armour but clearly a red-eyed child, when he's too exhausted and injured to guarantee he could succeed in doing so, would be a really bad idea, right? right. like they'd probably see him at best and then they'd know there was a red-eyed Senju kid and far more realistically they'd successfully catch or kill him in this state

so obviously it makes more sense for him to discard everything that marks him as a Senju, whilst he's still conscious+has the chakra to seal it away surreptitiously, and then go nap on Uchiha lands until he's recovered enough to make it home safely

yeah, that's a good idea. he'll do that

(tbf this is a fairly decent tactic but he's also trying to convince himself because when the options are 'soak up the most wonderful chakra he's ever felt and have a nap safely on territory he knows he probably won't be hurt on' or 'go home and get horribly mistreated by Butsuma for doing so badly on a mission before he even gets a chance to rest' he knows which one he wants to pick)

so Tobirama discards his armour and most of his equipment (urgh why is the Senju mon on EVERYTHING he complains to himself) and seals it away, making sure said seal also isn't at all obvious. all the moving he has to do to get this done really sucks because ow. injuries. most of them aren't that bad, a lot of surface wounds, and none of them are fatal, but OW moving so much aggravates almost all of them

this more or less just leaves him in pants, an undershirt, shoes and a kunai pouch. it's....Not A Lot and the paranoia and vulnerability is prickling at him even once he's within Uchiha patrols on their lands and he keeps trying to assure himself he's safe there but it's not working. he's hurt and exhausted and he barely has any chakra left and now he's not even wearing his armour or most of his weapons and he doesn't USUALLY wear his armour on Uchiha lands but he's also usually wearing more and NOT INJURED and more heavily armed and-

to appease his panic so he can actually rest like he'd intended to, instead of just kind of hanging around or scaling some branches/outcropping, he instead finds a tree that has a small burrow at the roots, just big enough for him to fit and evidently not currently in use by whatever animal made it, and curls up in there. he's careful of course not to let any open wounds meet the dirt, that's just asking for infection - thankfully his pants are long and his undershirt has long sleeves, so he just has to curl his hands up in his sleeves and ensure his head is cushioned on the lightweight cloak that thankfully had no clan mon on it - but he feels a lot safer when he's hidden away in an enclosed space

he reaches out to the warm-spice-passion chakra signatures within the Uchiha compound, shifts a bit for the comfiest position he can find in his little hiding place, and finally feels able to relax for the first time since that horrible mission started

there. safe

he falls asleep

meanwhile a Uchiha patrol has found spots of blood and a lot of scuffed up footsteps along their border, plus one spot that's just, a mess of leaf litter and kicked up moss (Tobirama tripped over a tree root when trying to take his chest plate off, immediately felt irrationally angry about it, and kicked at the stupid root to get it back. he then felt stupid himself and pretended it didn't happen. the rest of the mess is bc he was p carelessly dumping his shit on the floor before sealing it away) and they're concerned about it

is this from a fight?? no signs of jutsu tho, or discarded weaponry....hm. at the very least, someone was injured and (given that as far as this patrol knows, all their clan members are accounted for or shouldn't have returned from their missions yet) probably also trespassing

better go investigate

so they do and they find....that's a Blessed. that's the same Blessed that keeps wandering onto their lands, and he's asleep in a fucking hole and bleeding everywhere. oh shit. also where the hell is his shirt?? that is not a proper over-shirt that is underclothing what-

ah fuck what do they do

ah fuck

they know they're supposed to help this Blessed but they also know that a) he's scared of them for some reason. possibly bc he may technically be an enemy to their clan? they have no proof but its a persistent theory over the years and b) he's definitely a shinobi there's no way he could have outran that trespasser without training nor ended up in some of the ridiculous places he's been (hello?? tiny Blessed?? why are you 30 feet up a tree) without the ability to tree-walk

so like. they want to just take him back to their healing halls or something, but if they try that they'll probably just scare the shit out of him and he'd likely hurt them - and more crucially - himself in trying to get away

so they probably shouldn't do that. but they also can't just leave him injured in a hole. he's a Blessed! they can't leave him like this!

