#ट��फ

[ragbuveer]

*🚩🔱ॐगं गणपतये नमः 🔱🚩*

🌹 *सुप्रभात जय श्री राधे राधे*🌹

📖 *आज का पंचांग, चौघड़िया व राशिफल (अमावस्या तिथि)*📖

※══❖═══▩राधे राधे▩═══❖══※

#वास्तु_ऐस्ट्रो_टेक_सर्विसेज_टिप्स

#हम_सबका_स्वाभिमान_है_मोदी

#योगी_जी_हैं_तो_मुमकिन_है

#देवी_अहिल्याबाई_होलक��_जी

#योगी_जी

#bageshwardhamsarkardivyadarbar

#kedarnath

#badrinath

#JaiShriRam

#yogi

#jodhpur

#udaipur

#RSS

#rajasthan

#hinduism

※══❖═══▩राधे राधे▩═══❖══※

दिनांक :-10-मार्च-2024

वार :---------रविवार

तिथी :---30अमावस्या14:30

पक्ष:-------कृष्णपक्ष

माह:-------फाल्गुन

नक्षत्र:---पूर्वाभाद्रपद:-25:55

योग:------साध्य:-16:13

करण:------नाग:-14:30

चन्द्रमा:----कुंम्भ:-20:40/मीन

सूर्योदय:-----06:56

सूर्यास्त:------18:40

दिशा शूल------पश्चिम

निवारण उपाय:---जौं या पान का सेवन

ऋतु :------बसंत ऋतु

गुलीक काल:---15:45से 17:14

‌राहू काल:-17:14से18:40

अभीजित---11:55से12:45

विक्रम सम्वंत .........2080

शक सम्वंत ............1945

युगाब्द ..................5125

सम्वंत सर नाम:------पिंगल

⏲️🌞चोघङिया दिन🌞⏲️

चंचल:-08:25से09:54तक

लाभ:-09:54से11:23तक

अमृत:-11:23से12:52तक

शुभ:-14:16से15:45तक

🕰️🌓चोघङिया रात🌗🕰️

शुभ:-18:40से20:10तक

अमृत:-20:10से21:41तक

चंचल:-21:41से23:12तक

लाभ :-02:08से03:39तक

शुभ :-05:25से06:56तक 🍁आज के विशेष योग🍁 वर्ष का 353वाँ दिन, सर्वसिद्धि योग 25:55 से 30:47, देवपितृ कार्ये अमावस्या, शिव खप्पर पूजा, द्बापरयुगादि पचंक,

🌺👉 टिप्स 👈🌺

अमावस्या के दिन जल्दी उठकर पीपल के पेड़ की पूजा करे।

*सुविचार*

सब दुखः दूर होने के बाद मन प्रसन्न होगा ये एक वहम हैं

मन प्रसन्न होने के बाद दुखः दूर होगें ये वास्तिवकता हैं।

सदैव खुश मस्त स्वास्थ्य रहे।

राधे राधे वोलने में व्यस्त रहे।।

*🐑🐂 राशिफल🐊🐬*

*🐑मेष :~ अ, ल, इ*

अचानक हानि-दुर्घटना संभव है। शरीर अस्वस्थ रहेगा। पराक्रम से लाभ के अवसर बनेंगे। व्यापार-व्यवसाय से लाभ होगा। सत्कर्म में रुचि बढ़ेगी।

*🐂वृषभ :~ ब, व, उ*

शुभ समाचार मिलेंगे। श‍त्रु परास्त होंगे। व्यापार-व्यवसाय, निवेश-नौकरी के लिए समय ठीक है। सम्मान मिलेगा। आर्थिक स्थिति संतोषजनक रहेगी।

*💑मिथुन :~ क, छ, ��*

शारीरिक कष्ट हो सकता है। यात्रा से लाभ होगा। अचानक लाभ के प्रस्ताव आएंगे। व्यापार-निवेश से लाभ होगा। परिवार में सुख-शांति होगी।

*🦀कर्क :~ ड, ह*

व्यय बढ़ने से कर्ज लेना पड़ सकता है। चोरी-दुर्घटना से बचें। शत्रु कष्ट दे सकते हैं। मातृपक्ष की चिंता होगी। किसी की आलोचना न करें।

*🦁सिंह :~ म, ट*

यात्रा लाभदायक रहेगी। व्यापार-व्यवसाय से लाभ होगा। निवेश के लिए शुभ समय है। शत्रु शांत रहेंगे। समस्या का हल निकलेगा।

*👸🏼कन्या :~ प, ठ, ण*

अचानक संकट उपस्थित हो सकता है। नई योजनाएं बनेंगी। कार्य में रुचि बढ़ेगी। मान-सम्मान में वृद्धि होगी। नवीन काम के अवसर भी हैं।

*⚖तुला :~ र, त*

शरीर कष्ट तथा धनहानि की आशंका है। धर्म-कर्म, तंत्र-मंत्र में रुचि बढ़ेगी। सरकार कार्य पूर्ण होंगे। आध्यात्मिक प्रवृत्ति के कारण मन में शांति रहेगी।

*🦂वृश्चिक :~ न, य*

चोरी-दुर्घटना से हानि संभव है। व्यय बढ़ेगा। व्यापार-व्यवसाय धीमा चलेगा। विवाद से बचना होगा। कई दिनों के रुके कार्य होने के अवसर हैं।

*🏹धनु :~ भ, ध,फ*

गृहस्थ सुख मिलेगा। सरकारी कार्य पूर्ण होंगे। व्यापार-निवेश से लाभ होगा। यात्रा कल्याणकारी होगी। घरेलू उलझनों को अनदेखा न करें।

*🐏मकर :~ ख, ज*

शत्रु संकट उपस्थित करेंगे। संपत्ति के कार्य लाभ देंगे। व्यापार-निवेश, नौकरी-इंटरव्यू मनमाफिक चलेंगे। संतान के कार्यों पर नजर रखें।

*⚱कुंभ :~ ग, स, श, ष*

विद्यार्थी वर्ग को सफलता मिलेगी। शुभ समाचार मिलेंगे। दावत का आनंद मिलेगा। शत्रु षड्यंत्र रचेंगे। दिन उत्साहवर्धक रहेगा।

*🐠मीन :~ द, च*

चोरी-दुर्घटना से हानि संभव। वाद-विवाद से मानहानि होगी। व्यापार-निवेश में हानि संभव। जोखिम के कार्य टाल दें।

※══❖═══▩राधे राधे▩═══❖══※

[sujenkumar-blog]

#फुल_फाल तो #टाबर दिया कर . . . म तो #मेरली_सेटिंग न #किंकर_पाड़ गे देऊँगा..!!! (at Smart City Bhadra) https://www.instagram.com/p/Bsumw14AN1r/?utm_source=ig_tumblr_share&igshid=1e1m0wak79ioo

[voidsteffy]

Telugu Baalasiksha with Manu

Part 1 | Part 2📍| Part 3 | Part 4

Hello and we're back! Omg the response I got for the first part (where we covered vowels) was deafening, we're tagging a lot more people and even @aasthuu has started her own Bangla Shikkha Prokolpo📝📝 which I'm loving so far!

