#<- also game canon but it's not explicitly shown

[14dayswithyou]

I kove you've described redacted as apathetic and pessimistic but is he or 'ren' at all sadistic in any way? and what would you define ren's 'breed' of yandere? (loving your work so far, have a wonderful Febuary!)

✦゜ANSWERED: Ren is just a sane and normal guy >:3

I wouldn't say that Ren/[REDACTED] is really "sadistic" or anything!! It's mainly because they literally don’t feel anything when killing/torturing their victims — nor would he ever want to harm Angel in any capacity.

Any feelings [REDACTED] might have are exclusively tied to Angel (feeling happy when he finally has them all to himself, relieved when there's no more competition around, adrenaline whenever Angel gets too close to bringing up one of his past victims, etc.), though none of them are sadistic, dark, or "impure".

Obviously, he isn't aware that his twisted, obsessive needs and co-dependent feelings can easily fall into those categories though... ^^; Ren genuinely believes that his devotion and feelings towards Angel are pure, harmless, and without a scintilla of toxicity, corruption, or tainted behaviour.

But as for what kind of yandere Ren/[REDACTED] is; I honestly don’t have a clue, and I don’t really want to limit him to a specific label or stereotype!! >.<; All I know is that Ren is the type to put Angel above everything else — even himself. He’s willing to change aspects of his appearance and personality, glitch out his entire world and everyone in it, and mess with everything else in order to appease Angel and keep them happy. He won’t ever harm them or show his violent tendencies out of fear of how they’d perceive him, and he'll only show sides of himself that he knows they'll respond positively to.

Ren is also "two-faced" in the sense that he's kind and empathetic with Angel, but detrimental and antagonistic towards everyone else. He has no attachments or affiliations with anyone other than the object of his affections, which means he's willing to harm anyone — even his best friend — without any remorse or empathy.

So take that however you'd like!! I'm not sure if it helps in any way, but again, I don't really want to put a label on Ren (outside of calling him a "yandere").

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Finals

Please be civil in the notes. We will block people if we feel it is necessary. A character being canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included. This is not a competition of who is better representation.

Check out the battle for fourth place here.

This is a two vs. one poll because Neil Josten and Andrew Minyard tied (by our standards) back in round 4 and moved on together.

Yang Xiao Long-RWBY

Qualifications:

She is canonically wlw (has been for years but specifically kissed and got together with her now girlfriend in the latest season) and uses a prosthetic arm and has been shown to struggle with PTSD due to the traumatic nature of losing it during the show.

Canonically had her right arm chopped off, uses a prosthetic. Has PTSD. Is canonically in a WLW relationship.

She has a canon girlfriend and canonically has a prosthetic arm and PTSD

She's canonically sapphic (part of a recently canonised wlw slowburn relationship) and is an amputee (due to events from the 3rd season finale) who wears a robotic prosthetic. She also suffers from PTSD which is explored in the show

Propaganda:

I will keep on submitting Yang to relevant brackets until I die. RWBY has plenty of strengths and weaknesses with writing, especially Yang's recovery arc, but instead of forcing her to push past her trauma and enter the battlefield immediately, we see her struggle with it, take time to process, and not be pushed into repression and when she chooses to wear her prosthetic, chooses to train to ready herself, and chooses to seek out her family and save lives, she isn't perfectly healed, as no one is. The show depicts her having flashbacks due to sudden loud noise, shaking hand the first few times she has to fight for her safety instead of training with her dad, and snapping at friends when they bring up Blake, the person she lost her arm trying to save (who, near immediately after ran away due to feeling she was endangering those she loved, furthering Yang's already present abandonment issues.) It isn't done perfectly but the intentions and general message sent are extremely positive and honest. She struggles less as the show progresses, and there are opportunities to consider herself less for being disabled or "become whole again" but she explicitly refutes these ideas and says that's she's better because of her failures and losses, and isn't any less whole. Her becoming disabled is also extremely tied to her being LGBT, because, as previously mentioned, she lost her arm protecting her then friend and partner, now girlfriend, directly after the villain who cut her arm off told her love interest that he would "destroy everything [she] love[s]. (Camera pans to Yang, he looks at her.) Starting with her." LIKE. He attacked her BECAUSE Blake cared for her so much and Yang ran to her defense blindly BECAUSE she loved Blake so much. When they reunite, they struggle with communication because Yang feels Blake is seeing her as weak, and through several things, mostly a climatic battle against the man who severed Yang's arm, they affirm each other as equals. I can go on but this is already too long. YANG SWEEP!!!!!

Yang lost her arm while protecting her best friend and future girlfriend from said girlfriend's abusive ex. Had a whole arc about learning to live with that loss and dealing with PTSD. Is totally devoted to and in love with Blake Belladonna and is just the sweetest but most badass character in the show.

She's one of the main characters, and just finished a 10 year slow burn romance. Plus, she has both physical and mental disabilities, but is never treated as lesser or incomplete.

Yang Xiao Long was one of the first examples of a sapphic character I ever saw in animated media with her character journey in the show being an iconic part of my teenage years and current young adulthood. The loss of her arm after a traumatic event in the show's 3rd volume was one of the big shockers of the show that nobody saw coming. Since then the show has done an amazing job in exploring both the mental and physical effects of her losing a limb, gaining a prosthetic arm and the recovery journey. Her character also has a major arc regarding handling her PTSD from both this and her past most notably in the 5th and 6th volume. Her character also has a slow-burn romance with her teammate and fellow main character Blake Belladonna which is one of my fave romances ever (it has everything: canon soulmates, friends to lovers, sunshine x grump,battle couple etc..) that has recently became CANON BABIEE!!! There are MULTIPLE characters in RWBY with various disabilities that are handled well in the narrative but i would say Yangs definitely the top FAVE!

Neil Josten-All For The Game

Qualifications:

I mean he def has PTSD even though it's never like fully fleshed out in the series and also he is demisexual

Propaganda:

Neil goes through so much it's amazing he is still functioning as a person. He bottles up all of his trauma but he still has nightmares and triggers that bring back the trauma he felt from his abusive mafia father and his abusive mother. However, once he lands at PSU to play D1 Exy, he finds a home with all of his other broken teammates and coach. This includes Andrew Minyard, another possible contender for this bracket. While he still has trauma to deal with, he becomes a much more well adjusted and happy person with his teammates. :)

Andrew Minyard-All For The Game

Qualifications:

He’s gay and has some sort of trauma disorder probably.

More about that here.

Propaganda:

Very gay, pretty commonly thought of to have some sort of trauma disorder, he’s neat. I have many thoughts about him as a character but I don’t really feel like writing them.

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH��s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[infizero]

actually, silver's time traveling DID make sense... until sonic forces - an analysis

hello! this is a follow-up to my previous analysis post i made about why silver's time traveling is so weird.

everything i said in that post still applies, but upon looking at things closer (and creating an entire timeline map), i came to the realization that sonic forces actually kind of singlehandedly ruined everything. but hey what's new amiright

in all seriousness though, creating this timeline map helped me better visualize just what the hell is going on with silver's time traveling and various futures, and i hope it's able to do the same for you all as well! (full analysis under the cut)

FULL BREAKDOWN:

EDIT: i sort of forgot to take into account that sonic rivals and especially sonic rivals 2 DO seem to imply that silver's future is currently bad, though it's not stated outright. 06 also IMPLIES that silver's future is good at the end but it's not actually stated/shown to be the case. so in that case, it'd be future is still bad after 06 -> thus future is bad in rivals 1+2 -> rivals 2's resolution causes the good future mentioned in sonic colors ds. even in this scenario, it'd still be forces' fault for making the future bad again, but it wasn't AS crystal clear before forces as i may have originally made it seem like in this post. live and learn lol

so, let me explain what all this means lol (using different versions of this map)

silver is born into a timeline that's basically the bad ending of sonic 06 - where sonic is killed, elise cries, and iblis is unleashed, destroying the world. this is where silver starts:

the events of sonic 06 create a new timeline where solaris is never split into iblis and mephiles. thus iblis is never created and never destroys the world, causing silver to return to a future where everything is good.

silver starts in the 06 bad ending timeline, but he returns to the future of the new 06 good ending timeline, AKA the canon timeline:

(please excuse my shitty gifs lol)

this is where he remained for a WHILE, and where he should have remained. in all games between 06 and forces, the status of silver's future is either not mentioned, or is explicitly stated to be the good future. (specifically in colors ds)

so for a while, it was pretty simple and actually made sense. silver went from the 06 bad ending timeline, to the 06 good (canon) ending timeline, and then stayed there ever since. everything was fine. we could've just left it like this.

but then, sonic GOD DAMN forces decided to mess ALL THIS UP.

because when silver shows up for the events of forces, it's because his future... is taken over and polluted by eggman. as a result of forces. which doesn't make sense ANY way you cut it.

whether silver lived in a timeline where forces ended good or bad, EITHER WAY the events of sonic forces HAVE ALREADY HAPPENED. THEY SHOULD NOT CAUSE SILVER'S FUTURE TO ACTIVELY CHANGE BEFORE HIS EYES. THAT'S NOT HOW TIME WORKS

so because of forces, we then get this incredibly weird jump where silver LEAVES the canon good future... and goes to a random non-canon, bad ending timeline. for some reason:

from there, it's a bit more straight-forward. sonic forces happens and when silver goes back to his future, it's no longer the bad ending of forces, but the bad ending of the metal virus arc:

thus, silver goes back to the present to help stop that. the metal virus is eradicated, and we are EXPLICITLY shown that this is what directly causes silver's future to be saved:

and for now that hasn't changed. (and god willing, it never will)

ever since the end of the metal virus arc, silver's future is a good one and he's just been hanging out in the present, freaking out about not having a purpose anymore.

the literal SINGLE problem with all this is that silver was IN the good future before, but got yoinked OUT of it for some reason.

if after 06, he hadn't returned to a good future, but rather the bad ending future of sonic forces, then that would have made sense! that's the next point in the timeline where things can split off.

he fixes one problem, but it doesn't save the future. now the future is just ruined by something else. so then he has to go fix the next problem, and then the next, etc. etc.

that would've, y'know, made sense.

but you wanna know what's even more aggravating? they could've STILL done what they did with forces without changing silver's future!

it would've been so easy to have silver, in his good future, realize (through history books or something) that there is a point in the past where eggman almost fully takes over, and decide to time travel back to that point to make sure that things go as they're supposed to.

