#“3D Scanning Process”

[v3dtechnologies]

3D Scanning Process

3D Scanning process involve the measurement and analysis of three-dimensional objects or surfaces using specialized equipment and techniques. These services are crucial in various industries such as manufacturing, automotive, aerospace, healthcare, and more, where precise measurements and analysis of physical objects are essential.

Here are some key aspects of 3D metrology services:Equipment: 3D metrology service providers use advanced equipment such as coordinate measuring machines (CMMs), laser scanners, structured light scanners, photogrammetry systems, and portable metrology devices to capture precise 3D measurements of objects. Measurement Techniques: Different techniques are employed depending on the requirements of the project. These may include contact and non-contact measurement methods. Contact methods involve physically touching the object with a probe, while non-contact methods capture measurements using lasers, cameras, or other optical sensors without touching the object.

[jcmarchi]

University unveils VR experience which could let users explore art exhibitions across the world - Technology Org

New Post has been published on https://thedigitalinsider.com/university-unveils-vr-experience-which-could-let-users-explore-art-exhibitions-across-the-world-technology-org/

University unveils VR experience which could let users explore art exhibitions across the world - Technology Org

Virtual reality technology with the potential to bring art exhibitions from anywhere in the world to your front room has been developed by a team from the University of Southampton.

Online version of the VR exhibition. Image credit: University of Southampton

Their aim is for any art exhibition to be incorporated into the technology, allowing users to walk around, explore and interact online.

Yuanyuan Yin, Professor of Design based at the university’s Winchester School of Art (WSA), has invented the virtual reality experience.

She said: “We wanted to use virtual reality technology to bring art exhibitions from all over the world to those who might not be able to otherwise see them.

“Money, mobility, or anxiety issues can all create boundaries and stop people from viewing these exhibitions, but the VR experience allows them to easily access and interact with them in a completely unique way.

“Anyone with a phone or computer can access the experience online, and the VR headset version will be showcased at WSA’s Design for Future exhibition.”

The technology uses 3D scanning drones and 360-degree cameras to capture imagery of an exhibition and build a virtual model.

The first exhibition to use the technology is Following the Fish, curated in part by Dr Daniel Cid Moragas, Associate Professor of Design Studies at WSA. The exhibition featured at the Architecture Biennale in Venice in November.

Allowing visitors to rethink architecture from the perspective of an African immigrant, the exhibition has seen more than 26,000 people visiting in person – becoming the Biennale’s most visited architecture exhibition ever.

Dr Moragas said: “Following the Fish encourages people to think about the lives we all live, and how we can fix the issues we have.

“It is important to promote these types of projects to make them visible for more people to see, as we cannot deal with social challenges without people having knowledge that they exist in the first place.”

Professor Yin hopes the interactive experience might encourage other artists to design their exhibitions differently.

She said: “These virtual spaces give us new ways to encourage people to interact with art. It gives future artists the chance to think about the different ways they can design their exhibits.

“Not only that, but it can also change the way we create. Virtual spaces give you real freedom and flexibility when it comes to material design and creation.

“Following the Fish is just the first exhibition we’re sharing with the world, but we can’t wait to open the virtual doors to many more.”

Explore the Following the Fish exhibition online here.

Or find more details for the Design for the Future exhibition here.

Source: University of Southampton

You can offer your link to a page which is relevant to the topic of this post.

[v3dtechnologiesa]

3d Scan Reverse Engineering | Scan to Cad Process

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[fernsnailz]

my comic from the @neverturnbackzine! truly one of my favorite zines i've been a part of :]

some extra insight/fun facts about the process of this piece below the cut 💥💥💥

posting pieces from collaborative zines is always something i struggle with because i look back and think of how i would do things differently now, but i learned a lot working on this comic and even developed some style techniques that i still use!

Fun Fact 1: the panel where shadow Fucking Disintegrates That Guy is technically traditionally drawn! i couldn't get it right in clip studio so i just started frantically scribbling in a notebook and got it eventually lol

highly highly recommend scribbling stuff out in a notebook, scanning it on your phone, and then dropping it into a canvas to edit later if you ever have trouble sketching something.

