#☆ somewhere only we know ; main verse
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sshoryuken · 10 months ago
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(@strebcr)
➣ (B)eing on public transit with next to no empty seats mid-route, the polite thing to do when someone comes ambling down the aisle in search for a place to sit is to move the item next to you and scoot over.
Scott isn't one such person, however. He likes the extra leg room, so why give it up so someone he doesn't even know can sit down? If it were someone like Kim or Stephen Stills, it would be a solid maybe. But some complete stranger? What if they have rabies? Or want to talk about their aunt's bunion surgery or something?
Not that that's ever happened to him, but... you know.
For Scott, that's a good enough reason to keep his belongings in the spot next to him. A perfectly foolproof plan... if the person meandering down the aisle wasn't about to sit anyway.
Quickly, he snatches up his coat, balling it up and holding it to his chest, giving a slightly quizzical look to the stranger as he seats himself.
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"...Hi," comes his flat greeting, certainly less-than-pleased at the situation.
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faythsang · 1 year ago
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Lenne’s main verse, after a concert is interrupted by the arrival of Sin the songstress finds herself on the small island of Besaid becoming a Guardian to a Summoner named Yuna. Alternatively, she becomes a Summoner herself. But either way, the Fayth have to stop dreaming eventually. And once the song that spun Lenne into being ends so will her very existence.
Of course, by the end of X-2, she's been brought back by the Fayth. As someone who had come to accept that she'd disappear, waking up in the Farplane with a physical body comes as a shock. Opting to stay as far away from Besaid as possible, suddenly worried about all the things she may have left unsaid. Lenneth, going by her real name Amami for the first time in a long time, resides in Luca, hoping to one day be strong enough to return to Besaid.
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fangswbenefits · 1 year ago
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For Science
𓂅 𓄹 Summary: There has been a rumour circulating in regards to Miguel’s venom. It has to be too far-fetched, right?
𓂅 𓄹 Pairing: Miguel O’Hara x spider-woman!reader
𓂅 𓄹 Warnings: 18+. Fangs. Biting. Venom!play (is that a thing?).
You eyed Jessica Drew with utmost interest as she worked her way around Miguel’s surveillance station, easily dragging files in and out of the multiple screens.
“Why do you get access to his stuff and I don’t?” you asked as sudden jealousy crept in.
“We go way back,” she started, pulling some information to her watch. “You’ll get there in time…”
Your ego soared.
“… if you don’t keep annoying him.”
It immediately plummeted.
“He’s easy to piss off,” you beamed. “And I’m easily entertained. What can I say? Match made in heaven.”
She chuckled at your antics. “Just don’t get yourself expelled.”
You nodded and waved your hand dismissively. “Yeah, yeah. So have you heard that rumour about him?”
Jessica finished setting up her watch and mission logs and threw you a suspicious look.
“Well… the one that says his venom does more than causing paralysis,” you wiggled your eyebrows, letting the not so subtle implication dangle.
“You know what? One day Miguel is going to kick you out and I won’t do anything about it.”
“What? I didn’t come up with this!”
It was absolutely true. You hard heard it from some spiders one night while strolling throught the lobby. Rumours came and went. No one thought much of them and these were just harmless fun.
“Well, I’m not commenting on this.”
“Fine! But it’s fascinating.”
Jessica sighed, rotated on her feet and went down the stairs. “You can go ask Miguel, then.”
“Ask Miguel what?”
You froze in place as spider-man 2099 entered the dark room, eying both of you.
“Oh, I’m out,” Jessica snorted, heading towards the exit. “You two have fun.”
Miguel kept his gaze on your and you waved a hand at him.
He frowned.
“Lyla, reroute all the main sectors to earth-1610,” he said, pressing on his dimensional travel watch. “Any possibility of a canon event being disrupted must be reported to Jessica.”
The AI appeared next to him and adjusted her heart-shaped glassed up the bridge of her nose. “Is she tagging along, too?” she pointed at you.
He shook his head. “Not a chance. She’s more useful here.”
“Hey!” you were about to protest, but decided against it.
You knew there was a compliment in there somewhere. Your past missions had not gone without some minor bumps, which was why it had been decided the previous day that you’d tag along Miguel for a couple of weeks to hone your off-field abilities.
“Anything major must be reported to me.”
Jessica nodded but Lyla was not so easily dismissed. “I didn’t hear you say iiit.”
Miguel rolled his eyes. “Thank you for your services as always, Lyla.”
She took a dramatic bow and vanished.
He took large steps towards the platform, greeting you with a curt nod.
How would you describe your relationship with Miguel O’Hara? Tense? On the verse of collapse each time you teased him? Friendly? But only when you didn’t have to spend more than one hour together.
“Morning to you, too, boss,” you saluted.
He let out an exasperated sigh as he checked the screens in front of him.
Maybe you should go easy on him. You were already on thin ice, but just adored pushing him. There was something about teasing him that just did wonders to you.
“Did you sleep well? Did you get some food?”
“Don’t start getting on my nerves.”
You raised both hands, feigning a look of innocence. “I did nothing. You’re paranoid.”
His head turned to you.
“You do have an issue obeying the chain of command. Your last mission was a disaster, because you got into an argument with Peter instead of focusing on the anomaly — don’t interrupt me!” he said pinching the bridge of his nose as you were about to defend yourself. “You have much to offer, but you’re also all over the place and lack discipline. I don’t think you—”
You gave him a jaw-popping yawn which effectively cut him off.
“Oh, I’m sorry. Am I boring you?” he asked, voice dripping with sarcasm. “You do know that I was pressured by others to let go of you.”
A long pause stretched out.
“Then why didn’t you?”
In your mind, you had hoped your growing friendship with him had played a part, but…
“You have potential,” he said with a sigh. “One day you might even be better than me.”
Well, that was a high praise and your spine snapped straight instantly. “Really?”
“Maybe… probably not,” he concluded. “But if you keep your focus and work hard, you will be a very skilled spider.”
You rolled your eyes. “Woah, thanks a bunch!”
In truth, you knew Miguel was trying his best to smooth over your bruised ego, but your pride got the best of you.
“Any questions you have, just let me know,” he said reassuringly while glancing at the screens in front of him.
“I can ask anything?”
“Yes.”
“Sooo… have you heard that rumour about your venom?”
It was too early in the day to be so serious, so you genuinely saw no harm in lightening the mood.
He threw you a side glance. “Be specific.”
“Well… that it can cause extreme pleasure,” you blurted out. “Oh, besides the paralysis thingy,” you quickly added.
Miguel turned to fully face you. “I don’t even want to know where that came from.”
Deep down, you felt a pang of disappointment. It would be such an interesting finding.
“Ah, so it’s not true.”
“Probably not.”
That piqued your interest. “Probably? So there’s a chance? It’s just so fascinating, because you’re already so different from the rest of us,” you started rambling not able to hold back your enthusiasm. “Now this is just an added layer!”
You were a scientist at heart and Miguel was pretty much an outlier when it came to being a spider-man. For months you had been trying to let him agree to you running some tests, but to no avail.
In all honesty, Miguel knew his way around science and the inner workings of biology better than you could ever, so he had no reason to indulge your curiosity.
“How do you do it? Is it the same venom or a different one?”
“Why do you want to know?”
“Science, remember?”
It was a half truth, though. Yes, this would be mind-blowing science-wise, but this was also about Miguel O’Hara. The very man who had been guiding you through spider society for months. The same men who whose genius and dedication had built the foundations of the spider society.
He now had both hands on his hips and you figured you were already pushing it too far, but enjoyed doing it too much to stop now.
“Can you just tell me how it works? Please?” You clasped your hands together into a beg, hoping it would be enough to bait him for information.
But Miguel remained unfazed.
“No.”
“I won’t tell anyone,” you offered expectantly.
He didn’t budge.
“Please, pretty please?” you tried once again.
Nothing.
“I’ll bring you empanadas every single day from now on,” you enthused. “On demand! Whenever you have those cravings. Two in the morning? Check! Canon event disrupted and universes imploding? Check!”
Miguel quirked an eyebrow. “Do you ever shut up?”
“Is that a yes?”
“No.”
“Just show me how it works,” you sounded desperate by now. Arguing with Miguel ranked high up with the likes of trying to move a boulder with a wooden fork. “How did you get it to work?”
His eyes to widened slightly. “Show you?” he started out. “Are you asking me to pleasure you?”
Now that was probably on your top three of ‘Things you never expect Miguel O’Hara to say’.
“Oh — I mean… well… what?” you stammered, caught by surprise. “I didn’t — you know… huh…”
He only glared at your babbling self.