so

what do they do??

they have a quiet argument/discussion and ultimately determine that some of them will stay guarding the injured Blessed and some(one) will run back to the compound to firstly explain what's happened + that someone else needs to take over their patrol route and secondly gather what medical supplies they can spare and bring those back here

when the assigned shinobi returns with the supplies they end up accidentally waking the Blessed, which unfortunately immediately confirms their worries because he freaks the fuck out. he seems to want to run but swiftly determines he couldn't get out of the fucking hole + past them without them letting him, and instead twists with a pained hiss, bringing his hands up to hide his face and build as much as possible

which is interesting. he doesn't go to hide his hair, nor specifically to hide the red eyes that mark him as Blessed, no he goes to hide other potential identifiers....which kind of suggests he is indeed from an enemy clan. hm. damn. doesn't make him any less a Blessed but oh boy that may complicate things later on

(hc for the purposes of this fic that as a kid/early teen Tobirama looked fairly generically (mainline) Senju, apart from his colouring, and it wasn't until mid teens when he got a massive growth spurt and his face started changing more that he began to look more like his (outclan) mother and taller+slimmer+narrower than the average Senju, with pointer facial features, and just generally look a lot less like Butsuma+less obviously Senju)

the Uchiha silently and unanimously agree that this would go better if he DIDN'T feel like the wounded cornered animal he currently is, so they get the fuck out of the way. they don't go too far away, still within view, but they make sure the Blessed has a clear run out of the hole and off/away, if he wants. they also ensure that the medical supplies are very visible within that cleared space

a minute or so later they're rewarded when the Blessed stops cowering, and shoots past them faster than they would have believed possible. he takes the medical supplies on his dash past though - victory! woo!

they have a little discussion whilst they wait for him to get whatever he feels is a safe distance away, and decide that yeah that behaviour definitely indicates he thinks some sort of familial resemblance or something is a) noticable and b) gives him reason to fear the Uchiha's discovery of such. so. probably from an enemy clan

but...he's Blessed, and he hasn't tried to hurt any of them or actually get far enough into their territory to spy, or anything like that at all as far as they've noticed, so...?

plausible deniability, they decide. plausible deniability is going to be the name of the game, here

they'll just pretend not to notice he's present/a potential threat and hopefully he'll pretend right back

(also, interestingly, when they send someone to try and follow after the Blessed from a distance, they find that he hasn't bolted away from Uchiha lands as he has every time previously he was spotted. as they expected him to do now, when he's probably feeling cornered and threatened as well as being injured. no, instead he's stayed well within the area the Uchiha patrol (if anything he's actually gone further within Uchiha territory which, what?) and has found another substandard hiding place in which he's using the offered medical supplies to clean and tend to what injuries he can, and then he actually goes to sleep right there. he leaves when he wakes up a few hours later, and they don't try to stop him - REALLY not the time - but. hm. interesting)

anyway that whole encounter pretty thoroughly breaks the stalemate

after that, the Uchiha clan (specifically their patrols) and Tobirama somehow develop a whole new dynamic which honestly is almost identical to the Uchiha attempting to gradually befriend and lure a feral cat into their home, meanwhile Tobirama gradually starts leaving metaphorical dead mice on their doorstep

it's...yeah, it's really weird, actually, but. it's working?? so??

[inhuman-obey-me]

Congrats on 100k likes!! Is there any more room or space left? If so, Belphegor and 7 pls!

Thank you!! And you're the lucky last one we're doing. <3

Belphegor + 7 | "Better Days" - Currents

cw: depression talk

It's said that when humans have a sleep paralysis demon haunting them, they often feel an unyielding weight upon their bodies, rendering them unable to move. It's a tried and true trick that Belphegor knows quite well.

