#“we like war. we are war-like people.”

[muntitled]

Hangman

Pairings: The Salesman x Fem!reader

Summary: What's a broke girl to do when her university bills keep piling up and a sadistic Salesman offers to take all her problems away? All at one tiny little price.

Warning: Dead Dove Do Not Eat, Kidnapping, SociallyAnxious!Reader, Blindfolds, Stalking, Knives, Blood, Stockholm Syndrome, Mentions of Suicide, Restraints, Anxiety, Smut (+18) mdni, Degradation Kink, Praise Kink, Rough Sex, Erotophonophilia, Dom!Salesman, Sub!Reader, Dacryphillia, Sadomasochism, Oral Sex (m!rec), Deepthroating, Blood Kink

A/N: I'm not responsible for the media you consume

You hadn't initially intended on slitting your own wrist. That idea was birthed almost vicariously in the moment. If he hadn't stopped you, your corpse would have been found laying on a park bench, covered in its own wet blood that would have been dripping from its open wrist like a faucet. Surely his proposition would be better than that.

With your vision obstructed by a heavy blindfold, your hearing is ten times more prominent. You hear the sound of your own breathing, as if your body was taunting you with all the life it still begrudgingly held inside it. You also heard heavy yet elegant footsteps cross a marble floor. Then you hear the scratch of a vinyl as the very sounds of an orchestra bleeds into the atmosphere.

"Hello," said the Man in the gray suit who had accosted you in the park. You remember the way in which he had sat beside you.

No one had ever sat beside you. Not even any of your peers that roamed the university. Everything about your countenance was so worried and severe. You wore your money problems on your sleeves and that evidently warded off any chance of a social life you had hoped to have.

The moon was shining particularly bright and the stars were twinkling little spectators to your silent meltdown on the park bench. Your eyes had been reading and re-reading the email sent to you by the university. An urgent email amongst a sea of urgent emails begging you to 'please just pay them'.

"Don't slit your wrist," he had said, "Not before you've given yourself a chance to win at life first."

You had looked up at him with bloodshot eyes from all that crying over potentially getting kicked out of university. He hadn't melted at your expression, in fact he only smiled softly. "We ought to play a game-"

"I wasn't going to slit my wrist."

"You were just holding that boxcutter for fun, then?" He curled up an eyebrow, leading both of your gazes down to the pocket box cutter that sat in your lap, the blade extended.

"I'm not in the mood to play a game."

"Not even at the cost of your university fees?" Your eyes snapped up to him then. He sat a healthy distance away from you. The space between you both was filled with possibilities so endless it was becoming uncomfortable to breathe. "How much do you owe them now?"

"That's none of your business," you were on the verge of gathering your things. Your boxcutter and your pride.

Perhaps you could kill yourself somewhere else, preferably without a man accosting you about the embarrassing state of your funds.

"I could pay for your university fees, you know," His words morphed into an anchor, keeping your butt firmly planted to the park bench. A midnight runner passed by you two. An evening breeze blew through your scalp and the goosebumps descended.

"Of course, you'd have to win first."

Anyone could see the conflict warring within your irses.

"This is how people get sex trafficked," you'd said, "Absolutely no thank you," How utterly in control you had been! A girl with a firm head on her shoulders.

He only laughed then. He laughed and laughed, so much so he had to politely clear his throat.

"You were about to kill yourself. Don't pretend to have any self preservation now," his words had struck a cord deep within the inner workings of your soul. Your face heated as you hid yourself, tucking your chin against your chest. You did suddenly feel remarkably silly and so incredibly juvenile.

"Don't worry," he had said with an almost lopsided grin, "It's your lack of self preservation that I find so incredibly intriguing, hence I'm asking for one game."

It was only one game.

One game and if you were lucky enough to win, you might coast through the rest of university stress-free. Like a normal 20 year old with normal 20 year old problems. Boyfriends. Clubbing. Whatever else all those girls did when they huddled together in their magnificent little groups. You could be a part of them. For once you had to give yourself the opportunity of feeling like a member of society.

"Are these restraints a necessary element of our game?"

As you sit in this room- a room he had brought you too- blindfolded- you tell yourself that you are giving yourself a chance to be a normal 20 year old. That's why you were currently restrained to a leather chair. The restraints held your wrists to the armrests and your and your ankles to the feet of the chair. This led to the slight and uncomfortable spreading of your legs- a dangerously vulnerable position to be in when you were wearing nothing but a university jumper and a pleated skirt.

You quickly find out that you didn't like to be restrained.

Your chest rises and falls a little higher with every sharp intake of your breath as you will yourself into calmness. Freaking out now seemed completely silly.

Almost as silly as letting a stranger bring you to his hidden location.

Had you no sense of self preservation at all?

Were you a walking piece of meat, waiting for the first predator to sink its teeth into you?

Has that predator finally arrived?

"The restraints are unfortunately a necessary element.” He says, softly, “The human body tends to get jittery when it's met with unforeseen stimuli, and I don't want you running out on me."

That lets the panic solidify itself even more in your bones. This man walked as if he was a perfectly stand up guy and that helped in your decision of letting him bring you here.

Nothing seemed particularly wrong with him at first glance.

His face has all the workings of a perfectly normal man. He looked like he was in possession of a cushy, stable job with pensions and benefits. A salesman.

He looked like he attended his kids soccer matches on the weekends.

He looked married to a beautiful woman who looks good in mom jeans and baked brownies for her Wednesday night book club.

He looked so painfully normal.

But the panic is rising, the more that ‘danse macabre’ fills the room.

"C-Could you at least play something else," You are fidgeting now and it causes him to raise a brow. "Danse macabre is just," you attempt to swallow but your tongue is completely dry, "-incredibly unnerving, right now."

You try to massage your wrists in the restraints and you breathe through your nostrils as a phantom pain shoots through your legs. The need to move was eating you alive.

"You know your classical music," The man regarded you with slight intrigue as he folded the piece of material he had once used to obstruct your vision. He places it on a tiny coffee table before you. "Interesting for a kid your age. Do you know the story behind it?"

"Of course, I do, why do you think I'm nervous?" You had his full attention now. You were almost drowning in it as he lowered himself to a leather chair directly opposite you.

You had never had anyone listen to you as intently as he does. No one bothered to hear what you had to say. The voices in your head were your only audience…

Now you have someone seated before you, so lax as he urges you to, “Go on, explain why it makes you so nervous.” It was completely addicting.

“W-Well,” you swallowed the air again. “Danse macabre quite literally means dance of death,” he sits back in his chair, his fingers tapping against his mouth.

“Why?” he asks in deeply monotony, as if you had captured him as much as he, evidently captured hou. Like you weren't the only one in restraints.

Your brows furrowed “Is this quiz apart of the game-”

“No. I just want to hear you talk.” He says as he reaches over the side of his chair uncovering a sleek black briefcase veneered in expensive leather. He assures you with a single nod of his head that he's listening as he clocks open the briefcase.

“Well,” your eyes are on the whiteboard he pulls out, “Camille wrote this symphony all dark and depressing because it's supposed to sound like it's being played by death himself,”

The suited man smiles down at his busy hands as he lays your boxcutter on the coffee table beside the whiteboard. “I-It tells us that death is the great equalizer. It doesn't matter if you have money or you're about to be kicked out of university for insufficient funds-” he cracks a small smile at that, pulling out a whiteboard marker in the process, “the dance of death is inevitable for us all. Money can't buy you out of it.” You shake your head, “It's real medieval shit.”

You watch him smile again. It's devastatingly attractive which immediately raises the alarms in your own head. This man has restrained you in a chair, in an undisclosed location. For all you knew, death was very well the thing waiting for you at the end of all this.

But he wouldn't stop you from killing yourself, only to kill you himself, would he?

You'd heard about serial killers being raging narcissists. You would virtually be a lousy victim, having already wanted to die.

That thought calms you somewhat.

“We're going to play ‘Hangman’,” he turns the board to reveal a simple drawing of a gallow and a man hanging from it.

“Are you familiar with it?”

“Of course,” you nod your head, your nerves level somewhat at the sight of the little stick figure.

Just guess a letter to a mystery before the Hangman is drawn. These were children's games.

“For every word you get right, a semester of your studies is paid in full.” He smiles, warmly, watching the awe blossom across your face. “You'll get your degree and become the psychologist you've always wanted to be.”

Your brows furrow, “H-How did you know I-”

“Of course there's a penalty to the game,” you watch him erase the little stick figure, as he draws the little lines corresponding with the amount of letters in the mystery word. “If you don't guess the correct words in time,” Time stands still. “Well… The word get carved into your skin.”

You had never been a cautious individual. When your mother would fret and nag about your safety, you would roll your eyes. Everyone else always had self preservation for you. Why would you need it? Bad things rarely happen to boring people. The news coverage worthy stuff? You?

But here you were, fucking drowning in the Bad stuff.

"I'm not playing,” You begin to try and twist your wrist out of the restraints as your panicked eyes zero in on the blade seated on the desk. “I'm not fucking playing-”

“I'm afraid that isn't an option. What's your first letter?”

Despite the soundproof padding stylishly plastered against the sleek black walls you still scream "HELP-Oh my god- HELP”

He walks over towards you in large strides, clamping his hands in your skull and pulling your head back. He's much closer now. Closer than he had been at the park. His eyes are sparkling with intensity and a manic sort of quality that escaped you on your first meeting. Where were these eyes when you were still on that park bench, still able to choose to run far, far away to the nearest police station.

Where were these wild eyes then?

“Look at how scared you've gotten...” He laughs, in your face, “A scared, terrified little Doll-”

“Please let me go-”

“I'm not the one keeping you restrained here.” He lifts his hands as if he were completely crime-free, “You decided to play this game out of your own volition. You're restraining yourself, Doll”

“Jesus, that doesn't even make sense-” you cry, “HELP-”

He pulls a tighter grip around your hair, silencing your cries as a wince bleeds out of your instead..

“You don't wanna do that,” he says, staring deep into your glassy irses, “I have a thing for little girls with pretty tears-”

“Please don't hurt me-” you didn't wanna be a newspaper girl. You didn't want to be a nobody-turned-somebody because her death was so grisly it graced the front pages of a newspaper. That isn't the way your story was supposed to go and so you plead with the humanity inside him. You search for it under all that black ink filling his almond eyes.

Nothing.

They're absolutely black.

“Guess a letter, Doll."

You steal your nerves. Your shoulders slump.

“E-Every word has a vowel in it right?” his eyes flutter shut as he presses his lips against the side of your face. He seems like he's transforming into a completely different person right before your very eyes and it set you alight with fear.

Fear and something else.

“That's it, now we're getting somewhere,”

“I'll go with ‘A’,” a tense, mortifying silence stretches between you too. He begrudgingly removes his hand from your hair, patting down your head like the child he regressed you to as he strolled to the white board.

“Correct.”

He writes the letter ‘a’ twice on the little lines. The first one of the second line and the second one on the fourth line and almost with your brain slotting into place you raise your head. you wipe a stray tear on your shoulder before saying, “I-I- know what the word is.”

He raises his eyebrow. “Already?” Intuition was a scary thing. It was like a last resort, leaving you clamouring for hope.

“Care to share,”

“Is there an ‘r’” you look up at him. “I need to be sure.” Your legs are fidgeting in anxiety. Your fingernails dig into the leather under the armrest.

He is quiet as he draws an ‘r’ over the second last line.

“Macabre. The word is ‘macabre.’”

A slow almost predatory grin stretches across his face.

“How much did you say tuition was?”

Your heart stammers in its chest.

For those few moments you don't think about death. You don't think about blood. All you think about is that outstanding amount as you murmur a quiet, “₩3,893,852.”

You had it memorized.

The number that haunted your every waking hour, bleed from your lips like a prayer.

You watch as he lowers the white board marker to uncover a phone in his back pocket. He taps a few buttons and in a matter of moments- he turns his screen towards you.

What a remarkable day this had turned out to be.

“How do you know my banking details?,” you ask, squinting your eye at the screen, “Who are yo-”

“That round was too easy.” He moves to sit back down, “Here's your next word,” your heart falls when he only draws three lines underneath the gallow.

Three letter words could be the easiest or the most difficult when it comes to a game like this.

“A?’” you ask through wet lashes. Your only option was to hammer through the list of vowels.

“Ooh-” he pouts, before drawing a Hangman's head. “Try again.”

“E?”

He's silent as he draws a stick for The Hangman's body. The panic kickstarts once more.

“Shit-”

“That's not a letter?” He jests, “One more non-word and you're Disqualified, Doll.” His knee is bouncing up and down. As if everything in him was anticipating the end of the game. Your nerves are drowing in anxiety.

“I-”

“You can't just name every vowel under the sun, Doll. You don't have very many options remaining.” He draws the stick figures first arm.

4 chances left.

“O?” Your breath catches in your lungs. You watch as he throws his head back to lift his hips slightly, as if adjusting his pants. It almost immediately lowers your gaze to the prominent bulge there. Fuck. Not only was he anticipating your loss, he was getting off to the thought of it.

“Well done.” He writes ‘o’ in the second line. Right between the middle and end lines.

“Uh- ‘c’”

He adds another appendage to the stick figure. “3 more chances remaining.” He says, standing up. His arm jitters as he picks up the boxcutter in.

“G-” you ask through tears. He kneels in front of you, his eyes are almost as desperate as yours.

“You are the most fun I've had in years,” he admits, before turning to draw another appendage.

“Guess again, Doll,” the boxcutter extends and you cry.

“You don't have to do this,” You plead and he only sighs as he places his forehead against yours.

“You are such a brave little girl, you know that-”

“Oh my god-”

“2 more guesses.”

“‘T?” You squeak out so quietly, as your eyes squeeze shut.

He presses his lips to your right cheek and you melt. The fear all disappears and it's just you and him. Even on his knees, he's so large, so towering. It sets you alight with incomparable need.

“Well done, Doll- I'm so proud of you, " he sighs, “One more word, baby.”

“P- wait, No!" the sound barely makes it out of your mouth and looks down at you, chest rising and falling.

You hold your breath, eyes wide and wet and it makes him so fucking hard.

