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#@ self WHAT is this in aid of
horusmenhosetix · 5 months
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Hi, my name is Ella, and I have had a constant headache for 14 years. I am 26 years old. Painkillers do not work.
I need Pineal Cyst Removal Surgery if I am ever to experience a pain free day again.
I cannot afford the surgery but it would drastically improve my quality of life.
I am suicidally depressed because of my chronic pain.
Can people please reblog this so that it can get traction?
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rainbowpopeworld · 11 months
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Super helpful comic by @deannazandt
Full image descriptions by the author here and in the alt text
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averlym · 1 year
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"now, doesn't that look nice?" [insp]
#*chanting* skask skask skask skask-#vincent aurelius lin#adamandi#hello. let's talk about what's going on here! i've been tossing the idea about here wrt skin translucency ever since that post came out#(it's linked above fyi. but to quote it.) 'attempting to pursue this unachievable white ideal of the young academic; maybe leading to gory#representations of mimicry; replacement; taking on someone else's skin; altering the self'#this is primarily key in vincent and the skask; in the actual show iirc they used a jockey mask or smth? but i was thinking about the#delightful way skin is semi-transparent. and so a literal layer of skin alone would be unlikely to provide the whiteness pursued-#the under layer of the original tone would be there. so smth about the failure and unattainable.#additionally; at this point of the show the skin would have been likely yellowing or greying due to post-mortem development? so even more#Not white. from observations (as a kid;comparing skin tones?) white people have a pinker undertone (this might be. a generalisation but.)#here the lighting is yellowish to further push the difference + give the super harsh lighting that if you suspend disbelief has some hair#appear as blonde to further the ambrose-ness.#also the hair- messier on the non-ambrose side; a reference to the whole monologue about the haircuts they got#we bring to you also another episode of <i like drawing fabric folds> in the jacket symbolism! from bottom right to top left; it tracks#vincent throughout act two: the initial long jacket for standing out (nonchalance?) at ardess is removed; the yellow coat is put on- aided#here by ambrose's ghost which is represented by the hand! (it is very very slightly transparent- you can see the jacket pattern through it)#(if you look close) and then the satchel goes over it; this mimics the clothes in <oh ms reporter>#and then the Actual Ambrose jacket goes above along with the skask; following the outfit from the pyre scene at the end.#the spark/star thing is partially foreshadowing for the upcoming stabby eye trauma thing (@quincy) and partially just so i could highlight#the eye of the mask/ the place where vincent's eye probably is Behind the mask. because i liked the idea of merging faces; intersection.#back to the translucency of skin - you can kind of make out where the rest of his face is from the darker bit? aka it's not the same colour#as the skask. smth smth limited effectiveness...#tldr? face skin. jacket skin. altering appearance over time; unfeasibleness#when i was doing this i suddenly remembered covering my skin in talcum powder as a kid... hm. i'd forgotten about that.#anyways! when i posted my first ever adamandi thing i had the thought of 'this musical makes me want to paint' and surreally enough#that has proved to be so so true. and ngl i am really enjoying it? love it when the motivation to create is there haha#i will add as a disclaimer that i'm literally chinese and if the colours look off.. i did not mean to make a caricature. please be nice#that said because stage lighting tends to shift colours about a Lot i essentially used my own skin as a reference under yellow light?#so hopefully that checks out. <disappears>
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so-very-small · 1 year
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the tiny, inside the walls, hyping themself up: It’s totally fine. Everything I’ve seen from this human shows that they’re kind, level headed, and normal. There’s utterly nothing wrong with this human, and I can totally befriend them! I shouldn’t be scared at all!
the tiny: *peeks out hole in the bathroom wall, looking up at the giant before them*
the giant, in front of the bathroom sink, obliviously doing their nightly routine: *removes their dentures*
the tiny, has no concept of what dentures are, who just saw this behemoth remove all the bones and flesh from its own mouth in one swift pull, without a flinch of pain: what the fuck what the fuck what the fuck
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ethaninthewilde · 11 months
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[to myself] you are allowed to use mobility aids. you are allowed to use sensory aids. you are allowed to use mobility aids. you are allowed to use aids to make your life easier. there is not a "level" of disabled you have to be be to use aids. you are allowed, you are allowed, you are allowed.
