#'what is this line of questioning'

[horror-aesthete]

The Passenger, 2023, dir. Carter Smith

[officialspec]

can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis

[starry-bi-sky]

FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.

Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.

AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!

And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.

COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

[First] Prev <–-> Next

[fascinationstreetmp3]

i need daniel to be overcompensating for his insecurities so bad. 100 times more cocky and rude and aggressive and insensitive than he was as a human, falling back into old dangerous habits and vices, not just because now he has new energy and power and wealth to flaunt but because it's ALL he has, and he needs to cling onto it. play it up and revel in it so no one sees that underneath, he feels like a botched fledgling in the body of a sick, faded old man who maybe has no real idea why he was even made. that armand might think he failed in making him. that his maker didn't even really want him.

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[un-pearable]

i think we underestimate omega’s true role on team dark: THE ENABLER

^ real in game dialogue in shadow generations postgame. i love you omega

[zoe-oneesama]

Since you’re on that hating Wish train (I’m there with you), I think you might be interested in checking out Jonah Who Two on YouTube bc he’s re-written some of the songs (his “This is the Thanks I Get?!” is really good and way more villainy)

Jokes on you, I ALREADY HAVE!!! >:D

[jkvjimin]

MAKNAE LINE CORE cr. namuspromised

[egophiliac]

Did peepaw come home?!

HE DID! :D! luckily it only took me three ten-pulls; I think my past experience of being so thoroughly denied a Fairy Gala Ortho made me more worried than I should have been. may the gacha blessings pay forward to everyone else! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

so far this is hands-down the funniest Lilia card, because he'll say something all edgy and badass in that deeper ~General Vanrouge~ tone and then follow it up immediately with one of the non-card-specific cutesy Lilia lines, and it gets me every time

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[demaparbat-hp]

Want to know what I believe? It's right here

Dig a little deeper and it's crystal clear

.

(WIP)

[vigilskeep]

i’m very baffled by the logistics of how lucanis’ early act 2 companion quest bloodbath ended. he was unconscious, right? and we’ve all just been fighting waist deep in blood? did we carry him back to the cantori diamond eluvian through the streets covered in that much blood. because i have to believe you’re not getting an unconscious man across those ziplines. did anyone say anything or do people in treviso just live like this. was everyone at the diamond just like yeah another working day at crow hq nothing to see here

[withthewindinherfootsteps]

something about how both wei wuxian and jin guangyao repeatedly say they ‘didn’t have a choice’ in their actions. in both cases, it’s not literal impossibility, instead determined by their mindsets and personal conduct…. but while for wei wuxian that means he can’t do something immoral, even if it means losing all his social power, for jin guangyao it means he can’t do anything to lose his social power, even if it means doing something immoral. the other option is still there, but it’s never one they’d pick.

something about how they’re trying to walk the same path but in opposite directions: wei wuxian willingly left the nice, broad road in favour of upholding morals and debts, while jin guangyao is trying to claw onto it and stay there by any means necessary. in both cases, being parted from it so easily is only possible because this nice, broad road — full of people whose social power is unconditional, given at birth, independent of their actions — was never truly theirs to begin with. but despite how it is possible to be forced off due to nothing, as we see with wang lingjiao, the positions of both these characters were ultimately due to actions they took.

(about how no matter the similarity of the paths, no matter the narrowness of the choices, the direction you take is still up to you.)

[razables]

“Maes Hughes is dead. that’s a fact.”