“Y- my answer is ‘Y’.” He exhibited all the signs of a sadist. Of course his word for you word be-

“That's my answer. “Toy”

A tense silence bleeds as he brings the boxcutter into your field of vision, and you're once again writhing in your seat. “Please- please no-”

“Fuck I'm gonna need to cum-” He admits gravely. Even more grave, even more harrowing, you're squirming in your seat. Lust balling deep within your cut. You're terrified but so utterly turned on.

Is masochism a symptom of loneliness?

“Please-”

He presses the blade to your leg and you both watch as he sinks the tip down onto your skin. For all those moments, you revel in the pain. The blade breaks skin and you cry out as droplets of blood grows pregnant along your thigh. Danse macabre crescendos and tears fall. As he swipes his finger along the drop of crimson.

“D-Did I not get it right?"

“”You got it right,” he admits, undoing the buttons of his blazer as he stands to his heavy feet once more. The menacing shadow of a God. He's humongous and you crane your neck back to look at him.

“my little winner-” he mumbles, planting a heavy hand on your head as his other hand rubs over his erection.

“I-If I got it right,” you mumble through your sniffles, “Th-Then why did you cut me?”

He looks down at you. The hand planted on your head moves down to the side of your face as he unzips his pants. Your heart is banging out of its cage as he lowers his pants just enough to have his hand slipping into his boxers.

He watches the blood smudged across your thigh.

“I just-” he curses as he uncovers his fully erect cock, leaking precum,“I just wanted to see your blood.” he admits gravely before bringing his cupped hand to your lips.

'Spit.’ He commands.

You're unable to look away. The precum beading the head of his cock slides down the thick veins along the length of it- all the way to the base. You want him in your mouth. Inside you. The need and the pain is an avalanche of contradictions.

He makes you feel so scared, so wanted.

“Don't make me ask again.” He says darkly, tilting your head up to look deep into his eyes.

His fingers prod at your lips and your mouth falls open as his hand delves inside. “Tongue out.” He whispers hoarsely, cursing once again when you roll your tongue out. Somehow incredibly obedient.

“You're gonna be a good girl for me, Doll?” He asks, bringing the tip of his cock to your lips. You nod cautiously, feeling yourself descend into a state of mind you'd never been at before. You feel so pliant with his hand still on your cheek as he guides his cock into your mouth. You feel completely reckless. Someone like you who spends her time studying and worrying. Right now you were made to feel completely empty.

“That's it-” he coos, looking so utterly pained as his cock slides against your tongue, “That's my Doll,” he thrusts in and out of your mouth and you just sit there. Quite literally a doll. You let him use you, feeling more useful now than you've ever felt in all your years of living. There is beauty in submission that has a wet spot forming along your panties. You writhe as he begins to fuck your throat, drawing out a moan from him in the process.

“Shit- you're such a good girl-” there's fire in his eyes as he thrusts in and out. His hands move to the back of your head, forcing you down deeper on his cock. The sounds of your struggle -the gagging- it has his cocm twitching in your mouth

“Fuck-” he grunts, breathing so heavily as you begin to writhe in your seat, needing air.

“I knew you were special, Doll- I knew you were so far beyond self preservation- it borders pathetic” the saltiness of his precum trickle down your throat and you attempt to stomp your feet as your cries vibrate around his cock.

“Look at your hips moving baby,” he says, “You like this as much as I do. You're on my side. Even if you think you aren't.” Your hips are circling as if you're searching for friction along the chair as he groans. “Tell me you're on my side.”

He pulls your mouth off his cock and you breathe in deeply. You're coughing as droplets of spit run down your mouth. Spit and tears. Your face shows it all.

Your voice is hoarse. “I'm on your-”

“F-Fuck- I'm gonna cum-" He brings his cock back to your lips, “All over that pretty fucking face- fuck,” your tears fall as he strokes cock, emptying cock over you face. You keep your eyes shut, letting the sound of his pleasure-filled groans shoot straight to your puffy clit.

“I'm not letting you go,” his thumb moves over the cum coating your face. He moves his thumb past your lips, letting the cum seep into your mouth. Saltiness and need.

He needed you.

“You're not?” You ask petulantly, sucking on his thumb like you've regressed right before him.

“I'm not.” He confirms, “My little winner.”

[specialmouse]

I hate doing this. It feels like I’m trying to pitch a family’s lives to dispassionate, detached investors.

Today I spoke with Khaled, Ghada’s younger brother who helps her run their campaign, and as I sent him a draft he said something incredibly sobering. I had asked you to raise $500 in 2 weeks because it seemed realistic—and he said, it needs to come sooner, this isn’t urgent enough. My heart dropped when I realized what I had said. I’m tired of capitulating to the whims of reblogs, of finding the language that most appeals to your generosity.

Khaled and his family are freezing to death. His niece, Iman, has osteoporosis and needs leg braces. She is 6 years old. What more do I need to say, and how should I say it? What other pictures of these elementary school children do you need to see? Do you need to see them bleed for you to merely share the post? How much more trauma is necessary until it opens your wallet? I don’t want to shame you—I am trying to wake you up. The reality is that I could say this about any campaign from Gaza. I could say it about Fadel’s, I could say it about Ola’s, or Hanan’s.

But I have gotten to know Ghada’s family and their stories over the past month and it has become personal. When I eat, I wonder if little Amir was able to do that today. When I put on my shoes, I wonder if my sweet Iman is struggling to walk. I see elders in the street and think of Nabil and Fatima, how hard they have worked for their family’s happiness for it all to be stripped away from them. I see families laughing together and think of Ahed and Mohamed, who must witness their beautiful children shiver and cry for their old lives in the bitter cold. I see men my age and think of my dearest Khaled, who did everything right, got his degree and his job and planned his future, and still is forced to wake up at dawn every day to carry water back to his family.

Maybe that’s what you need—you need to realize that the people you see around you are the same as the people in Gaza. Maybe it is hard behind a screen. Maybe the methods we are forced to employ annoy you, or make you feel guilty. The only way to assuage the guilt is to help. If you have the money, please send it. If you can’t, please share. I don’t know how else to combine words anymore to appeal to you, without downplaying the severity and urgency of this.

€8,001/€20,000 - DONATE. JUST DONATE, PLEASE.

@rickybabyboy @sayruq @officialspec2 @nabulsi @valtsvolts @komsomolka-blog @r0zeclawz @chokulit @3000s @ot3 @90-ghost @apas-95 @punkitt-is-here @i-am-a-fish @b0tster @vampiricvenus @turtletoria @tamamita @omegaversereloaded @catsgifsarefun @teaboot @sawasawako @feluka @spongebobssquarepants @skipppppy @paper-mario-wiki @xgoldenlatiasx @postanagramgenerator @memingursa @certifiedsexed @afro-elf @11thsense @spacebeyonce @fools-and-perverts @dailyquests @neechees @evillesbianvillainarchive @taffybuns @nyancrimew @thatdiabolicalfeminist @beserkerjewel @tpwrtrmnky @beetledrink @spaghettioverdose @grox @minmos @paparoach @jackalopescruff @slimetony

[literaryvein-reblogs]

How to Describe Clothing in Writing

Creating vivid descriptions for a story or character is a mark of a great writer. One specific form of descriptive writing that particularly affects setting and characterization is the portrayal of characters’ clothing.

Writing Tips: Describing Clothes

Clothing descriptions work best when they appear organically in the course of the narrative. The story should never halt in place so that you can shoehorn in a bunch of sartorial descriptions. Here are some writing tips to help you use clothing descriptions in your creative writing:

Integrate clothing into your initial character description. The first time readers meet a character, they should get a sense of how they dress.

Study articles of clothing to make sure you know what they look like. This will help you choose the right words to describe them. For example, it would be appropriate to describe a chiffon dress as “sheer” or “thin,” but it would be clumsy to describe it as “threadbare” because chiffon is not cheap.

Pick outfits that fit the setting you’re writing about. If you’re describing an elegant ball, you might want to place a character in a form-fitting strapless evening gown, as this is a common piece for formal dances. Describing the clothing reinforces the setting you’ve chosen.

Blend clothing into job descriptions. If you’re describing a monk at work, you could note how the loose-fitting sleeves of his frock draped onto a table. If you’re describing a superhero in an action scene, describe the flow of their cape or the stiffness of their boots.

Let your characters change outfits. Show a character arc by marking how a character’s clothing changes over the course of your story. If a character in a YA novel starts out wearing ill-fitting khaki slacks with enormous pleats and ends that same novel wearing a denim jacket with an “anarchy” pin on the lapel, we know they’ve undergone some major changes.

Use clothing to set characters apart. Represent the difference between two characters by describing the differences in their clothing. Let’s say you’re describing two characters interviewing for the same job: One wears a sporty, ruched, A-line dress, and the other wears jeans and a sweatshirt. The reader can infer aspects of both characters’ personalities and make a comparison between two characters.

Reasons to Describe a Character’s Clothing

A character’s clothing is a window into so many aspects of their lives. From a character’s clothes, readers can make inferences about the following:

Clothing reveals a character’s personality. A knee-length fur coat and a corduroy jacket are both forms of outerwear, but it’s quite unlikely they’d be worn by the same kind of person. Readers can deduce a character’s style and personality from the clothes they wear.

Clothing implies a character’s wealth. Is your novel’s main character comes from a working-class background, it’s more likely they’d wear a t-shirt and jeans than a lavish and expensive piece of clothing. Just as in real life, clothing indicates status and wealth.

Clothing shows a character’s point of view toward the world. Clothing can reveal a character’s views on the world. If someone puts on a graphic t-shirt with the sleeves cut off, it implies that they could hardly care less about offending other people. Meanwhile, a character who wears a dressy button-down shirt with a single-breasted plaid jacket seems like the old-fashioned type. Maybe they’re heading to a mixer at the country club?

Clothing suggests the time and place in which a character exists. As part of your worldbuilding process, you’ll want to be as precise as possible about your book’s setting and time period. This doesn’t just apply to historical fiction; it applies to all forms of writing. For instance, if you’re writing a battle scene set during the Revolutionary War, you might need to study the physical descriptions of britches and pantaloons. But if your scene is set in a present-day battlefield, you might describe a soldier as wearing camouflage with a tag hung from a necklace. Simply by changing the clothing description, you’ve marked a massive distinction between these two war stories.

Source ⚜ More: Notes ⚜ Writing Resources PDFs ⚜ References: Fashion

[opencommunion]

"As the U.S. government continues to provide Israel with both weapons and diplomatic cover — most recently, by voting against a UN resolution demanding a ceasefire, coincidentally also on December 11 — activists like DBNY see collective direct action as their best means of curbing the violence. They also describe their organizing as a direct response to solidarity requests from Palestinian labor unions urging workers around the world to halt the flow of weapons to Israel.

... Since September, DBNY has been taking the fight to Easy Aerial’s doorstep. Each week, activists with the group distribute flyers to the more than 11,000 people who work for over 450 businesses in the 300-acre complex, including art studios, food vendors and entertainment companies. The flyers in English and Spanish provide background on Easy Aerial, Crye Precision and the Brooklyn Navy Yard itself .... In addition to the weekly flyering, DBNY has organized demonstrations to coincide with the corporation’s board meetings and public events. Activists have also been directly petitioning the corporation’s executives, board members and staff, demanding they evict Easy Aerial and Crye Precision from the Brooklyn Navy Yard.

While the response from the Brooklyn Navy Yard Development Corporation to DBNY has been official silence paired with harassment from hired security — including drone surveillance — the response from workers has been 'overwhelmingly positive,' according to the activists. 'Most of them have been shocked and disgusted to learn that they work alongside war criminals.'

... Ultimately, DBNY hopes to replicate the recent successes of other activists targeting weapons manufacturers supplying the Israeli military. Boycott, Divestment, Sanctions Boston, for example, was able to force the closure of Elbit Systems’s offices in Cambridge, Massachusetts, in August, following a year of demonstrations, as reported by Cambridge Day.

According to DBNY, until the Brooklyn Navy Yard ceases to host businesses trading in 'blood money' from targeting people in Gaza and the United States alike, all New Yorkers and visitors should boycott the complex. To that end, the activists have created a petition demanding the eviction of Easy Aerial and Crye Precision, as well as pledging a boycott until that time.

'We also urge all tenants and workers to take autonomous actions at the Brooklyn Navy Yard and by joining our campaign to disrupt, strike and boycott all genocide profiteers,' said the DBNY spokesperson."

Demilitarize Brooklyn Navy Yard: IG, Linktree Resources for locating genocide profiteers near you ACT UP Civil Disobedience Guide Small Group Direct Action Advice

[ariatwang]

I'm from what I've taken to calling a ghost city.

The population peaked in 1960 and since then it's just slowly...disintegrated is the best word I can think of. We have half the population now that we did then. All the companies and factories and plants up and left and took the jobs and the money and the people with them. Probably half the buildings you'll see are abandoned and there are old forgotten, run-down train tracks lying across most of the bigger roads because we were a major train depot during the Civil War but we haven't had much use for them since them. (What used to be the primary depot then is now our farmer's market, though, and they kept all of the original building so it still looks the part, which is cool.) It's silent in a very particular way.

Also, every single one of the old old buildings, which is most of them, is very very haunted. I'm not BSing, I know from experience because I've worked in a lot of them and possibly the most haunted is drumroll please, my middle and high school. I've got stories, man. You don't live here and not believe in ghosts. You'll get laughed at like you would get laughed at elsewhere for insisting that they're real.

It is a fucking weird way to grow up. You watch all the cities in the country's population lines climb higher year after year when the censuses come out while yours is slowly falling. You see pictures from the heyday of the 50s and early 60s of the theaters and streets that look so very familiar because you've walked down them at night when it's so quiet you can hear each individual breath you take and those same streets are packed with people so tight their shoulders touch, and you think, holy shit, is that really the same place I'm from? The same one where just 2/3 of the physical city is inhabited? It's kind of unnerving for a kid to realize that her city, her hometown, is actively dying right in front of her, and has been and will be her whole life.

I've never lived anywhere else so I don't know anything else. The house I grew up in had an overgrown pine tree completely covering the front of it so that you can't even see it from the street, a back deck almost completely rotted away by the time we sold it, mold in the attic that made the ceiling sag, and a kitchen floor that was actively trying to cave in below us for as long as I can remember. You have to walk like a ballerina. I taught myself to fix it to the extent I could, which was not a lot, with a can of caulk and painter's tape when I was about ten. That's pretty close to the standard for around here. Point is, I don't have a notion of home that's founded on forward motion. It really got to me for a long time.