that would've made so much more sense! this goes back to the quirk of silver's time traveling that i pointed out in my first post, which is that silver tends to time travel to change the future, rather than make sure that the future happens the way it should (like a lot of other time travel stories do)

at this point however, silver's future IS capable of somehow changing at will. and i think there's really only two options to fix this.

the first and easiest is to just retcon stuff. either retcon silver's good future after 06, or retcon the forces + idw stuff about his future changing. this would be the simplest option i think.

the other is to try and come up with an explanation for silver being plucked out of his good future and shoved into other bad ending futures. i think it IS possible but it would still be incredibly convoluted.

i think you could spin it so rather than the good future becoming bad, it's actually just silver specifically as a person being transported from the good future to the bad future timeline. as to why, maybe whatever force sends him to time travel wants to... show him the consequences of that "canon event" getting messed up?

like, he's supposed to make sure that things go as they should for their good future to exist. and in order to make him understand why he needs to do this, he's like - shown a vision of what could happen if he doesn't? by him being transported to that bad ending timeline?

in all honesty, i really don't see a clean, easy way of explaining everything in one neat little package without retconning anything.

either things get way more convoluted and stupid, or things get retconned. and i dont know about you, but i would much rather take the latter. even if retcons can be frustrating, i feel like it's way better than the alternative.

but idk, what do you think? did any of this make sense? i hope it did. i quite like my silly little map.

anyways that's all for now bye <3

(bonus: here's the original version of the timeline map that i doodled in my notebook lol)

[project-sekai-facts]

someone asked for the full list

don't question what i use tiermaker for

Tier 1: As stated in today's fact, Shizuku and Haruka can be considered the most attractive characters in the game, as multiple characters have shown attraction to them. Shizuku moreso than Haruka, but there's not too much of a difference to separate the tiers.

Tier 2: These characters have all been stated somewhere to be attractive.

Mafuyu is considered to be outstanding in all fields, including appearance. It's occassionally commented that she is quite pretty. Ichika and KAITO's first kizuna title is "Ikemen while playing", ikemen meaning handsome or cool. Ena has a Twitter account for selfies that has a reasonable following, and she often gets comments saying that she's pretty or cute. Len has a similar sort of idol aura to Haruka does, and is referred to as 'princely'.

Tier 3: These characters are never explicitly stated in the game to be attractive, but you can work it out.

A few background characters in Petit SEKAI Episode 9 mention that Akito and Toya are hot. Given that the miniseries is non-canon and a gag show it's up for debate how true this is, although it is a believable detail, hence why they're in this tier.

As for Rui, we have to look at the Valentine's Virtual Live from 2021 (wiki screenshots below). Keep in mind here that Rui is not popular in school at all and doesn't have many friends at this point in the game. He mentions that he received a few boxes of chocolate in his shoe locker on Valentine's Day, which admittedly could be platonic. However, the fact that this continues on into a joke about Tsukasa trying to claim that he got chocolates too before revealing that he got friendzoned by multiple girls (more on that in a second), makes it seem more likely that these weren't platonic. Linking back to the fact that he's not popular and doesn't really have many friends, he's probably pretty good-looking.

Tier 4: An being scouted as a model was an important part of the plot of Wishing For Your Happiness Upon The Blue Sky, and it's mentioned in an area conversation that Kanade has been talent scouted for modelling before.

Tier 5: Full disclosure that probably all of the MMJ VSingers are either pretty or cute, the ones mentioned here are just the ones I remember it being stated/implied. In the April Fools 2022 area conversation with the Lukas, MMJ!Luka says that WxS!Luka is very cute. N25!Luka calls her MMJ variant out for calling herself cute, and MMJ!Luka says that she herself is cute. (TL)

Kohane is mainly referred to as cute by An, which is biased, but other characters have pointed this fact out before as well, so she qualifies for this tier.

Mizuki loves cute clothes and accessories and always tries to look cute. I believe a few other characters have called them cute, but unfortunately the only instance I can actually remember is one transphobic faceless background character saying "you can't tell and they're super cute".

Also Minori and Airi are here because they're idols and have been called cute because that's part of being an idol I suppose.

Tier 6: Yes he gets his own tier because it's funny. This guy runs on rule of funny like 50% of the time. Anyway, as mentioned earlier, in the 2021 Valentine's Virtual Live, he gets annoyed when he hears Rui talking about receiving (implied romantic) chocolate and tries to claim that he too received (implied confession) chocolate, before saying too much and revealing that he only received friend chocolates that girls gave out to all the other boys as well.

Tsukasa's actually a lot more popular than Rui and doesn't have the same "outcast" reputation, plus in his A Once-In-A-Lifetime Pandemonium card story, Ibuki (Taniyama) mentions that Tsukasa's friends from class are really popular with girls, and Rui's friends are surprised he's in that kinda crowd (not that Tsukasa quite gets it). What I'm saying is that he's in a crowd of popular guys that are good with women and he's failing in that second aspect. The reason why is never stated but considering the school's resident outcast is able to get Valentine's chocolate for probably no reason other than looks, it's safe to assume Tsukasa is maybe lacking in that field.

But.

I think two guys have flirted with him? One definitely has anyway. The other is more up for debate but was probably written with the intent of ship tease. Depends on how you choose to interpret it.

In other words on a scale of attractive to unattractive he's the secret 3rd option (appeals to the mlms).

[corallapis]

‘wait, it’s all the master?’ ‘always has been’: or, So Why Do People Think the War Chief & the Master Are the Same Character, Anyway?

hello, it is i, sebastien, resident master=war chief truther. as you can imagine, i’m currently having the time of my life enjoying one of the few bright gems from the mess that was the war games in colour. i mean, of course, the master’s themes (yes, themes with an ‘s’) playing over the war chief, giving a very unsubtle nod to the wide-held belief that the two characters are one and the same.

but why, perhaps you’ve wondered, do people think that? is it just that some master-obsessed fans see a time lord villain and can’t stretch their imaginations enough to conceive of there being more than one bad guy who’s run away from gallifrey and made an enemy of the doctor? no. come on, give us some credit! i freely admit to being master-obsessed, and find the vibes very compelling, what i truly like to deal in is Cold Hard Lore, straight from the text. and, boy is there a lot of it! to summarize:

the war chief was introduced in the war games, written by malcolm hulke and terrance dicks. (dicks, of course, was also co-creator of the master, with barry letts). based on the novelizations, i firmly believe that malcom hulke intended his character, the war chief, to be the master. dicks also hinted along these same lines.

but, i hear you cry, didn’t dicks go on to write timewyrm: exodus, which shows us a future incarnation of the war chief that isn’t the master? yes, because the official editioral line for the vmas & vnas was that the war chief & the master were to be treated as two distinct characters. this caused more than one writer who personally believed them to be the same to write otherwise in a professional capacity. writers still dropped hints or left space open to link the two despite this editorial limitation.

and what about magnus, the guy who’s well-known in current fandom as the “academy era” version of the war chief? magnus was originally written as a younger incarnation of the master, not the war chief. in flashback, goth opera, and invasion of the cat-people, the character of magnus is a young master. so why did gary russell retcon the character in divided loyalties to be the war chief instead? he did so out of respect for david mcintee, who had recently written an early master story which used the koschei. despite divided loyalties’ portrayal of magnus and koschei as separate characters, it actually in large part serves to conflate the two further, due to said retconning.

in faction paradox lore, the war king is a version of the master (i don’t need to make a post on that, do i?) that was also once the war chief.

craig hinton’s rejected pda time’s champion (ultimately completed & published after his death, by chris mckeon) explicitly depicts the war chief as an incarnation of the master, as well as reasserting that magnus was the name the master used at the academy.

and now also the music choices in the war games in colour :)

of course, this list of Evidence (elucidated in detail below the cut) doesn’t mean you’re obligated to think the war chief is the master (canon, in doctor who more than most, is what you make of it), but i hope it gives you idea of the long history of the character(s) and why other people do!

the ‘70s target novelizations

the essential thing to know about the early target novelizations is that they were written to be self-contained, so that they could be enjoyed by an audience that hadn't seen the show. they weren’t written in the same order as the television serials, and as such only assumed reader knowledge of previous novelizations, not tv stories. for example, in doctor who and the doomsday weapon (aka colony in space) jo grant is shown joining unit and meeting the doctor for the first time, despite having done so three stories earlier and in completely different circumstances from a tv perspective, because that is the first novelization her character appears in. got it? good.

doctor who and the doomsday weapon (aka colony in space) is also the first novelization to feature the master, and was written by malcolm hulke in 1974. it begins with a scene that doesn’t occur in the tv story, where a senile old time lord tells his apprentice about the theft of two tardises by a pair of time lords now calling themselves the doctor & the master:

“There have been two stolen, you know.” The younger Time Lord didn’t know. “By our enemies?” he asked. “No. By Time Lords. They both became bored with this place. It was too peaceful for them, not enough happening.” The old Keeper smiled to himself, as though remembering with some glee all the fuss when two TARDISes were stolen. “One of them nowadays calls himself ‘the Doctor.’ The other says he is ‘the Master.’”

this ‘only two tardises stolen’ business is a big deal in hulke’s novelizations, as we will come to see. and, just to clarify, there's no question of this meaning the master might be being conflated with the monk here — the time meddler won't be novelized until 1988. remember, the novelizations are self-contained, and do not rely on knowledge of previous tv stories. except the older time lord continues, and a little further on says:

“There were tens of thousands of humans from the planet Earth, stranded on another planet where they thought they were re-fighting all the wars of Earth’s terrible history. The Doctor” — he interrupted himself — “I told you about him, didn’t I?” “Yes,” said the young Time Lord, now used to the old Keeper forgetting what he had already said. “You mentioned the Doctor and the Master.” “No, it wasn’t the Master,” said the old Keeper in his confused way. “The Master never does anything good for anyone. He’s thoroughly evil. Now what was I saying?”

