#<- or maybe im easily impressed lol

[caracoloco]

i said i wasnt gonna read manga anymore Lol but um

what do we think of Gokurakugai o_o

[funkle420]

a great way to combat genAI in the future would be educating kids (and teens and college students and all ppl) on art way more.

[estradasphere]

really interesting tags on the hct poll! (not meaning to put this person on blast or anything i actually kinda agree with them)

[phagodyke]

anyway yeah relevant to that post abt being deaf/hoh and ppl excluding u from conversation bc of it (even unintentionally), that's smth that's been really deeply bothering me lately bc there are a few ppl I routinely have to deal with who do it a lot and it Pisses Me The Fuck Off I've lost all patience w them. giving up and calling it ableism and walking out idc anymore 🚶‍♂️

[sanematsu]

any ichimatchu cock and balls headcanons

ok so in general i think they all have pretty similar junk to work with on like the small side of average. but I think it'd be kind of funny and fitting if he was built like the parody dildo that was made for him, so pretty average length w an upwards curve but more on the thicker side (thickest of the 6 to me). i like 2 think he has a frenum piercing or an apadravya but there's no fucking way he has that in canon LOL

also i love @holematsu ttt's ichimatsu big dick theory that I will link when i find it again it's so hot to me

[todayisafridaynight]

I wanted to write in about my thoughts on Jo as a CSA survivor separately for a couple of reasons:

I already more or less have what I have to say on the topic in order thanks to talks with @starssystem and another friend [<3]

This is a massive tonal shift from anything else I could be discussing

This Is Massive In General For The Love Of God PLEASE Help Me

Obvious CSA CW for anyone else reading; I only discuss statistics, psychology, and the aftereffects seen in survivors here, but it's worth a warning.

With the disclaimers out of the way… I'd mentioned before I've only ever added one thing to Jo's background, and you were right: this is it! To me, there's so much thematic overlap in Jo's narrative with the experience of surviving CSA it's worth it to examine his character through the lens of that being the case. Of course, there are clearly-stated reasons for it all that Aren't That, but…

It's the pervasive guilt and shame, the lifelong secret that becomes too unbearable not to tell, the faulty coping mechanisms aimed at burying the trauma without having to face it, the reluctance to be sincere [vulnerable] and the lies and half-truths used to maintain the facade of invulnerability, the pursuit of power and control and the knee-jerk anger response when it's threatened, the pursuit of mastery over his body and the indifference to what happens to it. And the way a lot of it really does stem from a deeply traumatic childhood sexual experience from before either he or Ikumi understood what they were getting into, from before they could give informed consent.

Statistically, the further below the average age someone is for their first time, the likelihood of [at best] having been introduced to sex inappropriately and [at worst] having been abused at the time or earlier rises exponentially. Jo was 15 when Masato was conceived--possibly 14, since he was saying he "met" Arakawa at 15, and by then Masato was already born. To put this into perspective, since what ages register as concerning is largely cultural, the average age in the US and UK is 16-18. But in Japan, it's over 19.

To a Westerner [or even a heavily Westernized non-Westerner], having a kid at 15 is unfortunate, but not untenable; you've seen it on TV, you might know people like that, you might even be that kid or that parent. But in Jo's case, with him being 4 or 5 years younger than average, it's like if someone told you they had their first time--had a /kid/--at 13 or under. That's the equivalent discrepancy. That /is/ concerning, to me.

It's also something that's linked to negative outcomes in adulthood, partly because of the likelihood of forming bonds with poorly-adjusted peers. Jo specifically states he and Ikumi were only together because others who came from backgrounds like his own were all he had back then. [As an aside, it's interesting to see him instinctively seek out a relationship where his pain would be understood without having to say anything--or one where he could assume it would, at any rate.]

When it comes to his relationship with Ikumi, I've always felt there was this "adult dynamic" between them--in the sense it feels like one that'd be more fitting for adults to get into than a couple of teens. It was, based on his wording, a primarily physical relationship neither of them expected to last even if they were living together. To me, it's one thing if you're fully convinced you're in love or you're experimenting or whatever and that results in an unplanned pregnancy, but it's another thing entirely to have such a bleak yet objective outlook on your relationship so young.

And it didn't have to be that way. He could've been just like Arakawa, head-over-heels in love with this girl who was The Only Good Thing He Had Going, or something like that. But the sheer contrast between how Arakawa was crazy about Akane and never forgot about her for the rest of his life, while Jo more-or-less-clearly didn't have feelings for Ikumi and can't bring himself to remember her name after living with her for at least a year and experiencing life-changing events with her…

It's notable to me that Arakawa maintains an interest in women while nearly every in-character interpretation I've seen makes Jo averse to women. Obviously, we don't really know that; it's probably just based on his general attitudes, his contrast with Arakawa, and maybe his immunity to Charm. But I think there's a reason a lot of people pick up on it and tie it to trauma rather than/in addition to a lack of interest in women.

I've talked about this through the lens of comphet already [and Jo being gay or ace or both would present other difficulties], but I can't overstate how notable it is on its own. We see Jo's response to traumatic events, and it's to become preoccupied with them, to investigate further if he has any leads. That's why he remembers every minute detail of the night Masato was born and the time he saw Arakawa attempt to comfort Masato when he was crying and hitting himself. I think it's also why he gets as far as he does when looking into Arakawa's death, and why he entrusts the search to Ichi. He never seems to manage to block them out, even if that's what he'd rather do--even if that's what he thinks he's doing.

So if he "[doesn't] even remember" the name of the mother of his child, I get the feeling there's something more going on. Like I've [probably] said in the past, Jo genuinely sounds traumatized by the relationship as a whole. More than anything else he's been through, and he's been through a lot. It's often the case that CSA survivors who are also survivors of other trauma view it as worse than anything else that happened to them.

And that's not to implicate Ikumi at all, I don't think it's a case of COCSA--everything I've said holds just as true for her, and she had to suffer the additional trauma of an unwanted pregnancy and childbirth, at that. Rather, I think it would make sense for something like CSA, which often incontrovertibly reconfigures one's relationship with sex and love, to be a factor in why they rushed into a something physical before they were mature enough to handle it.

Some victims end up having perfectly healthy experiences, some victims end up avoiding them, some victims end up re-victimized, and some victims end up with a mixed bag--there's a lot of variation. But some victims do end up having relationships like this and making mistakes like this, because that's all they know, or because they want to heal but don't [or don't know how to] go about it in a healthy way, at a healthy pace. And I definitely think if you recognize that's what the basis of your relationship was, that it all comes back to something you'd rather forget, it'd make sense to want to forget the relationship as a whole.

