#[ but how he was a teenager/young adult rather than a young child ]

[idolbound]

catching up on the dash after I went to bed has Meredith like "that's my (not) son you're talking about"

[charlietheepicwriter7]

Despite Danny's best efforts, no matter how much time past, Amity Park refused to see Phantom as a hero.

Sure, there were pockets of support, particularly among teens, but most of the town blames Phantom for the property damage, saying if he didn't fight the ghosts then it wouldn't be so bad, to that time he got mind controlled by Freakshow and "attacked" the mayor. It wears him down. It wears Tucker and Sam down. Jazz can only try to support them all.

Then one day, a member of the Justice League visits. Someone minor, and kinda a jerk... maybe a Wonder Twin? Zan? Whatever. They don't investigate; they don't look deeper. They listen to the town folks and declare the ghost hunters, Red Huntress and the Fentons, to be the official heroes of the town.

Worse? Danny Phantom is officially considered a villain to the Justice League. Tuck hacks into the Watchtower and confirms that they have a file (a heavily inaccurate file) about how to defeat Phantom.

Danny doesn't think he can do this anymore.

A few weeks later, a young villain escapes into Amity and demands (begs) that Danny help them escape from the hero after them. No idea who, I can't find a lot of info on teen villains in DC, so let's fudge some ages and make it Kyd Wyckyd from the Teen Titans cartoon. Danny agrees, because to hell with the Justice Losers, and they defeat the hero, becoming friends in the process. Kyd confesses that they became a villain after being ostracized bc of how they look, and they've been trying to avoid villain organizations because HIVE was abusive, but it's really hard to be a villain alone bc of all the heroes.

Sam gets an idea. Tucker agrees with the idea. Jazz is just happy they'll end up making friends.

The next day, the Teen Villain Alliance is formed, ready to assist with any teenage illegal shenanigans their allies might get into.

Some notes:

It's created to be a healthier option for teen "villains" to connect with others and support each other.

It's more important that this is for Teens rather than Villains. They're tired of adult villains taking advantage of them. The TVA would rather ally with a teen vigilante than with an adult villain.

Again, no idea who the teen villains are, but Klarion is definitely here. He leaves the Light for the chaos of the TVA. Maybe Ember is there too?

Timeline wise, this is around when Tim is still Robin, but Damien has arrived at Wayne Manor.

This is because, when it comes time to try to infiltrate the TVA, they'll have a convenient child-assassin who has none of the monitors of a teen hero that Phantom immediately picks up on.

Damien, who at this point has been abandoned by his mother, dismissed and scolded by his father, and has had no success at carving his own place in the family, jumps at the chance. He is then surrounded by peers who don't insult him or try to change his behavior (too much; jazz is trying to help him find healthier methods of expressing himself). He... might not want to continue being a spy.

Danny, Sam, Tuck, and Jazz are the founding members.

Danny reinvents himself as the High Prince of the Infinite, Prince Phantom Dark. He got kingship from fighting Pariah Dark, but since he's still alive, he's only a prince. He steals the last name Dark as an intimidation tatic against those in the know; only Danny would have the balls to claim family with Pariah.

Sam works as a powerless villain, but she might no be powerless? Either way, Danny gives her a bunch of repurposed Fenton tech, and she buys the rest with her parents credit card. She does NOT care if that's traced back to the Mansons. She would choose something goth, maybe something spider related or even bat?

I love Pharaoh Tucker, so I think he should get magic powers? Since pharaohs of old were considered the balance between the real and the divine. He's still a tech guy, now he's a tech and magic guy.

Jazz isn't really a villain, more of a team mom who's planning on using everyone's psyche's as her thesis paper. You know what, that's her callsign, she's Psyche. Sometimes she flirts with Nightwing.

[genderqueerdykes]

queer communities: please take a moment to read this ask sent by a nonbinary parent discussing their 11 year old transmasc child's experience if you don't believe that transandrophobia is real or that you don't think man hating hurts queer people.

i recently received an ask from a nonbinary parent whose 11 year old transmasc son is dealing with suicidal thoughts and regret because of these behaviors being so common in queer spaces now. he can't escape it, even his friends are awful to him about it and he has to apologize for being transmasc often. he is being robbed of his childhood because people are already forcing him to adopt the "man" role and take heat for it even though he is literally 11 years old.

please take the time to read his story. this is real. it hits hard. this is not just petty fighting online. it gets carried into the real world. those people don't stop believing those things just because they logged off. they're real people. all of these things affect real people because the people behind the posts are real and what they say stems from how they behave.

would you rather see dead trans boys instead of living trans men?

you know the rush you get when you fuck with someone? its temporary, and it creates a howling void. the way you treat that other person? Can stick with them for life. you getting your kicks out of abusing and bullying children has real world consequences. how would you feel if a trans boy actually ended their life because of what you said to them online? you'd say you'd feel proud, but you wouldn't. you won't feel good if it actually happens.

do boys not exist or do they get a special pass and are only killed once they're men? saying things like "kill all men" and pressuring trans men and boys to stop being trans or become more feminine or leave trans spaces altogether is hurting people in the real world. it's not just a funny haha thing you say online, it's happening. and the worst part is that it's the norm. not all transmascs have the ability to have any power over you at all. some transmasculine people are boys, not men. some are children you are not justified in mocking young transmasculine people because they're boys. they're not even men yet. trans boys aren't getting the chance to even become men, let alone be persecuted for it.

please stop. it's making children consider suicide. and don't you dare say "good". like how could a child dying because they were tortured mentally by adults and kids older than them dying ever be a good thing? they're vulnerable. trans boys are vulnerable. you're picking on vulnerable children. you're picking on adults who have already gone through this a million times before. enough. please stop bullying transmasc children. stop doing it to transmasc adults, too, stop doing it to all transmascs. but please stop making kids feel this way. that "petty teenage discourse" is a thing that carries over into the real world and hurts kids. teenagers are kids. preteens are kids. this is hurting the younger generation. why do we see this as okay?

this in and of itself is an example of transandrophobia. please stop. let trans boys grow up to be happy trans men who live long lives. they deserve it. protect trans kids includes transmasc kids and kids who are trans boys. we're shutting down these conversations. you can't keep doing this to other trans people and act like it's funny and cool and whatever.

like seriously, stop. dead children aren't funny.

we're done.

thank you.

[penvisions]

black hole sun {series teaser}

Pairing: Pre-Outbreak! Joel Miller x Waitress! Reader ; Jackson! Joel Miller x Survivor! Reader

Summary: You carry memories of Joel Miller in your heart in the wake of the end of the world, someone who had once been a bright spot in the dull monotony of life.

When you unexpectedly cross paths with him again, he’s no longer the young man you used to share moments with but an unforgiving dark spot that had been corrupted by the new world order.

He’s gone in the blink of an eye once again, showing up months later to settle in Jackson as he’s turned into some convoluted mixture of each. Maybe time and circumstance will allow for you finally tell each other how you feel?

Word Count: undetermined

Warnings: canon typical violence, canon typical language, canon typical gore, past lives, dual pov (both reader and joel), outbreak day events, passage of time, heartbreak, angst, missed oppurtunities, miscommunication, second chances, sexual content, adult content, piv, unprotected piv, smut, moodboard photos do not depict reader completely just conceptually, it more tags to come as the story develops!

A/N: a little teaser that was promised a few days ago (a week ago? two weeks ago??) oh well, here it is!! i'm excited to start filling out scenes for this one c:

ao3 link || series masterlist || navigation

The sunlight streams in through the bay of windows that sit over the deep green booths. The velvet backings of them are soft though the color has yet to fade with age. It’s the afternoon, your favorite time of the day, thankful for the lull in customers and the chance to catch your breath between the lunch and dinner crowds. The mornings are nonstop coffee refills, eggs cooked every which way, toast piled up high and far too many condiments for each dish offered from hollandaise to ketchup to steak sauce.

And besides, breakfast only seldom brings in the trio you most look forward to seeing in your section. It’s the later hours of the day that they tend to visit, the youngest right after school on the days she’s not set to hang out with her neighbors. Though she’s admitted to you both alone and in the presence of her father that she prefers spending her time with you in the diner than over at the Adler’s house riddled with crosses and portraits of Jesus.

You don’t blame the young girl, she doesn’t need to be sheltered and treated like a child as enters her first teenage year. She deserves the choice of where to go after school and if it’s where you can keep an eye on her, then so be it. She’s spunky, quick witted and unabashed in her comments. Though she makes sure that it’s a safe space to act as such before she does so.

The first two weeks she had begun to spend time in the diner, a completely random choice by her uncle while he picked up something from the hardware store further down the block, she had been shy. Though you also chocked that up to her being a fresh thirteen and unused to the foreign setting. It was on the cusp of downtown, but still settled on the outskirts of a neighborhood as it shares the parking lot with a hardware store, a seasonal snow cone stand, and a plant nursery.

Ever since that first day she walked in with her wide, sparkling eyes she had flocked to you. You had been worried why she was alone the moment you realized no one was coming in behind her and asked her if she was lost. She had smiled so shyly at you, her face so pretty and her curls so bouncy as she explained her ‘Uncle Tommy’ was next door doing something for the business.

An hour later she had been joined by not one but two rather handsome men, both of whom had thanked you for watching after the girl.

With a warm smile and a hand propped on your hip, you told them you hadn’t minded in the slightest and that she was welcome there anytime. And the year since then proved that it had been one of the best things you could’ve said.

