#<- because that has been used as a ship name for them
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elainsgirl · 2 days ago
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You know what I find amazing? Every single time I hear gwynriels or Eluciens describe their ship, they are describing Elriel. It's amazing. Every time. I don't get it. It's like they switched Elain's name for Gwyn when they read. Or Azriels name for Lucien. But why? Why not like the OG thing. The thing that is actually in the books? Because they will be getting exactly the thing they're asking for, but with Elain and Azriel.
Have you seen this? If you have, why do you think this is? It's just so amazing and inexplicable to me. It makes no sense to me.
Elucien and Gwynriel IS elriel in a different font. They literally just swap out Elain/Az for the characters they like more aka Gwyn and Lucien. Why? If you look at it from Gwynriels perspective: most of them do not like Elain. They find her useless, boring, meek. Why would they ship their fave batboy with such a wallflower? Generally speaking, a popular trope is the “quiet, introverted, moody boy” x “chirpy, extroverted, sunny girl” -> that is not elriel. It does however fit gwynriel. Its a popular dynamic they can HC onto gwynriel. Same with Elucien. Now; w eluciens its not that they’re such big elain fans. Its that for them, mates = happiness. Their baby lulu has been through so much and he deserves his happiness and he’ll achieve that when elain accepts the bond. A popular microtrope for “reluctant engagement/marriage” especially with a ladylike character such as Elain is “sassy, conveniently attractive, foul mouthed man meets the proper, society abiding woman” -> his witty banter makes the proper lady blush and unable to handle herself. Again. It’s not elriel but can be used for elucien. And the reasons these micro/tropes fit is due to the fact Elucien and Gwynriel are so undeveloped you can virtually shape them to be however you like making them more favourable ships when you compare it to elriel - which is developed. They have a canon dynamic, you can’t just place any HC onto them. If I was to say, “omfg I can’t wait for the banter between elriel!” - you’re going to be like…but they’re not a couple that “banters”….thats not how elriel is. But If I was to make the same statement with gwynriel, you can’t really argue against it bcs it can happen between gwynriel. They’re that raw. And considering how far we’re into the series -> its not how Sjm rolls. But thats another discussion. Alternatively, instead of antis not liking elain/azriel - they may ship gwynriel/elucien as it drives the story in a different direction thats more liked by them. For example, with Gwynriel you’ll get more of Nesta, Emerie, H.O.W -> less of feysand and IC. And after acosf and the hatred for the OG cast, this new one in acosf is more liked and people want them to be centre staged. You’re not going to get that with elriel. Same goes for elucien -> less of the NC, IC, feysand and more of other courts and characters eluciens’ find interesting such as Eris. Again, that won’t happen with elriel. I have seen this countless times over all the years. Gwynriel: Gwyn will accept Az for who he is, she won’t be afraid of him or his shadows, she’s going to call his scars beautiful, Az will want to spend time with her, Gwyn will become a spy alongside Azriel and the twins who she will also become friends with, Azriel will get Gwyn such a beautiful Solstice gift, Gwyn will make Az laugh so much like he hasn’t done before, Gwynriel are going to love spending alone time together, gwynriel will help revive the prison, Az will take gwyn flying, their powers are so similar etc etc etc,
I’ll be honest - I haven’t seen eluciens “steal” elriels’ tropes/plot points (I mean they could be, im just not aware of it) aside from saying Elains choice being Lucien is impactful, and now trying to twist the forbidden love trope for elucien instead of elriel….who literally had Rhys stop them and told Az to stay away. I think with eluciens - its that they disregard canon and just go with whatever they want. They don’t take into consideration elains canon characteristics or the plot she’s connected too. They have a vision for elucien which they force onto the couple even if it makes no sense canonically. Lmfao who am I kidding, they don’t gaf about elains canon feelings towards Lucien so why would they care if their Hc/Theories align with elains traits and associations. Its all about Lucien. Their whole plot has Lucien right centre stage with Elain tagging along. Same like Tamlain and gwynriel really.
Thing is - I can’t blame gwynriels for having to be unoriginal and take a lot of “inspiration” from elriel bcs what unique thing can happen between gwynriel? Azriels most impactful moments have already happened with Elain. Take him giving TruthTeller to her. That was a pretty important scene. Monumental for both Az and Elain. If Az was now to give Gwyn TT…it won’t be special or anything new. Its why you often find gwynriels downplaying a lot of elriel moments only to use those same moments for their own ship but showing how its going to be 100x more spectacular.
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Did Christianity Steal From Paganism? Yes... No... It's Complicated. Part 2: Vikings
Tis the season so I figured I'd talk about the topic that's been the subject of debate for a long time, most recently with the 2024 Olympics. I will be discussing the visual aspect of these religions, not the theological aspects.
Short answer: Yes
Long answer: No
Let's get into it: The Viking era is from 800-1050 AD and can be divided into seven parts based off the style of visual art that was popular. The first style is called the Oseberg style (775-800 AD) and would be the basis of all the Viking styles of art after it. It was made of three forms that were derived from Pagan pre-Viking art: ribbon animals, gripping beasts, and ambiguous forms. You can see it on the bow of the ship below; the ship dates to the 9th century and was found in a burial mound in Tønsberg, Norway. Remember these forms because they're going to be important later.
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The Vikings started coming into contact with Christian Anglo Saxon (modern day English) missionaries in the 700-800s, but they had little effect. The missionaries were well received by the kings but when their Pagan chieftains threatened to rescind their support, the missionaries were sent away. Another example of that is in 878 AD, the Christian king of the Anglo Saxons, Alfred the Great of Wessex, and the Pagan king of the Vikings, Guthrum the Old, were at war. King Alfred ended up winning and as part of the peace treaty, Guthrum had to get baptized into Christianity. He did so but maintained his Pagan worship and did not implement Christianity.
Besides the kings, common people had also started to slowly assimilate to Christianity. Christians had a rule that they couldn't trade with Pagans so Pagan Vikings began primsigning. Primsigning is an old Norse word meaning "to make the sign of the cross," the way to show you followed Christian beliefs before converting all the way through baptism. Even though they weren't being baptized and were still practicing Paganism, primsigning was enough for Christians to feel comfortable trading with them and brought the Vikings more into the world of Christianity.
An interesting example of this is in Kopparsvik, Sweden, where a large number of Viking individuals were buried in a prone position from 900-1050 AD. This is completely different from traditional Pagan Viking burials: there were no grave goods, no animal sacrifices, no mighty ships. Typically, a prone position is a sign of showing humility towards God and all the figures had notches carved into their teeth (below). Historians theorize that they used the notches to secretly signal to Christian merchants that they were also Christian to get discounts while not being alienated from their Pagan communities.
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The coin below is from ~921 AD. It's a Viking coin from York, England and wonderfully shows the mixing of Pagan and Christian iconography. Coins like this typically had the name of the Viking king engraved on them but this one has "St. Peter." However, it also depicts the hammer of Thor on both the head (left) and reverse (right). It really demonstrates the visual mixing of religions.
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Sometime between 940-1000 AD, the cross below was made. It was found in St Andrew's Church, Andreas, Isle of Man (between England and Ireland), and is another great example of the combination of Pagan and Christian art. On one side (left) it depicts Odin with one of his ravens fighting the wolf Fenrir at Ragnarök. The other side (right) depicts Christ triumphing over Satan. Both of these are stories of good vs evil and depict a god triumphing at the end of days. It would have drawn attention to the theological similarities between Christianity and Norse Paganism, making it easier for people to conflate the differing theologies.
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Remember the Oseberg style from before? We're going to revisit it. By the 900s, Viking art was being done in the Mamman style; the ribbon animals and gripping beasts had combined into an icon called the Great Beast. The Great Beast was a symbol of power and strength, frequently put on longships and other Pagan items. In 986 AD, Viking King Bluetooth, a recent convert to Christianity, had the jelling stone below erected in honor of his deceased parents. On one side, he included a Great Beast; this was to show the strength and nobility of his parents and the nation they ruled. On the other side, he put an image of Christ Triumphant. This makes sense for a cenotaph as the promise of a resurrection is a comfort in the face of death. But the combination of a Pagan symbol of strength and an image of Christ is very interesting; it's doing more than pointing out the similarities between the two religions, it's uniting both Pagan and Christian subjects under his rule and proudly displaying the two different sources of the Viking's strength.
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I can't end this without also talking about architecture. The last Viking art style is called the Urnes style and it's primarily because of the church below. It was built in 1132 AD in Urnes, Norway and is a stave church, meaning the whole thing was built without any nails!! The entire thing is self-supporting wood made using the post and lintel system. It's a Chrisitan church but has Pagan iconography on the sides: the last version of the Great Beast (right) and Pagan runes. It's fascinating how a Christian place of worship is decorated and protected by Pagan icons, once again showing the combination of visual cultures and methods of thought.
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So, the answer everyone is looking for is NO.
The Christians didn't steal anything from the Pagans, they made an association. They produced art in the style that was popular and followed the artistic trends of the time. Christian and Pagan imagery was produced in the same medium and combined until Paganism was phased out over hundreds of years. They saw similar gods and iconography and combined them to make a message that was understandable to all audiences.
Happy Yule! Happy Winter Solstice!
Further reading:
Smarthistory – Art of the Viking Age
BBC - History - Ancient History in depth: Viking Religion
The Vikings and Christianity | History of Christian Vikings – Sons of Vikings
Treaty of Wedmore - Wikipedia
Manx runestones - Wikipedia
Prone Burials and Modified Teeth at the Viking Age Cemetery of Kopparsvik - Historische Beratung Dr. Matthias Toplak
Ancient Viking Art - Medievalists.net
Gamla Uppsala - Wikipedia
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here’s my RDR2 oc, his name is Yrjö Mäkitalo and he is a Finnish man who came to America to make money and send it back to Finland where he can support his wife and sick son. He also is sexy and has PTSD, what more could someone want?
more info under cut:
Name: Yrjö Mäkitalo (few call him by his Finnish name since it’s hard to pronounce / people butcher his name. He is given nicknames by everyone against his will. He hates it but doesn’t mention it because it just makes social interactions in the early days easier.)
gender: cis male, he/him
Nationality: Finnish Immigrant. Has been in American for at least 5 years.
Age: late 30’s, early 40’s
Job: Deputy of Saint Denis police. Used to have a job in Finland also as an officer, thought it was more so behind a desk. He lost his previous job from taking bribes. ((He is still a corrupt officer and he knows that)).
Personality: quiet, impassive, secretive, and intimidating under the right lights. This is not what he is known as to his family in Finland. They know him as a loving husband, a protective father, a hard working officer who did what was right. The downfall of his life which lead to immigrating to America took a lot out of him. He doesn’t talk a lot about his personal life for fear people will discover a more painful way to hurt him than merely killing him.
