#[ i'd love to write more with you in this au !! ]

[bonaesperanza]

I saw a similar post that I can't find right now where one of the replies introduced the concept of narrative porosity.

Basically, it's not about how good the piece of media is, it's about how many threads it leaves for you to pick up and follow up on (or how many holes it has for you to fill, hence the word "porosity"). A sort of fandom equivalent to affordances in developmental psych.

If a piece of media has resolved all its character arcs and subplots and dealt satisfyingly with all its narrative themes it leaves you nothing to do. It's all tied in a bow and you can't add anything without ruining it. Lots of more highbrow media is like that because these are things something like, say, litfic or an Oscar bait movie cares about: it has a small number of characters but their psyches are explored to exhaustion and the themes are usually done well because that's litfic's Thing. (That's what makes it good, while Fast & Furious is beloved less for its intricate characterization and more for its excellent car chase sequences.)

OTOH a CW show will have straggling plot threads and characters that appear and disappear ad hoc and themes that get dropped after two seasons and minor characters that are given certain traits for variety but that turn out to have fascinating psychological implications. Mediocre media has lots of threads to pick up on because it's shoddily made and therefore undersaturated with meaning by default.

BUT that's not the only way to have narrative porosity.

Worldbuilding that only hints at certain areas of the world or gives loads of information you can expand on also increases narrative porosity because that also gives you threads to pick up on. You wouldn't call LOTR mediocre but it has a huge fandom for exactly this reason - you get to flesh out all the random blorbos from the appendices or whatever.

This is also why media dealing with institutions and hierarchies and life within them does well - it gives you scaffolding to create your own iterations on those contexts, e.g. making your own Jedi or wizard or shinigami or waterbender OC or writing about the previous or next generation or whatever. The worldbuilding is basically a grid template where only the boxes for the main characters have been filled. OTOH if I wanted to write fic for, say, the movie Anora, I can only do that by featuring the characters of Anora, otherwise it's just a story set in New York.

Having a plot-oriented piece of media means that in-depth exploration of the characters' psyche doesn't fit the genre/format, but if your thing lasts more than like three hours your characters will behave in ways and react to things and if you've made them even the least bit humanlike that can be inferred to hint at hidden depths. Tantalizing glimpses of more complex characterizations that are never paid off in canon also create porosity, because they also leave unaddressed straggling threads. There's tension there, room for a theme or a character arc that the OG writer(s) haven't put in.

I'd argue that having characters and plots fit into easily comprehensible archetypes that are relatively detached from the setting also fits because it gives you AU potential. I recently had a talk on an ASOIAF discord server about how difficult it'd be to make a modern AU version of Theon Greyjoy, because his entire personality and mindset have been shaped by the medieval institution of sending relatives as hostages to guarantee your good behavior it'd be very hard to transplant that without losing a huge chunk of his character and motivations. OTOH more universal character beats or traits: abusive parents, star crossed love, overachieving, yearning for adventure, etc. are easier to play with by making various iterations across various settings. Luke Skywalker could be a random dude from Appalachia and he could have all the character beats from the OG movies - yearning for adventure, coming into his own, encountering his estranged father who turns out to be a dick. This can happen in Ancient Greece or in Alberta, Canada or in the Horn of Africa.

The dissatisfaction people talk about is recognizing that picking up some of the threads I described above would have made for a stronger work, or at least one more interesting to you. They're unresolved and frustratingly so, they're an annoying empty hole asking you to fill it. There's a connection that could be made but wasn't. The work isn't saturated enough with meaning, or a specific thread you care about a lot hasn't been addressed.

You can also connect the work's unresolved threads with other threads inside your head - e.g. I think I would make blorbo happy (readerfic) or I think blorbo would get along with character from fandom Y or whatever. E.g. I'm obsessed with the idea of a modern AU of The Count of Monte Cristo, because I see a novel written by a mixed race man about a man twisted by unjust imprisonment and I think about the modern prison industrial complex and what it does to minorities, and I also see the lavish wish fulfillment descriptions of fast boats and cool clothes and lavish furniture and people being judged on "taste" and I think about the cottage industry that analyzes every expensive object that's ever appeared in Succession and I think a Monte Cristo modern AU would be a crowdpleaser that I would LOVE to see. That's a thread I've connected to something entirely outside the original novel that's relevant and fun to me.

OTOH I think there's a type of work that says very little in the actual text but wields its blank spaces so masterfully that you get this feeling that trying to fill them would make everything worse. The blank spaces already have meanings.

Challengers for example - a lot of its artistry is in expertly wielding the tension, in choosing what to show you and where to cut off. It does feel saturated with meaning even though it leaves so much unsaid because the "narrative whitespace" takes on a meaning of its own, like the arrow in the FedEx logo can only possibly be an arrow. It's hands down my favourite movie of the year, but I'm lowkey kind of scared to look up fic for it in case I ruin it somehow. I feel like extending the narrative beyond the movie's ending would make things less thematically resolved, like adding things to the FedEx logo might.

A lot of my favourite book series play with unreliable narrators and characters' perceptions and what is said and what is implied, and it feels almost crass to break up the way the whitespace in them is set up. I dunno, it feels like easy pickings to write a fic explicitly describing how the Regent abused Laurent from CaPri, or Gen and Irene's first night as a couple for Queen's Thief, or Lymond breaking down emotionally for the Lymond Chronicles. Like circling the FedEx arrow with a red pen and writing "arrow underneath". It kind of kills the tension, because you can already make out the shape of the missing piece from the canon, and writing it point blank kills the delicious tension in it, and perhaps even obscures the meaning and characterisation that was built into the way certain things were not said.

Sorry for the wall of text this is just a really fascinating subject for me

also this might be an unpopular opinion, but i think MOST people are actually completely able to "consume" a piece of a media without anaylzing it through a shipping lense, but i just think they than aren't likely to be posting that analysis on archiveofourown. i think for the most people what's happening is that people are like. going on fandom websites and communities and getting really annoyed they're seeing too much yaoi or whatever, and it's like there's alot of fast food at mcdonalds too, i'm sure the people eating there don't have anything else going on in there lives either

[captain-astors]

Finished up my attempt at Deuce within @where-does-the-heart-lie's fighting game AU! Feeling a little iffy about it but I might've just been staring at this for too damn long. Anyways thoughts, symbolism explanation, and sketches I made in the attempt bellow the cut.

Okay! So in general I worked with a rule of 2's when it came to Deuce's hearts with the exception of his camera, but that's supposed to pair with the pen with the little heart cap, I just didn't remember to keep that in my final drawings somewhere. Trying to strike a balance between "Just a guy" and "fun stylized outfit" was hard and I don't think I quite got it, but it was enjoyable nonetheless!

Heart glasses- Representative of how he loves observing the world and aspires to adventure through it. The cracked lens represents how the damage he's received from people he loved has caused him to look at others cynically at times. Meanwhile the unshattered lens sort of represents his tendency to look at those who earn his love with extreme levels of internal praise, half of Ace's first novel is just him waxing poetic about how lovely Ace is and I think that's hilarious.

Hearts on the gloves- He shows his love for the world and for people through the writing he does with his hands! But they're somewhat damaged because they've been utilized for the medicinal legacy that was forced upon him.

Heart on the camera/pen- A specific love for journalism and writing and telling a story, credits to Whery for the first one.

Spade on the shirt- Not technically a heart but it's a little play on how he keeps the Spades close to his heart/tends to be kind of pokey if you try to get close.