I'd love to see y'all writing whatever we do in every post so that you'll remember. As my grandma says, "Whatever curves you think you'll remember, you will not. So write them down." Just reblog my Baalasiksha posts with your input/homework/doubts or mention me or tag it as 'telugu with manu' and we can work on it together❤️

Today, we are going to get to our second checkpoint - consonants aka "hallulu" like " हल्लुलु "

Consonants

(there are a lot of these so buckle up, don't freak out, i can give you tips to remember them too)

క = क = ka (write it like an S and put a tick over it)

ఖ = ख = kha (write a coil type 2 but extend the end upwards, put a reverse tilak at the bottom)

గ = ग = ga (an inverted U and put a tick over it)

ఘ = घ = gha (write the vowel 'ఎ' and put a tick over it, then stick a follow up curve like a tilted half U. top it off with a reverse tilak at the bottom)

ఙ = ञ = inya (write the vowel ��� (short o), then put a perpendicular sign) ****in telugu inya is used instead of gya, so "gyan/ज्ञान" is pronounced "inyan"

చ = च = cha (like chair) (start with a half च but take it for another bump, top it off with a tick - i'll show dw)

ఛ = छ = chha (like "achhoo!") (write చ, put a reverse tilak at the bottom)

జ = ज = ja (hard g) (write the vowel ఒ (short o), then put a coil at the neck)

ఝ = झ = jha (i'll write and show down below)

ఞ = इणि = ini (write ఇ and put a perpendicular sign at the neck)

ట = ट = hard t ("tip") (i'll write and show down below)

ఠ = ठ = ttha (force the hh sound also with the hard t) (write ठ without the stem, top it off with a tick, also dot in the belly)

డ = ड = da ("don't") (write ఉ without the stem or the rod bisecting it through, top it off with a tick)

ఢ = forceful ढ ("dhol") (write ఉ without the stem or the rod bisecting it through, top it off with a tick and reverse tilak at the bottom)

ణ = ण = roll your 'na' (a flipped '3' and make a standing coil, i'll show)

త = त = "tabla" (i'll show an easier way to write below)

థ = थ = "thaali" (a reverse heart, top off with a tick mark, reverse tilak at the bottom, dot in the belly)

ద = द = "the" (a reverse heart, top off with a tick mark)

ధ = ध = like a bang, dhum (a reverse heart, top off with a tick mark, reverse tilak at the bottom)

న = न = "no" (i'll show an easier way to write below)

ప = प = pa (write the vowel ఎ (e) put a tick mark without touching the body) ****do not confuse for the vowel ఎ

ఫ = फ but without ph emphasis = fa (write the letter ప and put a reverse tilak at the bottom) ****do not confuse for the vowel ఎ

బ = ब = ba (write the letter ఋ but without the 2 trailing half 'U's) ****do not confuse for ఋ (ru) or ఒ (short o) or జ (hard g)

భ = भ = bha (write the letter బ, top it off with a tick mark, put a reverse tilak at the bottom) ****do not confuse for ఋ (ru) or ఒ (short o) or జ (hard g)

మ = म = ma (write the vowel ఎ (e) put a tick mark touching it, put a trailing tilted half U, i'll show below) ****do not confuse for ఘ (gha) or ప (pa)

య = य = ya (write the letter మ but with a bigger circle) ****do not confuse for ఘ (gha) or ప (pa) or మ (ma)

ర = र = ra (don't roll it) (a circle with a tick, easy peasy)

ల = ल = la (a bulging U coiled on the top left end)

వ = व = va (write the vowel ఎ (e) put a tick mark touching it) ****do not confuse for ఘ (gha) or ప (pa) or మ (ma) or య (ya) or vowel ఎ (e)

శ = स्य = sya (or sa as in "Sally") (sort of like a half 8 with a tick, i'll show y'all below)

ష = ष = sha (write the vowel ఎ (e) put a tick mark without touching the body, put a small flipped comma/small '|' beneath. it can be written in another way, i'll show) ****do not confuse for ఘ (gha) or ప (pa) or మ (ma) or య (ya) or vowel ఎ (e) or వ (va)

స = स = sa (write న except don't let the tick mark touch the body) ****do not confuse for న (na)

హ = ह = ha (write ప (pa) and drag a reverse sigma 'σ' from the body's top)

ళ = the ल equivalent of ण (ळ in Marathi) = roll your la (sort of like a half 8 again, with a tick, will show) ****do not confuse for శ (sya)

క్ష = क्ष = ksha (write క (ka) and draw 2 and a half 'U's below) ⁘⁘⁘ so we're technically writing it like क्-षा

AAAAAAND we're done! (phew)

Okay that was long, 35 consonants and some sounds that are inexistent in English. These can be confusing at times, but i really want you all (whoever is planning on sticking through this and learn Telugu) to write every letter down till you can remember how to read it/pronounce it. Reading should come as first priority as you'll seldom be asked to write only in Telugu, but reading can unlock a lot of lingual fun. So make sure of that my honeydrips.

Here's a picture encompassing all the consonants we have learnt today, written by hand so that we can have a good idea of the shapes outside of print.

homework

write this down at least 5 times (the 5th time try to have learnt it by heart), post it and tag me or dm me/send via asks

so that's it for today phew sorry baccho aaj class thoda lamba gaya😜 aur kya haal chaal, did you understand what we did yesterday? take care ha, i need to go scramble for french and maybe some kathak

tagging: @mentally-a-sea-walnut @maybebees @rambheemisgoated @timetravellingkitty @bookish-alone @kuhuchan @aasthuu @remen-nyoodles @lemon-ooruga @bluebeadss @ourstv @budugu @hissterical-nyaan @lite-teesko @ree-wantstochange

let me know if you want to be tagged!

[srbachchan]

DAY 5076

Jalsa, Mumbai                      Jan 10/11,  2022                    Mon/Tue  2:12 AM

कल ११ तारीक , तिथि २०२२ , जन्म दिवस ‘इ एफ’ ,  सूज़न  एस  का   , और हम सब की ओर से बधाई इस दिन की , सुरक्षित रहें , स्वस्थ रहें , यही कामना पूरे परिवार की 

❤️ , Tomorrow .. the 11th of the 1st of 22 .. is the birthday of Ef Susan S .. Biggada times Ef .. Love .. prayers .. 🌹

be safe and the wishes for all to be well .. 

.. the Sun in the clearest of skies and the gentlest of breezes .. the pollution of sound unaware in its quietude .. the chirpiest of birds about , strange in their chatter .. and the eminence of the reclined chair .. 

.. had not seen the bright natural for years .. nor the reason in the lie of the lawn .. nor the reason for the timed scheduled for pre scheduled work .. and the care of time and punctuality, simply blowing in the wind .. 

.. nature made for us .. and the defiling that we do in return .. pity ..

.. the attraction of the content on the screen, in the recommendation of the progeny .. and the lethargy of never wanting to leave it orphaned .. even as now at this hour, it be in play .. but the connect .. the DAY and its effervescent faculty .. cannot ever be put aside  ..  

.. so here ..

.. and the biased commentary fell on its nose again .. victory smashed them by the ropes .. the corners stool towelled splashed with the aqua for revival and the gum guards dislodged .. giving instruction and coached advice to defeat the onslaught .. failed .. 

.. and we WIN ..

NO .. no no no .. do not bring complain .. it never does good .. be silent in the good .. be in the quiet of dignity and reserve .. class shall pay .. unclassified filled with the over enthu of and for the other CHAMPS , is good and to be permitted .. it warms the coffers of the fallen , to no avail  .. comes back to wallop the back in return .. 

.. O i do be in refrain now .. the extension of adverse is never decent .. 

.. we rest and rest in peace of victory .. nothing gives apt response than the result .. 

World Hindi Day .. and the greetings for it to all .. 

.. and we have the detailed detail of it from our own Ef Vikas ..

