#''why can't you do things in order''

[razzle-zazzle]

"Ancient Dreams in a Modern Land" by MARINA is a Between AU World Tour Branch song, as it represents perfectly how as a Troll raised by Bergens who has come to consider himself as both and neither he doesn't quite fit in any mold. It also represents his journey throughout the movie traveling across the genres and coming to find an appreciation for all music, and both of these aspects of his character and arc serve as a direct counterpoint to both Queen Barb's plan to squish every Troll into the mold of Rock and Queen Poppy's ignorance of the differences between the genres and refusal to listen to other voices. In this essay I will—

[axewchao]

I wasn't kidding when I said Dal always cries whenever he gets mad.

It isn't something he can control very well, if at all; whether he's throwing someone's cruel words back at them, repeating whatever happened to himself in private, assessing a situation from a distance, or on the brink of succumbing to his rage, tears will fall without fail. If he's lucky, his hair can hide it, or he can blame it on dust/pollen in the air.

But we all know how bad of a liar he is. =_="

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[uncanny-tranny]

Two things that are simultaneously true:

1. Gender and sexuality are complex and can be fluid. An identity isn't always fixed and can change with time for many reasons

2. It is not acceptable to force others to change their gender or sexuality and the mantra that they (queer people) can change if they only "try hard" is both cruel and homophobia and/or transphobia

[lord-squiggletits]

The funny thing about Pharma and the Delphi situation is that that's where the concept of the DJD was first introduced (with the first scene with the DJD at work happening literally the issue afterwards, issue #6) and literally the more you learn about the DJD the more it vindicates Pharma in his paranoia and being convinced that he couldn't ask for help like

In the Delphi issues we learn that the DJD hunts down Decepticon turncoats/traitors/etc and that Ambulon, one of the Delphi staff, was a Decepticon traitor. We also learn that their leader is evidently terrifying in addition to being a t-cog addict, but that's it.

Except in the subsequent issue #6 and all issues with the DJD afterwards, we learn a variety of fun facts about the DJD such as

Several of the members either literally transform into torture equipment or have said torture equipment built into their bodies

Their leader, Tarn, the guy with the t-cog addiction that forced Pharma into blackmail, can kill people with just his VOICE

We later learn that the DJD have a fanatical devotion to the Decepticon cause/Megatron such that they literally worship an idol of Megatron

Even later on, we learn that Tarn's kill-you-with-his-voice powers work both over the phone and via recordings of his voice

Tarn is also very talkative during torture sessions and he seems to find pleasure in his stupid, smug-smart guy persona where he likes to describe to victims what's happening to them and why. And there's no reason he wouldn't apply this to Autobots just as much as he does to Decepticon traitors

The DJD have access to signal jamming technologies that make it so that even if their victim can get a help signal out, no one will receive it until weeks after the fact

Their entire system of hunting people down is based on pursuing them no matter what, isolating them from any help, driving them mad with psychological terror, etc

They're capable enough warriors to slaughter an entire ships' worth of people, apparently without sustaining any meaningful casualties

They're drug addicts that are prone to overdosing and/or losing control and slaughtering people while they're under the influence

So like???

If Pharma was only privy to HALF of the things that we as the audience know about the DJD, it's perfectly reasonable to assume that Pharma probably wanted to call for help at some point, but was convinced that doing so would lead to 1. the signal being jammed/blocked so no one would help anyways 2. him and everyone else at Delphi (including the TRAITOR WHO IS ONE OF THEIR EMPLOYEES) would be horribly tortured to death by fanatical Decepticon torturer freaks.

Like I get that in the text Pharma only says that he did the Red Rust stuff so that he wouldn't be caught/blamed for the t-cog deal and is prideful about how he stopped the DJD from murdering Delphi, but like...... there's no fucking way that Pharma going "oh I didn't want to get in trouble and also I'm better than everyone" was his PRIMARY reason for everything on Delphi. Pharma didn't go from perfectly normal/sane Autobot doctor to raving egotistical maniac because he was always an asshole and he decided to solve the DJD issue in an asshole way. It's bc according to all canon evidence we have of the DJD and the way they react to traitors/Autobots, Pharma had every reason to fear for his life and believe that no aid would come to him.