She’s sitting there now, in the corner booth with her textbooks and notebooks sprawled out across the brown speckled formica. A plate of half-eaten chicken tenders and fries pushed across the entire thing, a reusable water that was half full beside it. She had asked for a milkshake, and you had caved even as Joel’s strict words in a deep baritone had told you “only one a week”. But you heeded his words- mostly.

Sometimes, the girl would bat her beautiful, wide eyes at you and you would cave. Today was one of those days. And you’ve been caught as Joel’s eyes go right to the remnants of whip cream and chocolate that swirl at the bottom of the empty glass the second he enters with a jingle of the bell over the door.

But all he does is shake his head with a lopsided smile and proceeds to walk up to the counter where you’re refilling the sugar caddies with multicolored packets. Your heart flutters as his brown eyes meet yours, set in such a handsome face. Thick scruff adorning his strong jaw and chocolate tresses that are beginning to curl on the ends tousled from a day spent underneath a hardhat. He always looks so damn good and your stomach flips as he shoves his keys into a front pocket of jeans that hug him in all the right places. He’s covered in paint today, or glue- something that’s stained his clothing in a way that screams dedicated worker and competent.

“Hey there, sweetheart. Y’all okay today?”

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[coraniaid]

To the extent that Buffy the Vampire Slayer is deliberately and consciously About any one thing, it is about growing up. Specifically, it is about Buffy herself growing up. Moving beyond her childhood and her teenage years and becoming an adult.

And -- not always, but very often -- the metaphor that the show keeps coming back to for growing up is death and dying. Buffy's childhood friend Ford dies, and Buffy and Giles talk about growing up while waiting by his grave ("I'd like to stop," Buffy admits, just before Ford, now a vampire, bursts out of his grave). Buffy's mother dies young -- barely over forty -- and Buffy is forced to grow up again ("Who's going to be [Mom] if I'm not?" she asks her sister Dawn, her idealized childhood self made flesh, "Who's gonna take care of us?")

Buffy herself dies twice, and climbs out of a grave in a symbolically important way three times (in Nightmares, in Bargaining and in the very literally titled Grave). Buffy's main enemies on the show, especially during the high school seasons, are vampires -- forever young immortal creatures that refuse to die, but which "she alone" has the power to kill -- and Buffy can only defeat the Master by accepting the inevitability of her own death. The act of dying at the Master's hands both makes her more powerful ("I feel strong," she says after being revived, "I feel different") and also enables her to meet other people like herself (first Kendra, then Faith). Death is her gift, you might argue.

Another thing the show regularly associates with adulthood is money, particularly for Buffy. As a child, money isn't something that Buffy herself worries about, except abstractly: in School Hard she complains about spending a large fraction of her allowance on a new cream rinse that turns out to be "neither creamy nor rinsey", and in Homecoming she'll rue that she spent "a year's allowance" on a now ruined dress, but these allowances never actually run out. There is always money for new dresses.

Money is something for Buffy's parental figures to worry about. Joyce admits to "dreaming about bills" in The Puppet Show. Her father chooses his job over her in Helpless because "his quarterly projections are unravelling ... he can't afford to take off right now". It's Joyce, rather than Buffy, who worries about how she'll pay her way through college in Choices ("I know we can make it work if your father pictures in", she says, in what in hindsight seems like hopeless optimism) and it's Joyce who will be paying the bill for all the expensive textbooks Buffy buys in The Freshman ("I hope it's a funny aneurysm," Buffy says, which probably means nothing). And [whatever you think about Giles being paid], this is why Buffy insists on Giles being restored as her Watcher in Checkpoint, "reinstated at full salary", but doesn't think to argue for any salary for herself. Buffy doesn't get paid. Even at this stage of the show, money isn't something she has to worry about.

So, after Buffy dies for the second time and is brought back into the world again -- after she is forced to live in the world as an adult, and permanently take over the role of her mother -- it's no wonder that suddenly money becomes important to her. Not just important, but real, in a way it never was before. Those bills Joyce was dreaming about in Season 1 are Buffy's bills now.

And this is also why Buffy's friends can't just bail her out. Why Willow and Tara plan to go on living in her house without paying rent. Why all the gang come to offer her (moral) support when she starts her "subsistence level employment" in Doublemeat Palace, but don't think to actually pay her for the food they order. More than that, it's why Buffy doesn't ever think to ask for rent, and why she tells Xander his burger order is "on me" before he ever admits to looking to get a free meal, why the only person to give her financial assistance is her former Watcher (and now fellow adult) Giles.

Because her friends haven't gone through everything Buffy has. "It's kind of a Slayer thing", you might say. Unlike her, they haven't died. They haven't had to claw their way back to life from out of their own grave, into a world where everything is suddenly "hard and bright and violent". They haven't been forced to grow up yet. They don't know what it's like, and (as Buffy herself says in a different context), it's important to her that "they can never know". They're still kids. They're not in hell. Money isn't real to them yet.

[fluff-n-cookies]

Hello :)

Could you please do and platonic Aizawa x daughter reader?

His daughter is in her teen years so she is being like really rebel and all that so they fought a lot, but one day she just breaksdown during one fight and starts crying and apologizing for being a shitty daughter?

I have been avoiding this for so long, and it's all because I have no idea how aizawa would handle something like this. because it goes against everything that Aizawa would try and teach his kid so this may be a little forcefully written, apologies.

TW : unhealthy parenting, mental illness, some suicidal thoughts, probably angsty shit, I dunno, read at your own risk.

We can start this by walking through how this may start in the first place. I think the best place to start is that reader's mom left her and Aizawa when she was very young, and Aizawa, assuming here he didn't understand how to properly tell her why her mother left her, never tells her why.

Now reader is very young so she might blame one of two things.

herself

her father

While both instances would technically work, I think the more favorable option is she blames herself since a young child would probably never blame an adult they look up to and hold dear as the problem.

Up to this point her father has been really kind to her so the only other variable is her, this spirals into social anxiety, low self esteem, and depression. all of which don't help when you have an absent mother and a neglectful father who is both a teacher and a full time hero, which leaves little to no room for children.

(this is also why I think it isn't realistic for Aizawa to keep Eri or a child without another non-hero caretaker. Fight me, I dare you.)

As time goes on, and this child becomes a teenager, she might not know how to properly express her feeling and after being misguided by factors like the internet, other adults, and "friends" she might take out the feeling of being abandoned on her closest caretaker and another source of her problems; Aizawa.

if you purposely yell at him or start arguments it's not going to be very fun because Aizawa has this complex where if his students or other heros represent incompetence or arrogance he expels them or ignores him rather than explaining it to them and helping them improve, this is especially with students.

and since he lacks a true connection with you as his daughter mainly because of his job(s) and past with Oboro which he is still trying to heal from keeping him from bonding with you, he'll treat you as a student like the rest of the teenagers he knows. and even then, you may actually be treated worse than his students because while he interacts with them daily, he interacts with maybe 1 hour every other day.

so from all that he simply ignores you, just stops interacting with you entirely, he's too tired for your bullshit. this action makes the wedge between you two even worse.

if you keep persisting though he will yell back but it's often really short and really loud. something like "SHUT UP" a cold "I don't care." before slamming the door in your face. He knows it's probably not right to do that to your daughter but let's face it. you're just this annoying teenager he legally has to live with if he doesn't want to lose his hero and teaching license.

this is where things actually get very interesting, because let's assume he stops approaching you entirely, you just live in the same house nothing more than that, and while you may act like you hate your father for ruining your family and neglecting you all your life on the outside, remember, you're still that little kid in second grade that blames yourself for your mother leaving and your father not caring for you.

so let's say you realize this and go back to blaming yourself for everything like you did when you where a kid but since your father stopped talking to you entirely explaining your faults to him maybe difficult.

this where my personal experiences come in, I've actually had this happen to me in my own life, and I truely hope that you'll enjoy it. thank you.

---------

why is it that the voices are the loudest in the dead of night?

the moon is gone, the birds are silent, there isn't a single light that shines on your tear streaked face, puffly, swollen, sad, just sad.

years of confusion, neglect, a lack of love in it's purest form.

all because of you.

it's all because of you.

it's sings so prettily, like it's a church choir spreading the word of the lord like it's common knowledge.

it's common knowledge that you are a terrible person!

it cackles.

the urge to strangle yourself to finally feel some relief has never been stronger.

lie awake in the dead of night, in pitch darkness, a proper scenery to match ones broken and cracked soul, be careful, you might hurt yourself, again.

however, one cannot weep in their wallows forever.

the night has to make way for the morning sun.

and a relaxed self pity has to make way to dread.

dread.

dread of him, he who you blame for everything, everything you know is your fault.

it's all your fault.

a click at the door,

the creak of the old wood and the hinges never oiled.

mild thumping footsteps that wander around the apartment that can barely hold your overflowing buckets of tears.

you can mumble out all your pleas.

pleas that this is all a terrible nightmare and your real life is actually one with a kind and loving mother and a supportive and encouraging father.

mumble out the little lies that you made up all these years to make yourself feel worse and other better.

"it's pointless to keep trying."

"I wish I wasn't here."

"why can't I just be happy?"