Fun Fact 2: a lot of the overlay/background effects were made in Kid Pix Deluxe 3D. i created a whole collection of various textures/abstract effects for this comic that i've been using in my art since last year. you can even find them scattered through my team dark zine lol. here's a few of them:

similarly, the background at the bottom of page 2 is actually a warped photo i took of a bunch of headphone wires. this is the original:

Fun Fact 3: i made this comic during a very busy and wild period of time last year so this is what the final panel looked like for a while before i fully finished it LMAO

ok yay thanks for reading bye

[trevillaengineering]

Importance of Correctly Evaluating FEA Results in Post Processing

FEA is useful for engineers, but it must be applied & evaluated correctly. Learn about Finite Element Analysis and post-processing.

https://trevillaengineering.com.au/post-processing-importance-of-accurately-evaluating-fea-results/

[wolfythewitch]

Hi! I was wondering if you could tell us a bit about the technical process you went through with your God Games animatic? The 3D camera work is really impressive!

Ouhhh uh the main 3D part was the bit with the birds. So I downloaded a scanned 3D model of a roman coliseum and edited it to have the pillars + a more level ground (and some other changes to the structure). The I added the lineart modifier so that lines would appear in camera view and it would look more 2D. I rigged the camera to fly around and exported it, and lowered the fps so that out was 3 frames per second. Then I drew on the crowd and the birds^^

[bethanythebogwitch]

Wet Beast Wednesday: tardigrades

Last week on Wet Beast Wednesday I covered the largest animals to ever exist on our planet. This week I'm going to pull a full 180 and cover the smallest animals yet on this series. Meet the tardigrade, the internet's favorite micro-animal the is said to be basically immortal. How true is that? Let's see.

(Image: an electron microscope image of a tardigrade. It looks a lot like a potato with eight stubby legs tipped with long claws. At the front is a small, circular mouth. It has no other discernable features. In the background are bits of plant matter that look like seaweed at this scale. End ID)

The tardigrades are 1,300 known species (and probably a lot of unknown ones too) in the phylum Tardigrada. They are also part of the superphylum Ecdysozoa, which are animals that grow by molting their outer cuticles or exoskeletons. In particular, the tardigrades are believed to be a sister group of the arthropods, the group that contains crustaceans, insects, isopods, and a lot of other things. Tardigrades are truly tiny, the largest species reaching a whopping 1.5 millimeters in length, though most species reach no more than 0.5 mm. They have round, segmented bodies with four pairs of legs that end in either claws or suction discs. The body segments consist of a head, three body segments with a pair of legs each, and a caudal segment with the final pair of legs. The first three legs are used for movement while the final pair points backwards and is used for grabbing onto substrate. All of the body segments except for the final one correspond to segments found in the head section of insects. Tardigrades are missing many hox genes, genes that direct the body plan during development. Their ancestors may have had a body plan more similar to insects, but the loss of the hox genes has compressed them into walking heads with a bit of butt. The mouth is tubular and sucks in food. In the mouth are stylets, needle-like structures used to pierce food objects. Once food is drawn into the mouth, a structure called the buccopharyngeal apparatus activates. This is a combination of spines and muscle that acts like an inner jaw that pulls food into the digestive tract. The buccopharyngeal apparatus is distinct enough to be used as a major identifying feature between species. Tardigrades are translucent and many images you've seen of them have false color to show the details or are 3D models based on scanning electron microscope imagery of them. Tardigrades molt their exoskeletons multiple times (up to 12) during their lifecycle. Some species are unable to poop normally and instead all their waste is discarded during the molt. It was formerly believed that tardigrades could exchange genes with each other without mating, a process called horizontal gene transfer that is seen in bacteria, archaea, and other micro-organisms. It has since been discovered that while still capable of horizontal gene transfer, it is quite a bit rarer in tardigrades than we thought.

(Image: an electron microscope image of a tardigrade standing on a bit of plant matter. This one has a closed mouth with a ring of triangular tooth-like structures. It also has two simple eyes that look like black dots. End ID)