Misc:
- his wife used to braid his hair. His son gave him the blue and white beads in his hair. He braids his hair himself now.
- when both parents were very young, they had a daughter. She was little when she got caught in a house break in. It was dark and Yrjö shot her while trying to get the intruders. He still lives thinking about that mistake and now he hesitates before taking shots in the dark, or sometimes he just irrationally fears someone unexpected will get hurt when he shoots.
- his son was born a couple years after his daughter died. His grief made him extra protective and paranoid about his son dying. His son was sick when he left for America. Yrjö sometimes wonders how his boy is doing, if he is still staying in bed with lethargy and sickness. He sends letters and money to his family in Finland. He gets letters back sometimes, all in Finnish.
- he has a bullet scar on his left clavicle from when he hesitated to shoot a criminal because he looked like what Yrjö imagined his son would look when older. The bullet could have got him in the heart but it missed and injured his collar bone, putting him out of commission while his arm healed. That medical bill and temporary lack of wage was a major impact on him being able to provide for his family. It made him reflect how he had to be less reckless with his life.
- sleeping is hard for him. He thinks a lot about why he is here, whats the point of being in America if he dislikes it here and he can never make enough money go send back *and* ship back to Finland. He lives in Rhodes, he doesn’t like it much but it beats the city and it’s cheaper.
- his biggest irrational fear is that someone will know cutting his braid and stealing his beads would hurt him more than a stab to his heart.
- he got into some business with loan sharks in the first years he was in America in the west. He couldn’t convince people to give him a high rank job, even with his years of experience, and so he was a low ranking police goon. To make ends meet he went to organized gangs loaners who’d happily put him in debt, knowing he had no friends or family in America to help him escape. The loan sharks threaten to find a way to get to his family if he doesn’t repay them.
- he knows Finnish, some Swedish, and is fluent enough in English to work and live. His accent is present because he never tried very hard to integrate into American culture. If possible, he’d rather speak Finnish (or Swedish). 
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starsofarda · 7 hours ago
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Hi, hello, so because of this post I have gotten attached to my random Elven maid who has to sew all of the banners.
So, because I have also been rotating her in my mind like a rotisserie chicken, have some fun facts about her.
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Her name is Molinde (Mudriel in Sinda)
She's obviously a Noldo and by Elvish standard she's average. Pretty, but average. She grew up sewing and embroidering, she adores it.
She also follows Feanor and sons out of Valinor when they get exiled, she has not counted on actually starving, so she gets crafty with sewing the sails of the ships.
She eventually gets hired among the others as embroiderer for the Feanorian war banners (bc let's face it, it's Feanor and sons mainly doing that, we will have to wait until the end of the Helcaraxe hike to see more).
She's young and bushy tailed and her faith in the world is still intact. This all will pass by the tenth banner she has to sew, but she's fueled not by law, not by love, not by league of hell, BUT BY SHEER SPITE. A very Noldorian thing to do.
She has had to embroider and sew SO MANY banners one more complex than the others, and she has seen them destroyed, set on fire, torn apart, thrown in the marshes, seized by Morgoth's army. She's fed up.
"Ugh, can't these Elf lords have simpler designs?"
She says, beefing up to the Elf that comes up with these designs.
"One less star is not gonna be noticed!"
"One less star is going to be too close to the Nolofinweans' banners!"
"So WHAT, they are COUSINS!"
And so on. She absolutely knows how to use a battle axe. She has to get revenge on the orcs that set on fire her workshop.
And that's when she says, at the nth request for banners: "Yes, my Lord, I will sew these stars all over, but IF I AM NOT GETTING MY WEIGHT IN GOLD and *Insert Elvish king/prince* as my SPOUSE you are gonna go into battle with barely threaded banners and Morgoth will LAUGH at you all".
She has tried to get married to an unmarried Son of Feanor like that many times, unsuccessfully. She has gotten the gold tho, a meager consolation.
By the Second Age she's in Eregion, basically mothering Celebrimbor and still sewing. It's not war banners (yet), but by then she is known for being That Bitch in her restricted circle of embroiderers.
"Oh no, Lord Annatar, it's fine. By the way, you do look somewhat similar to someone I saw in the First Age, any relation?"
And Eregion gets destroyed and her workshop is once again destroyed. More fuel to her spite. And also she embroiders a huge "FUCK YOU, I TOLD YOU THAT ANNATAR GUY WAS FAMILIAR!"
She does end up in Elrond's Homely House and teaches embroidery to Arwen.
She KNOWS that ""Lindir"" is Maglor. At least one of them survived, that's enough for her.
She sails back to Valinor dragging Lindir/Maglor with her. I reckon that by the Fourth Age all the sons of Feanor are re-embodied. Will she finally get to marry one of them, after all she went through? That's for y'all to decide.
NOTES:
She has had generations of cats. The first one was given to her after the fifth unsuccessful try at marrying a Son of Feanor as a "haha you are going to be alone forever lol" kind of move, but she got attached to the little beast and becamea catlady.
She has embroidered a lot of cat-themed stuff.
Thoughts so far?
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starryjkoo · 1 day ago
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If Jungkook went on live and asked toxic fans to stop harassing Jimin I already know exactly the kinds of comments we would be seeing in response -
“the company is forcing JK to say that to protect the company fave” *10k JM company fave posts* *random slurs, animal names, and bongo tweets* “look at how the company is shielding Jimin solos again” “notice how none of the other members are telling their solos to leave JK alone, JK is the only member who cares, the rest of the members don’t care about him, #JKleaveBTS #BTSdisband” “JK is only saying that because he has a kind heart, but I don’t have to be kind like JK, I’m going to protect him by going after the leeches who are trying to take advantage of him”
And then you would see a thousand posts from his solos/diets complaining about why JM hasn’t called out his own toxic fans, saying that he’s a terrible person who approves of PJMs harassing JK (and tkkrs and other solos would join in and pile on adding how JM doesn't care about the hate that TH/YG/other members receive from PJMs either). And definitely some PJMs would play into it and gloat about JK hating his fans but JM loving PJMs or something. It would be a whole mess, and for what?
JK asking fans to stop going to his house and to stop sending things didn’t work, JK saying artists are innocent didn’t even stop some ARMYs from talking about nwjn's a certain way (I don’t mean simply disagreeing with him, I mean some ARMYs outright dismissing his words and being condescending towards him about it, some were even resentful and leaving rude messages on his IG).
Pretty sure that solos/tkkrs would find a way to twist it to be even more hateful and unhinged towards JM. I mean tkkrs quite literally came up with a whole conspiracy theory so they could twist and dismiss anything they don’t like in BTS content (company forced fanservice ship, tkk hidden couple) and they include weverse lives in this now. How do you even combat that?
The people who want to believe a certain narrative will just twist whatever they want, dismiss whatever words and actions they don’t like to suit whatever narrative they want to push. Anyone who thinks that JK doesn’t like JM (and vice versa) is already extremely biased and irrational, you can’t really reason with that. JK has already done and said x100000000 things that contradict those narratives and they still just ignore it, and his haters never give him credit for it and expect him to do more. Not to mention people like that do not respect or care about JK in the first place, they just want something from him - to live vicariously through him, possess or own him, use him for whatever fantasy.
I mean sometimes I do want (all of) them to address toxic fans and I wonder why they haven’t, but I can also sort of see how it wouldn’t really change much and tbh I just assume that the seven of them have probably talked about this and have some mutual understanding on how they decide to handle it. And like I said JK asking his fans to leave Jimin alone would just result in another unhinged response from those groups of people and JM would be expected to also immediately make a statement or be painted as a terrible person who doesn’t care about JK getting harassed either.
This discourse is really tired and it’s sad the kind of expectations people place on JK about all of this, not even just to call out antis but never being allowed to tease or joke around, being blamed when antis twist his words, having the burden to prove that he doesn't hate his bandmates for some reason placed on his shoulders (even though he HAS proved that, they just don't listen to him). I expect it from solos, but every now and then I have seen some jikooker's also be weird to him about it and it's just really frustrating. Most people I see have just been celebrating and enjoying his live though!! Sorry for the negativity but I wanted to say something too because I can literally picture EXACTLY the kind of things they would be saying and no doubt it would just be another fandom headache.
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mothandpidgeon · 2 days ago
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Too many thoughts on Gladiator 2
Ok, fuck it. I was having yet another sleepless night and decided to just dump all of my feelings here. I’ve only seen it once and I haven’t read any reviews so I won’t say my takes are perfect but also it was a mess so if anything is inaccurate here, I blame Ridley Scott. Spoilers below the cut.
First off, I don’t want to do a cinemasins on this movie. I’m not going to bash the clunky garbage dialogue that could’ve been written by an AI (the way I laughed when Pedro yelled “KILL HER!”) or the contrivances like Lucilla recognizing her long lost son from the way he was stimming in the sand. I’m not even going to harp on the fact that it’s wild a movie in 2024 features a white man transported on a slave ship. The absurdity isn’t the problem for me. 
So let’s start with the filmmaking:
Now I know that much of this movie was left on the cutting room floor. Entire characters were dumped in the edit. But I find that an unacceptable excuse for the mess that is G2. In fact, it’s absurd that that would be the case when Ridley Scott has famously cut and re-cut Blade Runner. He’s a legendary filmmaker and knows how tricky it can be to get the intended vision out. Yet the film is held together with scotch tape and paperclips. It felt like I was watching a movie made with the scraps where the actual shots had already been thrown away. Honestly, I’m not even interested in a director’s cut because that would mean MORE of this film where there already is too much.
The pacing is somehow a slog and yet rushed. I watched Paul Mescal fight sooo many people and animals and ships. IT’S ENOUGH SLICES! Central characters die HORRIFIC deaths but the film has no time to even register their passing let alone mourn them. More monkey battles! Are you not entertained?
It’s not just the editing that is a problem but the direction. None of the characters seem to be in the same film with one another. All of the performances are fine. Some of them are pretty great. But truly nothing matches even within the same scene. (And that goes for the cinematography as well. I won’t get into it without proper screenshots but it’s maddeningly inconsistent.) The characters aren’t even coherent to themselves. Lucius is a brooding loner whose entire personality is hating Rome yet he’s also (somehow) the leader of the nameless gladiators and future emperor? That’s largely fine, though, because I couldn’t give less of a fuck about any of the characters. Without taking into account anything we learned in the press tour, we aren’t really given any reason to sympathize with them.