To that end, it's possible to come away from a relationship traumatized even if no one did anything wrong. I've [probably] talked about how the way Jo comforts her at the station feels like he's doing it for her sake and pushing his own feelings down, but neither of them is really buying it. If that's a pattern in their relationship, perhaps he wouldn't have been able to communicate if maybe what they were doing was dredging up bad memories, if he wanted to stop but didn't think she did. So to go through with it, then get the news months later…

Either way, the fact Ikumi couldn't bring herself to tell him she was pregnant until nothing could be done would, for Jo, invariably cement the feeling he has no control over what happens around him. I think the sense of powerlessness he felt is why he blew up at her when she told him, because it's really the only time we see him lash out like that at her. At the park, he objects to going back for Masato, sure, but he's passive. And I think that unbroken pattern of powerlessness in his life [which CSA would only compound on] is why he's so reactionary, why he's so emotionally dysregulated, why he expresses his rage through what basically amounts to power-tripping.

But I do think Jo does have a great deal of awareness. A lot of his wording when he's telling Ichi about it borders on poetic, or at the very least candid and effective. That requires both prior reflection and a command of language. I think there's a lot he understands deep down, at least after sitting with it for long enough, but he isn't capable of voicing--or doesn't know how to voice--what's on his mind, most of the time.

So when he joins the Arakawa Family, when he rises the ranks and has that control back, his control has to be near-absolute. If it's undermined in any way--such as, for example, a certain someone failing to answer a call within two rings--he loses it. On the other side of the coin, I do feel a lot of why his devotion and gratitude towards Arakawa goes to the extent it does, why he's so comfortable with him, is because Arakawa gave him the safety of the Arakawa Family, gave him back his autonomy, gave him the environment--and treated him with enough humanity to give him the reason--to learn to regulate himself, to better himself.

And Arakawa /gets/ trauma. He really does. Aside from his own abusive background, literally the only time the word trauma comes out of any character's mouth in this series, it's Arakawa's. It comes back to Jo saying others who came from backgrounds like his own were all he had; that never changed, did it?

Lastly, For Funsies [<- LIE. COMPLETE LIE. TURN BACK NOW] I wanted to go through the items on this [CSA] Survivors' Aftereffects Checklist I could check off with near-certainty. 19/34, by the way, give or take. Now, as I said at the beginning, there are existing concrete reasons for why he has many of these experiences… but it's like the trans allegory with Masato, To Me… If I can check off over half the list based on a very limited backstory and an hour of screen time total, that's indicative of a notable overlap… TO ME…

Note that the book this list is from was published in 1990 and focuses on women's experiences. It was a huge step forward in giving survivors a voice back when a lot of existing research indicated CSA had neutral or even positive effects on children, but it's definitely a product of its time. With that out of the way…

Wearing a lot of clothing, even in summer […]

To be fair, most male characters in RGG are fully-covered and have near-unchanging designs, and it's winter in both 2000/2001 and presumably 2019, but… when it comes to Jo, it feels a little different.

He does have Some Heavage in his twenties [although the necklace takes the attention off of his actual chest], but as time goes on, he shows less and less skin and adds more and more layers. When he has the gloves on, it leaves no skin exposed at all, and there's this direct symbolic correlation with secrecy that isn't there for other characters. And if you're wearing three layers of leather [or even one], you can neither feel what you're touching nor feel anything touch you.

Pure Speculation, but I just can't really see him underdressed for any occasion… That's why his fit in Day with the Sun is funny as hell but also… yeah…

As a behavior, if it's rooted in anything, it's probably rooted in having to hide signs of physical abuse, of course--but then he kind of already had an excuse, with how he was constantly getting into fights. I guess it depends on the specifics, but I think it's interesting to consider this as one way CSA victims attempt to regain control of their bodies, avoiding emotional discomfort at the cost of physical discomfort.

Self-destructiveness

It's nothing super overt, but I see this most clearly represented in his second boss fight in particular; his willingness to wield a blade bare-handed while using enough force he could very well render his hand useless. I think it's potentially also evident in how he has severe cataracts he chooses to ignore and allow to worsen, despite having the reasons and resources to undergo surgery to restore his vision. In doing so, he literally and figuratively blinds himself to so much.

I also kind of think the assassination of Hoshino/the anonymous call and The Eye Scene are examples of self-sabotage. I mean, he literally was sabotaging himself in the former, but it's also the specific way he feels the need to be physically taken down in order to be stopped--possibly a holdover from RGGJo, who's only too happy to be beaten into a coma.

I don't know… It's hard to pinpoint, but I feel like he would be averse to most of the more "obvious" self-destructive behaviors--especially when he has people in his life who might notice and worry, like Ikumi and Arakawa. That and because many of them are addictive. He's seen what that's done to his father, and he's also developed this incredibly rigid sense of discipline he can't maintain if he doesn't have a clear head.

From how he talks about himself [as having lost his humanity and lived a half-assed life], I definitely think he's at the very least unkind to himself, but I also think he does externalize it by provoking others to harm him [in the case of physical fights] and reject him. Like he needs some kind of proxy perpetrator. For some abuse victims, this specific manifestation of self-destructive behavior is a way to regain control--whether or not you "deserved it" back then, you do now, as a direct, logical result of your actions.

Need to be invisible, perfect, or perfectly bad

I think each of these needs manifests in different ways for Jo. The need to be invisible can be seen with authority figures (mainly Aoki, but also Arakawa in The Yubitsume Scene, a little; how drastically he pulls back and tries to act "normal")--this relates to what you were talking about with being reluctant to intrude or take up space. If you fall under the radar, maybe you won't get hurt.

The need to be perfect can be seen in his seemingly "impossible" standards, I would say. Of course, because we see things from Ichiban's perspective, we tend to see them as unfair and often arbitrary demands. But they aren't arbitrary to Jo, are they? They're standards he holds himself to through and through. If you're good, maybe you won't get hurt.

The need to be perfectly bad can be seen in and relates to much of what I discussed under self-destructiveness [The Eye Scene and the way he antagonizes Ichiban specifically by making himself out to be worse than he is]. If you must get hurt, it can at least "make sense"--be "deserved."