"Is this what it feels like?" he muses, sprawled out on his bed as he stares at the ceiling, eyes tracing a pattern of painted stars. He's been doing this for the past ten hours, unable to get himself up to do much of anything else. The weight pressing down on him was suffocating, so why did he also find it so oddly comforting? Had he just gotten used to the heaviness? Used to the hole that had dug itself deep into his chest?

"Belphie, you haven't eaten anything all day." Beelzebub's voice draws him out of his thoughts. Lazily turning his head to meet his twin's gaze, he lets out a long sigh.

"Not hungry."

Beelzebub frowns, crumbs littering his face as he chews on whatever he just stuffed into his mouth. It's clear he wants to say something, but he instead plops down on the floor beside Belphegor's bed, leaning back and pulling out another snack to munch on. The seventh-born almost wants to tell him to leave, but he knows it'll get him nowhere — Beelzebub always knew when something was wrong.

"…Do you ever miss it?"

"Mish wha?" His brother responds, his mouth full.

"The Celestial Realm." Belphegor's fingers curl into fists, his brows furrowed as he turns to look at the wall. "Being an angel."

He can hear Beel pause his chewing before resuming at a quicker pace. After a few moments, Belphegor feels the bed tilt and move, Beelzebub now having lifted himself to sit on its edge.

"I mean, yeah. Sometimes." Beelzebub shifts. "It was a big part of our lives, so it's only natural, right? But I'm happy to be a demon now too, and to be here with our family, which is what's really important."

"Except for Lilith."

"…Yeah. Except for Lilith." His twin deflates. "…What's on your mind, Belphie?"

"Sometimes it feels like I'm the only one who just gets stuck." The words are bitter on his tongue, frustration rising in his voice. "I'm glad we finally found out the truth about what happened to her, but it doesn't erase the fact that she's gone. Everyone else just…moved on! And I'm just here."

That suffocating yet comforting weight, keeping him in place.

"…Are you here? It sounds more like you're there." With a forceful tap on Belphegor's shoulder, Beelzebub makes him turn towards him. "I…get it. You know I do. I still feel guilty — and yes, I know," he stops Belphie from interrupting, "…it's not my fault, it couldn't be helped. But I still feel that way. So sometimes I feel like I'm more there, you know." He scratches the back of his neck, trying to find the right words. "Mammon and Asmo talk a lot about 'living in the moment', and I think I get it. We can't change the past, but we can hold onto what we have right now, like each other."

"…Really? You got your great advice from those two?" Belphegor groans, but it's hard to hide the hint of a smile on his lips. "I think they're probably talking more about partying and doing something stupid."

"Probably, but it doesn't change what I said." Beelzebub stands up, holding out a hand to his brother with a determined look. "So, how about we try living in the moment right now? Maybe we can even go do something stupid."

A low chuckle, and it's like the weight lessens. A knowing sigh, and it lessens again. Belphegor reaches out to take the other's hand, letting himself get dragged off the bed.

"Okay. But don't blame me if Lucifer gets mad."

[theinternetarchive]

have you any book recommendations

many! i like a lot of genres so here is a quick overview of my favorites. it really depends what you're looking for. i'll do a little summary of each book.

theory/philosophy

psychoanalytic film theory and the rules of the game by todd mcgowan – this is the ultimate beginner's guide to contemporary film theory. it will teach you the basics of lacanian psychoanalysis in easy terms and with real life explanations/examples. if you want to learn film theory, and you don't know where to start, absolutely start right here. you will not regret it

civilization and its discontents by freud – yes i am recommending this entirely seriously and in earnest. this book is great. freud, dying of cancer and disillusioned with the world, outlines the problems with contemporary society, namely his distaste for the way that technological progress has not been made in the name of human happiness, and in fact works against man's best interest, creating all the problems it claims to solve. relevant now more than ever.

nonfiction

bird by bird by anne lamott – this book is as much a writer's guide as it is a memoir as it is a how-to for life. lamott is witty and real, she's honest and somber and funny, she gives excellent advice, advice that has gotten me out of the depths several times. "perfectionism is the voice of the oppressor, the enemy of the people. it will keep you cramped and insane your whole life."