[to myself] you are not weak for using aids. it does not mean you are not trying. there is no pride in suffering. there is no shame in using help. you are allowed to make your life easier. you are allowed, you are allowed, you are allowed.
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uncanny-tranny · 1 year
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If you mess with somebody's mobility/life-preserving aid and all you got was yelled at by the disabled person in question, just know you got off easy. Fucking with somebody's aid can easily become a matter of life-or-death, so you have to understand why somebody would "lash out" about that.
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boyfriendgideon · 1 year
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
#jason todd#jason todd meta#red hood#batfam#batman#dc comics#comic analysis#classism#tw: csa mention#maybe someday half of the most intriguing and nuanced aspects of his character will be touched upon#red hood outlaw 51-52 had some cool moments wrt jason + class + hometown friends + systems of power but. that was a two issue arc#and even then it was admittedly messy#GOD i want him to be three dimensional and well rounded and well used#even if a writer wrote a fucking. filler comic for an annual or smthn exploring what jason does outside of being red hood#keep the name if u want. have him have deliberately taken the name of his killer and twisted it until ppl from his city know rh#as a protector of kids and the poor and sex workers and so on. that WORKS. but show him connecting w his community#have him get involved in mutual aid. have him do something when he’s not out as red hood at night. let us see jason & barbara interact more#or jason and steph !!!!!!!! or another positive but complicated dynamic (he has a lot of those)#i just. i think that his stagnancy makes me fucking sad. i liked some aspects of task force z. felt like it ended too soon tho#FUCK the joker lets unpack his self concept & have him be a real person outside of vigilanteism (?) and vengeance#i liked some aspects of the cheer arc in batman urban legends mostly bc he had SOME agency and bc he wasn’t completely flat#even tho i hate the retconning of robin jason being angry and moody and so on#part of the problem is we don’t see him too too often for more than semi brief appearances so im so happy to see him i’ll just accept it#love the idea of a nightwing & red hood team up comic. hate that tom taylor a) wrote it and b) gave jason that stupid ass line abt justice#u think this man trusts cops ????? or the legal system !????????? BITCH.#get jason todd into like a sociology / gender and intersectionality / feminist studies class NOWWWWW#ok im done im sleepy and going to watch nimona. thx for reading to anyone who did#PLS anyone who reads this let me know what u think im frothing at the mouth rn#wes.txt#mine
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aliencatart · 1 year
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everyone's smiling extra brightly it's a sight you'll only see once in a lifetime so i want to store them in my memory with extra care 💓 pi-pipi-pi-pi-pipopapo! 💓
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variousqueerthings · 2 years
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there’s so many ways that queerness exists in texts, unintentionally and intentionally, coded and uncoded and partially coded and baited and confused and limited and expansive, and then there’s whatever is happening with Hawkeye Pierce, M.D. of the 4077th MASH unit
#hawkeye pierce#MASH#there is of course also the constant mist of gender/sexuality queering that hangs over the narrative because of its structure#its structure as comedy (often subject to whimsical departures from acceptable gender/sexualities)#its structure as anti-establishment and anti-conformity#its celebration of non-conformist personalities and lives and its redefinitions over and over of madness and mutual aid#its structure - of course - as found family#its structure as an island in a sea of militant and fascistic surrealism and answering the questions of:#well what does the alternative to that violence look like?#so the idea of intentionality/unintentionality sort of doesn't matter#because it's creating a manifesto/ethos of sorts that speaks the same language as queerness#and it's down to the DNAs of its structures#(not even mentioning the structures of echoing the realities of those making it -- ethnicities - romantic lives - cultures and religions -#friendships and political beliefs - family structures created on the set of the show itself)#but yes hawkeye pierce is depicted as fascinatingly overtly queer and comedy is (like horror... which....) an acceptable space#for him to be this#(which -- when the horror and tragedy takes more of a front seat his funny-man queerness is somewhat diminished#but a. still very much present b. given an air of drama that legitimises it further c. underpinned by seasons and seasons of existence#d. embedded in that self-same DNA of the structures -- he IS the main POV character#which means he's carrying so much of that idea of non-conformity/civilish disobedience as good and right/whimsy/gender-and-sexuality/etc#so you see... there's whatever is happening with hawkeye pierce M.D.