Suicidal thoughts, attempts, obsession (including "passive suicide")

Obviously he's not like… Mine Levels Of Overtly And Consistently Suicidal, and he doesn't attempt suicide himself, but at the same time, I have to note his total ambivalence towards Aoki seeing him as a "bullet" (a kind of hitman sent on suicide missions). He agreed to what he himself viewed as a suicide mission and he didn't care what would happen to him afterward, as he says to Joon-gi, Zhao, and Adachi.

Aside from that, I certainly feel he's at least had passive thoughts like wanting to disappear or wishing he'd never been born. Y'know. Nothing concrete, but reflective of his mental state, and just as detrimental to dwell on long-term.

I think there's a sort of childishness [for lack of a better word] to thoughts like these [in that they're impossible], but also a level of maturity in that it probably doesn't escalate to something more actionable because he understands he has responsibilities he can't abandon. I think if he was ever seriously suicidal, it would be at the points of his life where he really didn't have any responsibility to anyone, like between Ikumi leaving and him joining the family, or after he was arrested.

Depression (sometimes paralyzing) […]

I'm trying not to over explain going forward because I Have BEEN Overexplaining It Is SUCH A Disaster… he's depressed If You Have Eyes And/Or Ears… I'll leave it at that…

Anger issues; inability to recognize, own, or express anger; constant anger […]

Lol

Rigid control of one's thought process; humorlessness or extreme solemnity

Relates back to what I was saying about how disciplined he is [and expects everyone else to be], but in general, he's incredibly, incredibly serious and focused. I don't think he's /entirely/ humorless [but then again, very few people are]; I just think his specific sense of humor is. Like. What Is Your Problem [I Know What Your Problem Is I Have Been Discussing It In EXCRUCIATING Detail But What The Fuck Is Your Problem]

Trust issues; inability to trust (trust is not safe); total trust; trusting indiscriminately

That's why he was planning on taking his secret to the grave, isn't it? It was only when faced with the realization it would soon be too late to say anything that he was able to tell Ichiban. He could've trusted Arakawa, should've been able to, but… in his mind he never could.

This book [and this checklist] is about "incest" actually, but it redefines "incest" to mean any instance of CSA perpetrated by any individual the victim trusts or has an expectation of being able to implicitly trust. Which… is most CSA as we understand it today, so I've edited some parts to just say that.

Anyway, I've never given much thought to the specifics of what Jo might've experienced--who did it, what happened, how long it went on, etc.--so there's no conclusion I can draw here [and elsewhere, I'm sure]… but even without that, to grow up unable to trust the one person who should be in his corner, his father, and to have his trust betrayed by Ikumi, it's no surprise Jo ended up like this either way. So… I'm happy he had the courage to tell Ichi, in the end.

High risk taking ("daring the fates"); inability to take risks

I think these are supposed to be mutually exclusive, but to me, Hoshino's assassination and Arakawa's assassination represent both sides of the coin, although they're not the only examples. There are risks Jo won't think twice about taking and risks that paralyze him.

Boundary issues; control, power, territoriality issues; fear of losing control; obsessive/compulsive behaviors (attempts to control things that don't matter, just to control something)

Lol���

Guilt, shame; low self-esteem, feeling worthless; high appreciation of small favors by others

Lmao Even…

Feeling demand to "produce and be loved"; instinctively knowing and doing what the other person needs or wants; relationships mean big tradeoffs (love was taken, not given)

I actually think this encapsulates a lot of what I've been saying about his work ethic, his ideas of discipline, and his relationship with Ikumi, but I also think it's why Masato took a liking to him. His attentiveness. It ties back into wanting to be perfect; when you're abused--especially long-term--you become attuned to observing and responding to any shifts in mood or tone. This is another area where I can't draw any conclusions relevant to my point, but it does certainly relate to his father's abuse, at any rate.

Abandonment issues

Kind of contentious… The anticipation of being abandoned by or losing someone he cares about appears to be worse than the actual experience. He's fine with Ikumi leaving him, and he's… not Fine With, but able to come to terms with Arakawa's death and Aoki's abandonment of him. At the same time, he really does try to make Ikumi's stay in his life comfortable, and he spends almost forty years doing his damnedest to keep his family together, whatever the cost. If I were to extrapolate from RGGJo, though, /he/ does have an obsessive, unhealthy attachment to Arakawa.

Blocking out some period of early years (especially 1–12); or a specific person or place

Ikumiiiiii that's what I'm SAYINGGGG

Feeling of carrying an awful secret; urge to tell, fear of its being revealed; certainty no one will listen; being generally secretive […]

Rofl Perhaps…

Denial; […] repression of memories; pretending; minimizing ("it wasn't that bad") […]

He admits to it himself. Not much else to say. Though I don't think he necessarily minimizes what he's been through by dismissing how bad it was; rather, he tends to overestimate his ability to move past it.

Pattern of ambivalent or intensely conflictive relationships (intimacy is a problem; also focus shifted from [CSA] issues)

Also kind of contentious… we don't see a pattern of romantic relationships, as I assume the author meant here, but at the same time, the romantic relationship and non-romantic relationships we do see fit this pattern. I guess I'd say I definitely think intimacy /would/ be a problem, and he /wouldn't/ be ready to address his issues.

Limited tolerance for happiness; active withdrawal from happiness, reluctance to trust happiness ("ice=thin")

The quote that prompted this ask in the first place. It's sort of connected to the point about humorlessness and extreme solemnity; if that was the "what," this is the "why." He doesn't know how to relax ["holidays don't exist" and all], he doesn't have much to be happy about, but even rarer is the occasion where he doesn't feel too conflicted in the moment to be able to enjoy himself. That's just how I see him.

[…] verbal hypervigilance (careful monitoring of one's words); quiet-voiced, especially when needing to be heard

EXACTLY what I was talking about in this ask, so I'm leaving that one up to past me…

......

... That's It That's The Essay I'm going to hibernate until Infinite Wealth comes out and somehow refutes my points but UNTIL THEN. Farewell, take care, and once more, don't worry too much about matching my energy… Like I Said if I were the one receiving this ask I'd just delete my blog, so… I'll just be happy to know you read it :] If That lmao

ok i read it :) 👁️👁️ READMYTAGSTHERESMORETHEREIPROMISE

[capaldiera]

man idgaf about what treville and richelieu have going on (mostly nothing) (they dont like each other but they work together a lot bc of their jobs.) (i guess treville holding onto a sense of honour whilst working with the cardinal is interesting but like that's not. thats not really those two having something interesting going on). lets talk about the king and the cardinal man.