Spade/heart on the back of the shirt- Symbolic of the whole life-devoting love within him, so it's large, but it's kept guarded and tethered by the camera strap and can only be seen beneath a layer and if he trusts you enough to turn his back. It's mostly upside-down to look more like a heart if I'm honest, but that as well as that it's on his back and so guarded is all representative of how the family that he presumably once loved shamed and pressured him, making a sort of "weight on his back". It's spade shaped because that's who his devotion and love belongs to, but also when counted with the other one, Deuce!

One of my scrapped ideas was having the coat be a doctor's coat with the only hearts on it being scorched edges because something something fire set him free but he still uses his medicinal abilities to benefit people in his new life, but I couldn't get it to look right so I went with the summery looking thing he's wearing now. It's fine but it kind of lacks a personality, I think that's the main thing I'd try to revise if I redid this but I've already overthought it to hell so. Another day.

Ace in Dr. Robotnik's outfit from the sonic movie is there for facial reference and emotional support I guess, I made that a while ago.

And in one last vaguely related tangent, yours truly has a very distinctly heart-shaped birthmark on my foot. It symbolizes that I'm tired. (Jokes aside I think it's cool, afab actually stood for Assigned Fighting game character At Birth)

[lesbianherald]

my hatemail for you is that coming home is too fucking good and im having a hard time finding other jayvik fics that hit like it hit >:( im too new here to have already found my "The Javik Fic" dammit!!!! (p.s. have a good new year <3)

heeheheheeh thank you stuff like this means so much !

but also maybe i can HELPPP

there are some incredible fics out there that deserve so much love and recognition so here's a list of some of my absolute faves!

to swim through the fires – to stay in this world by theroyalsavage (M)

literally adore the character writing in this one and the tone. i found myself relating to and enjoying the style so much.

wound care (E) by Sinister_Queer

call me a child of divorce but I really struggle with fics where they're divorced, but this one is so with it. such an incredible, well-thought-out world and love that is so tangible between them.

advanced particle physics (the laws of attraction may apply) (E) by Sinister_Queer

fuck i didn't realize these were written by the same person until I did this list holy shit I want to give this person a kidney. I'm very picky about modern AUs probably because I had to think about my own so much. but this is just. so so good. The Jayce in this is EXQUISITE!!!

Love was the Law (E) by ruinthatboy

she's the most popular girl in school and I don't care because I'm still going to be singing her praises. incredible fic.

i read the signs (E) by vavavavoom

this is fucking phenomenal. i'd say its more vikjayce because we have defender jayce and machine herald vik, though its also set in an alternate reality from league. it has just, delicious epistolary elements. such good relationship building. it's so hard in a situation like theirs to believe they're fall in love but the author really. makes. you. believe it.

heavy crown (E) by vavavavoom

another absolute banger from this author. i love reading from an author that characterizes differently than you, but still so goddamn WELL. I feel the longing and tension in this and how that wars with duty. it's so marvelous.

hearts in halves (E) by vavavoom

i really struggle with mythology adaptations because they're deceptively hard to pull off but this author did it so damn well. The UGHHH!!!. THE PINING !!! THE WANT !!! AHHH!!!! I literally do not understand how it has not gotten more attention.

the blessing of all that you dreamed (M) by nightlilly

such an interesting one where the set up is similar to their lab dynamic in season 1 but viktor happens to be a really cool original fantasy being who can show people their deepest desires, which obviously gives then-oblivious jayce a crisis. so so good?

let's talk about chemistry cause I'm dying to melt through to the heart of {his} molecules (M) by the_RiftWalker

the love between them is so palpable in this one. they just feel so real. i relate to viktor a lot in this one - just really exquisite work.

inside the starshine by sepiacigarettes (E)

short and sweet and sexy with 👏PINING 👏LOVESTRUCK👏VIKTOR👏

Started out with a Kiss (T) by CasperCryptid

if you need to smile read this. its an adorable very silly drabble that somehow still manages to pack in some signature jayvik longing.

Perfect (M) by TheTrickyOwl

one of my first Jayvik fics i ever read from the one and only and oh my god. the raw emotion in this is so sweet.

Nothing Left to Lose (M) by TheTrickyOwl

same emotions as in perfect but in a devastatingly depressing context. is so so worth the read. so stunning and just brought up so many feelings.

tell me when my hunting days are done (E) by dualwelding

Dark and depressing Vampirism where the change Jayce makes to viktor after he almost dies is turning him into a vampire with insatiable bloodlust. it's such a gut punch and its sexy and I love it!

And finally...

I really hesitated to put anything of my own in this list because these authors are so damn good but I do have two others other than coming home (but not to you). I actually am more proud of here at the end so I wanted to throw it at people against their will.

Here at the End of All Things (M)

Follows old Man AU Mage Viktor's decades of solitude and the aftermath of his meeting with Jayce

In the After (E)

wrote this right after season 2 as a way to cope. was high on these new meds that weren't working the whole time so uhh. i can't attest to this one. she's my stepchild. but I have an inherent affection for her due to the time I wrote it. - follows what might happen after Jayce and Viktor vanished.

[yanderenightmare]

this might be a stupid question but what are the rules of omegaverse? or like idk how to phrase it but what's the set up?

On Omegaverse

Not a stupid question! In fact, a really good question because the answer is anything but straightforward!

♡ Consensus still pending...

There aren't really any set rules in the Omegaverse, which is why, when reading an Omegaverse fic, there will often be a paragraph or two at the beginning of the story explaining the setting, rules, culture, and dynamics specific to that Omegaverse alone.

Even so, I'll try to explain the overall concept, as well as divulge some of the common tropes different writers use.

And so, first off! Plainly put, the Omegaverse is an alternate universe in which human beings can have an additional gender, referred to as the second gender—most commonly but not restricted to Alpha, Beta, and Omega. Across different Omegaverses, these second genders act as defining factors, often deciding social rank as well as playing a part in determining other physical, physiological, and psychological attributes of a character.

♡ Alpha, Beta, Omega, Whatnow?

Alpha, Beta, and Omega are ranks typically used within the hierarchy of a wolf pack. The general idea is that Alphas are the pack's leaders, with Betas as their second in command, while Omegas exist at the bottom as the lowest-ranking members.

I want to note really quickly that this view of wild wolves is an old conception and has since been criticized and debunked—something I'll write more in length near the bottom of the post.

But anyway, regarding the Omegaverse, this is still the general dynamic, wherein the Alpha, Beta, and Omega titles aren't only used to identify rank but exist as actual bodily differences as well���referred to as second genders.

And, while Alpha, Beta, and Omega are the token types in most Omegaverse settings, they aren't standardized. For example, Betas can sometimes be ruled out entirely to focus purely on Alpha x Omega pairings—while other writers might add even more types into the mix, such as Delta, Gamma, Sigma, etc...

There aren't any rules to this.

♡ Werewolves or nah?

Since the ranking system was originally taken from the wolf hierarchy, it's natural to think that the Omegaverse has to have something to do with werewolves, hybrids, or some other type of bestiality.

The answer to this is both yes and no.

In some Omegaverses, it's true that characters will be some or other version of werewolves. Hybrids with tails, fluffy ears, claws, etc—or shapeshifters who can fully transform themselves into four-legged canines—or any other type of werewolf you can think of.

This is all a creator's choice and up to them to implement or not!

As for other Omegaverses, characters will be described as regular human beings but with added instincts and characteristics in line with what second gender they have: Alpha, Beta, Omega, etc... Here, the whole wolf aspect of things isn't highlighted, though might still be used somewhat metaphorically.

There are no rules to this either. Only options.