novels

moby dick by herman melville – this may seem a strange rec as it's a classic that everyone knows, but not enough people put their time into moby dick. it's long winded, flourishing prose that i really never tire of. he makes some of the most poignant observations during the most insignificant of moments, this book is rich with philosophical meaning and absolutely must be read at some time in your life. it will make you reflect on life and death, mortality, love. also there's technically gay marriage in this book and it's from the 1860s.

the price of salt/carol by patricia highsmith – i'm sure many of you are familiar with the film and also know that it's a book, but i don't think many have read it and i must say, it is phenomenal. absolutely thrilling. a love story for the ages.

rebecca by daphne du maurier – everyone know the hitchcock film, but the book is better. hitchcock didn't even really respect rebecca, the novel or the film, but i think both are masterpieces. rebecca, the novel, is interior and dark. it is like the movie, but in my opinion it's more visceral, the writing is just so particular, i can't really put a word to it other than beautiful, even if that sounds like i'm simplifying a bit.

poetry

the complete works of arthur rimbaud tr. paul schmidt – the best rimbaud translation you can possibly get your hands on, all poems ordered chronologically along with letters and short biographical sections, giving you a real picture of rimbaud and his life. he is my favorite poet by miles, marrying the obscene, disgusting, perverse, and the beautiful to create revolutionary poetry. he is such a singular writer with such a particular voice, and schmidt perfectly captures his manic, confusing energy and tendency towards violence.

the selected poetry of ranier maria rilke – rilke is phenomenal, read his work, it is a must. this volume blows me away whenever i open it. i found myself enamored with rilke's work after reading the duino elegies (featured in this collection), and he never disappoints. there is something present and real about every poem i've read. he just had the way.

new and selected poems volume one by mary oliver – mary oliver needs no introduction, but this is my favorite volume of hers. if you're unfamiliar or just haven't read her yet and you want to start somewhere, it should be here.

[notforpenance]

Hey! This is for the askgame, because I’m sure that I’d love any recommendation from you :)

💖 a fic you recently read, loved and why!

💗 a fic you’ve reread again and again and why!

my tastes can be a little all over the place, so i hope some of these interest you C: i wanted to do one carcar and one lestappen for each but then i found like five lestappen fics i wanted to say so you get a few more than one.

💖 a fic you recently read, loved and why!

You'll Just Have to Remind Me by the_e_sea (t, carcar, memory loss) this fic is still in progress, but so far, I'm loving it. carlos has antiretrograde amnesia which means he wakes up every day thinking it is the same as the day before, and he keeps going to the convenience store every night where oscar works to buy dryer sheets. oscar begins to realize that there's something a little strange about the same guy buying dryer sheets every single night and engaging him in the exact same conversation each time. when i first started it i was a little confused as to how it could be carcar if carlos never remembers what has happened during his day but the dynamic is carried out so well and it feels really natural and lifelike. definitely recommend it, i'm excited to see more of this one.

blood chem by @sediciii (e, lestappen, vampire, roommates) i'm a sucker for vampire fics (pun intended). this one is probably my favorite i have ever read. it's a lestappen oneshot. max is a vampire, and charles is his all-too-willing-to-help roommate. max looks forward to charles coming back to the room so that he can feed, and charles looks forward to letting max feed for... other reasons. it's very sexy and a little soft, and i love the dynamic between the two of them

💗 a fic you’ve reread again and again and why!

purpose in you by @charlescoded (e, lestappen, arranged marriage, dune au) it's a lestappen dune au oneshot. if you know about dune, charles is a member of the benegesserit and max takes on like a feyd-rautha-type role, and they have an arranged marriage. it got posted right when i was watching the second dune movie for the first time, so it was perfect timing to hook me in. i wish there were more fics in dune au because i feel like that universe has a lot to offer. i cannot express enough how much i am absolutely obsessed with this piece. it is written at a level of writing quality i can only aspire to ever write in my lifetime. the whole piece is entirely enthralling. it is the second part of the series, but this is the one i always reread. the first part is breeding grounds