[sylhea-raemi]

Airi playing an important role in the story but also the fact that she's the only proof of oda kazuha and saito tooru's existance on earth is wow

[sleepymarimo]

❝𝐰𝐚𝐤𝐞 𝐡𝐢𝐦 𝐮𝐩!❞

synopsis: you're tasked with waking up zoro for dinner, but it's hard to make him budge.

pairing: zoro x gn!reader cw: more tooth rotting fluff for my favorite swordsman :) wc: ~1.6k an: i had a dream about this and added some even more fluff because why not. ty all i hope you enjoy <3 also i realized i have a decent chunk of zoro fics about napping lol maybe this is why im sleepymarimo i just love that sleepy lil guy

"Where the hell is that shitty swordsman?" Sanji grumbles, cigarette hanging from his lips as he sets a hefty plate of rice on the dining table.

Even though you're acutely aware that the marimo is missing, you pretend to peer over shoulders and swivel your head to give the impression that you're just as clueless as everyone else. You're already sat at the table, utensils neatly resting beside your plate.

Everyone else is already in the dining room, Luffy practically on the brink of perishing as the food is placed before him. Chopper and Usopp are close behind, their forks glinting in the light.

Robin is patient, smiling at the sight before her, the one she's grown to love. "I believe he said something about taking a nap," she reveals, her fingers wrapping around the stem of a wine glass. "He might be holed up in the boy's room."

"You mean the men's room?" Franky speaks up in an attempt to lighten the mood, the cola bottle in his hand hissing as he pops the cap.

Nami shakes her head, not in the mood to entertain the hooligans she calls her crewmates- her family. When Luffy, Usopp, and Chopper start to chant for their food, the navigator's last straw cracks into a million pieces.

Her chair slides back with a screech as she stands, planting her hands on the table. "Ugh, I can't believe that guy, sleeping through dinner!" The sigh she gives is intentionally dramatic, her charm working its magic as Sanji quickly offers to knock some sense into the green-haired swordsman.

It all comes to a halt when a pair of hands sprout from the table, tugging at the cook's shirt in a silent command to stay put. All eyes go to Robin, her knowing gaze easily hiding whatever ploy is running through her mind.

She calls your name and you immediately feel your cheeks warm, though you still feign obliviousness even if it seems like she's peeking right into your brain.

"Why don't you get Zoro?" she suggests, yet deep down you know you don't have an option.

Even if the thought of protesting crosses your mind, the chorus of growling stomachs and pleas for you to hurry have you standing and scampering up the stairs and to the deck.

Standing in front of the door to the boy's cabin, you feel your stomach drop a bit. You're quite literally entering a tiger's den, into the willing jaws of a beast who has been known to treasure booze, swords, and naps above all else.

The air inside the room is significantly more warm, heavy, compared to the cool breeze blowing outside. It's dark, your eyes adjusting to the lack of lighting as you carefully step over shoes and dirty clothes.

For a moment the beds seem empty and you wonder if he's even inside, yet the massive figure atop one of the bunks makes you quickly reconsider that thought.

His bare back rises and falls at a leisurely pace, his arms sprawled over the sides of the bed while he lays on his front. Cheek pressed comfortably into his pillow, Zoro naps away without much care for anything else.

After gawking for a second or two, you step toward the bunk, mentally cursing, and steel yourself for what feels like the millionth time. The wooden structure is a bit too tall for you to get a look at him, so with a small grunt you step onto the bottom bunk and grip onto the rails to hoist yourself up.

As soon as you take a glimpse over the top bunk's railing, you feel the warmth of his exhales across your nose and cheeks. It makes your face warm, your own breaths stalling as you take in the sight of him looking so… serene.

His face is softened, relaxed, a stark contrast to the pinched brows and scowls he usually wears.

Imagining the exasperated faces of your hungry crewmates, you get on with your small mission. Even though you're there to wake him, you're considerate enough to keep mindful of your tone. "Zoro?" comes his name from your lips, a murmur not quite suited for waking a beast.

The most you get out of him is the slight wrinkling of his nose, like a fly had perched there for a second before buzzing off. In a way it's expected given that he's slept through storms and whole marine attacks.

Your tone is louder the next time you call his name, more firm, his silhouette becoming pronounced as your eyes adjust to the dark room. "Zoro," you call again, arms starting to ache from how you're pulling yourself up to the top bunk.

Again, nothing. It's almost comical at this point, really.

You resist the urge to groan in frustration, your options becoming more limited. Time really isn't on your side here, not when the odds of a hungry pirate barging into the room increases by the second.

Taking a big breath, you decide that this is going to be the last try. This is going to be the one to wake the marimo, whether he likes it or not.

Unfortunately, the sea has other plans for you.

The ship hits a patch of rough water, the violent movement causing you to lose your grip on the railing tethering you to the top bunk. Your breath also catches when the sudden jolt makes your feet slip off the mattress belonging to the bottom bed, your heart skipping a beat when you feel yourself starting to fall back.

You're fully prepared to brace yourself against the harsh floor, your muscles tensing and jaw tightening, but you don't even have the chance to fall back a single inch.

A strong arm, previously hanging limp over the bed, curls around your waist and holds you steady. It supports all your weight, even as your legs kick out in an attempt to find solid ground. With your face suddenly squished into the junction of his neck, your own arms act on instinct and wrap around his shoulders.

Zoro's awake now, steel-grey eye open and aware as if he hadn't been knocked out cold just seconds ago. His senses have a unique threshold, not bothering to pick up on the calls of his name but always managing to be ready when his crewmates need him most- especially you.

His skin is warm, a tell tale sign that he'd probably been napping for hours. Tightening his grip on you, he sits up, pulling you with him. You're still disoriented, wondering why you haven't hit the floor, but he's as sharp as ever.

"The hell are you doin'?" he grumbles, voice still heavy from his rest, carrying that delightful rasp. His irritated tone is a facade, more of a light chide than anything. "You tryin' t'break your neck or something?"

You feel like a fish out of water, mouth opening and closing a couple times while you're still dangling from the top bunk. It's hard to not get in a few mumbled apologies, not knowing if he's ticked from being stirred from his sleep.

"Dinner is ready," you reply, managing to find your words, your hold on him not letting up due to fear of falling once more. He feels so warm, the definition of a guilty pleasure, and you're left to exert as much self-control as possible.