Additionally, not all Omegaverse hybrids need to take after wolves alone. The range can be broadened to include any type of dog breed—Huskies, Labradors, Chihuahuas, etc. Here, apart from physical attributes, what type of dog a character is can also play a part in what type of personality they have. For example, Huskies are diligent characters, Labradors are fun-loving and playful, while Chihuahuas are uncharacteristically combative for their size.

I've even come across some writers whose Omegaverse includes any and all types of hybrids, having Alpha horses, Beta oxen, and Omega bunnies. However, I'd say this is less common and will more likely be referred to as hybrid au or something of the like.

♡ Characteristics!

Though there are no rules, there are some common understandings of how the different types of second genders tend to look and act.

Starting off with Alphas. They're usually described as big and strong and come forth as the designated leaders in society.

Personality-wise, they can be loud and oppressive but can also be shown as silent, stoic types who command the room simply with their presence. In any case, they're often very masculine and dominating, always marking their territory and striving to be the ones in charge, with a tendency to be very protective of what's theirs and rather aggressive when challenged.

More physical attributes other than strength and size may be added, such as an array of muscles and a gifted nether region, including the knot.

The knot is most common in Omegaverses that have a hybrid spin. In simple terms, the knot is a group of muscles found at the base of an Alpha's manhood, which swells up when they're close to climaxing to keep their partner from pulling away and so ensuring that their spend doesn't escape.

More traits common for Alphas in the hybrid Omegaverse are bigger and stronger fangs than their other counterparts, as well as larger and longer claws, better hearing, optics, and sense of smell—they're also faster, stronger, and often smarter than the rest. All reasons as to why they're considered the leaders in society.

But all in all, whether you include all of this or not, Alphas are considered the ones at the top of the food chain.

And at the bottom of that food chain, we find Omegas.

Often portrayed as small, weak, and meek by nature—Omegas are the opposite of Alphas. And yet, despite this, Omegas are also highly desired by Alphas for mating reasons. Although this isn't really taken from our understanding of how actual wolf packs work, it is often the case in the Omegaverse.

You see, in the Omegaverse, Omegas are considered highly fertile and domestic, making them objects of desire for Alphas. In turn, Omegas will usually want an Alpha—the bigger and stronger, the better—to provide, protect, and keep them safe from other Alphas.

Furthermore, Omegas are said to be very pretty, sometimes to an irresistible degree, and will often be described as cute and doe-eyed.

Hybrid Omegas have all the same physical attributes as Alphas, but smaller—so tiny teeth, short and sometimes dull claws, soft bodies without much muscle, etc...

Simply put, Alphas are large and dominant, while Omegas are small and submissive.

Now Betas, on the other hand, are a little more ambiguous...

Some choose to make them the odd men out, characters without Omega/Alpha instincts and needs—making them the normal humans in an Omegaverse society. Here, Alphas and Omegas are more or less an altogether different species than Betas.

Others choose to treat the second gender as a spectrum going from Alpha to Omega with Beta in the middle—here, Betas might vary from being recessive Alphas to recessive Omegas.

Others, again, portray Betas only as just below Alphas—so, still big and strong but falling just short of being the biggest and strongest.

Hybrid Betas will be described as something in between Alphas and Omegas, or simply as smaller Alphas—so moderately sized teeth, claws, muscle mass, etc.

There are no rules to this, but all in all, Betas are usually portrayed as being less desirable to both Alphas and Omegas—for these mentioned reasons and for further reasons we'll divulge now.

♡ Scents, Ruts, Heats and Suppressants

This is what makes up the charm in the Omegaverse.

Scent is basically the Omegaverse word for pheromones.

It's often the difference in scent that allows characters to identify and determine whether someone is an Alpha, Omega, Beta, etc. Moreover, scents are used to arouse and are often what induce heats and ruts, which we'll talk about shortly.

But first! Alpha scents are usually described as spicy and musky, whereas Omega scents tend to be described as sweet. Both, respectfully, are designed to attract the other.

Betas, on the other hand, are either described as not having scent glands the same way Alphas and Omegas do or have them but exude a very weak scent, which in some Omegaverses might be the very reason they're deemed as Betas—labeled as defective Alphas or Omegas.

This is all up to the writer. There can be many other descriptions defining the Beta type, each different from the first—too many to explain here. A writer can more or less make their own definition of what makes someone a Beta.

But in any case, Alphas and Omegas are often said to be indifferent to a Beta's scent. Likewise, Betas aren't affected by Alpha and Omega scents—either because they can't really detect them or because it doesn't affect them the same way, usually because Betas don't experience heats or ruts such as Alphas and Omegas do—though this can also be decided by the author.

Again, no rigorous set of rules applies here. It all depends on whether the Betas are portrayed as being normal humans in an Omegaverse society or something more like recessive or defective Alphas/Omegas.

But onto heats and ruts!

Omegas go into heat, whereas Alphas go into ruts. Betas, as I already mentioned, are often said to go into neither—but that's a choice the writer makes.

And, as you've probably guessed by now, there are a lot of different choices a writer can make here...

Omegas often have a heat cycle—meaning they experience regular and scheduled heats. You can think of it like the menstrual cycle. It doesn't have to be once a month or every full moon—it can be twice a year before winter and spring or once a year between January and April like female wolves have. Like many things, it's up to the writer to decide. But in any case, Omegas tend to go into heat on a regular basis.

Additionally, the scent of an Alpha can sometimes induce spontaneous heat in an Omega outside their heat cycle.

But what is heat exactly?

Well, heat is the time when an Omega is most fertile. When Omegas go into this heat, they're often said to feel horny for no apparent reason, often to the point of feeling frustrated and feverish, while exuding copious amounts of slick and scent in order to attract a mate.

The degree of these symptoms varies from writer to writer. Some like to portray heats almost like a sickness, describing a burning ache in the lower belly making the Omegas bedridden and damn-near delirious, whereas other writers make their Omegas fully functional, only feeling slight discomfort—while other writers incorporate both for different types of Omegas, some highly sensitive and others not so much. Again, same as with menstruation, some women feel high levels of pain, and others don't feel anything at all.

Ruts are a bit different...

Most writers treat ruts like the Alpha equivalent of heat—meaning it's when their libido is at its highest and their need-to-mate through the roof. But whether this is also based on a cycle or is simply triggered when encountering an attractive mate varies from writer to writer.

The symptoms of an Alpha's rut are also a matter of debate. Some writers make their Alphas go completely berserk, all manners of rationale gone, blacked out with only one goal left in their head: to mate until their ball's empty. Other writers make them simply become hot and bothered and a little more aggressive than normal. And some writers choose both, making their Alphas lose control over specific Omega scents while having less of a reaction to others.

But onto suppressants!

Sometimes called heat/rut suppressants or inhibitors, these usually exist in the Omegaverse and are sort of their version of the pill, only different and with more effects.

Heat suppressants or Omega inhibitors are often explained to minimize the effects of a heat or to prevent it completely, making them highly useful for sensitive Omegas that experience tough heats regularly.

Rut suppressants or Alpha inhibitors are, similarly, for Alphas who experience rough ruts or who are sensitive to Omega scents.

All in all, suppressants and inhibitors are taken to avoid the effects of ruts and heats.

You also have something called scent blockers, which, as the name suggests, makes the person who takes them dull their scent glands, making it so that they don't emit too much of a scent or cancel out their scent completely. This is useful for Omegas and Alphas who don't want to attract attention—and can be used, for example, to keep their second gender hidden from others.

♡ Pairing, Mating, Marking, Biting, and Bonding!

So, as we've already gone over, the most common pairing is Alpha x Omega. But it doesn't have to be that way! Anyone can, of course, be with anyone, even in the Omegaverse. Omega x Omega, Alpha x Alpha, Beta x Omega, Alpha x Beta, and Beta x Beta are all still valid pairs, as well as all other variations with the other additional second genders.