“Are you… offering?”
Miguel extended his arm to you. “Give me your hand.”
You panicked. “What? Now?”
“For science, right?”
Point taken.
You hesitated momentarily. “You’re not going to paralyse me, right?”
“Do you want me to?”
You offered your hand for him to grip, flipping it palm up. “No.”
“Then I won’t.”
Miguel’s voice was so flat he could just be reading items off a grocery list.
His gloved fingers traced the heel of your palm and his eyes darted down. You held your breath at the sight of him lowering his head. “This might sting.”
And just like that, you watched in complete awe as Miguel O’hara bared his fangs, slowly raking them across your skin before digging into the flesh.
“Ouch!”
Your stomach turned and your heart fluttered as his warm lips grazed the spot he had just bitten. Two circular and symmetrical openings pooled with a tiny amount if blood.
“So? Do you feel a wave of intense carnal bliss?” Miguel asked, straightening up and brushing the droplets away with his thumb.
You merely stood there, waiting for something — anything — to kick in. But as tense seconds ticked by, it was evident nothing was happening.
“No…”
He shrugged, letting go of your hand to tap his watch. “Ah, well. My pleasuring abilities must be below par this morning.”
You scowled at him and considered smashing his arm with a fist. “You could have just said it was all a lie!” you grunted in sheer annoyance, feeling like an idiot. “Now I’m bleeding to death.”
“You’re not going to die.”
“You’re annoying,” you huffed as you checked the bite marks.
“It’s not a lie. I can indeed inject an innocuous version of my venom that can be quite pleasurable,” he said.
“Then do it!” you said, your temper flaring.
Miguel wasn’t one to take orders. He was much more into being the one to call the shots, but your curiosity was eating you alive now that he had revealed that this rumour had some truth to it.
He was now looming over you, his impressive height adding to the tension. “It depends on where I inject the venom. Certain places are more effective,” his voice was uncharacteristicly low as his eyes landed on your neck. “This is just scientific curiosity, right?”
Your mouth had gone too dry to reply, so you just shrugged. Miguel had you taking a few steps back until your lower back hit the railing that lined the platform, causing your hands to clasp around it reflexively.
“Tilt your head.”
You did as you were told and felt his fingers tracing along your jaw, angling you just the way he wanted.
“Hold on tight,” he said, breath now fanning the prickling skin of your neck. “Tell me to stop if it’s too much.”
Feeling your face heat up from the sudden close proximity, you closed your eyes as if embracing for impact. He pressed his lips to your pulse point before digging his fangs slowly into you.
Your mouth dropped open, aghast, and you finally felt it. His venom poured from the fangs and into your bloodstream, spreading through your veins like wildfire. At first, it was just merely a pleasant sensation, like the one you’d get as you finally drank water after a hot day in the sun.
But it soon turned into something else, and unlike water, the new overwhelming feeling was leaving you thirstier with each thump of your racing heart.
Miguel had his hand on the back of your neck, keeping you in place. He moaned first — no, he grunted —, and you felt a jolt of almost painful pleasure shot down your spine and spread between your thighs.
Your grip on the metal surface wavered momentarily and you feared you might fall, but were firmly grounded by his other hand on your waist. It didn’t take long until your clit started throbbing in unison with your heartbeat.
“Miguel… this… this…”
Suddenly, your suit felt too tight and in the way, especially once he pressed lightly into you.
The venom was no longer being injected, but the remnants of it were enough to wreak havoc throughout your body.
“It’s just for science…” he growled, pulling his fangs away from you. “Does it feel good?”
You didn’t dare open your eyes and could only gasp when you felt him push his erection into you.
“Yeah… science… or whatever…” you gasped, feeling yourself being pushed over the edge with each second that passed.
Just when you thought your orgasm would hit you slowly, Miguel tilted your head to the side, exposing the intact skin.
You gripped his wrist as if holding on for dear life, fearing you’d explode. “Again?”
“Your body is neutralising my venom too fast,” he rumbled, lips hovering a sensitive spot. “I need to inject more.”
“Miguel…” you nearly cried out at the thought of your heart no being able to handle the intense pleasure.
“Look at me.”
Your breathing evened briefly as you did as commanded, his red eyes fixed on yours, pupils fully blown.
“Think you can do this?”
You blinked.
“I know you can take more.”
Your clit was now throbbing at an alarming rate at the promise of more of him.
Miguel flashed you his blood-tipped fangs before sinking them into you once again.
The liquid traveled through your body so fast, you felt like someone had punched the air out of your lungs. You vaguely wondered if you would die from this, and concluded that there were worse ways to go.
Being on the receiving end of Miguel’ dry humps would be enough to make anyone tip over the edge, let alone with the added layer of venom engulfing you into an explosive orgasm.
Your vision blurred in an instant as spams and contractions swept through your body. The friction of his clothed cock rubbing against your clit had you arch your back into him, feeling the bittersweet realisation that you were clamping around nothing. You weren’t sure if this was his venom’s doing, but you felt an overwhelming part of you wishing he had been inside you.
It hurt.
It hurt so good and lasted for so long, you like crying from the overwhelming tide of pleasure.
Miguel gave you time to ride out your orgasm, pressing a bloodied kiss to your lips, swallowing your cries.
Metallic taste filled your mouth and you broke away from him, gasping for air.
Your eyes landed on his crotch.
He was hard. Painfully hard. A faint stain of precum seeping through the material of his suit.
“You okay?”
You bent over, hands on your knees and laboured breaths.
“Are you?” you managed in between gasps.
Miguel crouched to eye-level with you. “I think you owe me one.”
“Yeah…” you nodded, swallowing hard. “Thanks for the… scientific… huh… demonstration.”
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Masterlist
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lunarsilver · 11 days ago
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What awaits you in November? PAC
Hello, welcome to another monthly reading! This time a pretty chill one, with charms and shufflemancy. If you're feeling down, you may want to read it, because my charms are hyping up everyone here, I swear xD.
REMEMBER
I’m not a doctor, a psychiatrist, a therapist nor a psychologist. Divination will never replace meetings with them.
It’s a general reading, so not everything will resonate.
If you can’t choose between two piles, probably both of them have some messages for you. You can also not identify with any of them, and that’s okay, too.
Readings can help you make a decision, but they shouldn’t be the main reason for making it.
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1 ~ 2 ~ 3
Pile 1
Charms: strength in the group, be brave!, and I love you for it!, seize the moment, new is exciting, I dreamed you!
Songs: “Loser, Baby” from Hazbin Hotel, “Human” by Rag’n’Bone Man, Le Bien qui fait mal from Mozart Opera Rock
There is this strong emphasis on acceptance of your limitations and finding some friendly souls (or maybe deepening the friendship with the people you’re already friends with). The encouragement to do what you want. Not everyone is right for you, and there always will be someone more talented/hardworking than you, but this November you should understand there are a lot of possibilities around you. Go out, have fun.
Pile 2
Charms: you are a master, seize the moment, call the team, just waiting for this, you can count on me, join the game!, you will succeed! :), party?
Songs: Somewhere Only We Know by Keane, The City’s Yours by Jamie Foxx and Quvenzhane Wallis, Rule #4 - Fish in a Birdcage by  Fish in a Birdcage
This pile is even more party-going and outgoing than the first one - or rather, the encouragement to go out with some people and try something new is here even more insistent. Doesn’t matter if “the game” is literally some kind of a game (I feel that some of you will go out with some people to a place with retro games or go bowling) or some project you’re thinking about, you’ll succeed. With the first and last song, I feel like one specific person will be pretty important this month. Or maybe two? For some reason, a grandma came to my mind (take her to the place which is dear to both of you), though a friend or partner are also very plausible.
Pile 3
Charms: success!, it will get better, a good plan is a must, let them say what they want, shall we make up something? (the charm is in my language and the sentence can also mean “let’s paint something” and “let's do something thoughtless but fun”), shall we stand together?, there is nothing like home, let's do something stupid
Songs: Time Machine by Ingrid Michaelson, Overdose by natori, Snowman by Sia
The way the first song has a verse “You slammed that door and left me standing all alone” and one of the charms says “shall we stand together?”??? It looks like there’s a period of healing after something or someone, some ex? Some toxic friend? Someone you (have) cared about and they hurt you, that’s for sure. It looks like someone else will come up in the picture at the right moment and encourage you to have some silly, almost childish fun with them. This troublemaker vibe is strong with them, but the other charms make me think they’re quite sweet. Like, "let's do some stupid shit to light up your mood".