सर जी नमस्कार और प्यार 💕 आज हिन्दी दिवस पर विशेष 🙏💐 हिन्दी संवैधानिक रूप से भारत की प्रथम राजभाषा और भारत की सबसे अधिक बोली और समझी जाने वाली भाषा है। चीनी के बाद यह विश्व में सबसे अधिक बोली जाने वाली भाषा भी है। हिन्दी और इसकी बोलियाँ उत्तर एवं मध्य भारत के विविध राज्यों में बोली जाती हैं। भारत और अन्य देशों में ६० करोड़ से अधिक लोग हिन्दी बोलते, पढ़ते और लिखते हैं। फ़िजी, मॉरिशस, गयाना, सूरीनाम की अधिकतर और नेपाल की कुछ जनता हिन्दी बोलती है। हिन्दी राष्ट्रभाषा, राजभाषा, सम्पर्क भाषा, जनभाषा के सोपानों को पार कर विश्वभाषा बनने की ओर अग्रसर है। भाषा विकास क्षेत्र से जुड़े वैज्ञानिकों की भविष्यवाणी हिन्दी प्रेमियों के लिए बड़ी सन्तोषजनक है कि आने वाले समय में विश्वस्तर पर अन्तर्राष्ट्रीय महत्त्व की जो चन्द भाषाएँ होंगी उनमें हिन्दी भी प्रमुख होगी। हिन्दी एक वैज्ञानिक भाषा है और कोई भी अक्षर वैसा क्यूँ है, उसके पीछे कुछ कारण है, अंग्रेजी भाषा में ये बात देखने में नहीं आती | क, ख, ग, घ, ङ- कंठव्य कहे गए, क्योंकि इनके उच्चारण के समय ध्वनि कंठ से निकलती है। एक बार बोल कर देखिये | च, छ, ज, झ,ञ- तालव्य कहे गए, क्योंकि इनके उच्चारण के समय जीभ तालू से लगती है। एक बार बोल कर देखिये | ट, ठ, ड, ढ , ण- मूर्धन्य कहे गए, क्योंकि इनका उच्चारण जीभ के मूर्धा से लगने पर ही सम्भव है। एक बार बोल कर देखिये | त, थ, द, ध, न- दंतीय कहे गए, क्योंकि इनके उच्चारण के समय जीभ द���ंतों से लगती है। एक बार बोल कर देखिये | प, फ, ब, भ, म,- ओष्ठ्य कहे गए, क्योंकि इनका उच्चारण ओठों के मिलने पर ही होता है। एक बार बोल कर देखिये । हम अपनी भाषा पर गर्व करते हैं ये सही है परन्तु लोगो को इसका कारण भी बताईये | इतनी वैज्ञानिकता दुनिया की किसी भाषा मे नही है जय हिन्द " क,ख,ग क्या कहता है जरा गौर करें.... •••••••••••••••••••••••••••••••••••• क - क्लेश मत करो ख- खराब मत करो ग- गर्व ना करो घ- घमण्ड मत करो च- चिँता मत करो छ- छल-कपट मत करो ज- जवाबदारी निभाओ झ- झूठ मत बोलो ट- टिप्पणी मत करो ठ- ठगो मत ड- डरपोक मत बनो ढ- ढोंग ना करो त- तैश मे मत रहो थ- थको मत द- दिलदार बनो ध- धोखा मत करो न- नम्र बनो प- पाप मत करो फ- फालतू काम मत करो ब- बिगाङ मत करो भ- भावुक बनो म- मधुर बनो य- यशश्वी बनो र- रोओ मत ल- लोभ मत करो व- वैर मत करो श- शत्रुता मत करो ष- षटकोण की तरह स��थिर रहो स- सच बोलो ह- हँसमुख रहो क्ष- क्षमा करो त्र- त्रास मत करो ज्ञ- ज्ञानी बनो !! विकास बंसल

.. and the masters of those ‘lost in translation’ shall make it convenient for the Hindi Challenged to give them a reasonable translate of the above .. the language the science the presence .. in our World ..

Amitabh Bachchan

[gwendolynlerman]

Languages of the world

Saraiki (سرائیکی/ਸਰਾਇਕੀ/सराइकी)

Basic facts

Number of native speakers: 26 million

Spoken in: India, Pakistan

Script: Persian, 66 letters/Gurmukhi, 56 letters/Devanagari, 66 letters

Grammatical cases: 4

Linguistic typology: fusional, SOV

Language family: Indo-European, Indo-Iranian, Indo-Aryan, Northwestern, Lahnda

Number of dialects: 6

History

early 20th century - the Multani script stops being used

1960s - the Saraiki language identity emerges

Writing system and pronunciation

These are the letters that make up the Persian script: پ ٻ بھ ب آ ا ا جھ ج ث ٹ تھ ت پھ دھ د خ ح چھ چ ڄ ط ض ص ش س ز ڑھ کھ ک ق ف غ ع ظ م لا لھ ل ڰ گھ گ و و ݨ ں نھ ن مھ ﺉ ى ى ى ھ ہ و ۓ ے.

These are the letters that make up the Gurmukhi script: ਅ ਆ ਇ ਈ ਉ ਊ ਏ ਐ ਓ ਔ ਅਂ ਕ ਖ ਗ ਘ ਙ ਘ ਚ ਛ ਜ ਝ ਝ ਟ ਠ ਡ ਢ ਣ ਟ੍ਰ ਡ੍ਰ ਢ੍ਰ ਢ਼ ਢ ੜ਼ ੜ਼ ਤ ਥ ਦ ਧ ਨ ਨ੍ਹ ਪ ਫ ਬ ਭ ਮ ਭ ਮ੍ਹ ਯ ਰ ਲ ਵ ਰ ਲ਼ ਸ਼ ਸ ਹ.

These are the letters that make up the Devanagari script: अ आ इ ई उ ऊ ए ऐ ओ औ अँ क ख ग घ ङ ॻ च छ ज झ ॼ ट ठ ड ढ ण ट्र ड्र ढ्र ड़ ढ़़ ॾ ॾ़ त थ द ध न न्ह प फ ब भ म ॿ म्ह य र ल व ऱ ल्ह श स ह.

Vowel nasalization is distinctive, and consonants can be voiced and voiceless and aspirated and unaspirated.

Grammar

Nouns have two genders (masculine and feminine), two numbers (singular and plural), and four cases (direct, oblique, vocative, and ablative).

Demonstrative and relative adjectives can be used as personal pronouns as well. Postpositions are used.

Verbs are conjugated for tense, mood, aspect, person, and number.

Dialects

There are five dialects: Central, Southern, Sindhi, Northern, and Eastern. Sindhi Saraiki is closely related to Sindhi.

[qalma-e-azadi]

LEARNING URDU: A SMALL GUIDE

so these are some parallels between urdu and hindi:

क = ق/ک (kaaf/ bada kaaf)

ग = گ (gaaf)

ख = خ (khe)

घ = غ (gaiin)

च = چ (che)

ज = ج (jeem)

ट = ٹ (te) (tamatar wala te)

ड = ڈ (daal) (daak wala d)

त = ت (te)

द = د (dal)

न = ن (noon)

प = پ (pe)

फ = ف (fe)

ब = ب (be)

म = م (meem)

य = ی (ye)

र = ر (re)

ल = ل (laam)

व = و (wao) (ik please pjs mat maarna)

श = ش (sheen)

स = س/ث (se/seen)

while hindi and urdu are very similar verbally, there are many things to note while learning urdu:

there are different h's in urdu with different purposes so is the matter with s's z's kh's k's a's and g's and we'll get into them later.

there are matras is urdu as well like:

for "आ" there's "ا" (alif, also a letter) written as بات (बात)

for "ऊ" and "ओ" there's "و" (wao) written like طوطا (तोता) جوتا (जूता)

for ई there's "ی" (ee) written in a word is "چیز" (चीज़) and if used at the end of the word it's like the original "ی"

for ए there's "ے" (e) used in the middle of a word like like "ई" and if used at the end it's like the original "ے"

now for the small matras like "अ, इ, उ" there's "zabr, zer and pesh" respectively

zabr is a small dash on the top of the letter like پَل (पल) there isn't much use of zabr in urdu, it's much more prevalent in arabic

zer is a small dash beneath the letter like تِل (तिल) unlike zabr, zer is everywhere in urdu. everywhere.

pesh is like a small horizontal "و" on the top of the letter like سُن (सुन) frequently used.

Morphing letters and other things I'll cover in the next post otherwise this one will be too long hehe. thank you for reading.