"it's all my fault,

it's all my fault,

it's all my fault."

the thin walls don't do those in mourning justice though.

for the wind is calm, the branches don't dare to move, the owls, the bats, the sleeping heros in training downstairs don't make a peep.

for the only ones alive, awake, aware, is a man beaten down and broken by society serving as it's protector, ignoring the one in most need of protection all this time. With him is a girl. a girl that's scared, scared of her mirror image that haunts her, a girl who's cried an ocean, screamed a thousand wails of pain, a girl lost in her own heart,

"No wonder no one loves you."

you lie again.

but keen ears trained from years of work with villains hears you, for the first time, he hears you.

not the rebellious teen he's seen yell out strings of pure hatred and fiery insults like he's her own worst enemy.

it's the girl who he saw waiting on the steps to their apartment all those years ago. waiting for her mama to come back home with the promise of cupcakes.

it's the girl who never smiled for the remainder of elementary school.

it's the girl who's heart withered way that autumn evening.

he heard the softest little voice in the dead of night. he heard his daughter cry

"No wonder no one loves you."

.

.

.

"But I love you."

for that whole night, for that whole night.

the peace was disturbed.

for that whole night, it seemed that the moon shone once again.

it may not be the sun. but it'll do for now.

Aizawa walked away shortly after that.

leaving a little girls and her mirror image to ponder.

ponder.

---------

Afterwards I don't think he'd talk about it too much, he's proabably approach you after breakfast the next morning and tell you "you can talk to him about it if you want." but not much more than that

he definitely would change his practices though. like getting you a therapist, taking the weekends off in favor of being around the house more.

he'll let you get used to his presence first like one would with a cat, and one day. maybe years later, or tomorrow, you'll talk to him.

you'll tell him you love him too.

and maybe.

just maybe.

the world will stop,

and everything will be okay.

[therealcocoshady]

Eminem with a younger girlfriend - HCs

Hey guys ! Here is a little HC that popped in my head about Marshall Mathers dating someone significantly younger 😉. I hope you enjoy it 💕 it is directly inspired by my experience, a twentysomething who is roughly Hailie’s age, thirsting over him 🙊

- Marshall Mathers knows he’s got young ladies thirsting over him but he shrugs it off. Don’t get him wrong, he is flattered, but it makes him just a tiny bit uncomfortable. And when someone shows him some of these unhinged thirst tweets written by twentysomethings who are even younger than his own kids ? He is downright mortified.

- He doesn’t really get why people his kids’ age think he is attractive. Of course, music is part image and everything, but he’s got three daughters who constantly tease him for being a dork. Same for the younger rappers he works with. So he absolutely does not think of himself as a sex symbol or anything.

- He kind of figures people are not really attracted to him. That it’s more about the fame and the fact that pictures can be misleading. I mean, have you seen the way they photoshop his lines ? He really thinks people would come off it rather quickly if they saw him in person.

- Also, he’s young at heart, but he is very much aware of his « inner old man », who takes just as much space as his inner child. So, to him, no young lady in their right mind would actually be interested in him.

- By the way, he is more easily attracted by someone older than him than younger. And in the instances where he has dated younger women, a decade was the bigger age gap he would allow.

- Unless he meets you, that is. When you meet, the chemistry is immediate. He can’t even deny it. He is just attracted to you as you are to him.

- At first, he does not really register the age difference. But then, you say something like « oh, I remember when that song came out. I was eight ! » that has him in shock.

- He thinks you are absolutely stunning. And he knows he is allowed to. You’re over the age of 21, it’s not like you’re a teenager or anything. You’re an actual adult, mature and everything. But he is still weirded out. It doesn’t help that your personality makes you even more attractive. He is drawn to you and it kind of leaves him wondering if he’s being kind of creepy.

- As soon as he realizes how old (how young) you are he kind of stops flirting. « I’m sorry, i just- I thought you liked me ? » you say as you finally decide to confront him. « Yeah, I did. I do. It’s just… I’m 51 », he replies in an attempt to offer an explanation. « And ? » you ask with a raised eyebrow. « I hadn’t realized you were so young » he continues. « i didn’t realize i looked so old », you said with a pout. « No ! I mean- Look, I like you, you’re great. You look incredible. But I’m old enough to be your dad », he says. « I mean, I wouldn’t mind calling you Da- » you jokingly begin, but he shuts you up with a death stare real quick.

- You try the « come on, age is just a number argument » but it does not work as well as you hoped it would. « You know who would agree with you ? R. Kelly » he replies with a raised eyebrow.

- The two of you keep on talking and hanging out but he insists there won’t be anything besides friendship. Until, one night, your flirty banter finally earns you a kiss. « I knew you’d give in », you grin with pride and satisfaction. « I can still change my mind », he playfully threatens.

- The two of you start dating eventually but, in the beginning, he mentally slaps himself a handful of times. That being said, he absolutely can’t resist you.

- He wouldn’t go public with anyone, but especially not with someone with whom he has such a significant age gap.

- It’s also a reason why he doesn’t want to tell people about your relationship. He’s very reluctant to introduce you to his friends and meet your loved ones.

- He knows his friends would absolutely not leave him alone with the age jokes. You can count on his buddies to make jokes about you having a daddy kink.

- Speaking of which… You’ve got a Daddy kink ? Well that’s too damn bad. Because he will absolutely puke if you call him that. Nothing gives this man the ick more than the thought of you being with him because of some unresolved daddy issues.

- That being said, he will absolutely activate his « dad mode » in some circumstances. He doesn’t even do it on purpose. It’s in the little things, like the way he scolds you for not wearing anything warmer or how he reminds you to call him as soon as you get out of the club.

- He won’t tell you what you should or shouldn’t wear but he’s not a big fan of you wearing anything that makes you look younger than your years.

- Speaking of looks… dating someone younger definitely makes him more self-conscious about his own appearance. It’s already hard seeing yourself age when you’re a rapper but dating someone younger makes it worse. It definitely has him second-guessing his outfit choices.

- And even though you tell him you like his fine lines and graying hair… he is not having any of that. Look at him using (and abusing) the dye and skincare.

- With time, though, he doesn’t think too much about the age difference. At least, he doesn’t obsess over it too much.

- But he will absolutely throw it in your face in an argument, maybe using it to call you immature or something. (Even if he’s the one being immature)

- That being said, don’t you dare pull that shit on him and suggest that you might indeed go for someone your age. He is pretty confident but he is terrified to lose you to someone younger.

- Deep down, his biggest insecurity about your relationship is that your life plans might not align. And even if you assure him that you’re on the same page, he still braces himself for the day you decide to leave him.

- You might be self-conscious too, given the fact that he is usually attracted to women older than you. But he always makes sure to ease your mind.

- As the relationship progresses, he allows himself to be more committed to you but his reluctance to go « public » might cause some issues.

- Ultimately, though, people around you are supportive of the relationship - even though some of them might have some initial doubts.

- Let’s be honest : the most stressful part is not your friends or his. It’s family. He is terrified of introducing you to his daughters. And his stress is communicative. Also, he’s not too eager to meet your parents. Because he knows exactly how he’d react to his daughters dating someone his age.

- He is not one to give in to PDA anyway but it’s even worse when there’s family around. This man will not be caught holding your hand or even staring at you too intently. Even if people know you’re together. He is guarded like that.

- His daughters might end up telling him there were « signs » that he was dating someone younger : like some newfound interest in a particular TV show, more skincare in his bathroom…

- People around him aren’t specifically bothered by the age gap in itself. But you might be subjected to more scrutiny. They’d be quicker to assume you’re in it for shallow reasons.

- But once you’re in… you’re in. If anything, his whole entourage will be even more impressed. They know that dating Marshall isn’t a piece of cake and they’re really impressed that you handled the scrutiny they subjected you to so well.

- The more time goes on, the less of a big deal the age gap becomes, to you, to him and to anyone else.

- The only reminders are the little harmless jokes and Marshall’s celebration of anything that proves you’re aging. You might be a little self-conscious about your first wrinkles but he’s lowkey relieved. Maybe he won’t feel like a creep. 🙊

[velvet4510]

What The Sequel(s) to X-Men: Days of Future Past Should Have Looked Like

I haven’t even seen X-Men: Apocalypse or X-Men: Dark Phoenix start to finish but thanks to this app i know practically the entire plots of both films and i’m just so utterly appalled by them. Not just with the way they mess up the timeline (Jean & Scott as teenagers and Warren as a young adult in 1983?? Excuse me?? No way Logan’s time shenanigans altered people’s birth dates, what??) But also with the way they just butcher every character arc - Charles being selfish? Erik settling down with a human instead of continuing to fight for his cause and make up for his 10 years of inactivity? Giving Erik an OC daughter JUST to kill her 2 seconds later rather than focus on his fatherhood story with Peter? Erik and Ororo siding with Apocalypse to destroy the whole world? Hank turning on Charles when he alone stood by Charles post-beach divorce all those years? Raven being ungrateful to Charles for creating a better world for mutants? Trying to convince us that Charles was somehow in love with Moira and Erik was somehow in love with Raven? The X-Men throwing Charles out of his own house?? WHAT IS THIS?????

Frankly I don’t get why the writers tried (and failed) to give us more Jean and Scott and Ororo when we got plenty of them in the other movies and we know thanks to the end of X-Men: Days of Future Past that Charles will still eventually recruit them. Jean and Scott’s very presence at the end of that film shows that the sight of Logan’s memories of Jean’s original fate prompted Charles to NOT repeat his other self’s mistakes and instead use a better approach to help Jean that enabled her to keep the Phoenix under control and not hurt Scott. That’s all we need to know about them in the new timeline. We don’t need to see Charles messing up yet again when it comes to Jean when that ruins a huge layer of the meaning and impact of DOFP’s ending.

James McAvoy himself pointed out how unnecessary it felt to recycle characters from the original trilogy when the X-Men in the comics are full of plenty of other characters that could’ve been introduced in a DOFP sequel instead. He’s absolutely right.