Because the writing is garbage. The movie TELLS us that Lucilla is good but what's she doing for the common people? It TELLS us that Acacius is a good general but he got caught marching a bunch of guys through the streets. It TELLS us that Rome is ruled by the corrupt and people are starving but all I'm seeing is the spectacle of the colosseum. It even tells us that Lucius is sad his warrior wife (did she have a name???) got fridged but is their love story really just respectfully lacing one another's armor and giving a chaste kiss while having a snack?
The film even tells us that Marcus Aurelius had a vision of Rome that the audience should root for. And yet…
That brings me to Macrinus and the movie’s central message. Macrinus is presented as some master manipulator, 3D chess playing Littlefinger but at the end of the day, sure I guess he threw the empire into chaos for his own gains (to say he was pulling the strings feels generous) but he also killed both emperors with his own hands. So not sure what all of the scheming was even for. (I also have no clue why he felt the need to offer Lucius a shot at Acacius but I guess we needed to get them in the ring together somehow?) 
The reveal of his brand is actually one of the only powerful moments in the film, forcing Lucilla to confront reality as opposed to idealism. But the movie doesn’t care to engage with that. The audience isn’t asked to question the Aurelian vision of Rome and its hypocrisy. In the end, we are told that we should put aside our political differences and embrace some vague platitudes that make up the American self-identity. The people can rise up so long as they rally behind the nepo baby of Rome. A dude who hasn’t even lived there for a majority of his life, who decided, like, 15 minutes ago that he should get involved in the political process.
Anyway, I liked the monkey. 
I finally got to see G2 this week and I cannot stop thinking about how terrible it was. Not a single normal choice made. I’m considering putting my thoughts together into a review mainly so I can get them out of my brain and move on with my life. So idk let me know if you want to hear my Ted talk I guess.
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swifteforeverandalways · 24 days ago
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Qrowin is one of my favorite RWBY ships and I haven’t quite figured out why I ship them so hard but I do. Like, I ship them harder than WhiteRose, and I do adore WhiteRose.
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lab-gr0wn-lambs · 1 year ago
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She married this guy
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cranberrymoons · 2 months ago
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#i’m putting this down here because i don’t actually really want to talk about it or answer asks about it but i’m like a little annoyed lmao#first of all obviously people should have boundaries and not be annoying/invasive/etc. duh.#i have been around the rpf block many a time and rule 1 is don’t be a weirdo. don't let it out of fandom spaces :)#but yeah idk. oliver stark to me feels like someone who is actually very familiar with the mechanics of fandom warfare#and therefore does not know how to log off when it starts to get personal#like to be clear i definitely do not think he engages directly with This fandom other than to lurk and spy on people for fun/haterism#but in MY opinion he has the energy of a person who spends a nonzero amount of time engaged in petty anonymous beef#over a character or a ship or a sport or a new brand of tofu. idk i don’t really care what he’s into#but it does sort of seem like he forgets that when he’s doing it on his real socials with his real face and real name attached#people are going to know that it’s him and respond accordingly and he should just like. block them and move on.#and maybe even go back to his burner and vague about it or something if he truly cannot just walk away.#which he does seem to be sort of getting slightly better at but it's still just like. yeah man! i don't know what to tell you.#people are weird sometimes. we all get weird anons and dm’s and people cyberbullying us. it sucks and it shouldn't happen but it does.#and you do literally just have to find ways to make it easier to ignore them. i know that you know this#because you are a human who grew up on the same exact internet as the rest of us.#i say; as i feel compelled to post about a tiny situation from like 12 hours ago that has literally nothing to do with me#anyway!!!!!!!#i went into the settings to turn off reblogs and thought how funny would it be if i blazed this post lmao
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hauntingblue · 8 months ago
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Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me
#i still cant believe how much this new opening theme goes off.... DREAM SAVE ALL OF US 🙏🏻🙏🏻🙏🏻🙏🏻 AAAAAAAAAAHHHHHHHH 💥💥💥💥💥💥#wait a second. the robot attacked 200 years ago. the void century was 800 years ago no????? what#oh see it was made 900 years ago.... but why did it attack 200 years ago then.... what happened#it is still so funny how they made evegapunk einstein but with some cunty long legs#200 years ago they gave rights to the gyojin!!! i see i see ✍️✍️also i still wonder why law and kuma have similar hat and pants designs#like there is NO WAY that much similarity isnt done on purpose. NO FUCKING WAY!!! I NEED ANSWERS!!!#are they annihliating cp ships akdhakskd yeah vegapunk letsgo#also the opening song is about dreams and the end one is about luffy reaching shanks...... havent got a clue why but there it is#talking tag#watching one piece#episode 1098#also is lucci named lucci bc it kinda sounds like luffy. SERAPHIM KUMA HAS HIS DEVIL FRUIT???? vegapunk could only make zoan fruits????#also wdym when cp0 acts it means its some historic event. lucci is like 25. where are the experienced people here#sentomaru works for vegapunk??? maybe i forgor about this tbh also do theu have a doffy seraphim??? the fact they have animal names....#stussy letting kaku get hurt akdhsjsn oh atlas has lamb ears..... and lucci said she is is prey... no..... the foresahdowing :(#lucci you fucked up she just gave luffy food... that a death sentence look what happened to kaido#episode 1099#<- oh my god btw. god. jesus.#why is akainu telling the cp0 what to do or thinks he can do that... thats the world gov... also thinkng about how garp should fight him#and not luffy.... because of ace you know... i still wonder how did sengoku know who ace's father was... there is only one man who knew....#everyone trying to stop them from fighting ajdhsksjks two rabid dogs fr#LUFFY TAKING OFF HIS JACKET WHEN LUCCI ASKS FOR HIS WANTED SIGN!!!! GO OFF KING!!!! SLAY!!! THE CREW SAW HIM!!! FINALLY!!!#i have been smiling since he started the transformation this is so sick...... i have got a case of the luffy brain#zoan fruits steal the personality of the user when they awaken ✍️✍️ luffy???? nami being the only one who saw gear 5 <3 twins manifesto#robin being so shook about luffy being a god ajdbjansk wdym devil fruits exist because people wish for them. fairy magic real????#WHAT DO YOU MEAN THEY ARE FROM ALTERNATE REALITIES WHERE SOMEONE DREAMT ABOUT THEM??? DOES HE TRAVEL THRU REALITIES FOR THEM???#jinbe has been making this face 😧 every episode three times it is amazing ajdhaksnsk poor man... now he sees a kid angel version of himself#after seeing hia captain turn into a god... he is gonna get a stroke OMG SENTOMARU WE JUST GOT YOU BACK#episode 1100#<- CRAZY. INSANE. OH GOD. ONLY 12 LEFT. THATS A WEEKEND!!! I CANT DO THIS!!!!!!!!!!!!!!!
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merrymissmouse43 · 3 days ago
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6 weeks of breathing clean air, I still miss the smoke…..
🏝️🤙🏄🏾‍♀️🏄🏼‍♂️💔
#seemed appropriate to use t swift lyrics since I associated so many of her songs with them &haven’t been able to listen to any of them sinc#I don’t even want to say their names#if you know you know#purging them from my life has been depressing as hell#I’m so fucking sick of behind the scenes bullshit ruining my favourite ships#this is the THIRD TIME this has happened to me btw#I’ve genuinely been in mourning#I’m not even exaggerating when I say that finale triggered a days long anxiety attack for me#it’s so ridiculous how something that wasn’t even real caused me to have physical symptoms of distress but it’s true#my heart wouldn’t stop racing. chest was tight. started shaking a few times. felt lightheaded. couldn’t sleep. eating made me sick#it was awful#but now I’ve mostly moved on to anger#I’m angry at a lot of people involved for different reasons#I’m also angry because I’ve lost my inspiration to write#I was solely committed to writing about them the past few years and now that they’re over I have no desire to write for them or another shi#I’m crushed that I’ve lost my joy for writing those ficlets but it’s too painful now. probably always will be tbh#feeling pretty lost creatively…#thank god I made a new friend on here before shit hit the fan#she and I have been venting out our sadness and frustrations together and it’s helped a lot#I hope everyone else in the fandom was able to find support like I did#I know my exit from the fandom was abrupt but I had just finished watching and was reacting purley on raw emotion#but I still think it was my best way to cope with it all#apologies for the rant and to everyone following me who don’t know wtf I’m talkimg about but I was thinking about them today#and I needed to unload a bit#I’m not going to tag anything but I do miss this fandom terribly#I’m still at a point where I don’t want to hear anything about this show or ship ever again… but yeah… I really miss those good times#take me back to the season 3 hype#THIS is the bad place#personal#laura says things
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st4rstudent · 11 months ago
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winn and doe is so real, i love random little ships like this, platonic or romantic
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random ships make the world go around if you think about it
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stuck-in-the-ghost-zone · 2 years ago
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i love these ship name polls so mucj because you can TELL just by looking in the notes who claims to be in the fandom and hasnt actually watched the show. some of these are so obvious guys. pointing at the d.px.d/c fans like. you guys have not actually watched danny phantom and it shows
#IM SORRY. THIS IS MY FAVORITE THING EBER AND HAS BEEN FOR SO LONG. I CAN BE A LITTLE PRETENTIOUS ABOUT IT.#like. GUYS theyre literally called skulktech. if u are in the dp fandom and have not seen ultimate enemy dont even fukcjng TALK to me#thats the most important episode ever#AND I SAW SOMEONE CONFUSED OVER PHANTOM ROCKER.#thats#like#theres literally a rockstar ghost its SO easy to figure that one out. just from context clues#even the more ''obscure'' names. if u do not know pitch pearl. come on. i know that was mkre of a 2014 thing but COME ONNNNNNN#its just so deeply engrained into me that i cannot imagine not knowing them#the names of the CLASSIC ships. i know amethyst ocean fucking sucks as a name. but its the one thats like actually canon#guys i really wanna talk abt danny phantom can you tell.#i admit i was wrong about superfun but like FOR GOOD REASON. YOU HAVE SUPER DANNY AND FUN DANNY. WHY IS IT NOT CALLED SUPERFUN#<< if u are wondering btw. the actual name for them is heroic amusement. what the fuck.#the alt name is the great divide which is better bc it sounds cooler but COME ONNNN super fun was right there.#CAN I JUST SAY. I FUCKING HATE THAT AMETHYST OCEAN IS THE OFFICIAL NAME FOR DANNY AND SAM BECAUSE THE ALT NAME IS FAKEOUT MAKEOUT#AND THATS SOOOO MUCH BETTER. COME ONNNNN#THATS A JOKE THEY USE IN THE SHOW. COME ON.#im sorry im a dpxdc hater. i dont want to be. but its ALL i ever see in the tag anymore and im tireeddddd#im sure its good. im sure its really good. i can see it. i get it. but so many of u have not watched the show and thats just soooooooooo.#augh. let me be a little pretentious about dp. please#do not claim to know my boy if all u have ever seen of him is the fandom perception!!!!@#because a lot of the time!!! fanon danny is worse!!!!!! the fandom made him so. flat. like hes just an angst puppet now.#either that or Generic Superhero Boy.#like youve taken away all his personality....... i miss my boy#do u even know he loves space. do u even know he wrote an essay on the purpleback gorilla. do u even know he backwashes soda.#sorry...... i love him#BADGER CEREAL. LIKE. I HATE THAT AS A SHIP EBEN IF IT IS PLATONIC BUT LIKE. THE NAME. GUYS. ITS. LITERALLY IN THE FIRST EPISODE HES IN.#GUYS. I KNOW YOU ALL KNOW WHO VLAD IS. HOW HAVE YOU NOT SEEN BITTER REUNIONS.