However, there are some things that will work differently or, in some cases, won't work at all.

First on that list are, as we just covered, scents, ruts, and heats.

As I said, Betas aren't usually affected by Alpha/Omega scents, but they can still feel attraction for them anyway! The same goes for same-second-sex relationships. Omegas won't affect each other with their scents, but they can still like each other despite that. Alphas, too, can fall for other Alphas even without them necessarily being affected by one another's scent.

The matter, then, of course, is whether they can satisfy each other when their heats and ruts come along. Generally, an Alpha and Omega are made to please the other, and so it's common to see writers make their Beta x Omega/Alpha pairs and same-second-sex pairs struggle with this—which is where using suppressants and inhibitors may come in handy.

Another thing that will work differently is bonding.

Bonding or marking happens when one or both in a pair mark each other with their bite, thus solidifying them as mates.

This, however, is commonly agreed that only works and happens between Alphas and Omegas, where Alphas will deal the bite to the Omega or both unto each other. This is often described as an irreversible act, forever binding them together as a mated pair.

Depending on the writer's choices, there may or may not be any merit in an Alpha biting a Beta or of a Beta biting an Omega—and even less in two Alphas or two Omegas biting each other.

And so, as you can tell, a lot of the Omegaverse rests on the idea that Alphas and Omegas are meant for each other and only each other—and therein lies the potential juicy conflict, which we'll discuss a little later, but first...

♡ Soulmates!

This is another common facet in the Omegaverse.

The soulmate idea typically rests on two concepts. We went over the first one: the bite that seals the bond between an Alpha and Omega for life. Here, Alphas and Omegas can more or less choose their soulmate.

Additionally, it's often a factor that after the bite is dealt, the Alpha and Omega in that bond will only affect each other with their scents and will only be able to reach satisfaction with each other when experiencing ruts and heats—basically making them fully dependent on one another forever.

The other soulmate concept is based on the idea that an Alpha or Omega will recognize the scent of their mate—at first sniff! Here, soulmates are predetermined and not chosen.

Both of these concepts can exist in one Omegaverse. Sometimes, the scent will be used to identify a soulmate but will still need to be confirmed and sealed through a bite or rejected by not biting.

♡ Culture, Society, and Politics

This is where you can really have fun!

When you have characters in ranks like Alpha, Beta, and Omega, who are supposed to be one thing, it can be interesting to suddenly make them the opposite.

For example, Alphas are supposed to be successful winners—but as we see in real life, not all those who have everything going for them end up with it all. So it could be fun to take the angle of a loser Alpha who hasn't got what he feels entitled to.

Or to have a really successful and independent Omega, who is generally only supposed to be a housewife for Alphas.

Betas can be a fun role to play with too. You can make them salty for not being Alphas, desperate to do anything in order to prove themselves—or you can make them happy outsiders who're relieved they don't have to participate in any of the Alpha-Omega nonsense.

Additionally, as we covered earlier, you can break the normal pairings. You can make Alphas who are sickeningly interested in courting only Betas—who almost seem to think of them as a conquest. Or Omegas, who're frightened of Alphas and end up only courting each other. Or Alphas who think everyone is beneath them and also decide that only those of their own rank are worth their time. Or Omegas who, instead of settling for just one Alpha, goes for two Betas, like in this fic:

♡ TWO BETAS, ONE OMEGA

And that's only breaking gender and social norms! We can also break the body norms! Such as suddenly making a really big and strong Omega and a small and cute Alpha. A dynamic I explore in this fic:

♡ UNNATURAL

♡ World Structure

There are many different types of Omegaverses. Still, I'd say we can categorize the Omegaverse by three different types of world structures: modern, primal, and dystopian.

Modern Omegaverses are reminiscent of the real world but with the added Alpha, Beta, and Omega dynamics.

Primal Omegaverse is where society is set out in the wild—this is also the type of Omegverse that usually features hybrids.

Examples of primal Omegaverse:

♡ SILLY LITTLE MATE

Dystopian is modern Omegaverse, but with laws and politics that support segregation between the second genders where Omegas are usually being oppressed and treated as lesser humans—this is the one I play around with most.

Examples of dystopian Omegaverse:

♡ TWIST OF FATE ♡ THE OMEGA INSTITUTION ♡ HARD-LEARNED LESSON

♡ Second gender and male pregnancy!?

I'm not an expert when it comes to this type of Omegaverse, but yes, male pregnancy is possible in some Omegaverses due to the existence of second genders.

This type of Omegaverse is popular in the Boy Love genre.

Here, Omega males can be impregnated by Alphas.

Male Betas, however, can neither impregnate male Omegas nor be impregnated by Alphas. They can, on the other hand, still impregnate any type of female.

Additionally, Alpha females can also impregnate Omegas. In this type of Omegaverse, Alpha females are often portrayed as futanari—meaning they have both sets of genitalia.

Rules to this vary, though I'm unfortunately not well-versed enough to explain it all. And so I'll leave it at that.

♡ Other Animalistic Elements May Be Included!

Impregnation may be referred to as catching, and babies as pups. Additionally, Omegas will often be said to carry litters, meaning more than just one pup—sometimes a lot more.

Scent glands exist on the wrists and in the juncture between the neck and shoulder—which is also where the bite is dealt.

Imprinting can be another aspect of things. This is something that happens as you grow up, often between childhood friends and siblings and with parents. Imprinting simply means that you recognize the scent of someone else as kin, trustworthy, or a source of comfort. Pets do this with their owners, for example.

A home, bedroom, or simply a bed might be called a nest or den. Nesting is when a character spends time in the nest, typically for Omegas during heat or pregnancy.

Other than that, I'd say there's a lot more one can implement in the Omegaverse. But this concludes the general idea of things as well as some further inspiration for those who might want it.

♡ Wolf Pack Hierarchy: Debunked!

Lastly, I want to clarify that the Alpha, Beta, and Omega ranks aren't really as relevant out in the wild as many would believe.

Wolf packs out in the wild are usually only made up of two parents and their children and, therefore, actually have a similar type of hierarchy to that of human families. Wolf cubs come of age before they turn three, at which point they'll leave their family pack, find a mate, and start their own pack. Leaving no need for ranks, just the simplicity of mother, father, and offspring.

However, wolf packs kept in reservoirs and captivity are different because they're usually much bigger, including not only relatives but random non-relatives, at which point a hierarchy is needed, which is where the idea of the Alpha, Beta, and Omega dynamic originally comes from—from humans studying a large group of mostly unfamiliar wolves held strictly in captivity.

This would be the same as locking a number of random humans together in a house and deeming the outcome a solid case study for what happens naturally when, in reality, it's the farthest thing from natural occurrence possible.

Of course, wolf packs of a larger number do exist out in the wild as well, though they are uncommon. But even then, the simple dynamics of Alpha, Beta, and Omega don't apply as straightforwardly as it sounds.

But anyway, here's a last fun fact about wolves: they mate for life!