[gleppy]

i wish people misunderstanding and misinterpreting my words wasnt as bad of a stress trigger for me as it is but holy fuck there are few things that make me fly off the rails more lmao

[demigod-of-the-agni]

Peter Parker if he got bit by a radioactive sword ☢️🟢⚔️

if I had a nickel for every time I made a Spider-Man au based off a video game, I'd have three nickels, which isn't a lot but it's concerning that it's happened three times. This au is the spidey/final fantasy vii mashup, where Peter becomes the Unreliable Narrator

anyway someone pretty please write this au for me <333 I'll pay you <3333333

bg variants under the cut

the BIGGEST dilemma(s) was figuring out if I should

A) keep the eyes in my art style (no colours, just the highlight), bc ngl it makes him seem more babey (pic 1),,, or

B) add the mako-glow to the eyes so i could be lore-accurate.... also I spent a lot of time!! on colouring in those pixels!!!!! dammit!!!!!!!!! (pic 2) and

C) OF COURSE i was struggling to choose between the white and red backgrounds!!!!! evil me!!!!!!! making difficult creative decisions!!!!!!

i will,,,, try to draw the other peeps as well (mj as tifa and gwen as aerith ,,, mmm yesss esysey yes ssss) but i fear the monkey brain has already died........ i will try tho,,,,,,,,,,

[gaylactic-fire]

Ok last bit of TOTK saltiness for now but can we agree that trying to tell a linear story via the same collecting memories system was fucking dumb as hell

[lovinggreeniehours]

i forgot. how exhausting playlist making is. damn. sorry about the tags i have so much to say about playlist making lol

[july-19th-club]

favorite type of villanous characters are the ones whose motivations boil down to

like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction

[little-whats-her-name]

"I can't hear you over the sound of the eight billion glasses and plates clinking, and the very high possibility that I'm going to lose my job, and the fact that everyone at this charity dinner hates me but we have to act nice to each other, and the weird lighting in this room, and these fucking Spanx!" - Katherine Hastings, probably

[blackbutler-readerinsertsandjunk]

tomorrow is my first day back to work and I'm a lil nervous

I haven't been able to get anything written for here bc I've been trying to get a couple other things written (updating my Bill Cipher redemption fic and starting a Gyutaro x reader x Daki because I make poor life choices)

but I'm on light duty for a month, basically just sitting at the register checking people out, unable to do any stocking or anything bc I'm not allowed to lift anything over 15 pounds so I can't lift totes, bend much, or reach much, so I'm allowed to bring something to do in between customers... maybe I'll get some writing done? I feel as if I'll be slacking off bc that's how my brain works

but you know what, I kill myself for that store normally, I don't work full time simply because I can't afford medical insurance if I did, but even working only part time I give my all while I'm there, I'm not someone who slacks off. so if I'm healthfully and approvedly permitted to slack off and take it easy for a month, I guess I'll take it (... plus, I mean, I'll still be working, just light duty, it's not like I'll show up and get paid to do ABSOLUTELY NOTHING, I'm still gonna be ringing out customers)

ANYWAY MY POINT IS-

get those last requests in! after I get home from work tomorrow, I'll be closing the askbox and won't open it back up till this batch is finished and I swear I mean that this time 😂

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go

[dimiclaudeblaigan]

ah yes, she's concerned about the aggressor and attacker who was invading them six months ago. something is wrong with the empire right now, poor edelgard; whatever could've happened to her? :(

like... what. why do you care about what's going on with her specifically when she's the person who made the decision to invade leicester? does the whole war just mean nothing to marianne? it's just totally fine that all those people died in a war edelgard started? poor edelgard, something happened to her after she started her attack? you're concerned about the leader who gave the order to attack your home?

hopes has stupid lines but this one is top tier of the top tier and just an excuse for more edelgardjerking from the writers.

[uncanny-tranny]

Comparing oppression can sometimes give you insight as to what other groups of people go through. It teaches you what you have in common with people seemingly different than you are, and teaches you how you are different and how you can ally yourself better with other peoples.

However, if your goal is to prove you suffer the most between you and another person, you'll likely find that there is no conversation, just an endless barrage of back-and-forth to prove which of you deserves to be listened to.

The reality is that you don't have to be in the most pain in order to be listened to. So often, we are inundated with this idea that the person suffering the most is the only one who ought to be listened to, and it sends the message of "holy shit, I guess I don't matter. I guess I deserve to suffer if others are going through worse," and that's just unreasonable and unfair. Who has it worse is entirely contextual and changing, and sometimes it is subjective - as in, something that is earth-breaking for you is an average tuesday evening for the guy next to you.

Kill the cop in your head that says your voice will only matter if you prove yourself. Listen to other marginalized people and know it isn't a competition to see who can prove themselves most worthy of tine and energy. Our resources can (and should) be multifaceted and able to help a variety of peoples.

[sskk-manifesto]

\\