But a ghost city like this, the thing is, it attracts the photographers and the historians and the independent journalists. They want to write down the ghost stories and photograph the pictures of decay, which they find to be full of meaning and wonder. I've talked to a few of them and they always hang on to every word I have to say about this place I've grown up.

They take pictures of the secluded houses with the plants overtaking the foundation and the windows broken and the boards missing, stolen by God knows what, rain or hustlers or time.

I, a lifelong native, am still processing the gift that comes naturally to the ghost city's version of tourists: to look what seems to have just taken a breath and then never exhaled and see the colors of memory, the preservation of life in the last breath you can still see the place holding instead of the fingerprints of death in the ending of the thing.

[chancloud8]

CHAPTER 2

series masterlist

Pairing: OT8 x reader

Word Count: 4,8k

Tags: bodyguard!ot8, idol!reader, banter

Summary: you're still resisting your new bodyguards and while there seems to be a brat war going on between minho, seungmin and you, you slowly warm up to some of the others. a/n: I nearly deleted the whole chapter and started over like six times while writing this lmao. I hope you like it <3

With Chan and Minho on your heels you storm into Yoona’s office without knocking. Luckily for you she’s not in a meeting nor is she on the phone or she would have probably fired your ass on the spot. Your manager looks up from her computer and frowns at you.

‘Where’s the fire, Nabi?’ 

‘Don’t Nabi me,’ you hiss, balling your fist to stop yourself from angrily pointing at her. You might be angry, but you still respect the woman. 

‘Ah, so you’re that mad at me,’ Yoona sighs, crossing her arms as she leans back in her chair. ‘Go on then, give me your worst.’ 

You grit your teeth and look over your shoulder at your two future bodyguards, pondering if you should really give Yoona a piece of your mind with them present. Chan looks worried, but when you meet Minho’s gaze he just raises his eyebrows at you, fueling your anger. 

‘They are not moving in with me,’ you growl, taking a step forward to create distance between you and the two men. ‘You can’t force this on me.’ 

Yoona stays silent, knowing you well enough that this won’t be all. 

‘You want them to follow me around all day, fine, but I’m not being watched twenty four seven, Yoon. Even Faris isn’t with me at night now, so why should they?’ 

‘Yeah and look what happened, some lunatic tried to break into your house,’ Minho mumbles. 

‘I moved!’ you yell, turning around to glare at him. 

Minho isn’t impressed and once again raises his eyebrows at you. ‘And you think that no one will find out your new address? I’m sorry to break your bubble, Princess, but stalkers are named just that for a reason and you have some real messed up fans.’ 

‘I also bought a new fancy security system,’ you cross your arms, not breaking your eye contact with him. 

‘Even those can fail, Y/N,’ Chan says, stepping forward with his hands raised as if he’s trying to show you he means no harm. ‘If something really happens it still takes a few minutes for someone to reach you.’ 

He has a point, but you’re not going to give up this easily. 

‘I’ll get a guard dog then,’ you shrug, only partly bluffing. 

Minho snorts and shakes his head. ‘You’re impossible you know, you should be grateful.’ 

‘Grateful?’ you laugh humorlessly. ‘Sure buddy, I’m oh so grateful that I’ll lose even more of my privacy.’ 

They really don’t get it, do they? As an idol you already have little to no privacy, your life being led by your manager and the company you signed under while the media and your fans watch your every move. You love the life, your fans and even the hard work you have to put in, but sometimes the sacrifices still hurt. Sometimes you wish you could experience normal life again, like going to the grocery store or the mall without security or people following you around. 

Minho glares at you and opens his mouth to say something else, but Chan steps in front of him. ‘And we understand,’ he says softly, smiling kindly at you. 

‘Well, I don’t,’ Minho grumbles. 

‘We do,’ Chan keeps his eyes on you as he speaks. ‘I know it will be a sacrifice to share your home with us, but Faris and Yoona picked this house for a reason.’ 

You glance at Yoona and she nods. 

‘It might be a big house, but I’ll still know you’re there. I’ll never be home alone. I won’t be able to walk around in my underwear in my own fucking home or dance on the table while eating ice cream straight out of the carton.’ 

‘You still can if you want to,’ Chan grins. ‘But I get your point and I promise you that we’ll try to be as invisible as possible.’ 

‘There must be another way? Can’t you take turns guarding my door or something?’ you try again. 

‘Selfish much,’ Minho says under his breath and this time Chan also glares at him. 

Anger starts to bubble up in your belly again, but before you can even think about yelling some more, Yoona appears next to you. She wraps her arms around you and presses a kiss against your temple.

'Just get over it, darling, this is happening.’ she says. ‘Now go home and enjoy the peace and quiet while you still can. Tomorrow Minho, Felix and Hyunjin will join you for training and by this weekend they will all move in.’ 

You open your mouth to protest some more, but Yoona is already walking back to her desk, letting you know that this conversation is over. You know her well enough to know that no matter what you say or how much you beg, she won’t change her mind on this. When you risk to glance at the men, Minho grins at you and Chan smiles. 

‘Fuck my life,’ you mutter. 

****

You don't talk to any of the men again and just ask Faris to take you home so you can spend the rest of the day mopping in your room filled with unpacked boxes while Faris sits downstairs doing god knows what.

The next day you feel a little better and when you eat your breakfast you text Jisung.

You: Sorry about storming out yesterday.

Jisung:You’re already forgiven (by me at least)

You: Tell Minho to leave his judgement at home

Jisung:How did you know I was with him?

You:Lucky guess. Will you be at the company today?

Jisung:Yes, I'm already on my way. Chan is picking you up.

You frown at your phone and look at Faris who's reading the paper across from you while sipping his tea.

'You’re not coming with me today?' You ask him, pushing away your half eaten bowl of porridge.

Faris looks up with a smile. 'Ji-a has an appointment I'd like to be at, so I asked Chan to be with you until I'm back.'

'Oh, of course,' you give him a small smile in return. 'You should definitely be with Ji-a.'

Faris folds up the paper. 'It will be good for you to spend some time with him, Nabi, just give him a chance.'

'Yeah, okay,' you nod. 'I'll try.'

‘Good,’ Faris smiles. ‘I’m sure you’ll grow to love them.’

‘We’ll see,’ you smile back. ‘Chan and Jisung seem really nice at least.’ 

When the man beams at you, you promise yourself you’ll try to be a bit easier on the whole situation, if only to make Faris happy. 

Chan arrives shortly after you clean up your breakfast and you quickly grab your bag and trusty water bottle, trying very hard not to stare at how good he looks in his dark blue suit. It's a crime really and you already know that one of these days he’s going to catch you staring. 

‘You ready?’ Chan asks.

You nod and wave at Faris. ‘Give Ji-a my love.’ 

‘Will do, Nabi. Try and not piss off too many people today, yeah?’ 

You laugh. ‘Can’t make any promises, but I’ll try.’

Chan chuckles as he holds open the front door for you. ‘Should I warn the others?’ 

You shrug as you follow him to the car, already taking out your phone to text Jisung you’re on your way. He quickly replies with a thumbs up. 

‘Why don’t you sit next to me?’ Chan asks when you reach the car. ‘I’d like to talk a bit if that’s alright.’ 

‘Oh, sure,’ you nod before walking around the car to get to the other side. 

The smell of coffee and sandalwood hits your nose as you get into the passenger seat and you smile in surprise. There’s two to go cups on the dashboard and the sandalwood must either be Chan’s cologne or some sort of car perfume. It smells nice. 

Chan sits down behind the wheel and when you’re buckled up he reaches for one of the coffee cups and hands it to you. ‘Faris said you like cappuccino.’ 

Your mouth forms a surprised ‘oh’ and you happily wrap your fingers around the cup. ‘Thank you,’ you smile genuinely at him. ‘Caffeine is the way to my heart.’ 

Chan chuckles and starts the car. ‘I’ll remember that.’ 

You take a sip of your coffee and close your eyes when the creamy taste of a perfect cappuccino hits your tongue. 

‘Where did you get this?’ you ask Chan, twisting the cup in your hand to look for a logo or anything that will tell you where it’s from. 

‘It’s self made,’ Chan says, his eyes on the road. ‘Do you like it?’ 

Your eyes widen in surprise and you take another sip, nodding happily. ‘You made it? It's delicious.’ 

‘No, I don’t like coffee, but we have a fancy coffee machine at our dorm. The guys are very particular about their coffee and prefer to make their own.’

‘I guess that will be one pro about you moving in,’ you sigh. ‘So who made it then?’ 

‘If I tell you, will you tell them thank you?’ 

You look at Chan with narrowed eyes, taking notice of the grin on his face. 

‘It’s Minho isn’t it?’ 

‘Yes, he’s the coffee king in our dorm.’ 

‘Damnit,’ you mutter. 

Chan laughs and you can’t help but smile. His laugh is adorable and you notice he giggles a lot too. It doesn’t fit his bad boy image, but you like it. 

‘So, will you?’ Chan asks, looking at you. 

‘Thank him? Hmm probably not.’ 

‘Why not?’ 

You snort. ‘He’s a brat.’ 

‘He says the same thing about you,’ Chan smiles. 

‘Of course he does,’ you roll your eyes and take another sip of your coffee. ‘He’s lucky he makes good coffee.’ 

‘He’s also a really good dancer.’ 

‘And you’re not just saying this cause you’re biased?’ 

Chan laughs again and damnit you could get used to that sound. ‘I probably am, but both Minho and Hyunjin danced professionally before they joined the program. Minho has even toured before.’ 

You blink at that piece of information and purse your lips. He must be good if he toured with an idol before, they don’t just hire anybody. 

‘What about Felix?’ you ask, steering the conversation away from Minho. 

‘He mostly danced for fun, but took a preference to martial arts. He’s very flexible and I’ve been told he picks up choreography crazy fast.’ 

All of this makes you very curious to see the three of them in action in a bit and a small part of you secretly hopes that they’re not as good as Chan and Yoona say, because if they are, it gives you one less reason to dislike them and you’re not ready to make friends with either of the men that are rooting up your privacy. 

During the rest of the ride you stay silent, looking out of the window and humming along with the music Chan puts on. He doesn’t push you to talk and you’re grateful for that. Chan seems great and you’re sure that in time you’ll get along splendidly, but for now you simply refuse to make too much of an effort and if that makes you the brat Minho thinks you are, so be it. 

The company building looms up before you and you quickly finish up your coffee as Chan maneuvers the car into the parking garage. As soon as the car stands still, you open the door and jump out, not waiting for Chan. 

‘Y/N!’ Chan calls out after you. ‘Wait up!’ 

You ignore him and press the button for the elevator, tapping your foot as you wait for the doors to open. Luck isn’t on your side and it doesn’t take long before footsteps sound behind you. Gritting your teeth in annoyance, you turn around to face Chan while trying to decide if you should apologize for running or not. 

Your eyes widen when you’re not met with Chan’s face. 

‘I knew you’d be a runner,’ Seungmin says, shaking his head like he’s disappointed to be proven right. 

Before you can argue, Chan appears beside him, frowning and holding your water bottle in his hands. Shit. The look on Chan’s face actually makes you feel guilty for running out on him like that.

‘I’m sorry,’ you say. ‘I–’

‘Are you though?’ Seungmin interrupts you, crossing his arms. 

You glare at him. ‘I am actually, stop being a–’ 

‘A little brat like you?’ a new voice pipes up. ‘That’s impossible.’ 

Minho. Of course. 

You roll your eyes at him and turn to face the elevator again. ‘Please, I just walked to the elevator without Chan, if that makes me a brat, it makes you a bit of a drama queen don’t you think.’ 

A hand grabs your wrist and pulls so you have to turn around. 

‘I don’t,’ Minho glowers at you. ‘We are here for a reason and you better start to accept it soon or one of these days something will actually happen.’ 

‘Min,’ Chan puts his hand on Minho’s shoulder. ‘Let’s all calm down here.’ 

The elevator doors finally open and you pull your wrist out of Minho’s grip and get inside, pushing the button for the second floor. 

‘Yes, calm your ass down, nothing happened,’ you mumble in their direction. ‘I was without Chan for about ten seconds.’ 

‘That’s all it can take,’ Seungmin says, standing beside you. 

Chan gives you a pleading look as if to say ‘please don’t fight this.’ 

You hold up your hands in surrender, but you don’t say anything. The tension in the elevator is thick and you're glad it’s only a short ride up. Minho leaves without saying anything else and you’re already dreading dance training later. 

‘Come on,’ Chan says, gently placing his hand on your back and pushing you in the direction of your studio. ‘I think we need to have a proper talk.’ 

Seungmin follows and you can’t help but throw him an annoyed look over your shoulder. He just rolls his eyes at you and you grit your teeth, looking ahead again. You might try with Chan and Jisung, but Seungmin and Minho could bite your ass. 

‘Here,’ Chan says, handing you your water bottle. ‘You left this when you jumped out in a hurry.’ 

You open your mouth to apologize, but Chan shakes his head and gives you a sad smile. ‘No need to apologize when you don’t really mean it. I’ll earn your trust eventually.’ 

God damnit, why does this man need to have such adorable puppy eyes and cute dimples you want to poke with your finger. 

'Good morning!' Jisung greets you with a grin when you step into his office. He’s behind his desk that’s littered with papers, two cups of coffee and an empty bowl that probably held ramen if you guessed the smell that lingers in the room correctly. ‘How are we feeling today?’ 

‘She already ran away from Channie Hyung,’ Seungmin says as he drops down on the couch. 

You groan in annoyance. ‘I don’t think you can count walking ahead to the elevator as running away, but okay.’ 

‘You still should have waited for me,’ Chan says, leaning against the wall with his arms crossed. ‘I don’t care that we’re inside your company, you need to stick close to at least one of us at all times.’ 

‘Okay,’ Jisung claps his hands. ‘I see you’re all feeling fine on this beautiful morning, but I haven’t had enough coffee yet for arguing.’ 

‘Preach,’ you mumble, sharing a grin with your new assistant. 

‘You had two coffees already,’ Chan frowns, eying the two cups on the desk. 