The name "tardigrade" means "slow walker", which is fitting as, despite their eight legs, tardigrades have a slow and awkward gait. This is the result of their legs being unjointed, only able to pivot at their connection to the body. Their gait has been compared to that of bears, hence why they are often called water bears and their discoverer, Johann August Ephraim Goeze, called them "kleiner wasserbär", meaning "little water bear". Tardigrades are found worldwide and have inhabited virtually every habitat, from the tops of mountains to the deep sea, from hot springs to the antarctic, from freshwater to saltwater. The one thing they have in common is a need to stay wet. Tardigrades can survive out of water as long as they can stay moist and are often found in mosses, hence another common name: moss piglets. The majority either eat plants or bacteria, but some will feed on smaller tardigrades or other micro-animals. Their famous survivability makes it easy for tardigrades or their eggs to be carried to new habitats by larger animals or other phenomena. Tardigrades are one of the first micro-animals to colonize a new habitat and they are a pioneer species, the first species to colonize a new environment and whose presence makes that environment fore suitable for other species to follow. Tardigrades are a major food source to other micro-animals and larger organisms. Most species have distinct males and females, though a few reproduce through parthenogenesis. In most cases, molting female will lay her eggs in her shed cuticle and males will them fertilize them. Other species have a form of internal reproduction. Males and females will court each other before mating and females will usually allow multiple males to fertilize her eggs. Female tardigrades are typically larger and more abundant than males. Eggs can take up to 14 days (species dependent) before hatching. All tardigrades of the same species have the exact same number of cells as each other. They are also born with the same number of cells they will have as an adult. Their growth is driven by enlargement of the existing cells rather than cellular reproduction making new cells. The lifespan ranges between a few months to a few years, depending on species.

(Image: a color photo of a tardigrade. It is a pale, translucent white, making it hard to make out details. Its body is curved, with the front end pointing at the camera. It has two simple eyes. End ID)

(Image: an electron microscope image of a tardigrade egg. It is round but covered in small pores and conical structures. End ID)

The most famous feature of tardigrades is their legendary durability. It is commonly said that tardigrades can survive just about anything (except for the things that are actually trying to kill them. They are prey to a lot of species after all). Among the things they can survive is extreme heat, extreme cold, dehydration, extremely high and low pressure, exposure to ionizing radiation (that's the scary kind), low oxygen environments, environmental toxins, heavy impacts, and the vacuum of fucking space. While the can survive in extreme conditions, tardigrades are not considered extremophiles. True extremophiles thrive in extreme environments and are negatively impacted by leaving them. Tardigrades can survive in extreme environments, but are negatively impacted and can't survive as well there as they can in less extreme places. The main trait that has allowed tardigrades to survive all five mass extinctions in history is cryptobiosis. Cryptobiosis is the rare ability for an animal to enter a state of dormancy where their metabolic processes come to an almost complete stop. While in cryptobiosis, metabolic activity drops to 0.01% normal and water content drops to 1% normal. In this state, the tardigrade is called a tun. Tardigrades usually enter cryptobiosis in response to arid conditions. One experiment showed that a species of tardigrade could last for at least 30 years in this state and return to normal lifestyle functions when exposed to water. Tardigrades will also enter cryptobiosis in response to low oxygen, toxic chemical exposure, increased or decreased temperature, and excessive salt content in the water. Tardigrades also show extreme resistance to both high and low pressure. They can live in 0 atmospheres of pressure and some species can survive up to 6,000 atmospheres, more than double the pressure at the bottom of the Marianas trench. More interesting is their ability to survive dangerous radiation. They can survive 1,000 times the dose of gamma radiation that humans can. Early tests focused on tardigrades in cryptobiosis and concluded that the extremely low water content of a cryptobiotic tardigrade doesn't leave much opportunity for the radiation to react with the animal. However it was later found that active and fully hydrated tardigrades are still considerably resistant to radiation. Studies into this resistance indicate that tardigrades can very efficiently repair damaged DNA and have unique proteins called Dsup that provides additional protection. Dsup introduced to human cells has provided additional protection against x-rays.

(Image: an electron microscope image of a tun - a tardigrade in cryptobiosis. It is smaller and very wrinkly, with the legs and mouth retracted into the body. End ID)

Tardigrades were the first animals to be exposed to the vacuum of space. They were exposed for 10 days, some in a state of cryptobiosis at the time of exposure and some still active. It was found that they were able to survive the vacuum when shielded from the sun's ultraviolet radiation, with those already in cryptobiosis doing better. Upon being rehydrated, many were able to resume normal life functions and successfully reproduce, though others died after being rehydrated. Those that were exposed to UV radiation fared much worse, with only a few hydrated individuals surviving. The individuals in cryptobiosis had a lower survival rate when exposed to UV than those not exposed to UV and were less successful at reproducing afterwards. Studies of tardigrade's space survival abilities and resistance to radiation could go a long way in helping human space travel. One of the largest dangers of space travel is that space is full of nasty radiation from the sun that Earth's magnetic field protects us from. Some scientists speculate about the possibility of accidentally seeding other planets or moons with tardigrades or other space-resistant organisms. This is a problem because introducing Earth life to other world has the potential to damage any native ecosystems and if we find life in space in the future we don't want to have to figure out if it's something we accidentally put there. While tardigrades could likely survive on other planets, they would eventually die without a food source. Some sources reported that tardigrades may have colonized the moon after an experiment with them crashed. Unfortunately, the moon is not crawling with tardigrades now. It's way too dry for them to exit cryptobiosis even if they survived the crash, which they probably didn't.