♡ For more Omegaverse fics of mine: ♡ FEM x M INSERT ♡ GN x M INSERT

[o3o-lapd-o3o]

hey, hi, hello~

if you're wondering why i'd dropped off the face of the earth... i've been in hospital

what i thought was just a bad cough turned into a lovely case of pneumonia, which then turned into hospitalisation on my birthday (worse birthday gift ever thank you body)

turns out you shouldn't avoid ringing the doctor for antibiotics because you end up getting worse and seeing more doctors than you planned...

i probs caught the initial cough/chest infection either from yucky customers at work, or from the hospital while visiting my grandad

i'm out of hospital now, but i'm still tired so i'm just chilling in bed either reading or watching twitch streams/anime and occasionally scrolling through tumblr

so yeah, i've not stopped being interested in epic or writing the friends in higher places au, i've literally not been able to haha (those i did get the nurses to listen to the musical so i call that a win)

but yeah, as soon as i feel strong enough to, i will be writing more parts ! also to reply to all the stuff i've not had the chance to reply to!

hope everyone had a good new year!

me to my lungs:

[prpfz]

hiya! (21+) writer here looking for other (21+) writers that would be interested in doing something within one of the fandoms below.

for a little about me i am a canon-only writer & whilst i do prefer writing with other canons — I’m not against dipping my toes into canon x original character if the idea interests me enough. dead 🕊️ and 🍪 themes welcomed but not required too.

here are fandoms i am looking for with the characters i like to muse within them:

arcane (vi, jinx, caitlyn, jayce, ekko)

my hero academia (todoroki, bakugou, dabi, toga)

blue lock (nagi, sae, rin, isagi, kaiser)

jujutsu kaisen (gojo, megumi, sukuna, toji)

bleach (ichigo, rukia, orihime, kisuke, aizen)

attack on titan (levi, eren, mikasa, floch)

chainsaw man (aki, denji, asa, reze ++ lots more)

tokyo ghoul (kaneki, touka, haise)

my writing style tends to follow literate to novella, i enjoy writing multiple paras and often exceed the character limit but i also enjoy smaller threads too. i really love sharing musings, aesthetics, media and moodboards! as well as incorporating texting and social threads. i'm not biased when it comes to types of plots, i'd be open to multiple threads, canon, canon divergent or au. also am open to nsfw i just ask that it doesn't take up the whole of the plot. if interested, like and i will reach out !!

Leave a like, and anon will get back to you!

[getsuuna]

ok so here's my complaint of the day!

I wrote this during the moment I felt like complaining and I was sleepy so it MIGHT be a little dramatic 😇

every time I'm devouring a SaneGiyuu fic because I like its plot for a while, here goes a smut scene that never fails to make me sigh and mayhaps roll my eyes

most of the times I know I'll get icked but decide to read because "what if it's not that bad",, then it's almost always the same shit over and over: Sanemi topping, bonus points if there's even just slight roughness (yikes😬...), Giyuu being loud and being described in degrading terms [and basically none of this was told beforehand in tags nor notes, almost as if it was the "normal" perception of SaneGiyuu for most people...??? shut UP??😃]

respectfully, it's ass.

I'm tired, these tropes are overused and fucking inaccurate dare I say, unless there's a reason in the fanfic's AU specifically but I still find it to be too common and weird. if you want a somewhat accurate SaneGiyuu pay gorn (/hj /ref) it must be them switching AND being romantic. where the FUCK is the romance,, the last one I've read now wasn't that bad because it still mentioned adoration, kisses and love overall, but there's almost always something that icks me even just in the few fics I've read so far, and it makes my reading experience sm slower and uncomfortable afterwards even if I initially loved the fic

now, as I've stated multiple times, I hate the "rough daddy dom Sanemi" and "submissive twink Giyuu" headcanons with every single inch of my entire being in&out including my whole soul /drm,,, and not just in sex scenes but in their overall dynamic, it's so enraging I don't care if someone disagrees I'd just stare and judge??😭😭😭my main purpose when I complain abt this stuff is to look for other people with my same mindset (thank GOD I saw lots of them so far though)

the disrespect, and the fetishization of queer couples in which one "has to look/act more like the opposite gender" and inevitably the one who has more apparent feminine traits has to be the sub, bc they associate femininity with submissiveness. heteronormativity and borderline patriarchy-inducted stereotypes?? woah./neg

let Sanemi receive, it won't make him any less of a man nor threaten his masculinity I promise🥺 same goes for Giyuu if he was actually written like the manly strong man and SOLDIER he fucking is? I still wouldn't really really prefer it but I would respect the preference in that case.. heated arguments about who tops or bottoms are inherently fetishizing and stupid, however if I see a (weird) pattern I'm gonna hate it sorry not sorry😭🙏🏻

also please if someone can recommend SaneGiyuu fics with NO smut or actually well written sex scenes with them preferably switching (it's the only actual realistic trope and I stand by this fact) I'll be thankful, and I'm taking the occasion to also recommend "You And Me, Alone Together" by Katz3 (yes there's also occasional sex scenes and yes they're perfect in every possible way, the whole fic is!! I have yet to find a better fic and I know I won't, despite it being underrated); or maybe if you have fic recs in which Giyuu exclusively tops if there's NSFW scenes, out of nothing but pure spite, I would be thankful as well🥰

one last thing bc I usually get heavily misinterpreted whenever I complain abt anything: I'm NOT saying "GiyuSane is better" (even if that's what *I* personally think, due to how I interpret their writing and how I headcanon their relationship dynamic which has nothing much different from most, I just don't twinkify/overly-feminize/infantilize Giyuu nor I over-sexualize/booktok-fy Sanemi), I'm just saying it's more realistic if they switched: it's more accurate, more inclusive, less mischaracterizing, less stereotyped and therefore less heteronormative and less fetishizing...

and about the degrading and roughness and all that I mentioned, I just despise it. for every ship and every trope, whether m/f, f/f or m/m. it takes romance away imo and I won't be sugarcoating it with "oh but it's consensual so it's fine" nor negotiating it in order not to piss off the people who like this kind of content; I'm sorry, keep your preferences, but I won't be shutting the fuck up if I have to read it every goddamn time I naively think there's normal and loving sex scenes. put tags to warn readers who don't wanna read that shit so they can skip it if they still gave the fic a shot, please🙏🏻

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[youchangedmedestiel]

Friend: What are you doing right now?

Me: I have a lot of projects.

Friend: Oh so cool, what are those? New job, new business, new home, new relationship?

Me: Ok, I have a lot of SPN/Destiel projects.

[inaconstantstateofchange]

bg3 modern!au idea where halsin is a conservationist, who mentions kind of despairingly to a younger colleague at a conference the way he's having such a hard time with outreach to get folks in his community aware of the wildlife around them and how important it is. the colleague makes an offhand reference to how tiktok is the way people seem to get connected to that sort of thing most nowadays, although hell if they have the patience to figure out the app, and wanders off to catch up with someone else. they will not realize until later (far, far later) the ramifications of this statement.

halsin is rather quiet for the rest of the event, makes his goodbyes, and then returns home to painstakingly research just how "tiktok" works, with the grim determination of a fighter entering the ring. if this is what it takes to raise awareness, then this is what he'll do. the cause is more than worth it.

the first roadblock he runs into makes him worry the venture will be over before its even started. the first few webpages he finds tell him patronizingly that his phone is too old to work for 'content creation'. and okay, so it's scuffed, and dented, and has maybe taken one or two tumbles into a mud puddle, but it ought to be more than serviceable! he goes outside and finds a patch of wildflowers, pulling up the camera function and shooting a shaky video. he returns to his kitchen table, squinting down at the results. he can see all of the distinguishing features of the plant that would allow him to recognize it in the wild, which means it's good enough to do its job. with a new resolve - that his family would have wryly labeled as stubbornness - he focuses his research efforts until he finally finds a webpage that will tell him how to make the app work with his phone.

when at last it starts up in a blare of sound and over-saturated colors, he grimaces, but presses on. it asks him to set up a username, and he types in his first name. the little circle spins for a moment, then tells him it's taken. he frowns, then adds a random number. 2. it spins again, same response. he frowns harder, then adds another. 6. it spins, spins, spins, then — welcome, new user @.halsin26! upload your first video to start using tiktok!

