#<< AMAZING TAGS I AM KEEPING THESE

[rin-sith]

CAN I THROW THE "YOU, YOU GET IT!" BACK AT YOU?

Just, everything you said, really. Odysseus had his villain arc/moment back in Different Beast, but it's long over. His Monster act barely lasted 3 songs (I am convinced he dropped it the moment his crew mutinied actually, judging by the fact that he pleaded for them to not kill the cows and tried getting them all out of there instead of leaving them behind and only caring about saving his own skin ... this is the crew that literally just mutinied and stabbed him in the back, mind you.) He only ever acted as a Monster because he was convinced it was his only option for getting home.

He acted like a monster for a while (cough siren tails cough) but he was never one. There is a huge difference. This "Monster" was not the true Odysseus, but rather a situational/trauma response. He acts this way because he thinks it's necessary to reach his goal, not because he truly wants to or condones it. It's crucial to consider the bigger picture of what someone has gone through in order to understand their actions. People should not be judged solely based on their darkest moments.

On that note, I would say he's morally gray because he's willing to do ruthless things and hurt others in order to reach his (good) goals, and that's kind of how I define gray morality. But if you define gray morality as something solely intrinsic (aka someone is only morally gray if they have beliefs and/or values that aren't necessarily good) then he isn't.

He believes in goodness, and in mercy. He's just been pushed from situation to situation where he wasn't allowed to act on this belief. He was literally gaslit by everyone in-universe that his mistake was "sparing" Polphemus when his actual mistake was giving away his name. If he hadn't done that, he'd have been fine. Poseidon would have had no means of telling who blinded his son and wouldn't have come after him. But no, he has to blame it on Odysseus' act of mercy, and then his own crew in the Underworld joins in and I am running up a wall.

And then in Dangerous, Hermes is telling him to finally stop overthinking morality in the way that he has so far and just be ALL of himself—the cunning warrior of the mind, the wise leader, and the ruthless warrior—and that's what Odysseus does. He's no longer the monster from Different Beast but he's also not just going back to his old self/leading with open arms in all situations, he is both combined now. Using either his heart/mercy, his mind/cunning, and/or his ruthlessness depending on what the situation requires. And then there's Charybdis showing us that he has understood Hermes. It's probably not a parallel but it's also the first time he leaves an enemy who hasn't been redeemed like Circe alive since the Cyclops.

As shocking as it is I think this saga may be the healthiest and most balanced we've ever seen him which is wild considering he's just coming off of seven years with Calypso.

This came to me earlier, and now I am utterly obsessed: The Vengeance wasn't Odysseus stabbing Poseidon, it was Odysseus disproving Poseidon's "Ruthlessness is mercy upon ourselves" belief right in front of his very eyes. With him as the subject, even.

Think about it—the fact that Poseidon remained ruthless and insisted on punishing Odysseus was the only reason he got stabbed repeatedly. If Poseidon had been merciful, if he had accepted Odysseus' offer of forgiveness, he would've been fine. His own ruthlessness backfired so hard on him this time that I am sincerely hoping it haunts him forever.

I am actually utterly obsessed with Poseidon thinking back to Odysseus "Maybe you could learn to forgive?" on a daily, no an hourly basis. I cannot and will not lie to you that is unironically my favorite moment in the whole Vengeance saga just because of what it says about both the characters—about Odysseus for offering and Poseidon for declining. And this makes me love it even more.

Poseidon was going to decline, we all know that. I don't think anyone watching—even Odysseus, probably—expected him to accept. But then I'm picturing him lying there, bleeding into the stone, and, against his will, wondering whether maybe he should have. Maybe if he had, he wouldn't be in pain. Maybe if he had not killed Odysseus' fleet ten years ago, he wouldn't be in pain either. Maybe this one time ruthlessness wasn't mercy upon himself—maybe this time, his one grand belief was wrong. Maybe ... it was always wrong.