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brykp · 3 months ago
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THEORY: Lucifer Morningstar in Hazbin Hotel... Might Actually Be a Star
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I was thinking of what Sera said to Charlie when she was first welcomed into Heaven... "Greetings, Daughter of the Morningstar"... or, did she enunciate morning-star? This is a real thing in the world that exists for us people on earth, in fact you can walk outside and see it very early every morning --- it is the last star shining in the sky. Tangent oncoming, but it gets back to the main point ----- Lucifer means "light-bearer", or, "light-bringer", because it calls forth the rising sun. In symbology, this has been interpreted as a man holding a torch. In Hazbin Hotel, we not only see Lucifer literally can produce fire from his hand, but this has been passed down to his daughter as well. They're light-bearers --- literally. Also, that is precisely what stars do... they produce light! Now let me advance to next bulletpoint of this post... Vivienne Medrano ALREADY used a "living" object, that can terraform into a more active form, in this web show. And that is none other than Kiki, the literal key to the hotel. She turns into a cat-semblant body.
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On the same note, Vivienne Medrano is no stranger to humanoids or beings naturally being another thing. This was a primary feature of her extinct webcomic, Zoophobia, where every animal naturally has a humanesque form they can convert to whenever necessary. For example, Jackie is a great macaw (this isn't the parrot's true appearance, this is a format she takes alternatively):
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Now, I know Lucifer is snake-coded, but I couldn't help but acknowledge how well-versed Vivienne Medrano seems to be in demonology and religion, to an extent, based on some videos from YouTuber cartoon analysis channels. And (I'm going to repeat, excuse my drawling), it is a common fact that the morning star.... in the sky... can be seen every morning. Hence, Sera uttered; "Greetings, daughter of the morning star". So, here's the next bulletpoint --- the acknowledgment of celestial bodies as sources of worship (astrology) is a key point in this universe. Stolas, a major character in the same world, studies and is a sort of regulator of the celestial bodies.
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That's his whole schtick. Plus, he is royalty in Hell, so astrology is probably a no-shit presence of fact among the general population in Hell. On the the next bulletpoint: YouTube theorists and fans of both these web shows in general have expressed how they think Hazbin Hotel + Helluva Boss take place somewhere in 'outer space'. From the Pride Ring alone, we can see other celestial bodies IN the sky, like Heaven and a weird moon with a copy of Pride Ring's Pentagram on it. While I don't think the Hellaverse is in outer space exactly, I really think it's code for 'the heavenly realms'. Now on to the next and probably most important fact... now, what might the Pride Ring be? What does its parameter resemble? (Btw, follow this person on Tumblr and X, they are a great Lucy fan artist):
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Not to mention the pentagram (which is also, coincidentally, and non-coincidentally a star-shape) floating right above it. What is a meteorite? A falling star. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! What is my final say on this? I might say Lucifer is... well, a fallen star. He may or may not be a literal star in the show, but this is a huge probability in the Hellaverse considering it IS Vivienne Medrano's brainchild. This is my headcannon now... that because these are the heavenly realms, the most powerful beings/ characters can and do exist likely in alternate/ first forms in the same existential plane. Charlie is half human and half angel... or further, half star. Also, this means Lilith fucked a star. (And Eve too, oop.)
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ghostlythunderbird · 2 years ago
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Can we get some more Omega-Verse HC with König and his mate?
maybe how they first met? Idk, I just really crave some more omega verse stuff with him.
love your work! <3
Omegaverse ~ König and how he met his mate
OMG wow my first ever ask! Ngl this has inspired me to write one for each of the boys, but Anon this one is for you! Hope you and everyone enjoy and once again a special thanks to @l-lend and @kelpiesummer for throwing ideas at me XD.
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Now both your and Konig’s first meeting is the farthest thing from perfect, and remember when I said you literally barged into his life? I was being serious.
Now I’m just gonna say that you're secretly an Omega, but in order to get higher paying and government related jobs (cause that’s where the money is at) you cannot be anything less than a Beta. To safeguard your identity you have both high end scent patches and pill suppressants.
And after making sure no one could tell what your true second gender was, you applied to become a part of a Rut Retrieval Team. Your assigned member? The Austrian Apex known as König. But what you didn’t know about this supposedly dangerous second gender, was that even the least sensitive apex could still pick up on what you were even with patches and suppressants.
Now your team are the only people who can handle him after he’s coming down after a rut, primarily because many think he would be extremely dangerous. So after being dispatched somewhere in Spain, your team finally finds him while he’s still both coming off his rut and the excessive amounts of adrenaline. He was showing signs that he didn’t really want the team there but made no moves to act.
But when someone reached for him, he grabbed the much smaller beta male and practically threw him before attempting to pummel the poor guy. And in order to protect your teammate, you barrel into the apex and attempt to wrap your arms around his neck to make him stop. One main way to calm down an apex would be with a heavily scented pad that had an omegas heat scent doused into it. But before you could apply it, he grabbed your wrist and pressed his nose to your covered scent gland instead before quickly letting go.
The scent that washed over him was much stronger than could have ever been on the cloth, but once he realized there was a scent patch there he dropped your wrist like it practically burned him. You both didn’t move after that but your gazes were locked almost like a trance.
Thankfully your team didn’t catch this interaction between the two of you, as they were more focused on the beta on the ground. But once they see how he’s decently calm, they begin moving him to evac to get him back to the KorTac base. Your team didn’t desire to be anywhere near him after his earlier display so you end up being voluntold to secure him while your team is on security outside the helicopter.
König hadn’t said anything during the duration of his retrieval, he was completely silent but all he did was just keep a watchful gaze as you strapped him in. His gaze wasn’t broken until you had brought that dreaded muzzle into his view, he zeroed in on it and without a single thought he had asked “Your an Omega aren’t you?”. To König it was more of a shot in the dark, and wasn't fully expecting you to answer him.
It wasn’t until he had looked up and froze, your eyes were wide from under your mask; the fear was evident. Your grip on the muzzle tightened and the instinctive urge to get away from him was starting to take over. But before you could fully take a step back he had moved, yanking the muzzle from your grasp and had tightened it before you could blink. He had practically shrunk in on himself and made no move to look at you, even though it had no change on his height or mass for someone of his massive size. The poor guy didn’t want to scare you, and make him seem like the monster so many make him out to be.
It was odd to say the least. You had been told that Apexes were demanding and took whatever they wanted whenever. But this odd apex has only become more interesting to you in just a short amount of time. It wasn’t until he had looked in your direction and muttered a “Don’t worry your secret's safe with me, Ich verspreche es dir~.” That you had decided to try and get to know this enigma of a man much better. And you definitely never looked back after that chance encounter.
Translation : “Ich verspreche es dir” - I promise you (sorry if this is wrong, I’m using google translate because I’m an uneducated American XD)
Taglist: @l-lend, @kelpiesummer, @fatedeniedhope, @grizzersmamma
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crookedkryptonitebeliever · 10 months ago
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It Was Only Supposed to be a One Night Stand (part 8)
Tw: Yandere, Montgomery came from a dysfunctional family, fat shaming, like bullying from parents
LOOK AT MY NEW SERIES THAT COMBINES YVES AND MONTGOMERY TOGETHER
Part 9
After four long days and three steamy nights, you finally reached the homestead that Montgomery was raving about.
It is massive. Lively too.
Even during winter, the animals were kicking up a fuss inside their respective barns. The main, open fields didn't seem to be growing anything, but you can see a couple of greenhouses side by side. The silos tower all the nearby buildings. Everything seems all over the place yet organized at the same time, perhaps you're not well versed in the art of farming, you wouldn't get it.
He drove further down to a large, two storey farmhouse. The wooden planks worn with age and memories, plants creeping from under the sheet of powdery white. Montgomery parked right next to five other trucks that clearly saw better days. You turned your head to see that there is another living quarter, this time with two cars, but four vacant parking spots.
Typical of him, he gets out of the car first to open your door.
You held onto his hand as your boots flatten the snow below you. He has a protective arm around your waist, making you sure that you won't fall.
"We made it home." He pulled his scarf down to give you a kiss on the forehead. "Praise lord, we made it safe and sound." Montgomery rubbed your back up and down.
Praise lord? That's new. You never pegged him to be religious, seeing how he is behind bedroom and motel doors.
He struck his knuckles against the sturdy door that's protected by a metal gate. You eyed the rust coating them, wondering how old their properties are.
With this much resources, they should have been filthy rich. Why is everyone cramped into these two houses?
The door swung open to reveal an older male, with greying hair and a baseball cap. He is a lot shorter than Montgomery himself.
"Monty, my boy!" He exclaimed and excitedly opened the gate. Both men flung themselves onto each other and had a hug fest.