‘wait,’ you say, ‘you just made a whole point of the novelizations being self-contained. but the war games wasn't novelized until 1979, so readers wouldn't know about it yet. why is hulke bringing it up now?’ why indeed? hulke summarizes the events and specifically brings them up in relation to the doctor & the master. the facts are presented to us: a) there were only two tardises stolen, by the doctor and the master. b) they went by different names at some point. c) this seems to have something to do with the war games. d) it maybe wasn’t exactly the master in the war games (but perhaps he was calling himself something else then?). it is quite ambiguous — the keeper's confusion leaves it open to interpretation, but the fact that this whole little scene serves as an introduction to the master (he steals the keeper's files in order to discover the doomsday weapon) is, in my mind, quite an extraordinary hint, especially when paired with hulke's novelization of the war games.

later that same year, in doctor who and the sea-devils, hulke again brings up the two stolen tardises, which we will get back to:

“But what use is your TARDIS to you while you’re stuck in here?” Jo asked. “It would be difficult for you to understand,” said the Master, “but my TARDIS is my proudest possession.” The Doctor laughed. “You don’t even own it! You stole it from the Time Lords!” “As you stole yours!” retorted the Master.

terrance dicks then wrote doctor who and the terror of the autons in 1975. additional info is added to the scene between the doctor and the time lord who comes to warn him about the master’s arrival on earth:

“As a matter of fact, I’ve come to bring you a warning. An old friend of yours has arrived on Earth.” “One of our people? Who is it?” The Time Lord pronounced a string of mellifluous syllables — one of the strange Time Lord names that are never disclosed to outsiders. Then he added, “These days he calls himself the Master.”

he uses the master’s gallifreyan name first and then provides his title. again, this suggests that the last time the doctor & the master met the latter was using a different name.

then, we’re given a description of the master, including:

Already he had been behind several Interplanetary Wars, always disappearing from the scene before he could be caught. If ever he were caught, his fate would be far worse than the Doctor’s exile. Once captured by the Time Lords, the Master’s life-stream would be thrown into reverse. Not only would he no longer exist, he would never have existed. It was the severest punishment in the Time Lords’ power.

which brings to mind the war games, certainly intended to be an interplanetary war (with the eventual aim of ruling the galaxy) even if it never really got off the ground. more significantly, though, the punishment described here is exactly what the time lords did to the war lord in the war games & what they would have done to the war chief, if he hadn’t escaped. (note even stories that don't posit the war chief as the master assume he escaped, despite his onscreen death — he is a time lord, after all.) and, speaking of that escape, the doctor asks:

“Is his TARDIS still working?” “I’m afraid so. He got away before it could be de-energised.” “Then he was luckier than I,” said the Doctor sadly. He had never really got used to his exile.

the master’s escape described here could, of course, mean some general, unseen-by-us escape from the time lords by the master, but the conversation strongly suggests that the doctor and the master were escaping from the same event: the master was ‘luckier’ than the doctor because he succeeded, while the doctor’s tardis was captured and he was forced into exile. and that happened, of course, in the war games.

which in 1979, malcolm hulke wrote the novelization for. in doctor who and the war games, a change occurs when the war chief invites the doctor to rule with him:

“Now I understand,” said the Doctor. “It’s my TARDIS that you want. But surely you have one of your own?” The War Chief smiled. “No more mine than yours is really yours! We are both thieves, Doctor. Yes, I do have a TARDIS hidden away. But are not two better than one? While I rest and enjoy the spoils of victory, you can patrol our empire. And I shall do the same for you.” “Our empire?” “We shall rule the galaxy without fear of opposition,’ the War Chief said confidently. “For we shall be the only two who can travel through both space and time.”

this invitation is, of course, very reminiscent of the master’s ‘half-share in the universe’ proposal, but much more significantly: their empire will be secure because they have the sole two stolen tardises. crucially, this is a deviation from the tv story, wherein the doctor realizes the war chief is allying with him because he doesn’t have a tardis of his own, only the failing sardits. hulke intentionally chose to amend his own story to emphasize this, and we know these two stolen tardises are the doctor's & the master's, as hulke told us in previous novelizations. thus, there's no doubt in my mind that malcolm hulke, co-creator of the war chief, intended his character to be the master.

all other master=war chief lore is building off of what was implied in the novelizations, some more explicitly, some less.

virgin books says no

in 1991, terrance dicks wrote a vna, timewyrm: exodus. in this novel, the war chief appears as a botched two-bodied regeneration after his death at the end of the war games, called dr. kriegslieter. as said in the beginning of this post, virgin’s editorial policy nixed the idea of a connection between the war chief and the master. but, reading timewyrm: exodus, there seem to be shades of him anyway. like when the doctor realizes who kriegslieter is:

And behind them, aiding them, manipulating them, giving them the time technology they needed, the Time Lord renegade who called himself the War Chief. Or, in German, der kriegslieter. “Well, he couldn’t have spelled it out for me much more plainly,” muttered the Doctor.

he really couldn't have. just like all the times the master’s alias has been an exceedingly obvious translation of his own name. and then there's also kriegslieter’s plan, which is to steal the doctor's body to use as his own (complete with sexual innuendo):

“Once I have wrested from it the secret of the TARDIS, your mind will be of no further interest to me. But your body…” “Please,” said the Doctor, looking embarrassed. “Ladies present.” “We are both Time Lords, Doctor, our brains and our bodies are compatible. Regeneration therapy is far beyond the War Lord’s scientists, but even they can manage a simple brain transplant.” Kriegslieter studied the Doctor with detached, clinical interest. “To be honest, it isn’t the body I would have chosen but it’s infinitely superior to the one I have. When all this is over Doctor, I shall be you — and you, or whatever shattered gibbering remnant of you is left, will be me. Appropriate, don’t you think? A crippled mind in a crippled body…”

this was, of course, the master’s plan in the keeper of traken (and many others since). in addition ‘we are both time lords’ is a direct echo of both the war chief in the war games and delgado in the mind of evil, the claws of axos, and colony in space.

kriegslieter also calls seven ‘my dear doctor’ throughout, which is not a quirk of speech that the war chief has been ever shown to have. i can't claim it's unique to the master, but i think there's a certain history there. (did you know ainley says it five times in one 50 min long serial?)

similar can be said about the dark path, written by david mcintee in 1997, which explores a villain origin story for the master. though early drafts of the novel mentioned the war chief as a separate character, this was cut before publication (and can be found instead in the charity anthology perfect timing). on mcintee’s tumblr, he indicated that he left the ending ambiguous in order to facilitate other incarnations between the koschei of the novel and delgado’s appearance on-screen, specifically citing edward brayshaw (the actor who portrayed the war chief) as an example. mcintee also posited, in the tags of a gifset of the war chief: ‘#depending on your point of view #the master #or not #does it matter?’ and on another, cryptically, ‘#oh if only i could tell you-’

i think it matters in some sense, or else i’d probably not be writing this post! but again, it goes to show that writers during the virgin era were aware of the connection between the two characters, whether their views on the subject aligned with the editorial line or not.

magnus, as the master

as said before, the character of magnus was introduced in the comic flashback, which appeared in the doctor who magazine winter special for 1992, edited by gary russell & written by warwick gray. it depicts seven and benny viewing a scene from the doctor’s past, where two old friends, thete and magnus, are at odds.

BENNY: Pistols at ten paces, anyone? DOCTOR: Yes… ‘Thete’ and ‘Magnus’. Funny how old nicknames can stick. They were good friends once. A long time ago.

magnus was, at the time of this comic's creation, meant to be the master. there is no connection to the war chief in this story. which is why when goth opera, written by paul cornell, is published in 1994, magnus is the name used for the young master when listing out the doctor's school friends:

“That was when I was young and wild, Doctor. My contemporaries and I grew up to take our responsibilities seriously.” “Ah…” The Doctor nodded. “Unlike my year. I begin to see.” “Yes.” Ruath warmed to her subject, sipping from the goblet. Her eyes never left the Doctor’s. “Mortimus, the Rani, that idiot Magnus. And you, Doctor. All graduates of Borusa’s Academy for scoundrels.”

and, in 1995, when gary russell wrote invasion of the cat-people, he again used magnus as a name for the young master, referencing the master running out of lives far more quickly than the doctor by the time of the deadly assassin:

Polly smiled. “I’m glad you’re completely recovered, Doctor. You had us worried, you know.” “Regeneration’s a tricky thing,” he said. “And it was my first one. Always the trickiest. They’re supposed to get better as they go on, so long as you don’t flitter them. Always used to say to my academy chum Magnus, ‘Magnus,’ I’d say, ‘Magnus, don’t throw old bodies away like you would a suit. They don’t grow on trees.’ Or something like that. Never listened though.”

then, when gary russell wrote divided loyalties in 1999, he followed mcintee’s lead in using koschei as the name for a younger master, and instead retconned magnus as a younger war chief, showing the two of them interacting during the doctor’s academy days. for someone who doesn’t think the war chief and the master are the same (and russell doesn’t), this was a strange move… surely naming the young war chief character quite literally anything else would’ve neatly severed the two, but using a name already established as the young master’s just confuses the whole thing and leaves them even more intertwined than before.