‘One actually, the other one was Minho’s,’ Jisung says and he chuckles when you pull a face at his name. ‘How about we all take a little time to wake up some more. Maybe you guys can get us some more coffee while I talk with Y/N here about some of the rules we came up with?’ 

‘Rules? Jisung, come on, I thought you were on my side here,’ you sigh, pouting at him. ‘I’m not a child, you don’t have to give me rules.’ 

‘Apparently we do,’ Seungmin says. 

‘You’re really getting on my nerves here, buddy,’ you glower at him. ‘If anything it’s behaviour like yours and Minho’s that sets me off, so how about I give you some rules of my own huh?’ 

Seungmin snorts and cocks his head. ‘You have no say in this, missy, you’re not our boss.’ 

Jisung quickly grabs your arm when you’re about to jump forward. 

‘Minnie, get the fuck out of here,’ Jisung says, pointing to the door with a serious look on his face. ‘You’re not helping.’ 

‘Yeah, minnie,’ you grin. ‘Don’t let the door hit you on your way out.’ 

Seungmin just laughs and stands up, holding your gaze. ‘Sure thing, but remember that I’ll be watching you closely, little fly.’ 

‘Seungmin,’ Chan��s voice sounds stern and you grin at him, waving sweetly. 

‘Bye now.’ 

‘You know you’re not helping, right?’ Jisung chuckles, letting go of your arm as Seungmin and Chan disappear into the hallway. 

‘I know, he just brings out the worst in me I guess,’ you admit with a grimace. ‘You might have already gathered this, but I don’t really like to be told what to do and I’m very stubborn.’ 

‘You don’t say,’ Jisung gasps, acting like he’s surprised. 

‘Oh shut up,’ you laugh. ‘You would be too when you’re a famous idol with no real say about basically anything you do. I can’t really act out about it, because I chose to be here and I’m grateful about it too, but sometimes it just gets too much you know. I guess you guys are just an easy target for me to lash out at, at the moment.’ You blink when you realize what you just told him and clear your throat. ‘I didn’t mean to drop that on you, sorry.’ 

‘Don’t be,’ Jisung says, grabbing your hand and giving it a little squeeze. ‘I’m glad you did. I can’t even imagine the pressure you must be under constantly and us coming in after what I think is a pretty scary moment in your life, probably doesn’t help.’ 

‘Not really, but maybe Minho was right and I should be a bit more grateful, at least towards my company, that they care enough about me to hire a shit load of bodyguards.’

‘Maybe,’ Jisung smiles. 

‘If you tell Minho I said that, I will kick your ass,’ you threaten. ‘I’m nowhere near ready to be nice to him.’ 

Jisung laughs and holds up his hands. ‘My lips are sealed, I’m just glad you’ve seemed to accept me at least.’ 

‘You’re very easy to like,’ you shrug. ‘And maybe it helps that you also pose as my assistant, so it feels less like you’re watching my every move.’ 

Jisung hums. ‘Maybe, but I’ll be with you just as much, if not more.’ 

For some reason that thought doesn’t bother you as much and you sigh, leaning against the desk. ‘Well, since I like you right now, let me apologize in advance for when I’m in a mood. Caffeine and food usually helps though.’

‘Good to know, are you ready to go over some of our rules now?’ 

‘What if I say no?’ 

Jisung chuckles. ‘I’ll email them to you, print them out and hang them all over your studio and I’ll keep texting you until you read it anyway.’ 

While you only just met him yesterday, you somehow know he would actually do all that. 

‘Fine, tell me.’ 

‘It’s pretty simple actually. You’re not to go anywhere with at least one of us present, even inside the company.’ 

You make a face, but don’t interrupt as Jisung continues. 

‘If you need to go to the bathroom we won’t go in with you obviously, but other than that you shouldn’t be alone unless it’s in the comfort of your own bedroom of course. If you want to go out, just tell us in advance so we can scout the area if needed and make sure there’s enough security. When you want to go somewhere with Felix, Hyunjin or Minho, someone else still needs to go with you so your fans will know you always have a bodyguard.’

‘I’m sorry, I know I’ve asked this a million times already, but is this really necessary? You talk like I’m a fucking royal in line for the throne.’ 

Jisung shrugs. ‘Until Chan and Yoona feel the threats against you are down and there are no more assaults, yes we do think it’s necessary. I know it seems excessive, but trust me that you’re not the only idol who gained a team of bodyguards.’ 

Somehow that thought hasn’t even crossed your mind. It makes sense though, with the increase of accidents and violence against idols, especially the girl groups and solo artists. It’s insane really and it makes you sad to live in a world where people think it’s okay to act like this. 

‘I didn’t know that. I really need more friends in this idol world,’ you mutter, looking down at your hands. 

Sure you met other idols before and while you get along great with a few, they were all in groups and you always feel like the odd one out when you hang out with them. 

Chan comes back inside then, carrying two coffee cups and a brown bag. ‘I come bearing treats.’ 

You share a look with Jisung. ‘Bribing me with caffeine and food, huh I see how it is,’ you joke, remembering what you told Jisung earlier and loving how Chan’s lips immediately turn up in a smile. 

‘Don’t tell me you’re that easy,’ Jisung laughs next to you, poking your side. 

‘Yah!’ you squeak out. 

Jisung’s eyes sparkle. ‘Are you ticklish?’ 

‘No.’ your eyes widen. ‘You just startled me.’ 

No way are you going to let him know this weakness of yours. Besides, you can get crazy violent when someone won’t stop tickling you. You once kicked your uncle in the face when you couldn’t breathe anymore from laughing. 

‘Mhm, sure,’ Jisung grins, but he doesn’t try again and turns to Chan to grab the coffee. ‘Thanks Hyung.’ 

After your second coffee, Chan comes with you to your studio and you spend the rest of the morning working on your new songs with your headphones on. Occasionally you glance up to look at Chan, but never meet his gaze as he quietly works on his laptop. 

At first it goes well, you’re in a nice flow and happy with the results, but then you get to the song you’ve been struggling with for over a month already. There’s something missing, there must be, but you just can’t put your finger on what it is exactly. 

‘Ugghh,’ you let out a frustrated groan when you listen to it again, letting your head drop to the desk with a loud thud. 

There’s a headache developing behind your eyes and you blindly reach for your water bottle. Your fingertips touch the bottle, but it’s too far away to actually reach it. With another groan you lift your head and stretch your arm a little further. 

‘You doing okay over there?’ Chan asks from his spot on the couch, his voice sounding far away thanks to your headphones. 

‘Peachy,’ you reply, pulling the bottle towards you with a victorious smile. 

You pull your headphones down to hang around your neck, chug some water and then turn your chair to look at Chan properly. He’s already looking at you, a frown on his face and you can basically taste his disapproval. 

‘Don’t even try and lecture me on working this long without breaks and for not having proper light, I know this headache is my own fault,’ you say before he can even open his mouth to scold you like Faris usually would. 

He blinks in surprise, but then he lets out a laugh and nods. 

‘Alright, I won’t say anything, but do you want to tell me what’s troubling you?’ 

It’s your turn to blink at him now. ‘Huh?’ you let out dumbly. 

Chan laughs again and gets up from the couch, putting his laptop aside. He pulls out the second chair at your desk and sits down next to you, his head tipping towards your computer. 

‘You’re obviously struggling with something. Is it lyrics? The beat?’ 

Your first instinct is to snap at him, to tell him to mind his own business, but he’s looking at you so sincerely that you can’t help but sag your shoulders and give in. 

‘I’m not sure actually, that’s the problem,’ you admit, debating if you want to play the song for him or not. Faris did tell you that Chan, Jisung and Changbin used to make music. Fuck it. You’re going crazy if you don’t fix this anytime soon. ‘Would you like to hear it?’ 

The surprise is clear on Chan’s face, but he nods immediately and holds out his hands for your headphones. Nervous butterflies twirl in your stomach and with a deep breath you hand them to him before you can change your mind. He puts them on and gives you an encouraging smile. 

Biting your lip you press play and watch as his eyes widen when the music starts. It's a catchy beat and you can’t help but smile when his head starts to bop up and down. His face doesn’t give anything away and you nervously play with the bracelets around your wrist as you wait for him to finish. 

‘Wow,’ Chan says, putting the headphones down. ‘I knew you were good, but this..’ he shakes his head with a smile. ‘It’s really good Y/N, like really really good.’ 

You feel your cheeks heating up at his praise. ‘Thank you.’ 

‘I think I know what you mean though,’ Chan says and he points at your laptop. ‘May I?’ 

You frown and look between him and your precious laptop that holds all your hard work. 

‘I think it’s a very easy fix with the beat in the bridge,’ Chan smiles. ‘You can do it yourself, I just want to point out where I think it is.’ 

It’s clear to you he knows what he’s talking about and you’re curious to find out which part he means. You slowly push your laptop over to him and get rewarded with a wide grin. For the next hour the two of you work on the bridge, editing and adjusting the melody. Your cheeks hurt from smiling when the song keeps sounding better with every adjustment you make. 

‘You could be a producer,’ you tease, when Chan offers another idea to add to the song. 

A knock on the door causes the two of you to look up and you don’t know why, but you feel like a kid getting caught stealing candy. It’s not like Chan isn’t allowed to help you, but it hits you then what you’re doing and your body tenses anyways. 

‘Hyung? Noona?’ a deep voice calls out that you immediately recognize as Felix. 

‘Come in,’ you yell, quickly saving the progress of your song and closing your laptop. 

The door opens and Felix sticks his head inside, grinning when he sees you and Chan huddled together at your desk. You quickly jump up, causing both men to laugh at the panicked look on your face. 

‘No worries, I won’t tell Yoona or Minho you’re warming up to Channie Hyung,’ Felix smiles. 

‘That’s not it,’ you blush, turning around to grab your bag and water bottle. ‘I’m late for practice aren’t I?’ 

Felix nods. ‘Minho sent me to get you.’ 

You growl at the sound of his name and Chan snickers, standing up as well. ‘I’ll walk with you and get you some food seeing as you haven’t eaten anything since this morning.’ 

‘You don’t have to, I don’t think I can eat much before dancing anyways or I’ll feel sick.’ 

‘I have a banana in my bag if you want,’ Felix offers, rummaging around in his bag and holding up the yellow fruit for you. 

‘Perfect, thank you Felix,’ you smile, accepting the banana. You turn to Chan as you start to peel it. ‘I promise I’ll eat a proper meal after practice. You should have lunch, I’ll be fine with Felix here, right?’ 

You bite off the tip of the banana as you look at Felix and the blonde nods, his eyes flicking to your mouth for a moment before he blushes and looks at Chan. 

‘We’ll be fine Channie,’ he agrees with you. ‘It’s one floor down and Minho and Jin are already there warming up with the others.’ 

‘Alright, just keep an eye on Minho. These two are likely to bite each other's heads off,’ Chan sighs, patting Felix’s shoulder. 

You snort and take another bite of your banana. 

‘I’ll bite something else if he isn’t careful.’

a/n: I wanted to add dance practise to this chapter, but it already got way longer than I planned so next chapter it is ;) I really hope you still like it, even if it might move a little slow -i guess thats slow burn and a multi chaptered fic tho- big smooch to you all <3 taglist: @jaeminie-cricket @jeonginsbaee @staylovesmiley @newbbystay @cashtonsbetch @mariahxrrera @kaleigh-2002 @silencionyx @smileykiddie08 @my-neurodivergent-world @yaorzu-blog @yoongiismylove2018 @staytinyluv @bookswillfindyouaway @queen-thiccness @notastraykid @ateez-atiny380 @estella-novella @furfoxsake22 @hyunjinhoexxx @insomnjen @girl-in-love-with-kpop @vivilovesuu @velvetmoonlght @skz8love @corgilover20 @littlelostdemonofthelight @stephanieeeyang @zulie-and-cats @chanshugsaretherapy @pizzalove5000 @dazzlingjade @milie-com @thequibbie @channiesrightasscheek @strawbrriz @eastjonowhere @stellmeiv @bookishcaptain @flylis @deadpool15 @0325ale @thatgirlangelb @iknow-uknow-leeknow @nchhuhi @shycreationdreamland @readr1221 @beewilko

[familyetafandyousef]

🚨 We Need Your Kindness to Survive 🚨

Hello, I am etaf, a Palestinian living now in Egypt with my family after we managed to escape from Gaza when all our property was destroyed, and we returned from scratch in this life. When we escaped to Egypt, we did not think of anything other than feeling safe from the fear we were facing in Gaza, but unfortunately I did not expect that life would become this difficult, after we left with nothing, no home, no money, no clothes, no family, we are facing something beyond human imagination. When I ask for help, I cry a lot because we are not used to that. We used to live in beautiful palaces, have a job, and a beautiful life, and now we have become nothing!💔

Our source of income was destroyed and the new merchandise was burned. 💔

We are now facing daily challenges to survive—things that most people take for granted, 💔 Lost Stability: The war has left us without work or a stable source of income. 🍞 Basic Needs: Food and Children's needs, rent, education, and other basic living requirements. are becoming harder to afford with rising prices .

📚 Dreams on Hold: Loss of family and loved ones Like so many here, my family’s dreams have been replaced by the need to simply survive. 😢

How You Can Help:🌹🫶

I’m sharing our story with the hope that someone out there might care. Even $5 can make a big difference for us, and if you’re unable to donate, just reblogging this post can help spread the word.Your kindness, no matter how small, is something we’ll never forget.

What This Means to Us:

Your support is not about changing our entire situation—it’s about giving us a little relief, a little hope, and a way to keep going. We are not asking for much, and we understand if you can’t donate. Sharing our story is just as valuable to us as a donation.

Thank you for reading this far. It means the world to us to know that someone is listening. Your kindness gives us strength and helps us believe in a better tomorrow.