Ruckus by @tylersayscool (e, lestappen, dystopian battle royale) let me start by saying that everything I've read from this author is so good, i highly recommend checking her out if you haven't already. this one is my favorite, here's the description because i don't think i can do it justice. "The students are taken to a deserted island, fitted with explosive collars, and given random weapons. They are instructed to kill each other until only one survivor remains. If no one is killed within a set time period, the collars will detonate, killing everyone." this fic has such a chokehold on me that i literally was quoting sections in my journal and dissecting them in like essay length entries LOL. the writing is so high quality and the plot is so interesting and unique.

Open my mouth, on my knees (for you) by @lovelylotusf1 (e, carcar) a little less than a year ago i was scrolling through the second round of F1 Kinkmeme submissions looking for oneshots to read and i found this one. funfact: my one fic "you're too sweet for me" was originally supposed to be a lestappen fic and then i read this piece and i was like 'damn i wanna write carcar' and i switched it to that instead. this is a carcar oneshot. here's the description: "Oscar has to deal with the consequences of a drunken confession he sent to Carlos. He gets more than he bargained for." i keep coming back to it because it has such a special place in my heart.

okay i will stop rambling now! there are a few more i would've thrown in but this is already super long i feel like, so i hope some of these are fresh for you to enjoy C:

[gideonisms]

sometimes the way people act about therapists is the way people acted about me finding a man

[territorial-utopia]

Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)

Sure has been a year.

[sciderman]

(Idk if someone asked this already) since we’re on the topic of gender

sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)

i 'unno ¯\_(ツ)_/¯

[lock-my-feelings-in-a-jar]

Russ Ballard producing Daltrey's album

1975 Interview

Russ Ballard has something special. Call it professionalism, the sure touch, luck, talent, a mixture of the lot if you like, but everything he's involved in seems to turn out pretty good, even when it's something completely new to him, like record producing.

When he was fourteen, he wrote his first song and sold it to The Shadows after having had the sense to demo it after their style. Having mastered the guitar and scored quite a bit of acclaim for his playing, he turned to keyboards and now nobody hearing him play would think he hadn't been brought up on them. Argent reached the height of their success when he was with them, he gave Colin Blunstone a monster hit with I Don't Believe In Miracles and now Ride A Rock Horse is enjoying considerable favour. Its producer? Russ Ballard! The man, wearing his customary shades, exudes an air of quiet confidence. He can afford to. He's well respected as a musician and as a writer and he's now in a position many people could envy. After all, a singer of Daltrey's calibre doesn't call up just anybody and say "How about producing my album?"! What is really surprising is that Roger should ignore all the established record producers in favour of Russ, who has only ever produced one album before in his life and that was the solo one he made after leaving Argent.

How did his new role come about? "Well, I worked with Daltrey on his first album, played a little drums and piano on it, but I didn't produce that one, just put in some ideas. He must have liked them because when he was planning his second, he just asked me if I wanted to do it." Russ explained. In an issue of Beat dated April 1966, Daltrey himself described his voice in pretty disparaging terms. "I don't have a good voice, no-one needs to tell me that. I'm a screamer with a group and I'm happy. I'm not worried about my voice, though, it is developing and I can notice the change." He also added "I'd get a real kick if I could have a proper girl vocal group backing." It's taken nine years, but now he's achieved what he hoped for, a voice which no-one can deny is pretty exceptional, and backing singers led by Marsha Hunt, care of Russ Ballard! "I was involved with everything." said Russ. "Going through songs with him, deciding what musicians should be used, who would be good for this and who for that." For a reluctant producer, who admits that "I'm not really into production, even though it's a creative thing, I'd rather be an artist." Russ had some pretty definite ideas as to his treatment of the album. "I deliberately kept his voice well up because in so many recordings I've heard of Roger, he's been immersed in sound. He's got such a powerful and such a good voice which contains many aspects that people haven't heard before. What I set out to do on the album was to expose all those voices for the first time. I don't think it is a good thing for a producer to put his own standpoint on an album, the most important thing is to project the artist." Russ thinks that Daltrey's film work has given a lot more confidence and he also found getting to know him has radically changed the concept he had of The Who. "Many people would imagine Daltrey as an ego tripper, but he's not in the slightest. Before I got to know him well, I was under the impression that The Who were Pete Townshend's baby. But speaking to Roger, listening to his ideas, I think that a hell of a lot of his ideas must have always gone into The Who, a lot more than people think."