"I missed ya, pa." The older gentleman lets out a hearty laugh.
"Missed ya too, Ugly."
Ugly? That's... an odd thing to call your son. You can see that Montgomery's smile faltered a bit.
"So? Gonna introduce me to this beauty here?" His father smiled at you.
"This is (name), my partner." Montgomery clasped his hands on your shoulders and pulled you closer to him. "Born n' raised in the city." He shot his father a look, as if hinting to not make you too uncomfortable with the countryside lifestyle.
"Huh. Now how did ya' get to meet my son? I know y'all city dwellers have sky-high expectations for lovers, especially in the looks department ." He guffawed and slapped Montgomery on the back. "I guess his heart of gold won ya' over."
Your boyfriend looks uncomfortable.
You changed the subject, asking if you could come in due to the freezing weather.
"Come on in! A friend of Monty is a friend of mine, I ain't have much from his side. So, I'm excited to get to know ya!" He steps aside to let the both of you in.
It definitely has a rustic aesthetic. Cushions and rugs worn and tattered. There are three German Shepherds sleeping on the couches. A fluffy grey cat sits atop one of them, eyes serenely closed.
The hearth is crackling loudly and its heat is warming the house up. You looked around to see numerous framed pictures of his family on all sides of the walls.
There are a dizzying number of different faces that you can identify. You wonder if he had a thousand siblings or these are including his cousins and niblings.
"Do I hear that Monty the Ugly is home?!" A high pitched voice rang from another room.
"Ya' sure did, Sugar! Our boy is home!"
A woman of similar age to his father, came rushing in. In her arms held a large wooden bowl filled with what looks like batter of some sort.
She set the bowl down on a table somewhere and hurled herself to Montgomery. She gave him a bone-crushing hug, it was so tight that your boyfriend had the air knocked out of his lungs. That's where he gets his habit from.
She whipped her head towards you, her eyes lit up even more and you could almost feel her gyrating on the spot.
"Oh! Who's this little sweet thing right here?" She let her son go before skittering towards you. His mother reminded you a lot of a hyperactive mouse.
"That's Monty's lover, can you believe it?!" His father replied with great enthusiasm.
She let out a squeal and squeezed your cheeks. "No! I can't. Praise Jesus, he finally found someone who loves him past his outside!"
"That's enough now, ma." He forcefully pried her away from you. She stumbled backward a little, her husband came to her aid but before he could defend her, she had something to say.
"What? I'm just showin' our guest how we welcome folks like them!" Whined his mother. Montgomery ignored them, preferring to inspect your face instead, he caressed your cheeks as he whispered, "I'm sorry about them."
"And I raised ya' better than to put your hands on your mother like that!" His father had a sudden change of tone, his face contorted into something a lot less friendly.
"I know that's right, Monty! The city corrupted your values, ya' should have stayed back and helped with the family business." His mother spat with malice.
"Really!? Right now? In front of my sweetheart?" Montgomery retorted with equal offense. He stood in front of you protectively.
They snapped their head towards you and took a moment of silence. Their animosity dropped as fast as it arrived, they returned to their smiles and giggles.
"Silly ol' us, where are our manners? You ain't even know what to call us!" The father hooked his arm around your neck and gave you a noogie. You wince at the sudden touch and pain.
"You can call me 'ma', and him 'pa'. Forget about the Mr and Mrs crap, we're all family here!" His mother clapped her hands excitedly.
"Hands off!" Montgomery's digits curled around his father's wrist, yanking it away from your head. He shoved him away from you and pressed you close into him. "Don't fucking touch them!" He shouted.
"What the hell has gotten into ya'? We're your parents, for god's sake! You don't get to talk to us like that!" Retaliated his father.
"Precisely, Monty! The city's no good for you. If only you listened to us and pastor--"
You interrupted their potentially disastrous argument, asking to meet the rest of the family. Like before, they immediately forget about their anger and go straight to being lovingly sweet again.
"Yes! I'll call those lazy bones down right now." The mother took a deep breath and began screeching their names, she moved towards the staircase and continued yelling. You had to plug your ears with your fingers, it was as loud as the train. Maybe even louder.
"While my wife's callin' them down, c'mon, I'll teach you their names." His father wanted to put a hand on your shoulder, but Montgomery growled at him. He rolled his eyes and let his hand drop to the side.
You stood in front of the second biggest framed picture in the living room. You let out a sigh of relief, at least you only need to remember the faces and names of 10 people, as opposed to 70 in the largest family picture.
All of them wore the same flannel shirt and type of jeans.
"That's Noel, our youngest. He's turnin' 25 this Christmas. Be careful with him, he's the softest among all of us. He just can't take a joke!" He pointed at the boy who had his hair bleached, his roots were showing. You took note of his rainbow shoelaces.
"That's Baby-Ruth. She's sweeter than chocolate, she's the only one showin' willingness to help out around the farm. Unlike a certain someone who decided to abandon us." He narrowed his eyes at Montgomery, and his father received a mean glare back. Baby-Ruth is the only glowing one in this picture who genuinely looks happy to be in it.
"Ah! Rufus the dog! He's a lean, mean machine, lemme tell ya that. He does all the heavy liftin', he could carry a full-grown cow across the field and not break a sweat! Just hopin' he would lay off the moonshine." Rufus looks horrendous in this picture, eyebags, tousled hair, and sunken cheeks.
"And that's your loverboy, Monty the Ugly!" He pointed at a younger-looking Montgomery.
You said that he looks handsome in this picture, you didn't understand why he's being assigned the title. But truth be told, he just looks average.
Upon hearing that, Montgomery felt his heart swell and he became bashful. But the moment was ruined when his father decided to laugh in your face.
"I guess big places like the city have some big variety of tastes. Not here, though."
You tried defending your boyfriend, feeling upset that he's unfairly treated in this family. Or maybe you felt offended when he implied that your standards are low. You said that he was well sought after in the city, people liked how strong and rugged he was. There is no way he's considered unattractive here.
What you said is not necessarily true in Montgomery's experiences, but it made him melt nonetheless.
You fully expected a shouting match with his father like earlier. But he only brushed it off and took it as a joke.
"Stop yankin' my chains, ain't no way the majority prefer... this-" He gestured towards your boyfriend. "-Over, this!" He pointed to the next family member.
You wouldn't admit it out loud. But whoever his father is pointing at is definitely a hunk. He has a million-dollar smile and striking hazel eyes. The man has his hair slicked back into a neat fashion, you can see his muscles peeking out of his flannel. He knows how to flaunt his good side.
"Our poster boy, Beau! All the ladies in town and out of town is chasin' after him. That's why, he's the face of our products. Shame that he married a woman that didn't quite match his level."
You asked him if he's calling his wife hideous.
He shrugged nonchalantly. "Somethin' like that. You're a much better fit for him, but I guess to each their own."
You shot Montgomery a look, your mouth agape. Is his family always like this? He looked away shamefully, starting to regret visiting home.
"Next! Betty the fatty! She could never seem to shed that weight." He chuckled. "I guess Mama's fried chicken's too good for her to resist! Breaking a chair or five never stopped her from getting seconds or thirds or fifteenths during Thanksgiving!"
You brought your hands to your head. You told him that they must be insane, Betty may be chubbier than the rest of them, but she looks normal. Perhaps even thinner than you are, given her height. Either way, She doesn't deserve to be talked about like that.
"Ah, don't you worry. I was just kiddin'. She only broke four chairs with her fatass. Plus, she can take a joke. Unlike a certain wannabe blondie." Before you could even argue about anything else, Montgomery squeezed your shoulder gently. You turned your head to see him shaking his head, pleading with you to drop it. So you did.
"We got the other end of the spectrum, Emerson the Skeleton!" Horrified, your eyes trailed to the end of his fingertips. He's pointing to an emaciated woman who has a scarf tied to her head, it looks like she's trying to cover up part of her hair. She didn't appear to be smiling and her eyes looked vacant.
"She's lazy. Barely helping out with the farm and always sleepin' in. Always spendin' her hard-earned check at the hospital, I wonder what's so interestin' over there."
You cannot tell if he was joking or if he truly did not understand she was suffering from some sort of illness.
"We worry for her, she's nearly 40 and unmarried. I reckon it's cause she ain't have no meat on her bones. Men like to go for something with a little more substance, ya' get what I'm saying?" He nudges you in the rib using his elbow.
Montgomery was about to jump in, but you raised a palm to him. Telling him that it's fine.