He lets out a scoff, amused, then grunts as he finally realizes you're still hanging over the bed. His hand moves, sliding across your waist to grab at the back of your shirt. While Zoro's strength is known throughout all the seas, it always leaves you in awe. With nothing more than a bicep curl, he hoists you up and onto the top bunk with him.

A sigh of relief leaves your lips as you sink into the soft mattress, the bunk creaking with the added weight and how Zoro shifts into a seated position. Legs crossed over one another, he stretches his arms over head, unintentionally showing off his physical prowess.

Your eyes find the ceiling out of respect, but mostly because you're another second away from bursting into flames.

He yawns, then rubs at the back of his neck. "Dinner, huh?" he repeats, finding the answer satisfactory enough and shrugging his shoulders. "They sent the right person. I don't need that shitty cook hurling a kick my way."

You nod and even get out a laugh. "Yeah, I'm sure waking up to me almost falling is a lot better," you joke, looking over the bunk to see the drop to the floor.

"It's no problem," he assures, his gold earrings catching in the slivers of moonlight entering through the window as a lazy smirk grows on his face. "I got ya."

While you'd be willing to skip dinner to stay with the swordsman, your stomach protests with a hefty grumble. Zoro's stomach follows suit, making it's need for food known. The timing of it makes another laugh slide past your lips, a sound that makes his smirk soften into something more genuine.

With a small grunt, he hops off of the top bunk and lands on the floor with a solid thud. "Alright," he starts, stretching his back out a bit more before lifting his head to meet your gaze. "Let's go eat." His arms raise, ready to help you down from the bed. Whether you want to take the ladder or propel yourself into his embrace, he silently vows to be there to offer support. Although Zoro could be stubborn, gruff, and brash, he'd never let you fall, not ever.

[radioroxx]

THE. ISAFRIN KIDS I MENTIONED. shared little ocs of my mutuals server <3 love u collection muah muah im not tagging everyone in this tho

other doodles plus some rambling below vvv

- aurore(she/they) and philémon (he/him). they have their own nicknames etc because Who Are Isa and Sif Without Nicknames but. éile is much much more partial to use his than aurore. for her its, every now and then. for him its most of the time (like how bonnie goes by bonnie and not boniface)

- i dont remember how why we started making fankids but i do remember very early on in the conversation discussing the idea of wish kids. think that one fankid meme with the baby descending from the sky. thats a wish kid

- there are. a lot a lot of silly goofy ideas weve come up with for them (such as: isa being Not very good at hair and embarrassing himself trying to help out), but i think my brain would explode trying to remember it all lol. and type it out. feel free to ask ques abt them tho :)

- one thing we did talk about a bunch is! how siffrins background would play into it. having kids + starting a family with isabeau,, maybe feeling guilty over the culture they arent able to share. to make up for it! they! do what they can!!

theres no way to know for sure for sure if siffrins cloak is a island thing. or a family tradition. or just Something his parents did. regardless they would want to do the same for their own children! isa already makes tons and tons of outfits for em (you could imagine lol), so of course he has no issue helping out sif in this new project. (they got to help put with the design of their own cloaks though! for preference)

another thing siffrin wants to share with them is. easily. stars! the stars are something siffrin grew up knowing to be important (or well, he assumes so). so thats something they would want to share too :). maybe he cant remember their names, or constellations, or what any of it Means,, but they can still teach the science behind it! which is also very interesting!! the kinda stuff the kids would take to school the next day to impress other kids with lol

(i also just wanted an excuse to draw the family together,, can u blame me….)

- we also discussed. hypothetically if loop is still around by this point. their own feelings in this situation. its been years since the time loops were broken- years for loop to come to terms with, and mourn, etc. even still theres that feeling of bitterness that lingers, knowing they couldve had this. this couldve been them-

but also its. its hard to be angsty and upset around little kids. ehe

(we joked about loop becoming an awesome babysitter. the kids love them very much.)

ok thats all ur getting for now fjkd again feel free to ask questions weve been a little insane since yesterday

[austinsastrology8991]

> Mars in Houses < How you fight demons by becoming more demony ANd where others thirsty for yo Red-Bull-shit

Mars in First - Red bull gave you wings. your venom is oozing out yo teeth, but you still grinning at anything that moves. you act out a lot -and we let you - only because we don't wanna be the reason you lashed out - and you will justify your outbursts with any reason possible. because anything and everything makes you jump into a fist fight. and we don't wanna hear it was our fault later when we all know its your fault Mars in Second - Red bull made you sleep. you tired of fighting, but you will never surrender - so like what do you even want. your easily the most annoying person to get in a fight with because you never quit even if you lost the fight. passive in yo jabs but you a genius at pissing me off. and honestly the only reason i put up with it is because you so god damn sensual but your the definition of walking on egg shells Mars in Third - Red bull gave you intrusive thoughts. You are irrationally provocative and you don't even care that you just pissed everyone off with yo shit talking. you are able to have a conversation, but you must get the final word, and this final word, is why we all roll our eyes at you whenever you say yo 'piece.' notice how know one talks shit back to you? talk is cheap Mars in Fourth - Red bull gave you cancer - you hold in a lot, and we know your insides are boiling into a hot soup and thats why everyone so nice to you. we dont want to be the ones you vomit at. and we know its because yo mama made you bite yo tongue as a kid. and well we gotten used to it Mars in Fifth - Red bull gave you energy - get hyper - *dubstep**ksi appears** your dominant simply because your energy is overwhelming to others > you got the loudest laugh > the 'funniest' jokes > the biggest rawr xd > no one gonna step to you because you loud , and to extinguish yo flames we gotta call the fire brigade because you set the whole building on fire Mars in Sixth - Red bull gave you band aids/aids - you the most non combative person but can cut anyone so easily. you know exactly how to put someone down, and thats why you dont look for fights, because it feels like work at dis point. undercover freaks Mars in Seventh - Red bull gave you an erection - RED ROCKET RED ROCKET ummm do you really gotta show yo red rocket to everyone. seriously you working everyone as if you plan on sleeping with everyone. and the people you really wanna sleep with man, never seen a bigger simp, but keep pretending you a pimp, i mean i would too if i was as thirsty as you Mars in Eighth - Red bull gave you demon wings - scary. you can expose anyone by diggging into their psyche/secrets, and after you expose them, you console them, make them feel better about how you made them yo bitch. I mean its impressive how well you keep your secrets to yourself, but man do you exterminate everyone elses and its uncomfortable to be yo target Mars in Ninth - Red bull made you jump off something high - loud ambitions and a whole buncha energy. and well we know you have a grand plan to take over the world, but we done hearing about it we just waiting to see if you got the balls to do it. oh wow you actually jumped off the cliff and nearly died. was it as legendary as you thought it would be > i mean shit, imma talk about it so maybe? Mars in Tenth - Red bull made you put on a suit - Professionally a proffesional. a professional that proffeses they a profesional professionally like professionals who are proffesional. do you feel like i gave you the respect you deserved, or do you feeel im mocking you? they ask themselves this typa shit 24/7 because they dont wanna get spat on, but they so used to it - so they put themselves in only win win situations to avoid anything 'unprofessional'