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sysig · 11 months
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Didn’t know you had it in you, did you (Patreon)
#Doodles#Adventure Time#Fionna and Cake#Simon Petrikov#Winter King#Winterkov#What? Me? Enjoying a self/ ship ft. two dorks wearing glasses? Haha couldn't be me that doesn't sound like me at all#Trading one Tom Kenny brainworms for another sheesh - Tom Kenny stop voicing queer scientists challenge (impossible)#I hadn't drawn Simon before but I have known he's a massive cute for a heck while now lol#And yeah confirmed - he's Really fun to draw especially this iteration#His crows feet and hair streak ugh <3#Plus I've just missed this style of eye more than I realized haha#And Winter just flows off my pencil like water like woah#I blame Spamton at least partially for that lol although he's easier to draw than Spamton :0#Spamton is very fun! Winter's just easier for some reason :0#Maybe 'cause he's so soft-faced haha ♥ And I don't use my colours on him lol#Honestly I only count this as self-slash on a technicality - yes they're both Simon bodily but that's not really Simon in Winter anymore huh#Maybe to some extent - he's still a scientist and all but honestly there's a comment I can't stop thinking about since I saw it#About how really that's The Crown using Simon as a host just without the madness - and his skills aid in keeping him lucid#So it's like a ghost puppeting your clone's still-living corpse more so than kissing yourself :) In my opinion lol#And I don't say that to get away from self-shipping! I love that stuff!! That's just genuinely how I read Winter now haha#Not that he wouldn't play into it lol#I've seen a ''I am like this so you are also like this :) Right Simon? :) You're like this'' and I enjoy that very much#Manipulative so and so <3
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packedice · 1 year
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URGENT COMMISSIONS!!!
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hi tumblar.. umm basically to lay it out super simple i was fired from my job a few months ago and have been rationing out my bank account to buy groceries (cheap where i can, but i’m celiac and that means most things are double the average price around here) for myself + my fiance, and now im at the point where im running out of money to pay for groceries, my phone bill, and my testosterone. my monthly expenses are around, in total, $400 . i have another week or so before i will have next to nothing in my bank account. 
as of right now i’m completely unable to hold a job due to my autism, and so i am opening up cheap pfp/half body commissions!! i take payments through p4y.p4l or kofi! 
feel free to dm me here, or message me on discord @ splatzones to work with me!! even if you would not like to commission me reblogs to get this to a wider audience would be heavily appreciated!! 
MORE EXAMPLES OF ART + PRICES UNDER READMORE:
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paintingformike · 2 years
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mlvns will accuse bylers of only seeing mike as an accessory to will but if you ask them what they think mike’s arc is outside of his romantic relationship it’s crickets...
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commsroom · 2 years
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more than anything, what i want for hera is the safety to have trivial interests, to be unimpressive and entirely mundane. so much of her life is defined by the limitations imposed on her. she is always in some level of pain, and the entire concept of... knowing physical pain as a sensation without ever really experiencing pleasure, only occasional relief, gets to me a lot in the context of disability. she has never had a day in her life where she hasn't had to be concerned for her survival. even when she's able to relax, even when she's just goofing off with eiffel, whatever space he can give her for that... she's still constantly running all of these background processes, calculating and monitoring and making choices for her own safety, and there is something about that... in the same way that "i can't do this. i'm not good enough." being programmed into her is a useful metaphor for understanding trauma, i kind of feel those background processes, the constant need to multitask and take into account so many more things so much more quickly than anyone else, just to exist... there's something about that that resonates with me. i want her to feel safe enough to be able to just... turn that off. for a little while. i want her to see the ocean and not have to think about the direction of the waves.