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bi-writes · 1 month ago
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an eye for an eye | knight!ghost x f!reader
your husband bends to your will. men must learn from difficult lessons how far that bending goes.
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type: a continuation of a hand for a hand, but can be read stand-alone (11.6k)
cw: 1600s au, dark!ghost, reader described as curvier/plus-sized, graphic depictions of war + violence, possessive!ghost, war-criminal!ghost, inaccurate historical settings probably, unprotected piv, cumplay, breeding kink, size kink, simon "i'd do anything for my wife no matter the devasting consequences" riley (18+)
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Your husband has an insatiable appetite. Such a big man he is; he towers over you, so much so that you must tip your head back always to look up at him. You had to make many arrangements in your house to accommodate his hunger–a pantry stocked full of eggs and less fabric for your skirts.
Your house isn’t like others. Neither you nor Ghost have ever lived in luxury. When he showed you your home for the first time, you had shaken your head–you didn’t believe that such a large place was supposed to be yours, and even now, sometimes you feel like a stranger, out of place when the maids ask you what you want for supper or where you’d like to take your afternoon tea. You don’t like the fuss, the asking, the women that curtsy when you come near, concentrated over the creases in your skirts or the loose thread of your sleeve or the wispy hairs that fall out of your braids. You are told all the time that you must behave like a duchess, that you must poise yourself with your new title and your new money, and you must do the things that duchesses do–but no one says the same to your husband.
He is still allowed to sleep in the barracks. Lick the blood off his gauntlets. Polish his sword in the dirt. He’s still allowed to be everything that you cannot be anymore, he still lives the life he had before.
He still kills; and he is still very, very good at it.
Your queen told you in a letter that the king is very pleased. Ever since your union, Ghost has been quite the conqueror. Bloodthirsty and very determined, your husband has been taking his men across the water. He is not any less impressive off land. Not even the pirates have tried to negotiate; they bend the knee or taste the salt water. You breathe shakily when you read your queen’s letters—her praise for your husband’s conquests, how blessed your family will be and how valuable you are to the crown, how grateful she is that Ghost is no longer a fiend in court but rather a little more polite and a little quieter.
All for your sake. Ghost’s name is now your own, and he refuses to embarrass you now that you have it.
You won’t lie; the bodies that Ghost has stacked since you’ve been wed do not scare you. He’s doing it for you. He has never said it out loud, never told you so, but you know it. He wants to show you what kind man that he is, what kind of soldier—you know he’s trying to prove himself worthy. If he killed a thousand men to have you, how many will he slaughter to keep you?
He sends you letters of his own. Not many, but he does send letters, and while Ghost seems to be ineloquent and entirely too brutish, he has quite the voice when he writes.
To my wife,
The sun falls quicker here. I’d like to come home. Tell me of your day, and I will tell you of mine. There were a fleet of ships that came to meet us at dawn. When we sank three, they begged for us to spare the rest.
I have you to think about now. So I burned them.
Simon
A poet, your beloved.
He signs his real name in his letters. Your eyes skim over most of it–you don’t even blink when he tells you what he does to them. Sometimes he writes in great detail about the screams of a hundred souls, the way burning flesh smells, the taste of dirt in a new place when you know it is finally yours. He doesn’t like having secrets. He tells you all his thoughts, even if they might scare you, because you are his wife, and he has discovered quite quickly that you have been cut from the same cloth.
Even when he is home, and he tells you these things all over again, he can’t help the way his cock hardens when you merely blink and ask him if he has added any scars to his collection.
Ravenous, naughty little duchess, and you are all his. He knows he picked well–he knows, he knows he wasn’t wrong when he saw you across the throne room hiding behind his queen, he knows now that he was right about what he saw in your eyes.
You do hate when he’s away. You’re not used to the maids helping you dress, and you secretly abhor the help. That is why when you hear the shuffle of your house early in the morning, your heart thuds in your chest knowing he’s home.
The staff get antsy when Simon is around. He is very good at keeping an estate for someone that has never had to or ever been taught to, but he leaves the responsibilities with you and only you every time he goes. He doesn’t trust anyone else to do it, and every time he comes back, he makes you sit on one big thigh as he teaches you something new that you need to remember for when he goes away. He demands much of those he employs, and they are eager to please him. Whether it is because they respect him or are afraid of him, you aren’t sure.
Perhaps it’s both.
You sit up as the bedroom door opens. You smile, big and wide and sleepy as he steps into the room. He shuts the door with his boot, slipping his hood off, and you sigh as he grips the clasp of his mask and unhooks it. He tosses it onto the floor, bare-faced, and as he makes his way towards the bed, he sheds the rest of his clothes until he’s completely naked.
You cannot stop yourself from the shaky breath you take. He is all muscle and fat, strong and entirely too scary, but it’s hard to focus on what he really is when he stands before you like this. He has fat thighs, big shoulders, carved muscle of intense labor around his middle and along his biceps. He has large hands with calloused palms and split knuckles, and your eyes meet his own as he comes closer. He’s so gorgeous, even with a face like that. He has a long scar that stretches from one brow to his lower jaw, another that cuts his nose and splits his lip, but those eyes are dark and lovely, and you can’t help the warmth that comes over you when he catches you staring at him, closer, right to his cock that hangs heavy between his legs.
Just as he begins to lower himself onto the bed, you hold out a hand, giggling.
“Simon, if you think you are getting into this bed without a proper bath, you’re mistaken!” You laugh, and he raises a brow.
“Mmm…” He smacks his lips together. “Tha’ right, my lady?” He clicks his tongue. “This is my bed. ’s oll mine. Every blanket…every pillow…” He grips your ankle from under the covers and yanks you towards him. “And every part of you.”
You giggle again, shaking your head, “Please, Simon!” You push him away with your toes. “They only changed the sheets yesterday. You’ll dirty them…” You flutter your lashes. “Will you bathe if I join you?”
He grins wide, licking over his teeth.
“Can’t refuse an offer like tha’.”
You hold out your hand for him, and he takes it gently. You watch as he brings your knuckles towards his mouth, and you bite back a smile when he decides to kiss each one, slow. He tugs finally, pulling you up, and you wrap your arms around his neck as he hoists you up into his arms. You would worry about your weight normally, but Simon holds you so easily, barely even a grunt as he wraps your legs around his middle. You don’t waste another second, cupping his cheeks in your hands and kissing him softly.
It’s never just a kiss with Simon. He slides one of his hands up your back, into your hair, and you whine as he tips your head back just enough to slip his tongue into your mouth. Simon doesn’t just kiss, he consumes. What he did to get back to you, the things he endured, the places he has seen and the bodies he has buried and burned and scattered across the places he now calls country, it’s always to get back to this place.
To you.
“How’s my boy?” He asks when you pull away. He carries you to another room, to where the tub sits, and he rings a bell by the door to call the maids in. You snatch a robe off a hook and cover him with it as he sits with you, but all he does is put a few fingers under your chin and make you look at him again. “Oi. Asked ya question, luv.”
Your lip wobbles a little, and you look away.
“I…”  You wait until the maids have gone to fetch hot water to tell him. “I bled while you were gone. I…”  You smooth your hands over the robe, distracting yourself. “I’m…I’m sorry, Simon.”
You close your eyes as he leans close, resting his forehead against yours, and you shake a little as he lets out a warm breath against your lips. He moves a warm hand over your soft stomach, cupping you there, and you lean your head back a little at the tender touch.
“It will happen,” he says finally, and your mouth opens to respond, but he sticks his thumb between your lips to shut you up. He doesn’t want to hear you blame yourself. If it’s anyone’s fault, it’s his, for not being here with you, for not be able to take care of you. You give in, suckling on the salt of him, and he grits his teeth as he watches you. “I know. Seen it in m’dreams.”
Simon has dreams. Lots of dreams, but he tells you that they are not dreams, they are glimpses into something that has already happened. When you asked if he was some kind of seer, the kind that the king used to have at parties, Simon doesn’t laugh.
He says the dreams are why he knows he won’t die. Why he is never afraid, because he knows somewhere behind his eyes what’s to come even if he didn’t see the entire painting of it. It is why he knew he would marry you; it is why he paid you so much attention, why he knew he would win his battles, why he always knows whose blood it is in his mouth because he has tasted their death before and relishes in the knowing of it all, in the certainty.
It’s never I think, it is always I know, and Simon is nothing if he is not the most honest man that you know.
So if he says you will have his babe, it is as good as truth. As green as the grass grows beneath his feet, as blue as his sky, and as red as the blood that is caked underneath his nails.
When the tub is filled with water, you let Simon sink into it first. You kneel beside it, picking up a glass of oil, pouring it into your palms before sinking your hands into his hair. It’s gotten longer since he left, in need of a cut, but you smile when he leans his head back into your shoulder. You can feel his content as he relaxes into you, and you admire his physique as you use the warm water and scrub the mud and grime off of him.
“I missed you, husband,” you whisper, and he only lets you massage his hair for a few more moments before he grips you by the wrist and tugs you forward, right into the bath. “Simon!” you laugh, “my night dress—oh!—it’s ruined!”
“Too far away,” he mutters, practically ripping the silk off of you as he tosses it besides the bath. “Mmm…” He cups your breasts with two big hands, smoothing his thumbs over your nipples, and you whine a little as he pulls at them just enough to make them stiffen. “Y’should be naked when I come home,” he says lowly. “I’ll soil y’r bloody gown next time, m’lady.”
You giggle, and he smiles. A real smile. As real as he’ll ever give anyone, maybe the only one that anyone has ever even seen. He has never shown his face in court, and while it angers the women and irks the men, you revel in the fact that all of this is only for you.
Mine. Mine. Mine.
You kiss him softly. The water sloshes, warm and inviting, and sometimes you forget your life used to be anything but joy. A year ago, you would not believe that you would be here, titled, wealthy, in a stone room lit by candles bathing with a blood hungry ghost.