(Image: art of a tardigrade floating in the vacuum of space. End ID. Source: University of California - Santa Barbara)

[6000yearstogether]

What they are doing here is called Photogrammetry!

It means that they are doing a 360° scan of his body so they can create a 3D model!

If you want to read more about this process, you can look into this site, it explains it perfectly:

https://www.newworlddesigns.co.uk/full-body-photogrammetry-scanning/

[mostrovskaa]

Just out of curiosity, you make the mockups for your faux sticker set by yourself from scratch? or maybe mofidy existing ones?? I Think they look very good and add so much to the comms and you even theme them to suit the characters instead of using the same one over and over, like wow that takes some effort!! Your art is amazin! Do you reccomend some tutorials/tips and tricks/sites for mockups like these?

Hi! Thank you so much, I am so glad you like these! To do these I most often use stock images and public domain images alongside textures and scans of objects (notes, paper, scribbles, book spreads etc.) I made myself and mofidy them into digital collages. I also sometimes use preexisting mock-ups for graphic designers and just edit the hell out of them to make them suit my patchy aesthetic, but I prefer to just use the previous method of putting images together, because it gives me more of a field to work with. It does take a bit of effort, yes, that's why I don't make them for every commission post but I like to create them anyway as much as I can, to visualize a digital product in a semi-realistic way :-)

If I want to create a specific effect, I often just search up some photoshop tutorials or just experiment with filters untill i find something exciting or nice graphically. There are a lot of places that offer free textures to use, for example sites with materials for 3d modelling that offer these things - which I love to use in my work. But they are super easy to create on your own as well traditionally. I often take pictures of scraps, dirt and the like to later put into these types of images. You can also find that many museums and art institutions offer public domain images (of artwork, documents and the like) from their collections!

All in all, the process of making these comes from my need to explore how all the effects, filters etc. from digital programs can be used to achieve interesting visuals. I am by no means any authority on the topic though, I mostly just explore and if I like something - explore it more.

Sorry for the long anwser, but i think this is something other people would also enjoy to know!

Thank you again!

[blommp717]

A message from yourself

Well, your the reason this message is reaching you so congrats on this manifestation, now let’s begin.

But before that, here’s my channel where I’m going to be explaining nondualism in video format yaaay ☺️🤪

Everything except conciseness is just an illusion. The only thing that does not change regardless of pressure, judgment, fear, opinion, circumstances, people, events, emotions, etc. is awareness/consciousness/pure being. Your eyes are scanning the screen but what comes before/beyond that? Like what’s looking through the eyes? Yes, that’s you.

Anything put infront of it/you instantly become real. How?

Like I said, everything is an illusion, an illusion of you/by you, if the only thing that is constant is awareness, it’s the only true thing that’s real. Without awareness there is no world to perceive, there’s nothing to experience, there’s absolute absence. Therefore everything is only possible as an experience because of awareness, it feels so real because that’s also something me as consciousness chose to experience.

The good news? You can feel doubtful, sad, anxious, upset, cry, think the most awful “opposing” thoughts in the world and it does nothing to my manifestation because that’s not me. I am conciseness, all I can do is be aware of those things being put infront of me, but what I also understand is that none of those things on their own matter. I decide what they mean because I created it lol. Anything except being will never have any power over me because I made it.

The process? the only thing required in order to experience something different, is think about it, seriously, there is absolutely no secret, lengthy process, month long journey, manifestation in nature is instant. How long does it take you to be aware of something? Instant moment right? I mean I can say. APPLE. You’ve just became aware of an Apple, congratulations! you now have seen/experienced an Apple. Now, anything after being aware of the apple like “where is it, when is it manifesting,” etc. is completely null and void. You in real time and in actuality just manifested whatever you put infront of that awareness.