(if you’re a fan of the academy era and strongly adhere to the lore in divided loyalties and so this is a particular sticking point for you, remember that all the academy era scenes we see in the novel are actually part of a nightmare the fifth doctor is having — who’s to say he didn’t dream his best friend as two different people? he forgot which one of them killed a guy with a rock, after all…)

the war chief king

in the book of the war, the 2002 faction paradox ‘encyclopedia’ edited by lawrence miles, the entry on the war king (the master, as he was known as president of gallifrey during the war in heaven) states:

His personal assistant notes that his office is brimming with official business, but devoid of decoration. The only concession he makes to sentimentality are the components of a hypercube, twelve white squares stacked neatly on his desk. Its significance is unclear, but it’s thought to be the War King’s last remaining link with his unfortunate past.

the very first use of a hypercube was, of course, at the end of the war games, when the second doctor used it to call in the time lords. though an allusion to the war chief was not the author of that entry's original intention, the connection was made in readers’ minds and became an established part of faction paradox lore, becoming even more firmly cemented as other writers ran with it. the war king spells it out himself in the 2021 audio sabbath and the king by aristide twain:

THE WAR KING: I have failed to introduce myself. I am— ah, but as we have just seen: names have power. I do not think I shall grace you with one of my true names, Sabbath, no, not yet. Let’s see. The Deathless? Oh, let us not get ahead of ourselves just yet. Chief and Master, Minister and Magistrate, President and King… I have been many things.

twain again linked the two characters in the 2023 short story the god who came for christmas, a sequel to the 1986 fasa ttrpg adventure the legions of death. fasa portrays the war chief and the master as separate characters, but twain bridges this gap in a particularly masterful way.

time’s champion

and finally we have time’s champion, originally written in the '80s(?) by craig hinton, completed by chris mckeon in 2008 as a charity publication. first, we have mel stumbling upon a corridor of portraits in the tardis:

Her first impression was that the Doctor was at the end of a long, thin corridor. And then she realised what the corridor was. An art gallery, the length hung with paintings, from the doorway to the far distance. As she started padding silently along the corridor, she looked at the paintings, and saw they were all portraits. Portraits painted in a variety of styles, from photo-realistic to impressionist, and everything in between. And she recognised some of the subjects. […] Moving on, Mel had hoped for something a little less depressing, but it wasn’t to be. The atmosphere had changed again: it was still cold, but a sterile light was now bathing the area. Then she realised why: the sterility, the coldness — trademarks of the Time Lords. This must be the Doctor’s own people. Pride of place was given to the Master — or rather the Masters: the familiar, music-hall villain in his velvet penguin suit had been captured in all his melodramatic glory, but there was also a suave, older man, his eyes radiating a fierce, evil intelligence wrapped in charm, next to which was positioned the portrait of a young, satanically handsome man with long, sharp sideburns and a thin, beard-length moustache, whose hand vainly clutched at a strange medallion hanging around his neck, as if clinging to the only power in his possession. And then there was an image of the cadaver, that rotting corpse that Mel knew was all that remained of the Doctor’s oldest friend and oldest enemy, animated by nothing but pure malice and spite.

the description of the ‘satanically handsome man’ is obviously the war chief.

and then, the doctor remembers events from his past:

The night time vanished into the shadows of light, as new images, all familiar, threw themselves past the Doctor’s eyes: his tedious years at the Academy, his rise in the Time Lord hierarchy, his flight from Gallifrey, the early years of his exile, the planet of the War Games and his reunion with the Master, the lost years of imposed servitude to the Time Lords, all his memories and so many more impressed their way across the Doctor’s vision, even up to the moment of the present day. Then, abruptly, the vision ended. The Keeper began to speak again.

his reunion with the master occurs during the war games and precedes his exile (which is when his meeting with delgado’s master occurs).

and magnus is once again used as a name for the young master:

The Doctor and Benton managed to glimpse him as he raced past. He was young, with a curving moustache and a dark, haughty face accustomed to obedience but now shadowed and twisted by fear. He ran onwards without even pausing to acknowledge their presence. He seemed desperate to outrun something. Moments later, a group of well-armed and uniformed men rounded the corridor and also hurried past the Doctor’s party, following the fleeing man in their wake. Steadying himself against the cool stone wall at his side, the Doctor watched the squad pass, recognising them as members of the Chancellery Guard, but clothed in armour and dress from the long departed era of his days in the Academy. The Doctor paused, wondering where he had seen that face before. “Magnus?” the Doctor whispered. Benton stepped over to the Doctor. “Who was that bloke those boys were chasing after, Doc? He looked a bit like the Master.” The Doctor gazed into the distance. “That he did, and for good reason.”

for good reason indeed :)

[alpaca-clouds]

The Depressed Gortash Arc

Okay, I was asked by a couple of people to properly post a line up of these fics as well. So... BEHOLD! The Depressed Enver Gortash storyline.

For context. This is basically the story of Enver Gortash surviving the game in a Chaotic Good Tav run, mainly because Tav has pity on him. And as the joke title that the readers have given it implies: It ends with Gortash falling into a deep bout of depression.

Mostly this is an exercise into going how to actually redeem an irredeemable character like Gortash. No shipping - not really (Durgetash was canon in the past, but given this is based on a Tav-Run Durge is dead for now) - but a lot of Gen and friendship stuff.

⚠️Content Warning: There is no sexual content in theses stories. Meaning if there is a higher Age Rating this Rating is there because of explicit violence. Also several of these stories depict depression, mania, suicidal behavior and severe eating disorder. While sexual violence is not explicitly shown, it is mentioned several times, too. ⚠️

Hurt Begets Hurt | T-Rating | 3k

At Wyrm's Rock Fortress Astarion, Karlach and Shadowheart get ready to confront Gortash. But Tav has a different idea.

A Bleeding Heart | T-Rating | 6k

Enver Gortash does not see much sense in his life, now that his plan has failed.

Cheesy Noodles | T-Rating | 3.2k

Enver hates the man, who had tricked him. The man, who had let him live. The man, who ruined all their plans. Yet, the very same man seems to be very unaware of this hatred.

Lash | T-Rating | 3.5k

After the Banite cult has been shattered, there are not a lot of people left, who want to work for Enver Gortash.

No One Mourns the Wicked | M-Rating | 6k

After not leaving his bed for several days, Enver finds himself once more confronted with Avariel, who for some reason will not leave him alone.

Kindness Begets Kindness | M-Rating | 31.5k in 8 Chapters

It has been almost a year since the Netherbrain has been defeated, and even now Tav is trying to convince Gortash to be good. Astarion still thinks it is a bad idea, but after a year watching from afar, he cannot help but wonder what has become of the former tyrant.

Waking | E-Rating | 6.6k

Enver Gortash has archived everything he wanted. He finally finds himself sitting on the throne, the city of Baldur's Gate at his feet. But just as it seems he has won, a familiar face appears in the crowd. This is only the beginning of Enver's nightmare.

Questionable Regret | T-Rating | 4k

Ulder Ravengard will never believe Enver Gortash to be regretful of his past actions. Yet, now he is asked to do just that.

Lost Anger | T-Rating | 3k

Enver finds out that Avariel might have been right about something: He spent his last few years running on anger. Now that the anger is gone... Well, he is miserable.

Like Her | T-Rating | 3k

Ravengard has finally allowed Enver to leave his home, as long as he is still under supervision of Flaming Fists. Lash considers this as a good opportunity to have her boss get some exercise.

Unforgiven | T-Rating | 1k

Enver Gortash has to find that forgiveness is not always that easy to come by.

The Long Table | T-Rating | 6.5k

Lash has invited Enver to celebrate midwinter with her family. He knows it is not a good idea, and yet he indulges her. He is going to regret it rather soon, though.

Mush | T-Rating | 2.4k

Enver knows that he needs to eat. Yet, to him it is worse than just a chore to keep his body alive.

[pillowbugs]

silly hypothetical: one day, for whatever reason, tpc decides that all trainers have to be assigned a type specialty, no matter how unfitting it is. there is no such thing as multitype. this retroactively applies to every single trainer in the pokémon games.

all this just to ask - which singular type would you assign to ingo?

(justifications for each option under cut)

*note: throughout these small justifications, i refer to sneasler together with ingo's team, given that unlike the others in the 'questionably connected' category, its connection to ingo is very well-established. while i do admit that sneasler wouldn't be undeserving of her own exclusive category (s-rank, s for sneasler) i'd prefer to keep this already long section from getting even longer.

steel

pokémon with this type on ingo's team: excadrill, klinklang, magnezone, probopass

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: garbodor (razor mouth), haxorus (axe); chandelure (chandeliers were made of metal) and alakazam (spoons) if you really want to push it)

pokémon that are questionably connected to ingo: escavalier

ingo's most common type by far. which makes sense - trains have a strong association with steel, to the point that the term for railways translates literally to "metal roads" in a few other languages.

excadrill and klinklang can be considered his signature pokémon; the latter is the only pokémon explicitly shown under his ownership in the manga, while the former is paired with his base form in pokémon masters. in fact, the battle subway's hub being named gear station could also reference klinklang's evolutionary line. consider that klink is a pair of twin gears that represent gemini in the canon unova horoscope, and the subway bosses, well.

---

ground

pokémon with this type on ingo's team: excadrill, gliscor

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: crustle, boldore, probopass - albeit all are rock-types, and hence only under consideration for how interchangeable these two types are conceptually

pokémon that are questionably connected to ingo: kleavor (off-type)

what this type lacks in raw numbers, it makes up for in iconicity. gliscor is ingo's ace pokémon in legends: arceus, while excadrill, as mentioned above, is paired with him at base in PMEX (which means ingo's base unit is a ground-type pair in this game). trains are land transport, after all, and subways are explicitly railways in the ground.

EDIT: also, earthquake. slipped my mind earlier, thanks for reminding me!

---

ghost

pokémon with this type on ingo's team: chandelure

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: sneasler (is extinct), probopass (based off mo'ai), accelgor (is sneaky), gliscor (is spooky in concept)

pokémon that are questionably connected to ingo: basculegion, wyrdeer (off-type)

chandelure alone manages to make ghost worth considering, as ingo's most notable pokémon; featuring heavily in the anime, being the only pokémon from his former team to be mentioned in L:A and finally being paired with him for his sygna outfit in PMEX (as a ghost-type pair).

that, and he's goth with a frightening team. he'll fit right in.

---

poison

pokémon with this type on ingo's team: garbodor, sneasler

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: gliscor (known for its venom, poison heal, learns toxic), chandelure (passively saps life), accelgor (is a squishy slimy bug), tangrowth (giant plant)

sneasler alone, being the holder of the toxic plate, would've been enough to make poison a worthy consideration, but even better is that ingo does canonically actually use another poison-type in garbodor, and has the non-poison-type CEO of toxic as his ace.

---

rock

pokémon with this type on ingo's team: crustle, boldore, probopass

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: excadrill (drills through rocks), sneasler (climbs rocks), gliscor (clings to rocks), machamp (moves rocks), haxorus (lives in a cave)

pokémon that are questionably connected to ingo: kleavor, gurdurr

this is a type that has managed to show up in ingo's team a surprising amount (2nd most behind steel), but never gets the limelight. which is especially notable considering how many of his team's species are known for interacting with rocks, and sandstorm (his and excadrill's niche in PMEX) was meant to be primarily for rock-types.

---

bug

pokémon with this type on ingo's team: crustle, accelgor

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: gliscor (is a scorpion), tangrowth (is a plant), machamp (has 6 limbs)

pokémon that are questionably connected to ingo: kleavor, escavalier

you know how unova has 3 bug specialists, 2 of them are final bosses and 1 of them is ingo's brother? what if we made another one? what if we went "screw it, ingo babysits all the joltik in gear station-"

at any rate, bug does show up quite often between the subway bosses' teams, especially when counting PMEX-exclusives. honestly deserved, considering their home region is known for being the region where bug-types actually had a chance to shine.