A year ago, you trembled whenever he looked at you. You cowered when you heard his footsteps. What a stupid little girl you had been. What a fool. She had no idea what she could have, the kinds of things she could hold in her hand.
Real power wasn’t being able to command a room with your words. Real power was being able to say anything and have it be believed as truth. Real power was making someone look in one direction and have them see what you see, even if what you see isn’t real.
He lays you down in your bed afterward and eats. Your wet hair soaks the sheets, but you can’t seem to be really bothered as he fits your legs over his shoulders and bends you at the waist, his mouth suctioned to your clit as he eats you slowly. One of his hands is spread out over your tummy, the other you can hear making a squelch as he fists his own cock. It’s slow and methodical, and he slides his tongue between your folds firm, catching what dribbles from you on the tip of his tongue before he swallows it and leans in for more.
He has eaten you in nearly every room in your house. Frightened the cooks tossing you onto the dining table, given a servant a scare as he ducked under your skirts in the library, had the gardeners fleeing as he dropped you onto the grass near the lake and disappeared with a frenzy to eat your cunt during sunrise. It’s maddening, the kind of need that Simon requires, but it’s hard to refuse when you feel so warm and bubbly and happy after he’s finished. A pampered princess you are, never lifting a finger, only awake long enough when he’s home to eat until you’re full and cum until you fall asleep again.
Maybe that’s why you’re not pregnant yet. Simon likes to be here, between your thighs, mouth fixed on your wet pussy until he’s practically exhausted himself with a sore jaw and lax tongue.
He kisses you sloppy after. Licking into your mouth, practically spitting onto your tongue, wanting you to taste—tastes so good, luvvie, don’t ya see, yeah?—wanting you to know why he’s so eager to be on his knees all the time.
You sniffle, a little dizzy, shaking your head.
“’s not what I really want,” is all you whimper, and he nods, because he knows, he always knows.
“I know, luv. I know wot ya really need.”
“I must be broken,” you sob, cradling his face in your hands, and he shakes his head.
“Not broken,” Simon assures you. He speaks so surely that it’s hard not to believe him. “It wasn’t time.”
“You can’t see the future, Simon! You don’t know!” You cry, and he snarls a little, shaking his head again.
“You listen t’me,” he growls. You shake a little as he grabs your face with one hand, fixing your jaw under his grip as he holds onto you firmly. “Wot I say goes. Y’r my wife, so listen t’me, and listen t’me good. Y’r not broken. Not time. Say it back t’me.”
Your lip trembles, and he rattles your head a little.
“Say it,” he snaps, and you hiccup.
“It’s not time,” you whisper, and he plants a fat kiss onto your tear-soaked lips.
“Just need my cock, luv,” he murmurs. “Tha’s oll. Just need me t’fuck it outta ya.”
You nod, pressing your face to his, and he tuts, reaching down and spreading your legs wide to accommodate him between them as he lays over you.
“’s oll y’need,” he repeats, and you nod again.
You have to take another bath in the same morning; and this time, you weren’t able to walk there.
You like when Simon is home because it’s quiet. The only one that dotes on you here is Simon. The maids do not dress you or do your hair or moisturize your skin. It’s always Simon.
You smile at him in the mirror as you sit at your vanity. He has a brush in one hand, and he’s using it delicately to detangle your hair how you like. His hands are practiced and gentle, and when he finishes, he leans over you as he starts to part your hair to braid it. He did not have sisters, but his mother had him always do her hair after she lost the use of her hands with age. You don’t know where his mother is, but you assume she is not here anymore, because he never invites you to meet her.
He oils your skin. He slips the robe off of you, revealing your damp skin from the bath, and he slathers oil in his hands before using it to soften your skin. He takes his time, smoothing those big hands over your shoulders, down your back, along your arms. You tilt your head back when he warms your breasts, squeezing and fondling your tits. He murmurs in your ear the entire time, and he has to fuck you with his fingers to quiet you when he stops because just his hands on your tits has you wet all over again.
He dresses you, too. Helps you slip into your undergarments, fastens the cage for your skirts over your hips. He ties them skillfully, and after he layers your skirts over the farthingale, he gets you into your corset. It’s intimate as he does this. Even with your wide skirt, he comes closer, over your shoulder, and he tugs at the laces at your back, pulling it tight with firm grunts. You sigh when he buries his face into the crook of your neck, his hand skimming over your breasts as they sit nice and perky between stiff fabric and whalebone.
“Fuck,” he mutters. “Fuck, unnerving…the way ya look…”
You close your eyes, “S-Simon, please…I’m already dressed…”
He chuckles, “I know. I know.”
But when he has to leave again, you nearly come with him. You fasten his armor for him, help him slip each piece of leather on and click every piece of metal into place. You tie his cloak and slip his mask on, and you try and duck your head when you flip his hood up, but he catches you, tilting your chin up.
He huffs when he sees your face. Tears sliding down your cheeks, lips wet with them, eyes all glassy and red. He draws you up onto your toes, pressing his mouth to yours through the mask, and you hold onto him tightly, digging your nails into his chest armor and threatening to not let go.
“I want to go.“
“No.”
“Simon, let me go,” You gasp, begging, gripping his hood in firm fists and not caring that his armor is cutting into your front. “Let me go with you, I can’t do this anymore, I want to go, I can do it.”
You aren’t sure if Simon underestimates you. You think it’s more that he does not want you to see him in a place where he is most true. Where he wears the least of a disguise. He does not know he wears it the least with you, and that you have already seen his blood and how it curdles under his skin. You like it that way. You like him angry…and mean…and terrible. You like him when his sword is dirty and his armor needs polishing and his mind thinks of nothing else besides war. He should know this by now. He should know that you see him and see what he is even more than his king, more than his men.
He couldn’t scare you, even if he tried.
“War is not where women go,” Simon snaps. His tone is harsh, even for you, and you stiffen when he grips you by the jaw and rattles your head a little. “Especially not one like you, my love. War would eat ya, eat ya fuckin’ whole. Look at ya…” He huffs, deep, sliding that gloved hand down your throat to slip it beneath the neckline of your dress and fondle your breast with a firm grip. “Beautiful. Meant for my lips…for these dresses…meant to be held in my hands, not bleed from stray arrows, because tha’ is surely the least of wot they would do t’ya if they knew ya were my wife. Now ya will wipe these tears, ‘n see me off, and then ya will come back inside like a good girl, ‘n you will wait for me here until I come back.”
Your bottom lip trembles, and you scowl up at him. Not indifference, but frustration, and Simon doesn’t think it suits you.
“I’m sick of waiting for you, Simon,” you spit. “It’s all I ever do, wait. Wait for you to come back, alive or dead, I never know. And don’t say you do this for country, that is a lie.” You shove him backwards, but he barely budges when your hands touch his chest, a rigid wall that does not give. “You do it because you like it. You’re a bloodthirsty dog, and all you do is bend to our king’s will.”
A lie, but you tell it anyways, because you want something, and he will not give it to you.
“That is my duty.”
“Your duty is to me,” you snap. “Kings come and go, but I will not.” Simon stills. He glares down at you from behind his mask, and perhaps this might terrify his men, but that you are not. You are his wife, and you are protected by that title alone. The only man to ever lay a hand on you would not live to see another second, himself included. “Now you will let me join you, or so help me God, Simon, I will not be here when you return.”
You do not expect the full-bellied laugh that leaves him. His armor shakes with him, and you grind your teeth, narrowing your eyes. He uses his thumb to force his mask up, and then he cups the back of your head and draws you in for a sloppy kiss. You resist at first, but when he feeds you his tongue, you melt. You kiss him back, letting him draw you closer, and you sigh as he tangles his fingers into your hair and cradles you with those big hands.
There is nothing more to say. Simon neither confirms nor denies, but you taste it in his mouth, his devotion. Not wrong, not right, but just so–he has many responsibilities, but you are the only one that will remain the same. One day, his king will die, and he will serve another, but the space you have made beside him will never change. Even when you die, because he knows you will go before him, there will never be someone else to fill it. You and you only, the woman he found and made his, the one he demanded lest he kill his own country for it, it will always be you. Soft and sweet, you are, but the Lord knew Simon could only have one woman, and he made it be you; the one spitfire enough to defy her own king because she trusted his love enough for it.
Would you commit treason to save his life? Would you watch a king die if it meant your beloved lived? 
Would he?
He thinks about what you have said when he takes his fleet across the water. He runs his tongue over his teeth behind his mask, breathing deep when he thinks about your proclamations of duty. Of change. Of what remains when other things move, of the kind of life that waits for him when he comes and goes with a king’s order. He thinks about how easily he is taken away from you, and he knows there is truth in what you feel. It is not really Simon that sacrifices, it is what he leaves behind, and that is you.
It’s never angered him before. He had accepted the fact, as early as your wedding day, that he would leave and come back, then leave again. It has always been the way of his life, come desire or not, so it bothers him that of all the things that surprised him in his life, it would be missing someone that shocked him the most.
Missing his wife. Missing the serene perfection of one woman, and the perfect place between her soft thighs. Every day that he finds himself between them is the best day of his life, he reckons, so now he feels bitter about staring at a freezing ocean amongst his men because he will go weeks without her.
Her. Her. Her.
He is bitter, yes, until he is not.
It comes in a letter from a messenger on horseback. They have been stationed in a foreign land for weeks now, watching slowly as the stone walls of a castle at their front crumples day after day from the stones filled with powder that ignite what is wood and break what is rock. The letter is sealed with wax, with the motif of a snake. It is given directly to Simon, whose name is scribbled in the letter, and when he reads it, he tastes ichor and smoke.
So the great phantom has come to seal my fate. I am not in the business of letting what is mine be taken. Even if you have brought your all, it won’t be taken from me.
I heard you have a beautiful new wife. I heard you paid for her in blood.
I shall do the same. I will hang your sword above our marriage bed.
Ghost is not someone that bends to the threats from foe he cannot look in the eye. Words are so empty. It is nothing like when he stands just a few meters apart from them, eyes fixed against one another, as they decide whether today they want to live or they want to die. The letter means nothing, but he’s surprised by the heat that bubbles under his ribs at the mention of his bride. He meant it when he said you were not meant for war, and that meant in this regard, too–nobody was allowed to talk about you, not like this, not ever.
When his king orders him home, Ghost crumples the note and tosses it into embers. He watches it burn, and then he orders his men to set to flame the ground around the stone walls.
So men like him can be goaded, it seems. His resolve is not as strong as he thought.
The weeks make you anxious. All you do is sit and collect dues and tell the maids which dress you want to wear and which you do not. It is peaceful and boring, and you wish Simon was here to make your days more exciting, but he is not.
