saw a poll about whether you prefer corruption or redemption arcs and i realized that for me it's not really either, it's a distillation arc: when a character becomes the most intense version of what they could be, everything inessential falling away or being discarded so that only the core remains.
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I love the idea of all the robins kinda being clones of each other with just a few differences and a concussed Bruce not being able to tell who he’s squinting at so he just says generic statements and avoids saying any names
Bruce (sitting at the breakfast table): so… how’s the weather… dick?
Jason (grinning): you do know I’m gonna hold this against you for like, the next 2 months right
Bruce: (groans into his hands)
Bruce (walking into the living room): hey have you read through the files I gave you yesterday?
Dick: (confused cause he took a day off to surprise Bruce) ?
Bruce: so?
Dick: er… no?
Bruce: Dick?? What are you doing here?
Bruce (walks into the kitchen with a fresh concussion): Jason? I thought you were on a mission with the outlaws?
Tim: (frozen through mid fridge raid, having assumed they were past Bruce calling him Jason since yk. He’s a shit brickhouse now and Tim is, well, obviously not): uh?
Bruce: *turns around and leaves*
Bruce: Oh hey Cass, when did you arrive from Babs’?
Damian: (slowly turns around in the black hoodie he’s wearing) we’re not even the same gender
Bruce: (under his breath) yeah but the same height
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The Summoner
So! Danny is not the Ghost King.
But he still has a good relationship with a LOT of Powerful and not-so-powerful Ghosts in the Zone. So much so that they have given him their Summoning Circle's with a blanket permission to Summon them any time. Not like they have much else going on...
This all leads to a hilarious situation where Danny can't use his Powers for whatever reason and is forced to Summon his friends for help. In front of a group of Heroes.
He has to explain everything to them, but accidentally convinces them that he has Summoning Magic and the Ghosts are all on his Contract. He also mentions Saving people from Ghosts and the JLA realize that he is a child Hero.
They ask him if he wants to join Young Justice, and Danny hesitantly agrees.
Now Danny is on Young Justice and the entire team thinks that he is a Hero with Ghost Summoning Magic.
And his name isn't Daniel "Commit to the Bit" Fenton for no reason.
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god i love people watching breaking bad for the first time and being blown away by aaron paul as jesse. like u can go in knowing Everything, knowing about the awards and acclaim and posts and scenes, but nothing can prepare u for the actual experience of seeing a completely real, fully fleshed-out person spring out of that actor's forehead fully formed. aaron paul would go on set, absolutely body scenes like no one else has before, and then leave like "ahaha idk man i just do it, ive never done an acting class i just fucking do the acting". its unbelievable.
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I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):
It's a phrase taken from the Book of Job. Here's the quote in full (King James version):
When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls.
--(Job 30:29)
Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.
Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.
They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.
Your punishment is terrible, tormenting loneliness.
(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)
To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the most tragic of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.
So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.
Because this story is about Aziraphale.
The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.
He does so fully believing that he's giving in to a temptation.
He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.
And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.
Fallen or not, that's the kind of knowledge that...separates you.
(Whoooo-eeeeee, tormenting loneliness!!!)
Aziraphale is the companion.
...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:
Check out Crowley's glasses.
(screenshots from @seedsofwinter)
Crowley is the owl.
Crowley is the goddamn owl.
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Y'ALL I WATCHED THE WHOLE OLYMPIC OPENING CEREMONY AND OMFG IT WAS LIIIIT
There was every boat in existence. The best of french classical music with Ravel, Debussy, Saint-Saëns, Satie, and more. Céline Dion who hadn't sung in public in 4 whole years. Drag queens. All sorts of dancers. A video of a throuple. The contrast between Aya Nakamura and the military choir. They mixed up the names of Turkey and Tunisia on the screen announcements. The olympic flame on a hot air balloon. Statues emerging on the Seine. People doing biking tricks, skateboard and breakdance dressed as mimes, while floating on the water. The president almost didn't talk. Diversity and inclusion were central values of the show. The weather sucked, everything was SO WET. There was not one, not two, but three wet pianos involved.
But the real shit? The real PEAK of the whole show?? The image of the century??
PHILIPPE KATERINE COSPLAYING AS A NAKED SMURF IN A PLATE OF FRUIT, SINGING ABOUT HIS NAKED ASS, SAYING FUCK GUNS AND FUCK THE RICH, MOTHERFUCKERS
THAT'S MY FRANCE
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