But here’s what I really think: if any sequels to DOFP just HAD to be made, they shouldn’t have tried to stuff in even more characters. If they HAD to include another old character we’d seen before, it should’ve been Kurt Wagner and Kurt Wagner only. Why? Because he’s Raven & Azazel’s son. And this would only add to the parenthood theme already present through Erik & Peter, and Charles & his students; add a new dimension to Raven as a character as we explore how she feels about being a mother, and what happened that caused her to be separated from her child; and add a new dimension to Hank as we explore how he feels about potentially being a parental figure to Kurt as a result of following his heart toward Raven.

The sequel(s) should’ve focused on developing the relationships that actually had been established/hinted at, and those that would naturally branch as a result:

Erik & Peter as father and son

Raven & Kurt as mother and son

Charles’ parental relationship with his young students

Charles & Erik getting back together

Hank & Raven getting back together

Hank dealing with being Kurt’s possible stepfather

Charles & Raven reconciling as siblings once again

Charles & Peter as stepfather and stepson

Charles & Kurt as uncle and nephew

Alex seeing all of this and being reminded of his bad relationship with his own parents that led him to get locked up before Charles and Erik found him, emphasizing Charles’ place in his life as his true “father,” and foreshadowing Scott by revealing he’s not in touch with his family (meaning he doesn’t know he has a much-younger brother)

Erik bonding with Kurt and making Kurt comfortable through being the only other native German speaker in the group

Erik & Hank dealing with their rocky post-DOFP relationship; Hank giving Erik a proper calling out for sending Charles into such a depression for a decade and for trying to kill Raven

Erik bonding with Charles’ other students and slowly realizing there is a place for him at the school

(Logan may or may not work as a character in such a sequel. But whether he has a big or small role, it must be acknowledged that Raven, not Stryker, saved him from the Potomac at the end of DOFP. So now he is on a different path, and is NOT Weapon X. Either he’s still at the mansion or went his own way with the open possibility of returning; I think the latter makes more sense since he’s such a loner and considering he wouldn’t remember the events of DOFP, he’d be pretty overwhelmed. Plus his explained absence would allow space for the film(s) to focus more on the other characters.)

Regardless, any villain(s) of those hypothetical sequels should’ve been the kind of antagonist(s) whose threat inevitably brought those aforementioned characters together and, in the process, fleshed out those relationships.

Also, no stupid 10-year time jumps between every movie. Keep it to 5-7 years after DOFP, at the most.

Think of the emotional impact that would bring:

Charles & Raven dealing with the fact that she chose not to come to him for help when she became pregnant

Hank & Raven discussing Raven’s history with Azazel and both of them admitting they went to great lengths to try to get over each other but nothing worked

Raven exploring motherhood and her feelings about either having abandoned Kurt as a baby or accidentally losing him, and Hank supporting her in this

Erik exploring his newfound fatherhood, and Charles supporting him in this

Peter’s feelings toward his dad for being absent from his life for so long and also for being a terrorist

Kurt’s feelings toward his mom for being absent for so long, and possibly for intentionally leaving him

Peter & Kurt becoming besties and bonding over being super-fast travelers who have spent too many years not knowing one or both parents

Hank wishing things had been different with Raven and that Kurt could’ve been his son and thinking about stepping into a stepfather role for Kurt

Erik & Peter perhaps getting stranded/separated from the rest of the group and forced to bond while trying to find their way back

Erik saving Peter’s life in battle, cementing their new bond

Hank fully embracing his Beast form (mutant and proud) in battle while protecting Raven and Kurt

Raven, Hank & Kurt as a badass blue family

Erik finally deflecting a bullet successfully to save Charles

Charles & Erik fighting side by side once again and realizing they’re better together than apart

Erik & Hank managing to find some common ground as they both have been unexpectedly thrown into fatherhood (see, no need for female fridging!)

Erik coming up with Quicksilver as Peter’s superhero name, at least getting the chance to name his son in this way

Basically the whole group becoming a big family

Perhaps closing with a flash forward a few years: Erik & Raven are now teachers at the school; young Scott arrives at the school and meets Alex for the first time; Charles & Erik hear about young Jean and head out to meet her; Hank & Raven manage to discover Logan’s location and head out to bring him back to the mansion - tying into the finale of DOFP

Those are just a few things that could’ve, and should’ve, been prioritized in a sequel to DOFP.

[multific]

Soft and Smooth

Yautja x Reader

You were only a child when you were taken, you don't even remember your parents much.

You remember the fear that you felt. You remember the chains and the cage you were put in. But nothing much.

You grew up amongst Yautja.

You were a slave to a family of them.

A father, a mother and four younglings.

You served them.

And you served them right.

It was all you knew after all.

One day, your tribe was attacked, you were only a teenager when it happened.

The family you served suffered greatly, the mother and a youngling lost their lives. It was tragic.

Since you grew up with them, you learned their language but somehow you still couldn't always understand them. You were really good at reading but when they talked, you couldn't understand many things.

But you did understand that when you reached a young adult age, your master wanted to sell you to be prey for the next hunt.

You simply overheard their conversation.

His sons only arrived back from a hunt themselves, they all got their first kill and your master was very proud of them.

One, in particular, was extremely against the idea of giving you up. He was the oldest of the sons, T'un'tou.

You often heard how great of a warrior he was.

He lived on his own by now, but often visited his father.

Since he was the oldest, he moved out a while ago now, even got his first kill a while back. 

Sometimes Yautja was an extremely confusing species. Other times, all of their actions made the most sense.

Like now, you were confused.

T'un'tou took you to his ship and told you that you are his now.

But he didn't say, slave or human.

Just his.

And now you were off to a new home to serve a new master.

But T'un'tou was very different from his father.

Your years living with him were short. He was already out of the home when you were just beginning to grow into the woman that you were today.

You didn't know much about him, and you couldn't recall much either.

But he was rather kind to you.

He took you to his home and even gave you a room.

The Tribe he lived in was the Hunter Tribe. A rather proud tribe who went on hunts more than the others. All members were extremely proud and strong.

The bones in T'un'tou's home were proof of his great accomplishments. 

You lived with him for months, one time, he arrived back with a set of bones. He handed them to you and you nodded. You assumed he gave it to you so you can put it on display for him.

But it wasn't the reason. 

It was meant to be a gift. A courting gift.

You were just too used to being a slave, you never thought it would be more.

Of course, you knew about their techniques and things. Yet, you failed to realize that it was happening to you.

T'un'tou being the rough warrior that he was loved soft things. 

Every female he tried to be with, he always looked for softness, but he never found it.

Then, he remembered his father had a human.

A female human at that.

Humans were supposedly soft and fragile creatures.

So, he decided to visit his father more and more often.

And the rumours were true. One time, he touched your arm as you placed food in front of him, it was exactly what he craved.

Soft and supple skin against his rough one.

T'un'tou learned from his father that since all his sons left, he had no use for you and was thinking about selling you or giving you away for a hunt.

T'un'tou took this opportunity and asked his father to give you to him.

He gave you enough space to get comfortable and once he decided the time has come for him to court you.

He checked in with the healers and you were strong, you could bare a child of his which was great news, something in the future he could use.

T'un'tou also learned that by giving you his blood you would be able to have a longer life.

After that, he brought you to the healers monthly.

You didn't question it, you dared not to.

But you did notice how handsy he was.

He liked to touch your arms and one time he nearly gave you a heart attack when he suddenly touched your leg.

"Soft." he said and it was a word you understood. But he confused you.

Later that evening, he asked you to join his bed, for nothing more than sleep.

You felt like a soft toy. A bear plushie that he used so he could sleep. 

But somehow, you didn't mind.

He arrived back with more and more bones. Giving them all to you and each time you wondered just where you should put them. Now having a designated place where each bone from him would go.

Then, one evening, after spending almost a year with T'un'tou you finally figured it out.

He was courting you.

It made sense why he talked about an offspring with the healer each month you were there. And also why you received blood each time. 

You didn't really have a choice, did you?

You either die or accept that T'un'tou wanted you as his mate.

You wouldn't say no, you didn't wish to die just yet.

And T'un'tou was kind.

It wasn't much of a relationship starter but it was something. Given that Yautja could be extremely dangerous, kindness wasn't really something they were too familiar with.

You smiled as T'un'tou arrived back for the night. You were already in his bed, ready to sleep when he entered.

Seeing you comfortable under the furs, he felt at ease.

He soon found his place behind you, pulling you to his chest, ready to sleep.

How could such a huge and dangerous killing machine be so kind?

Somehow, you both knew in that moment, you both accepted each other. Now, all you needed is a mating ceremony so you could make it official and you would be finally his. 

---

T'un'tou was a great mate.

Very eager but gentle.

He finally had the softness he craved his entire life.

And with his offspring in your belly, he felt full.

However, your pregnancy brought the best and the worst out of you.

But no wonder, you had a little half-human half-yautja baby under your heart!

T'un'tou was taking really good care of you making sure you have everything you need.

You have been craving some strange things lately.

He noticed you preferred meat almost raw meat at that. He was nervous it might poison you.

He never once left your side, not even when the opportunity came for him to go on a hunt. 

He decided to stay with you and watch you.

He became your shadow basically.

Of course, you knew he wanted you and the baby to be safe. He wanted to protect and provide.

But then, he had an opportunity extremely rare and he knew he needed to go.

"I'll be fine." you told him as he left with the ship.

And you were fine.

Thinking about names, trying to figure out a way to make your bed more comfortable.

The tribe accepted you when you were wed to him.

Each day, your child grew bigger and bigger.

When your mate came back, he was delighted to see you so round. He felt like a truly victorious Yautja.