[veeradityampi]

हमारा आपसे आग्रह है कि #व्हाट्सएप्प, #फेसबुक, #ट्विटर, #इंस्टाग्राम, #यूट्यूब और #टेलीग्राम के माध्यमों से हमारे साथ जुड़ें ताकि कोई एक माध्यम बंद या ब्लॉक होने की स्थिति में भी हम आपसी संपर्क में रह सके ! 🍀🌺🌼🌹💘🙏🏻🙏🏻💘🌹🌼🌺🍀 और आप लोगों से भी अनुरोध है कि अपने - अपने #सोशल_मीडिया का link साझा करे 🙏🏻🙏🏻 Follow link - 1. facebook.com/VeerAdityaMPI 2. twitter.com/VeerAdityaMPI 3. instagram.com/VeerAdityaMPI 4. youtube.com/c/VeerAdityaMPI 5. https://t.me/VeerAdityaMPI मानवता, इंसानियत,, सतरंगी विजय हो ! 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻 मानवता, इंसानियत,, सतरंगी अमर रहे! 🌹🌺🌼🌸🌻🙏🏻🌻🌸🌼🌺🌹 मानवता, इंसानियत सतरंगी जिन्दाबाद! 🌹🌻🌼🌺💘🌎💘🌺🌼🌻🌹 🙏🏻 जय मानव 🙏🏻🙏🏻 विजय मानव 🙏🏻 🌍🇮🇳🌹🌺🌼🍀🌼🌺🌹🇮🇳🌍 (at Manavata Party - Insaniyat) https://www.instagram.com/p/B5nMLsxl0cQ/?igshid=1ptc0qxejwooy

[arjuna-vallabha]

Shivoham painting and text by Arghya Dipta, Bengal

This painting draws its subject from the non dualistic philosophy of the Shaiva and Shakta Agamas where the individual being  (जीव) is none other than Shiva himself in its true essence. Owing to the play of Shiva’s power of Absolute Freedom ( स्वातन्त्र्य),  his infinite Consciousness voluntarily contracts into a finite being or Purusha who is verily an Anu (अणु) or tiny unit. To effect the creation of the dualistic universe, he himself reduces his omniscience, omnipotence and omnipresence to a limited state of knowledge, power and presence. However, even in this limited state, his power of infinite consciousness is not exhausted as it only remains in a latent condition. This is to say that every single individual in the universe, being Shiva himself, houses the totality of the cosmic energy, though s/he is him/herself unaware of it. The spiritual discipline of Tantra aims at the gradual unfolding of this infinte energy latent in our psycho-physical constitution. It is not through the rejection of the body and the material world but a proper harnessing of their vast reservoir of power that this Yoga is possible which aims at the complete integration of consciousness, mind, energy and matter.This is to say that unlike as in the monistic Vedantic system, the Absolute in the Tantras is not a static inert being but is vested with a vibrantly dynamic energy. The entire play of involution and evolution centres round this core essence dynamism in Shiva’s being, which in the Shaiva doctrines of Kashmir is variously identified as Chiti, Shakti, Vimarsha, Vak, Spanda, Satta, Sara, Sphuratta. Being such, it is the very pulsating heart of Shiva.सा ��्फुरत्ता महासत्ता देशकालविशोषिणी।सैषा सारतया चोक्ता हृदयं परमेष्ठिनः।।She is the inherent principle of Pulsation (sphuratta), the great Existence (mahasatta) which is beyond time and space. Being the core essence of Shiva, the Supreme Lord, She is known to be His very beating Heart.Being the sole ground of Shiva’s existence, this Shakti and Shiva are absolutely identical. As the Spanda school of Kashmir Shaiva explains, when the pulsation of this dynamic consciousness occurs in a state of equilibrium, Shiva seems to be in a condition of stillness. In other words, even when the Absolute seems to be motionless or purely transcendental, he is never bereft of the dynamism of Shakti since  Shakti Is his very self. However in creation, the one universal Shakti displays multiple modes which evolve into grosser forms through the four stages of speech, since it is as Speech or Vac (वाक) that the dynamism of Shakti operates. In course of this evolution the entire scheme of fifty one letters from A(अ) to Ha (ह) is produced that are grouped under the eight Varga Matrikas.1. Brahmi- the Ka-Group  (कवर्ग) presiding over the letters क ख ग घ ङ2. Maheshvari- the Cha-Group (चवर्ग) presiding over च छ ज झ ञ3. Kaumari- the Ta-Group (टवर्ग), presiding over  ट ठ ड ढ ण4. Vaishnavi - the Ta-Group (तवर्ग) presiding over त थ द ध न5. Varahi- the Pa-Group (पवर्ग) presiding over प फ ब भ म6. Aindri -the Ya-Group (यवर्ग) presiding over  य र ल व7. Chamunda - the Sha-Group (शवर्ग ) presiding over श स ष ह8. Mahalakshmi - the Avarga (अवर्ग), from अ to अःWhat was referred to earlier as the process of Shiva’s playful self-finitization into the individual self, is actually effected by the emergence of these eight modes of Shakti into grosser forms. As subtle Speech solidifies into gross matter, these macrocosmic  goddesses assume the form of the basic crude instincts that dominate the microcosmic Shiva or the individual being. Brahmi becomes lust (काम), Maheshvari anger (क्रोध), Kaumari greed (लोभ), Vaishnavi attachment (मोह), Varahi ego (मद), Aindri jealousy (मात्सर्य), Chamunda sin (पाप) and Lakshmi virtue (पुण्य), all of which keep Him bound within the cycle of phenomenal existence. Every moment they torment him and drive his Karmic courses so that he is reduced to an enslaved  Pashu.  However, with proper spiritual discipline, the limited Anu rises to realise the true nature of these Matrikas and they take an inward and subjective turn and metamorphose into modes of his inner power of unlimited Freedom (स्वातन्त्र्य). It is then that these very negative impulses transform into higher cosmic powers that participate in the infinite play of creation. All the Matrikas then seem to serve the Supreme Shakti or Shiva’s Heart with their respective functions in her play.Brahmi or Lust is realised to be a mode of Srishti-Shakti or that very power which is responsible for giving birth to the universe. Maheshvari or Anger is none other than Samhara-Shakti or the power that destroys the universes after each periodic cyclic course. Similarly Kaumari or Greed is the power that desires to manifest the multiplicity of the universe. Vaishnavi or Attachment is the power called Sthiti-Shakti since attachment to the world is alone responsible for the sustainance of it. . Varahi or Ego holds erect the sense of Individuality, Aindri causes various actions and reactions in creatures to drive the world motion. Chamunda and Laxmi as Paapa and Punya are the two poles of this world cycle.In this painting, the two columns display the two states of Shiva. The lower column has at its centre a figure of Shiva held in heavy chains as he is but the microcosmic Shiva reduced to a finite self perpetually being tortured by the Matrikas. Brahmi as Lust is constantly hitting him with the sugarcane bow and flower arrows of Kamadeva, Maheshvari in her destructive fury is hurling a huge stone at him. KaumarI  or Greed has in her hands a fishing hook that tempts the Pashus only to embrace misery and sufferings at the end. Vaishnavi as Moha ties him with her noose. Varahi with her club beats him down to a tiny being. Aindri or Jealousy burns him within. Chamunda and Laxmi as Paapa and Punya stretch the chains that bind him to entangle him more and more into this bondage.However in the upper column, the same Shiva, with the shackle broken has regained his supreme awareness of himself as the eternally free Lord who has all his five powers of Cit, Ananda, Iccha, Jnana and Kriya fully unfolded and represented by his five faces whose expressions verily correspond to the functions of these powers. In his thirty six hands he holds emblems representing the thirty six elements that constitute the universe. 1. A lamp: Prakasha or the Shivatattva2. A mirror: Vimarsha or the Shaktitattva3. A closed eye: the Sadashiva Tattva with the objective universe concealed in subjective awareness4. An open eye: the Ishvara Tattva with the objective universe patent in its subjective awareness.5. Two eyes: the Shuddhavidya or the predominance of both subjectivity and objectivity.6. A pot: Maya or that which gives an objective form to the formless self separating it from itself as a ‘This’ or ‘Idam’ to be perceived externally7. A noose: Raga8. A book: Vidya or limited knowledge9. A tiny bowl: Kalaa or limited capacity10. A sword: Kaala or time, that which severs11. A goad: Niyati12. A phallus: Purusha or the Self-unit13. A triangular female genital: Prakriti or the three Gunas14. The Sun: Mahattattva15. A head: Ego16. The moon: Mind17.  Nose18. Tongue19. Eyes20. Fingers: Skin that touches21. Ears22. The speaking organs23. Hand24. Leg25. Anus26. Sexual organs27. A veena: sound28. A chamara : Touch29. A brush: Form30. A cup of wine: taste31. Incense: smell32. A hexagon: Space33. A circle: Wind34. A triangle: Fire35. A crescent: Water36. A square: EarthAll has been possible because of the realization of the Great Heart of Shiva, his Shakti whose divine pulsation has caused the integration of the whole universe into his being. The eight Matrikas serve her with their respective gifts. Brahmi with the flower of creation, Maheshvari with the remains of dissolution, Kaumari offers her the juicy fruits that tempt all creatures, Vaishnavi with the music of her flute of world enchantment, Varahi nourishes the individual ego only to be sacrificed to her at the end. A fragrant incense rises from fire of jealousy that  Aindri burns.  Chamunda offers all vices as a pass time drink and all virtues are served as a lamp by Lakshmi.