he decides not to overthink it. it'll either work out or it won't. he looks out the window, and judges there's still just enough light out. he returns to the little patch of wildflowers, and gives it a thumbs up. he starts a recording directly in the app, making note of the 60-second time limit with a grimace. to make the most of the time he has, he doesn't bother with an introduction, just kneels down next to the cluster of plants, careful not to compress the ground too close to their root system, and moves his hand just behind the flowering portion to visually distinguish it, and act as a scale reference. he keeps his voice low, since he doesn't want to overshadow the content itself, and quickly lays out where folks could run into this plant, its importance to its local ecosystem, and ways they could help its conservation. the most important things the average person can do, he states passionately as the timer begins its final warning, is to document the locations where they find said plants, so that the areas can be marked for oversight and protection.

he doesn't bother to look back over the video before he posts it. he knows what he said, after all. he stretches his arms up above his head, then massages the back of his neck where the muscles are growing stiff. as he heads back inside to start dinner for himself, he tosses the phone into a basket on the counter and forgets about it.

the video languishes in the algorithm for the evening, until a random user gets distracted from scrolling away from the potato-quality wildflower video someone's grandma uploaded and chokes on their spit as forearms that very clearly do not belong to anyone's grandmother enter the frame, gently cupping the air around the flower.

god i wish that were me, they type before they can stop themself. debating whether to bother hitting send, they choke again as an absolutely unfair voice begins to narrate the ecological importance of this particular plant. the voice is smooth and deep, just above a murmur with a pleasant backing rumble. they have never given a moment's thought to plants in their entire life, but all of a sudden they are invested. they don't even notice when their thumb hits 'send' on their comment, too busy swiping over to the profile to see if there are any other videos. it's empty of literally everything, default user icon, only-barely-not-randomly-generated username, only one video posted earlier that day. they go back to the video and copy the link to send to their friends, needing someone - anyone - else to understand the experience they just had.

a few more interactions like that, and the algorithm takes notice. it bumps the video to a few more users outside of the current sphere, and those ones like it too. more importantly, they are very likely to share the video with others, increasing the engagement far beyond anything it had right to expect.

by two days later, when halsin remembers to actually check the thing, it is sitting at a comfortable 2500 likes, and there is a whole fleet of comments waiting for him to review. some of them - many of them, actually - don't seem that relevant at all, and he frowns, but then he sees a few that actually seem interested in more information on the plant he'd described, asking questions about how wide its range is, if it could be found in this or that coloration, etc. these he responds to swiftly, then grimaces as he runs up against a 'character limit'? who ever heard of such a foolish thing. after a moment of glaring down at his phone, he sees that it will allow him to answer by video, and does so, stepping onto his porch and zooming in on the plants. (this blurs them into barely discernible blobs of pixels, but he does not notice.)

still others are curious about what other plants and wildlife he might be able to share about, and he leaves short comments under each letting them know that he will plan to upload some more videos soon, if there is an interest. one user has left a comment that he almost files into his mental "ignore" category, but goes back to reread at the last moment.

not convinced this isn't one of those 'booktok bait' things again but i stg there's a big ass patch of those fuckers behind a parking lot somewhere around here?

halsin responds to this one with a video too. now that he's getting the hang of it, it's actually a bit more convenient than having to type everything out. he thanks the commenter for sharing, then asks if they might be willing to do him a favor sometime – only if it wasn't any trouble, of course! – and grab a video or two of the area they referenced, and share it with him — or their local wildlife foundation, at least.

a few days later, he opens the app to check in to find that he's been tagged in a video by some user. bemused, he clicks on the popup, and it takes him to a slightly shaky but pristine quality video of an empty lot filled with tall grass. the person filming moves a bit closer, then zooms in, and halsin spots multiple cluster of that recognizable wildflowers, before the video ends and restarts. there's no narration to this one, only a barely audible music wheel spinning in the corner. the caption on the video says, @.halsin26 just in case you're not actually some weird account for a fetish i haven't heard of before, here's some of those plants you mentioned looking for.

[triglycercule]

dust and horror angel and demon themes,,,, they could totally parallel each other...... :3

dust=angel of death described in the delta rune prophecy (self declared) (i DEFINITELY elaborated on this one waayyyy before but anyways dust with a fucked up savior complex SAVE ME SAVE ME.... death is a blessing ass guy. life is torment and he will be the one to liberate monsters from their bodies and with the strength they provide to him be able to take down evil evil creation of pure misery that is the human ✨✨✨ dont worry his evil cackles are to HIDE HIS PAIN of saving everyone....... trust)

horror=demon that dragged everyone in horrortale into hell (as perceived by everyone else) (i think it would be a cool hc if everyone outside of snowdin viewed horror as literally a demon. maybe undyne preaches that. anyone outside of snowdin might be WAYYY worse because they starve for longer and literally take part in cannibalism so they might not have the same sort of mild sanity that snowdin residents do,,,, besides he DID kinda bring them all eternal suffering. kinda. nobody but undyne knows what happened at the core so she could totally just paint the story to blame horror fully)

ANYWAYS i like the possible dynamics this could have :333

dust to horror (please let me kill you PLEASE let me kill you i can end it all so peacefully wouldn't it be nice??? i promise ill make it quick just for you),,, horror to dust (i want you to live and suffer with what youve done i want you to watch all of your choices hit you one day and i'll be there and laugh at you. i'll keep you alive just to keep you suffering ok?)

OR dust to horror (you dont deserve to die you dont deserve to even be hurt by me. not because youre the exception but youre the Exception i absolutely loathe you so youll never get the sweet release of death :3) and horror to dust (just let me die already i dont wanna be here. youre supposed to be a savior right??? an angel?? then why don't you save me already when i need it more than anyone else)

[fiepige]

Okay guys, hear me out:

Sea Serpent Hobie!!!

Sea Serpent Hobie who sinks any superyachts he comes across!

Sea Serpent Hobie who uses harpoon spears meant to kill him as piercings! And old anchor chains as jewelry!

Sea Serpent Hobie who attacks big commercial fishing boats that are destroying the ecosystem by overfishing

But also benign Sea Serpent Hobie, who aids those lost at sea!

Who helps smaller local fishing buisnesses with sustainable fishing

Who looks out for this small fishing community and in return they warn him whenever hunters show up in the area!

Sea Serpent Hobie who is huge but still manages to hide perfectly in the kelp forests!

Who has bioluminescence and uses it both to terrify enemies and as a way to calm down people in distress, as a way for him to signal goodwill - and to show off when he feels like it!

Who can change his pigmentation similarly to octopi to communicate his mood and feelings! Or just to blend in with his surroundings (also as a nod to the way he changes filters in the movie!)

Sea Serpent Hobie who's frequently seen swimming with whale pods- Orcas being his favourites to hang out with (they sometimes go on yacht sinking trips together)

Sea Serpent Hobie who likes to give people a show and will show off by breaching right next to unsuspecting boats

DO YOU SEE MY VISION?!??

SEA SERPENT HOBIE!!!!!!💙💙💙

[horsechestnut]

(Whoops my hand slipped and started writing a Batfam Umbrella Academy AU)

From the Personal Notes of Mr. Bruce Wayne:

00.01 - Ability to manipulate gravitational fields allows for advanced gymnastic and combat capabilities. A strong leader, the others look up to him. Loyal to a fault, but needs to be watched carefully. Will choose the other children over himself or me.

00.02 - Determined, focused, strong willed. Has learned to use her ability to analyze the surroundings and formulate a plan prior to attack. Unfortunately lacks any leadership qualities and fails to communicate these plans to the team, preferring to act alone. Still has much to learn, but is eager to do so. My favorite.