---

fighting

pokémon with this type on ingo's team: machamp, sneasler

pokémon who aren't this type, but could be justified as an off-type for flavour reasons: haxorus (axe)

pokémon that are questionably connected to ingo: gurdurr, kleavor (off-type, axe), escavalier (off-type, knightly with lances)

there is definitely a valid connection to be made with all the fighting-types showing up around ingo. especially considering his purpose in L:A is to help others train to be stronger - the classic arc for many fighting-types.

---

[bl-bracket]

Anyways I was going to make a post about the process of picking bracket topics and whatnot and was trying to come up with some examples of types of topics that would or wouldn't work and for whatever reason I thought of the concept of a "best murderer bracket" and I can't stop thinking about it lmao

it's just like such a funny concept? the idea of fictional murderers battling it out, especially ones from bls (which like I don't think is most people who are not super familiar with the genre as having a lot of characters who have killed people) is just funny in like an absurd way. like abstracting yourself from tumblr and tournament blogs, the idea of telling someone else that there's a tournament going for fictional murderers from east asian mlm tv shows, a genre that for several years was primarily shows about high school and uni students.

anyways that devolved into thinking about it more seriously, and then deciding a more practical way of doing it would to make some kind of directory of bl murderers. which would then lead to a lot of interesting statistical analysis, like characters with highest on screen kill counts, which countries have the highest proportion of fictional killers, etc. you can then make a separate category for characters with implied kills that aren't explicitly shown on screen or vague. and you could track how the number increases over time, which I assume exponentially goes up as more bls are exploring darker and more serious genres.

anyways back to the country stats, I started thinking about what the breakdown would look like so here's my guess based on zero research and just my general knowledge of shows

China. While having very few bls (censored or otherwise), they have a very unfair advantage and that is genre conventions. The 3 biggest Chinese bls I can think of are: The Untamed, Word of Honor, and Guardian. With The Untamed and Word of Honor, the conventions of xianxia and wuxia genres means that there are a lot of characters and almost all of them have killed before (usually nameless canon fodder but still). And then with Guardian, it's a supernatural detective mystery show with murder plots in it and a lot of characters, which again leads to a pretty high kill count. So even only counting these 3 shows, China will probably have the most killers in bl, or at the very least most kills done.

Thailand. It's a numbers game on this one. There's just so many Thai bls and an increasing number of like detective or mafia ones. A show like Kinnporsche has a lot of killers and deaths. Then there's other shows that include a few murderers (but less than Kinnporsche) like The Sign, Manner of Death, 4 Minutes, 3 Will Be Free, Never Let Me Go (Palm did shoot a couple guys dead elt's nto forget), Dead Friend Forever, etc. However the numbers also hurt Thailand in terms of proportions, since there's a lot more Thai bls that don't have murder, so it actually might be 3rd.

Japan. You're not getting much murder from your Cherry Magics and Old Fashion Cupcakes, which is what a significant portion of bl fan's primary exposure to Japanese bl is, but let's not forget that there's a lot of dark Japanese bls where murder is definitely on the table. Now I don't actually have a good gauge of what the numbers on this is, cause I haven't really delved that deep into this corner of the bl market, so I can't make a good estimation but I bet there's more than I'm aware of.

Taiwan. They've got a couple of mafia shows like HIStory 3: Trapped and Kiseki: Dear to Me, both of which have some implied and explicit murder (though less then you would expect if we're honest). That'll give them a few kills and they also have a relatively smaller pool of shows to pull from, meaning percentage wise it's a bit higher.

South Korea. Ok I am far from an expert of bls from South Korea, but unless there's like obscure short films I'm not aware of, the only drama I can think of from here with kills is Long Time No See? or I guess The Director Who Buys Me Dinner has like 1.5 murders? anyways Korea also has a not insignificant amount of bls to their name so proportionally it will be quite low.

The Philippines. Out of all the countries on this list, I am least familiar with the bls from here, but from what I've gathered during my routine mdl searches, basically all of them seem to be murder-free (unless of course there's some shocking plot twists in them)

anyways I'll probably never do this project just cause it would require a lot of time and collaborative effort and I've got a lot irl going on right now (hence why the submission period for most whipped is so long lol) and also have some other projects I'm already planning on doing so I don't really have time to do it. but I wanted to tell y'all about my thoughts on the matter.

also sorry if this is the weirdest thing I've ever posted. kinda had a major stress breakdown today but then resolved it relatively quickly cause I realized I could just reschedule the life altering appointment that was causing the breakdown lmao so I'm in a strange frame of mind lol

[olivescales3]

Legends of Chima Pride Flags (part 1)

I tried making them align with canon characterization and worldbuilding as much as possible. I took a little bit of liberties to speculate how they would behave in the future too, of course while taking into consideration the effects of canon events.

(do not remove the watermark; do not tag as furry)

Explanations:

Because we don't know if animals feel the same type of sexual/romantic attraction like humans do, the animals from Chima are *at least* on the aroace spectrum due to them literally being just evolved, highly intelligent versions of their predecessors. Chi was made by the Phoenixes, which do not reproduce sexually; Chima animals' behavior and anatomy is almost identical to those of the Phoenixes, since language, third pair of limbs, among other Phoenix traits were projected evolutionarily onto them; this thus leaves the conclusion that 'human' romance and sex is not a thing for Chima animals, since it's also non-existent for the Phoenixes.

Laval is shown, throughout the show, that he is a caring lion who was also willing to choose a mate in the last episode, which is why I chose the partnering aroace flag for him. He doesn't have a specific choice of the partner's sex per se, since there weren't any teenage lions for him to be paired with (and the show not being focused on romance; point being that all romance subplots were pretty forced), and him choosing Li'ella really felt like it was some kind of last resort, so I kept that up to interpretation.

Cragger being hurt by those close to him (his parents' death + Crooler using him), along with his overall discontent about his existence being possibly forsaken due to Crunket, his mother, having an affair with Laval's uncle, Lavertus, all at a young age makes me assign him the non-partnering aroace orientation. During the first season of the show, Cragger's mental state is extremely fuzzy and miserable for a tween; he willingly told Laval to kill him out of spite, then attempted to personally murder him by letting the lion prince drown alone— all of it while behaving and speaking in ways that showed his depressing anguish. However, even if the later seasons show Cragger as a childish youngling that barely has any care in the world, he's still pretty aware about other's wrongdoings; he explicitly called out Fluminox' selfishness— "you let your son escape because you were feeling sorry for yourself?"; and he made backhanded jokes against Lavertus. It's not like Cragger would consciously be non-partnering, but the lingering, instinctive trauma would make him not want to have a mate.

Worriz was an easy pick for non-partnering aroace. He's constantly described in canon as a cunning liar who is willing to hide his true intentions– that is, gaining tremendous advantage in power– beneath treaties and promises. Not only that, but in Legends of Chima: Laval's Journey, Worriz immediately turned against Cragger when he understood that he was not getting his hands on the 'Triple Chi'; in the same game, he was shown to not be afraid of threatening others with extreme violence, like when he straight up told Eris he would maul her after he got his hands on the Triple Chi. His horrible violence doesn't end with just words; he directed attacks against the Eagle Tribe TWICE: once by attempting to pull the entire Eagle Spire down, which would cause as many casualties as possible, and twice by setting the Eagle Library on fire and subsequently erasing the tribe's culture and discoveries from existence, an event that happened in Laval's Journey. Of course, he'd make an exception for Windra since they're both vicious and violent... Worriz' violence is not the 'cause' of him being non-partnering; he is, in general, a real and terrifying threat, and would take advantage of anyone if he could— he wouldn't see relationships as innocent and would twist it to gain some kind of power.

Crooler was a hard pick. It's not known much of her besides her using Cragger, but the reason behind those acts are shown explicitly in the show to be envy, and not personal like one would assume. She was capable of demonstrating remorse to a certain extent, and told Cragger a few times she loved him. The honesty of these emotions are not known, but the fact that she was able to show a less 'evil' side of her places her view of relationships into question. If she grows into a better person, then she might get into a healthy relationship, but if she continues to be cunning then she won't. This nuance made me choose demi-partnering for her.

[pythoria]

In light of the new astarion voice lines in reaction to mizora, I think we finally need to put to rest the whole monogamous vs polyam astarion discourse. Here's the thing. Polyamory is never explicitly discussed or negotiated at any point during the astarion romance. You get individual instances of astarion being okay with various things, like a one night stand with the drows or halsin. It's unclear in the coversation about halsin if he's agreeing to a one night stand or a three-way relationship deal, he just gives you a general go ahead to do whatever you want with halsin because he trusts you. But then halsin doesn't stick around at the end of the game, and by the time he leaves he's only ever been with astarion in the context of the drow orgy (which is optional), and only sexually. Halsin is only interested romantically in the player char from what we're shown. Everyone is free to headcanon otherwise or write whatever fics they want, but as long as we're arguing about canon we have to be very specific. Nothing about any of the conversations with astarion suggest polyamory. They might have suggested a sort of open relationship situation before, but now with mizora, we have proof that there was no negotiation or blanket consent given off screen for having sex with other people, and in fact, it hurts astarion deeply to see his partner engage in sex with someone else.

Now, you can argue it's because he didn't consent to it beforehand, fair enough. Let's walk through what that conversation could've looked like, shall we? If you'd have asked him if you can sleep with mizora, he could've either said yes or no, it's pretty straightforward. From how upset he is, and the fact that he doesn't bring up you not getting his approval beforehand, we can infer his answer would've been "no" (because if he would've said yes anyway, you would get the type of reaction you get with ascended astarion, a "next time invite me" type response). So then, why would astarion say no to mizora specifically, if asked? After all, he's presumably okay with meaningless sex, even when he's not involved, because he lets you sleep with one of the drows all by yourself. And presumably he's also okay with it when feelings are involved, if he's truly okay with the halsin arrangement. So what part of sleeping with mizora is different? Why would he suddenly disagree with it if he was previously okay with similar arrangements?