It was originally Roger's idea to record an album of his early influences. Then he changed rock horses in mid-stream. "By then we'd already recorded Walking The Dog and that Beachboys sounding song, so we were lumbered with them." The second idea was to project the different sides of Daltrey's voice in a collection of mixed rockers and ballads, including three songs of Russ's, Come And Get Your Love, Proud and Near To Surrender. "We didn't actually discuss the point but I felt he wanted to make a heavier album than the one we'd originally planned. Yet not totally heavy, but a record which would compliment the heavier stuff with lighter stuff. Right from the very first session when he sang the first song I could see his voice was so much better, I feel it's improved tremendously since the early Who days even though I think he had a good voice in 1964."

The next thing to decide on was the overall sound and the arrangements. Ex-Shadows drummer Tony Meehan was the man who worked on these. "I decided to make the sound quite sparse,-" explained Russ, "- rather than over-producing it. Some people just don't know where to stop. I decided that if a song called for piano and nothing else, that's what I was going to do." (Hence Phillip Goodhand Tait's beautiful slow rocker Oceans Away with the composer on piano.) "The most important thing in an arrangement is the song. If it's a good one you should be able to sing it with no backing at all and it should still sound great. If it's not, no matter how many extras you add it won't work." Russ reckons that having been in bands himself definitely helped him as a producer, enabling him to put himself in the artist's shoes. Yet he doesn't think he'd like to produce his own next album entirely alone. "When I was in Argent I found being produced by somebody else was very frustrating because I could tell people were veering away from the original ideas I'd had for my songs. That's why I decided to produce my first solo album, which turned out a bit of a mixture because I had a backlog of work to get out of my system. My next album will be slightly deeper, not so light-hearted. I hope to be co-producing it with Muff Winwood, whom I really admire because he's got such a good ear and can really make a musical point."

At the moment, Russ is doing very well with songs of his which are being covered by other artists. One called Heartbreak, has recently been recorded by Olivia Newton-John and yet another is currently being recorded in L.A. by Stevie Wonder's band. Russ has got a new band together consisting of the ex-drummer from Curly, Alan Wickett, bass player Tony Lester and guitarist Alan Skates- "He really does!" joked Russ. He's got three weeks booked in E.M.I. Studios to get the album done. As for his producing career, it looks like Ride A Rock Horse may be his swansong. What if Roger asks him to produce his third album? "Well… if I want to do what I want to do, that is, sing, play, write and record, I just won't have time to produce anybody." said Russ. There's nothing like getting out when you're on top!

[raeloganthesonic06fangirl]

Mom got me an immortal pumpkin

Well, crafting pumpkin, but still, it's unrottable. I'm very pleased. I might knit it a cap just for it, that sounds fun. 🙂

[nexus-nebulae]

oh my god. that one "oc" we wrote who had DID that we came up with before our syscovery. that was not an oc. oh my god cody and blake why did you take five years to make yourselves known to us-

[izzy-b-hands]

im sitting here, first edible of the day kicking in, and i just realised i haven't been yelled at for picking my lips in months. im safe here, i can stim like that and Housemate doesn't care and that's

really really lovely. wish I'd realised it sooner!

[blackwaxidol]

One of La'zaar's most indulgent activities is dozing or otherwise brumating—armourless—in his High Celebrant's lap, having hadium pins stuck through his back intermittently. I imagine they would be tipped with some kind of poison, a muscle relaxant perhaps.