With all our gratitude, Etaf Al-Qataa and Family ❤️

✅️ Vetted by ✅️

@gazavetters , my number verified on the list is ( #88 )✅️

@90-ghost @heritageposts @gazavetters

@neechees @butchniqabi @ @fluoresensitivearchived @khanger @autisticmudkip @beserkerjewel @furiousfinn96 @batekush @appsa @nerdyqueerr @butchsunsetshimmer @biconicfinn @stopmotionguy @strangeauthor @shesnake @legallybrunettedotcom @lautakwah @sovietunion @evillesbianvillain @antibioware @akajustmerry @dizzyclown @ree-duh @neptunerings @explosionshurtyo @dlxxv-vetted-donations @vague-humanoid @buttercuparry @sayruq @malcriada @sar-soor @northgazaupdates2 @feluka @dirhwangdaseul @jdon @ibtisams @sawasawako @memingursa @schoolhater @waskuyecaozu @lapithae @ryo-yamada @opencommunion @paper-mario-wiki @many-sparrows @mahgck @palestine29 @disciple-of-frost @dream-in-hearts

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[nadas-dirthalen]

Societal Change in Dragon Age: the Veilguard

I've seen a lot of posts about how Veilguard doesn't really "move the needle" with Thedas' politics, so to speak. While this isn't a callout of any specific one of them (note the lack of links! this isn't about anyone), I wanted to talk about some changes I saw during my first two runs of Veilguard.

I also want to say that a lot of the changes we saw happen in the world of Inquisition also did not involve direct input from the Inquisitor. Dorian, for instance, was always going to go back to Tevinter and make change. The mage-templar war reaches a peaceful(ish) ending no matter which side the Inquisitor chooses to back. The Chantry moves forward after Justinia's death no matter who becomes Divine. The nobles are mad no matter who is made emperor/empress of Orlais. The Dalish flock to Fen'Harel after Trespasser no matter what.

That said... here's what I can remember off the top of my head.

Arlathan Forest and the Elves:

The Dalish got their land back. While the real-world Land Back movement is (obviously!) far more complex and far-reaching than can be portrayed within a companion quest in a video game, the fact remains: in my playthrough, not only did the Veil Jumpers (and by extension, the Dalish) get Arlathan Forest back, the magic there also stabilized. (Editing Note: this stabilization is implied through the slide with high faction strength, and stated outright in the ending with low faction strength, which says, "For the Veil Jumpers, the fall of the last elven gods left raw magic and chaos in its wake." Rook, therefore, decides whether Arlathan is habitable or not, since Arlathan's magic is described as fatal for most people during banter with a Veil Jumper Rook.)

The elves potentially also get their ancient knowledge back. Depending on what you chose for the Nadas Dirthalen, the Dalish potentially got a lot of their old technology and knowledge back, potentially putting them even further ahead in terms of magical technology than Tevinter in some areas.

... Or the Veil Jumpers chose a different path forward for the elves. If the Nadas Dirthalen was kept hidden, Rook and Bellara chose a path where the Dalish refuse to become like their predecessors, forever changing the path of Dalish reclamation efforts. The Dalish, then, become something other than what their ancestors were. Either way, the Dalish are significantly impacted.

(if the griffons were given back to Arlathan) An apex predator was returned to Arlathan. If you want to read more about how cool of a change this is, I suggest reading about how cool it is that wolves were reintroduced to Yellowstone.

(added in edits) The truth about the Evanuris is well-known, or will be soon. Davrin says that while he did not notify many Dalish about the truth of the Evanuris during the events of Veilguard, it is the Veilguard's duty to inform them after. The same will likely prove true with Andrastians, and the Chantry at large. The truth will soon come to light—and even though rapid religious change has already been undergone once because of the cause of the Blights (Tevinter moved away from the worship of their old gods, save for the Venatori, because their old gods were the archdemons spearheading the Blights), the elves are already victims of prejudice in Thedas. The Chantry's response to the truth will likely be influenced by that prejudice. HOWEVER, it is my firm belief that the Evanuris also exist in the Chant of Light as the Maker's first children, and that truth being revealed or uncovered simultaneously has the potential to change the shape of the public's response across Thedas.

Kal-Sharok, Orzammar, and the Dwarves:

The titans' history has been remembered. Remember in Descent where it was said very prominently that Orzammar had struck all memories of the titans? That something political was motivating how the titans were entirely forgotten about? Now, thanks to the events of Veilguard, there is no turning back. No amount of suppression can make the world forget the titans now.

DWARVES. HAVE. MAGIC. NOW. Read that ending slide again! "The dwarven people rediscovering their lost magic, and their connection to the Stone." This is something the dwarven people have not had for literal millennia, and it's thanks to ROOK and HARDING that this change has taken root! Not Valta, but Rook!

Kal-Sharok continues to become more known to the world after being sealed off. We continue to get closer to understanding exactly what happened to Kal-Sharok after it was sealed off, and this is going to inform our understanding of the titans and the blight even more as time goes on.

Healing the titans has huge implications for the existence of red lyrium. Between Solas doing what he can (in his good endings) to soothe the blight's anger and (more importantly) dwarves connected to the Stone like Harding doing work to soothe the titans' anger on Thedas itself, we will likely see red lyrium gradually fade away all across Thedas.

The caste system of the dwarves is likely to be impacted by recent revelations. Regardless of what, exactly, is chosen going forward, it is clear the dwarves will take a good look at their own beliefs and practices about the Stone now that the truth about the titans has come to light. Their feelings about surface dwarves versus those who live purely underground are likely to be impacted here! I can't wait to see dwarf politics in DA5!

The Grey Wardens & Weisshaupt:

The Wardens don't hear the Calling anymore thanks to Rook's actions. You know... the thing that defines the life of a Warden? The thing that shortens their lifespan? That's gone. This has been a PILLAR of their organization since Origins, and the absence of the Calling is absolutely going to lead to massive change within the Wardens.

The blight is less virulent—AKA, it is greatly weakened, and has died in some parts of Thedas. Yes, completely. Read that again. Read that as many times as it takes for it to sink in. The blight has been a huge, looming threat for over one thousand years. For the first time ever, it is on its way out. Perhaps for good.

For the first time, new growth is coming back to the Anderfels and other blighted areas on Thedas. Discovering this—and keeping the Wardens alive long enough to discover this—is forever going to change the directives of the Wardens and the lands that were previously too blighted to thrive. The Anderfels, we know, are coming back to life—but some other zones that come to mind here are the Silent Plains, parts of Antiva, Denerim... anywhere a Blight ended in the past, or anywhere that the blight completely overtook in the past.

Minrathous:

An abolitionist sits on the Archon's throne!!! For the first time ever, someone who wants to end slavery is the head of Tevinter government. This is a huge step forward for the movement to end Tevinter slavery, which has had to exist in the shadows more or less until now (which we see even in the upper echelons of the altus class, in Maevaris, who was kicked out of the Magisterium for her anti-slavery views).

(added in edits) The Imperial Divine is also an abolitionist. While I did not include this point earlier because Rook has no hand in selecting Ashur/the Viper as the Divine, it is important context by the game's ending. Having abolitionists as Archon and Divine means there is tremendous potential for rapid, popular change in Tevinter. I am very excited to see where this goes in DA5!

The blight died in Minrathous when Elgar'nan was slain. Not just eased. Died. Because Minrathous was the epicenter for what happened to the Veil and the blight at the time, all blight in the city is dead. This proves that the blight can truly be ended, as well as cured. That's not secret knowledge anymore, if all of Minrathous knows it.

Treviso:

The Crows have been changed by Teia and Viago's actions during Veilguard. No matter if Treviso is blighted or not, Teia and Viago have brought the Crows into a different sphere than perhaps they were under Talons like Aranai in Origins. The Crows have a direct part to play not just in the governance of Antiva (which we knew about) but the governance of individual cities and even the organization of Antiva's military power. This was less prevalent before Veilguard (because we weren't in Antiva, but also because Antiva didn't have a Blight to defend against), but now that the Crows have stood against the Final Blight, there's no going back from the precedent their actions have set.

The Crows have a new First Talon—one who will undoubtedly bring reform. While Lucanis is no stranger to murder and there's no doubt in my mind that the Crows will continue doing just that, Teia and Viago now have a lot more pull within the Crows (and their humanitarian efforts by extension) because one of their closest allies is now First Talon.

Rivain & the Antaam:

An influx of former Antaam are potentially joining the existing Qunari in Rivain. By appealing to Antaam deserters, Taash and their allies are showing that there is a life possible for kossith (Qunari) outside of the teachings of the Qun—without attacking/invading under the orders of the Arishok. We have not seen this on this grand a scale before, and it will be fascinating to see what ripple effect this has on the rest of Qunari culture.

There is a gap left by the Antaam within Qunari society, too. While not tackled upfront in Veilguard, the fact remains that one of the three pillars of Qunari society left the Qun. Whether this is the entirety of the Antaam or a significant part of its forces, I don't know, but this will have destabilized the Qunari and will open the way for a lot of questions and change within their own society, too.

Knowledge about the adaari and about who the Qunari were before Thedas is emerging. We've seen with the elves and dwarves that when this kind of history is revealed over time, great changes happen within societies in Thedas. I can't wait to see what that means for the kossith/Qunari!

The Necropolis & the Mourn Watch:

The Mourn Watch are aware that an entire lineage of people on Thedas were spirits that took physical shape by crafting bodies made of lyrium. Knowledge of spirits has tremendously shifted. This changes the understanding of what a spirit even is, versus the soul of a living person.

(if Manfred is alive) It is increasingly apparent that spirits "grow" and mature in the same way that living children do, becoming more complex over time. This has big implications for the recognition of spirits as their own sort of people—not just in Nevarra, but everywhere.

It will soon become more common knowledge that the existence of the Veil is what ended elven immortality. This changes everything that the Mourn Watch knows about what mortality even is!

With the blight less virulent, it is possible that other cultures in Thedas start burying their dead, rather than cremating them. This could lead to a widespread rise in necromancy and/or Nevarran belief!

Orlais:

Orlais endured a rebellion of its noble class. While we can presume that their monarch survived it (and therefore probably cemented themselves as an effective leader, surviving the Final Blight and rebellion), there is just as much to be said for if they did not survive it (which would throw Orlais into political turmoil all over again). Either way, Orlais looks different as a political power going forward.

Val Royeaux—the seat of the Southern Chantry and its Divine—fell. While listed as under rebel control, I think there is just as much to be said here: the Orlesian people were likely shaken by the fall of Val Royeaux, and combined with the knowledge that will come of the Evanuris, the titans, and the Andrastian faith after the events of Veilguard, I can see a shift in how Andrastianism is perceived in Orlais, and the South as a whole.

Ferelden:

The Chasind and Avvar have allied themselves with Fereldan leaders, a shift from their former lives secluded from other Fereldan humans after a prior history of conflict with them.

Ferelden made an attempt at peace with Orlais. Whether this attempt was answered remains unclear due to communication difficulties during the worst of the Final Blight, but the Fereldan envoys were not attacked outright. This suggests that tensions between Ferelden and Orlais cooled, if even a little bit. However, it is unclear if this will remain true, given that Orlais might be in a weaker position than Ferelden due to this late lapse in communication.

Free Marches:

The Free Marches united under Prince Vael. From a quick look at the wiki, it's been 700 years since unification was even attempted.

The Free Marches fared better against the Blight than Orlais and Ferelden, and were even marching south to lend aid to Ferelden by the game's finale.

__

And there you have it! That's what I can think of that has changed in Thedas, either because of Rook or not because of Rook, in Veilguard. And again: many changes in Inquisition were either not the Inquisitor's choice (like Dorian going home, or the truth of the Evanuris being revealed over time) or did not have consequences that led into the next game (even in DAI's epilogue, before Veilguard, the nobles are upset whether Celene or Gaspard are on the throne).

But one thing is true: whether you enjoyed Veilguard or not, it is not true that nothing happened during the game. Much did! The Veil may not have come down, and Rook may not have had an omniscient perspective looking down on Thedas at changes outside their immediate scope, but the world did change around them.

[jacks-the-flower]

our individualism will lead to our downfall

it is nice to see Americans support Luigi and bring up how evil our healthcare system is, I think it will fall on deaf ears with the next administration. Americans need to decide if our current healthcare needs to change or stay the same. so far, a lot of people in this country are squeamish about socialized healthcare.

I don't think Americans have it in them to unite & fight against the elite like it's Les Mis. we let the police & feds attack us while peacefully sitting down in a designated free speech zone. how does a revolution start with that and the fact that a lot of groups have no strong leaders or are unorganized?

a majority of people in this country simp for rich people like they're gods and don't realize that those rich people see them as human cattle. it's not to sound hopeless (but I am a little apathetic), I'm just realistic about how Americans are. face it, us Americans mobilize quicker for Stanley Cups & getting angry over pronouns than our rights. our individualism will lead to our downfall.

[yumeka-sxf]

Relatively short new chapter today, but still a lot to unpack! While we didn't get a ton of Melinda lore yet, as the majority of the chapter was Loid saying things to try and win her over, I found it interesting to see insight into one of his "fake" therapy sessions.

As usual with all the conversations he has with people in his "Loid Forger" persona, if the topic gets heavy, he'll end up saying things that are, what I believe, what he truly feels. This is usually preceded by him dropping the forced smile and showing a glimpse of a more thoughtful expression, for example, in the below panel when Melinda comments on how strong and "lively" she thinks Loid and Yor are. He then goes on to tell her that there's no crime or shame in not being strong enough.

While it is debatable whether he's being genuine here or not, I can't help but be reminded of similar conversations he's had with Yor in the past...way back in chapter 14 where he told her how tiring it can be to put up a facade all the time. And then much later in chapter 86 where she tells him, in her own way, that he doesn't have to be strong and "perfect" all the time.

I'm probably reading too much into it, but it's just something that came to mind 😅 But on the topic of Melinda saying they're "lively," the word she uses in the Japanese version in 健全な ("kanzenna") which is more like "healthy, sound, stable, etc" (the first kanji is "healthy/strong," and the second is "whole/all.") So yeah, a slightly different nuance than "lively."

I also smiled when I saw that Loid still calls Yor "Yor-san" in his thoughts ❤️

It wouldn't be a SxF chapter with at least a subtle hint at something "darker" going on or has gone on...in this case, we hear a bit of Melinda's thoughts about the post-war time.

But the big shocker was obviously the final page where she claims that Donovan is an alien. I checked the Japanese version to make sure, and she does indeed use the term 宇宙人 ("uchuujin"), which is "alien" in the traditional sense.