His letters are the only things that keep you occupied, truly. He writes to you about war and loneliness, and you write to him about the mundane of domesticity and the ache he leaves behind. Sometimes, his letters come folded with pressed flowers he finds along the way, and you start to collect them, putting them away in small boxes or using them as bookmarks as you go through Simon’s library.
He has many books. His most loved books are those of war, of history, and you smooth your fingers over the pages he has dogeared and find comfort in reading the same words that he once did. You learn, as well. While in your studies as a girl, they made you learn arithmetic and the flowery bits of history and art, here in Simon’s house, you learn of strategy and weaponry and military tactic. Sometimes you disagree, and you write about these disagreements to Simon, and he writes back, pleased with your observations. He told you once that if you were a man, he would want you in that tent with him, beside him, deciding on which formations to take and when to strike. You responded saying that you could be that for him anyway. What did your sex have anything to do with whether you were right or wrong?
Simon agreed.
But I would never invite you here, dear wife. You have to understand that.
When your queen asks for your audience for dinner, you oblige easily; finally, you have something to do rather than add up numbers or sign a document on Simon’s behalf or read another fucking book.
You don’t want to wear all the costume your maids insist on, but you appease them after they repeatedly explain to you what your title means. With a drawn face, you let them tie your corset and layer your skirts, and you watch in the mirror as they braid your hair and drape large, obnoxious jewels over you. You grimace at the tiara they fit into your hair, and your elderly handmaid pinches your cheeks and tells you to put on a fair countenance, Your Grace, lest you make the Duke look ungrateful.
You bite your tongue from snapping at her. She should know that Simon would say nothing about your countenance; all he would do is fix whatever was bothering you until you smiled again.
You arrive early enough to have tea. Your queen is so excited to see you; she gushes when you meet her in the throne room, pulling you up from your curtsy so she can hug you tight, squealing. When you try to address her with a curt “Your Majesty,” she shakes her head, pressing her hands to your cheeks and giggling, “No need for formalities now. Call me Victoria.”
You hide your displeasure with a small smile. Now that you are no longer her lady-in-waiting, she allows you her name. Is it because she sees you more as equals, or because now you’re allowed to be somewhat of friends?
You must be some kind of friend. She sizes you up like you are one. She wears England’s colors this afternoon. A fire red dress adorned with gold accents, a dragon pin holding her shawl. She wears magnificent red and gold jewelry, but she’s looking at your dress, and you can see the slight twitch of her eye. You are wearing French lace, and she doesn’t like it. Or maybe she doesn’t like the color, the accents of navy blue and silver that you wear.
The skull motif that is woven into your tiara and printed on your coat and sewn into your dress. Does it insult her? That all your life, you wore nothing but browns and beiges and grays, were invisible to her, and now you represent your house, visit her as your guest, and bear an honorable name?
You were no one when you served her. Just a girl, no close family, no friends, just a distant uncle who gave you to the crown that hoped you could be of service. That was to be your duty for all your life–to serve the king’s wife until she wanted you no more or until she was gone. To cater to her every need and every wish, no matter the time of day or night.
Now you sit across her, more noble. Refined. Wearing a dress she despises, perhaps because she likes it more than her own.
Over tea, she gossips about the other ladies she has visit. You’ve heard this before, but you’ve never been included in the conversation. She talks to you, and she wants to hear your opinion, and you find yourself uneasy as you try to think of what to say. She is your queen, and you want her to like you. When you worked for her, you earned her favor by always warming up her jewels before she put them on, by making sure she had her tea ready in the morning at her bedside, by always holding the fan she so loved for when she inevitably had a hot flash. Now, as her friend, you weren’t exactly sure what to do. You suck in a soft breath and look at her, and then you purse your lips.
You think it best to agree with her. To be on her side. You might not be her direct servant any longer, but you still must fall under her favor. A queen’s favor can be just as powerful, especially if she occasionally has the ear of her husband.
“Well, that’s not very kind of her,” you say finally, and she laughs.
“No! She’s such a prude. I think her husband doesn’t sleep in her bed enough, if you know what I mean,” she winks at you. You giggle at that. “Speaking of husbands–” She pops another cake in her mouth. “How is yours?”
You reach up and tug at your necklace a bit, smiling nervously.
“Oh, uh…” You clear your throat, “He’s doing very well. I hear his latest campaign is quite the success. His majesty is very smart, heading for the east that way, I’m sure they will be victorious soon enough.”
Victoria smiles at the thought of her husband. His intelligence. She always used to talk to you about how many hours he worked, how she hated when he was away, how she wished he was home more so he could give her a son because she was so, so lonely.
“Wise words from the duchess, aye, my love?”
You jump a bit at the low voice from behind, and when you turn, you gasp, immediately standing and falling into a delicate curtsy. John Price waves his hand, coming further into the room, shaking his head.
“It’s alright,” he tells you. “Please, sit. You’re here as my guest.”
You stand and lift your head, trying to relax. You take a seat, smiling nervously, and Victoria smiles giddily at her husband. When he bends to kiss her cheek, she fawns, reaching for his hand and squeezing it before taking another piece of tart and eating it. John hums before motioning for one of the staff to fill your cup again with tea. He eyes you curiously, taking in your appearance. You sit up at that, performatively brushing off over the skull pattern on your corset. John runs his tongue over his teeth, smoothing a big palm down his wife’s long coils of hair.
“Since you’re here, I’d like a word, if that’s alright,” John says to you. His tone carries a little more authority now, and Victoria sighs, whining a little.
“John, please, she’s my friend. Can’t it wait–”
“That wasn’t a question, Victoria,” John bites. Her face falls a little. She swallows and tucks her hands into her lap. You’re reminded as you look at the slight wobble of her lip that there is no one truly above John Price, not even her. You keep your face neutral, but if you were invisible, you’d pity her.
What a shame her husband sees her as less than. How embarrassing. Your Simon would never. Your Simon waits until you finish speaking before speaking himself. Your husband kneels to take off your shoes, your husband tears your skirts to get a taste of you, your husband used his teeth to sever a man’s throat just to have your hand.
What did John Price do to get his wife? Who did John Price kill to have her hand? How many bruises did he earn around his knees on their wedding night from eating her out? As many as Simon, whose knees were black and blue by morning?
No, you suppose not. How unfortunate. How pathetic.
Victoria picks up her skirt and stands, pasting a big smile on her face. It doesn’t reach her eyes, and you can see the way her hands shake a little as she scurries off. She scowls as soon as she turns away from John, clearly annoyed.
“I’ll go check on dinner,” she says, but it is soft and unenthusiastic.
When she goes, the room falls quiet. At the nod of John’s head, the staff leave, and you keep still in your seat as John sits across from you, picking up one of the cakes in front of him and breaking off a piece to busy himself. He keeps his eyes on his task of cutting up the cake in small pieces, focused on his hands and how they work. You watch him carefully, steeling yourself.
You anticipate a conversation between man and woman, not a king and his lesser.
“Simon’s been away for some time. I bet that’s difficult for you.”
You straighten your posture, realizing what this conversation will be. By his tone, John seems to think you a bored, stupid housewife, perhaps. Uneducated. A woman, no thoughts in her head. You let your face relax, and you fold your hands in your lap. Maybe now is the time John should learn who you are and who you are not.
What you have become and what you no longer are.
“I do just fine, Your Majesty,” you say finally. You pick up a spoon and drop a cube of sugar into your tea, and you stir, picking it up to take a long sip. John is curious by your content. You have a quick tongue. “I could say the same to you, couldn’t I?”
John laughs. He narrows his eyes a bit at your clever response, taking a large bite of the cake and running a cloth over his beard. His eyes sparkle a little.
“So you know.”
“Know what, Your Majesty?”
“You know I gave Simon orders. And you know he didn’t listen to me.”
You purse your lips, but he sees the shine in your eyes. The lack of surprise. His face twitches a bit, and you shake your head. You blink slow, and it irks him to see you so calm. He is your king, and Simon answers to him, and you are his wife, so you must answer, too.
“I’m not sure I know what you’re talking about.”
“I could have your husband’s head cut off for treason for that, you’re aware, aren’t you?”
You tilt your head to the side. What an odd thing for John to say. What an odd thing for John to contemplate, since it would never come to pass. “Don’t be daft, my king. You wouldn’t want to do that.”
John slams his fist on the table, making the plates and cups rattle with his frustration, but you do not even flinch. You blink, stone-faced, and it makes his nostrils flare. He recognizes that glare, he knows it well. He has seen it before, stared it down many times in rooms just like this. Only now, he is not fighting for land, he fights for control of the one man that he has always been able to rely on. Simon has followed him into battles outnumbered by a thousand men, and only now he ignores an order? Only now he chooses something different?
“Now, let’s be civil, Your Majesty,” you say softly. You smile at him, leaning your head in your hand. “Is there something that you need from me? I have a feeling you might have encouraged this dinner just so you could see me in passing, so why don’t you just ask me what you wanted to ask me?”
John lets out a deep breath, leaning his elbows on the table, lowering his voice. He leans towards you, and you admire how blue his eyes are. John is quite a handsome king, but he does not captivate you. It has been a long time since John has tasted blood, and he lacks the edge that you crave dearly.
“I need him back here, is what I need,” John murmurs.
“My king, I couldn’t get him back here any more than you could, even if I wanted to.”
“Now who’s being daft?”
You scoff, leaning back in your chair. John is not a stupid man. He created a beast of a man, and he is trying not to poke it too hard. You shift, brushing down your skirts, and you let out a low breath.
“Why did he refuse?” You ask finally.
“What?”
“Why does he ignore your order to come back?” You ask again. “I can’t think of a lot of reasons why he would stay. So why did he ignore you?”
John clicks his tongue, smoothing a few of his fingers over his beard. He averts his eyes, looking out the tall windows, frowning a little at the grim weather. The weather is always grim here, but it irks him at the moment, makes him scowl a little harder.
“I was…informed that there was some sort of letter,” John explains. “Some threat.”
“I don’t follow. He gets lots of threats. And terrible letters.”
“Was about you this time, Your Grace.”
You close your eyes at that, shaking your head. Simon would never be so foolish as to be baited by baseless threats. He barely bats an eye when someone even in front of him draws his sword. He is so comforted by his ability to win, by his dreams and his visions that have not yet happened.
“That’s absurd,” you breathe. “Simon wouldn’t…”
John chuckles, but there is no humor there. “Wouldn’t he?”