Mars in Eleventh - Red bull gave you purpose - yall are kinda fearless but we all know its because you so afraid you wont get your way lol. but you masters at getting yo way, but that just means people dont wanna get in yo way... now ask yourself. how beneficial is this really. i mean at least nothing is an obstacle, but also no one helping you, becasue your attitude has convinced everyone you dont need help, and we also don't want to Mars in Twelfth - Red bull made you think he gave you wings - yall into infecting peoples minds; thats yo weapon. you know the exact right things to pull off to get people stuck in a thought loop of guessing what ifs of what is actually nothing at all. and this 'weapon' after a while, is completely useless after yo game is revealed, but yall are intriguing and are always shapeshifting into some new shit

[mayabruhbruh]

What do you think of the possibility of Will and Chance happening? I feel like it would be really poor writing tbh but I feel like they will give Will a different love interest because they’ll try to make all of the audience „happy“ But that would just truly not align with the writing so far I feel like.

Love your analyses btw<3

THANK YOUU! That's so kind :) And great ask! This is definitely a topic that the ST fandom needs to discuss.

The default question when people have little to no hope in Byler is, well, who the hell is Will going to end up with? Because it’s become increasingly evident that they’re trying to set him up for a romance. The “im not gonna fall in love”, the “it’s not my fault you don’t like girls”, even the gif shown above. It all can be interpreted to mean that Will is going to find his person soon.

So... to be completely honest, I had no idea who Chance was until this ask popped up and I had to look him up💀. It’s been a while since I’ve been on here, so I’m a little rusty on the deep lore lmao. So, in the off chance that others might also be confused, here’s a (rare) gif of him I found.

I think that’s him with the Hawkins cap on the right. Correct me if I’m wrong.

I’m not sure where the rumors that this guy was going to become a bigger part of the show came from, but that seems highly unlikely to me. I feel like they would have either hinted at it in the fourth season (like how they’re giving Patrick here quite a sizeable role so that he’ll be memorable to us later when he gets vecnafied) or they would have announced him as a more prominent character already like how they did for s5 with Holly, that one new kid character, and also how they did Amybeth for s4. Idk, maybe it’s unreasonable to think they would have to do that, but it feels quite too out-of-the-blue. Especially for a character that would take on the role of becoming our central character’s love interest, which is a BIG DEAL. Especially if it’s queer lol.

Secondly, I firmly believe that it would be a disservice to Will’s own desires to meet someone new.

Will said this explicitly in the van scene, and as of now, we’re still under the impression that Mike is his person. Forget about Mike’s issues and feelings for a second, and think about what Will is saying here. He feels like a mistake for being different, but Mike makes him feel like he’s not a mistake at all, that he’s better for being different. Mike gives him courage to fight on. Fuck. Tbh, it makes me wonder how long he’d felt this way. As a byler, you might be inclined to think his feelings have been on for forever, but narratively, he could have easily just realized his own feelings very recently, most likely sometime between season 3 and 4. It doesn’t mean the feelings weren’t there before, but realistically neither Will nor the general audience were aware of it before now.

Moving on.

Has anyone heard of the rule of Chekhov’s gun? It’s an incredibly clever and widely-used tool in screenwriting and storytelling in general that helps to clue the watchers in for what’s to come next.

Think of Lucas’ wrist rocket in season 1. When they introduced it as a flimsy-looking, no-good weapon that he’d put too much pride in at first, it gives us a good laugh and we move on. But really, it very meticulously set us up to subconsciously anticipate to see it again later. That’s what Chekhov’s gun is all about. Set-ups, foreshadowing, hidden treasures.

Another great example would be the painting reveal of s4. Obviously, after finding out that Will was painting something, bylers immediately figured it was for Mike and BEGGED and HOPED and PLEADED that we’d be able to finally see it, but to the general audience it was just another something that they’d have to pick apart and realize was actually of importance as the season progressed. (It’s also a good way of showing that the writers are fully capable of engrossing the entire fan base and general audience in his and Mike’s story. Just knowing Will had painted something and that it was for Mike created this sense of PLEASE TELL ME WHAT IT IS AND WJATS GOING ON and whatnot that watchers are simply so susceptible to it’s insane.)

Okay, back to the van scene. Will’s confession.

Now, I’m not saying that the writers intentionally used this foreshadowing tool for us to find and understand immediately. There are plenty, plenty of instances where writers use Chekhov’s gun principle and it flies over peoples heads purposefully. What I’m trying to say is that, thematically and narratively, they would never have introduced Wills feelings for Mike if not for it to have importance to the story, or for nothing to happen with it at all. It’s a set up. And a maddeningly good one, at that. Because queer stories already do tend to fly over people’s heads, and also because there’s the added drama between Mike and Eleven that makes it seem quite impossible for any of these feelings to be addressed in the midst of such emotional chaos. But whatever. I think I’m rambling.

Basically, whether they end up together or not, whether Mike reciprocates these feelings, Will is forever established to be in love with Mike. The confession was simply too grand and emotional and earnest for him to just switch up abruptly next season when he meets someone new that he might have a better chance with. Even if there were to be a whole new arc for him where he learns to let go of Mike or something crappy like that, it would be terrible writing on their end and poor use of a well-set-up Chekhov’s gun reference. It would be like introducing the gun in the display case in scene one, then two scenes later just tucking it away into a storage closet for the remainder of the story. Like… what?

And plus, it’s HIGHLY unlikely that Will would end up with that sort of storyline next season when he’s literally WITH Mike for presumably a majority of the time (based on the set pics so far).

So that’s my debunking of the Chance rumors :) and I didn’t even get to mention how incompatible they’d be just naturally as characters. Chance, a Jason-following jock that hates Dungeons and Dragons, fantasy and nerdy things, and willingly assisted in beating up the Hellfire Club when they were trying to find Eddie. What about that at all screams Will’s type? And if you’re thinking “unconventional couple enemies to lovers”, just don’t. This isn’t a rom-com, especially for a queer plot line lol. I think it’s safe to say there’s no “chance”😉 that they will ever happen. And either way, it’d be a bummer if they did. Cus it would just be Will defeatedly settling for someone that isn’t Mike.

