#“historic

[frostedmagnolias]

“Mary Wallace was the first woman bus driver with the Chicago Transit Authority in 1974. Her job applications were rejected for three years, but her persistence paid off. She was eventually hired under an affirmative action program. Wallace became one of the city’s most popular drivers over her thirty-three year career.”

Happy Black History Month!

[peekofhistory]

AHH!! Quickly!! The artefacts have escaped the museum!! 😘😘 This video is adorable :D

These ladies are wearing Tang Dynasty hanfu, the famous "golden age" of Chinese history. Artefacts show that aesthetics during this dynasty favored fuller shaped women, if you've ever seen the figures from the museums these ladies look like exact replicas :D

Video src: 包意凡 【博物馆闭馆时间到，我俩要粗去玩！】 https://www.bilibili.com/video/BV1iJ4m1K7Mq/

[thestuffedalligator]

Person with migraine aura today: Ow ow ow my head hurts and all I can see is TV static :(

Nineteenth century doctors describing migraine aura with the manic horror of a lovecraftian horror protagonist:

At first it looked just like the spot which you see after having looked at the sun or some bright object; I thought it might be an eyelash in the way, or something of that sort, but I was soon undeceived when it began to increase…

When it was in its height it seemed like a fortified town with bastions all round it, these bastions being coloured most gorgeously... All the interior of the fortification, so to speak, was boiling and rolling about in a most wonderful manner as if it was some thick liquid all alive. (Hubert Airy, 1856)

[anteregem]

Some fanart of this ancient figurine! Also got commissioned to draw her hanging out with a friend!

[sidecast]

i looove the miku trend. nomadic horselord hungarian miku be upon you

[bebs-art-gallery]

Cats Stealing Food in Paintings

Still Life with Cat (1705) by Desportes, It's no use crying over spilt milk (1880) by Frank Paton, Still Life of the Remnants of a Meal with a Lunging Cat (18th Century) by Alexandre-François Desportes, Fish Still Life with Two Cats (1781) by Martin Ferdinand Quadal, Still Life with a Cat and a Mackerel on a Table Top (18th Century) by Giovanni Rivalta, The Collared Thief (1860) by William James Webbe, Cat Stealing a String of Sausages (17th Century) by Abraham van Beyeren, Still Life with a Cat (1760) by Sebastiano Lazzari, Kitchen Still Life with Fish and Cat (ca. 1650) by Sebastian Stoskopff, An Oyster Supper (1882) by Horatio Henry Couldery, Still Life with an Ebony Chest (17th Century) by Frans Snyders, Still Life with a Cat (1724) by Alexandre-Francois Desportes, A Cat Attacking Dead Game (18th Century) by Alexandre-François Desportes, Still Life of Fresh-Water Fish with a Cat (1656) by Pieter Claesz, Still Life with Fruits and Ham with a Cat and a Parrot (18th Century) by Alexandre-Francois Desportes, A Cat Holding a Fish in Its Mouth (18th Century) by Sebastiano Lazzari, Still Life with a Cat and a Hare (18th Century) by Desportes, Still Life with Cat and Rayfish (1728) by Jean-Siméon Chardin, A Cat with Dead Game (1711) by Alexandre-Francois Desportes, Still Life with Cat and Fish (1728) by Jean Baptiste Siméon Chardin

Via James Lucas on X/Twitter

[marzipanandminutiae]

"hey why are all the barrier garments like linen shirts or chemises or combinations going away?"

"oh we have more washable fabrics now! you don't need to worry about sweat reaching your outer clothing when you can just chuck it in the washing machine!"

"cool!"

[100 years later]

"so uh all of those new washable fabrics are leaching microplastics into our water, and the constant machine-washing wears garments out faster. they're also not really sturdy enough to be mended, so we keep having to throw them out and now the planet is covered in plastic fabric waste that will never break down. also it turns out that the new washable fabrics hold odor-causing bacteria VERY well. so could we get those barrier garments back please?"

"sorry babe linen now costs $100000/yard and since it's been so long without them, nobody knows how to adapt barrier garments to the current styles anyway"

"..."