“I still don’t understand what you expect me to do,” you roll your eyes, looking away. “Simon is…he’s not…he doesn’t listen. It’s why he’s good at this, isn’t it? He doesn’t really take orders, he’s…I…”
John has never complained before about the way Simon chooses to lead. Oftentimes, it is an order ignored that has made it so that he delivered another crown at John’s feet. Simon asks for forgiveness, not permission, and John has barely batted at eye at it. He sees Simon as some kind of distant son, but this refusal bothers him so?
John leans forward. “You need to understand something here, Simon is a rabid dog,” he spits. “And sometimes I let him off his lead, but this isn’t like anything I’ve had to deal with. I need you to call him back here.” He scoots closer. “England needs you to call him back here. To me.”
You narrow your eyes a little. England needs you to call him back? What kind of sick sense of patriotism is he trying to instill in you? John is stupider than he looks, to think a woman like you would show loyalty to country. You are loyal to your husband, and nothing else, because what has king and country ever really done for a woman like you except for dispose of you?
You wear Simon’s colors, not John’s, and you will wear them to your deathbed.
“If I do this for you, my king, then you owe me,” you whisper. He laughs again, no humor, and he picks up a goblet and fills it to the brim with wine. He drinks half before slamming it down onto the table, spilling it over his hand.
“Kings do not owe their subjects.”
“Quite right, Your Majesty,” you agree, picking up your napkin and dropping it onto the table. You stand, giving him a polite curtsy. “But I am not doing this as your subject.”
“Everything you do is as my subject.”
“You put your entire right to the throne on the back of one man,” you say softly. You are not accusing him, you’re reminding him of a truth. “Simon is why…he’s why your counsel still listens to you. He’s why your people are free from famine, why…why your taxes get paid on time, why your kingdom is still standing, no thanks to your father who wasted this place’s fortune on women and liquor.” You shake your head. “You have an eye for conquest, Your Majesty, but you lack the execution of any plan you conjure.”
You are not wrong, and John knows this, and it’s why he hasn’t spoken up yet or interrupted you. The man before, his own father, was a drunkard who spent all their money. He drank himself into the grave, and the only reason John stands before you now is because of Simon. A man who he fought beside, who he commanded, who once John’s duty became reality took up the mantle and finished what his father never could.
John would be in the next history book you read because of Simon, and it’s Simon’s name that will never be written. They do not bestow legacy to men who serve other men.
“Where…Where did you learn to speak to men this way?” John scoffs. “I am your king.”
You must have hit a soft spot. John is defensive now, and men only deflect and insult when they are cornered with the truth. They don’t like being held in front of a mirror.
“You are king because my husband made it so,” you correct him gently. “And Simon is a loyal dog, and that is good for your sake, because if he had any desire for your seat, it would be his.” You come closer, your heels sounding, and John glares down at you; but you glare right back because you are protected by your name and what you can do with it. John knows this, and it angers him, but he seems to have difficulty facing the truths of his own making. “But he is not your dog anymore. He’s mine.”
Your pen on paper is aggressive. You can tell because the splotches of ink are deep, bleeding black sinking into white as you put angry word to parchment. Not even a fortnight later, you are playing cards with Victoria, and you see Simon’s silhouette standing in the doorway, hood shadowing his masked face as he observes. When you look over your shoulder where John sits, and you meet his eyes, he looks away from you with a grim understanding.
Simon answers your call. Always.
At dinner, John is in better spirits. He drinks with a big smile, eats more than one plate, and he picks Victoria up by the waist to make her dance with him when he asks for the music to be played louder. Simon sits, fidgety, gloved hands moving in and out of fists as he watches you cut into your food and eat it with a blank face. He huffs beside you, his armor stiffening as he sits up straight, and you let your fork clatter onto your plate as you turn to glare at him.
“You were thinking with your cock, Simon,” you spit. “That is how men like you get killed.”
“You ‘ave no idea how men like me get killed because there are no men like me,” Simon growls. You roll your eyes, standing, and he grips your wrist angrily, tugging you close until you fall into his lap. You sigh, shaking your head, putting your hands on his broad shoulders and making him look at you.
“Maybe,” you whisper. “But I’m not wrong. It is how you’ll lose. You know better than that, Simon. To fight someone because they taunted you in a letter, it’s playing the fool.” You cup his cheeks, keeping his eyes on yours. “You don’t need me to tell you that, and yet here we are.”
He breathes slow, closing his eyes for just a moment. He thinks he came for this, just a little. For clarity. Reason. It comes from you in waves, and it’s comforting to hear. It is something he knew, and yet it only makes sense now that you have said it.
“I know,” Simon mutters. “I know. Y’r right. I’m sorry, luv.”
You ask him to apologize when he undresses you. You ask him to apologize again when he sinks into a hot bath with you. You ask him a third time when he is in your bed, a heavy weight between your thighs as he licks and sucks at the soft skin of your tummy. He begs, lowly, let me ‘ave it, and you will, but he has to say he’s sorry again.
“‘m sorry,” he breathes, sucking on your inner thigh, and you close your thighs around his head, forcing his mouth against your cunt.
“Again, Simon,” you whisper. “I wanna hear it again.”
“‘m sorry,” he slides a rough tongue between your folds, breathing shakily when he tastes the oil that he smoothed over your skin only moments ago. You taste so good, you smell so lovely, coming off of you like fumes blinding his senses so that nothing else but you makes any sense at all. When you open your eyes, you think about where you are, and you nearly come thinking about what you have wrapped around your finger.
Not even your king tells your husband what to do. Not even your king commands his men, they won’t listen, he’s not who they turn to when things go belly-up, it’s your husband, and your husband answers to you.
You weren’t sure about it until today. Seeing him when you asked him to come, it flooded you with something that hurt. You could tell from even so far away that Simon was salivating under that mask. You knew the only thing separating his mouth from your cunt were the other people around him (and they were not privy to seeing you naked).
It is such a thing to observe. John needed a lead on Simon when he was his dog. You need no such mechanism. Simon never strays, not with you. He sits proper when you ask, and he speaks when spoken to. He tears at unwanted flesh, and he comes when you call.
John cannot give him all that he desires. Perhaps he thought what Simon truly wanted was fame and fortune. Legacy. But like most things men do, John does not observe. He takes in only what is right in front of him, and he makes assumptions. Simon is not like other men. Fame and fortune do not matter. He does not care about legacy. What matters to Simon is what he can hold in his hands. The ground under his feet. The steel in his hand. The woman underneath him, spreading her legs, inviting him in.
You love Simon. You love Simon more than anything in the entire world, but it would be a lie to say that you are not at some advantage here. Simon is all-consuming. He is the pinnacle of duty and honor and everything that a man is supposed to be, but Simon is also weak. There is something that he wanted more than anything in the world, and now that he has it, he will do anything to keep it, and that makes him vulnerable. Subject to all kinds of new things. Revenge. Retaliation. Pain.
Manipulation.
Maybe you should feel bad about it. Maybe you should feel guilty, but it’s hard to feel anything like it when there’s a big bear of a man between your thighs slobbering on your pussy like dessert. It’s hard to feel anything but bliss when he’s tracing the letters of his name into your cunt and making you see stars and fucking you into the silk sheets like it’s the last time he’ll ever have you.
It is men who govern your world, and if this is how you must move in it, then so be it. You will not feel bad. You will not be sorry for doing what anyone else would do. John thought he could keep his hand there, muzzle his mutt, but you like him this way, and you’re certain John doesn’t fuck the way you do.
He’s mine.
It isn’t John that commands an army, it’s you; or maybe your cunt, but that belongs to you, too, so it is you, isn’t it? You’re the one that lets him inside, that whispers in his ear, that tells him things you know he wants to hear to make things move in your favor, so it’s you, right?
Not John. Not Victoria. Not their counsel. You. They have stepped on you your entire life. They have made you small and inferior and sad for all of your existence, and they gave you something feral knowing it could eat you alive, and now you are the hand that feeds, and they are forgetting that if they bite too hard, you have something that will surely bite harder.
A collar would suit him, you think. He would look so pretty. He already is, the terrible beast, prettiest thing you’ve ever seen (the necklace your drape over him does just fine, a pendant with his motif that you hope reminds him of you). You don’t care if people would say his face is quite ugly. It is, very much so, but you never see him this way. Whenever that mask falls, your stomach flips. He takes your breath away. His intensity, his raw form of love, the look on his face–there is nothing else in the entire world that will love you the way he loves you.
“You came back for me?” You ask. You have a leg tangled between his, and his fingers are between your thighs, a shadow of a smirk on his face as he feels the mixture of your cum and his. He grunts a little, and you tilt your head to look up at him, your chin on his chest.
“‘f course,” Simon mutters, and you kiss his chest gently, keeping your eyes on his.
“But not for John.”
He turns his head, looking down at you more intently, and he scoffs. You know it’s true, but you want to hear it, anyways. You want to hear Simon admit, unknowingly, that you are the tether.
“John is afraid, and I don’t listen to ‘im when he’s afraid. Makes bad choices.”
It’s almost adorable that this is what Simon tells himself. That he comes back for his own sake, and not for yours, even though they are one and the same, intertwined and inseparable.
“Simon,” you say softly, and he sighs, his eyes closing briefly when you kiss him gently. “You have to listen to your king when he asks you to come back. Making a…rash decision about war strategy is one thing, but…” You cup his cheek gently. “Make things easier for me, husband. If he asks you to come back, you come back.”
This time, at least. Just this time.
Simon snarls a bit, but you swallow it when you kiss him. You maneuver yourself over him, straddling his hips, and he grunts as you sink down on him. He swells hard again very quickly, releasing a deep breath as you give a slow roll of your hips.
“Make things easy for me, my love,” you whisper, and he leans his head back, putting two big hands on your ass and moving you with ease. “Appease your king, yes? For me?”
“Can’t say no when y’r pussy squeezes me like tha’, sweet’eart,” Simon groans, and you giggle, planting your hands on his chest and starting to move a little faster. You lean your head back, your mouth falling open, and you gasp when you sink down completely, your ass touching his thick thighs as you tighten around him. “Fuckin’ Christ–”
“I hate when you go,” you whine, digging your nails into his chest. He hisses, planting his feet on the bed, and he fucks up into you with a renewed fervor. “Hate when you’re not here, Simon, I-I miss you, miss this–”
“Nghh…fuck, I know,” Simon pants. “Can feel it. Feel you.” You squeal when he grips you by the waist and turns you over. He makes it seem so easy, tossing your weight underneath him, and your arms circle around his neck as you draw him closer, hanging onto him. “Y’r so fuckin’ pretty…”
“Simon–”
He kisses to devour. His jaw hinges wide to kiss you sloppy, breathing in the moans that you can’t contain. Simon always fucks so well, stretching your thighs as wide as they will accommodate so he can make room for the goliath of himself that he is. He suffocates, in a good way, and his cock never fails to stretch you for all that you are worth. Simon holds your jaw in place as he grinds into you, relishing in the wet smack of his hips against yours. The fat of you satisfies him. It makes him growl with delight when he grabs onto wide hips, your fat arse, the body that you hold that tells him you are fed and warm and content. It draws his grin wider, and it makes him drool thinking about having you again and again and again, until you beg him for reprieve and his heir sits in your womb.