"And finally, our oldest. Mary-Grace. Can't believe she's turnin' 50. Time has gone by so fast." He has a wistful look on his face. The oldest looked... tortured. She seems so angry yet so trapped. Her deep wrinkles show you unseen expressions.
Interestingly enough, he has nothing much to say about her.
"Then, there's us! Me, Robert Yeller and my lovely wife, Anna-Mae Yeller. We've been married for 50 long years. She's just a couple months older than I am, but she acts just like my mother!" They both look the happiest. Everyone except Baby-Ruth looked like they were attending a funeral in comparison.
You asked how old are they now.
"We turned 66 this year." The gears started turning in your head. You rather not think about it in the end.
"-meet the new addition to our family!" Your ears perked up at the voice of Anna-Mae. You turned around to see Noel, Emerson and Mary-Grace Yeller. Your eyes rolled down to see a gaggle of children, excitedly chattering among each other.
The children squealed when they saw you and Montgomery. They were like high-speed bullets the way they came running. They latched onto you, their weight making you lose your balance and fall to the ground.
You groaned as they laughed and hugged you close.
"I know y'all are excited to meet your new pibling. But guys, git off them, you're going to scare my Sweetheart away!" He shooed them off you, they shrieked playfully as Montgomery exaggerated his stomps, chasing them around the room until they slipped off to somewhere else to play.
Montgomery seems to get along with the children well. You wondered if he wanted children later in life, that may be a problem given the economy is on a downward trend.
Your boyfriend helped you up, checking you for any injuries sustained.
You turned your face to look at his siblings. They're... nothing like their parents personality-wise. They stared at you cautiously, a conflicted look rested on their faces as soon as their eyes landed on Montgomery.
There was tension in the air, Mary-Grace furrowed her eyebrows, looking at Montgomery. Then he turned to you, and an unreadable expression emerged.
"Welcome. Make yerself' at home." She was curt. She turned around and walked away.
"Hello." Emerson rasps. She gave you a small wave and a polite smile. She too, left the room promptly.
Noel looked you up and down, seemingly judging you.
"How was life like in the city?" He ignored you, asking Montgomery.
"Show my partner some respect, if you know what's good for you." Seethed Montgomery through his gritted teeth.
"Sup." He gave you an upward nod. You mirrored his behavior.
"Were you happy?" Asked Noel, treating you like you're invisible. "Were they any less 'sensitive' than me?"
"Noel." He snarled. "Not now."
To your surprise, Noel didn't inherit any of their Southern accents. He almost sounds... Californian.
Noel snorted. "Welcome to the Yeller household. I can tell you're going to love it here." The sarcasm dripping from his tone definitely didn't go undetected. He went back upstairs, you heard a loud slam shortly after.
"Heh, guess someone woke up on the wrong side of the bed, amirite?" The couple laughed in unison.
Montgomery rubbed your arm up and down. "Let's go." He whispered.
He excused himself needing to set the luggage down in the bedroom. You followed him to the car, not wanting to be in the same room as the unstable elderly couple.
What have you gotten yourself into?
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sshoryuken · 10 months ago
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➣ (A)dmittedly, Wallace drinking himself half to death every single night had become normal. He'd come home from work, leave about an hour later, then stagger in absolutely smashed during the wee hours of the dark morning, rousing Scott from his sleep with a clumsy shake to his person, demanding quietly for him to move onto the chair for the remainder of the night. Between grumbles and groans, he'd do so, ignoring the squirrelly-eyed nameless four-eyed face of the week standing behind as he brushed past in the darkness.
So was the routine.
Such one routine that has been so normalized in their dysfunctional, shitty household, that he barely bats an eye when he hears Wallace utter those words, focus glued to the game playing out on dinky TV screen.
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"Sure," Scott answers finally after the clicking of buttons on the controller being the only response for the longest time, "not my liver that's suffering."
The pause comes after he finally processes what had been said in the aftermath of the declaration. He slow blinks like an animal as he raises his head, and turns slightly to eye his roommate. How to broach the concern bubbling up in his chest, though... he certainly can't just say he's worried. One, Wallace would brush him off. And two, that's kind of gay. And Scott knows he's not gay.
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"...Five's a lot," he settles on commenting idly, pretending that he's not following his roommate's movements with his eyes, "are you going to a party, or what?"
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"I'm going to get a drink...or 5."
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drconstellation · 1 year ago
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The Golden Lions of Heaven
S2 has several prominent lion symbols in it, and at first watch they don’t appear to have anything to do with the main story line. But there are lions in both seasons, and they are all connected.
Lions are intrinsically linked with royalty, and are often called King of the Beasts or King of the Jungle. They also symbolize courage, nobility and strength.
Whenever lions appear in GO they are always coloured gold, which is associated with Heaven. Nearly all the angels have some bit of gold on them somewhere - unless they have just discorporated.
In Christian iconography Jesus is represented as a lion upon his return. When he was crucified he was a sacrificial lamb, but the Second Coming is a time when he returns to reign again. As a descendant of the royal house of David, it therefore seems quite logical to assign this symbol to the king of kings.
There is also this paragraph from the Medieval Bestiary:
“In Christian allegory, the three main natures of the lion each have a meaning. The lion erasing its tracks with its tail represents the way Jesus concealed his divinity, only revealing himself to his followers. The lion sleeping with its eyes open represents Jesus, physically dead after crucifixion, but still spiritually alive in his divine nature. The lion roaring over his dead cubs to bring them to life represents how God the father woke Jesus after three days in his tomb.”
There is also an often misquoted line “when the lion shall lie down with the lamb,” but it’s not that at all. The full verse is:
“The wolf shall live with the lamb, the leopard shall lie down with the kid, the calf and the lion and the fatling together, and a little child shall lead them.” [Isiah 11:6]
It is referring to a time of peace that should come once Jesus returns. Somehow I don't think we are going to get that in S3.
The Two Lions in the Dirty Donkey
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There are two large golden lions sitting on the ends of the bar in the Dirty Donkey. Because one of the underlying themes in S2 is about the Second Coming, even if its not obvious until the end, its fairly easy then to interpret these two as being connected to this event. The Dirty Donkey itself can be seen in several ways: a simple donkey that needs a wash, or a black horse. Both are relevant to referencing Jesus. In the former, Jesus rode a donkey into Jerusalem the first time to signify he came in peace, but the second time he arrives will be like on the back of the black horse of a conqueror come to rule. One lion for each occurrence.
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The Lion under the lamp in Jimbriel’s room
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While there is some argument for Jim’s character in S2 re-creating parts of the life of Jesus from two thousand years ago, such as the cleansing of the temple and facing temptation from demons. I think we shouldn’t also forget that this is also Gabriel the Herald, and he was doing some ominous heralding of doom at various points in S2 that in hindsight we can see were warning us about the Second Coming. So this lion at the base of the lamp Jimbriel is playing with has to alert us to Jimbriel’s connection with Jesus. (I will probably revisit and add/rewrite this one in the future, I think there is a bit more to it)
The Lion Rampant on Aziraphale’s Ring
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At the end of S2 we learn that Aziraphale has been manipulated into going back to Heaven to run the Second Coming by the Metatron. In hindsight, its hard to see how he wouldn't be involved, somehow. What is surprising, however, is that this expert in prophecy didn't see it coming - but then he didn't expect to see Jimbriel arriving either!
Usually the first thing we notice about Aziraphale's ring is the stylized lion rampant on the shield. We know it's definitely a lion because it upright - if it was down on all four paws it would be referred to as a leopard. The upright tail tells us its on guard.
There are more elements to the ring that also add to the story here, it's a much more complex ring than Michael's. The crown on the top is a symbol of victory and sovereignty, and also a connection to God, who considered the "King of all." On either side of the shield are two stylized sprigs of laurel, reinforcing a picture of triumph and fame.
Then there are a fringe of feathers, banded in sharp triangular spikes. Feathers signify willing obedience and serenity of mind in heraldry, so I would tend to lean towards the former. The triangles represent celestial rays, so they reinforce his obedience to the will of Heaven.
You might think, "well this makes sense, Aziraphale is a Principality, he's a protector, that's why there is a lion," but I think it more complicated than that. It tells us something about both the past and the future at the same time. The purpose of the rings remain a mystery to us at the moment, in that we don't know why some angels have them and others don't, or if they have any function. Aziraphale has a tendency to touch his when he is feeling troubled or worried (its easy to miss if you aren't paying attention,) so perhaps it helps to strengthen his connection to Heaven somehow, or is a reminder of his duties.
There is another connection Aziraphale has to a lion, and that is through his past status as a cherubim in the Job minisode in S2E2.
