#‘A Time For Every Purpose’

[academyoftheheartandmind]

Bloodroot and Other Poems

By Samantha Terrell Bloodroot Thoughts and feelings scrape Against each other – a barren Tree limb on a transparent Window pane. A roll of birch tree bark blows Around in the wind, showing Us time is short. Our own Raw skin will soon be exposed. When numbness sets in We ask ourselves Who taught us To gaze out windows anyway, and Why are humans inclined to peel husks? Or, when did you learn…

[ionomycin]

your last light

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[zillychu]

i'll keep putting him in gacha games until I'm paid for my silence. this is a threat

[masterhandss]

Have you ever been curious about the EnStars MC Anzu, what she does in EnGirls and EnStars, and what information we could gather about her from each story?

For Paradise's 10th Anniversary, I made an "Anzu Story Breakdown doc" where you can read what she does & any info about her in each story🌸⭐️‼️ (twitter post)

(currently doesn't contain EnStars stories, but they are in progress and will be added once they are finished per year)

09.14.24 - Added EnGirls and extra materials 09.15.24 - Added story names in the outline for easier navigation 10.08.24 - Added the following ES! stories: Marching Band, Sweets, Duel, Hero Show, Tanabata Festival, Pool Opening, Test of Courage, Restaurant, Quarrel Festival, Holiday, First Shrine Visit, Amusement Park Show, WANTED!!!, Robin Hood, Passionate Carmen, Sweet Halloween, Beasts, Buddy

[northern-passage]

Reblogging something about celebrating terrorist groups murdering and kidnapping people.....I just hope that anyone who enjoys seeing such things will *never* have the experience of having their loved ones disappear one morning.

I hope they never have to see the faces of theirs relatives, friends, classmates, colleagues and neighbors on palestinian tv being beaten and dragged to gaza by terrorist.

Could you imagine seeing your friend who was missing the whole day on palestinian tiktok being kidnapped while people are happy about it? While entire streets are closed inside their homes because armed terrorist raid your city? Breaking into homes to kidnap people?

No matter what side theyre on i hope no one ever has to experience that kind of horror.

the Palestinian people have had to watch their children and brothers and sisters and mothers and fathers be murdered violently in the streets of Gaza for decades because of the violent occupation of Palestine.

you get to call the colonizers "relatives, friends, classmates, colleagues and neighbors" but the Palestinian people are only ever "terrorists." when the Israeli police drag Palestinians out of mosques and kill them in streets-- more than 200 Palestinians have been killed this year alone, plus the 161 that have already been killed in retaliation-- are you going to call them terrorists, too? as Israel continues their retaliation and kills 30 Palestinians for every single Israeli soldier, is it "terrorism" or will you find a way to justify it, then? will you care about the "relatives, friends, classmates, colleagues and neighbors" then?

"No matter what side theyre on i hope no one ever has to experience that kind of horror." again, Palestinians have been living this for decades. and what we're witnessing now is the inevitable response to those decades of oppression & occupation.

as for your "friends, classmates, colleagues and neighbors" -- they are living on occupied land. land that was taken by force through ethnic cleansing. they can leave at any time-- most of them have already, fleeing back to their home countries with their dual citizenships, or theyre safely sitting in hotels waiting for it to be over. they are settlers. they are part of the settler colony that is actively oppressing, dispossessing, and murdering Palestinians. and to be clear, that post you're talking about is not "celebrating civilian deaths," you are just purposefully misrepresenting it here to further dehumanize Palestinians and depict them as "terrorists." of course i do not want civilians to die. no one wants that. i feel for the Israeli people, the children & the ones who cannot leave. but at least they are allowed to be people, they are allowed to be friends, classmates, colleagues, neighbors. Palestinians have never been granted that, and you are proving it here in my inbox.

these "terrorists" you decry are oppressed people taking up arms-- scavenged from the weapons Israeli soldiers and police have been using against them for years-- to decolonize and take back their home. decolonization is a violent process. we absolutely cannot tolerate a double standard. there is no "both sides."

Myth: Israel is defending itself | Decolonize Palestine

Myth: Israel is not an Apartheid state | Decolonize Palestine

Myth: Israel has always sought peace | Decolonize Palestine

Myth: The Palestinian Authority subsidizes "terrorism" (pay to slay) | Decolonize Palestine

Myth: Israel (or any other state) has a right to exist | Decolonize Palestine

all of my support to the Palestinian resistance, from the river to the sea Palestine will be free.

[doctorsiren]

give this angle another tri

[frownyalfred]

it actually must be really fucking chilling to run into Nightwing or even Red Hood and see the Bat’s smirk on their faces. They’re their own people, they intimidate in their own ways, but still. That’s Batman’s surety, overconfidence, disdain, whatever you want to call it — mirrored in their expressions, perfectly replicated.

[lucywucy126]

I’d be crying if i looked like that too bruh that’s messed up what they did to him

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[atoriv-art]

older designs for my specialest guy

[markscherz]

tumblrs being transphobic, with the ceo himself starting an actual harassment campaign against a transfem & also banning transfems who post abt it.

Oh shit, I had not heard about that.

I would like to say I don’t understand why this shit keeps happening, but I actually do understand it way too well. It just makes me so sad and angry. Especially on a site where people find and make their communities.

So much of this is about ego, and the people with power wielding that power to protect themselves and failing to protect others with it. A mere hint of negative sentiment towards them is harassment that is dealt with immediately and harshly, but a dozen complaints about discrimination or threats or bullying take ages to process and frequently come to unsatisfactory moderation decisions.

Whatever the sentiments of the people running this hellsite, you are always welcome in my corner of the internet, wherever you find it. You are all wonderful, and we all deserve to feel that part of this space belongs to us and those to whom we can connect.

Transphobia has no place on tumblr, period. Or anywhere else in society for that matter. It is that which should be being rooted out.

[birdmenmanga]

they are putting yaoi in the city art museum and censoring nsfw content with heat-responsive material so you have to put your hands on it to see dick

[ryorue]

I'm obsessed with the idea of a mischief maker Astarion. Like, that man has spent so long without autonomy that he uses all of it just to be a chronic little shit. Imagine this: Astarion, bored, simply needs to cause mischief. His hands are twitchy and he simply cannot keep them to himself.

So he randomly gets up, walks over to where (probably Wyll) is like preparing vegtables for the night while Karlach stands beside him giving him terrible cooking advice. And Astarion just. Nonchalantly walks over, picks up a carrot, and walks away with it. Bites into it, too. Makes sure they see him do it. They know he doesn't need to eat it. He knows they know he doesn't need to eat it. He's a fucking vampire. But he does, and they can't do shit about it. Or like. He just walks up to Gale, plucks the book from his hands, and starts reading. Stretches out, gets comfy, makes sure to make use of all of Gale's one pillow (because you know Gale is the type of man to have only one pillow) And just. Doesn't say anything.

And what's Gale gonna do about it?? Get mad? Astarion doesn't care. It's funny.

[ratcandy]

when I got Kallamar in my cult all I could think of was Heket and Leshy waiting for him to recover from his illness only to jump him the moment he came out and tear him a new one for trying to get Shamura killed in his place

[samscorch]

has this been done yet