If your still doubting just like I used to, listen up, you’re not able to mess it up. You = Awareness, Awareness = Everything. Everything includes imagination, includes “3D”, includes EVERYTHING. You the infinite source of creation are the reason it’s experiencing itself, the moment you become aware of something, as that source, you experience it. The key in making it FEEL better is to understand that THERE CANNOT BE SEPARATION IF ITS ALL YOU. A wave can’t be separate from the ocean even if it takes a different form!!! Come to this conclusion, as many times as you need to and reassure yourself, your not choosing to go down some lengthy progress bar, you are living your life. You effortlessly manifested everything before finding out about nondualism/loa/etc. and now that you know how to get everything you want you think it’s hard?? Girl how the hell does that work.

When you become aware of something and a reaction like a physical feeling in your body or emotion arises or thoughts appear, just LET THEM COMEEE, and as you allow them you remind yourself that it’s okay, it means nothing, emotions aren’t source, thoughts aren’t source, physical reactions are NOT SOURCE, anytime you feel off about what you’ve became aware of you need to remember, MANIFESTING IS INSTANT, BECOME AWARE AND EVERYTHING ELSE CAN BE DISREGARDED. FEEL YOUR FEELINGS AND MOVE ON!!! You know how long it took before I realized I don’t need to attend to every off feeling and thought with an array of relaxing techniques or affirmations to pile on top of it. Even with Nondualism!! K I think that’s enough for this post ima do more later. Hehe

.

[v3dtechnologies]

3D Scanning process

3d Scanning process of capturing real-world objects or surroundings for digital modeling or analysis is known as 3D laser scanning. V3D Technologies carefully and accurately captures data for the Manufacturing Industry using a state-of-the-art 3D scanner that is graded for metrology. Our metrology grade scanner's measurement reliability is validated by an ISO 17025 recognized laboratory and is based on the VDI/VDE 2634 part 3 standard.

[tanadrin]

The Vesuvius Challenge--a $700,000 prize for being able to recover readable text from the 2,000 year old carbonized scrolls of the Herculaenum Library--has paid off in a huge way, recovering a substantial portion of text from one of the scrolls. I can't think of a more exciting discovery in the field of paleography or ancient literature this century than figuring out how to read these texts. It's also a very cool application of machine learning: using a cracking pattern to identify spots on the 3d reconstruction of the manuscripts that once held ink, training a ML model to scan the surface of the papyrus for ink-vs-no-ink, and using the data points it gathered to assemble a complete picture.

I recommend clicking through and reading about the technology that went into this. It's very interesting, and even though it makes use of some pretty crazy cutting-edge techniques, it seems like it still requires a phenomenal amount of time and effort to make it work.

The next prizes are for scaling up progress, to read multiple entire scrolls--primarily by speeding up the process of mapping the scrolls themselves, which is still a mostly manual process.

[omniverseexplorer]

Imagination as the Ultimate Reality: Unveiling "I AM" as the Creator of All Existence

I have revamped an old post with my new updated beliefs, after extensively studying the I AM.

Introduction:

The “I AM” birthed the entire Omniverse, there are an infinite and limitless number of realities that exist within the entire Omniverse, so that the “I AM” can experience itself in limitless and infinite ways. “I AM” observes every reality created simultaneously through the lens of every being of the entire Omniverse. Every being in the entire Omniverse is a unique aspect of the “I AM” experiencing itself. Ultimately everything is still One with the “I AM.” Everything that we ever experience is a product of imagination. When I talk about imagination, I’m not referring to visualisation, that is a manifestation technique. Imagination are concepts that you create in your mind through thoughts and assumptions with words, inner audio, images, etc. Imagination comes from the “I AM” (us), and it is never separate from the “I AM.” Creation is already finished, therefore everything we can (or can’t) possibly imagine already exists in the entire Omniverse. Imagination is infinite and limitless, even things we can’t possibly imagine within the human mind already exist in the entire Omniverse. As there are an infinite and limitless number of realities, there are an infinite and limitless amount of possibilities in the entire Omniverse. Since everything is One with “I AM” there’s no separation of “4D” (imagination) vs. “3D” (senses), there’s only one Imagination. So, there’s no such thing as “3D reflecting the 4D” because everything is one Imagination aka “I AM” (us). Therefore, reality shifting/manifesting is always instant, there’s no failure, separation, process, lacking, or “time delays.” Imagination is both mental and physical. Since the “3D” is imagination and not separate from “I AM” it isn’t something you need to change externally or even external from you, it resides within you as “I AM.” All you need to do is change how you identify with your “I AM” and then the "3D" changes accordingly instantly because it's YOU as "I AM". Therefore you are the “I AM” experiencing itself as the entire Omniverse through imagination.