Simon fucks for sport. He wants to see how stupid he can make you. He wants to know how long you’ll cry for, how fat he can make your tears. He wants to know how loud you will cry, how many times he can make you cum before you’re incoherent, he wants to know the extent to which he can use you that you will still be awake enough to say his name just one more time. Simon is not satisfied until he pushes your limits.
It is what a Riley does. They endure, and they eat, and they consume, and they take pleasure in the all-encompassing indulgement of things they have never been allowed to have. You are a woman, so he knows this will come easy for you. So often, he knows, women are not allowed to indulge at all, so he wants you to. He wants you to cry and moan and eat, and he wants you to do it bearing his name so that no one will ever tell you no.
Simon says no to kings, and they placate, or they die. His wife will be offered the same respect, and he’ll stand behind her with a sword to make it law. When you bear his children, he will expect the same of them–to give their mother utter devotion, lest they answer to his hand. There is no one above you, not God, not country, and certainly not blood. They will know what their father did to have you, and they will spill the same amount of blood to keep it that way. They will do it for you, and then they will do it for their own lovers, and if they don’t have the same sentiments, that love is not true, and Simon will not give his blessing.
Everything else is trivial. He knows this, understands it, because history repeats itself. It is cyclical, and you are right. Kings come and go. Sons die to other sons, fathers make bad decisions, and crowns are passed to bastards and back again, until lineage is merely spectacle and power changes hands often enough to lose generational merit. There is one thing that remains, and it is what you do while you are on earth, while you are standing on the ground you were born on. Even faiths change; when men find it suitable, they change the rules, and then you worship a different God, so Simon sees no point in staying loyal to any of it.
Instead, he is true to what he knows. To what he can see and what he can feel. With John, he remembers being a young man, fighting alongside him. He follows John, to an extent, because he knows what it is like to share blood with him on a muddy hill and take an arrow for him.
With you, time stands still. He saw you in a room, and he had to have you, and he brought nations to ruin to make certain no one would bat an eye when he asked for your hand. He saw you in a dream, too–he saw you laying in his bed of furs, wearing nothing but a tiara of his making, wet between the thighs because that is how it’s meant to be. He recognized you when he saw you that first time, and he doesn’t know how, but saying no to you, really saying no, will change that vision, and he couldn’t bear that.
Your voice echoes. You’re moaning, overstimulated, but he doesn’t stop. The hair around his cock rubs your clit too many times, and when you come around him, you’re a shaking, withering thing, back bowed and nipples pebbled. Your toes curl as you cry from the starry-eyed, hot pleasure, but he keeps moving, chasing something in the distance that he can taste, so close.
Yes, Simon ignored his king. Yes, Simon did not ignore you. Yes, Simon admits, he came when you called, and he doesn’t feel bad about it, he doesn’t care how it seems. He would do it again if he had the chance. John could give him the same answer as you in every timeline, but he will only move if the command comes from you, and yes, Simon knows it makes him a liability, but crowns come with costs, and this is the one John must pay.
Simon will fight any of John’s enemies, but he won’t fight fate. He won’t fight what has already been seen, and he won’t fight what he already knows will happen.
With Simon’s cock in your mouth, you can make him deliver on promises. Sucking on the girth of him, you can make him an honest man. Taking inside of your mouth what you can swallow, you can make Simon do your bidding, and it is a hard lesson that John learns.
“Do this for me,” you slobber against the underside of his cock, and Simon relents.
“Make me happy,” you say, swirling your fingers against your puffy pussy, and Simon kneels with an open mouth.
“Just this once,” you whisper with his cum on your tongue, and Simon seals his choice with his hands on your tits and the taste of himself in his mouth.
When you make eyes with John across the low lights of the throne room, he can’t help the way he admires you. You stand beside Simon, looking the essence of nobility and reverence in another intricate silver and blue dress. The train of your skirt glitters with delicate jewels hand sewn into the fabric, and the headpiece you wear adorns a skull insignia. Your corset has been tied just right, thanks to Simon’s hand, and your own fingers are clasped between his. Your corset and jewels are of exquisite detail–one of the newest designs from Paris, structured and elegant and accentuating every curve of soft skin.
You glow in the room. His wife must be wearing a dress just as expensive, probably more, and yet his eyes (and everyone else’s) cannot help but follow you. Your own eyes won’t leave Simon; you flutter your lashes whenever he looks down at you, big smile on your face, and even when there are people curtsying and bowing to you and giving Simon their gratitude between bites of cake and glugs of wine, your attention never really strays. 
John feels inadequate in his own fortress; suddenly, red and gold sicken him, and England tastes sour in his mouth.
In a few generations, John’s house will likely fall. He will make heirs that will fail him, he knows this. In a few centuries, his family will not sit in the same place, but a Riley will remain right where they are supposed to be. Banners of blue and silver will always fly. If Simon does not make sure of that, then you will.
It’s what happens when you force women like you to their knees. When they grow up invisible, always in the shadows, forgotten and sold to the next man who will pay a higher price, it’s what you learned to do. It’s all you’ve ever known, to make the best out of something terrible.
Simon is the same, in that sense. You understand him in a way his king will never be able to. Simon has nothing, and neither do you, and Simon was stepped on and berated and tortured to the point of no return. It is why blood does not scare him and why death doesn’t come knocking. Time will be the only thing capable of killing him, and everyone that stands up to him learns that when they eat his blade.
In the quiet of the evening, Simon undresses you. He sits behind you on the bed, fingers pinching the bows at your back and unraveling them. He traces your corset, thumb circling over the skull pattern of the belt around the small of your waist, and he tastes something warm in his mouth at the sight of it. You look so beautiful–more beautiful than he’s ever seen you maybe, decorated in his colors and wearing his motif and sitting so pretty.
“You wanna know something…funny?” You ask quietly. Simon finds the ties of your skirts and starts to undo them. He grunts in reply; he might sound standoffish, but you know he’s listening. “John…John made it…he makes it seem like you don’t really listen to him. He implied that…in the face of adversity, you might only listen to me.” You put your hands on the front of your corset to keep it from falling. “Isn’t that funny?”
“Wot’s so funny?”
You swallow, looking down. Your hands fidget, and you take a closer look at the ring you wear, the delicate gold band he gave you not so long ago.
“I…”
“Mmm…might be right, innit?” Simon snickers after a moment. You feel him stand, and you look over your shoulder as he peels his mask off and grins down at you. He tilts his head to the side, and you smile back at him a little. “Do anythin’ for ya. Disobeying a king…” Simon cackles, tearing your corset off, tossing it onto the floor as he walks you backwards. “Ignoring one…” He shrugs, “Oll in a day, love.”
“He can hang you for it,” you whisper. “Cut off your head. Cut off mine.”
Simon lays you back on the bed, spreading you out, climbing over you. You blink up at him, and he leans down, pressing his forehead to yours.
“I would ‘ave seen it. I would know.”
He would have seen it in a dream. It would have come to him in a reflection in a pool of blood on the battlefield. It would have come to him, the voices in his head, he would have heard them amongst screaming, or perhaps in the void that he finds his mind in when he’s between your plush thighs.
You can’t help the smile that graces your face when Simon kisses the curve where your jaw meets your neck. It is fun, you suppose. Fun to control the tides that set the courses of history. It is fun and almost unbelievable that a king bends to the will of one man’s wife just because it solidifies his name.
You wrap your hand around the twine that dangles from Simon’s neck. It twirls around your fingers, easy, solid. Simon’s eyes are dark, and they are yours, and when you smile, so does he, because this is where you are meant to be, forever and always.
“What if I want more?” You ask. Simon hums, low from within his chest, and you run your tongue over your teeth. “Did you see that in your dreams, Simon? Hmm? Do you know what I’m asking for? What it is that I really want?”
Simon smiles. A dark one, with teeth, and you know he hears it. What more means for a duke and his duchess. What more means when you have all the money you could ever want, all the land you could ever need.
What more means when you have climbed your way to the top and still desire more. More, more, more. There are not many steps left to climb. There are not many places left to take, not much more of the world that can really be yours, but Simon looks ravenous, and Simon looks hungry, and if you fuck him now, you’ll have him right where you want him.
When you tug on what hangs around his neck, Simon bends. Simon follows.
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nakakabaliw · 1 month ago
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check out my mouthwashing hcs : ] artist notes and explanation under the cut!!!
JIMMY - I found most of their last names in the mouthwashing reddit and as I searched up the surname Zare, it seemed to be of Iranian origin, hence why he's Iranian American to me. I like to think he was already pale and sickly looking before but during the game events he just looks. Worse. DAISUKE- Juarez is fairly a Filipino/Mexican name but I'm sticking with Filipino purely bc i believe he can do the budots. Anywho, I took his Early skintone from the official emojis in the steam page and tried to incorporate the ingame skintone with it, mixing it up a little so hes not completely washed out. ANYA- Im biased when doing her nationality HC bc ive been learning french and I learned from reddit that her last name is Japanese so thats interesting : ] now I think she and Daisuke have something to bond over at least. Anywho, I like to believe she has her particular style of makeup, and she used to have foundation that wouldve made her skin brighter bc shes really pale. Her ingame skintone is even paler than her usual bc of no sun. Also yes, she looks worse bc of fatigue bc i can only imagine the struggle and sleepless nights patching curly up. Shes still very beautiful though!!!! SWANSEA- Nothing much to write home about, just regular signs of aging, searching up his name on google (his name is a welsh town apparently), but his card shows a broken nose! Or maybe its the way the card is bent. I love to believe the former. CURLY - So we dont have a Curly ID so I made my own, freshly promoted Curly. His hair changing is a reference to my hair changing (im also blonde) and bc i think hes p neat so he has that. Hes Canadian British bc hes the whitest white man you can ever white. Maybe a sprinkle of irish but thats it. like 9% Irish from his mother's side or something. His curls stopped curling curling because I doubt he'd have too much time worrying abt them atp when the ship atmosphere fucks it up anyways.
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notebooks-and-laptops · 1 month ago
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Why Fenris could Never Cameo in Dragon Age: The Veilguard
In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.
About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.
How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.
So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.
But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.
We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.
None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.
The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.
Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.
Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.
Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.
And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.
Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.
This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.
Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.
And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.
I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.
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