If his wings are too worn-out and ruined to be salvaged, then their removal is part of this idle task. La'zaar finds it relaxing, to have his wings amputated at the base with a ceremonial blade analogous to a sort of Liston knife.

When the wings are removed, the rest of his back is exposed and can be attended to—whether that is to drive pins through the muscles, apply some kind of acidic ointment to the brittle portions of his exoskeleton or to take a paring knife to his chitin and carve patterns into it. All of it is pain soothing enough to fall asleep to.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[yuukiiqwq]

Satoru was confident that you liked him back. He was positive. He had no doubt in his mind that you were going to be his pretty little wife. Is he getting ahead of himself? Sure, he is, but he's that confident. That's until he noticed how he hadn't received any chocolate from you.

It was Valentine's Day, and he still hasn't received any chocolate from you. Yeah, he had a mountain worth of chocolate from all those people who gave him it, but where was yours? He couldn't find it anywhere. He was sure that you would have placed your chocolate on his desk since you hadn't given him his. He double no triple checked all the chocolates, yet he could not find the one that has your pretty little name written on it. He continued to search through the chocolate pile for the fourth time today.

He must have missed it, right? Or did someone steal it? He swear he's going to hunt that person to the end of the Earth. Who dared to steal something that was rightfully his?

"Satoru, calm down."

He looked up at his best friend, who was trying to hold down a laugh at his panic.

"She'll probably give it to you later. The day just begun."

Right. Suguru is right. You'll give him his chocolate later. He's a good boy. He can wait.

That's what he told himself, but Suguru and Shoko have already received theirs this morning, and his is still nowhere to be found. Where is his chocolate? You're just sitting there in your seat, looking all pretty as if Satoru is not going through a huge dilemma because of you.

He couldn't help his hands that kept inching itself closer to the chocolate you gave Suguru. He wouldn't know if he snatched it, right? Suguru had received a lot of chocolate! He wouldn't know if he took it... was what he convinced himself before Suguru slapped his hand away.

"Satoru," he sighs.

"But Suguru!!!" Satoru whined as he sunk down into his seat.

"Be patient. You'll get yours soon."

But how soon is soon? Satoru isn't exactly known for his patient.

It was the end of the day, and still no chocolate from you. He asked Suguru and Shoko to leave first because he thought you would finally give it to him when both of you were alone. But you haven't. Where was his chocolate?

The two of you were approaching the exit of school, so Satoru made a quick decision, grabbing your wrist and pulling you into an empty classroom. He quickly shut the door and locked it.

"Satoru?" You asked in confusion. "What's wrong?"

"My chocolate."

"Your chocolate?"

"My chocolate from you! The symbol of your love towards me!"

"I didn't make you any," you replied smoothly. "Forgot to make them yesterday, so I woke up early today to make them, but I guess not early enough. I only had time to finish Shoko's and Suguru's. I didn't have time to make yours. Otherwise, I would have been late."

Satoru swear the world just ended. He looked down at his chest because he swears his heart ripped out of his chest at your words. Nope. Still alive. Why is he still alive in this cruel world? You had no chocolate for him? None? Not even a crumb?

"That's fine with you, right? I mean, you got a bunch of chocolate from other girls! You don't need mine."

He swear he is about to burst into tears. He didn't care about other girls. He didn't care about their chocolate. He wanted yours. How could you be so cruel and deny him of your chocolate? To reject him like this? He was devastated. No. Beyond devastated. Where is the closest cliff so he can jump off?

Pure silence radiated the room as Satoru tried to comprehend this horrible situation. Then he heard a small giggle slip pass your lips. That small giggle soon turns into a full-out laugh.

"You should have seen the look on your face, Satoru," you say as you try to stop laughing.

Was this funny to you? Why were you laughing at his suffering? Do you know how much he looked forward to today? To receive the cute little wrapped up chocolate you made for him? He dreamed of today, and you didn't have chocolate for him?