Obviously, he would never admit to these thoughts, he would slap himself for having them one second later. But I simply need this self-proclaimed god of ruthlessness to be utterly haunted by that and question whether he made the right choice or no—whether he's even lived by the correct philosophy all his immortal life—and no matter what, be too stubborn to admit he was wrong.

He's trying to pretend like nothing changed, but the thoughts still remain. They pester him. They won't leave him alone. Especially every time someone—anyone—is kind to him for whatever reason, they come crashing back into him and they won't leave.

"What if my own ruthlessness hurt me that time?"

"What if ruthlessness isn't mercy upon ourselves after all?"

"What if I'm wrong?"

"What if I have always been wrong?"

The most dreadful thoughts imaginable to a god as proud and stubborn and old as Poseidon, but they're there now and he can't do anything about them. You all don't understand how much I NEED this god to jolt up in his bed at 3 am after having a dream or nightmare about something related to one of his many ruthless deeds (maybe even sinking Odysseus' fleet) and go "BUT WHAT IF I HAD LEARNED TO FORGIVE?? WHAT IF I STILL COULD??" only to immediately slap himself for it because that's absolutely ridiculous.

He is left to watch this belief shatter before his very eyes as he's clinging to the remains of it desperately, trying to keep it all from crumbling. Not because he genuinely believes he's right anymore, but because he simply cannot imagine ... does not know how to live by any other philosophy.

No matter whether it's objectively correct or not, it's the very thing that defines him. The thing he's known for. He has built his entire image around this, he cannot give it up no matter what ... at least not quickly or without help.

But as much he would seek to deny it, his core belief has now been proven wrong; he has actually lived through an instance where it was wrong, and he can do nothing to erase those memories or conclusions from his mind no matter how much he yearns to go back to simpler times.

And that was the real Vengeance, guys—possibly the biggest, most painful existential crisis of Poseidon's immortal life. I rest my case.

Although before I disappear back into the void I simply must give a shout out to @o3o-lapd-o3o (this came to me during a conversation in one of their comment sections for the glorious Friends In Higher Places AU, which is quite possibly my favorite piece of EPIC fan content that exists ...)

[myokk]

note-taking

pairing: Sebastian Sallow x f!MC

word count: 3,6k

summary: mc loves flustering sebastian with her notes during class😇

cw: NONE this is just fluff, mutual pining, idiots in love, it takes a while for them to admit their feelings, I rated it M for some language/sexual themes

a/n: I laughed a lot as I wrote this on the train, I hope you enjoy reading about these two idiots (endearing) as much as I did writing them

A beetle slowly makes its way across Sebastian Sallow's desk.

The classroom is silent - save for the scratching of quills furiously calculating the Arithmatic probability of who will be the next Minister and the quiet murmur of his professor as she helps Hobhouse (how did he even get into the N.E.W.T. level?) - and Sebastian is going absolutely mad.

He counts how many seconds it takes for the beetle to reach his abandoned quill (fifteen). But, when it takes its seventh step after making it over the quill (an auspicious sign), Sebastian slams his hand down on top of it.

The loud noise echoes through the silent classroom and Sebastian hears her snickering coming from behind him as the whole class turns to see what has happened. His ears turn red, he wishes he could jinx her somehow, and yet he is terribly curious to see what she has sent him this time. Sebastian hopes that everyone has gone back to their equations and stops staring at him, because now that it's in his hands, his fingers are itching to open it. His hands eagerly - shamefully eager, if you ask him - unravel the note he's crumpled up in his hands - almost a shame that he destroyed the beetle, it was one of her better creations - and Sebastian soon curses his haste.

His ears would be an even deeper shade of red were his blood not currently draining to a different part of his body. Sebastian shifts uncomfortably in his seat as he continues reading the note, his eyes flying across the tiny note once, twice, three times before he crumples it up and adds it to the graveyard of the other notes she has been sending him all day. The words fuck my soaking cunt flash up at him and he adjusts his schoolbag so that if anyone were to walk past and look into it, they wouldn't suspect a thing.