Upcoming plot twist...this previous Endo art for short mission 10 will turn out to be canon 🤣

Joking aside, I don't think that Donovan is literally an alien, as mixing a truly sci-fi element like that into the world of SxF would be too jarring. So probably something that Donovan has done made Melinda come to that conclusion. As for what it is about him that that would make her think this is debatable - his involvement in science experiments/Project Apple? If he actually has the ability to read minds, is this the explanation she's come up? Or maybe he wants her to think this for some reason? There's also a theory that she doesn't actually believe he's an alien and is only saying it to test Loid in some way. Whatever the reason is, we'll have to wait until next time for more answers!

[wonderjanga]

au where billy and mary were friends w a teen patrick wayne before everything went down in the 40's and they both think that bruce is patrick and that hes shy cuz hes a hero now

I think Billy, Mary, and Patrick’s dynamic would’ve basically been two little kids and the older kid who hang out. Patrick would also have no problem treating them like his little siblings and would casually give them money in exchange for them helping him with experiments. He’d rather just give them the money but they won’t just accept it for free so he’d resigned to making them do little tasks instead.

Patrick: “Alright, I need three fairy wings, dried unicorn blood, sixteen siren scales, and dryad bark! Go! Go! Go!”

Mary and Billy: *salute before running off*

You might be wondering what he needs any of that for. You’ll know later.

Anyways, as for how Patrick found out about Billy and Mary being Captain Marvel and Mary Marvel…

Patrick: *talking to someone in Fawcett and trying to get siren scales because his usual suppliers (Billy and Mary) said they were busy with something at the moment (meeting with magical delegates)*

Seller: “Boy, you do realize how difficult it is to get siren scales, right? As far as I know, none of the shops in Fawcett sell it. Who is your dealer?”

Patrick: “My friends?”

Seller: “Your friends?! You know kids your age going after sirens so you can get scales?! Do you have any idea how dangerous that is?!”

Patrick: “It’s dangerous?! I had no idea??? They never come back hurt or complaining??”

Seller: “They’re coming back unscathed?? Who are your friends???!?”

Yeah… so that’s how Patrick found out about Captain and Mary Marvel being his two little suppliers/siblings. It took much poking and prodding and bribing, but eventually the two spilled. After that, they were just forced to take the money from Patrick anyways. He wasn’t gonna send them on those trips anymore. No siree. Doesn’t matter that they have superpowers.

Anyways, time moves on and unfortunately, Patrick was eventually old enough to be drafted into the war. He said bye to the kiddos went and came back, kept in contact with the kiddos up until the sixties when the time bubble appeared. By that time, Patrick was at least 30 and the twins had strangely not aged at all, not that he minded because Fawcett was weird like that. Thomas was a toddler at the time of it appearing. The time bubble caused Thomas to have a rather unfortunate early childhood as his father was always locked up in his study researching and wondering what the hell happened to the town, to the people, and to his friends. Fawcett was just gone. Practically overnight. Eventually though, he gave up and started focusing on his family again. He died thinking everyone in that little down had been erased.

Fast forward 50 something odd years and BAM the bubble pops! Billy and Mary are now in the present. They got to meet all of the new heroes, including Batman.

Marvel: “It’s a pleasure to meet you, Mr. Batman Si- Patrick?”

Batman: “Pardon?”

Mary: “Holy shoot, Patrick really is you!”

Batman: “My name is not Patrick-”

Marvel: “You’re so…” *looks him up and down* “Youthful! Did you finally make that elixir thingy?”

Batman: “What?”

Marvel: “You know? The elixir you always talk about. It was an elixir, right?”

Mary: “Wasn’t it called the elixir of life?”

Batman: “No…? I haven’t worked on an elixir at any point in time.”

Marvel: “Yeah, you have. We saw you! You’d always read that little book and do a little experiments!”

Mary: “And then the experiment would fail, and then you’d come to us covered in ash because nine times out of ten it exploded. Then, you’d slap twenty dollars in our hand and ask for us to find more ingredients so you could do more experiments.”

Batman: “I’ve never done that in my life. I assure you I’ve never met you before this moment.”

Now you know what all those mystical ingredients were for. Patrick Wayne was casually doing Alchemy. Everyone in Fawcett is at least somewhat magical after all. He didn’t even know he was doing it too. He’d still worked on normal human gadgets though, which still allowed him to contribute to Wayne Enterprises.

Bruce later went to his study (once Patrick’s study) as he remembered one of the books on his shelves was related to Alchemy. When he eventually found it and pulled it from the shelf, a photo slipped out. It was a photo of a younger version of his Grandpa and two kids which he both had in headlocks. When Bruce flipped the photo over, scrawled on the back was a date. After getting sidetracked and deciding to dig up some information on his Grandfather, Bruce came to the startling realization that this was when Patrick left for the war. This was a commemoration photo. Interesting. It was also interesting that the other two people- children in the photo looked suspiciously like the Captain and his daughter. Was this Mary and another brother, one that didn’t dabble in heroics? It made sense now why the Captain and Mary talked to him like they knew him. They both must’ve thought he was his grandfather. Oh well, Bruce isn’t gonna spoil the surprise. He can find out more information on them if he lets them think he’s his grandfather.

Marvel: “The war really toughened you up, huh? Did you inhale chlorine gas and somehow survive?”

Mary: “No silly.” *elbows him* “He didn’t sound like this when he came back from the war so something else must’ve messed up his throat.”

Batman: “My throat isn’t messed up in any way, shape, or form.”

Mary: “It isn’t? So you talk like that on purpose…?”

Batman: *doesn’t want to give away he isn’t Patrick* “…Yes.”

Mary and Marvel: *share a look before pointing and laughing at him*

Any nearby Justice League member was visibly surprised that Batman didn’t glare at them. Bruce himself was surprised he didn’t as well.

Robin!Dick: *standing beside Bruce as Bruce works at a computer*

Marvel: “Oh Tommy! Wait, Pat, this is Tommy right?”

Mary: “Of course it’s not Tommy. He wouldn’t feed the elixir to him while he was a kid. But then again, you can be a little stupid…”

Robin!Dick: “Did you just call him stupid?” *sounds like he wants to laugh* “Also no I’m not Tommy.”

Marvel: “Then are you a grandson…?”

Robin!Dick: “N-”

Batman: “Yes, he is. This is Bruce.”

Robin!Dick: *extremely confused* “What?”

Marvel: “Oh cool!”

[bluem1lls]

HAIII :3 are u able to do a fic where the reader saves se-mi in the lights out and gets badly injured herself and almost died (BUT SHE LIVESSS)

✧₊⁺ we leave together

se-mi x fem!reader

✦ synopsis: you knew a big fight was coming in between the x and circles. now all you want to do is find your girlfriend, but when you find her, about to be murdered, would you put your own life at risk to save her?

content: blood, nam-gyu dies here (oopsie), r! gets injured, se-mi gets injured too but shes alive!, fluff and blood basically

authors note: hii tysm for your request! i hope you like it!

"you see!" i screamed to min-su. "if she would've been smart, she'd be here with us" i said dragging him, looking for a place to hide. our breathing feeling heavy. "but no! she had to be cocky. i can take care of myself! blah blah" i said mocking her and pissed at the same time. fucking se-mi. she has me sick worried.

we knew there was gonna be a big war between circles and x, of course we knew. and what was the last thing i said to se-mi? this isn't over. don't you dare put yourself in danger. vote the circle and when the time actually comes, we both vote for x and we all leave.

but of course she is so stubborn she had to vote for x.

so while nam-gyu was trying to convince us all to follow him and thanos with their little "vote circle" campaing, i decided to go along with them for a little more. this people are stupid. it was just going to be a 'use them for one more day and then we're out'.

so when i voted circle, the hug nam-gyu gave me wasn't a surprise. but when min-su and se-mi voted for x, i knew by the look on nam-gyu and thanos face's that my girlfriend and min-su were in big trouble.

a few hours later, i lost se-mi out of sight but i reunited with min-su, who told me se-mi shouldn't be that far away.

as we kept looking for her, i told him to go to the tallest bed and look for her on top, maybe with a bigger view, we'd find her.

please. let me find her safe.

please.

i couldn't even see shit, the lights going on and off, people screaming and running one side to another, all i could hear were shoutings for help and spot some who i recognized, filled with bloody hands.

i got close to a corner and saw mi-su layed on top of the bed, trying to find se-mi.

"did you find her yet?" i shouted to him, looking all around.

he stared at me blankly.

"what the fuck are you thinking so much? have you or have you not seen her?" i said, already becoming desesperate. where the fuck was she?

shaking his head and with a look filled with fear, he told me he didnt.

"c-c-come here. upstairs. please." he begs me.

what the fuck? i looked at him, already becoming pissed with his coward behaviour.

"i'm gonna keep looking for her. thank's for your help.. i guess"

i turned around and just as i was getting to one of the steps to go further up and see if she was hidden in any of the bed placements, i heard a scream. min-su stares at me with fear and tries to reach for me.

i look at him in shock. he did find her. so why isn't he telling me where she is?

"are you kidding me min-su? where is she?" i scream at him as he stares at the floor undearneath him.

he's such a coward. i run as fast as i can while i hear him screaming to me. "please don't go, its dangerous. i-i-cant loose you bo-both." he says, his voice laced with desesperation.

fucking coward. but neither of us is dying tonight.

i ran around the bed, following her screams. i watch her struggle agains't nam-gyu. she's cornered against a wall and neither of them see me arrive. she moans in pain as i look at her bleeding shoulder.

i position myself behind nam-gyu, as se-mi sees me. her panicked face makes nam-gyu turn around, just when min-su drops a glass bottle that shatters in front of him.

i swear this guy is useless.

nam-gyu sees me and starts coming towards me.

"this is not your fight. im giving you a chance to get away" he grabs me from my shirt and pulls me close to him.

i chuckle, looking at him with hatred.

"you're hurting her. of course this is my fight. you don't get to touch her" i said, lifting my leg, kicking him in the nuts.

he falls to the ground as i scream se-mi to run. she gets out, rolling from one of the bed sides and as im turning to leave quickly with her, i feel a hand wrapped around my ankle that grabs me, making me fall to the floor, hitting my chin.

"you're a fucking dick" i shout as he gets on top of me.

i can hear se-mi screaming for me as she thought i was following her.

"you know what? i always thought you were so hot" nam-gyu says, his breath so close to my face that makes me wanna throw up. i feel a sharp pain on my side. l stare to find a big shard of glass, close to my hip.

motherfucker stabbed me.

i moan in pain as he smiles.

"get off her, piece of trash" se-mi says, grabbing and trying to get him off me. he yanks her hair and throws her on the floor besides me.

he grabs a fork and tries to stab her in the chest, but she moves and it hits her arm. she screams in pain and as i get up to grab him from behind, he removes the fork from her arm and stabs me with it on my cheek, making me let out a sharp scream from the pain.

if i get out of here. i'll kill him. i promise i will.

we're both on the floor injured as he stays on his feet between us. the fucker is stronger than us.

"let her fucking go, nam-gyu. you're pissed and i get it but just take it out on me" i said trying for him to look at me as his eyes are on se-mi, ready to kill her.

he gets close to me and kicks my stomach, making me cry. at the same time, he throws a harder kick to se-mi, who bends to grab her stomach.

he grabs a fist of her hair pulling her closer, an inch away from his face. se-mi's expression filled with pain.

"she's right. i am pissed. but do you know what's best than stabbing you to death?" he says grabbing her neck, leaving her almost without air as she tries to get him off. "stabbing your little girlfriend to death and making you watch"

he throws se-mi on the floor, making her hit her head.

he grabs a fist full of my hair and smashes my head against the ground one, two and three times.

i don't even need to touch to feel the blood that stains the floor.

he grabs the nearest thing to him, which is a big shard of glass and stabs me on the leg, on my stomach and on my chest. i can feel myself almost passing out from pain.

i'm slowly letting myself go as i can't even deal with the sharp wounds. from the corner, i see se-mi standing up to throw herself to nam-gyu. grabbing his hair, making him throw his head back and stabbing him on the neck with the fork he had.

she stabs him once, removes him from on top of me and keeps stabbing him until she's covered in his blood.

"you. dont. get. to. touch. her" she screams, stabbing him again and again, a pool of blood begins to form around nam-gyu lifeless corpse.

i try to cover my bleeding wounds. with a weak voice, i call her. a soft mumble leaves my mouth. "se-mi..pl-please" that she, somehow, hears in the middle of all the shoutings.

she stares at him, checking that he's really dead.

se-mi stands up and comes close to me, her stare now filled with guilt and fear as she watches my bleeding wounds. she kneels besides me, her hands on my chest and stomach, where the bigger stabs are.

"hey, you're gonna be okay" she says, her voice trembling. "you dont get to leave me here alone, we get out of here together. you t-t-old me that okay? together." i can feel a few of her tears land into my face as i get colder.

"we need help. p-please someone!" she shouts.

i see a few people hiding on the bed close to us. one of them getting out and coming towards us. i recognize him as dae-ho.

he's quick to grab a blanket, break a piece of the fabric and bring some water to clean my wounds, pressing to stop the bleeding.

"one time my sister suffered a big injure and i was in charge. i learned about this. you're gonna be okay. i promise" he says, softly moving se-mi aside to make space as he also calls a lady who used to be a nurse. both ready to cure my wounds with what they had on hand.

i can see the lights turning on, followed by shouting, probably the guards came in to stop this.

i place myself on my elbows, staring at se-mi.

she's covered in blood, her shoulder keeps bleeding and i can see in her stare she's still filled with fear. she bends besides me, cupping my face on her hands.

"i can't lose you" she says, placing a soft kiss, almost a peck, on my lips.

"you're not losing me." i say with a weak voice, replying to her kiss. "i can't leave you alone. what if you get out of here and move on? i'd have to haunt you and your new girlfriend and that's no fun" i say with a smile as she chuckles and kisses me again.

"i was so scared. almost dying was.. fucked. but you dying on my arms? i c-cant even t-think about that-" she spoke, closing her eyes as her mind kept repeating the image of me on the ground, filled with blood.

"you don't have to think about that anymore. i'm okay and i'm with you" i said, caressing her hands as she nods and places a kiss on my cheek.

she stares at me, a look filled with love. she presses a kiss on my forehead.

"we leave this place together. i promise".

