#[ AND YEAH very much like with animals ]

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[itslilacokay]

oh would you look at that

part 1!

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[yrsonpurpose]

Acting a fool? I was pretty young.

[mossy-paws]

Get in the fucking biograft, Shuriken. (EVANGELION/PHIGHTING!)

(og screenshot’s/cover under text!) Why hello there to my tumblr followers, it’s been a awhile /silly

ANYWAYS!!! Guess who recently finished the EVA franchise minus the rebuilds and has been in a horrible chokehold over it, this anime ruined my life but hey at least its intro theme is nice……

Well, I wanted to draw some stuff for it! All together these pieces took exactly 48 hours and 20 minutes… with the cover-piece taking ~35(?) of those hours. These were… very, VERY time costly safe to say LOL,,, I am super, SUPER proud of how the cover came out though, everything on it was drawn, colored, rendered, edited, whatever, BY HAND stroke by stroke (as you can see below)

The text, the lineart, the shadows, the colors, the snowflakes on the bio and Shuri, EVERYTHING was done by hand, it was horribly time costly but it did come out very, VERY well in the end I would say (fun fact! I also didn’t originally have the textless version of the cover, and I had to trace all of the lineart for bio’s tophalf by just guessing what line when where and what the hell was going on /silly)

this was a very, very hard project to do all together, but it was also a really nice learning experience too, I’m happy i did it that’s for sure :3!

(og screenies + cover)

[dykealloy]

the catholic rejection of it all

[royalarchivist]

Cellbit: You think the Cucurucho that likes you is the like, cheerleader one or is it the gun one?

Jaiden: Um, I- I'll be honest, I think both of them like me.

Cellbit: Wow, ok.

Jaiden: What can I say, I'm just super friendly.

Cellbit: Yeah...

Jaiden: [Laughs]

Cellbit: You know, Cucurucho liking you isn't that much of like, a good thing, ok? Just don't- don't get like, super–

Jaiden: No, I mean like, I'm not- I'm not saying that, you know, I like him back or anything, I'm just saying that they- they have a soft-spot for me. Whatever that means.

[ Full Transcript ↓ ]

—

Cellbit: How is your relation with Cucurucho going? Like, have you seen him recently?

Jaiden: Uhhh, what do you mean?

Cellbit: 'Cuz you have like, a rocky relationship with him, don't you?

Jaiden: Yeah, yeah, yeah, last- last time we- I– he took me away for a bit, but uh... It's been, you know, normal. I feel like he treats me the same as he does everyone else. Yeah, he gave me a task.

Cellbit: What's your task?

Jaiden: To research rhinos.

Cellbit: Oh, yeah, you told me about that! [...] You think the Cucurucho that likes you is the like, cheerleader one or is it the gun one?

Jaiden: Um, I- I'll be honest, I think both of them like me.

Cellbit: Wow, ok.

Jaiden: What can I say, I'm just super friendly.

Cellbit: Yeah...

Jaiden: [Laughs]

Cellbit: You know, Cucurucho liking you isn't that much of like, a good thing, ok? Just don't- don't get like, super–

Jaiden: No, I mean like, I'm not- I'm not saying that, you know, I like him back or anything, I'm just saying that they- they have a soft-spot for me. Whatever that means.

Cellbit: Yeah, when– like, if you ever see them with a chainsaw, you know, you probably want to go to the other direction, that's just like, an experienced hint I can give you.

Jaiden: Yeah, yeah, yeah...

Cellbit: But I don't think they would do that to you, they seem to have like, their own preferences and stuff.

Jaiden: Yeah, I mean, they've only done that to you, so they must– they just really don't like you.

Cellbit: Yeah, but they kinda like did some shtty things to other people, they shot Bagi, they shot- they shot most of the Island, at this point.

Jaiden: Yeah, they did, they did shoot Bagi. That's- that's not good.

Cellbit: Maybe they just like Hatsune Miku, and they- they confused stuff.

Jaiden: That is true! Actually, they're– I don't even know if this is like, who this is in the Federation, but someone um... Mouse was like, showing me a picture of– Sorry, I have to tab in. [She punches Cellbit] Um... [Laughs]

Cellbit: Ow, that was rude! [Chuckles]

Jaiden: I had to tab in! [Laughs] My Animal Crossing music had to restart!

Cellbit: [Laughs]

Jaiden: Mouse was saying that someone in the Federation uh, was placing tiny Hatsune Mikus in there, so someone in the Federation likes Hatsune Miku.

Cellbit: Hmm... That explains a lot, then.

Jaiden: [Laughs] What do you mean? No it doesn't!

Cellbit: No, no. Now I understand that it's a whole– it's a whole scheme, it's a whole corruption scheme, now I understand.

Jaiden: Ah no, it's not corruption–

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[bixels]

I feel like I've seen most of what interests me in FiMFiction for the time being, so I read through some good ol' reliable Stardew Valley fanfics last night, only to realize.

Haley x Female Farmer is basically Rarijack. Rarijack adjacent.

[front-facing-pokemon]

[cable-salamdr]

Testing smth mmhnnmnmnnmmm *animation noises*

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[caluupin]

Finished TGAAC around 2 1/2 weeks ago but only finished the doodles today. but still, here ya go!

[dootznbootz]

I think it's kind of funny that people have an Epic!Odysseus design and then they have an Odyssey!Odysseus design because to me, Epic!Odysseus is just Jay.

[cogentranting]

The Hunger Games succeeds (and more so achieves sort of mythic effect) because it approaches dystopia through the timeless-- it (and Ballad) brings these universal ideas to a very personal lens and asks questions like "how do we begin to excuse evil in our lives" or "how do you hold on to goodness in the midst of oppression". And because it is so invested in the transcendent it lends itself to very powerful symbols, which give it that mythic feel.

Orwell's books (Animal Farm and 1984) both succeed through a very different approach to dystopia (Animal Farm isn't really a dystopia in the traditional sense but it has a lot of the elements). Orwell succeeds through real perceptive insight into the inner mechanisms of the subjects of his critiques. Orwell has vision that can cut deep into the way that things like propaganda or 'controlling the narrative' work and then, having dissected them, hold those tactics up for all to see.

And I think a lot of dystopias fall short because they get tangled up in the Idea of their story. The "what if" they've created. Either focused too much on the Issue-- too narrowly to be universal, too broadly to be revealing-- or too disconnected from anything genuine. And because they get stuck at that particular point they don't have much more to offer than "wouldn't this be bad?" And if you get a pretty good writer they can make that feel insightful but really it doesn't have much more to offer than whatever absurd YA book comes to mind first when you hear "bad dystopian novel".

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.