UGH! It makes me sad that the one thing that is firmly being teased by the writers (Will’s love playing a major role in the plot to come) is constantly being questioned and framed as different questions. “Will Mike reciprocate?” “Does this mean Mike and Eleven break up?” “Who will end up with who?” SHHH Frankly, to me this is already a win. It’s become obvious that Will having feelings for him will come up again soon, and the rest of the evidence that accounts for Mike’s end already speaks for itself, so I prefer to just sit back and watch it all unfold.

Again, thanks so much for the ask!! This was so fun to dissect and feel free to keep sending questions into my inbox. It might take me a second to post my response but I’m determined to get through all of them. Love you guys!! <3

[hwnglx]

for jk im curious to know what he means by the way ppl maybe assume he is a player or do they assume other things? I seen ppl assume he could be a cheater in relationships but thats not the case he is loyal asf imho, do u think its down to his people pleasing habits? he reminds me much of bangchan where ppl have said in readings he likes to be of use to ppl and to be able to help them where he can offer it. idk if its the same for jk

but fr when jk meets his fs shit is going to go down so maybe she can help jk even out his mindset towards all the stuff he has achieved which is more than the average korean so u think he would be quite proud to have helped put korea / kpop and in general hes done so much so I hope he is able to somehow feel accomplished. I do get what he means by it seems so superficial but ehh ppl have pushed for fame and fortune since decades ago and it either makes or breaks a person depending on their views of their experiences

well.. so much, if not the entirety of kpop idols' image is manufactured. since these people basically make a living by selling an image to the public, it's something that has to be calculated. your image has to be as appealing to people as possible, so what do you do? you only show off your best, and bury the rest. as an idol, you basically sell yourself as a fantasy, someone who appears to be perfect, but in reality is just as flawed as we all.

in jungkook's case, he's just tired of fame. it's like, the validation and admiration was nice at first, but after a while it just feels vacant and empty, and not real. these people love the manufactured you, they love the role you play in front of cameras. not the real and raw and weird you, with all your flaws and mistakes. and for a while, jk didn't know himself outside of being an idol, because that's all he did since he was a teen. so he was at this stage of “who even am i, when not being bts’ jk?” and easily fell into the impression that, his “normal” self is so insignificant and lacking in comparison. just unlovable. like people wouldn't love him if they knew of his more “unlikable” traits. everyone projects this fantasy onto him, but many don't wanna know his real soul. in his ideal type reading, i remember he had this intense craving for genuine love. not love for the idea of him, but for the real him.

you mentioned bangchan, while they do have similarities in their people-pleasing habits and desires to serve them, jk's energy is honestly much more pure to me personally.

bangchan is “i need you to like me, not just because i'm a person who needs validation, but also because it benefits me and my bag” (i don't blame him that's how shit works lol)

jungkook is “i need you to like me because i need affection and love and i feel empty otherwise”

in fact, jk's energy actually reminds me a lot of felix in this regard. they're surprisingly similar. (they do have similar charts)

[dangans-ur-ronpas]

oh yeah i saw your reblog of togami fun fact and i think i followed you because you chew on him so well. do you have posts of your thoughts on togami's backstory? (you can answer privately btw)

i straight up don't remember if i've ever posted in length about my byakuya backstory headcanons (if i ever did they'd be catalogued under '#my thoughts' probably, that's the tag i use for my fandom posts) but! just for you i will list a few that i have off of the top of my head

i liked the concept of the togami novel and ended up perceiving the heir struggle as like. not a necessarily organized competition (what with heir prospectives trying to assassinate each other or otherwise blackmail, threaten, or force each other out of the running) but more a survival challenge with occasional tests of cleverness, strength, etc. and byakuya managed to win by manipulation and sheer force of will, and doing things that might be considered 'underhanded' or 'shameful' (see: polaris p polanski) -> testament to ambition

byakuya says something cringe in thh like 'im perfect in every way. wits, ability, and body' which always pissed me off but as a result i ended up seeing him as like. above average in athletics, maybe good agility and reaction time? and capable of self-defense, but definitely nowhere near professional levels, and not in a way that's obvious from looking at him

re: physical ability and 'perfection', i don't think he's an 'ultimate' anything aside from 'ultimate progeny'. like he's not the ultimate stock-broker or the ultimate viola-player, but he can do both things pretty well. more of a jack-of-all-trades master-of-none kind of talent. maybe that eats at him a little, the fact that he won't ever be truly outstanding in one single field until he becomes togami head

also re: physical ability, he gets his blue eyes from his mother's side, so he's more sensitive to light. but his mild near-sightedness and need for corrective lenses is from his father's side. he doesn't know this though, so he blames his mother's genetic for all of it

he was planning to get lasik after becoming head of the family but. well. lol

he's half-french. his mother is french. i dont think ive ever posted about mamagami but ive definitely made mention of her in my fic, though at this point she's more of an oc than anything since there's like, no canon info about her at all. but she's a french sculptor who did not want a child and does not want any relation to the togami family other than having them as like. art clients. a cool lady very dedicated to her profession and could have been the ultimate sculptor, but kind of a emotionally neglectful mother ngl

there probably is some more canon info on papagami , aka kijo togami's character but i haven't really bothered looking for it. instead i made him into a sad little man who kind of hates his role as togami head and would've preferred a more mundane life (like as an architect - i actually did make a post about this somewhere), but he won his generation's heir competition because he felt like he had to, not because he necessarily wanted to. for reasons yet unsaid

byakuya spent the first part of his vulnerable youth being emotionally neglected at his mother's villa/art studio in france (hence the bilingualism hinted in the canon). when he left to join the heir competition after one too many assassination attempts he got one of his mom's business partners and former exes (a guy named 'polanski') to shelter him

byakuya's impressions of his parents: his mom sucks (fair i suppose) and his dad lacks real ambition and isn't suited to his role. or at least, he could be surpassed very easily. byakuya plans to make himself the greatest heir ever seen because of his shit parent combo

byakuya's known pennyworth the butler since birth. i have this idea that each togami kid gets just one togami family servant to help shape them into their roles. pennyworth happens to be the oldest of the roster but also the most experienced, and is kind of a shifty old man (i.e: very cunning and more loyal to the family than the child he's been assigned to, though that changes as byakuya gets older)

byakuya's also probably a girl and bisexual but he''s trying to take over the world through his shitty family's conglomerate and then survive a murder game apocalypse so she doesn't really care about that rn