00.03 - Adequate marksmanship and proficiency with ranged weapons. Can hold his own in a fight but relies to heavily on his powers. Insolent, can not take instruction or direction. His recklessness will be his undoing.

00.04 - Development of photokinesis is hindered by his unwillingness to fully commit to manipulating shadows as well as light. Charming and a neutral leader. Should Number 1 ever fail, he would be the best choice to replace him.

00.05 - Connection to animals has yet to prove useful. Fighting skills and determination on par with Number 2, but is unpredictable at best. Refuses to admit when he doesn’t know something. Has no respect for anyone but himself.

00.06 - Still fails to reach the full potential of psychometry abilities. Refuses to accept the possibility that he may be able to see into the future as well as the past. Useful for research and not much else.

00.07 - No clear talents. Some enthusiasm for puzzles and mediocre problem solving abilities. To headstrong. Irritating.

[r0semultiverse]

What We Do in the Land of Ooo

🧛‍♂️ What We Do in the Shadows x Adventure Time crossover AU! ⚔

Finn Mertens in place of Guillermo de la Cruz

Marceline Abadeer in place of Nadja of Antipaxos

Bonnibel Bubblegum in place of Laszlo Cravensworth

Jake the dog in place of Colin Robinson

Vampire King in place of Nandor The Relentless

Betty Grof in place of The Guide

The Lich in place of Baron Afanas

Peppermint Butler in place of Wallace the Necromacer

Simon Petrikov in place of Derek

BMO in place of Nadja Doll (her old consciousness uploaded or something was an idea I had)

Marshall Lee & Gary Gumball/Prince in place of Sean & Charmaine

[victorluvsalice]

AU Thursday: Valicer In The Dark -- More Score & Story Ideas!

Because, uh, I have a lot of ideas for stuff I want to do in this verse, and the original list from a year ago has expanded quite a fair bit:

-->While I haven't gotten all of my stories into a proper timeline yet, I do have the first five sorted:

A) "Start At The Beginning...Sort Of" -- the story currently in progress, where the trio all meet, solve Victor's ghost problem and Ghost!Emily's Barkis problem, get wrongly accused of murder, run from the police (showing off their special starting scoundrel abilities along the way), and eventually end up in Elder Gutknecht's old place in Six Towers. This is sort of the "prologue" to the whole mess, putting all of them in the right position to start on a life of crime. XD

B) "A Murder Shared Is A Murder Thirded" -- yes, I did have Gale of Baldur's Gate III's line about how "a parasite shared is a parasite halved" when I came up with that title. XD As you might imagine, this is the trio first "unofficial" score, with them going to murder Bumby, because the fucker needs murdering. Of course, it's only after they kill him that they meet up with Smiler's parents and learn they were exonerated of the original "murder" by the Spirit Wardens. XD Still no regrets, though.

C) "The Van Dort Vacancy" -- came up with that title while looking at old Oxventure Presents: Blades In The Dark episode titles and being inspired by "The Cab-Con Caper's" alliteration. This story focuses on Alice and Smiler returning Victor to the Van Dort mansion...only to discover the Van Dorts hosting a party. Victor quickly learns that his parents never even considered the idea that he might be in danger when he vanished, only caring about the fact that Victoria Everglot married someone else (and is now due to wed Imperial Guardsman Christopher White after her first husband's death and disgrace) -- and after overhearing his mother declare "what ghost would marry our Victor?" decides fuck them, he's taking his stuff, stealing what money he can, and going to live with Alice and Smiler in Six Towers. Features special guests Barnaby "The Butcher" Fortescue III and Kasimir Jones from Oxventure Presents: Blades In The Dark, because it tickled me to imagine them doing a score to steal some of the Van Dorts' money at the same time -- only for Victor to catch on to what they're doing when he meets Barnaby at the party and go "if you wait five minutes for me to get my things, I will open the safe for you and give you a good chunk of the money inside." XD

D) The currently-untitled story detailing the gang's first "official" job as a crew, picked up when they go to dinner at the Ball & Socket Pub and Smiler overhears two workers from Coalridge discussing needing to get something back from their boss -- the "something" is a list of potential union representatives that the boss stole in order to call assassins on the people listed. The workers need it back to keep their nascent union safe. Notably, the score involves the workers saying they can't give the trio much in Coin, but they'll do what they can -- and then one of them jokingly saying, "Unless you want to be paid in furniture."

Cue Victor, Alice, and Smiler, who currently live in Elder Gutknecht's-not-exactly-comfortable house, going "what kind of furniture?" XD (A couch and a proper dining table, specifically -- old furniture one of the workers was trying to shift after inheriting some stuff from a late relative.)

E) "Who You Gonna Call?" -- As you might guess from the Ghostbusters quote for a title, this story involves the gang busting some ghosts. XD Specifically, it involves Bonejangles -- here a Whisper who does entertainment work for the Ball & Socket on the side -- deciding to school Victor in the art of ghost-catching by taking him on a job to catch a few Echoes (non-sapient ghosts who continually do the same thing over and over again in a loop), with Alice and Smiler tagging along for moral support. However, as it turns out, one of those "Echoes" is actually a Specter (a sapient, feral ghost who attacks people and possesses them to feed on their life force) who was biding its time... I felt a little bad that none of the previous stories really had any Whisper-y stuff for Victor to do, and decided he needed a "day in the limelight" score -- as a bonus, this score is how he gets his ghost-hunting equipment for later!

-->I also have plans for two possible prequel stories -- one showcasing the three times Alice and Smiler talked before the events of "Start At The Beginning...Sort Of" (I have the first bit, Smiler giving Alice the money for lunch, actually written already), and one showcasing some of Smiler's life even before that (I have a rough draft of the scene where they wake up the "morning" after inventing Joy Serum and go "bwuh?" over their newly-glowing yellow eyes). Good for filling in gaps and writing more stuff from Smiler's POV!

-->I mentioned Victor wanting to make a community greenhouse very briefly in the very first post I made about the AU -- this has expanded into a whole little arc about him finding an abandoned conservatory while wandering Six Towers and the gang fixing it up into a place where they and the other residents can grow food. In order, the stories would cover:

1) Getting enough money to pay a glazier to fix all the broken window panes (or doing something for the glazier in trade)

2) Acquiring the initial plants (which involves a trip to Barrowcleft and probably doing a job for someone there in trade)

3) Victor researching ways to infuse butterflies and moths with electroplasm to create radiant energy insects to help the plants grow; my idea is that he eventually tries mixing it with some of Smiler's Joy Serum -- and gets REALLY BIG bright yellow glowing moths, to his and Smiler's delight and Alice's concern

4) And then, once the place is just about ready to "open to the public," Lord Rowan, the only lord who maintains a permanent residence in Six Towers, rocks up, claims the greenhouse is his, and demands an absolutely ASTRONOMICAL rent from the trio to use it. Fortunately he proves to be a man who likes games when Smiler asks to negotiate, and tells them if they can break into his house and get the deed to the land from the safe in his bedroom, it's theirs (the trio smartly get this written down and notarized by someone in Charterhall first; Rowan is PIIIIISSED when he realizes he'll have to honor the deal)

-->A related idea would be for the gang to encounter some of the people in Charterhall (the neighborhood mostly made up of one big university) who are working on an alternative power source to help replace leviathan blood (which is refined into the electroplasm that powers everything electric in the setting) and need a place to test it. The trio decides that the alternative energy group can try to get the streetlights back on in Six Towers, and there's a score all around helping them get there safely, and keeping Lord Rowan's nose out of it until they're done. Not sure what exactly it will entail yet, but I'm eager to find out!