Here's the thing. Astarion says yes to things out of pressure. Obviously he tells you so himself in act 2, "i didn't know how to say no", and that's corroborated by his dead expression during the drow 4/5some. He says yes to things, hates them, and then depending on how violated he feels afterwards, he decides whether or not it's a forgivable transgression on the part of his partner. He HAS to do it after the fact, because prior to it, he doesn't know how he will feel, he doesn't know if something specific is going to be the thing that tips him over. When he says "i didn't know how to say no" in act 2, it's not just that he instantly knew he didn't want to have sex with tav and went along anyway, it's also that he wasn't sure what he was supposed to do, and maybe mistakenly believed he could put up with it, until he actually did it. With the drows, the only difference is that he does put up with it, by dissociating. For astarion, something is either too much, or something he can tune out and deal with. He never expresses any "mild" discomfort that you can talk to him about, except for when he's anxious you want to have sex with halsin because he doesn't put out. And even then, there's nothing you can say that will make him disapprove of the halsin thing, short of completely breaking up with him. He voices an insecurity, sure, but even when told that insecurity is legitimate, he still agrees to the halsin situation.

This is why I need everyone to understand, there is no polyam negotiation with astarion, he blanket accepts everything until he snaps, because that's what trauma victims do. I'm not saying this out of a desire to prove astarion is monogamous, either. If the game showed healthy communication about this I wouldn't be here arguing about any of this. Polyamory is valid and can be done in a healthy way, but what you have in the game is not a representation of polyamory, it's a representation of a trauma victim not knowing his own limits and chugging full speed ahead until he snaps. The mizora exchange just cements that further. The roll you have to pass to get him to stay with you isn't "let's discuss boundaries, i didn't know this wasn't allowed", it's "this didn't mean anything". If this man was already okay with meaningless sex on the side, why would you need to convince him of it? All you're doing is manipulating him, and the result of that manipulation isn't even "okay, you can have meaningless sex from now on as long as we talk beforehand", instead, he says he forgives you. There's no implication that this could happen again, if only you have his consent, he just forgives you for this one transgression and agrees to move on. And let me be perfectly clear, I've shipped polyam ships before, I don't have an inherent bias against it. But we all, collectively as a fandom, need to learn to read the room. The signs of discomfort are all there, it doesn't help anyone if we put on horse blinders and ignore them. My only desire is to see astarion interpreted faithfully, not to start or contribute to a war people seem to be having about the validity of polyamory in general or in real life.

So, in conclusion, we need to separate headcanons from canon. Canon is, at best, unclear on what Astarion is comfortable with. It helps no one to act like this is a clear cut issue on either side, but imo it's more harmful to potentially force him into situations he's uncomfortable with than to just let him lead, since he doesn't propose any of these arrangements himself, and never does them for his benefit, only his partner's.

And one last thing. This is not to say "don't do these things because they're bad". They're in the game so you can do them and roleplay however you want. However, we need to be realistic about the kind of characters we're playing. If your tav pressures astarion into these various situations, that's not a good-aligned tav, and that's okay, as long as you're not pretending otherwise. I love an evil durge playthrough as much as the next person, but none of it would be cathartic or fun if the whole time I was under the impression that murder is actually fine and good.

[14dayswithyou]

Jae-Hyun owes me $26. (That's the last time I let him borrow money) If anyone asks, my level of obsession interest in 14DWY is FINE and NORMAL. This is most certainly not the 3rd separate ask I've submitted, because that would be excessive. I am a fine and normal person and would never do that. In an older post, you discussed some of the head canons you have and some of Ren/[Redacted]'s past and interests. Will any of these show up in-game? Thanks Saint!

⌞♥⌝ Since they're all headcanons (and I don't like overtly spoiling stuff), you can assume that some of those dot points will be referenced in the game in some way! Whether it be through reading between the lines, mentioned briefly through the dialogue, shown in the background, explicitly mentioned by a character, etc.

I think I've mentioned this before, but Ren's "red room" days, the cannibal scene, and a few others will all be dependent on the choices the player makes in the game. Right now, there's quite literally nothing (since we're only in Day 4 and the game is still in its cutesy, cliche VN phase.

Also... Ren hasn't revealed his true nature yet fkjsdgh), but as more Days get released, the themes will get darker!!

[braxiations]

What is Hylics Canon? - The Accretion

Preamble/Disclaimer

Hi! This post will be a bit different from my previous analysis and theory posts. Unlike those, I'm going to be doing very little theorizing or speculating -- at least, that's not my primary goal. What I want to do today is go over everything we know about "The Accretion," a vague event referred to numerous times throughout Hylics 2. Additionally, I'll try to draw some conclusions about what I think is Mason's authorial intent with the Accretion. I'll do my best to walk through my logic and view multiple sides, and whenever I speculate or make a stretch I'll try and be clear about it.

Before we start, I want to apologize for if I come off as rude or dismissive of certain headcanons or interpretations. Later on I'll be tackling 3 of the main theories I've seen floated around and I intended to be critical and clear when I think they contradict the established canon. However, I do not mean to invalidate these interpretations. Hylics' lore is very interpretive and vague and "canon" isn't something that needs to be strictly abided to. If your interpretation conflicts with what I've shown here, that's perfectly ok!

Basically, my post is for people who either care about adhering to canon or are just curious as to what evidence there is. That being said, let's jump in!

The Basics

"Gibby! Emerge from that vessel. The Hylemxylem was a failure. Only now does the Accretion's long dark age begin to subside." This dialogue, said by Wayne to Gibby before the final battle, is perhaps the only piece of required dialogue referencing the Accretion. This paints the Accretion as the cause of a "dark age," although it's unclear what this entails, which the Hylemxylem threatens to begin again. Many have taken this to indicate that the Hylemxylem caused the Accretion, but there isn't substantial evidence for or against this. It's certainly a valid possibility.

"Back when the accretion hit, the strongest gesture was buried." This line, spoken by one of the Waynes at Waynehouse is one of many indications that the Accretion was an event. Many other pieces of dialogue have wording that confirms this, this is just the first the player is likely to encounter. I bring this up to dispel the idea that "the Accretion" could be the name of the dark age itself.

This is also the first instance we see of the Accretion being claimed to "bury" things. This might indicate that certain objects either hit the ground with such tremendous force that they sank deep in. Alternatively, the Accretion might have actually produced a layer of matter that buried objects on the surface.

Known buried objects: - Disthlarn Moon. (New Muldul NPC: "When the Accretion buried the sage's great ship, Disthlarn Moon, my wife and I were stranded here on the surface.) - The Bombo-Genesis monitor (The TV Wayne and various other NPCs. The monitor is in Disthlarn Moon so this makes sense.) - The labyrinth ("The key is ancient. Whatever door it unlocks is likely deep underground, buried in the Accretion." Said by Smuldunde, referring to a key that unlocks a door in the labyrinth.)

You'll notice that many of the things explicitly listed as buried in the Accretion are specifically those that belong to the Sages. This makes sense given what we'll discuss in the next section.

"A great gesture may oppose Gibby. But accretions place it beyond our reach, and embolden his agents as they seek reconstitution." The Sage of Accretions gives this line, and like their name it confirms that the Accretion is just a singular instance of an accretion, and in fact there have been multiple. The Accretion, denoted by "the" and also capitalized (at least by me, the in-game dialogue is inconsistent) may have just been a particularly damaging one.

Given that a Sage of Accretions exists, they're likely not all catastrophic and could be somewhat akin to weather event. They happen from time to time and aren't necessarily bad, but under particular conditions or if emerging suddenly, they can be a disaster. These are all just assumptions though. Accretions could happen over massive spans of time and the Accretion is only referred to as such due to being the most recent. As we know that the "great gesture" referred to here was buried in the Accretion, the fact that multiple accretions place it beyond their reach may indicate that smaller accretions have occurred since. This is all just speculation.

The Age of Sages

"Our empire was undone by a sudden accretion. Only the cabinets recall its grandeur now." This line, spoken by the Sage of Monitors deep beneath Viewax's Edifice first establishes an "Empire of the Sages" and the idea that that empire was undone by the Accretion. The Empire of Sages is also referred to by Pongorma and Gibby. Pongorma specifically refers to Disthlarn Moon as a "remnant" of their empire. This indicates rather clearly that the "Age of Sages" as I've decided to call it was specifically ended by the Accretion, which cast the labyrinth and Disthlarn Moon deep into the subterranean.

"The surviving sages hid themselves, one in Viewax's edifice, another under the fortress at Foglast, and a third in those halls which recently held this ship." This line from an NPC within Disthlarn Moon directly implies that many Sages perished in the Accretion. The mention of three survivors is interesting in regard to the other three Sages we know from Hylics 1. This is something we'll talk about later in the theory section.

This provides us a pretty solid layout of events. For a time, the Sages led a prosperous empire. However, a sudden accretion ended this era of prosperity, plunging society into a dark age.

The Cabinets

An often overlooked detail is that the arcade cabinets provide some of our only looks at the world of Hylics before the Accretion. The cabinets can be presumed to have been built by the Sages, given that they protect items like the deep key that corresponds to the Sage's labyrinth. We see many within Viewax's Edifice in complete disrepair, with only one functional, as one might expect from ancient machines caught in a catastrophe.

The Sage of Monitors also remarks that "only the cabinets recall its [their empire's] grandeur now." This may suggest that the games within the cabinets are actually designed to tell important stories of the Sage's empire or hold information. This would make sense given the story we see play out, which follows a Wayne transforming into the Sage of Satellites. It's not a stretch to suggest that the Sages chose to immortalize the ascendance of one of their own.

With this in mind, we can use what's seen in the cabinets to date certain things to the pre-Accretion times.

A flag bears the image of Odozeir and Gibby, suggesting they're not only older than the Accretion but were even allied back then.

The, or a Hylemxylem, seen in the background. It resembles the reconstituted Hylemxylem in Hylics 2. This is probably the previous Hylemxylem before it grew into the Moon seen in H1.

A structure resembling the Waynehouse. Notice the egg pod in the basement, the bathroom, the bedroom, and the tv.

At least one Wayne (the player aka "Sat-Wayne.")

Poolmen

Coutures

Truculents

Numerous kinds of airships

Various other enemies

The labyrinth and drill site also indicate what species existed before the Accretion, albeit less directly. Tyros are depicted in numerous statues in the maze, and a tyro in the drill site seems to refer to a herd of galliforms as being pre-Accretion (although this dialogue is kind of vague and could refer to the labyrinth itself.) The labyrinth also has a pool hooked up to the Afterlife, implying that it existed back then too. There are also numerous enemies found inside the labyrinth which one could assume were sealed down there in the Accretion, but they may have crept in through breaches in the structure or other means. I'm not comfortable saying they're definitively pre-Accretion, although I won't disregard the possibility.