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As pointed out in this post, the pattern is stylized to represent the four wings that Cherubim are said to have, with a pearl in the center for an eye. These Cherubim also have four faces: an ox, an eagle, a lion and a man. Well, we sort of get all of those with Aziraphale at some point in the wider story. And the angel set at the eastern gate of Eden with the flaming sword was supposed to be a Cherubim, too. Yes, Aziraphale changed rank from Cherubim to Principality, we just don't technically know whether it was a step up or down...
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The Honolulu Roast Lion
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There is a lion you don’t see in S2 – the lion logo for the Honolulu roast coffee, mentioned briefly on a blackboard in the background of a shot inside the coffee shop.
The islands of Hawaii were a kingdom up until 1893, when a commercial coup took them over and allowed them to be annexed by the US. You can read more about it here. While the op in that post relates it the Eldritch Ball in S2E5, it still connects a lion to royalty.
The lion at the beginning of S1E1
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Right at the beginning we have a lion as well – a real live lion! After Adam and Eve leave the Garden of Eden they meet a big lion out on the dunes. As Aziraphale and Crowley watch and talk atop the walls of the Garden, Adam confronts the lion with the flaming sword Aziraphale gave him and eventually kills the lion before he walks away with Eve.
What are we to think of this? I've see one op suggest that it was Aziraphale "throwing them to the lions" as his first act. To me it seems more like Adam has just slain God instead to gain their freedom.
The Lions on Crowley’s “throne”
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There are two lion heads on the arm rest of Crowley’s “throne” (I don’t know what else to call it, really) in his Mayfair flat in S1. If I understand correctly, this should first be viewed as a homage to the US show Supernatural, as this chair is the exact copy of the one the demon Crowley in that show sits in, only his one is black. But if I’m to look at it in terms of GO symbology, my brain keeps going [error 503: Server cannot process the request due to a system overload; should be a temporary condition...] because I can’t quite believe what its telling me. And I should, because I’m the one running around touting a list that is now 22 items long for why Crowley was once a very powerful archangel and written a batshit-crazy meta on King Arthur themes presenting in GO. So I’ll just present my quandary this way: There are lions, they are golden, of course, so they are connected to Heaven, and a symbol of royalty – but they are being used by a demon in a residence paid for by Hell…(too.much.gold...! what were they thinking?)
Further reading: The Golden Lion by Cobragardens
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bisnes-socks · 4 months ago
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okay welcome to my second šbj ted talk 😌 today we are discussing (i am rambling on about) composition bc wow!!!!!!! the boys done outdid themselves.
i will be making references to my post about jure and the drums, so if you want to read that first it's here.
because like. isn't it funny how in that drum ted talk, which i wrote and posted hours before the animated video came, i talked about how the beginning of the song, the main riff part with its unexpected drum beat and patterns, feels like it's stomping, and then the video came out and the character stomps away (okay walks with attitude) that whole section? ANYWAY
compositionally speaking i think this one is one of the most interesting JO songs bc it has multiple type of beats, vibes and sections, that go together very well, and they've not only composed the changes between these variations in a clever way, they've also written a song that really allows each member to shine. it's a true band song to me and i loooove that.
note: though nothing i say here is like unique to this song, these aren't like rare or unusual tools they use here. i just think that this song highlights many of them really well.
the first details i want to talk about are certain melodies/chromatic ascensions or decensions. i am unfortunately not physically in a place where i could check exact notes, pitches, keys or anything, so i'm going by ear and i do not have perfect pitch sooo let me live.
but have you noticed that the riff section ends in the guitar doing pretty much the exact opposite as the vocal descension? not after every round of the riff, but before bojan starts singing again. the guitar ascends, chromatically, it goes up note at a time. i don't know if it's the exact same notes in reverse, but the effect is the same but in reverse. now, that ascension does not end on a note that would be as satisfying to end on, no. it creates a sort of tension: we have to go somewhere after this note, we can't stay suspended here. 
but you know how the line "šta bih ja u ovoj crnoj noći bez tebe radio?" goes down at the end? the singing melody descends, chromatically, and it's very satisfying for their listener bc it follows the scale that we're used to in most western music. it ends on a note where it feels good to either keep going, to a new section, as the song does at first, or end it there, as the song also does in the end.
and i'd argue that in the beginning, that bit, the melodic descension down to where the whole band kicks in and starts stomping away, highlights the mood of that section and the purpose it serves in the song. like i keep saying, that part sort of stomps, and it's like.. the part of the song that chugs forward. it has this feeling of going up and down (a good vibe to jump or nod your head to, or walk or stomp to, no?) but it also has this feeling of going forward. the descending melody kind of sends it on its way and we're all going with it.
and that tension carries the verse, which does not have the same forward drive as the riff part. but we have been, melodically, brought to a place, with that guitar ascending, where we want to hear more. so we stay there, with the verse. and where does the verse ultimately take us? back to the stomping riff, to chug forward again. without the riff bits the verses would feel like they're left suspended in tension.
and does it feel like the line "šta bih ja u ovoj crnoj noći bez tebe radio?" is either longer or shorter than you expected, or it has an unexpected rhythm to it, especially for it's place in the song? 
because these little moments that are rhytmically unexpected, like the "šta bih ja..." line, and the drum syncopation, where a hi-hat crash comes a beat later than you expect in the riff section, they create moments that pique your interest as a listener. 
well, it does have an unexpected rhythm and an unexpected time signature. Two bars of 4 and one bar of 2, with the vocal line overlapping with the 1 of the next bar, if i counted right. (disclaimer: if i got it wrong i learned to count as a dancer, not as a musician lmao). and i think that all of that also plays super well into everything i talked about before, and also everything i talked about regarding the drums in the riff section. 
and they're small enough decorations that we're not venturing off into like prog or jazz territory, the song remains in a poprock world compositionally speaking, and the tempo doesn't change until the faster section in the end, which makes it all easy and pleasant to listen, but they change things up just enough to keep the listener super hooked. and then of course the tempo change at the end, at least, will challenge anyone just absentmindedly tapping their foot along like it's backround music, to really pay attention. and i just think it's very clever.
and then the "a ja samo čekam.." part is also an interesting part, bc as i said in my first ted talk, it switches between a more aggressive straight forward beat and a more groovy beat, and that's super clever, bc like. if it was just the aggression through the entire part, it would most likely get a bit exhausting and a bit too much for the composition. so by alternating between the aggression and the downright dance-vibe of the groovy beat, the composition creates progression. so that even the most aggressive bit of the song isn't just... screaming into a pillow, it's going somewhere. shoutout (shautaut) to the bassline in these bits as well!! the bass actually provides a lot of melodic components in that section, bc the vocal line is super one note. it's smart to elevate the bass like that.
and THEN!! the faster bit at the end!! suddenly we're going all arctic monkeys aren't we, and i love it, give me all the straightforward 2010's brit rock vibes and i will eat it up. and this part is like.. releasing everything. all of the tension that has built up, we've kind of reached where we've been stomping off to, and it's time to let loose. and so they do. and then collect it all together with a final "šta bih ja u ovoj crnoj noći bez tebe radio?" and this time we end on that satisfying final note and we're here, we're a little out of breath, but we've arrived and we've got all the jitters out and we're done. excellent way to end the song.
and this is getting extremely long now so i think we have also reached the end of the ted talk thank you goodbye.
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sshoryuken · 10 months ago
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Tag dump!!
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faythsang · 1 year ago
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tag dump
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shiftingwithjaidyn · 5 months ago
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🕸️,🍎, &🌊!
answering for my writer/fame dr
|| shifting ask game 🕸️; where will you be when you first wake up in your dr? what clothes will you be in?
very basic, i know, but i'll wake up in my room! i want to wake up somewhere where i am already comfortable in (especially since i mostly do sleep methods.). plus, i really want to wake up to my sweetheart princess of meow meow kitty kingdom mari໒꒰ྀི´ ˘ ` ꒱ྀིა i'm personally very obsessed in anything vintage and romanticizing my life in general/in every single universe being the drama queen that i amso i'll probably be wearing those pretty vintage slip-on night gowns/dresses
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🍎; what are three songs that remind you of your dr and why?