Scientific Evidence

Harvard Study

A group of researchers conducted an experiment consisting of volunteers who couldn’t play the piano. They were split into three groups, then tested, and had their brain scans taken and analyzed. The goal was to compare brain scans of people physically learning to play the piano vs those who imagined it in their minds. For five days, the first group learned how to physically play the piano, the second group were put in a room with the piano but didn’t do anything with it, and the third group were put in a room with the piano but had to imagine learning playing the piano. After 5 days, the brain scans were conducted and showed that the brain structure of the second group didn’t change at all. However, shockingly enough the first (physically learned to play the piano) and third group (imagined learning to play the piano) showed very similar structural changes of the brain associated with finger movement. This shows that imagination can restructure and rematerialise matter within the “3D” and that the “3D” is imagination that is within us as well. 

The Observer Effect

There are an infinite array of electrons existing simultaneously with an infinite amount of possibilities in the boundless invisible field of energy. The electrons remain in their wave state until they are observed by the Observer (“I AM” which is us). These waves of electrons are “everything” and “nothing” and “everywhere” and “nowhere” simultaneously until they are observed. In other words, as “I AM” if we decide to experience anything through our imagination then we essentially manipulate the “3D” via reality shifting/manifesting. The “I AM” (us) exist as everything, everywhere, all at once, and nothing simultaneously in the entire Omniverse until we focus on what we want to experience through imagination and then we manifest/reality shift. This shows how creation is always finished, meaning we already have what we want/are in our DR right now simultaneously no matter what! 

Matter vs Empty Space

Everything in the entire universe is made of matter and empty space, which is a type of energy. Matter is atoms, the foundation of existence itself and it’s what we experience with our 5 senses aka the “3D.” The percentage of actual matter in the Universe is less than 0.0000000004%. However the percentage of empty space is 99.999999996%. This means that the world we live in is mostly energy (imagination). Therefore, imagination is interacting with 99.9999999996% of the universe, you just don’t see it. What you see from the perspective of the “3D” is less than 0.000000004% of what is actually happening. This proves that the “3D” is simply imagination and super malleable. 

What to do with this Information

You may ask, how do you utilise this information for reality shifting/manifesting? Now you understand that there’s no separation between “3D vs 4D” and it’s all one imagination coming from “I AM” (us). All you need to do is:

1. Make a decision, it’s as simple as stating “I am in my DR/I have____” 

2. You’re in your DR/have your desire right now no matter what. Stick to that decision no matter what with the knowing that creation is finished and you are “I AM” that is simultaneously everything, everywhere, all at once and nothing in the entire Omniverse.

Remember you already are in your DR/have whatever you desire right now no matter what the moment you make that decision. Reality shifting/manifesting is always instant, there’s no such thing as a "process," “lacking,” “separation”, “struggling”, “time delays”, or “failure.” It is impossible to wait, lack, struggle, or fail as the infinite, eternal, omnipotent, limitless “I AM.” It’s that simple, stand firm in the decision and then the “3D” (which is still just you as “I AM” and still imagination) conforms accordingly instantly. You already are in your DR/have what you want as the “I AM” that is simultaneously everything, everywhere, all at once, and nothing in the entire Omniverse. 

How I personally view reality shifting/manifesting

In regards to reality shifting I used to believe in the Omniverse as something outside of us. Now I see the Omniverse as within us and not separate from us, after all everything comes from and is one with “I AM” (us). I believe that when you reality shift and manifest you as “I AM” are simply manipulating your reality. I don’t see it as you “going” or “leaving” your awareness to another reality, I see it as “bringing” your DR to you instantly. Your DR is not outside of you or separate from you, it is already within you as you are the “I AM” that birthed the entire Omniverse experiencing itself. You already are in your DR, you just need to become aware of your DR. Reality is malleable like clay, it is constantly moulding and shaping, based on your imagination, assumptions, decisions, and intentions to shift and manifest as “I AM.” It is merging with other realities like a seamless transition from your CR to DR instantly. The moment you have decided you are in your DR, you have become aware of your DR and you are there right now. Congratulations! With that decision you have officially shifted to your DR instantly! You (“I AM”) are not leaving or going anywhere, you're simply manipulating your reality to your liking instantly, like a living lucid dream or a customisable Sims game from a choice of infinite and limitless realities in the entire Omniverse. All realities in the entire Omniverse exist simultaneously that you can shift to at any time instantly because time is an illusion. 

