#<- only mentioned but still important

[canisbeasts-ooc]

Half awake (more like…3/4 asleep) canine rambles about stuff that may not be canon (kinda? Sort of is??) to the character, but is fun for me to think about, and I kinda lose the point of what I was saying? so take everything with a large pile of salt:

Something that’s been bouncing in my thoughts for a little while has been that unofficial ‘Lil Cal Au’ Trench drew a while back. And Sphinx.

I think it’s fun to explore how Sphinx deals with the grief of her lusus as well as the hard to articulate feeling of realizing ottermom was never as good as she thought. I like how in this ‘au’ she’s kinda roped up in just the right moment to cause a lot of unnecessary damage. A bit after the session’s start, after the initial shock had worn off, after the first planning, and kind of right in that grey area of Somati and Ferics being missing while the others are still a bit busy with their own planet stuff, is when Sphinx kinda falls into her worst, I think.

She’s finally at a period where she doesn’t have to continuously push herself farther and farther to keep up appearances, so she kinda. Falters. She is grieving the loss of ottermom but there’s a slowly dawning and growing feeling, like a pit in her stomach, the realization of her having thrown sweeps of her life by trying to please someone who would never be satisfied, and not knowing where to go next. And, at least in the ‘Lil Cal au’, I imagine this is where that uncertainty really comes in. In canon, Lavendersprite is likely the one there to try and pick her back up, but in the Au? Something else gets a chance to pick at her.

I think this kinda intertwines well a bit with how much of Beforus’ culture (may be the wrong word..?) Sphinx has internalized. She’s pretty entrenched in the system as she can be without directly being cullee or culler. Her work explicitly includes caring for those that do not have a place for their own, often due to this culling system, the Lusii sanctuary. She learns to care and provide for these creatures, and has likely interacted with her fair share of cullers and cullees with stuff like pick-ups or drop-offs of Lusii. And, with that, it’s something that her ottermom finds acceptable, it’s something seen as befitting of someone of her caste. And she’s up there! And gosh does she try to live up to what she ‘should’ be! She tries her best to be helpful, to be reliable, etc. She plays a role of pseudo-culler to these beasts and I don’t think she explicitly realizes that until later.

This also plays a bit into her relationship with Respit. There’s no doubt that they love eachother more than nearly anything else in their lives. But, expectedly, there’s implications of a purple and a burgundy being together that I think sometimes puts a different light on their moirallegiance. I think Sphinx feels the need to protect him, a fair share of the time, and at times, to stand up for him when he doesn’t for himself. Neither are very adamant on attracting attention they don’t need, and Respit especially would prefer to fly under the radar. His first instinct to danger is typically to flee, and I think Sphinx knows this. Kinda similar to the Carillon, she wants to hold onto what is truly hers for as long as possible, she doesn’t want to lose Respit. I feel this can sometimes get tangled up through Beforus’ expression of hierarchy and Sphinx can come across as a bit overprotective of Respit when she thinks they’re in trouble. It’s ultimately this convoluted mess of care (among some other things) that leads her to being the one to take charge and kill Respit first for godtier. I think a big part of her, the one that loves and worries for her moirail more than anything, is concerned that anyone else would hurt him.

I think I’ve um. Lost the point of this post-

Something something a tiny bit back on track! A directionless Sphinx with a need for fulfillment, for purpose, for an empty sense of revenge she can’t fulfill, can very easily be swayed and her biases and intentions warped and used to hurt people pretty easily! Something something about ‘doing this for your sake’ ideas, especially with the more aggressive death of Respit

[cybertron-after-dark]

Average transformers g1 episode:

Megatron is attempting to black out the entire sky across a hundred mile radius and funnel all the sunlight into one, concentrated solar death ray to target a heavy duty solar panel he's having soundwave and the cassetticons build in order to convert it to energon. Then he plans to hit the autobot base with the death ray just for funsies. Starscream plans to push Megatron directly into the death ray, also just for funsies.

Optimus sends Wheeljack and Spike to deal with it, along with two bots you're pretty sure have not been in this show before this point, but you're kind of past asking how many of these fuckers were on the ark offscreen when it crashed. One of them has the worst fake Canadian accent you have ever heard, and the other's name sounds inexplicably dirty.

Starscream tries to get Megatron to stand in the spot he told Skywarp and Ramjet to direct the death ray, but is interrupted when Rumble asks why Starscream stuck him with extra work (a task Megatron assigned specifically to Starscream). This vexes Megatron. The autobots show up and try to figure out what the point of the blacked out sky is while Starscream attempts to talk his way out of it. Then the death ray goes off two feet away from Megatron, which only pisses him off further.