[talonabraxas]

Shivoham ॐ This painting draws its subject from the non dualistic philosophy of the Shaiva and Shakta Agamas where the individual being (जीव) is none other than Shiva himself in its true essence. Owing to the play of Shiva’s power of Absolute Freedom ( स्वातन्त्र्य), his infinite Consciousness voluntarily contracts into a finite being or Purusha who is verily an Anu (अणु) or tiny unit. To effect the creation of the dualistic universe, he himself reduces his omniscience, omnipotence and omnipresence to a limited state of knowledge, power and presence. However, even in this limited state, his power of infinite consciousness is not exhausted as it only remains in a latent condition. This is to say that every single individual in the universe, being Shiva himself, houses the totality of the cosmic energy, though s/he is him/herself unaware of it. The spiritual discipline of Tantra aims at the gradual unfolding of this infinte energy latent in our psycho-physical constitution. It is not through the rejection of the body and the material world but a proper harnessing of their vast reservoir of power that this Yoga is possible which aims at the complete integration of consciousness, mind, energy and matter.This is to say that unlike as in the monistic Vedantic system, the Absolute in the Tantras is not a static inert being but is vested with a vibrantly dynamic energy. The entire play of involution and evolution centres round this core essence dynamism in Shiva’s being, which in the Shaiva doctrines of Kashmir is variously identified as Chiti, Shakti, Vimarsha, Vak, Spanda, Satta, Sara, Sphuratta. Being such, it is the very pulsating heart of Shiva.सा स्फुरत्ता महासत्ता देशकालविशोषिणी।सैषा सारतया चोक्ता हृदयं परमेष्ठिनः।।She is the inherent principle of Pulsation (sphuratta), the great Existence (mahasatta) which is beyond time and space. Being the core essence of Shiva, the Supreme Lord, She is known to be His very beating Heart.Being the sole ground of Shiva’s existence, this Shakti and Shiva are absolutely identical. As the Spanda school of Kashmir Shaiva explains, when the pulsation of this dynamic consciousness occurs in a state of equilibrium, Shiva seems to be in a condition of stillness. In other words, even when the Absolute seems to be motionless or purely transcendental, he is never bereft of the dynamism of Shakti since Shakti Is his very self. However in creation, the one universal Shakti displays multiple modes which evolve into grosser forms through the four stages of speech, since it is as Speech or Vac (वाक) that the dynamism of Shakti operates. In course of this evolution the entire scheme of fifty one letters from A(अ) to Ha (ह) is produced that are grouped under the eight Varga Matrikas.1. Brahmi- the Ka-Group (कवर्ग) presiding over the letters क ख ग घ ङ2. Maheshvari- the Cha-Group (चवर्ग) presiding over च छ ज झ ञ3. Kaumari- the Ta-Group (टवर्ग), presiding over ट ठ ड ढ ण4. Vaishnavi - the Ta-Group (तवर्ग) presiding over त थ द ध न5. Varahi- the Pa-Group (पवर्ग) presiding over प फ ब भ म6. Aindri -the Ya-Group (यवर्ग) presiding over य र ल व7. Chamunda - the Sha-Group (शवर्ग ) presiding over श स ष ह8. Mahalakshmi - the Avarga (अवर्ग), from अ to अःWhat was referred to earlier as the process of Shiva’s playful self-finitization into the individual self, is actually effected by the emergence of these eight modes of Shakti into grosser forms. As subtle Speech solidifies into gross matter, these macrocosmic goddesses assume the form of the basic crude instincts that dominate the microcosmic Shiva or the individual being. Brahmi becomes lust (काम), Maheshvari anger (क्रोध), Kaumari greed (लोभ), Vaishnavi attachment (मोह), Varahi ego (मद), Aindri jealousy (मात्सर्य), Chamunda sin (पाप) and Lakshmi virtue (पुण्य), all of which keep Him bound within the cycle of phenomenal existence. Every moment they torment him and drive his Karmic courses so that he is reduced to an enslaved Pashu.However, with proper spiritual discipline, the limited Anu rises to realise the true nature of these Matrikas and they take an inward and subjective turn and metamorphose into modes of his inner power of unlimited Freedom (स्वातन्त्र्य). It is then that these very negative impulses transform into higher cosmic powers that participate in the infinite play of creation. All the Matrikas then seem to serve the Supreme Shakti or Shiva’s Heart with their respective functions in her play.Brahmi or Lust is realised to be a mode of Srishti-Shakti or that very power which is responsible for giving birth to the universe. Maheshvari or Anger is none other than Samhara-Shakti or the power that destroys the universes after each periodic cyclic course. Similarly Kaumari or Greed is the power that desires to manifest the multiplicity of the universe. Vaishnavi or Attachment is the power called Sthiti-Shakti since attachment to the world is alone responsible for the sustainance of it. . Varahi or Ego holds erect the sense of Individuality, Aindri causes various actions and reactions in creatures to drive the world motion. Chamunda and Laxmi as Paapa and Punya are the two poles of this world cycle.In this painting, the two columns display the two states of Shiva. The lower column has at its centre a figure of Shiva held in heavy chains as he is but the microcosmic Shiva reduced to a finite self perpetually being tortured by the Matrikas. Brahmi as Lust is constantly hitting him with the sugarcane bow and flower arrows of Kamadeva, Maheshvari in her destructive fury is hurling a huge stone at him. KaumarI or Greed has in her hands a fishing hook that tempts the Pashus only to embrace misery and sufferings at the end. Vaishnavi as Moha ties him with her noose. Varahi with her club beats him down to a tiny being. Aindri or Jealousy burns him within. Chamunda and Laxmi as Paapa and Punya stretch the chains that bind him to entangle him more and more into this bondage.However in the upper column, the same Shiva, with the shackle broken has regained his supreme awareness of himself as the eternally free Lord who has all his five powers of Cit, Ananda, Iccha, Jnana and Kriya fully unfolded and represented by his five faces whose expressions verily correspond to the functions of these powers. In his thirty six hands he holds emblems representing the thirty six elements that constitute the universe.1. A lamp: Prakasha or the Shivatattva2. A mirror: Vimarsha or the Shaktitattva3. A closed eye: the Sadashiva Tattva with the objective universe concealed in subjective awareness4. An open eye: the Ishvara Tattva with the objective universe patent in its subjective awareness.5. Two eyes: the Shuddhavidya or the predominance of both subjectivity and objectivity.6. A pot: Maya or that which gives an objective form to the formless self separating it from itself as a ‘This’ or ‘Idam’ to be perceived externally7. A noose: Raga8. A book: Vidya or limited knowledge9. A tiny bowl: Kalaa or limited capacity10. A sword: Kaala or time, that which severs11. A goad: Niyati12. A phallus: Purusha or the Self-unit13. A triangular female genital: Prakriti or the three Gunas14. The Sun: Mahattattva15. A head: Ego16. The moon: Mind17. Nose18. Tongue19. Eyes20. Fingers: Skin that touches21. Ears22. The speaking organs23. Hand24. Leg25. Anus26. Sexual organs27. A veena: sound28. A chamara : Touch29. A brush: Form30. A cup of wine: taste31. Incense: smell32. A hexagon: Space33. A circle: Wind34. A triangle: Fire35. A crescent: Water36. A square: EarthAll has been possible because of the realization of the Great Heart of Shiva, his Shakti whose divine pulsation has caused the integration of the whole universe into his being. The eight Matrikas serve her with their respective gifts. Brahmi with the flower of creation, Maheshvari with the remains of dissolution, Kaumari offers her the juicy fruits that tempt all creatures, Vaishnavi with the music of her flute of world enchantment, Varahi nourishes the individual ego only to be sacrificed to her at the end. A fragrant incense rises from fire of jealousy that Aindri burns. Chamunda offers all vices as a pass time drink and all virtues are served as a lamp by Lakshmi.