● midnight city - m83 - this song reminds me so so sooo much of l.a. (it was a close tie between lady killers II by g-eazy) and the song itself is sort if adrenaline rush was a song which i'll most likely feel the moment i first shift. ● there she goes - the la's - this song is more on how i see myself in my dr/my vibes in my dr, y'know? i've always been a fan of 2000s rom-coms and i've always wanted to be sort of a main caracter in one, so i'm always so happy and thankful whenever someone says i do have that type of personality/aura and i'd like to have it in this reality as well! ● no 1. party anthem - arctic monkeys - this song can be interpreted in numerous ways and while majority of them are a pretty sad interpretation (and i can do a whole essay on every single one but let's do that some other time), i genuinely adore this song with my whole heart and consider it as a love song about me and my dr s/o. there's a specific verse in its bridge "the look of love, the rush of blood. the "she's with me"s, the gallic shrug. the shutterbugs, the camera plus the black & white and the colour dodge." that brings me to my knees and make me go "hey that's us!". me and my dr s/o sort of have a love at first sight (the look of love, the rush of blood) friends-to-lovers trope, so obviously there's a lot of mutual pining and slow burn there, but i think it's sort of bittersweet to have those moments. not in a "oh, i want to be cheesy and corny and blah" (which you can do obviously but that is not my intention here personally), but in a "we get the chance to understand each other to a deeper level that no one else can, but there's this risk, and it's up to us if we want to take it or not.". especially with the fact that we don't act upon our feelings until much later (thought a lot of our friends already speculate || "the "she's with me"s, the gallic shrug") also connects me to this song more for this song is a representation of longing and yearning for someone who you're unsure if they like you back especially knowing everyone has their eyes on the both of you (because he's a well-known actor and i'm a well-known writer || "the camera plus the black & white and the colour dodge") (there's so much words for the last song omg i'm so sorry y'all my lover girl slipped out of her cage.)
🌊; pretend your dr has one of those filler-beach-day episodes. what’s everyone doing?
omgg this reminded me of a scene in this show i'm a part of in my dr (yellowjackets) where it does have a filler-beach-day episode (well more like scene and they were in a lake but whateverrr) anyway, going back to the question! i'm mostly close with drag queens in my dr since i've worked for rupaul's drag race (the og and all stars) for about 10 years so i can only imagine most of the queens like shea couleé, trixie mattel, katya zamolodchikova, violet chacki, jaida essence hall, plastique tiara, etc. relaxing in the corner enjoying the sun and other queens like nymphia wind, dawn, gottmik, symone, plasma, kandy muse, xunami muse, morphi, naomi smalls, bob the drag queen, monet x change, etc. probably ready to drown each other during a game of beach volleyball. (i'm so sorry if this answer's like super messy and not accurate to the question my head is so empty rn HDJKFHSKFHDSJ)
this was such a fun questionnaire session tysmmm gaiaaa!!!! <3333
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justgayrevolutionnaries · 3 months ago
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Of snowflakes and revolution
My gift for @fructidors for the @drinkwithme-exchange ! I was more than happy to make another fic for you, this time I wanted to focus on Grantaire an Jehan and I had so much fun writing about them, I hope you enjoy <3
This one takes place in canon era, a few weeks before the Barrière du Maine episode.
Read it below or find it on Ao3 !
February 1832
“You know, my friend, since you forced me to go out, I feel the least you could do is look happy I obliged.”
Jean Prouvaire’s words seemed to be met with an immediate success, as the man facing him, though he didn't assume the happy look expected of him, was effectively snapped back to reality and considered him with an ironic stare.
“I would apologize, but I should have thought you would be more than eager to look out that window yourself - are you not the same one who would rather talk about the shapes of the clouds than listen to Enjolras pestering us with practical matters ? I am curious what you should have to say about the snow out there.”
In Grantaire’s defense, although he was not usually one to admire the landscape, it was not everyday you could find Paris under the snow, and both of them had a feeling they should revel in the occasion, as they did not know when they would come across such a view again - or even if they ever would. In fact, Prouvaire’s face as he called out to his friend was more bemused than actually upset, as he had barely been able to tear his eyes from the window himself since they had sat down at the Corinthe.
The pair would usually meet at Prouvaire’s apartment, although it was so messy these days that there was barely enough room for him to move around, let alone his imposing and exuberant friend. Not that it bothered the poet in the slightest, it seemed almost natural for him to live amidst a mess of worn out-books, pieces of paper filled with fragmented verses and various flowers all around, and since there was always a bottle of good wine to be found somewhere in this mess, Grantaire did not mind either. This time however, upon finding out that his friend had been so absorbed in his readings that he had completely neglected his mortal needs such as buying decent food, Grantaire had positively dragged him out of the building, claiming that “burying yourself in books will make you even more boring than Combeferre” and that he needed to go out immediately to prevent this unfortunate occurrence from happening.
Which was how the two of them had found themselves walking along the quays of Paris under the freezing wind, looking for a decent place to eat. The streets were cold, probably colder than they had been in years, and although this did not affect their enthusiasm in the slightest, all Jehan could think about was that they would not be able to show their faces at the Musain for weeks to come, as they would never hear the end of it if Joly was to catch them with a cold.
Either way, as one could have expected, their wandering had led them to the Corinthe ; the cabaret was not exactly an establishment that could be qualified a “decent place to eat at” but it seemed any other place would have felt wrong - at least that was Courfeyrac’s usual saying to justify their constant going back. Well, that and the fact the waiter here knew Grantaire so well that she immediately brought not one, but two bottles to their table- two bottles that the man had been eyeing with envy since they had sat down.
As he reached for one, however, Jehan immediately slapped his friend’s hand away, blatantly ignoring the offended look he was met with.
“I will remind you - do not give me that wounded look, capital R - I will remind you that I agreed to come only if you did not inebriate yourself before we even got the chance at a meal together.”
Grantaire merely wrinkled his nose in disgust at the thought.
“Really, Prouvaire ? You, of all people, are going to tell me I am not allowed a drink today ?”
“Actually, I had expected my winning personality was enough to keep you good company - in fact, I shall take great offense if I find you brought me here only to immediately replace me with a bottle of wine. I should be upset, really. Positively vexed.”
The stern words only earned him a sarcastic look from his friend, who was used to Prouvaire’s theatrical lectures enough to know he did not mean one word of it.
However, though the redhead enjoyed teasing his friend about this subject, the truth was that being around Prouvaire had an unexpected effect on Grantaire. While the man was ever the most likely to grab a drink, and had drunk himself to oblivion more than once after a disdainful look from Enjolras, Jehan’s presence often sufficed to help him sober up. Not that the poet himself did not enjoy a drink, he was never the last to hold a glass of good wine to his lips, but he somehow seemed able to soothe Grantaire’s temperament with his mere words - after sharing a meal with the two of them, even Courfeyrac had marveled at the man’s sober self, effectively assigning Jehan the name of a “miracle worker”.
As if to acknowledge this, Grantaire’s eyes softened as he answered :
“And I am more than grateful for that company, Prouvaire. Although I think you are avoiding my question.”
At this point he took a solemn face and leaned in closer, earning him a puzzled look from Jehan.
“You will have to remind me what question you are talking about, R. I am afraid you were not the only one not paying attention.”
Grantaire leaned in even closer if that was possible and, whispering dramatically, he asked :
“What about the snow ?”
Prouvaire smiled as he understood what his friend meant. He leaned back into his chair, taking a puff of his pipe as he assumed a pensive look.
“The snow, uh ? A white mantle that comes to cover our whole city, petals white and pure, as if they had been sent by the gods themselves. For all we know, Chione could still be the one blowing snowflakes down until they reach us, so small and yet all chiseled by her hand, one by one. ”
“Is that all ? You are letting yourself go, Prouvaire. I expected more of-”
Grantaire burst out laughing as Jehan threw his hat at him, deliberately missing his face.
“Would you just let me think, you heathen !”
He closed his eyes to better concentrate, deciding that his friend’s ironic smile was not helping him at all.
“City asleep in the silence
Footsteps of a ghost in the night-”
“A ghost, really ? It seems to me those appear every time you try and write a verse about anything.”
“And why should we not talk about spirits ?” Jehan countered. “They are all around us. But if you have better inspiration, feel free to share it ; I shall be glad to hear what you have to say.”
Though caught off guard, Grantaire was more than happy to oblige.
“Snow falls from the sky like sparkles in the dark- no, this one doesn’t feel right. Keep going, you are better at this than I am.”
“No, no, wait, you had a good one with this. Snow falls down from the sky, sparkles in the dark / Black and white as far as my eyes can see…”
Here the poet stopped for a moment as he seemed to come back to reality, and he blushed slightly at the pride written on Grantaire’s face.
“I can keep going, if you want me to,” he said almost timidly.
“Of course you could. You seem to have a gift for this, you know. Poetry- your sensitivity seems to come almost naturally in your words.”
“You are not so bad with words yourself, my friend. You should consider coming by to help us write a speech, one of those days.”
Though light-hearted and seemingly nonchalant, the offer was merely met with a disdainful scoff from the man facing him.