The Canadian bot yells "AH BINARY-BEAVERS!!" because the death ray caught him off guard and completely gives away the bots' position. Soundwave immediately fires on them. Gratuitous robot violence ensues. Spike is generally useless and tries chucking rocks at Rumble. Megatron is too busy trying to almost-murder Starscream to bother with the autobots and just lets Soundwave handle it.

Probably-an-innuendo-name-bot is luckily a flier and takes the chance to see what's blocking the sun now that their cover's blown anyway. He gets up there and the seekers are sticking tinfoil on the clouds to make the tops reflective. The writers are really just hoping you don't think too hard about it.

Skywarp starts firing on dirty-name and calls him a nerd. Dirty-name takes evasive action. Skywarp runs out of ammo and starts just chucking tin foil at him. Dirty-name calls him dumb and says his processor is made of spare toaster parts. Then he crash lands and canada-bot asks if dirty-name's wings are spare toaster parts as well. Wheeljack yells that they'll all be spare toaster parts if they don't focus on the decepticons. The death ray goes off again and barely misses the autobots. Wheeljack corrects himself to Melted spare toaster parts.

Dirty-name gives Wheeljack the rundown on the tinfoil clouds so he can figure out a way to get rid of them while Canada-bot fights Soundwave and the cassettes in the background. Spike is kind of helping too sort of almost. Those rocks hes chucking sure are damaging. Ravage gets straight up drop kicked. It cuts back to Wheeljack whipping up a good old fashioned Device™️.

Starscream flies up past the tinfoil barrier while Megatron shoots at him. All the holes he's shooting in the blackout barrier are just making more, slightly shittier death rays and the main one is losing concentration. One of them hits Megatron right in the optic and he keels over with an over the top screech. Starscream descends, breaking another hole in the tinfoil to see a golden opportunity.

"MEGATRON HAS BEEN BLINDED!!! I, STARSCREAM AM NOW YOUR LEADER!!!"

Wheeljack finishes his Device™️: A grenade that makes tinfoil entirely invisible, thus rendering the whole weapon unusable. The writers are hungover, please do not think about it too hard. Pretty please. Dirty-name doesn't know if he can throw it into one of the holes in the barrier on his own since he can't fly in robot mode and he cant throw in altmode. Spike offers to get on his back and throw it in for him if he can get close enough. And he's just SO good at throwing things. The other two agree he's their best shot, they're so happy spike is around, couldn't do it without him.

Starscream is hovering in the air as he gives his Decepticon Leader Acceptance Speech he's prepared for this very occasion, golden light streaming in from the him-shaped hole in the barrier. Dirty-name and spike zip past him and spike makes the best goddamn throw of his life. Before starscream can properly question the Fucking Audacity of these autobots interrupting him while he's trying to have a moment, the invisible explosion goes off that the animators are just happy they don't have to put that much effort into drawing. Starscream gets knocked out of the air and crashes directly onto Megatron. This vexes Megatron.

Sky's normal again. Don't worry that there's still tinfoil there, don't even fuckin worry about it dude. Spike and Dirty-name touch back down. Round of applause for spike for throwing super good. Wheeljack comments that he's just happy it blew up the way it was supposed to. Cue uncomfortably long laughing. Megatron manages to roll starscream off him and calls for a retreat.

Back at the decepticon base, Megatron has an eyepatch and is skulking. Starscream yaps about how it makes him look like a proper tyrant, brooding and battle scarred, and, dare he say, darkly handsome? This vexes Megatron.

[technically-human]

Can you draw something with Doom Patrol!Edwin and Netflix!Edwin?

Maybe something about Dp!Edwin talking about his feelings for Charles with N!Edwin?

It's just something I've been thinking of, make it a little angsty?<3

Glad you asked

ko-fi

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.

[quietwingsinthesky]

do you think rose, in the moment she was the bad wolf and knew it all, even to the point where she would lose her doctor and there was nothing she could do to stop it, that he would be alone so long and so many times after her—do you think that in the course of scattering her breadcrumb trail to herself that she reached forward as well? did she find the doctor’s darkest moments and leave a hint of herself where he might see her? if she cannot save him forever, then she can at least say ‘i was here, i see you, you will be safe again one day if by your own hand instead of mine’? condemned never to intervene, like all absent gods, but sometimes all you pray for is a sign to keep going and she can give the doctor that.

if s1 of torchwood means anything, then she did for Jack. graffiti on the streets, the only way to promise she didn’t forget him, she loves him still, she will love him back to life for the rest of time. so who’s to say the doctor doesn’t get messages, too, when he needs them?

