#[it's too flawless]

[blkkizzat]

Y'all please look at my glorious commission by @schleepy-bunny!!

It's me bimbo!reader x ghostface!choso from my ghostface!choso fic!! i got the stairway scene drawn from pt 2 fjhdsfkjhsdkjshd

IM GEEEKED AHHHHH!!!! ITS GLORIOUS!!!

[musicalmoritz]

Most people’s “how can anyone hate this?” ships are like super fluffy pairings that can do no wrong but unfortunately mine are always massively toxic to where I understand WHY they aren’t for everyone but I simply cannot imagine passing up that much conflict

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[yvesdot]

The corollary to "make bad art" is "let other people make bad art." And I mean individuals, not Marvel or Disney or whoever thinks they own stories nowadays. I mean, if you see a poem on the Internet and you think it is THE WORST CRINGE OF ALL TIME... just leave it. If some teen has written a Wattpad book you really hate, let it go. If you see a chain going around with everybody crapping on the same random artist they don't like online, don't reblog it. Ask yourself every time you're making fun of "bad art:" 1) is this really such a big deal? 2) is this in line with my ideals of allowing people to enjoy themselves making art which may not be "objectively" or "technically" sound? 3) am I making a positive impact by sharing this?

It's so difficult already to feel comfortable making and posting your own work online; just because someone's art is "cringey" or "boring" or whatever doesn't necessarily merit an online hate campaign. Please try to remember that the vast majority of people who "blow up" for this kind of stuff are the exact people we're trying to encourage: someone with an idea, and the confidence to execute it without worrying about being the best artist of all time. Especially when we're talking about teens, we have to let people make bad art. That's the only way we can do it ourselves.

[detective-shirogane124]

I had my faith placed rightfully in Austin Tindle cause the boy sounds DERANGED.

20/10-15 more years have been added to my life. He's so goddamn annoying (affectionate)

[andy-clutterbuck]

9x01 | requested by Anonymous

[prwlnglthr]

I like the King a little snaggletooth'd and scruffy

[azgfggf]

For a while I’ve been trying to articulate why XWP means so much to me, and I think I’ve figured it out. It seems to come from a bizzaro world where everything is just. Equal. It feels like a real feminist show because the women are so respected.

I realized this when watching episode 6 (or seven maybe?) there was a scene where Xena was imprisoned, feet chained to the floor and hands to the ceiling. A group of men came in with the express purpose to harm, and in a moment of clarity I realized that I didn’t fear for Xena in the way I did for every other female in fantasy. Fantasy (as a male dominated genre) is full of sexual violence towards women, often used as story beats or just shock. It permeates women’s real lives and bleeds into what they read for escapist fantasy. For a long time I’ve felt as if nowhere is truly safe, because most fantasy media eventually has a scene or two where a woman is violated, or a costume that’s glorified lingerie, and I have to remind myself that this genre was never made with women in mind. But that scene ended with Xena beating the shit out of them, because they tried to beat her. Not assault or grab, just punches and kicks, like men would fight in fantasy. And she fucking won because she’s Xena and she’s awesome.

Again, in many episodes men want her. But they’re never violent towards her. In the show she is treated like a man would be treated in any fantasy setting. With respect. That’s true escapism for me, some world where that kind of violence either doesn’t exist or isnt prevalent. A world so easy to make, and yet so often thrown aside because of “historical accuracy”. In fiction. The specifically not historically accurate genre where you can pull anything out of your ass and people just kinda have to vibe with that.

I’ve also mentioned this before, but it’s so rare in fantasy for women to be…carefree I guess? Most of them are jaded from past violence, or future survivors, or meek healers, or old wise women. None of which are very allowed to be silly like their male counterparts. They’re always serious, always the voice of reason. Always so reigned in from what male characters are allowed to be. Xena has a dark past, but she’s still kind. The story is still light. Women are allowed to be happy without being victimized.