[ragbuveer]

*🚩🔱ॐगं गणपतये नमः 🔱🚩*

🌺 *सुप्रभात जय श्री राधे राधे*🌺

🔔 *आज का पंचांग, चौघड़िया, व राशिफल (पूर्णिमा तिथि)*🔔

※══❖═══▩राधे राधे▩═══❖══※

*मुगल आक्रांताओं से देश और संस्कृति की रक्षार्थ सिख धर्म की स्थापना करने वाले प्रथम गुरुदेव गुरुनानक जी के जन्मोत्सव(प्रकाशपर्व) तथा कार्तिक पूर्णिमा(देव दीपावली) की आपको और आपके परिवार को अनन्त कोटिशः शुभकामनायें।*

※══❖═══▩राधे राधे▩═══❖══※

#वास्तु_ऐस्ट्रो_टेक_सर्विसेज_टिप्स

#हम_सबका_स्वाभिमान_है_मोदी

#योगी_जी_हैं_तो_मुमकिन_है

#देवी_अहिल्याबाई_होलकर_जी

#योगी_जी

#bageshwardhamsarkardivyadarbar

#kedarnath

#badrinath

#JaiShriRam

#yogi

#jodhpur

#udaipur

#RSS

#rajasthan

#hinduism

※══❖═══▩राधे राधे▩═══❖══※

दिनांक :-27-नवम्बर-2023

वार:------सोमवार

तिथी:----15पूर्णिमा:-14:46

माह:------कार्तिक

पक्ष:-------शुक्लपक्ष

नक्षत्र:-----कृतिका:-13:36

योग :------शिव:-23:39

करण:-----बव:-14:46

चन्द्रमा:-----वृषभ

सुर्योदय:----07:09

सुर्यास्त:----17:41

दिशा शुल-----पूर्व

निवारण उपाय:---दर्पण देखकर यात्रा करें

ऋतु:----------हेमन्त ऋतु

गुलिक काल:---13:48से 15:08

राहू काल:------08:28से 09:48

अभीजित-------11:50से12:34

विक्रम सम्वंत .........2080

शक सम्वंत ............1945

.युगाब्द ..................5125

सम्वंत सर नाम:-------पिंगल

🌞चोघङिया दिन🌞

अमृत:-07:09से08:29तक

शुभ:-09:49से11:09तक

चंचल:-13:41से15:01तक

लाभ:-15:01से16:21तक

अमृत:-16:21��े17:41तक

🌗चोघङिया रात🌓

चंचल:-17:41से19:21तक

लाभ:-22:41से00:21तक

��ुभ:-02:10से03:50तक

अमृत:-03:50से05:30तक

चंचल:-05:30से07:10तक

आज के विशेष योग

वर्ष का 250वा दिन, देव दीपावली, सिद्बियोग 13:36से 31:06तक, भीष्मपंचक व्रत समाप्त, पूर्णिमा व्रत पुण्य, तुलसी विवाह समाप्त, कार्तिक स्नान समाप्त, अन्वाधान, मन्वादि, धात्री पूजन, कार्तिक स्वामी दर्शन 13:35 तक, पुष्कर मेला (अजमेर), गुरु नानक जयंती, केदार व्रत,(उड़ीसा), कुमारयोग 14:46से, जैन अठ्ठाई पूर्ण, मेला पुष्कर पूर्ण (अजमेर,राज.), निम्बार्काचार्य जयंती, रथयात्रा व हेचन्द्रसूरिश्वर जयंती, गोपद्मव्रत समाप्त, चातुर्मास समाप्त (जैन),

👉वास्तु टिप्स👈

देव दीपावली के दिन आटे का दिपक जरुर जलाएं।

सुविचार

मनुष्य शरीर की महिमा विवेक को लेकर है, क्रिया को लेकर नहीं।👍🏻 राधे राधे...

*💊💉आरोग्य उपाय🌱🌿*

*नेत्र ज्योति बढ़ाने के लिएः*

1. इन्द्रवरणा (बड़ी इन्द्रफला) के फल को काटकर अंदर से बीज निकाल दें। इन्द्रवरणा की फाँक को रात्रि में सोते समय लेटकर (उतान) ललाट पर बाँध दें। आँख में उसका पानी न जाये,यह सावधानी रखें। इस प्रयोग से नेत्रज्योति बढ़ती है।

2. त्रिफला चूर्ण को रात्रि में पानी में भीगोकर,सुबह छानकर उस पानी से आँखें धोने से नेत्रज्योति बढ़ती है।

3. जलनेति करने से नेत्रज्योति बढ़ती है। इससे आँख, नाक, कान के समस्त रोग मिट जाते हैं।

*🐑🐂 राशिफल🐊🐬*

*🐑मेष :~ अ, ल, इ*

नई योजना का श्रीगणेश हो सकेगा। व्यवसाय में उन्नति होगी। प्रतिष्ठित व्यक्तियों से मेल-जोल बढ़ेगा। नवीन योजनाओं से लाभ होगा।

*🐂वृषभ :~ ब, व, उ*

धर्म में रुचि बढ़ेगी। जीवनसाथी के स्वास्थ्य की चिंता रह सकती है। जायदाद संबंधी समस्या का समाधान हो सकेगा।

*💑मिथुन :~ क, छ, घ*

कार्य की प्रगति होगी। आर्थिक स्थिति अच्छी रहेगी। कानूनी विवादों का निपटारा हो सकेगा। व्यापार लाभदायी रहेगा। प्रवास शुभ।

*🦀कर्क :~ ड, ह*

��वास की समस्या रह सकती है। विवाद से दूर रहें। अधीनस्थों से उपयोगी सलाह मिलेगी। व्यावसायिक संतोष, प्रसन्नता रहेगी।

*🦁सिंह :~ म, ट*

नवीन व्यापार के प्रस्ताव मिलेंगे। व्यापार लाभदायी रहेगा। अपनी वस्तुएं संभालकर रखें। नवीन कार्यों पर विशेष प्रयास की आवश्यकता है।

*👸🏼कन्या :~ प, ठ, ण*

संतान पर विशेष ध्यान देना होगा। मित्रों के सहयोग से कुटुंब की समस्याएं हल होंगी। मानसिक सुख-शांति रहेगी। विरोधी समझौता करेंगे।

*⚖तुला :~ र, त*

संतान के कार्यों से चिंता में वृद्धि हो सकती है। स्थायी संपत्ति क्रय करने में जल्दबाजी न करें। क्रोध, उत्तेजना पर संयम रखें।

*🦂वृश्चिक :~ न, य*

कार्यसिद्धि से अर्थक्षेत्र में आशाजनक परिणाम आएंगे। रुका पैसा प्राप्त होगा। रचनात्मक कार्यों का प्रतिफल मिलेगा। योजनाएं क्रियान्वित हो सकेंगी।