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[gatoburr0]

This might be a bit of a dark question about the fuzzy AU but.. was Acht alone when they died? I'm assuming timeline wise that side order didn't happen pre Grizz winning (unless it did) so did they spend their last few days(?) alone in the Deepsea Metro with no idea what was happening to them or did something less heart wrenching happen?

Man that is a massive plot hole I completely forgot about and did not see coming. Honestly I think I can make it so somehow Acht already met Callie before getting fuzzed up? Because if not it wouldn’t be so interesting (and most importantly there wouldn’t be enough angsssssst).

Also yeah this post is a bit sad so just sayin’.

Acht and Callie already knew each other and went out together constantly, but they got fuzzed up when they were far from each other. Acht couldn’t get out of wherever they were in, because they were just so weak, until it was too much to handle and they died, alone, nobody knew they were struggling with it.

Callie often gets flashbacks about the time they spent together, however her memory gets blurred by her instincts and she doesn’t seem to be affected by them that much anymore. But she does remember them vividly, being probably their first true love.

She sometimes stays up at night thinking about them.

And the saddest part is that she still thinks they’re doing okay somewhere around.

(Read tags)

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[dismas-n-dismay]

And if I say April Foolsverse Caelum should be a sadism demon what are y’all doing. If I said the most terrifying thing would be this 8 year old telling you to isolate and kys with a huge grin on his face as if what he’s saying isn’t incredibly threatening and fucked up what is the consensus because genuinely this would be my favorite shit

Freelancer: …

Sadism!Caelum: You should kys :)😃

Freelancer: YOU KNOW THAT THATS NOT APART OF YOUR JOB RIGHT? LIKE ME DYING DOESNT PROVIDE YOU FOOD??

Caelum: Yeah but have you considered it’s fucking funny

(He proceeds to have his mouth washed out with soap by Freelancer but escapes mid way through like a pissed off cat, hissing and hunching up in the corner to escape his punishment)

[godbirdart]

if there's one [1] thing i will be forever grateful for in the internet era it's the vast variety and availability of pose / anatomy references supplied by photographers and models

i can go online and find PERFECT references for how fat folds crease the skin or how muscles wrap around the body and as someone who habitually draws most of his OCs ~modestly lean~ and wants to hone his skill in other body types, it is literally a godsend to have those refs so readily available

seriously, thank you all models and photographers for providing me the resources i need to expand my art skills i owe u my life

[iamumbra195]

I hate when people talk about Ashler like it’s inconceivable to ship them.

They’ll be like “Oh, they had so much beef, they’re barely even friends.” Genuinely asking here, have you even read the webtoon if you think that?

Tyler had issues with practically everyone at the beginning, hell, most of the kids didn’t even like each other. Ben, Aiden, Ashlyn, and Logan all thought he was a jerk and he was acting like one because he was trying to protect himself and Taylor and the whole situation was stressful as hell. That’s why his character development is so good. Even Ashlyn remarks that he’s being less of a jerk in one chapter and Taylor says that he's begun to see the others as real friends, maybe even family.

They all eventually became allies and then friends, including Ashlyn and Tyler. Sure, they like to throw some sarcastic remarks at each other but that’s just their sense of humour and part of the appeal of their friendship. Same with Aiden and Tyler, they insult each other all the time but the insults that were originally meant to hurt are now used affectionately.

He gave Ashlyn a nickname guys. He gave a jokey nickname to cheer her up because she felt terrible about the fact that she had to leave him behind while he got terribly hurt, while he died. She literally started crying out of guilt and being overwhelmed by the whole situation. She cares about him and he cares about her and the whole gang cares about each other, which is why there are so many ships in the fandom to begin with.

So stop acting like anyone who ships Ashler is stupid and stop saying ‘they’re like siblings’ on every post about them. We know it’s probably not gonna be canon, hell, Red herself said romance isn’t the focus of the webtoon at all.

I don’t even like shipping in general but the TikTok fandom keeps pissing me off. Stop acting like everyone has to ship the same things as you and stop commenting shit like ‘cute edit but I wish it was Aidlyn’ or ‘They’re just friends, they act like siblings’. Like yeah, they’re not canon but you’d have to be blind if you couldn’t see why some people ship it. Stop shitting on people’s ships and let them have their fun, we all know they’re not canon.

NONE OF THEM ARE.

