#⸨ * MUSIC ⸩ — this is a song of heart !

[literaphobe]

being obsessed with a song and being obsessed with the blorbos is so funny because u will listen to the song and go HMMM……. if i ignore this one lyric forgo this whole verse remove the context AND solely focus on these five completely unrelated isolated lines…? this song is TOTALLY about Them 😎😎😎

[heartorbit]

figure skating set right now please. thanks

[nighttime-thoughts]

Missing you come in waves. Tonight I'm drowning.

[hinamie]

もう一回、もう一回

[hotrodmccoolgal]

Can you feel the light shine? You know this song's yours and mine Ain't it good to know you got a place to go Where the melody's fine

[carrotsofthepirabbean]

The soundtrack version of Only a Matter of Time is objectively better than the demo version, but the demo version is objectively way funnier

[wanderlust-in-my-soul]

ทำไมต้องเป็นเธอ - DOME JARUWAT OST. Jack & Joker U Steal My Heart [Official MV]

[a-night-like--this]

[gentlebeard]

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

[starry-bi-sky]

im on my hadestown bullshit again but im also still on my SVSSS bullshit too so au where Shen Yuan gets transmigrated into a nameless NPC sometime after Bingge merges the realms and becomes the demonic emperor over like, basically everyone. And Shen Yuan manages to become an immortal cultivator and has a few years to himself to explore the world he's in, conveniently avoiding Bingge the whole time. Until eventually Shen Yuan joins what is essentially a traveling theater group.

They all love the strange stories he tells, ones he claimed he learned from far away places, and eventually ask him to write one as a play so that they can share it with the world. He does one better and writes a musical and slightly xianxia-izes Hadestown so it fits with the times better.

Eventually they learn everything, the music is st up, their lines learned, and the group rents out some kind of low-class stage for a night in a town that's neither too big nor too small. One that Bingge is conveniently passing through.

The actor for Orpheus falls 'sick' the opening night, and Shen Yuan gets convinced into taking the role by his. He has the prettiest voice, and he knows Orpheus' lines and character the best! Shen Yuan agrees.

Bingge attends that night too, and sits in the far back, in a seat where nobody can see him that well.

There is nothing to prepare him for the Tale of Orpheus and Eurydice.

Not the actor, who looks distressingly, uncannily similar to Shen Qingqiu, from the sharp curve of his jaw to the sound of his voice. It's Shen Yuan's saving grace that he has just enough differences that Bingge doesn't fly to his feet immediately.

Not the character Orpheus either. Who shares a distressingly similar worldview to the one Bingge once had a long, long time ago. A young man, a boy really, with so much hope for the world around him to near the point of naivety. Who believes that there is still good in the world and the people around him.

There's nothing to prepare him for Epic III. A song the lone Orpheus sings to convince Hades to let him and Eurydice go, one that rends Bingge of his flesh and leaves him feeling raw and wanting.

Suddenly he's no longer watching the stage; he's on it, standing in Hades' place, jaded and bitter and cold and reigning over all. Having become cruel like Shen Qingqiu once was. He stands in Hades' place, tall and imposing and powerful.

And there is a shadow of the past sitting at his feet. A boy in love with the world looking up at him, stripping him down to his soul, and asking him where he's been. Bingge stands in Hades' place, and just like that, becomes a man again.

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance, and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start, he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs, he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to get his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment," the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgment that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss, or hurting in any way in that moment (if he were, I highly doubt he'd still be playing games, and he would've mentioned his son as opposed to speaking about his reputation.) But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... (even though that was also a perfectly fine apology by Greek standards, as far as I'm aware.) Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating, fearing, or cursing him, he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance, must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating; of course, he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

... That, and I am also convinced he jumps to that in order to simply shut Odysseus up, fearing what he might do or think if he lets him go on. Because you cannot tell me that Odysseus didn't actually reach him for just one moment. He was far too thrown off guard, far too vulnerable in that one second. That moment of kindness did something to him, and he hated it. He also probably didn't trust himself to be able to keep listening to Odysseus speak like that. So, he abandons his (still very technically feasible!) blackmail/intimidation and just straight-up kills him.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance If GITW proved anything about Odysseus, it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness (more on that in this essay!)

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place; one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[nighttime-thoughts]

I promise to remember all too well.

[oyeixcher]

[dreamyfreakout]

song #3 for my album of songs recorded onto a plushie's plastic heart υ˶˃ ﻌ ˂˶υ

[paris-writes]

I am of the firm belief that there is a Crane Wives song for every single emotion.

Are you in the mood for a song about being trapped in an abusive relationship where your partner keeps making you feel as if no one else loves you like they (Tell you) do?

Try Nobody, by the Crane Wives.

You need a song about how you've not taken the opportunities offered to you because you're so scared of what could happen, and you know you need to get up and try and go but there's always the "what if" holding you back?

How about Safe Ship, Harbored by the Crane Wives, or Keep You Safe, by the Crane Wives?

You need a song about how religion has helped create a narrative of men being superior to women and that you had to grow up protecting your own self from men, and now you're finally able to relax and watch the little girls grow up shielded and stronger for it but you still chose to leave the abusive men, the horrible men in your life and live "in the darkness" because it finally makes you feel safe?

Ribs, by the Crane Wives.

How about literally having NO HANDLE on your life and feeling utterly useless because it seems like everyone has it together but you literally have no idea what to do? And you feel as if you were cheated in your adult/elder life because you were told "It would just work it?"

Hard Sell, by the Crane Wives

A SONG ABOUT HOW ABUSIVE PEOPLE LEAVE A HUGE IMPACT ON YOUR LIFE AND YOU CAN'T GET RID OF THE SCARS THEY LEAVE????

Pretty Little Things, by the Crane Wives

A SONG ABOUT BEING LEFT BEHIND CONSTANTLY AND TRYING TO BE MORE LIKEABLE BUT STILL BEING SO FUCKING LONELY ALL THE FUCKING TIME?????

Here I Am, by the Crane Wives

A SONG ABOUT HOW CAPITALISM IS LITERALLY DESTROYING OUR LIVES????

The Hand That Feeds, by the Crane Wives

So anyways I just think the Crane Wives are neat. There are SO MANY songs from them there's a reason they're my number one on Spotify.

[verityblack]

Thinking The Underworld couldn’t get sadder after Polities

“Waiting”