*🏹धनु :~ भ, ध,फ*

व्यापार में इच्छित सफलता मिलेगी। कार्यक्षेत्र का विस्तार होगा। विचारों में सकारात्मकता व आशाजनक प्रवृत्ति रखें। रुका धन मिलेगा।

*🐏मकर :~ ख, ज*

अच्छे लोगों से भेंट होगी, जो आपके हितचिंतक रहेंगे। भूमि, जायदाद के सौदों में लाभ होगा। आपकी बुद्धिमानी की समाज में सराहना होगी।

*⚱कुंभ :~ ग, स, श, ष*

जीवनसाथी के व्यवहार में अनुकूलता रहेगी। व्यापार में अधिक लाभ प्राप्ति के योग हैं। पुराने संबंधों में यश की वृद्धि होगी। योजनाएं फलीभूत होंगी।

*🐠मीन :~ द, च*

यात्रा सुखद, सुफलदायक रहेगी। स्वास्थ्य के प्रति लापरवाही न करें। किसी विशेष कार्य के बन जाने से हर्ष होगा। रचनात्मक कार्यों से श्रीवृद्धि होगी।

※══❖═══▩राधे राधे▩═══❖══※

[hindisoup]

Pronouncing nasals in Hindi

Hindi alphabet is very user friendly, in that most words are pronounced the way they are written. However, nasals in the middle of the word can be tricky for a language learner at first, at least until you internalize the whole phonologically arranged alphabet table.

Basically, the nasal sound marked by anusvār (अं), is pronounced in the same place in your mouth where the next consonant is pronounced:

अं + क / ख / ग / घ = ङ, as in गंगा [gaṅgā]

अं + च / छ / ज / झ = ञ, as in पंजा�� [pañjāb]

अं + ट / ठ / ड / ढ = ण, as in अंडा [aṇḍā]

अं + त / थ / द / ध = न, as in अंधेरा [andherā]

अं + प / फ / ब / भ = म, as in नींबू [nīmbū]

The rest are a bit more random:

अं + र / ल / स = न, as in संसार [sansār]

अं + य / श = ञ, as in संयुक्त [sañyukt], though also [sãyukt]

अं + व = म, as in संवत [samvat]

अं + ह = ङ, but I could find an example, sorry.

However, स्वयं = म, ie. [svayam]

Sources: Wiktionary and several of Hindi teaching books listed in this post. Mistakes are possible, native speaker input is welcome!

[bongboyblog]

बांग्ला अक्षरों की तुलना हिंदी अक्षरों से

यह पोस्ट हिंदी भाषियों के लिए है (This post is for Hindi speakers)। आशा है इससे आपको मदद मिलेगी।

हिंदी भाषा देवनागरी लिपि में लिखी जाती है जबकि बांग्ला/बंगाली (सही उच्चारण: बाङ्ला) भाषा बांग्ला लिपि, या जिसे पूर्वी नागरी लिपि भी कहते हैं, उसमें लिखी जाती है। इन दोनों लिपियों में अनेक समानताएं हैं लेकिन कुछ भिन्नता भी अवश्य है जिसे अंदेखा नहीं किया जा सकता।

बांग्ला में ' अ ' स्वर प्रयोग नहीं है। अ के स्थान पर ' অ ' (ऑ/औे) स्वर प्रयोग में लाया जाता है।

অ - ऑ, कभी कभी ओ भी।

আ - आ

ই - इ

ঈ - ई

উ - उ

ঊ - ऊ

ঋ - ऋ

৯ - लृ (इसका कहीं भी प्रयोग नहीं होता है आजकल। कुछ क्षेत्रों में तो इसे वर्णमाला से ही निकाल दिया गया है।)

এ - ए

ঐ - ओई

ও - ओ

ঔ - ओउ

व्यंजन वर्णों को ऑ स्वर के साथ पढ़ा जाता है, जैसे ক को ' काॅ '.

ক - क

খ - ख

গ - ग

ঘ - घ

ঙ - ङ

চ - च

ছ - छ

জ - ज

ঝ - झ

ঞ - ञ

ট - ट

ঠ - ठ

ড - ड

ঢ - ढ

ণ - ण

ত - त

থ - थ

দ - द

ধ - ध

ন - न

প - प

ফ - फ

ব - ब

ভ - भ

ম - म

য - ज (परंतु चवर्ग वाले ज से ज़्यादा कठोर)

র - र

ল - ल

শ - श

ষ - ष

স - स

হ - ह

ড় - ड़

ঢ় - ढ़

য় - य

कुछ ज़रूरी चिन्ह:

কৎ - कॉत् (खंड त)

ক্য - क्काॅ (यह असल में आधा य है, परंतु बांग्ला में इसका उच्चारण नहीं होता है, बल्कि इसके साथ युक्त दूसरे व्यंजन ��ो यह ज़्यादा ज़ोरदार बना देती है।)

ক্যা - कै (अंग्रेज़ी शब्द ' बैग/bag ' के a अक्षर जैसा उच्चारण। असलियत में यह ' या ' है।)

ক্ব - क्कॉ (आधे ब का उच्चारण नहीं किया जाता है।)

ক্ - क्

কঁ - कॉँ

কং - कॉङ्

কঃ - कॉः

मात्राएं

ক - कॉ, कौ

কা - का

কি - कि

কী - की

কু - कु

কূ - कू

কৃ - कृ

কে - के

কৈ - कोइ

কো - को

কৌ - कोउ

चलिए बांग्ला में कुछ वाक्य देखते हैं और उनका देवनागरी में निकटतम लिप्यांतरण क्या होगा वह भी जानते हैं।

নমস্কার। আপনার এই ব্লগে স্বাগতম। আশা করি আপনার এই পোস্টটা ভালো লেগেছে হবে।

लिप्यांतरण :

नॉमोस्कार्। आप्नार एइ ब्लॉगे स्आगॉतॉम्। आशा कोरि आप्नार एइ पोस्टटा भालो लेगेछे हॉबे।

अनुवाद :

नमस्कार/नमस्ते। आपका इस ब्लॉग पर स्वागत है। आशा करता हूं आपको यह पोस्ट अच्छा लगा होगा।

पढ़ने के लिए धन्यवाद ^^

[gwendolynlerman]

Languages of the world

Chhattisgarhi (छत्तीसगढ़ी/ଛତିଶଗଡ଼ି)

Basic facts

Number of native speakers: 16 million

Official language: Chhattisgarh (India)

Script: Devanagari, 53 letters/Odia, 49 letters

Grammatical cases: 8

Linguistic typology: fusional, SOV

Language family: Indo-European, Indo-Iranian, Indo-Aryan, Central, Eastern Hindi

Number of dialects: 5

History

1703 - earliest written form

1885 - first grammar

2007 - Chhattisgarhi becomes the official language of Chhattisgarh

Writing system and pronunciation

These are the letters that make up the Devanagari script: अ आ इ ई उ ऊ ऋ ए ऐ ओ औ अं अः अँ क ख ग घ ङ च छ ज झ ञ ट ठ ड ढ ण त थ द ध न प फ ब भ म य र ल व श ष स ह क्ष त्र ज्ञ श्र ड़ ढ़.

These are the letters that make up the Odia script: ଅ ଆ ଇ ଈ ଉ ଊ ଋ ୠ ଏ ଐ ଓ ଔ ଅଂ ଅଃ ଅଁ କ ଖ ଗ ଘ ଙ ଚ ଛ ଜ ଝ ଞ ଟ ଠ ଡ ଢ ଣ ତ ଥ ଦ ଧ ନ ପ ଫ ବ ଭ ମ ଯ ର ल व ଶ ଷ ସ ହ ଡ଼ ଢ଼.

Some words have three forms: short, long, and redundant. In all forms, the meaning is generally identical.