Anyway, that’s the end of my rant. Sorry, I keep getting Ashler hate every time I search it up on TikTok. It’s so stupid and annoying, let people ship who they want in peace and stop undermining Ashlyn and Tyler's canon friendship and character development to shit on people’s ships. It’s an insult to the characters and your ability to read between the lines.

Live, Laugh, Love Ashler.

[lazarrusrising]

I think it's interesting that Castiel has this sort of dual reputation in heaven, to the soldier angel he's a legend, originally entrusted with the greatest tasks, then forging his own path. To the higher ups he's a known defective, reset so many times because he always finds a way to break protocol, and yet they still use him again and again and they forge him again and again and he frees himself again and again. To the soldiers of heaven he's both the best of what they could be and a cautionary tale. To the generals he's a nuke, a weapon powerful because of its ability to be unconventional but volatile for that exact same reason.

[spidey-brain]

Some people might come for my butt for this, but I gotta say,

I hate when Irondad and Spiderson fics make Peter Tony's biological child.

Like, I'm sorry, but it feels like some people are allergic to found or adoptive families.

[bugcatcherkit]

having mrs suzuki thoughts again. specifically i always thought of her leaving as smth that she’d intended to be temporary. bc it was in direct response to toichirou saying that he Does have the power to control people, because he’s strong enough that he can just Make them do what he wants. and it was both an assertion of a boundary (“i will not tolerate this behavior. if you continue to act like this, i will remove myself from the situation”) and a direct response to toichirou’s stated belief (“oh yeah? control this, asshole”). and i think that her intention was to make him think about himself and what he was trying to accomplish and the consequences his actions have on himself and everyone around him, and that she’d originally intended to come back when he came to his senses. and COMPLETELY underestimated his total refusal to ever question or consider anything ever.

(btw i think shou’s murder attempt was if not the same, then at least a very similar principle. bc if it had really been about killing toichirou, he probably would’ve just “played the obedient son” and poisoned him or smth. but it wasn’t! it was about confronting him and trying to force him to understand and deal with the consequences of his actions, especially wrt the people who cared about him most! the message being communicated was “look! you’re going so dangerously overboard that even your son, who cares about you, who is still trying to reason with you, is willing to kill you if that’s what it takes to get you to stop!”) (and it just completely flies over toichirou’s head)

sorry for rambling but u know how it is with the suzukis

HI I FINALLY GOT TIME TO ANSWER THIS. I think you summed it up well though !!!

I definitely believe it was supposed to be temporary! It really plays out like a spur-of-the-moment thing, where she suddenly realizes Toichiro is not really who she Believed he was (<- she had a certain image of him in her head I think) and also that would not listen to her WORDS at all. So she had to do something impactful.

Their relationship was very important to them both, and I believe she expected her Absence to lead Toichiro to self-reflect and FINALLY push himself to change so they could KEEP it. But he sucks. And he was already so wound up in the power fantasy that he ignored anything he could not rationalize with it. You can't exactly make semi-divorce seem like a Super Epic Protagonist Battle.

She was making a point to him!!! Showing him that his idea of psychic power being absolute was WRONG because people have power over themselves (free will). Her leaving is like the physical culmination of everything she had been suggesting to him up until then (that he could change, if he CHOSE to).

She has a whole thing about free will. He was supposed to realize he does not, actually, have power over everyone. He ONLY has power over himself, just like everyone else. To think otherwise hurts himself and everyone around him because only focusing on power meant he didn't care about anything else. But yeah she totally overestimated his ability to Self Reflect and also Be Considerate. Aforementioned image she projected onto him, I think (not normal).

and that is where Shou gets it I BELIEVE!!!!!!! The thing with him is that. Like when you said his parents were his only examples and he kind of had to work with what he knew through them.

His philosophy (of kindness and free will and righteousness etc etc etc) was heavily based on what Mrs. Suzuki is shown to believe in, and this is what he based his opposition to Toichiro's ideals on.

Though, he also had to oppose his mom's Methods in favour of Toichiro's in this process. So he was kind of opposing them both while also Not at all doing that. Because he learned from them and was influenced by them. As per the themes. BUT ALSO with that its like. Nothing Shou did was ever really for himself or because of himself and it makes me. ggrhrgrge.

I forgot what else I was gonna say. Suzuki family drives me insane <3

[lovesodeepandwideandwell]

If I ever am blessed to have children they will read NO picture books that use therapy language and gentle concepts to introduce "kindness" or "sharing." Only elaborate mildly traumatizing adventure stories. And Frances the Badger (who teaches fear and discomfort and dealing with things, the opposite of gentle concepts)