You see, this has been going on all week. Sebastian knew that when his seventh year started, it was going to be the culmination of their academic rivalry, but he never expected this. That witch has made taunting him her personal vendetta, and it's working.

Sebastian can't get her out of his mind.

It started in Herbology on Monday, at exactly 7.37 in the morning. Sebastian had been sitting next to Ominis, both complaining under their breaths at how early Professor Garlick had made them wake up (something about the plants blooming - Sebastian can't remember now). He had seen a little snake slither past Ominis's hands, making its way directly to him, and he does remember that he thought it was quite strange that Ominis didn't seem to react to the snake's presence. And then - he took a closer look at it - he saw that it was made of paper. Curious, Sebastian had thought as he grabbed and unfolded it. Reading it started an unfortunate chain of events.

It started out innocently enough, he supposes. Well, if you can call the most indecent thing he's ever read innocent, then it started out innocently.

Sallow - let me just say how absolutely delicious you look in your jacket this morning. I find I want to rip it off of your broad shoulders. Did you hit a growth spurt this summer?

He had flushed, briefly glanced over his shoulder - maybe he could see a face as flushed as his was, watching his reaction, but nothing - before looking back to the note, squinting at the familiar (familiar?) handwriting when Ominis had interrupted him.

"Sebastian? I think we need to start trimming the budding flowers now..."

His voice had blended in with the buzzing in Sebastian's ears as he stared intently down at the note in his hands. He had soon figured out who sent it - how could he not recognize her handwriting? - and the rest of Herbology class had been an absolute disaster. He had spent the whole rest of his time haphazardly massacring his plants and ignoring Ominis's pleas for help as he ruminated on her and what did she mean by her note? Her maddening laughter floated over the sound of tiny, precise snips as Sebastian's classmates did as they were supposed to, boring into his mind as he tried his hardest to figure out what she was up to.

Her plan's working, whatever it is. Sebastian has been frustrated to no end. She's nobody to him, just Anne's annoying best friend. Well, that's not entirely true, and Sebastian doesn't like to lie to himself. She was his closest friend last year, and the year before...ever since she arrived at Hogwarts, really. They did everything together, but something had changed when she visited that summer.

She had spent less time laughing with him, instead choosing to whisper with Anne about Merlin knows what, sometimes looking at him with an expression he couldn't place that had started to drive him crazy.

Sebastian had decided that a certain someone made no sense, that he would ignore the strange way his stomach would flip in her presence, and that he would focus all of his energy into besting her at everything. Maybe if she was embarrassed about being inferior to him, she would stop all of this. Although he would never admit it, he had started having nightmares about her gasping beneath him and needing him, that strange look from the summer flashing in dream-her's eyes, blissful fantasies that have him waking up hard and needing to cast a silencing charm around his bed before he can start his days.

Needless to say, these dreams have become infinitely worse this week.

What started out as a joke has quickly spiraled into an obsession. She soon finds herself watching Sebastian with breathless anticipation every time she sends a note over to him, relishing in the deep flush of his cheeks as he sneaks glances over his shoulder at her.

She doesn't really know what possessed her to start in the first place. A stroke of daring, she supposes as she finishes her latest note with a flourish and charms it to fold itself into a tiny swallow. And, she muses, watching the bird fly towards its victim, it's rather fun to fluster him so.

It's what he deserves, after all, after she has spent a whole year pining after him. A whole bloody year of sighing as he leaned over her shoulder in the library to point at something in her textbook, of his chin resting on top of her head, of warm breath tickling her ears, of watching him defeat every opponent in Crossed Wands, of watching him laugh despite himself at her little quips in Transfiguration. Of making sure -

She stifles a smile as she watches Sebastian eagerly grab the swallow as it flitters towards him. At first, he had tried acting nonchalant, like a cat biding its time before it pounces. Ignoring the notes she's been sending until he can't stand it and then: squashing them, smashing them, trapping them in his large hands, long fingers eager to unfold the note and see what she has to say.

