#<- for those who don’t know

[octoooo]

I’m so down for Sabigiyuu Sunday, @nerosdayinanime starting us off with some Scrumptious Angst & Pain

I needed to heal my heart with Them <3

SABIGIYUU POKEMON

Them,,

[the-meme-monarch]

thought ‘what if the vintage skins were more in line with actual 1930’s cartoons design sensibilities’ and promptly went mental. plus a bonus two-tone dandy ! since he’s not playable and all

so some things i learned as i was doing this:

-solo cups were not invented until the 70s, so scraps has a tin can as part of her tail instead

-hoodies WERE invented in the 30s but were generally worn by warehouse workers bc of the cold. they didn’t get worn by the general public until the 70s, so toodles and cosmo are Not wearing them

-leg warmers were invented in the 40s but also didn’t get popular until the 70s so glisten’s legs get to be naked. sad !

-GASHAPONS WEREN’T INVENTED UNTIL THE 60s. GIGI SHOULDN’T EVEN EXIST HERE. BUT I DIDN’T FIND THAT OUT UNTIL I WAS DONE DRAWING ALL THIS. OOPS !!!

other than that it was just a lot of ‘put gloves and/or shoes and/or pants on them. sometimes noses’

under the cut is All of them together and then also the sketch :]

[mikeluciraphgabe]

Opened TikTok, saw the message, closed TikTok, opened TikTok again so I could react with people about, crumbled in realization that we are unable to group together anymore

[nataliabdraws]

Pale White Horse

[randomness-is-my-order]

i think one of the most wonderful traits of wei wuxian is how socially competent he is, which is why it always annoys me if he is mischaracterized as someone who is unaware about how those around him feel, just because of the way his relationship with lan wangji pans out in the books. the dynamic between them was extremely multifaceted and what seemed obvious to us was very rightfully NOT obvious to wei wuxian and he hardly had time to sort those feelings out, given the kind of harrowing ordeals he was going through. but that aside–the way wei wuxian’s “social competence” manifests isn’t just social courage–in that, the risk of embarassment or self-consciousness doesn’t stop his self expression–or just his general forwardness and social butterfly tendencies but also–and imo, most importantly–his perceptiveness and astute reading of people around him which comes from a deep understanding of the human social element, at the individual and the societal level.

he has full awareness of how his station is looked down upon in the cultivation world and so while others in his situation may bend or break–wei wuxian cleverly toes the line between the two until taking a stance becomes necessary. he deeply understands the ugly dynamics running within the jiang family and clan and acts accordingly–be it his prompt efforts to placate jiang cheng or his conscious silence when madame yu is in a mood or even his acceptance of the whipping in lieu of restoring stability for the clan. despite his personal biases against jin zixuan, he can recognise his bravery. even his scandalous move to begin undressing in the cave shows that he knows exactly what would make lan wangji tick.

hell, i’d say even his initial thought about how the resentment of the dead can be redirected towards a target shows his striking comprehension of how emotions work in general. what’s more, he’s able to recognise the machinations nie huaisang had employed and he was also aware of the bigger picture associated with how fickle and easily swayed mob mentality was when everyone took part in bashing jin guangyao when certain truths came to light. when he was first brought back to life, he quickly and correctly deduced what kind of life mo xuanyu must have led and how he could act in order to easily humiliate the mo family. he empathised with jin ling and yet realised how he was brought up left something to be desired and so, tried to inculcate some of his own highly regarded values to him.

the deft manner in which he handled the juniors speaks for itself–a good teacher will always have good communication skills and wei wuxian went above and beyond just “good”. his people skills on nighthunts are extremely helpful–his ability to make tongues loose simply by charming people is highlighted more than once. just off the top of my head–him politely appealing to jin guangshan about the wen remnants and apologising for “intruding”, him readily handing in his sword at the indoctrination camps, him suggesting to jiang cheng that he should leave the clan once he was at the burial mounds–all of this (and much much more) demonstrates wei wuxian’s competence at guaging complex social dynamics, which is why, when he goes against the current and stands firm, it is a deliberate, well thought out decision, one made after considering the risks and repercussions, and that makes wei wuxian’s stance at the end that much more powerful. he is not stumbling his way through life, is not unheeding of his social status, is not a “mad genius with poor social skills”. hell, i would say wei wuxian’s ability to see straight through people is more impressive than even his insane intellect and to reduce that aspect of him feels like a disservice to his character. because when it comes down to it, the fact of the matter is that the murky social world through wei wuxian’s lens is actually astonishingly clear.

[lavellaned]

A lot of the pro-veilguard arguments I see include a very specific way of viewing what “dark fantasy” is which misses the entire point as to why there are criticisms about the overall tone of the game.

Dark fantasy is not just “how much murder rape bigotry and overall suffering can we put in a story for the sake of doing so”.

It’s about having events and themes based off of the darker parts of reality and then, as the player, being able to do something about it. The general appeal is the catharsis. It’s about seeing these stories reflected through an interactive story in a meaningful, respectful, purposeful way.

Is dragon age the poster child for handling its complicated, real-life-inspired politics well? No. But veilguard was somehow worse. The bar was in hell and it still tripped flat on its face.

Veilguard’s lackadaisical, chronically ironic “well THAT just happened”, neutered writing and theme is not a good argument as to why this is a good dragon age game, and you can’t blame the dark fantasy genre for it.