[jarenka]

tags by @gffa

(sorry for using your tags for that rant about translations, don't feel yourself obligated to answer or something like that)

I don't want to disappoint you, but there are many edits in English translation of The Three-Body problem. I assume you can learn more about them here (I don't have access to an article itself) and also here Ken Liu says that he updated some outdated info. I don't think it's bad itself if done in a tandem with an author, but original and the translation will feel different. The Chinese reader would say that The Three-Body Problem has a natural prose flow, sexist language and uses outdated info from 2006, the English reader would say that The Three-Body Problem has unusual prose (honestly, I don't know, my knowledge of English is not enough to make judgments about qualities of the prose), no sexist language and uses info from 2014.

For me this approach that it's ok to edit the content of the book but the reader should feel that they read a translated book feels very performative to me. Honestly my first thought after reading this post and various tags was "Yes, guys, only 3% of your book market is translated literature, so you want to feel really special while reading Exotic Foreign Literature". But also, what kind of "rhythm of another language" you all are taking about? It's not that I don't know any other languages other than my own (I write this in a foreign language), but there is no specific "rhythm of the X language", literature in any language is very diverse in rhythm and style. Do you feel like Dickens, Sara J. Maas and Hemingway have the same rhythm and cadence because they all write and English? Transporting the style of the prose into another language is a very tricky thing. Ironically, I know one Russian translation that spectacularly failed at it. The Catcher in The Rye was translated in English in USSR and unfortunately was censored, so in 2008 another translator attempted to translate it, and this translation was... controversial. Imo, it was just absolutely horrendous in its tone and style. It sounds like an attempt of a middle aged Russian dude who has never spoke with a teenager in their life to write from POV of the edgy teenager.

Yes, literary translation is a big can of worms, and every translator choses between different strategies of translation what book and for which audience they translate. And some things are untranslatable at all.

For example, regional dialects. For example, German and (British) English has super distinct regional dialects, so people in different cities in Germany and Britain speak very differently, people in different cities of Russia speaks almost identically with very minor quirks in some regions. There are more difference between Russian speakers in rural areas, but even of we use these differences German guy from Bavaria speaks like a guy from the village near Tver. Cockney dialect is absolutely untranslatable to Russian.

Same goes to some artistic effects. The beginning of the War and Peace novel is (in)famous for dialogues in French. They amplify for Russian readers how actually common for Russian aristocracy to speak in French. But when you translate it into French, what are you going to do with them?

(I mean yes, you won't translate it, but the artistic purpose of these paragraphs is lost in French translation)

The same with Russian translation of A Clockwork Orange. It has slang in Russian that is supposed to alienate the reader, but in Russian translation they are just Russian words written in Latin alphabet, and they are completely understandable for Russian readers.

Some jokes are untranslatable. Some set expressions might have significance for the plot/dialogue, so translator need to use a footnote to explain this nuance for the reader.

Anyway as someone who read majority of books and translation (which is normal for avid Russian-speaker reader) and specifically goes out their way to read mystery/thriller and literary fiction translated from different languages, I feel like linguistic aspects of foreign literature is just a miniscule point of my interest. Yes, I find out about Finnish slang word for lesbian, but overall it's more interesting to see what people in other countries are writing about. Of course my experience is severely skewed by the fact that book should be translated into Russian for me to read it, but they are still books that are written for an audience in another country and about things that are interesting and important for them. For example last year I've read three books by French writers of African decent, all with different plots but with similar themes of French colonialism and relationships between France and its (former) colonies. I just don't think that you would be ever able to read from this perspective if you don't read in French or you don't read books translated from French.

"The best translations into English do not, in fact, read as if they were originally written in English. The English words are arranged in such a way that the reader sees a glimpse of another culture’s patterns of thinking, hears an echo of another language’s rhythms and cadences, and feels a tremor of another people’s gestures and movements."

— Ken Liu, Translator’s Postface to The Three-Body Problem

[mortalityplays]

I love the practice of requisitioning, remixing and reworking books, comics, movies etc. through any means you like, but I hate hate hate the way so much vocabulary that used to be rooted in individual creativity has been taken over by this kind of fucked up deference to mainstream publishing and ip.

easy example: everyone calls the characters they work up for their projects 'OCs' now. that genie is out of the bottle, I'm not even going to try and cram it back in. it's universal terminology. but I do want to reflect - why is the default position to assume that when someone says 'my characters' they mean something derivative, unless they specify 'my Original characters'?

similarly, all character relationships are 'ships'. but what's wrong with that? you say, it's just short for 'relationship'. and you would be right, by merit of completely ignoring the fandom ancestry and common understanding of that term in order to win an argument. because you know as well as I do that 'ships' aren't 'relationships', they're hypothetical romances that the speaker is rooting for. so why do I keep seeing people talk about shipping their OCs? why is a hypothetical relationship entertained and enjoyed by the creator of the work described using fan terminology?

I have for real no joke seen people talk about their 'headcanons' for their own characters, in their own stories. that's not a headcanon babe, that's canon!!! that's YOUR WORK. moreover, why are we even talking about the canonicity of your personal original writing? this isn't the star wars extended universe, why are international franchise IPs setting the baseline for the relationship you have with your writing and the terminology you use to conceptualise it?

tbc this is not a 'fandom brainrot' post. because I don't think it's fanwork that's the root of the problem. I think it's the insidious creep of capitalism and the ever more draconian weaponisation of copyright law that has rewritten our capacity for talking about creative work so that it revolves at all times around ownership and precedent. there is a deep learned anxiety about describing fictional works as fictional properties, that echoes in our vocabulary as we constantly make clear what is owned and what is not, what has been established on the record and what exists in the realm of speculation.

the reason 'fandom brainrot' is such a compeling stand-in for this issue is that it's really just one step downstream from all that voracious rent-seeking behaviour by publishers. if the only things you ever read or watch are in the milieu of those franchise copyright lawyers, that is the understanding of fiction-as-property you develop. if you're not exposed to a broader spectrum of art and artists, living and dead, who talk about their work as work - as expression, as experimentation, as a personal process and as a shared space with their audience - you will quickly be alienated from your own creative practice by design.

the point i want to make is this: going off the beaten track, exploring outside the franchises and bestsellers and box office babies, is not just a matter of good taste. imo it is a necessary act of solidarity with artists who still live, work and speak as individuals. it's a healthier environment for you as an artist. you deserve a relationship with your own work, not a ship.

[hd-erised]

Thank you so very much to all our amazing writers, artists, pinch-hitters, readers, commenters, and reccers who once again made this fest such an amazing success!

If you haven't had time to make it through all the fantastic works here yet, we hope that you'll still read and leave some love for our writers and artists! Comments are appreciated all year round! ;) As are commenters—like you amazing readers and participants, including the phenomenal 440 people who have left an incredible total of 1898 comments on H/D Erised works this year—thank you for all you do to make this community what it is!! And a special shout-out, again, to our ever-expanding list of all-star commenters, who have commented on more than half (and sometimes way more!!) of this year’s works: blueheart_V, @sorrybutblog, khalulu, @nv-md, @hoko-onchi-writes, and veradubhghoill!! Thank you!!!

We'll be going through the works today, revealing the authors on AO3, removing the mod account as a co-author, and adding the creator names to the tumblr headers. We'll be sending the participants a wrap-up email when we've finished with all the final admin things on our end.  

Thanks again for making this another brilliant round of Erised! We hope to see you all again next year! <3 @epitomereally @honeybeet @nv-md

Art:

@elizah321 drew Brewed Awakenings for @jessixaluci [T]

@bicholsdrarrysideblog drew The Case of the Mysterious Baker for @sorrybutblog [G]

@discessio drew Ceilings. for @karamelised [M]

@threading-fate drew Us, again? for @nv-md [M]

@frm9pm drew Unemployed and On Guard for @makeitp1nk [T]

@legendrarry drew No One but Me for justlikewriting [M]

@faiell drew Stolen Glances for @dodgerkedavra [T]

@sharperthan drew Hauntingly Familiar for @moonflower-rose [T]

Fic + Art:

@fantalfart wrote & drew A Dragon to Call Mine for @annanother-thing [E, ~24,000]

Fic:

@agentmoppet wrote Where Starlight Falls for @citrusses [E, ~33,700]

The magic concealing Sirius’s Last Will and Testament doesn’t reveal the full extent of Harry’s inheritance until two years after the war. When it does, it turns out that Harry has inherited more than just the Black Family vault—he’s inherited the family’s magic, too. He just has to find it first. And he needs Draco Malfoy’s help to do it.

@sorrybutblog wrote Runaway Train for @lqtraintracks [E, ~18,100]

Harry was already keen to figure out what’s been causing a series of disturbances in the London Underground before Draco Malfoy showed up acting suspicious. Two explosions, several very confused Muggles, and a cloud of mysterious sticky powder later, Harry and Malfoy can’t seem to keep their hands off each other. Can Harry shag his way to the answer to all of his questions? Seems unlikely, but what can a man do but try?

veradubhghoill wrote At Night All Birds Are Black for IzRoan [E, ~51,800]

Harry loves being an Auror—the long hours, adrenaline-fuelled chases, and even the paperwork. But when a haunting leads to his suspension, he’s forced to continue his investigation in secret. As he unravels the murder of a young girl, he turns to the one person he never expected he’d need: Draco Malfoy.

@oknowkiss wrote The Melting Point of Wax for @vukovich [M, ~10,500]

Harry Potter is many things: captain of the Chudley Cannons, the fun uncle, a good enough friend, comfortable in the life he’s built for himself. Comfortable, that is, until a risque broom advertisement and a rumor about a fellow athlete come together to send him spiralling into the world of high-stakes broom racing, high-flying turtles, and the chaos of falling in love.

justlikewriting wrote Body and Soul for @a-sentimental-man [M, ~22,200]

When the headaches became worse and it got more and more difficult for Draco to work, he was left with no other choice but to recognise his stupid problem exactly for what it was. Even if that meant realising that the best, or perhaps even only, solution could solely come from one person: the one person he hadn’t seen for months, the one person he was still in love with. The one person who should never know. Because, clearly, Harry would never be able to give Draco what he needed anyway.

@citrusses wrote The Pain From an Old Wound for @sharperthan [T, ~31,100]

Getting hit with a mysterious blood curse is all in a day’s work for Harry Potter. Having to work with his former colleague, rival, bully, and boyfriend, is not. Harry’s not sure which is going to do him in first: the curse sucking his magic dry, or Draco Malfoy, as frustrating, condescending, and painfully attractive as he’s always been.

@lqtraintracks wrote The Most Splendid Thing for @sleepstxtic [E, ~61,200]

Star Quidditch rivals Draco Malfoy and Harry Potter become accidentally bonded. They still hate each other, but now it’s untenable to leave each other’s sides—and my, but it feels oh so good to touch. They’re either going to murder one another, or fall in love. OR: A story in which Draco finally allows himself happiness, and Harry finally learns that he deserves to be whole.

xErised wrote Borealis Green for @faiell [E, ~47,200]

Draco left Harry on the night of their first kiss, when they were eighteen. Ten years later, Harry, now Deputy Lead of the Norwegian Aurors, barges back into Draco’s life at the Ministry, seeking his help—both personal and professional—for a case, to re-capture Rodolphus Lestrange and Augustus Rookwood. Turns out that Draco couldn’t really get over Harry, either.

IzRoan wrote Don’t Fear the Reaper for @thehoneybeet [E, ~36,900]

Harry anticipates it’s Luna or maybe Hermione at Grimmauld Place, here to rouse him out of purgatorial listlessness once again. Instead, Harry finds an opinionated crow, a scroll with his name on it, and one exhaustingly persistent Draco Malfoy, who insists that Harry is his latest soul to Reap. The only problem is…Harry’s still alive. Or so he thought.  Quote: Learning how to live takes a whole life, and, which may surprise you more, it takes a whole life to learn how to die. - Seneca

@tessacrowley wrote Sub rosa for @hoko-onchi-writes [E, ~37,100]

After the tragic and unexpected death of his mother, Draco Malfoy’s quiet life as Potions Master, Head of Slytherin, and Hogwarts professor gets upended—first by the manifestation of mysterious and inexplicable magic, and then by the revelation of an inheritance deliberately hidden from him his entire life.

@thecouchsofa wrote Bare Moon Rising for xErised [E, ~15,500]

Potter moved towards him, sticking his hand out. “If that’s the case, we’re both doing it. You do the nude Tornados calendar, and I’ll do the Auror one. Most sales wins.”  Oh no.  “Are you backing out already?” Potter leaned in closer, voice dropping to a whisper. “Finally admitting that mine’s bigger than yours, then? Or do you want to cop a feel first?”  Charities could bugger off. Nothing good ever came of them, really.

@jessixaluci wrote Fighting the Chill for @bicholsdrarrysideblog [M, ~25,400]

What should have been an average and dull day for Draco Malfoy, turned rather south when he’s attacked in the middle of Diagon Alley.

@garagepaperback wrote palindrome for @threading-fate [E, ~25,800]

“Why did you let me kiss you?” Potter smirks.  “That’s not how I remember it. Why did you let me kiss you?”  “I’m stuck in a time loop. You’re not going to remember, so,” Draco’s tongue drags, calcified around the words. “Why not.”  Potter’s brows furrow but the smile stays intact. “That’s the best you could come up with?”

@amomorii wrote A Soft Place to Fall for @epitomereally [E, ~142,500]

When Harry arrives for his first year teaching at Hogwarts and is struck with a bizarre malignance, how on earth is he supposed to react when Draco Malfoy suddenly cares?

@starquestingfordrarry wrote All These Winding Threads for @amomorii [E, ~35,400]

The tides of Draco’s accidental magic pull him under and leave him gasping. There’s a hungry ache that sits deep in his bones, growing worse every day. Soon it’s all he’ll be, a starving skeleton clawing at its throat.  He needs a solution. Unfortunately, that solution looks an awful lot like Harry Potter. 

@annanother-thing wrote Second Chance Resort for @elizah321[E, ~42,800]

A holiday forced on him by his friends after the latest in a long string of failed relationships might be a chance for Harry to relax, but all that is thrown up in the air by the appearance of one newly divorced Draco Malfoy. Mainly because they had been together almost fifteen years ago before Draco broke it off to marry the woman his mother chose for him… Feat. a matchmaking hotel, a spa day, an all-knowing Weasley, and friends who do try their best, but can get a little distracted.