He then sees you reach into your bag and pull out exactly what he had imagined. A cute little chocolate box wrapped up in a baby blue color with a touch of white ribbon to finish it off. Fuck. He thinks he just got a heart attack seeing your chocolate. His chocolate.

"Princess, please don't joke like that to me ever again. You scared me half to death. I was going to jump off a cliff," he whined as he took the chocolate from your hand.

You couldn't help but roll your eyes at his dramatic behavior. "Stop being dramatic, Satoru. It's just chocolate."

A look of offense dawned his face as you utter those horrendous words to him.

"Chocolate? Just chocolate?" He huffed at you. He can't believe you as you treat this amazing god send gift as just chocolate. "Don't you dare call this just chocolate! This! This right here is proof of your undying love towards me!"

You laughed at his antics– "You're getting ahead of yourself, Satoru."

He delicately placed the chocolate safety away in his bag, treating it as a prized possession. He's looking forward towards white day. He already knows what he wants to get for you. He pulled you into a hug, nuzzling his face against your neck as he mutters– "You won't be saying that after I wife you up."

[nanaminokanojo]

MASTERLIST

Sukuna is pissed.

The reason? You moved away from him in your sleep when he wanted to hold you close.

In your own subtle ways, you've always complained about how unaffectionate he is. You didn't explicitly say it, but he did notice how your mood would shift, your pretty little smiles barely masking your disappointment when he would do or say anything remotely cold or mean. And now that he was giving you what you wanted, you just roll away from him, depriving him of your warmth and the affection he expects you to reward him.

How you even managed to escape four of his arms to find your own corner of the bed was a big puzzle to him. You've always slept peacefully pressed to his side on most nights, and you didn't really move much once he had two of his arms wrapped around your frail form. Perhaps you were doing it on purpose after he had evidently upset you during supper by dismissing you when you asked about his day. There was nothing to tell, and though he understands that your concerns came from a good place, he still refused to tell you of the horrors of the world he found himself so deeply embroiled in.

Sukuna, however, brushed off the idea. You wouldn't dare. Or would you? He was just protecting you. Why would you hold that against him?

He chose not to entertain the thought, thinking it was just you moving in your sleep. And so, he reached for you, gently placing his arms over and underneath you to pull you closer. But it hadn't even been a minute of him holding you when you started letting out these seemingly irritated noises and shortly after, you were turning your back on him.

"What –" He stopped himself when you breathed in deeply, half expecting to hear sobs if you were truly upset with him, but then, your breathing rhythm returned to normal. You were still fast asleep.

Sukuna shrugged, already feeling his temper rising at the thought that you could sleep just fine without him. The thought of it annoyed him, and that was an understatement. He decided to move closer to you then, but as soon as he did, pressing your back on his bare chest, you started squirming, a dissatisfied groan leaving your lips.

At that, he rose slightly on his elbow, taking offense. "Woman, what is your problem?" he demanded, making you lie down flat on your back, startling you. "Is something ailing you?" This time, he spoke gently, watching as you slowly blinked up at his frowning face like you haven't got a clue what he's talking about. And then you closed your eyes before favoring your left side, going back to sleep.

"You –"

"What?" you whined without facing him, annoyed that your sleep was being disturbed.

Sukuna scoffed. You've really done it this time. Nobody dared speak to him that way. "What now? You don't want me anymore? I thought you wanted –"

In one swift movement, he found himself being tackled onto the bed as you turned around and threw yourself against him, immediately finding your spot in the crook of his neck. His two left arms instinctively wrapped around you, keeping you cradled in them as you snuggled closer, planting a kiss under his collarbone as if to appease him before you were falling back asleep.

"You could have just stayed like this –"

"Shh."

Did you just shush him? And as if to punctuate it, you raised your hand, your fingers blindly yet tenderly brushing his lips and staying there.

"Wife, you are aware I have two mouths, aren't you?" he spoke against your fingers, fighting a smile.

You moved your head back to smirk at him as you threw a leg over his abdomen right where his other mouth was, your thigh preventing it from saying anything.

"There. Problem solved."