[topsonlyybar]

every day we move further from god’s light. and closer towards dan and phil react to phan proof timeline

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[confettay]

rewatching G1 again and I’m obsessed with this scene where they just show multiple angles of starscream sulking for like 20 seconds with absolutely no dialogue from him at all

[phoenixkaptain]

Everytime I think about Obi-Wan and Anakin it’s like- I don’t ship them so much as I think they should be together at all times. I think tcw had a point, actually, and the two of them should just. Always be together. I think Anakin is Obi-Wan’s hope in an increasingly difficult life and I think Obi-Wan is Anakin’s tie to humanity when he most feels like a monster. They are intrinsically combined, from the very first movie where Obi-Wan dies at Vader’s hands with a peaceful expression.

It’s Obi-Wan begging Luke not to see Anakin in Vader while Vader searches Luke to see some sign of Obi-Wan. It’s Obi-Wan calling Anakin another pathetic lifeform to Obi-Wan being unable to process the idea of Anakin being anything but good. It’s Anakin awkwardly (adorably) shaking Obi-Wan’s hand to Anakin awkwardly (adorably) bringing up Obi-Wan during conversations with the woman he wants to seduce.

It’s Obi-Wan knowing how to fix Artoo and Obi-Wan teasing Anakin about Artoo. It’s Anakin’s first thought on losing his lightsaber being “Obi-Wan’s going to be mad at me again” and Anakin laughing when Obi-Wan tells him to drive better.

The prequel trilogy is so fascinating because my favourite parts are always Anakin and Obi-Wan. The parts I think about the most often are those parts with Anakin and Obi-Wan. The relationship between these two drives the entirety of the plot of the prequels, to the point that the literal birth mother of the main characters of the original trilogy is all but forgotten in the third movie.

It’s. Obi-Wan spending years watching over Luke because Luke reminds him of Anakin, never approaching because what if Luke really does turn out to be like Anakin…?

It’s Vader assuming that Obi-Wan taught Luke to fight, because who else could teach a Skywalker?

It’s Obi-Wan accepting all the blame for the people he knew best, the people who were basically his family, all dying.

It’s Vader keeping Obi-Wan’s lightsaber in a parallel to Obi-Wan keeping Anakin’s.

They are just. Mutually Obsessed. Obi-Wan held up Anakin and said “this is my whole personality now” and Anakin responded with “neato, same.” They bicker like an old married couple. Anakin can’t imagine even thinking about leaving Obi-Wan behind. Obi-Wan tells Anakin point-blank that he’s a good Jedi who deserves to be a Master.

I ship them because like. The universe? Does?? They are destined to be by each other, in life and in death. They support and sustain each other. There was probably eepy Force magic stuff that made Anakin into a Force ghost because Obi-Wan wanted him to be one.

How else can I explain it? They were made for each other. Like. Literally. They should never be separated. Look what happened when they did separate in universe. They are a nuclear bomb. They have to stay together or the galaxy gets the worst of it, and that’s just canon, somehow.

[spooky-activity]

Practicing my comic paneling and action poses with some Firefly/Stelle angst. Set immediately after the end of patch 2.1, where we find out Firefly is still alive!

+ bonus

[violetsandshrikes]

[blitzo-x-stolas]

MOLLY!!!!

[suja-janee]

The only way he can get her to listen

[anassemblageofpassions]

The thing abt john winchester is that he is too complex for the majority of the spn fandom and for a good portion of the writers on the show too.

Because at his core john is about love over everything else. When he looks up at his sons (yes, up, the fact that they’re both taller than him>>>>>), there is love seeping achingly from every single pore of his being even as he abuses them, as he destroys their souls beyond belief. He does it all entirely out of love. And he is so, so wrong for it. A part of him knows it. But he wants to keep dean alive, and he wants to keep Sam pure. And he loves them so much. And he damages them so horribly. John Winchester is the foundation upon which they are both built, they only become more of what he made them as the series goes on. Sam stops fighting it, Dean continues to mold into his image no matter how hard he tries to fight it.

Hell puts them both on steroids, but their individual trauma responses that influence this are the foundations that John built into them. No wonder azazel wanted sam to win so badly. John Winchester crafted his sons into alastair and Lucifer’s ideal victims, respectively, and dean was a better (worse) john than John ever was. John held out in hell. Dean acquiesced to his abuser despite all of his efforts to fight him, and he’s never been the same since.

Sam fought like hell, and he fought destiny, but at his core, he did what John always wanted him to by doing what dean wanted him to do, and then he stops fighting at all, loses the fire he showed john in adolescence that john immediately notices when he returns in s14.

And the sad thing is. They filled their roles so well that John is saddened by what they’ve become. He didn’t want dean to break. He didn’t want Sam to be dimmed. He’s sad to see what Sam is like in s14. In the process of recovering his wife, he ensured he would mold his sons into what he wanted them to be, and when he got what he wanted, he was devastated.

John Winchester is so driven by love and grief and he’s so filled to the brim with both that it’s painful to watch him on screen because he destroyed his family because of it. And he wanted this all along but he didn’t realize what he’d have to give up to get it.

[dreamerdrop]

holding garak responsible for his behaviour on empok nor is kinda ridiculous for a number of reasons, one of which is obviously the fantastical nature of specifically what happened there in the first place, but. i gotta say.

if someone was slowly induced into a state of psychosis, dosed with utterly absurd amounts of basically amphetamines against their will, and then placed into a situation that involved them being encouraged to murder at least two people in the name of self defense, if they went ahead and flipped out and tried to kill everyone else present at the time, well—

i think i would forgive a real world human for that too, honestly. i do not think that would be their fault. i would think that situation was fucked up and they (and everyone else) were gonna need therapy forever and ever but that was not their fuckin’ fault.