Now, he has abandoned any pretense of aloofness he might have had before.

She can see it in the rigid set of his shoulders. The tension releases somewhat every time he opens a note, but quickly returns as he crumples them up and adds them to his collection. She hopes he's getting as wound up as she is, hopes that he's beginning to know an ounce of the suffering he has been putting her through.

A small voice in the back of her head tells her that she's being unfair, that maybe he's just oblivious - but then, why would he have looked at her like that all summer? And - almost the most maddening thing of all - ever since their seventh year started, he has made it a point to try and best her in every class. She couldn't move on from her silly little crush even if she wanted to, when his deep voice cuts through hers every single class to answer first, when he's always right ahead of her in Potions to get the best ingredients, when he's the one standing across from her in the mock duels in Hecat's class and as he raises his wand and her breath catches in her throat and -... Well, it's only fair, then, that she tries to distract him during class.

She's wondering what the next note should say, is lightly rubbing the edges of the quill's feather against her lips - did she go too far with the latest note? - when the scraping of a chair next to her pulls her out of her thoughts. She jumps at the jarring noise, the quill clatters on the table as it falls, and she feels her own face flush when she sees Sebastian sprawling himself out in the seat right next to hers.

There's a look on his face that she's never seen before and she feels as if all of the air has left her body when he leans in close to her - she could start counting his freckles if her brain hadn't gone completely empty - warm breath tickling her ear as he breathes, "What do you think you're doing?"

She hasn't thought this far ahead.

Why hadn't it occurred to her that Sebastian might confront her about the notes?

"I..." she falters, trying to get her thoughts working again, so that she can find something to say to get her out of this situation. Because she didn't actually want him to notice her, did she? And, what could she possibly say in defense of the filthy things she's been sending him all week? She can't seem to break eye contact with him: she swallows nervously: she tries again: "I -"

Her words fail her once again, when Sebastian's warm hand comes to rest on top of her thigh. Her thick wool skirt might be acting as a barrier between them, but it somehow feels like he's touching her bare skin and her whole body heats up uncontrollably. Even like this, his touch is better - more electric - than what she's been imagining this whole time.

He turns away and pulls parchment out with the hand that isn't actively caressing her thigh, and reaches across her for the quill that has fallen from her fingers. She hears scratching as he starts working on his equations - she vaguely thinks that she should be working on them too, isn't she supposed to be trying to do better than him? But -... her breathing is shallow - all of her nerve endings have seemingly migrated to the spot on her inner thigh that Sebastian's thumb is now massaging in tiny circles - maybe her brain has just packed its bags and left on holiday to Bath for all the use it's giving her now.

He doesn't even spare her a glance during the rest of the class, continues to diligently work on his equations for the first time all week, but his large hand remains on her thigh, completely obliterating any thought from her mind that doesn't have something to do with the warmth that keeps pooling deep in her stomach at his touch.

When the class is blissfully (unfortunately) over, Sebastian finally pulls his hand away and she squeaks in protest against her wishes - her thigh is now cold - that must be it (just discomfort, that's all) - she doesn't feel the relief she thought she would at his absence. He smirks down at the parchment he's rolling up, packs everything into his school bag, and leaves her behind without his eyes darting to hers even once.

Seven notes.

She has sent Sebastian seven bloody notes over the course of the last three days, and as he looks over at the crumpled up papers sitting on the desk in his dorm room, notes he tried his best to smooth out, he feels his heart race increase. He doesn't understand why she's doing this, but he does understand how it's making him feel. He could barely even think during Arithmancy, knowing how much his presence was affecting her, feeling her warm thigh under his hand. And when she protested when he removed his hand, well. He had to get out of there as fast as possible.