"maybe try this new $50 undershirt made of Special Sweat-Wicking Plastic Fabric! :) :) :)"

[fitzgeraldsflapper]

Costume Concept Art for Nosferatu (2024) by Linda Muir

[shamebats]

[elfgirlcraftworks]

Did a big brave thing over the weekend and entered the daytime Afrovictorian ensemble in the Masquerade at Arisia

Guess what?

I won a Best in Show for both Workmanship and Presentation!

Hopefully they'll upload the professional photos soon but now I have to go plot for next year. I'm considering a riff on the Baddest Boss Babe in Bridgerton, Lady Danbury.

[scarletstitchstudios]

I finally made my first yarn wig after 10+ years of crocheting my cosplays...

[lunegrimm]

Nachtschwärmer - [night owl/ night person]

New personal piece just in time for the return of the werewolf designs (more details will follow soon] I felt like making coloured version this time as well & I love how it looks! #WerewolfWednesday

[alexandriad]

jumping on the bandwagon with an ancient greek miku

[maked-art]

So, I saw this image on Facebook, and it was supposedly showing what Queen Nefertiti would have looked like in real life:

Now, I thought this AI generated garbage was just truly terrible on a number of levels; first off, she looks wayyyyyy too modern - her makeup is very “Hollywood glamour”, she looks airbrushed and de-aged, and as far as I’m aware, Ancient Egyptians didn’t have mascara, glitter-based eyeshadows and lip gloss. Secondly, her features are exceptionally whitewashed in every sense - this is pretty standard for AI as racial bias is prevalent in feeding AI algorithms, but I genuinely thought a depiction of such a known individual would not exhibit such euro-centric features. Thirdly, the outfit was massively desaturated and didn’t take pigment loss into consideration, and while I *do* like the look of the neck attire, it's not at all accurate (plus, again, AI confusion on the detailing is evident).

So, this inspired me to alter the image on the left to be more accurate based off the sculpture’s features. I looked into Ancient Egyptian makeup and looked at references for kohl eyeliner and clay-based facial pigment (rouge was used on cheeks, charcoal-based powder/paste was used to darken and elongate eyebrows), and I looked at pre-existing images of Nefertiti (namely other reconstructions). While doing this, I found photos of a 3D scanned sculpture made by scientists at the University of Bristol and chose to collage the neck jewellery over the painting (and edited the lighting and shadows as best as I could).

Something I see a lot of in facial recreations of mummies is maintaining the elongated and skinny facial features as seen on preserved bodies - however, fat, muscle and cartilage shrink/disappear post mortem, regardless of preservation quality; Queen Nefertiti had art created of her in life, and these pieces are invaluable to developing an accurate portrayal of her, whether stylistic or realistic in nature.

And hey, while I don't think my adjustments are perfect (especially the neck area), I *do* believe it is a huge improvement to the original image I chose to work on top of.

I really liked working on this project for the last few days, and I think I may continue to work on it further to perfect it. But, until then, I hope you enjoy!

Remember, likes don't help artists but reblogs do!

[apilgrimpassingby]

I thought today - the TV show I'd really like to see is one about a medieval monastery.

You could have all kinds of characters: the pious guy who joined because he wanted to serve God, the son born out of wedlock sent there to cover up his parents' shame, the geek who wanted to study Latin but couldn't afford to go into university, the former knight sick of violence and afraid for his soul... Plus monasteries were centres of pilgrimage and places where criminals could take refuge, so we can have a lot of characters who crop up for a few episodes and leave.

Some plotlines I thought of:

Our relics aren't bringing in the pilgrims the way they used to - what do we do?

A women fleeing an abusive marriage has taken shelter in the monastery - how will the brothers respond to having a women in their midst?

One of the monks wants to leave - will the abbot accept or not?

A murderer has taken refuge in the abbey, and the abbot decides to try and save his soul - what will happen?

People are coming to the monastery for food during the famine, but the monastery is itself short of food - how will this be dealt with?

War has broken out between two local lords, and the monks attempt to broker a treaty - will it work?

I've already mentioned some reasons why I think this setting would lend itself to television, but I'd also love to make it for two other reasons:

Get people to understand how weird medieval religion could get, but also that, within its own frame of reference, it was a reasonable and consistent belief system.

Show people that the Middle Ages consisted of more than just muddy people stabbing each other and burning scientists at the stake.