He presented you his kill, but of course, you couldn't care for the bones and skulls. You cared for him.

You did notice a new scar on his shoulder, pouting as you run your fingers over it multiple times. 

You knew to them, it was a sign of battle and victory, but all you could think about was the pain he must have felt.

It made you sad but you were proud of his achievements. 

Since he arrived back, he didn't leave your side for even a second constantly having his arms around you or his hand on your stomach.

"So soft," he said. "Soft and gentle." he said as his hands ran up your back, you felt his claws ever so slightly graze along your skin.

He never hurt you, you knew that.

"I often feel the baby move." you told him and you knew he didn't understand you but it was okay. You grabbed his hand and pulled it to your stomach, waiting for another kick which soon came.

"Strong." you told him in his language and you knew Yautja couldn't smile, but his eyes said it all.

Pure happiness.

Taglist: @fleursirvart​ @greenarrowhead​ @thisismysecrethappyplace​ @sincerelyfan​ @theoneanna​ @aestheticsandmarvel​ @rororo06​ @castellandiangelo​ @destynelseclipsa​ @spilledinkindumpster​ @capsiclesdoll​ @puknow​ @alwayshave-faith​ @alex12948​ @lxdyred​  @imagines-by-a-typical-fangirl​ @anonymoussherlockandmarvelgeek​ @praline357​ @trshngyn​ @avengers-r-us​ @violet-19999​ @top1bbgloak​   @manduse​   @jacalineiscomingforyou​  @mandoloriancookie​ @noname2246​

~Masterlist~

��AO3ˇ

DO NOT STEAL, REPOST OR TRANSLATE ANY OF MY WORKS  

[daiziesssart]

a humiliatingly long character analysis of lily evans

Someone sent me an ask that briefly mentioned how misunderstood Lily is, and before I knew it I was typing out this monster. I am. sorry. This is literally just me rambling about her, what I find compelling about her character, and why her character is so often misunderstood.

This is long as hell so I'm putting it under a read more lolol

Part of the reason I like Lily so much (other than my being ginger and projecting onto any redheaded female character I see) is that even though she isn’t explored as much as her other Marauders Era counterparts, we know enough about her to start building the framework for her character. And what I see is a girl who was incredibly interesting, kind, and flawed.

One thing I always think about in regards to Lily is that she was dealt with a pretty unfair hand. As soon as she receives her letter, she’s basically torn between two worlds, both of which have been less than welcome to her. On one hand, we have the muggle world that she’s known all her life, but once she starts integrating into the wizarding world, she likely feels a bit of a disconnect with that world. To twist the knife further, her sister- whom she loved dearly and grew up so close with- starts outwardly resenting her with such unbridled hostility that they likely couldn’t even be in a room alone together without major conflict. 

On the other hand, we have the wizarding world– a world she’s not as familiar with and one she soon learns holds a demographic of people who hate everything she is and would rather see her excommunicated or even dead. And even though finding out you’re a witch/wizard is probably such an exciting and life-changing moment, I can’t help but also take note of the difficulties, especially if you’re the only one in your family with magic. You’re essentially uprooted from the only way of life you’ve known at an already complicated age, and now you have to quickly become acclimated to this new world that you only just found out existed. Not only that, but now you’re suddenly attending a school with classes that are primarily focused on this world of magic (which is still brand new to you), and you have to work extra hard to play catch up in order to do well. Like, that all seems like… a lot for a kid to handle.

And then I remember how young she was when she was thrown into that mess. She was only 11, and kids that age desperately crave any sense of belonging. I mean, that’s something that still holds true for adults, but it’s especially critical for a developing child. So imagine Lily, ages 11-15, struggling to stay afloat in this weird purgatory between these two parts of herself, both of which have been the cause for major and traumatic experiences relating to rejection in her life.

(I say it was the “cause” even though it’s obvious that those things were never her fault at all, but when you’re a young kid navigating the world, the only thing you’re able to process is that the common denominator is you, therefore you’re the one who must shoulder the blame.)

So now we have this tween-teenaged girl who has a dysfunctional relationship with two major parts of identity and probably feels absolutely lost. 

This is why her hesitancy to end her friendship with Snape makes sense to me. Even though by fifth year he’s already well past toeing the line with the dark arts, Lily was willing to overlook some pretty egregious and troubling things in order to maintain the relationship. I kind of interpret that as her way of desperately clinging on to any sense of belonging she has left; her relationship with Petunia has already been poisoned, and now there are people who resent her existence as a witch; if she loses Severus too, what and who else does she have? And what tone does that set for her, if everyone and everything she’s come to hold close to her ends up turning her away?

It’s also important to note that not only is Severus one of her few remaining connections to the muggle world, but he’s also a wizard who grew up in the muggle world; he understands her, and I don’t doubt that he gave her some stability at times when she needed it (her finding out about her being a witch, her having trouble acclimating to the wizarding world, etc).

I see this as being one of her flaws and I can actually appreciate how relatable and realistic it feels. Lily is not a bad person; on the contrary, you’d be hard pressed to find anyone to describe her as such. Not to get all clinical and boring, but the interesting thing about (unhealthy) coping mechanisms is that it can actually be really hard to identify them in your own behavior. Unless you’re in therapy and/or are actively psychoanalyzing yourself, you likely don’t even realize how many of your common behaviors are born from self defense mechanisms put in place by your brain after past events.

To me, it makes sense why she avoided actually confronting the idea that Snape was too far gone. We know that she was aware of the path Severus was taking, but it almost seems like she was still convinced that she could save him, and could possibly steer him back in the right direction. It’s only when she becomes the target of his bigotry that she realizes that the Snape who called her a ‘mudblood’ was not the same Severus who was the one who held her hand and introduced her to this new, exciting world.

In a general sense, yes, it is selfish, to only take a stand when something starts affecting you personally. But I also think it’s important to note that it’s unlikely that this was a conscious decision on Lily’s part. In my eyes, it was easier to delude herself into thinking she still had a chance to save him before it was too late when she was able to separate him from his actions (considering, a lot of the time, she was only hearing about them after the fact, rather than seeing them firsthand). But the elusion is shattered once she sees that the Snape she grew up with– her friend, Severus– is, in fact, the same person who’s out there calling other students slurs, dismissing the malicious use of Dark Magic on others as just “a laugh”. There we see a Lily who is actually revealed to have been somewhat aware of Snape’s involvement with the darker side of magic, and genuinely feels pretty ashamed about her inaction.

Also, this is in no way me being a Snape-anti, and I actually could do an entire separate analysis on his character alone and why I find him so interesting.

Anyways, that moment in SWM is probably somewhat of an epiphany to her. It’s like a dam that’s been broken, and now she’s overwhelmed with the realization of exactly how much she overlooked in order to keep their friendship afloat. And for someone like Lily Evans, someone whom we know is opinionated and unafraid to call others out on their bullshit, that can be hard to swallow and feel pretty mortifying and shameful. And I think this was a huge turning point for her- at that point, she doesn’t have the luxury of avoiding uncomfortable truths anymore and now that she’s getting closer to graduating and being thrown out into the world on the brink of war, this was probably a really sobering discovery.

This is where we don’t have as much info to go off of, and a lot of it is up to interpretation. But we actually have little crumbs to go off of following her graduation and leading up to her death.

One of my favorite little tidbits isn’t in the books, and @seriousbrat's post reminded me about it. Here's the actual entry on Pottermore for anyone who's interested, but I'll summarize: after James and Lily began dating, Lily brings James to meet newly engaged Petunia and Vernon. Everything goes downhill, because Vernon is a smarmy asshole, and James is still pretty immature and can’t help but mess with him (which… fair, I guess). Petunia and Vernon storm out after Petunia letting Lily know that she had no intentions of having her as a bridesmaid, which causes Lily to break down into tears. I mention this because I also think it’s a pretty important aspect of her character; like we’ve seen in her past friendship with Snape, Lily seems more than willing to forgive others most of the time. Petunia is a bit of a complicated character herself, but she was objectively very cruel and unfair to Lily once it became obvious that she was a witch and Petunia was not.

Something that always stands out to me is just how desperate Lily is to earn Petunia’s trust and approval again. Even up until her death, she was more than willing to mend the relationship, were Petunia ever to consider. 

This is a detail about Lily that I feel is misunderstood quite a bit. I’ve seen a lot of instances of her character being reduced to a one-dimensional archetype with little to no complexity. And often, that archetype is “know-it-all, prudish, self righteous bookworm who is also a goody two-shoes with a stick up her ass”. What annoys me is that the reason for this is most definitely the scene in which she blows up at James in SWM for bullying Snape, and hurls quite a few insults at him directly after an extremely devastating and overwhelming situation for her. This frustrates me because we know for a fact that she’s the polar opposite of this archetype I’ve seen her reduced to. 

In actuality, she’s referred to as popular, charming, witty, bright and kind. From flashbacks we also are shown that she’s opinionated, bold, and not afraid to challenge others. With other context, like her interpersonal relationships, we can also see that she’s pretty emotionally driven and wears her heart on her sleeve. 

(I know Remus didn’t mention Lily much in the books, but I really love how he described her in the movies. He tells Harry that the first thing he noticed about him was not his striking resemblance to his father, but his eyes, the same eyes Lily had. He also calls her a “singularly gifted witch” and an “uncommonly kind woman”.

“She had a way of seeing the beauty in others, even and perhaps most especially, when that person could not see it in themselves.”

I know there are mixed feelings on whether or not the films count as canon source material, so take it with a grain of salt, but I personally cannot see a world in which Lily and Remus didn’t become close friends.)