@jtimu wrote Seven-and-sixpence for @oknowkiss [E, ~35,700]

The entire plan of Harry’s life had been defeat evil, become an Auror, marry Ginny. Not necessarily in that order, but it seemed to be going that way, the first two managed and the third in easy limbo. He can be better, though. He can be more. Draco will see to it.

khalulu wrote Slip Slidin’ Your Way (In a Land of Fire and Ice) for @frm9pm [T, ~9,800]

How does a war-scarred young wizard recuperate and create a new identity? Harry opens himself to the magic of the land. Draco learns to wonder at the humblest of creatures. Years later, Magigeologist Evan Jameson and Malacologist Derek Black begin an enthusiastic correspondence. They’re in for a shock when they finally meet. Or: Science nerds go to Iceland and fall in love. Or: Why should kelp have all the fun?

@epitomereally wrote Pillar of Salt for @agentmoppet [E, ~62,200]

From the lake in the Room of Hidden Things, Draco knows three things: 1. Mirror universes exist, and he’s going to find the best one—the one where he did the right thing. 2. Harry Potter and him are awfully cosy in some of these other universes, whereas Potter in real life is starting to act very odd around him indeed. 3. Draco’s reflection—the mirror version of him, the worst version of him—seems to be growing crueler. And stronger.

@a-sentimental-man wrote Prescription for @fantalfart [G, ~2,600]

Draco couldn’t say he hated his job, not really. In fact, he loved it⁠—and wasn’t that something surprising, a Malfoy being a Healer, when most of them hadn’t worked a day in their lives?—and most of all, he loved knowing that he was helping people heal, above anything else. (And if there was a part of him that craved the normalcy of something that helped instead of what he had been taught to do his entire life? Well. That was between himself and his journal when he remembered to write in it.) (And maybe there was another reason too.)

@traylalascrisis wrote Old love don’t rust for @drarrydoodles [E, ~20,600]

“Why do you keep coming?” Malfoy asked at last. Harry mulled over the question. For a moment he debated trying to turn the tables and asking Malfoy the very same thing. But this time he didn’t want to hold back. “Because I can’t stop,” Harry said.

@karamelised wrote Equipoise for khalulu [T, ~88,200]

Ten years of peace have settled over the wizarding world, leaving Harry Potter feeling strangely adrift. Teaching Defense at Hogwarts is fine and all, but when mysterious magical blackouts start sweeping across the country, he can’t help but jump at the chance to investigate. It would be the perfect outlet for his restless energy - if he didn’t suddenly find himself tangled up in an elaborate charade, pretending to date the Prophet’s most illustrious journalist, Draco Malfoy. Between hunting down the cause of the blackouts and maintaining their ruse, Harry’s beginning to think that peacetime might actually be trickier - and far more surprising - than he’d bargained for.

@vukovich wrote Victory Lap for @traylalascrisis [E, ~4,700]

“I wasn’t sure if you’d want to eat first.” For emphasis, he pinches the skin at my waist. I want to cover myself in him. I want to roll in him like a dog. I want to devolve on top of him. And he wants me to sit nicely and use a knife and fork first?

@maraudersaffair wrote My Mate for veradubhghoill [E, ~26,300]

Harry is a new Alpha and Draco is his Omega Healer. Draco wants to help Harry but Draco struggles to control himself whenever he is around. And Harry wants to breed Draco. Desperately so. Things come to a head when Draco and Harry become trapped with one another. Draco doesn’t have his suppressant and it sends them both into heat. While they wait for help, will Draco be able to avoid being claimed by Harry? Does he even want to avoid it? Harry is gorgeous and strong, and Draco would love to have him as a mate. He just can’t fathom a world where Harry Potter willingly chooses him.

@smehur wrote Just a little liquid luck for @shiftylinguini [E, ~5,400]

Tracking the movement of Potter’s eyes, Draco runs a greasy finger over the thickest of his scars. “You like them, don’t you? Pervert.” Potter tosses his head back, jostling the mass of his curly fringe from his forehead. “I bet you were into scars long before you had any of your own, Malfoy.” Yes, Draco wants to say. I want to lick yours. What he says instead is, “Fuck you.” “Fuck you,” Potter echoes, putting the same pregnant emphasis on the F. Draco bites his lower lip, wrestling down the rise of euphoria. “Your turn,” he says. “Take that off.”

@sleepstxtic wrote As Luck Would Have It for @smehur [E, ~12,800]

In Sixth-Year, Harry and Draco both win a vial of Felix Felicis from Slughorn and, under its influence, have sex in the Room of Requirement. In the aftermath, can Draco and Harry navigate their respective roles in the war, while grappling with their burgeoning feelings for each other?

@hoko-onchi-writes wrote In a Year’s Turning for @maraudersaffair [E, ~89,400]

It’s been nine years. Surely, Harry can handle Draco being back—for Teddy’s sake.

@shiftylinguini wrote Storm’s Eye for @jtimu [M, ~12,400]

Harry’s surprised that Draco didn’t have wards up preventing mortally wounded former school mates-turned-ghosted work fellows from bursting into his house. In Harry’s addled mind, this seems like a great opening line to say to Draco’s gobsmacked face. He doesn’t get that far, though.

Or: Harry gets hurt, Draco is a vanishing alchemist who may or may not be able to save the day, but under no circumstances are either of them willing to talk about Their Feelings. Well. Maybe "mortal peril" circumstances will do it, actually.

@thehoneybeet wrote housewarming for @garagepaperback [E, ~6,000]

First, they had to decide where to live. It worked, until it didn’t.

@dodgerkedavra wrote Go Up to Gilead for @tessacrowley [E, ~106,700]

Harry Potter’s sense of purpose drops dead with Voldemort. So does Draco Malfoy’s freedom. Nine years later, Harry’s still a soldier. Draco’s still a sacrifice. Harry’s going to die in his Auror uniform, and Draco doesn’t deserve to live. But when the clock runs out on Draco’s sentence, a new one starts ticking. As it was, so it will be: they’ll survive together, or not at all.

@makeitp1nk wrote do you (one) better for @legendrarry [M, ~4,200]

Defence Against the Dark Arts Professor Harry Potter abruptly loses his Favourite Hogwarts Professor title to none other than Potions Professor Draco Malfoy. He swears it’s fine, really, but the feelings boiling within him say otherwise. Until Poppy Longbottom, Pansy and Neville’s hellion daughter, forces Hogwarts faculty and staff to engage in a very controversial Pureblood family tradition.

@doingthechachaslide wrote Of Stolen Glass and Burning Clover for @saintgarbanzo [E, ~27,800]

A week long international conference. A political scandal? A Malfoy beside the fruit tarts.

@saintgarbanzo wrote Baker’s Modern Wands for @starquestingfordrarry [E, ~43,600]

At Baker’s Modern Wands Lavender Brown is starting a revolution, Draco Malfoy is trying his best, and Harry Potter is really annoyed about it all.

@nv-md wrote Kiss Me, Fuck Me, Love Me for @doingthechachaslide [E, ~5,100]

Harry and Draco are running very late—they’ve got shirts to find, puppies to save, and champagne to buy. They’re also terribly, ridiculously, extraordinarily in love.

@moonflower-rose wrote Equally Cursed and Blessed for @thecouchsofa [E, ~18,200]

Harry’s back at Hogwarts to attempt his final year, again. This time he’s sure there’ll be no shenanigans. Well. Maybe there’ll be a few.

[xxxstraightfromtheheartxxx]

Read my tags first, ran out of space.

Note: I change my mind a few times throughout this text post, what I began with is not entirely what I ended with. And I’m not even sure of the ‘conclusion’ I got to. However I’m too tired to try and figure the rest out about it right now. Might change this post later when I have made up my mind or got more questions about it. Heads up! Spelling- and other mistakes in writing, were made. Frequently.

I know my tags make me a hypocrite and that’s one of the judgemental thought processes I’ve been fighting/growing against most for a while now.

I expect people to think similarly to me about this and that’s not within my right, they don’t owe me anything for the choice I decided to make and put the hard work in for. That I’ve suffered for it and for the patience I’ve had to bring up towards others being judgemental and having prejudices they didn’t fight within themselves. The frustration I keep feeling every time I have to explain to other adults how to respect accept and see minorities or marginalised groups as equal in worth to themselves. It’s so tiring, and I’m just white, I can’t imagine what it must be like to try and have these conversations to protect yourself and your family and friends and loved ones over and over again whilst still experiencing racist comments assumptions treatment behaviour bullying exclusion exploitation… through systemic racism, racist communities,through so many facets of their lives.

I feel like I’ve been shouting for equality. Not sure if that’s the best most respectful word for it in english, in my language literally translated our word means ‘equally worthy”. And to me that means that from birth we should all be treated with the same amount of respect love and acceptance. It’s only society, nurture that causes this inequality to exist, that not only allows but encourages prejudices and othering for power. Shouting at people who seemingly just refuse to open their eyes, minds and hearts and keep humanity from growing into healthier behavioural patterns in the future. They refuses to put in more effort to try our best to avoid wars, make the idea of hurting another person out of anything other than self defence, be heavily rejected, punished. Instead of not saving each other out of fear for economic and political threats to our own habitants and countries. To be unified so firmly by the absolute belief that violence is wrong, that those fears wouldn’t even be an issue because we’re all know all the other countries will still have our backs and we’d be able to function without the country that’s trying to start or continue a war, while only having to put in mild effort to be entirely independent from the threatening county, as humanity instead of as “individual countries”. It would cut the county/group at war of their resources entirely, which would endanger them to much to be able to actually be able to hold out being at war and making an actual big difference in the big picture of our common humanity. I know there are many weapons that could destroy so many at the same time, yet they would be poisoning the ground they so gladly wish to live on. (Ofcourse this is an ideal that is almost utopian).

This is the goal I thought we were all collectively working towards throughout our entire lives. To eventually be able to all come together in the far away future. All of the warmhearted people in the world.

And therefore we have to start within our small circle of influence and be open to try and learn to understand and respect each other with our differences and similarities, To expect people to be good and ourselves to put effort in it.

However completely swerved away from my original point. But it is the root of that frustration, hurt, disappointment and envy I experience when I see or hear or feel negative judgement .

People have been calling me stern and too strict and rigid in thought more in the last 4 years. It’s because I’ve been responding to prejudices and discriminatory behaviour and ideas verbally, and I have to admit about 50% of the time quite hard, not disrespectful, but clear. I’ve been setting boundaries over what way there can be spoken about others and myself with me. This week I even threatened to leave the room and wouldn’t continue conversing with them if they didn’t then stop casually using the n-word, while knowing it is wrong and hurtful and what my opinion and feeling was towards it. They called my stern and frowned and sighed but at least could bring it up not to say it with me around anymore. I know I haven’t changed their behaviour without my presence this way and it saddens me to feel them rejecting that part of myself that’s at the core of me. My moral core believe of equality.

When people won’t widen their view for one minority it makes me feel unsafe as part of multiple other minorities. I’m a queer womxn with persistent mental health issues, who isn’t able to work because of it and I’m neurodivergent and have some invisible fysical issues (I have loads of allergies which used to give me big rashes of eczema in my envoys and knees and later hands and feet, it has improved a lot, the amount of allergies keeps expanding though) ( I have a very small amount of energy compared to most people my age because of having to put in too much effort as a child and teen) to take care of others and secretly fighting feelings of depression). I’m lucky to be middle-class, white and have affordable healthcare here. All of these other aspects have made life harder for me throughout my entire life. Yet others have mostly blamed me and pestered me, excluded and avoided me for my inabilities and difference, including the inability to l love men.

It feels unfair that I try so hard to be accepting, understand and respectful of others, and not get the same amount of effort and care back… which is hypocrite of me, because the people I want to make the biggest changes never asked me to do all that. And while their lives are often so much easier specifically on the those societal aspects, does that make them owe me that effort back?

I feel like yes, they should, because they have more space for it, for questioning their prejudices than us. Because of the privileges of the main beliefs in their society, they didn’t have to lift a finger for throughout their entire lives. For all of the freedom and respect they’ve just got thrown in their laps, that took up so much of our lives for us to assemble a resemblance to their quality of life.

(Many people who have to fight for their lives daily, do not have that time or space so they only get to grow slower and are part of minority or marginalised groups as well. Bc evidently their is a lot of prejudice within those groups towards the other groups who are also being pressed down.)

I don’t know if I still think it’s hypocrite of me to expect people to put effort in being good. I don’t think so. The length they are able to go through to make those improvements however, I should bare in mind stronger again, like I used to.

If I give up on following my moral compass on this, I’ll never be the person I hope to be one day. I do feel like I deserve to give myself a break and be forgiving about those negative thoughts because they come from a desire for righteousness and good. Recognise, reject, correct, forgive and trust that I’ll do better next time because it is what I truly want to in the long run. I show myself to not always respond and to better pick my battles, so I can persevere and rebuild my energy for when I can make a bigger impact In the braided context or my own. However when I notice bad behaviour or judgement towards others, I do use little parts of it to give them a correcting look or to speak up for someone else or recently even for myself.

Totally did not see this rant coming!!

I knew this theme has been more at the front of my mind again recently and that I’ve been prickly about it, yet I hasn’t reflected on its origin as deeply as I did just now. So here, little amount of people this will reach, have some personal information from my brain and my heart.

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I’ve been typing this for so long and my attention span has loosened throughout writing. I don’t supposes I’ve managed to make everything clear, I got more and more tired and created some weird sentence structures and maybe grammar and def phrasing to try to get my point through or at least comprehended.

Don’t come at me about the war part, I know it is unrealistic to achieve anything like that in our lifetimes.

Yet I’m holding onto this dream for dear life. Otherwise what is there? To grow towards, to live for? It all comes to recognising, appreciating, sharing and maintaining the good there is now and nurturing the good to come.

The way you change your immediate reactions to things is that you catch yourself having an uncharitable/bigoted/overly judgmental thought and you catch it and replace it and then you do that a hundred times a day for your whole life and eventually one day like five years later you realize that you think differently now and you’ll always be working on something but that’s how life goes and that’s fine.