“A speech ? So I can stand by and make a fool of myself with nonsense while Enjolras tells me to go home ? I don’t see what use I could be there. You should know by now your speeches mean near nothing to me.”
As Jehan was about to answer, his eyebrows furrowed, he found himself choking on the smoke of his own pipe. His friend seemed used to this occurrence, as he began softly patting the redhead's back with a bemused smile.
“I am a lost cause, Prouvaire. You should go waste your time on someone else. Besides, you should know Enjolras would never allow me in the vicinity if he is writing a speech to rally workers - or whatever it is you are trying to do - I would only spoil his credibility.”
“Grantaire, I have seen you go on for hours about the most beautiful of subjects - do you think I don’t remember that time you made up a limerick in just a few seconds, with only a candle for inspiration ? Your problem is not your style of speech, because you are splendid at it, it is merely your convictions.”
The suddenly serious tone of the poet was not lost on Grantaire, who leaned back in his chair to consider him thoughtfully.
“That is quite the compliment you are giving me here. Where are you going at with this flattery, if I may ask ?”
“I heard Enjolras is looking to make a census a few weeks from now- he believes it could be of use soon. He may be looking for someone to go to the Barrière du Maine, and I believe you are a familiar of Richefeu’s.”
Jehan understood he had got his friend’s interest as he saw, for the first time, a glint of surprise in his eye.
“You really have thought about this, have you not ?”
“What I am trying to say is, if you want to be taken as seriously as you deserve, you have to show what you are capable of. I believe you should try and convince Enjolras to let you go, just this once. You might even find you actually have beliefs- whether you are willing to admit it or not.”
As Grantaire opened his mouth to try a last word of protest, he added :
“And if you still think I was wrong about this then, I promise to buy you a meal to make up for it- and a decent one this time.”
Lost in his thoughts, his friend did not answer him immediately ; and when he did his response was lost in the noise of the conversation surrounding them. However, Jehan’s words seemed to have worked like a charm at reinvigorating Grantaire, as when the two of them finally left the café, he was engaged in one of those soliloquies not even Jehan dared to interrupt.
“Your friends may despise me, but I will have you know I am more than capable of starting a revolution if I put my mind to it. I should like to think I am not an idealist, what good did that ever do to anyone ? I refuse to die for your revolution. Prouvaire says I shall become a mere spirit too one day. I call this nonsense. Men will take a look around, and the snow bothers them no more than the sun ; still they talk of battles and oppression. I am more than happy to say I will leave the guns and the glory to you, my friend - although I shall personally be very disappointed to see a gun in your hands. You are, like me, a man of sentiment, and we shall-”
Grantaire’s grandiloquent speech was cut off abruptly as the wind caught a hold of his hat, causing it to fly off along the boulevard, a few feet before the two men. He swore profusely as he began running after it, followed by the redhead who was laughing heartily, turning his face upwards to feel the snow landing on his skin.
God, Jehan loved snow. He really wished they would get to see it fall again - next year, hopefully.
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waywardsculs-a2 · 9 months ago
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This place is a ℂ𝕀ℝℂ𝕌𝕊,
you just see the surface They cover shit under the rug
You can't see they're 𝔽𝔸𝕂𝕀ℕ𝔾,
they'll never be naked
Just fill your drink with tonic gin,
this is the American dream
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Hey yo what's up you filthy fucking sinners welcome to my little multimuse blog for Vivziepop's HAZBIN HOTEL and HELLUVA BOSS , featuring characters like VELVETTE , LILITH and FIZZAROLLI .
That said, I go by Ritsu, She/Her or They/Them, 30, Australian and just generally tryna chill. You can find my rules below.
OTHER BLOGS
@constellaris ( multifandom multimuse, sideblog ) @harmonysheart ( robin from honkai star rail, sideblog )
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AFFILIATED WITH: @bittcnneck , @hellshoard , @cxncrie , @ochtendster / @dageraadster , @sinfuldxgenerates ♥
Header & Promo Credit. || Pinned Credit. Dash Icon Credit. || Icon Template Credit. MDNI & 18+ Warning Credit. || Divider Credit.
IMPORTANT NOTE : if you ship adam with charlie, for both of us, it would be best you do not follow me if you don't intend to tag it. i'm sorry, but it makes me so vehemently uncomfortable that i just would prefer to keep my distance.
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Keep the setting of the show in mind when looking to interact. Not all muses will be friendly or even remotely nice. Don't take it personally.
I'll be as canon divergent as I feel like. Let's face it, the second we take up writing a character we're making shit that ain't ever gonna be canon. Let's just have fun.
Muse ≠ Mun. Shouldn't have to say this, but I will anyway. Some muses might be assholes, but I try not to be. You're free to come talk to me any time, I'm usually just tired lmao.
I will not be following any pre-conceived relationships with OCs unless specifically discussed prior to interaction. For example, one of my OCs (Ambriel) has her main story tied to Velvette, being that she works for her, however this only applies to my Velvette. I will not push this on any others who write Velvette, and I expect the same in return.
I am very into shipping. Our muses should kiss. Bang. Fuck around. You know what it is. I'm a ship hoe and I don't care.
NSFW content may be present. I'll make sure it's tagged as #nsfw cw or #suggestive cw for easy blocking if you guys need it, but don't be surprised if it shows up from time to time. You shouldn't be, not with the nature of the show.
Mutuals only. Meaning you need to be following this blog and be followed in return from my main blog for us to count as mutuals. If you are using a hub blog, please have your blog(s) linked somewhere so I know who you are. Otherwise I block personals on sight.
Due to personal reasons, I will only ever touch on angst threads / content in general with people I feel I can trust immensely. Please do not push me for this. I may also post occasional ideas, but I will be very picky about who I explore these with.
Every ship is in its own verse and completely separate from one another. There will never be any form of infidelity occurring on this blog in any way. To expand on this, I also will not partake in any polyships or any situations where my muse has more than one romantic or sexual partner.
I never try to hide the fact that I do struggle with my mental health a lot, and I cannot stress enough that I need any and all of my partners to be understanding with it. I have been formally diagnosed with Borderline Personality Disorder, General Anxiety Disorder, Social Anxiety Disorder, Major Depressive Disorder and Autism Spectrum Disorder. All of this is by no means an excuse in any way for anything, I simply hope this may help explain some of my behaviour at times.
I have a life away from Tumblr. I won't always be around to write replies or chat. That's how life is. I work, I have responsibilities, and those take priority.
I don't do passwords/pass phrases. If I follow you, it's safe to assume I've read your rules. I always do before following anyone.
I'm not here for drama. I know you see this everywhere, but I'll be real - I barely have the spoons to live lately. I just wanna vibe and enjoy a hobby, not take part in any bullshit. Leave me out of things unless it's absolutely imperative I know about something.
No art on this blog is mine unless I openly state otherwise. The usual. Let's leave it at that babes.
Ships I Will Not Write / Do Not Like
I will not be elaborating on why I dislike them or won't write them. These are simply things I've found I really don't like and, if possible, would prefer tagged so I can simply block them.
AdamsApple (Adam/Lucifer), Velmilla (Velvette/Carmilla), Charlastor/Radiobelle (Alastor/Charlie), Valentino/Angel Dust, Adam/Charlie, Valentino/Charlie
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cucumberteapot · 1 year ago
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I don't want dwell too much on the 'Gwen is/isn't trans' controversy because I think there's people far more better at talking about it than me. But even if you think she isn't trans, why do you think the crew included that flag in the movie? And why are you so wound up on this but completely fine with... like... 90% of the rest of the film?
If Miles has a BLM pin on his bag, Hobie "Hate the AM, Hate the PM" Brown has an Archarcy pin on his jacket, and Pavitr's whole Spider-Man design incorporates Indian patterns and stylistisations, then I'd like to think we can apply some critical thinking as to why Gwen has a 'protect trans kids' transgender flag in her bedroom: This is part of her identity.
Of course, it's possible she's just a cis ally, but I can't understand the crew's intentions to include that messaging but not have any explicit trans characters in the film. Because they didn't have to include it. And they especially didn't have to include it in one of the main characters' room. It could've been a mural or a flag somewhere in the city, but it wasn't. It's in her room because trans kids can have trans flag in their room. Especially when they know they're safe in their own homes.
I feel like people always freak out about LGBT+ representation when it's made explicit on-screen, but whenever it's subtle like this, it's looked over and denied. In my opinion, the Spider-verse's Gwen Stacy is a trans girl. And the only reason I can understand why people deny it is because they don't want trans people in their superhero movie.
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