Here we have a direct description of what she was like and who she was, corroborated by recounting of memories of her, and yet for some reason, this feels like the thing that is most commonly lost in translation.

I don’t think I can say why I think that is without mentioning the dreaded M word (misogyny- it’s misogyny), but I also don’t want to get too off topic so I’ll be brief: female characters are typically not given the same grace as male characters. When we have an undeveloped male character, he’s awarded the assumption that despite his lack of depth, there still exists a complex and multifaceted character– it’s merely just potential that hasn’t been tapped into. Whereas when we have underdeveloped female characters, they are taken at face value, meaning that not much exists beyond the little information we have of them. They are not presumed to have a life or a story that exists beyond the surface of what we know like male characters are. That’s why I think characters like Regulus, Evan, or Barty (just to name a few) are more popular than Lily, despite being less developed than she is.

(Before anyone gets defensive, no, I don’t think it’s an individual problem that you alone need to be shamed for. I think it’s the result of a deeper issue regarding misogyny in media as a concept; these are things that we’ve all unknowingly internalized and while it’s not our fault, we still have to do the work to deconstruct those learned prejudices.)

What I find really cool about her character is that despite how much she’s been hurt, she’s also still known as one of the most loving, kind, and considerate characters. There were so many times in her life where the love she received was conditional and ripped away from her– and I think that’s what makes her sacrifice even more poignant. She was able to protect her infant son from an extremely powerful dark wizard, wand-less, knowing that her husband was just murdered in cold blood, just from how much love she felt for Harry. Her love was a force of nature on its own, and I just think that’s such an amazing thing about her. 

I know I’m biased, given that she’s one of my favorite characters, but even upon delving into this, I still just find it so incredibly hard to understand how anyone can actively hate her (not indifference, but actual dislike). In my opinion (again, no one is unbiased, and she is a favorite character of mine, but trust me when I say that I’m trying to be objective as possible when I say this), she’s probably one of the most likable characters of the Marauders Era. I think perhaps a lot of people haven’t given her a chance or really taken the time to learn about her character, but it could be a myriad of other reasons that I’ll never understand. 

There's so much more I could say but this is long enough and I will stop myself

Lily Evans, u will always be famous to me

[demon-country]

Something I think people fail to take into consideration when talking about Stolas antis is that pretty much everything they complain about stems from the fact that they wholeheartedly believe that Stolas raped Blitz and trapped him in a coercive sexual relationship. The fact that the narrative explicitly states otherwise doesn't matter to them, that's the big sin that all of their other complaints build off of.

They tend to have really gross ideas about sex workers in general to start with, like thinking they can't consent or like their job no matter what, which makes them genuinely believe there's no way Blitz could have agreed to the full moon deal of his own volition or enjoyed it in any way. Blitz gets turned into a poor, helpless victim who has no other way of financially supporting himself and Loona (who they treat like a young teenager rather than an adult who can get a different job to help support their income), and who is so scared of Stolas that he can't deny him anything, despite him literally telling Stolas no multiple times and standing up to the likes of Mammon with no issues and even Satan once he got incensed enough.

So in their eyes, the deal has to be rape by virtue of it being sex work, and to them sexual abuse is the worst possible kind of abuse there is. Which then makes Stolas a monster compared to everyone else in the show and thus worthy of their contempt in a way that literally no one else is. Torture and murder are lesser crimes to them when compared to sexual abuse, so no matter what anyone else does it doesn't hold a candle to Stolas' supposed crimes.

That's why they think he plays the victim when he gets sad and work themselves into a rabid fervor over it, because they think he's sexually abusive towards Blitz and thus shouldn't be allowed to be shown in a sympathetic manner. That's why they're so quick to jump on the idea that he abuses Octavia (neglect is abuse), because if he's abusive in one way then he must be abusive in other ways as well. That's why they think he fetishizes imps, despite only having shown sexual interest in one. That's why they don't care about any of the abuse directed towards him and want him dead and mutilated, because they think he deserves it as punishment. That's why they think both the narrative and fans are babying Stolas and that his flaws are being swept under the rug, because those things are denying that any abuse happened in the first place and that runs counter to their own beliefs.

Their disgust at everything else he does is nearly performatory in a way, because they likely wouldn't care about it in any other case. Very few of them would give even the slightest shit about his classism/racism nor would they have noticed it at all, if it weren't for the fact that they were actively looking for reasons to hate him. The majority of them wouldn't care about how emotional he is or that he doesn't always give Octavia (who, remember, is only a few months shy of being an adult and not a young child who requires constant supervision) his full attention at all times. They wouldn't say he's being babied or turned into a "misunderstood uwu crybaby" or that he'd be better off as a villain again. They wouldn't turn him into an evil caricature who uses and abuses everyone around him, or think he deserves to die a horrific, violent death at the hands of Blitz and Striker and Octavia.

It does sometimes take on an undercurrent of homophobia and ablism, but it all boils down to them thinking he's a rapist. I have seen an ungodly amount of Stolas hate in my time within this fandom, despite my best efforts to avoid it, and all of it can be traced back to that core belief they all have.

[simp-ly-writes]

The Bodyguard

─────── · · THE GENTLEMEN (2024)

PAIRING: Bodyguard!Edward "Eddie" Horniman x Fem!Reader

─ · · SUMMARY: Your parents decide with your recent party-heavy behaviour that you are in need of an adult babysitter- or as they call it a bodyguard.

─ · · WARNINGS: contract relationship, child neglect, anxiety attacks, overall angst with fluff

─ · · MASTERLIST | TAGLIST REQUEST | WORDCOUNT: 2,112

─ · · A/N: Find it funny how many posts I see complain about "small fandoms" then you have The Gentlemen (2024). I need more people to talk to about this show...

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Up until now, you were always by yourself. In school you struggled to make friends and the few that you still kept in contact with were set with quarterly interactions. The large house you resided in empty besides the few staff that maintained the estate- they were disgusted by the lifestyle you lived- or rather, how they thought you lived.

You got used to not having your parents home, on having no one to ask you how your day went, if you ate that night and what your plans were later that week. The statue collection soon became your greatest confidants, the gallery your absolute favourite room to take lunch in beside the garden when the weather was acceptable.

In all the assets you held, the clothes all still new with tags on in the closet, the endless rows of wine bottles in the basement that your teenage self drowned in and the hedge maze you lost yourself in even when knowing where every exit and secret nook and cranny of. It was plastic happiness, just shiny objects staring back at you and reflecting upon yourself.

You tried to loose yourself in the high life just as every other member of your family did. Sleeping with actors and musicians alike, forcing yourself into yoga classes with young rich wives that only used their manicured nails to pierce each others skin behind doors. It was when you were reaching your late twenties that your parents took notice of your failing public image as you stumbled out of cabs, got caught in multiple scandals only because you were affecting their businesses.

And thats how you found yourself no longer alone but with an adult babysitter, or how your parents described it- a bodyguard.

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"I am old enough to take care of myself, I hate no need for someone to follow me around-" you started to say, your nails digging into your palms as anger started to swell into your eyes in unshed tears of frustration. A younger version of yourself would have been jumping out of joy for having company- your mature self only realizing how much having someone with you would only be added weight.

"Well it is too late for your opinion, the contract has already been finalized and settled, now he is waiting for you by the car. Please, don't make a further embarrassment of the family name," your mother concluded, already turning away from you and walking down the overwhelmingly bare and white hallway. Her heels clacking to a still as you picked up your voice in retaliation.

"How am I much more of an embarrassment than your lack of care or Cousin Simon's multi-day ragers! What about father's multiple hook-ups, or Jacklyns-"

"ENOUGH! I am sick and tired of your incessant whining since you were a child- you are a spoiled little thing since you were born. I gave you everything you could have wanted: books, toys, clothes, sports, and yet you throw all of my hard work aside for what- your constant need for attention? Your new bodyguard will give you everything you ever wanted- be grateful for once in your life and go- now."

The tears now endlessly poured down your cheeks, your breathing rapid, in-takes frequent as you stumbled outside the office space. Your vision was blurry, hands shaking and make-up now a mess as you threw yourself into the car without a second thought.

A detailed handkerchief was soon presented in front of your face as your eyes narrowed in confusion. Turning your gaze to the side and up an attractive man stared back at you. Brown curls framed his eyes paired with slim black frames for glasses. His beard was freshly cut, stubble poking out across his cheeks and chin as he offered you a polite smile at the time you took to analyze him and the well-tailored suit that fitted his tall form.

Cheeks feeling warm, you pitifully chuckled to yourself and took the napkin, opening up your handbag to find a compact mirror as you readjusted yourself. Satisfied you thought of handing the piece of cloth back before decided otherwise, the man noticed your hesitating hand with a brief chuckle before responding, "I can take it back later, are you doing better now miss?"

Still struggling to find your voice to signal your shock, grief, and anger after the interaction with your mother- you forced a nod before looking out the window. Your shoulders only rising as anxiety coated every goosebump on your skin. The man opened and closed his mouth a few times, debating with himself to continue conversation before decided to continue the ride home in silence- much to your approval.

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A few weeks into having your bodyguard, who you found to be named Edward- Eddie he insisted you called him with how much time your spent alongside one another. You tried to forget he was there as you continued your schedule, taking breakfast in bed as he stood outside your door to take you down to the car.

You would then head to your morning yoga classes. He would stand near the door, your water bottle and bag in hand as multiple of the said-to-be-married women tried to coax him into their beds with fake eyelash flutters and tight-fitting clothes yet he would keep his gaze forward. Eyes only snapping to your own as he greeted you with a pleasant smile, asked you how your session went and provided you with the materials in hand before leading you out once more.