-->As stated in previous posts, the gang eventually has to go after Dr. Kelman when he puts out a notice saying he wants the three captured so he can submit them to his special "social compliance therapy" (aka do horrific brain surgeries on them and/or Hollow them by ripping out their souls). This is how Victor and Alice learn Smiler's birth name, and the whole trip proves to be a rather dark look at Smiler's childhood pre-running away and joining the Advocates. In fact, I already have one specific scene in mind of Victor finding a photograph of a young Smiler and noting that their smile in the picture looks incredibly strained, as if they're desperately trying to see the bright side. Also, Miles Cedars is definitely going to show up, and possibly get to murder Kelman. Because I like giving him the chance to murder Kelman. :)

-->Speaking of Smiler angst, I also have in mind a story where, on a particularly chilly night in winter, Smiler, Victor, and Alice are wandering the streets together when Smiler somehow falls into one of the local canals. Victor and Alice fish them out as fast as possible, fortunately, but the rest of the story proves a race against time to get Smiler home and warmed before they succumb to hypothermia. Featuring half-naked cuddling when they learn that skin-to-skin contact can be an excellent way to warm a chilled person (fortunately this is after they get together as a polycule, so the partial nudity isn't as awkward as it could be)...and Smiler crying in front of Victor and Alice for the first time when they can't stop thinking about the fact that, if they'd been walking with their fellow Advocates, said Advocates would have believed them when they said they felt okay...and they probably would have died. :( It is a story of many feels, is what I am saying.

-->So, when does my OT3 actually become an OT3 in the actual stories? Shortly after the Kelman score, in a story entitled "And There Was Only One Bed" (a play on the fic trope, and the fact that the house only has one good bed -- at the time the story starts, the three are taking turns using it, with the other two sleeping on cots borrowed from The Advocates). The story involves Smiler (who has been trying to subtly push Victor and Alice together, having noticed they seem to like each other) finally revealing to Victor and Alice that they're a pretty accomplished hypnotist, and offering to use their skills to help Victor with a nasty bout of insomnia. Victor agrees, with Alice wanting to watch for her own peace of mind -- cue Smiler hypnotizing Victor the next time the three of them are going to bed...

And a deep-in-trance Victor asking to be held as he falls asleep. Prompting both Smiler and Alice to cuddle him...and fall asleep against him because neither wants to get up and possibly disturb him after he does drift off. Meaning when everyone wakes up the "morning" afterward, they're all really awkward -- Alice because she's like "wtf why did I find that hot;" Victor because he's like "oh no I liked that too much and I have to process the fact that I'm in love with both of them now;" Smiler because "damn it I think I just decreased total happiness in this household should have kept my stupid mouth shut." They do their best to push through and complete the latest job they have though (a random "steal something from this rich fucker's house" deal, it's not actually important), which ends up with them having to clamber up onto the roof at some point --

And then Victor nearly falls off said roof. Prompting both Alice and Smiler to nearly have a heart attack and have their feelings toward him thrown into STARK RELIEF. Meaning they all finally have a chat once they complete the job and get back home, which allows them to finally discover that a) they're all willing to get into a polycule and b) that they actually have quite compatible kinks. Story ends with Smiler delightedly returning one of the cots to their parents (Alice insisted on keeping one in case one of them does want or need to sleep alone) and the three of them regularly sharing the bed. :)

-->I also want to do at least one follow-up concerning them starting to play around with hypnosis, and Alice insisting she wants to do something that will help keep Victor Victor no matter what they do to his head -- cue her and Smiler coming up with a safety suggestion that involves Victor picturing the core of his personality as a glowing tree, and then having him encase it in unbreakable glass so his personality can shine out, but nothing can get in. :) It's just a sweet scene that's been rattling around in my head for a while, and I'd like to put it to virtual paper.

-->I mentioned a "Lord E.A. Bethesda" in my Duskwall Slang post a while back, as a guy who gets labeled with the very-dangerous-in-Duskwall title "Welcher" (someone who hires someone for a job, but then decides to try and kill them instead of pay them; people who do this generally end up dead themselves). How does he get saddled with this label? By hiring the Three Pillars to steal a golden beetle statue from a rival (Lord Bethesda is a bug collector, you see), plying them with a hefty reward if they pull it off (which he can afford as the "Gambling King" of Duskwall -- his fortune was built off of getting lots of people to pay him small amounts of money in hopes of great reward). They do indeed pull it off --

And Lord Bethesda happily orders them killed by his guards, forcing them to escape his house in Brightstone. However, Bethesda (who has done this before) employs Plan B and has his guards herd them toward his garden and through a gap in the lightning barrier around his home --

Before turning said barrier back ON and stranding them in the HEAVILY ghost-and-horror-riddled Deathlands just beyond (specifically, they're in the Lost District, a formerly rich neighborhood that was abandoned once the lightning barriers went up). This leads into the sequel story, where the trio have to find a way back into the city while navigating the horrors of the Deathlands...which results in them discovering that Alice's Wonderland Jabberwock, inspired by an illustrated poem she read as a child, is actually based on a REAL CREATURE. Which has the horrible eye beam and wants very much to kill them. (And which may have the voice of Christopher Lee because I might as well throw in the nod to Tim Burton's Wonderland -- Victor is VERY CONFUSED as to why it sounds like Pastor Galswells.) They manage to kill IT instead by strapping Alice's Vorpal Blade (now a real thing, Victor bought it for her as a present) to Victor's ghost-catching kit while Smiler whacks together a sort of motorized skateboard thing for them to ride on and then using the electroplasmically-charged Blade to slice the damn thing's unprotected belly open. Alice claims one of the eyes as a trophy, and shortly thereafter they're found by the Spirit Wardens, who look at the corpse and go "let's just get you back inside the barriers, shall we?" Cue the the trio tromping back to the Ball & Socket and telling the clientele about their experience...leading to Lampblack gang leader Bazso Baz declaring Bethesda a Welcher, and the guy soon afterward getting killed.

-->Not that Baz is actually a friend to the trio -- for another future story has the trio invited to one of his fancy parties, supposedly to recognize how rapidly they've made a name for themselves in the Duskwall underworld. The three go, figuring it's a good way to keep relations good with their fellow criminals -- but are quickly rather disgusted by the party itself, as it feels pretty much like any party Nell Van Dort would throw (overly ostentatious and making it clear he's only in it for the power). They resolve to get through the shindig and head home...

And then Baz reveals that the actual reason they were invited was because they've collected a variety of bounties on their heads (including a big one from the Van Dorts, specifying Alice and Smiler have to die but Victor be brought home alive, and a huge one from Lord Rowan, wanting them ALL dead) and the other criminals want to claim them. Cue the Three Pillars having to try and find a way to escape from the house as the other criminals hunt them. Fortunately for them, they have unexpected allies in Baz's staff, with one guy in particular having a sister and nephew in Six Towers whom they've helped a lot (probably both in general with the greenhouse, and specifically by helping the kid when he got sick once). They eventually manage to get out with the staff's help, and limp their way back to Six Towers...

Just in time to see Lord Rowan trying to make a big speech to the citizens about "how your heroes are dead" and blah blah blah. He is gobsmacked to see the trio still alive, leading to, of all people, Smiler strolling up to him and clocking him in the face. XD Gaining the Three Pillars a reputation as, frankly, unkillable...

Aaaand I should probably cut it there because this post is getting long enough. XD And I haven't even touched upon all the stories I have in mind that are based off of other properties I like! Guess that would be a good follow-up post to this one, huh? :p

[hectorthedoggo]

guys... alien stage!!