Posts I used as reference:

[adilynnyuri]

So - I am here again ;-) - first at all I want to thank you again and tell you how grateful I am to have you by my side on my journey - your advise and own experiences help me so much, they boost my mindset and help me to move on. Although I am so thankful that you talk about revision of death with me and the other two guys sharing my revision journey - it's so tremendously helpful for me and when I am doubting I often come back to all that stuff over and over again and it gives me hope and power to persist. Your words are so eye-opening for me and they really hit my crucial issues.

As you answered to the other person who shares my journey, incase of revising death the pivotal issue are our deep programmes (assumptions!) about death. So these programmes always popup as intrusive thoughts. You always highlight that it doesn't matter if we feel bad when affirming. So do you think that by moving on with robot affirming resistance decreases over time or is it possible to saturate your mind although sometimes there are these thoughts? I try to get better and better in robot affirming and I really see progress. I feel much less resistance and I noticed that I more often have reallly good feelings. But then sometimes it hits down in my stomach and these intrusive programmes pop up again...So I dont know if this will affect my manifestation.

It also hit me that you answered me that if I assume that "revising death is a piece of cake process - then it will be!" You have literallly scanned my mind! ;-) Yes - I assume that it's a BIG deal and so it will take a QUANTUM step. So you really unlocked one of my cornerstone assumtions and now I feel some first progess of letting go this belief!

One big issue I also deal with is that I lived together with my mum, so I miss her in my daily life and so much things remind me of the loss. Also other people remind me. I then actually try to say to myself that this isn't my reality and keep affirming then. But in these moments instrusive thoughts become stronger and I feel that this triggers my doubtring and wavering regarding the naturalness. Do you have some advise to manage this in a less wavering way? How did you do it with your uncle? And how your uncle first appeared in your 3D again or was this so fluent that you can't describe this?

When it comes to affirming and saturating: I affirm: "Mum is healthy, happy and right by my side." I will add the "Creator-Formula" ;-) you advised to use (I think it will be very helpful to build up a better self concept...). I visualize occasionally and during the day I sometimes shortly remind little splits of my visualizations: I then often say to myself: "I am looking forward when we can do X or Y. " or "I have to tell you so many things." Is this future relation in these statements ok in this case or should I adapt that to a more "present" tense wording?

And as a last question: If my biggest wish is the revision, but I would like to adapt some other circumstances around to create a more comfortable and relaxed life for us: Would it be more effective to first focus on the revison and then manifest these other things later on? Or doesnt it matter, so that I can add some other affiormations I want to become true? So the question is here, if it is more effective to first manifest the biggest wish or if it just doesnt matter and we can directly add some further affirmations for other things/circumstances? Does it matter how much time we affirm for a change?

Thanks again - my angel - you are so kind!

Hii love! 🤍

I am so so happy that you understood what I said and also implemented that into your reality!! PROUD OF YOU BABE! 💋

HOW DID MY MANIFEST MY COOL UNCLE BACK (ANOTHER VAUNT ABOUT MY UNCLE 🤭)

Ig the overall question of you is how to stop wavering. The answer is very simple - affirm

Everything is so simple babe!

As you already know,

Dominant thoughts = your actual reality

I understand that wavering comes up when you are "trying" To manifest something "bigger" But no shit is bigger for you to manifest.

The only thing bigger is the power you hold to manifest anything you want!

I suggested robotic affirmations because I manifested my uncle back with robotic affirmations.

"How your uncle first appeared in your 3d"

Well, simple. Everyone was grieving for his loss everyday and i was sitting and affirming that he ain't dead🤓☝🏻

Literally bruh, everyday some people will come to my home and will remind me about his loss!

I DIDN'T GIVE A FUCK☝🏻

Kept affirming, affirming and affirming that i got my shit and all the negative shit goes to trash. No intrusive thoughts can affect me!

Even I was missing him alot coz he was my favorite uncle ever.... Used to buy me lot of kpop related stuffs + his character and personality is *chefs kiss*

As I was robotically affirming (i don't really remember how many days) and ig it took me about a week to saturate my mind. And boom! Within few days, he just walked into my home like nothing have never happened and bought me chocolates too! 💀

All of my family members were not surprised when he walked into my home and everyone was just casually inviting him.