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beth0ftime · 10 months
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Some thoughts about cpunk and mobility aids
I recently saw this post by @satellites-halo:
I think OP brings up a very good point here: if your mobility aid is obviously dangerous you can’t bring it places you’ll need to go. That said this isn’t the end of the story.
As a practitioner of HEMA (Historical European Martial Arts; using historical weapons from Europe) there are actually a lot of writings on using things like canes and chairs for self defense/offense. For example there was a several year streak in London where walking staffs were the most deadly weapon. When these books and treatises were written they weren’t adding spikes or barbed wire to these things.
I am pretty much a full time cane user due to my hEDS and POTS. I will not use it for a little bit but I end up unstable and in pain afterwards, I mainly do this for exercise/practice. So I have been very interested in learning how to use a cane in this way, as well as seeing how other, similar, aids have been used throughout history.
While not all of these forms of fighting are useful for all mobility aid users, such as full time wheelchair users or some forearm crutch users, there’s a surprising amount of people it will work for. For example, I’m currently reading a treatise by a man who is partially blind, that is his term with modern vocabulary we would call him legally blind, and he is good enough at fighting to be considered one of the most amazing swordsman and cane fighter. (It should be noted that he did not have access to glasses and mainly navigated the world tactually)
The only real requirement is that the aid should be built from a single piece (not any of the foldable kinds) and be of sturdy materials: metal, solid wood, etc. While I recognize that this does exclude a fair few mobility aids there’s still a fair few this works for: canes, rollators (though lifting them into position for fighting might be untenable for some people), forearm crutches (if used like a Roman forearm blade, again some may not be able to do this), and even some leashes for service dogs (used as a rope dart) to name a few. There are probably more in forgetting but it’s a lot.
The key thing about all of this is that you don’t have to add scary spikes that might make the TSA balk at you, you can just use a normal looking mobility aid to do the same thing. It should also be noted that most courts consider mobility aids to be part of the person using them for the purposes of assault charges; if someone touches your mobility aid in a way you don’t like, that’s assault and you can respond in kind. That isn’t legal advice and there’s still ‘appropriate force’ president to consider but twapping someone who is grabbing at your cane, especially maliciously, isn’t out of question for a normal reaction, and being good at doing so is preferable.
Ok, cool Beth, but what do I do with this info?
There’s a little part of this post that’s me trying to get more disabled people like me into a sport I love but I can’t do so without some caveats. Not all HEMA clubs are built the same and some can be downright nasty, please look up any club you consider joining and maybe ask a physical/occupational therapist before launching into a contact sport. If it’s not in your interest then that’s also fine, there are several forums that post book recommendations for learning cane fighting or uses of a chair in WWII fighting (what rollators are great for).
If you’re a cane user, there are actually custom canes that you can order that are especially made for fighting (that aren’t objectionable enough to be confiscated by anyone who does security) but also just getting a cane made from a hardwood works. The website https://canemasters.com has a great selection and a really nice custom ordering system.
I wish I had more for other forms of mobility aids but my research is limited, if you have more sources for this stuff please comment/repost with them. If that’s not your style my dms are always open for cool fighting stuff!
Be safe and stay punk!
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aropride · 1 month
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what if i just go to urgent care like hey im in pain all the time and have been for weeks/months/years and its only getting worse what do i do . idk that theyd even be able to help since its not like. an acute injury or infection or something. but im in so much pain and ibuprofen isnt cutting it anymore and getting a pcp is scary and takes Time
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space-spoon · 10 months
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Deafness rabbit!
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