XWP is fantasy first and foremost, and it works wonders. There are POC everywhere, and nobody calls attention to it because, well, that’s just how it is in Xena-land. There’s no sexual violence toward any strong women, because, well, that’s just how it is in Xena-land. People fight on bamboo poles and race chariots in rivers and the steaks only go up to “Ooooo she has to marry the big bad” which never goes anywhere because we all know Xena is gonna stop them.

Xena Warrior Princess is always gonna be my favorite fantasy show, because it’s fantasy that’s finally geared towards women. A fantasy where women are safe, are capable, are treated in the same regard as men with no quippy girl-power one-liners because nobody needs to quip about the status quo. In a genre where women are so often demeaned and violated for minor story beats or shock value, seeing a work that actually feeds into a more female fantasy is what I’m obsessed with. It’s wonderful to see a magical world where women don’t have to live in fear. Or they do, like because cyclops’s n shit but everybody else does that too.

PS: this mostly applies to modern fantasy. Tolkien and Lewis were two authors I grew up on who I largely blame for my fantasy obsession today.

[subtle-as-an-earthquake]

"It's quite hard to blow that trumpet... but I'll give it a go." [x]

[mikesbasementbeets]

honestly i like my characters with huge glaring personal flaws. “this character is a perfect angel” “this character has never done a single thing wrong in their life” ok you have fun with that. sounds boring to me

[humming-fly]

continues to share my rapturous enjoyment of cursed twins and terrible local fauna via sketches of various quality

bonus aftermath:

[wraithdolll]

bitches love my mustache

[phoenixcatch7]

Bit of a shame I left hp before I entered svsss because one of my favourite tropes at the time was 'dumbledore calls in External Support from different fandom during ootp and they show up to grimmauld to help (and utterly upstage everyone in the process)'.

And needless to say Sqq, at any point, would have been perfect.

Like. He's a teacher too. A scholar. Secretly from the modern world so he'd have no trouble with its intricate and mysterious workings, incidentally making himself look very cool and competent in the process. He'd have So Many Opinions. He'd incite bloody war with umbridge. He'd project his feelings for sj onto Snape with a side of commiseration for his role and fate. He'd mostly pretend to know so much less about hp than he actually does (which, hilariously, he canonically name drops in svsss, AND his system is pretty heavily implied to have previously worked in, like wow). He'd be constantly comparing Harry with lbh. He'd have a running internal dialogue bemoaning the world building, the characters, Harry's fate, the general decision making process, maybe some death of the author. Geeking out about magic. Raiding the library whenever he's free.

He might bring his students as part of an exchange, he might bring a fellow peak lord if it was a serious mission (liushen anyone?) he could bring adult lbh. Maybe sqh? Or sqh could be the messenger with the system and/or mbj.

A self aware character who couldn't live with himself if he didn't at least try to change Harry's fate whether or not he actually likes the kid? He could canon that divergence before you could say horcrux. That kind, oblivious, smoking hot exotic teacher who had people ruining their lives for him in a world that was used to people that pretty and also hated him specifically?? The hogwarts students wouldn't stand a CHANCE.

Man the scenes are coming to me so strongly I almost want to write it just as a like. Satire piece or something. Just Sqq ripping everything to shreds, accidentally or not. Diatribes on the author biases. Unintentional themes. Iffy world building choices. Nothing new, but through the lens of svsss' Sqq it'd be something for sure XD.

[perfectday1972]

charithra chandran via instagram

[serafimo]

Flowers fade, the fruits of summer fade... They have their seasons, so do we. But please promise me that sometimes, you will think of me...

Lily Kerhoas as Christine Daaé, West End 2023. @shakeatradefeather's master.

[jq37]

FH Junior Year Post-Season Thoughts

With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 

I first want to start with the things I thought worked really well.

Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 

Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 

Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  

This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.

I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.

This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 

OK, so moving on to things I things I think could have been tweaked.

Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 

I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 

It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  

The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 

The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 

Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)

Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year!