There is another character heavily implied to have lived before the Accretion, Pongorma.

This dialogue amounts to show us that Pongorma lived during the Sage's rule, and I believe we've successfully concluded earlier that the Accretion is what ended their empire. Thus, Pongorma is pre-Accretion. This fits in well with his introduction in the first game: we find him sealed away within a vault "through long ages."

The Three Main Theories / When Did it Happen??

Okay, so this is the real meat of this discussion. I'm going to lay out the three main theories I've seen discussed and go over evidence for and against each of them. I'll also be making the case for what I personally believe to be the canon intent of Mason lindroth.

Theory #1 - The Human Extinction theory: It is widely accepted that the world of Hylics is a post-human one, following some kind of apocalypse that wiped out humanity. This theory suggests that the Accretion is the event that caused this. Note that some believe humanity didn't necessarily die, but rather that they were transformed or evolved. Regardless, this event is what caused humanity to stop being human, which is really the only thing we can prove or disprove. I'm going to say "extinction" for simplicity.

Theory #2 - The Moon Crash theory: This is the only theory of the three that actually proposes a cause for the Accretion, being the crashing of the Moon at the end of Hylics 1. This theory states that, after Wayne's crew killed Gibby and trashed the Moon, it crashed into the planet, causing the Accretion.

Theory #3 - The Other Apocalypse theory: This theory is kind of vanilla compared to the other two. It just states that the Accretion happened before Hylics 1 (and presumably long after the extinction of humanity if you believe that to have also happened.) Because this theory says so little definitive about the Accretion, it's sort of the default if the other theories are disproven. As a result, it's the theory I personally subscribe to, and I will explain why below.

This is where we get into harsh, potentially theory-"disproving" territory, and I want to again reiterate that I don't intend to invalidate anyone's personal interpretations, I'm just speaking in terms of what the games show us and what I think to be canon. That being said...

The easiest of these theories to """disprove""" is the Human Extinction theory. This comes from the views of the pre-Accretion world given to us by the cabinets. The world depicted in the Accretion is very Hylics-y, still comprised of clay, having Hylics-age species, and no traces of human civilization or typical Earthen life. Even if the world and the people in it underwent some kind of transformation and the Sages and Pongorma were originally human, this directly shows that clay species and landscapes existed pre-Accretion. There are a few explanations for this, hence why I put "disprove" in quotations. One could argue that only parts of the world were clay'd at this point, or maybe the scenes depicted in the cabinets have changed over time as did the world. I personally find these explanations kind of contrived (the former would make the Accretion seem nearly redundant if the world is already transforming, and the second would make it incredibly strange for the cabinets to "recall" events if they can't recall them accurately.) There's also the language in which the Accretion and its ensuing dark age is described. Wayne calls it a dark age, and Gibby seeks to return to the Age of Sages' grandeur by forging a new zone. The "dark age" in this theory wouldn't just be a more stable society, it would be a completely different world that, to put it simply, none of the characters we know would fit into. It seems especially odd for Gibby to want a return to this sort of world when the fortress he launched transformed the inhabitants into surreal creatures. Personally, I find the Human Extinction theory to be uncompelling. While it can't be outright, factually disproven, explanations for it require inelegant contrivances. There isn't really any evidence for it either, and in my opinion it removes depth from the world's history.

Now we'll discuss the advantages and disadvantages of the Moon Crash and Other Apocalypse theories. First, I'll give what (to my knowledge) is the main evidence for the Moon Crash theory. As Oxford Dictionary defines it, "Accretion" can have a few definitions, but two are primarily relevant to us. 1. the process of growth or increase, typically by the gradual accumulation of additional layers or matter. 2. the coming together and cohesion of matter under the influence of gravitation to form larger bodies. The second definition, astronomical in nature, is particularly intriguing and relevant, especially with Hylics' themes of moons. This brings light to the idea that maybe the Moon crashing into the planet is what caused the Accretion.

"Pongorma, you witnessed the empire of the Sages." Here, Gibby speaks directly to Pongorma as someone who witnessed the empire of Sages, something we previously established ended at the Accretion. This heavily implies --but again does not directly confirm-- that the other characters didn't see the empire. Why would Gibby call out Pongorma specifically if what he was saying applied to everyone? And, if the gang indirectly caused the Accretion, how could they have not witnessed the time before it? There's also the general language with which the Accretion is spoken of. As previously mentioned, Wayne says the Accretion caused a "long dark age," and Smuldunde says that the labyrinth must be "ancient." The monitor containing bombo-genesis is also called the "monitor of the ancients," indicating that the Sages must be viewed as ancient too. While Hylician lifespans and therefore general scale of time may be amplified compared to ours if that was the case we would expect adjectives such as "long" and "ancient" to be equally stretched. However, there's no indication that such timespans have passed since Hylics 1. It'd be especially odd to refer to a time as ancient if most people were alive for it. While Pongorma certainly was, his age is portrayed as an exception. Although I understand that this is ephemeral, the general vibe is that only a few years have passed (or whatever the equivalent is to Hylicians.)

The only evidence against the Other Apocalypse theory I can gather is how the remaining Sages are described. One inhabitant of Disthlarn Moon says "The surviving sages hid themselves," going on to describe the locations they're found in. Another says "Tokens from the three sages." This could be taken to say that only three Sages are currently alive, which would imply that the Sage of Computers, Brains, and Monitors from the first game have since perished. Otherwise, there'd be six. I would like to counter this with two possible explanations. For one, this dialogue exists specifically to tell the player where to find the Sages. If the NPC also said "another sage can be found in the hall of deadly statues," players would be confused because that location doesn't exist in this game. It'd defeat the purpose of this dialogue in the first place. Secondly, we know that the Hylics 1 and Hylics 2 locations are different, evidenced by Somsnosa's dialogue about moving away from her island home from the first game. It'd make sense for the NPCs to not be discussing Sages from distant lands. If you were talking about a natural disaster in your country that only left 3 politicians alive, no one would correct you saying "actually, there are plenty others in other countries!" That's simply not what you're talking about. It's even possible that the Accretion wasn't a worldwide event. The Hylics 1 location could've been unscathed and thus be equally irrelevant.

Conclusion

An analysis of all the dialogue referencing the Accretion brings us to a few conclusions I find to be rather sound.

The Accretion was a particularly sudden or strong instance of an event called an accretion. This particular accretion buried numerous objects like the labyrinth and Disthlarn Moon, as well as ending the empire of Sages and plummeting the Hylics 2 location (and possibly others) into a long dark age. "Only the cabinets recall its grandeur now." We know that Pongorma, Gibby, and Odozeir witnessed the time before the Accretion, and it seems likely that Wayne, Somsnosa, and Dedusmuln did not. As indicated by the cabinets, the previous Hylemxylem (likely the one that later became the moon) existed before the Accretion. The labyrinth shows us that so did the Afterlife. The pre-Accretion world is shown by the cabinets to be similar to the current one, still made of clay and containing many of the same species. Given the general language in which it's discussed, it's likely that the Accretion occurred before the events of either games. Less catastrophic accretions may have occurred since the large one, further burying Disthlarn Moon, but this is unclear.

I hope you all enjoyed this analysis! It was tough to write because basically everything is vague, and with this vagueness, it's tough to not rope in a billion other subjects and ideas. I ended up leaving out quite a few things because otherwise, it would've come out even longer and more bloated than it already is. I might make a follow up post containing every piece of dialogue I could find about the Accretion, the Sages, and their associated artifacts, just in case there's something significant I missed.

[skaruresonic]

Your chat with wood reminded me, this is something that I noticed, but fans and none fans REALLY love to see Sonic get his ass kicked

Like I've noticed this from old 2000s fan stuff, they aggressively make Sonic egotistical and obnoxious, then immediately want to punk him

It's like they're aware those qualities are bad, but then misapply it to actual canon games Sonic. This includes ignoring him actually being a powerhouse. Fucker rips off metal from a military plane, and survives falling from massive heights and flung across mountains

It's ironic since his actual most obnoxious in game would be Colors Wii for boss dialogue, but that's still mild compared to Archie or fan parody (not to mention Sonic notably only is explicitly rude to villains). This also applies to char relations

They'll act like Metal is supposed to be a formiddable threat when...in canon practice, fuck no. Metal is a jobber

Because these perceptions are beyond infesting due to meme culture, none fans are incorrectly thinking "yeah he's an egotistical dick" like reg fans

So the idea of Sonic beating Shadow or Knux 1on1? They'll be pissed! Regardless of actual canon

Sidenote: remembered seeing someone be sad that "I'm Sonic, Sonic the Hedgehog" wasn't used much in 2010s, then miss the point on why. This is literally cuz there was no scenario it'd be appropriate (he doesn't meet a new neutral person besides Rookie, and that was a pressing situation of escaping)

To be fair, Sonic does suffer a lot of abuse in canon. I used to say that knocking Shadow out to advance the plot was a common plot point, but it might be fair to say that knocking Sonic out has become a series cliché at this point as well.

Usually it's done to establish the threat du jour as srs bsns. To "yes, and" that last point, the trope cannot work without the baseline assumption that Sonic is strong:

In several instances you can see Sonic wavering on the edge of unconsciousness and still struggling to stand. bro's got that fighting spirit The important part is that he always gets back up no matter what.

What an inspiring message! Unlike the Gary-Stu folks usually try to portray him as, Sonic has never been completely infallible. You don't need to be invincible; you just need to pick yourself up, brush yourself off, and keep trying.

Not to turn this into another culture war discussion, ofc, but I really feel as though folks who dismiss Games!Sonic as some perfect Gary-Stu who never suffers are dismissing the entire crux of the character.

Games!Sonic suffers all the time. He gets beaten; he has doubts; he makes mistakes. He just doesn't let setbacks get him down for long. He's an inspiration, an ideal to strive toward, rather than someone who is supposed to be #relatable.

---

They'll act like Metal is supposed to be a formiddable threat when...in canon practice, fuck no. Metal is a jobber

Kind of? Depends. Without any bells or whistles, Metal Sonic tends to blow his fuse on charged attacks and burn out pretty quickly.