Next, a walk around downtown and a visit to the local galleries, two steps behind you he walks was, you could see his shadow overtaking your own on the floor as you talked with the curators- wondering if you could add to your parents (now practically your own) growing collection before heading back home for lunch among the paintings or flowers.

You would insist on Edward- Eddie, to sit across from you. A guilty part eating away at yourself for having someone to join your little glass prison as you offered food of your plate only to be denied. "I will take care of myself once knowing you are fully taken care of miss, now please enjoy your meal- act as if I am not here as you usually do."

When you first met him, you failed to realize how comforting his baritone voice sounded in your ears. How heavy he made each word feel as they draped a blanket of calmness of yourself in reassurance. Offering him a smile in silent thanks, he raised a brow in question to your reaction yet continued just as he asked- chipping away at your meal before turning in early for the day.

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He was protective, you noted to yourself- maybe even bridging on overprotective as his eyes followed your shining form in that dress across the bar top and towards the dance floor as you met up with nepo-babies and start-up engineers alike.

You danced in twirled, a smile fighting its way across Edwards face as he took in your radiant smile as you drifted in between the sea of sweaty bodies and pumping music. The strobe lights had him seeing double before clarity soon coated his vision alongside red as a man felt of your backside. He watched you politely smile, your shoulders crawling upwards, your spine twisting into itself as you tried to raise the mans touch to a more respectable level before looking for a way out once realizing he was not taking the hint.

Edward walked through the people as the crowd parted for him with his determined steps. His hand gripped the mans, his head flipping over to catch the glare in his stare levelling his own. "More along," Edward said in a firm tone leaving no room for question- or what you both thought. The man smirked up at your bodyguard, a laugh erupting in his throat as he leaved in closer a finger pressing at Edwards chest. "And who are you to tell me off, the girls single so you need back the fuck off man- I got to her first."

"And it seems even though you were first, you are the last person she wants to be with right now. I ask you again to leave or I will show you out, your choice," Edward replied. His head and tone dipping towards the shorted man as you looked in between the two. Not knowing weather to jump the man for touching you or to jump your bodyguard for the vein budging from his neck. Your stomach soon decided for you as you leaned into Edwards side, face pressing into his arm, "I want to go home now, I feel like shit."

"Alright miss," and with one last glare towards the man, he wrapped his jacket around yourself as you fell back into and out of your party lifestyle once realizing he was not going to leave your side and also realized just how much his gaze on you made you feel like a teenage girl once again.

Butterflies in your stomach, skin hot and eyes wide as you stared up at him in a drunken daze. You felt his hand on your cheeks as he inspected your face, catching on your nose as some residue still sat on its tip. Wiping it off with his thumb before calling up your driver. He sat with you the whole ride home as you snuggled into his side with your hazed babbles.

Once exiting the car, you swore to feel the need of puking- the next moment he was holding your hair back, rubbing your back as you emptied your stomach into the front bushes.

You don't know how you made it into your bed the next day, or slipped out of your heels and took your hair out of its style in your drunken state. Yet you celebrated yourself by taking a bath that morning before getting lost in the warm waters that soon turned into cold realization. You couldn't look at your bodyguard for the next week without doing your best to speedily walk away from him, or turn your head when he asked about your itinerary.

You hated how much you smiled when hearing his chuckle at your antics, reminding you it was all part of the job. And you equally hated the disappointment your heart felt when he mentioned your time together was a contracted one.

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You soon became obsessed with taking in every detail of this man. How after you asked where his glasses went on that first day had returned the next. How he fixed them every time you laughed at a snide comment he made, joining your commentary of the women at yoga that day.

You became fixated on how his suit would move with his body, fabric subtly outlining the muscles of his arms, how how when you ate dinner in the greenhouse, he would straighten out his coat on the chair behind himself. Rolling his sleeves up before picking up the seemingly small teacup in his large hands with high-class elegance before casting you a cheeky wink as you choked on your own drink.

You loved the way he rushed to pat your back, ask if you were feeling alright and then went back to his emotionless facade as if nothing had happened moments later and you too would fall into this habit. Your lagging mind catching up with your heart as realization overcame the two of you on how nothing more could come of this- nothing good at least.

Edward would open every door for you, allow you to walk on the inside of the sidewalk, would make sure you had the booth seat and take a hand in between your shoulder blades, sometimes the back of your neck in crammed and crowded spaces as you made your way through your parents workplace events and end-of-year parties.

And every night when you would come home, the house quiet your cold bed waiting for you with dim lights. Edward would wish you a goodnight before softly closing the door, you would wait in the far side of your room till you couldn't hear his footsteps anymore in fear of asking him to stay with you.

To truly give you all of his time, your mothers voice came back into your head, calling you selfish in your wants and you listened once more. Listening had gotten you to meet Eddie but maybe you were failing to listen to the right parts...

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─ · · A/N: It has been such a long time since I have written something, I hope that this was not a terrible read (hahaha... ermmm...)

[followerofmercy]

I think Freminet has some of the most interesting dissonance in his self perception of any Genshin character.

Like, of the Hearthlings we know, he's one of the most emotionally mature and intelligent. Lynette might still have him beat, but after playing her hangout... I dunno. I think they're tied. Lyney is Crumbling, Alrecchino is. Well. Arlecchino. Everyone else is a deeply traumatized child or adult and Freminet seems to pretty regularly be people's emotional support. His character stories talk about getting his vision by saving a bunch of other kids on a dive that went bad. The Selkie event literally had him being a therapist for a grownass woman, citing his past experiences with all the other Hearthlings that have died or killed themselves. And he handled that situation WELL. Yeah, he seems to live in a fantasy, but goddamn he's alive and a lot of people in his position aren't so clearly something is working.

Either his or Lyney's character story talks about the time Freminet had reached out to Lyney to try to ease his burdens, which resulted in Lyney blowing up at him. That probably contributed to Freminet thinking he's not good at it, but I think the reason Lyney reacted so badly was BECAUSE Freminet is actually a good support. He can't allow himself that from the little brother he's supposed to protect.

Freminet seems to both cry and dissociate often, but like... Kiddo you are in fact the only person in this family actually processing your emotions. Lynette dissociates 24/7. Arlecchino. Lyney lies and tells everyone he's fine and would literally rather die than admit otherwise. In comparison, Freminet is doing FANTASTIC

Freminet also gets a lot out of helping people! Like anyone, he needs to feel useful and needed. He seems to be an excellent mentor to the younger Hearthlings and perfectly competent on his own, but when you put him in a room with Lyney and Lynette who baby him and insist that THEY take care of HIM, he withdraws into himself.

Like, Freminet by himself feels like a young man and Freminet with the magician twins feels like a teenager. I have no idea how old he actually is. Logically, he would be OLDER than them! He's been with the House much, much longer and his experience shows. I think it's fascinating that they love him SO MUCH and yet, they just Cannot let him help them. Which is hurting him.

(Lynette is much better about not babying him and that is probably why their relationship is so much better than Freminet and Lyney's. Also why she keeps having to mediate between them. Because Lyney charges off trying to Fix Everything and that just makes Freminet feel useless and he doesn't want to get in the way and- you get the point)

Idk. It's hard to tell what things the previous director said to him vs what Arlecchino has said to him. I'm inclined to think our Arlecchino was the one that said he cries too much, but in a "crying in front of your enemies will get you killed" way and she herself is too fucked up to realize how "you cry too much" could be damaging.

Also I try not to consider gameplay stuff when it comes to story, but Freminet also has some of the most BRUTAL animations. He SMASHES HIS EMOTIONAL SUPPORT METAL PENGUIN INTO HIS ENEMY'S FACE. He doesn't think he's the most amazing fighter, and by Fatui standards he probably isn't, but he is winning fights against most grown men.

Tldr Freminet thinks he cries too much and is a burden and isn't good at helping people when he's actually the most mentally stable Hearthling send tweet

[roseganymede95]

For the ask game: do you think Edwin and Charles ever talk about the more blatant hints of Charles' abuse that showed through in "Like we're gonna die young (again)?" Or just in general, I'd be fascinated to hear how you think your version of Edwin would perceive and act/not act on his understanding of Charles' past. (I know George Rextrew has talked a lot about Edwin just fully not picking up on those darker elements of Charles' past until the show itself, which makes sense in that context, but I LOOOVE the way that in your fics you've subtly changed these elements of the boys' intimacy leading up to canon and how you have Edwin acknowledge some worrying details and just like, keep them festering in this little mind!!!) (Also I know this is kind of a heavy question, so I more than understand if you'd rather not answer it <3)

Okay SO.

Edwin, as a child in the 1900s, was definitely hit by adults on a regular basis. It's inevtiable. Corporal punishments were used in schools throughout Britain, and parenting still adhered to a 'spare the rod, spoil the child' mentality.

I think he's fully aware that Charles' dad hit him. But that's normal to him. I seriously doubt he ever connected that that's why Charles flinches when people make sudden moves around him. I think Edwin is assuming that Charles is as skittish and heistant as he is in the early days as a side effect of having been murdered by bullies. By the time Charles has opened up a little more about his past, a lot of that hesitancy has left him. He's happier and more comfortable. Again, Edwin misses the connection between the image he's forming of Charles's father having been a very ill-tempered person and the way Charles used to behave.

He still forms a pretty dim view of literally eveybody from Charles' life, because the first thing he learns about Charles is that he is a teenage boy who has been left to die. It's easy for Edwin to conclude that the adults in Charles' life failed him. He never quite pulled together that they actively harmed him in ways that have lasting consequences.