*Meanwhile me 👁👄👁 knowing that manifested him back with just affirming*

But i was not shocked. (I was shocked) 😭

BUT IT LASTED ONLY FEW SECONDS THEN AGAIN I REMINDED MYSELF THAT I AM THE MASTER OF THIS REALITY.

And because of this "big manifestation" I became more STRONGER like SO MUCH STRONGER!

Me be like "nobody can stop me here afterwards"

🦹‍♀️🦸🏻‍♀️

[havoc-hyena]

I'm back with a little surprise for some of you who mentioned that they'd want a King Candybug sculpture of their own... (plus since I used plasticine clay he'll never harden, so this'll be my way to finalize him)

I'm patching up and refining this scanned in model as we speak! I know it looks really rough right now, but I'm going to be completely re-detailing him to get all his features back. Hopefully if all goes according to plan-

He'll be 3D printable!

Now I don't know how long exactly this process will take since I've never done it before, but I have a bit of blender experience so hopefully it won't take a crazy long amount of time. I'm planning on fixing up the topology in blender and then importing it into Nomad Sculpt for the detailing. There's also potential for limb poseability if I figure out how to make ball joints, but that'll tack on a lot of extra time. Might do that for a 2.0 model if there's enough people who want it.

I'd be giving away the files for free, no strings attached. It wouldn't feel right charging anybody for a passion project I was originally intending to just do for myself.

[iraprince]

TIME FOR A PROCESS POST let's talk abt getting from this (client sketch - which, btw, i know other artists have talked about this plenty, but i LOOOOOOVE a client sketch as early direction on a commission. LOVE it)

to this!

at first we didn't know if the title was going to go across the desk, or over the central figure (emara's) head against the back wall. so there was a 1st version where we were favoring a higher title, then we started favoring the desk so we scrapped the clutter + centered it more

i used clip studio's 3D models (particularly for the chair, guard, + weapon crates) and perspective rulers to help with laying everything out at this stage, tho i abandoned the 3D pretty early on bc it's a bit too clunky for me. maybe i'll find it quicker to use w more practice!

(the rest under the cut!)

once the basic layout was approved, i threw together a value study to explain how in the final image all the clutter of the bg detail would be unified and pushed back. lately i find myself thinking abt value earlier + earlier in the process; planning ahead saves me a lot of time!

i fiddled with starting to refine things digitally, but then i got A BRAND NEW LIGHTBOX delivered in the mail with perfect timing (lmao) so i just ended up printing off the digital sketch, finalizing in pencil, + scanning back in

then comes five billion different steps of locking in values, again. i did everything greyscale first, but i didn't worry abt getting things super polished at this stage bc i knew color would factor in a lot to later decisions

this is the point at which presenting these wips "step by step" is kind of misleading; i didn't do these stages one at a time, but rather had a BUNCH of different lighting/shading layers that i kept toggling on and off as i worked to make sure everything was coming along well.

(to get some of these caps i actually went into the main file again and turned a bunch of stuff on/off just for the sake of getting specific examples, because actually when i was actively working on it there was rarely a point where i was actually working on something with "all lighting turned off and just the shading on," or anything like that; but i AM interested in showing what effects different lighting/shading changes had on the base colors, even if i wasn't really making these changes in a rigid order.)

i.e., just for the sake of interest, here's how the flat colors look without those adjustments!! but i honestly never looked at it like this on its own for long...i had all the shading/lighting turned off so i could see what i was doing while flatting, but i was constantly checking back and forth.

then tones added on top (which were actually just two copies of the tone folders in the above posts, set to linear burn and overlay) -

which makes it get HORRIFYINGLY dark, but that's when we go in and add a bunch of lighting adjustments.

the most obvious lighting change above is the big burst of hot pink light from the corner, but there was also some masked overlay + burn layers to pop out the guard + emara and make sure they were pulled out from the bg. if this were a standalone illustration, i maybe would have let the bg (and all that painstakingly drawn detail..........) stand out a little more, but a cover functions differently, and i wanted to make sure the eye goes to the title first. that means sacrificing bg detail even if it looks sick lol

then final touches! a lot of my very last touches are things that are close to invisible; gradient maps on very low opacity, noise, a little bit of scribbling on upper layers. the typesetting was all by the client, except for the lettering for "emara king's," which i did myself!

finally, here's a comparison of ⬅where i left off one night close to the deadline thinking "it's probably done, but i'll sleep on it just in case," then all the adjustments i made the next day with fresh eyes.➡ and that's it!!! phew!!! that's how i make a cover!