He also admits he transformed his body with his own two hands because he could never seem to defeat Sonic. Sonic mocks the fact that he had to turn into a monster just to get a leg up over him:

However, he's not nearly as much of a jobber as IDW portrays him when Surge and Kit fry his circuits. There's no way that tactic should have worked; Metal is both waterproof and can be revived with large amounts of electricity.

The other half of this Spicy Meatball Take(tm) that fandom tends to struggle with is "Metal doesn't have an existential crisis, and it's illogical for him to have one if he believes himself to be the real Sonic."

Even when he's ranting in the Metal Madness and Overlord fights, his motives are fairly easy to understand as ego. He has one (1) line about no longer "being afraid," but it's so nothingburger compared to his other bluster about building a robot kingdom and lacks so much context (when, exactly, was Metal shown being afraid...?) that we can easily discard it. It's clear from the surrounding lines that Metal is just bullshitting because he's butthurt that he can never defeat Sonic. Why do you think Sonic rubs it in his face at the end of the game? lol

I'm almost convinced Iizuka imported his existential character arc from the OVA and forgot that it doesn't suit Games!Metal's character.

Metal mimicking Sonic's finger wag a grand total of once in Sonic CD (funny; never see anyone argue that Metal bullying animals mimics Sonic's mannerisms) doesn't inherently mean he believes himself to be the real Sonic. It just means Eggman programmed him to do so, for whatever reason.

Furthermore, if he genuinely believed he was the real Sonic, then he shouldn't have that much self-doubt to begin with. At least when Shadow got Sonic's goat in SA2, it was because he framed him and got the military on his ass. Shadow's interference came with concrete consequences that directly affected Sonic. What has Sonic done to threaten Metal's sense of identity, other than exist?

Why does a being that believes itself to be the "real" Sonic want to build a robot kingdom? A being that looks at itself in the mirror and says "I'm Sonic the Hedgehog" also turns around and says "Dictatorship under my robotic thumb is good, actually"?

There's also the paradox of "Why would a 'real' Sonic ever serve Eggman?" He wouldn't. Metal is bound by his programming because he's a robot. The implication that Eggman curtails his free will should further cement his status as Walking Toaster.

---

Because these perceptions are beyond infesting due to meme culture, none fans are incorrectly thinking "yeah he's an egotistical dick" like reg fans

People paint Games!Sonic as a boring Gary-Stu because his dickery isn't as pronounced as it is in Archie. Which is funny because Games!Sonic could stand to be a bit more sensitive, all things considered.

You need only look at his treatment of Knuckles in the Adventure era for proof:

Sonic parries Knuckles' "What about you?" with an insult.

Sonic sweet-talks Knuckles into searching for the keys even though he doesn't want to. Maybe because of the ghosts roaming about. They got Larry, after all.

Deeper's lyrics also suggest that Knuckles wishes Sonic were a little more considerate of his plight by having him imagine a scenario where Sonic acknowledges how important the Master Emerald is to Knuckles and offers to help him find it:

lol "wouldn't of." tfw the editors are asleep at the wheel

Note how surprised Knuckles looks here. Clearly this isn't something he expected Sonic to say. And before anyone is inclined to think Knuckles was the only one, Sonic's insensitivity would also annoy Tails and Amy on occasion:

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So the idea of Sonic beating Shadow or Knux 1on1? They'll be pissed! Regardless of actual canon

Sonic kills demigods on a regular basis and pulled off Chaos Control so well that it surprised Shadow. Why is it a surprise that he probably could kick their asses lol.

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Sidenote: remembered seeing someone be sad that "I'm Sonic, Sonic the Hedgehog" wasn't used much in 2010s, then miss the point on why. This is literally cuz there was no scenario it'd be appropriate (he doesn't meet a new neutral person besides Rookie, and that was a pressing situation of escaping)

tfw you complain about no "I'm Sonic, Sonic the Hedgehog" when "long time no see" is right there

[a-magpie-in-gravesfield]

I had to make up a lot of that one because there was so little shown, but I think this is one of the most important portraits. I like this one especially because BOTH Caleb and Philip are marching looking determined to what I assume is a witch being burned. I think the fact Caleb was ALSO a witch hunter who most likely did a lot of witch hunting and taught his younger brother how to do so, is vastly overlooked in the fandom. I love the idea of Caleb being really into witch hunting originally, because it adds so much more depth to the story. I have this theory that originally, Caleb's plan was to backstab Evelyn, but when she showed him the demon realm, he fell in love with her and the place and changed his mind. But Philip still thought the original plan was on, and so when Caleb disappeared, it would make so much more sense why he would want to go after him to "save" him. And then when he finally finds Caleb, he sees him about to have a child with Evelyn. He remembers the plans they had together as witch hunters, and to him it doesn't make SENSE that Caleb changed his mind - it had to have been Evelyn casting a spell on him. This would be such a cool storyline with so much more depth than "Caleb was never into witch hunting and was always the good brother". The idea of Caleb being super into witch hunting originally is so fascinating to me, and I'll keep that as my personal canon unless the finale directly and explicitly disproves it. That, and there's also the other portraits of the two of them doing witch hunter games together, and Caleb making Philip's first mask. Caleb was probably also really young when they arrived in Gravesfield, and he wanted to keep his brother safe and make sure they both fit in in the town, and so he started the witch hunter thing, so the both of them could survive and be accepted by the rest of Gravesfield. MAN this story is so fucking sad.

[project-sekai-facts]

I've seen many people stating that Airi is implied as transfem, and many saying it's merely a headcanon, but I haven't been able to find evidence to support either side as I have no idea of where that notion comes from. Do you know about any event/card stories or symbolism that could imply that she's transgender? Thanks in advance.

oooh this is a really interesting one for me actually! so straight off the bat, no airi is not canonically or implied trans. that said, a queer (in her case, trans specifically) reading of her story is totally valid, much like Toya's backstory for an in-game example, and for out of game examples stuff like Rin in Love Live! School Idol Project or Gwen in the Spider-Verse movies (these two support a trans reading, whilst Toya's story supports a more general queer reading).

I think the main cause of the reading comes from her fes story! While her childhood is first talked about in the first chapter of RE:START From Here!, it's very brief and the specific parts about her personality and presentation aren't much of the focus, aside from an incredibly short interaction between Airi and her mother where Airi thinks the idol on TV is cute and her mother tells her that there's nothing stopping her from being like that, then a similar interaction with her younger sister where she decides that she wants to be an idol.

What we learn from this is that Airi used to be a tomboy when she was younger, and was short tempered and aggressive, and often got into fights with boys (though in the interaction we are shown she does this to defend her little sister). She also discovered idols and decided she wanted to be one too, just as cute as the one on TV, which is the total opposite to how she was then. In terms of Airi's backstory serving as a trans allegory? I think you could get something out of this, though the allegory (intentional or not) is far more pronounced in her fes story. You could definitely view this flashback as her starting to realise she's a trans girl, and that she wants to be more girly. Especially when her sister says that Airi's just like the idol on TV, and she has a moment of realisation that she wants to be one too.

Now onto her fes story. First I'll just mention a little fandom thing. So back in 2021 when Airi's fes card was initially released, a fan translation (pictured) was posted to youtube that mistranslated her as being transgender. It was a error made by the translator where instead of saying how the boys she fought with called her a "too cute for a monster", she said they called her a "too cute for a boy". The translation was deleted a long time ago, but for some reason people still bring it up, even now. I think this is where a lot of misinterpretation over her being canonically trans comes from.

Now onto the actual fes story. In the first part of the story, Airi looks back on the interactions with her sister that we saw in Re:start, thinks that she'd love to see the look on her younger self's face if she could see herself now, which creates her fragment sekai. In the second part, after talking with her younger self for a bit, she calls little Airi a tomboy, and she's visibly uncomfortable with this. Present-day Airi then realises this past version of her must be from around the time she started to be bothered by how people viewed her as "rambunctious" or a tomboy. She also mentions that when she decided to become an idol she started ignoring boys teasing her about it, confirming that her tomboy personality and presentation was a source of mockery.

The most interesting part is that Airi says when she started wearing cute and girly clothing to school, she was mocked for it. Although the text explicitly states that for Airi, she was a GNC girl who was uncomfortable with her presentation and wanted to be more girly, this is literally something that has happened with Mizuki, who is all-but-stated canonically transfem. The rest of the story is Airi explaining what being an idol is like and her experiences to her younger self, who then proudly proclaims that she's going to become an idol.

As I said, the text explicitly states that she's a tomboyish girl before she decided she wanted to become an idol and wear cute clothes, which strongly suggests that she's cisgender (of course, she could be a GNC trans girl who came out when she was very young, but this is not canon). However, the fes story overall, and particularly the 3 lines of dialogue pictured above, strongly support a trans reading.

Airi was teased for wearing cute clothes, and while the text doesn't state it outright, you shouldn't have to be told that these were typically girly or feminine clothes, especially given the tshirt and dungarees that Airi wears on her child L2D model. As stated earlier, this exact same thing has happened with Mizuki, although the reactions from classmates and the girls themselves were slightly different on the account of Mizuki being canonically transgender. Airi is annoyed that her classmates think the cute clothes clash with her personality and make fun of her for it, but in Mizuki's case she questions if it's okay for her to wear such clothes because people think it's weird for her to be wearing it (the reason for it being weird is left unstated, but it's presumably because her classmates knew her as a boy at this point in time). Nonetheless, this mirrors the experiences of so many trans people in real life, who are mocked by the general public due to not fitting into the box of gender norms dictated by society.

Airi affirming that she's a girl is definitely the standout line here, though. It shows us how insecure little Airi was with her presentation, and how she wanted people to think of her as a proper, cute girl, instead of a "monster". So while Airi is not canonically trans, the text strongly supports her being read as such. It doesn't take a genius to work out how you could apply Airi growing up as a more masculine tomboy, then realising she wants to be a cute idol, then being teased for dressing in a traditionally feminine way is an allegory for a trans experience, intended or not.

Also absolutely not solid evidence of anything at all, but I often see people point out that Airi's trained The Strongest Idol Smile! 4* has a trans flag color palette, something we've seen in Mizuki cards before. However this is very likely unintentional and just done for artistic effect, the pink ribbons on the card are actually red on the costume (and you can tell in some parts of this artwork too). Still think it's a neat end to this post though.