[seelestars]

hellooo, if u dont mind could i request himeko, kafka and fu xuan reacting to their s/o being a highly talented dancer and seeing them dance to a really hard kpop choreo? thanks and have a wonderful day/night :D

➴ ✫ * ✧ HSR WOMEN SEEING YOU DANCE TO A K-POP SONG ! (kafka, fu xuan, himeko)

a/n : i can smell how this post is gonna flop from miles away but i digress ☠️ anywaay i tried my best, hope u enjoyyy! + slightly ooc fu xuan ?

kafka :

might snap a few pics of you shamelessly while you’re dancing, a smug smirk on her lips as you hear the shuttering sound of her phone. (It’s def gonna be her wallpaper)

no matter how hard you try she won’t delete it😭😭she thinks you look pretty in the pictures she took, so why delete them?

or option B, she stands there watching you, seeing how long it takes for you to notice she’s there… whole jumpscare when you finally notice her (she likes doing it to see your cute startled reactions)

she’ll hum along to the lyrics of the song, maybe even lay her hands on your body as you danced. (it makes u immediately freeze up, a flustered expression on your face as she chuckles next to your ear)

she tells u things like, “with those skills, you could be an idol. im sure you’d be a very good one though, with your looks and all~” with a stupid smile on her lips

if you do decide to teach her one of the dances, she’d catch on very quickly.. she’s quite a quick learner ! except she purposefully messes up sometimes so u can adjust her posture etc (she just wants to feel ur touch on her skin ♡)

fu xuan :

is wowed by your impressive dance moves (but she doesn’t admit it “h-hmph, I’ve seen better.”) , she knew you were a good dancer but she had never rlly seen u dance before

she’s stuck in a trance watching you to the point she doesn’t even realize you’ve finished dancing and how you were currently staring at her. her cheeks flush as soon as she snaps back to reality as she turns her head away, crossing her arms. when you tease her about it, she’d only deny “i-i wasn’t staring at you!” even tho it’s insanely obvious she was

she probs has some toxic trait thinking she can also easily do that dance, getting all cocky w u and going “watch me do the dance better!” and proceeding to have to replay the vid a thousand times (except it’s no use, she’s still so confused <\3) she gets so embarrassed afterwards to the point u have to comfort her and let her know it’s okay ,,

she thought the dance u did was mesmerizing, and rlly wants to master it. so she reluctantly asks you for tips (with the tips of her ears flushed red hehe) in a way that makes u want to tease her about it

secretly tries to sneak up on u more to watch you dance more (you notice this but don’t point it out since yk how embarrassed she’d be)

himeko :

she heard loud music coming from your room, so she decided to check on you only to see u dancing to kpop songs lol

she’d make her presence known by clapping, her eyes slightly widened by how in awe she was of your skills !

might even start singing the songs (even if she’s unfamiliar w the lyrics) n dance along w u,,

or she’d most likely just sit somewhere and wait for u to finish before interrupting and stuff, her gaze fixed on you the entire time… she just thinks you look too good while dancing to take her eyes off of you! an approving look on her face as she stares you down intently, even though ur getting flustered by how much she’s staring </3

when u finish dancing to the songs, she’ll ask you for tutorials so she can dance along with you !! she’s also gonna give you tons of compliments, “you did so well” “you looked beautiful” “that’s so impressive” but as soon as you give her a tutorial she’s gonna be so confused haha ,, must be bcuz of her lack of experience when it comes to dancing..

she’s very supportive of whatever you do, if you decide to start a career w your dancing skills she’d cheer you on !

[drawnfamiliarfaces]

please tell me about the headcannons for the First Ninja 🙏

!!! ;D Since you asked so nicely! ;3 uuuuhhhhhh lets see...some of my personal headcanons for First are:

He is baby of Norisu Clan, aka the Youngest child.

He barely remembers his parents, for they died when he was young (courtesy to Sorcerer and thus one of the many reasons Norisu Clan sought to defeat him), so he was mostly raised by his Oldest Siblings.

When he was younger (toddler-ish age), he was dotted upon by his older siblings, so he was kind of a brat, since he was used to being center of attention and being taken care of (tho he grew out of it pretty fast).

When he was younger (more teenager years) his hair used to be longer and he wore it in topknot (think Samurai Jack style).

And all of his Siblings were gone, he cut his hair off to honor their sacrifice and make a promise to finally defeat the Sorcerer (think sorta that Zuko scene from ATLA lol).

So, when we see First in Flashback of Ultimate Lesson, with his tiny ponytail, its (canonically i think?) several years after inprisonment of Sorcerer, that little tuft is what managed to grow back. (cause i think its interesting that we never see First out of the Ninja Suit in 13th Century Ninja episode)

Speaking of 13th Century Ninja episode(I both love and hate that episode so much man): I headcanon that most of First's behaviour can be explained by stress and despair he started to feel after loosing his siblings (also probably mild sleep deprivation from nightmares and ptsd). Which was why he seemingly 'gave up' so easily (like ??? ugh).

The other contributing factor is First being confronted by unrelenting dumb optimism/hope of Randy and suddenly strongly reminded First of himself, when he was younger and still believed his clan could defeat the Sorcerer and how he was that same ray of hope for his older siblings who were becoming weary from the battles. But he is older now, and no optimism or hope helped to save his siblings from the ultimate sacrifice, so he understands that darkness his family tried to protect him from much better now.

So basically I like to think younger First was a lot like Randy in many ways, especially in that assurance/confidence that any mistake can be fixed.

First is a great sea farer! Canonically, Norisu clan followed Sorcerer across the sea (according to Secrets of the 9 i think?), so they would have spent months/if not years at sea. And if First was young, it would have left a great impression on him, that expierence and time on the open waters.

That man can not cook to save his life, and he lost most of his appetite after his family's sacrifice, that's why he is rather scrawny.

First is not the best Ninja of Norisu Clan. He grew up in the protective shadow of his more talented and powerful Older Siblings, who in turn taught him everything they knew. So he might not be the most powerful of his Norisu Siblings, but he is the most rounded in his abilities and the most balanced one. ;)

hmmm i think im done for now ;D ask me later for more, maybe i'll have some more concrete ideas ;)