I think it makes sense that it takes Crystal's introduction to the agency to finally give Edwin the whole picture, because Crystal understands what child abuse is and knows it's traumatic. Once Edwin plugs that piece into the puzzle it all comes together for him, and thuse begins his era of plotting murders.

[marzipanandminutiae]

Eggers confirmed in interview that Ellen wasn't a child, she was teenager at the start of the film. You can probably say there's case of ephebophilia. But there is no CSA there. Also Eggers absolutely saw it as Dark romance and ships it himself. He wouldn't be doing it if there was CSA.

And that's fine, but not everyone accepts Word of God as canon

My thoughts on Eggers' interview statements are that he should have made his intentions clearer if that's what he was going for, because a huge portion of the audience came away with the impression that it was about someone's stalker/rapist coming back to jeopardize the life she'd made for herself out from under his thumb. And like...if he wanted people to not think that, he should have made directing choices that made the onscreen story match his vision better.

You're free to interpret it however you want. What I take issue with is people saying that there's One True Interpretation and no viable way to see it in any other light. There's one interpretation that the director intended, but the movie he actually made leaves holes to interpret it a different way. He shouldn't have made it that way if he had a very specific story to tell.

How can I see it as CSA? Simple. She said she was "a child" when it started and even if she was a young teenager, it being the early 1830s (assuming she's like 20-23 at time of canon, based on statistical age at first marriage for women back then) doesn't magically make 15-year-olds adults. 15 back then was about like 17 now- not a Tiny Baby, but decidedly not a Full Grown-Up either. "Child" CAN be a euphemistic term for a naive or inexperienced adult, but it's not always

And maybe if he wanted people to not interpret her as a literal child...he shouldn't have had her characterize herself that way in the dialogue, talking about when all of this started? "I was so young," "I didn't know better," "I was a fool," "I was naive," etc. SO MANY clearer wordings there. They already didn't get a child actress to play her in the opening scene; without that line, I'd assume it had been like. A few years before her marriage, when she was maybe 17-18, and just seen it as abuse rather than arguable CSA. It's a weird dialogue choice if he wanted to convey "the vampire sex started when she was young but not unacceptably young," like many other weird choices that I felt were counterproductive to his stated narrative aims.

Doesn't mean my interpretation is objectively correct either! But you don't see me going around saying that there's No Way Anyone Could See It As Consensual And That's Wrong And Bad.

I have both been there and done that before, coming from a fandom (Crimson Peak) where there's no way to interpret a central relationship as peer CSA/COCSA if you go by Word of God, but there's absolutely space for that based on what ended up in the actual movie. And I've had to make peace with it, even though I ship that couple to the moon and back.

You like these fake people kissing in this way, and other people don't. And that's fine! You don't need a big moral justification for it, or to have the Single Correct Interpretation!

[maxdibert]

Hello!! I really like your blog ^^ Do you have any headcanons about Tobias Snape and his relationship with Severus?

Yes, I have quite a few headcanons, both about him and about their relationship. Here are some:

Severus was born in 1960, so Tobias must have experienced WWII in one way or another. I imagine him coming from a working-class family that suffered the consequences of the war when his father had to go to the front. Tobias was probably still a teenager, and if they were already poor, the absence of the family’s breadwinner made them even poorer, and he would have started working at a very young age, almost as a child.

The trauma of war and having to take charge of his family so young likely shaped his personality. From an early age, he acted like an adult and accumulated a lot of anger that he didn’t know how to process because 1) men in that era were ticking time bombs, as they weren’t allowed to show their emotions, and 2) if you weren’t violent, you didn’t survive. Period.

He worked in a factory and was quite frustrated with how little he earned and the fact that he was never promoted beyond being a laborer. He started frequenting pubs after work at a young age and began drinking very early as well.

He let out his anger by getting into drunken fights.

He met Eileen Prince when he was about 35, and she was 10 or 12 years younger. She looked like a well-to-do young lady, and he was quite smooth-talking, so it wasn’t hard for him to win her over.

Eileen seemed like one of those women who appeared fragile, and Tobias liked that. It reinforced the image of the macho breadwinner and family man typical of the time, which he liked to embody. It gave him confidence because, as a nobody, it was the only thing his ego could cling to.

He didn’t care that her family wanted nothing to do with their marriage; he saw it as a kind of triumph. He had won the girl, "conquered" her, and those posh idiots who seemed to be her parents could go to hell.

All of this changed when Severus was born and Eileen told him she was actually a witch. That was the beginning of his descent into hell because his fragile masculinity, rooted in patriarchal ideals of manhood, couldn’t handle the fact that his wife was more powerful than he was. That she had powers, that she could do anything with a wave of her wand. It stripped him of the head-of-household role he had built for himself. If his wife could do anything with just a whisper, and he couldn’t get beyond being a factory laborer, then what was left of him?

He began showing hostility every time Eileen displayed any kind of magic. Over time, she repressed herself more and more until she finally stopped using it altogether. Tobias became increasingly intimidating whenever she mentioned her powers, to the point of verbally abusing her when he came home drunk. Eventually, when Severus started showing signs of being a wizard, Tobias felt so alienated from his own family that this was when the physical violence began.

Eileen didn’t dare use magic because her family had rejected her, and Tobias was all she had left. She clung to her marriage and obeyed him in everything he said. But his frustration, lack of self-esteem, and constant personal failures only worsened his temper, and he always took it out on her. He would accuse her of thinking she was better than him because she was a witch, of mocking him behind his back with Severus, and he constantly reminded her that she would have nothing without him (classic abusive behavior, nothing new under the sun).

He was always deeply frustrated with Severus because, from a young age, Severus showed a strong interest in intellectual rather than physical pursuits: books, stories. It wasn’t just because he was interested in magic and Tobias felt intimidated by something he couldn’t access. It was also because Tobias had built his self-image as a strong man through his physicality—someone who had survived a war, endured a brutal post-war period, and worked with his hands from a young age. His son lacked all those traditionally masculine qualities. Instead, he was drawn to interests Tobias didn’t even understand because he had barely finished primary school. This frustrated him immensely, so he tried to force Severus to be a "real man" from the start. But when he got nowhere, he eventually took it out on the boy. He beat him with a belt whenever he saw Severus doing "sissy" things, showing interest in the magical world, or simply failing to embody the epitome of masculinity Tobias wanted in a worthy son.

As a child, Severus was deeply afraid of his father. This fear partly fueled his interest in the Dark Arts. He fantasized about using a curse on Tobias one day to make him suffer and pay for everything he had done. It’s no coincidence that Severus was ahead of his peers; it was a form of self-defense. He would secretly read old books from his mother or ask her questions when Tobias wasn’t home. But as Severus grew older, Eileen became more emotionally distant, eventually becoming almost a ghost in the house.

As a teenager, Severus felt nothing but disgust for his father. He despised being related to someone so pathetic and simple. He threw himself into his studies because, on some unconscious level, he believed that the more he learned, the more knowledge he acquired, the farther he would be from someone as illiterate and brutish as his father, who seemed almost animalistic to him. Ending up in a house full of upper-class people was a way for him to dissociate from his own origins, adopting mannerisms and striving to set himself apart.

This infuriated Tobias even more. To him, his son not only thought he was better because he was a wizard, but now he was also attending that boarding school full of "posh prissy idiots" and coming home as an effeminate weakling, trying to sound like some upper-crust Londoner. Tobias would grab him by the neck and slam him against the wall, yelling furiously, asking if a scrawny, weak runt like him seriously thought he was better than his own father. Deep down, Severus liked provoking this reaction because he knew he had hurt Tobias's ego.

Through his Slytherin peers, Severus came to understand that Muggles were like that—violent, unpleasant, always seeking to harm wizards. And in a way, Severus believed it, because his father was like that. His father was violent, uncivilized, while the pureblood wizards he met during those years were intellectual, highly knowledgeable, elegant, and well-mannered. They were eloquent, interesting people, full of curiosity and ambition. What Severus knew of Muggles was nothing but filth, violence, resentment, and hatred. It was his father shouting, the smell of alcohol from the pubs he always went to, the factory friends who staggered home with him late at night, always filthy and barely literate. Magic was extraordinary; Muggles were dusty streets, old, soot-covered houses that looked ready to collapse, beggars in the alleys, and families who couldn’t even afford proper clothes. What his housemates said about Muggles made sense because he had lived it.

By the time Severus was 16, he almost cursed his father during one summer holiday. Tobias had gone into a rage and assaulted Eileen and then him. But Severus held back; he didn’t want to risk expulsion or losing his wand. However, he was intimidating enough to make Tobias almost wet himself in fear. After that, Tobias restrained himself; he was no longer physically violent, only verbally abusive. They barely spoke when Severus came home for the holidays. Tobias barely spoke to Eileen either.

I don’t have a clear headcanon about how Tobias died. Many people speculate that Severus killed him. I don’t think so. I don’t believe he killed his father or had him killed. I think it’s more likely that Eileen died first, shortly before or after Severus finished school. She probably died because she had neglected herself so much that her health deteriorated beyond repair. I imagine Severus stopped going to Spinner's End, and Tobias, now completely alone, spiraled out of control. Maybe he stopped going to work and was fired, and he drank himself into oblivion. Perhaps he got into a fight and took a fatal blow, or he crashed a car while drunk. I don’t know. What I imagine is that he died after Eileen and under very sordid circumstances.

Severus didn’t even bother to collect his body from the morgue.