Grammar

Nouns have three genders (masculine, feminine, and common), two numbers (singular and plural), and six cases (nominative, accusative, instrumental, dative, ablative, genitive, locative, and vocative).

Chhattisgarhi uses postpositions. Pronouns have three forms, direct, oblique, and genitive, each of which is used with specific cases.

Verbs are conjugated for tense, mood, aspect, person, and number. In some tenses, two forms for each person are distinguished: polite and vulgar.

Dialects

There are five main dialects: Central, Eastern, Western, Northern, and Southern. Central Chhattisgarhi is considered to be the purest form of the language.

[vinayrai]

गुलाब जामुन तो आपने बहुत खाएं होंगे इस बार ट्राई कीजिए ‘Parwal Ki Mithai’

बढ़िया खाने के बाद अगर कुछ मीठा खाने को मिल ��ाए फिर तो क्या ही कहने। कोई भी खुशी का मौका होता है तो मीठा मुंह कराना अच्‍छा माना जाता है। ऐसे में अपनों के साथ अपने ख़ास दोस्तों का भी मुंह मीठा जरूर कराएं लेकिन ठहरिए इसके लिए आपको बाहर से मिठाई मंगाने की जरूरत नहीं है। बस थोड़ी सी मेहनत और थोड़ा सा समय खर्च करके आप बेहतरीन, टेस्‍टी Parwal Ki Mithai घर पर भी बना सकते हैं। आपने कई बार Parwal की सब्‍जी तो खाई होगी, मगर इस बार घर पर ‘Parwal Ki Mithai’  बनाने और खाने का लुत्‍फ जरूर लें।

सामग्री

Parwal छिले और बीच से चीरा लगाए हुए – 250 ग्राम

मावा- 1 कप

शक्‍कर- 1 कप

हरी इलायची

बादाम- 4

पिस्‍ता- 4

मिल्‍क पाउडर- 2 चम्‍मच

सोडा बाइकार्बोनेट- चुटकी भर

केसर – चुटकी भर

इस तरह बनाएं ‘Parwal Ki Mithai’

Parwal Ki Mithai बनाने के लिए सबसे पहले स्‍टफिंग तैयार करनी होगी।

इसके लिए खोए को एक पैन में रोस्‍ट करें। इसके बाद इसमें आधा कप चीनी मिलाएं और हल्‍की आंच पर रोस्‍ट करते रहें।

अब एक दूसरे पैन में बची हुई शक्‍कर डालकर मिक्‍स करके पतली चाश्‍नी तैयार करें।

खोए में हरी इलायची मिलाएं। अब आंच पर रखे खोए की आंच बंद कर लें।

फिर इसमें बारीक कटे हुए बादाम और पिस्‍ते मिलाएं।

इसके बाद इसमें मिल्‍क पाउडर भी मिलाएं। फिर इस मिश्रण को एक प्‍लेट में निकालें और ठंडा होने के लिए रख दें।

अब एक भगौने में पानी भरें और इसमें सोडा बाइर्कोनेट मिक्‍स करें।

जब पानी उबलने लगे, तो इसमें Parwal डालकर 2-3 मिनट तक पकाएं।

अब गैस बंद कर दें और Parwal को निकालर इनका पानी निथार लें।

फिर इन परवलों को एक तार वाली चाशनी में लगभग 1 घंटे तक ढक कर रखें, जिससे यह चाश्‍नी में डूब कर पूरी तरह मीठे हो जाएं।

थोड़ी देर में Parwal का रंग आपको बदलता हुआ नजर आएगा।

इसके बाद Parwal निकालें और इनमें खोए का मिश्रण भरें।

ऊपर से केसर के धागे लगा कर सजाएं। Parwal Ki Mithai को आप फ्रिज में रखकर एक हफ्ते तक खा सकते हैं।

[ark3750]

हिन्दी दिवस (Hindi Day)

Sep 14, 2021

हिन्दी दिवस (Hindī Day) is celebrated every year on 14 September, marking the declaration of the Hindi language as one of the official languages of Union Government of India. On 14 September 1949, Hindi was adopted as one of the official languages of India.

11 Interesting facts about Hindi: 1. While September 14 is celebrated as हिन्दी दिवस (National Hindi Day) in India, January 10 is celebrated as विश्व हिंदी दिवस or World Hindi Day every year, with an aim to promote the use of the Hindi language worldwide! 2. On January 10, 1975, the First World Hindi Conference was held in Nagpur, Maharashtra. In 2006, January 10 was declared as विश्व हिंदी दिवस (World Hindi Day)!

3. Hindi got its name from the persian word 'Hind' meaning "land of the Indus River" 4. Hindi is taught as a subject in 176 universities around the world, including 45 American universities! 5. Hindi nouns have genders, unlike the English language. Be it either masculine or feminine, verbs and adjectives change as per gender.

6. Unlike English, Hindi is completely Phonetic! In Hindi, every word is spelt EXACTLY the way it's pronounced! There are no silent letters or weird pronunciations alien to their spellings 👏🏽👏🏽 This is why Hindi is far more scientific, logical n superior than English!👍🏾👍🏾 7. The English language has borrowed many, many words from Hindi, such as,-Aadhaar, Atoll, Avatar, Bandana, Bangle, Bhelpuri, Blighty, Bungalow, Calico, Cashmere, Catamaran, Cheetah, Cheroot, Chintz, Chit, Choky, Churidar, Chutney, Coir, Cot, Cowrie, Cummerbund, Cushy, Curry, Dal, Dinghy, Dharma, Doolally, Dungarees, Godown, Gymkhana, Gunny, Guru, Jodhpurs, Jungle, Jute, Karma, Khaki, Kedgeree, Lacquer, Langur, Lilac, Loot, Mandarin, Mantra, Mogul, Mongoose, Mulligatawny, Myna, Nirvana, Palanquin, Pashmina, Patchouli, Polo, Pukka, Punch, Pundit, Purdah, Pyjamas, Raita, Roti, Sharbat, Shawl, Shampoo, Tank, Teak, Tiffin, Thug, Veranda, Yaar, Yoga, Swadeshi, Swami n Surya Namaskar🙏🏽 etc. 8. Hindi, today is the second most spoken language in the world! Global Hindi language speaking population is more than 460 mn! 9. The Hindi language is spoken in more than 20 countries outside India. Hindi-speaking countries include, the US, England, Fiji, Mauritius, Guyana, Suriname, Trinidad and Tobago, South Africa, Yemen, Uganda, Singapore, Pakistan, Nepal and New Zealand 10. The world’s first Hindi typewriters were made in the 1930s 11. To capture the subtle variations in pronunciations, the Hindi language has 50 alphabets comprising of 13 vowels n 37 consonants. That's nearly twice as many as in English which has a mere 26 alphabets comprising of 5 vowels n 21 consonants!

हिन्दी वर्णमाला (Hindi Alphabets) = 50 13 Vowels अ, आ, इ, ई, उ, ऊ, ऋ ए, ऐ, ओ, औ, अं, अ: 37 Consonants क, ख, ग, घ, ङ च, छ, ज, झ, ञ ट, ठ, ड, ढ, ण त, थ, द, ध, न प, फ, ब, भ, म य, र, ल, व श, स, ष, ह क्ष, त्र, ज्ञ, श्र

हिंदी हैं हम !! हिंदी दिवस की हार्दिक शुभकामनाएं। जय हिन्द!!

[nayasaveraweb]

#फेमिना #मैगजीन के लिए #दिलकश हुई #मौनी #रॉय इन दिनों #टीवी #छोड़ #बॉलीवुड में अपना #परचम #लहरा रहीं #एक्ट्रेस #मौनी #रॉय खूब #सुर्ख़ियों https://nayasavera.net/मनोरंजन/फेमिना-मैगजीन-के-लिए-दिलक/ https://www.instagram.com/p/BtGrdmHAnOb/?utm_source=ig_tumblr_share&igshid=1834f9zzs7h4j