Maybe it's a good thing she didn't have the presence of mind to look at his arithmatic equations during class, because they are, unfortunately, incomprehensible. He had to keep up the charade by pretending to scribble for the rest of class, but now he almost regrets it - almost - because his pride won't allow him to ask Amit for his notes.

Sebastian has spent the evening poring over his textbook, trying to make sense of something that should be coming easily to him - Anne doesn't tease him about his strange obsession with numbers for no reason - and yet, his eyes keep wandering over to her notes. (Why did he even take them out of his bag in the first place?) (Why hasn't he burned those blasted things yet?) He has decided to forego studying in the library, the common room, and the Undercroft (places where he might see the object of his inner turmoil), and yet he is still getting nothing done even in the peaceful silence of his dormitory. Because her letters are shouting at him.

Well, not really, as they aren't Howlers. They might as well be, though, with how much he has reread them since he took them out of his bag. A smile spreads across his face despite himself as he puts his plaid jacket - the one he wore on Monday - on his chair to wear tomorrow. That stupid smile doesn't leave his face as he brushes his teeth next to Ominis before bed (thanking Merlin that Ominis is blind and can't pester him about what he cannot see), nor does it leave as he tries to fall asleep that night.

Suffice it to say, Sebastian does not get much sleep that night.

"...caught her snogging Prewett in the boathouse."

"Oh Merlin." A giggle. "I wonder if he's any good. Don't look at me like that, I know you've wondered the same thing..."

She blushes as she tucks her head down, trying to concentrate on the reading before her but it's difficult. First, because Sacharissa is being entirely too loud as she gossips with Grace - they might be some of the first at breakfast, but that doesn't mean they're alone - and second, because she is reading the book she filched from Sacharissa's bag. It's been charmed to look like a History of Magic textbook (nobody would ever be interested enough in one of those to filch it back) and she hopes that it's enough to make sure that no one distracts her in her research.

She has never had experience of the amorous sort before, and she has run out of things to put in the letters she's been sending to Sebastian - they were all just things she had been thinking, or things that she's overheard the boys saying when they thought they were alone. But what she's been reading in Sacharissa's novel - if it can even be called that - are enough to make her so hot and bothered that she's not sure if she should retreat back to her dorm room to read it in peace. As her eyes fly over the words, she pictures Sebastian doing those things to her, with her, and it's enough to make it so she's not even sure she can look him in the eye ever again. The feeling of his hand on her thigh the day before has imprinted itself on her body and in her brain and she barely got any sleep because of it.

"What are you reading?" asks Anne as she plops herself down on the bench, trying to look over her shoulder. She flinches and slams her book shut as fast as possible, feeling her traitorous face heat up. She knows she's making it all more suspicious, but Anne cannot find out. Anne shrugs and starts buttering her toast, stifling a yawn. "I never knew that the Vampire Treatises of the 15th century were so interesting. By the way, have you seen my brother at all? I couldn't find him last night and - Oi, Sebastian!"

Anne stands halfway up and starts waving him over, and she wishes she could vanish. Maybe, instead of researching fresh ways to torture him, she should have been learning how to most effectively vanish oneself from the face of the Earth. She's sure the heat she feels burning her cheeks as she sees him walk over to them is translating to her face being a bright, red, ugly beacon calling to him.

As he walks over to their table, looking entirely too irresistible in that plaid jacket of his, Merlin, his growth spurt really -

"Ladies," he says, nodding at them as he takes a seat across the table, "how did you sleep?"

She knows he's giving her a pointed look as he asks, but she has started to choke on the pumpkin juice she started drinking as he walked over - she is, unfortunately, picturing them doing some of the filthy things she's just read together - and could she really make more of a fool of herself than she already has at this point? But then - he grabs her book. Her heart lurches but she can't do anything due to the fact she's still spluttering over her pumpkin juice, and she watches in horrified fascination as he starts flicking through the pages. His eyebrows raise steadily higher and higher as he reads, his own face turning a shade of red she's certain matches her own. She curses herself again - vampires are so interesting, of course he would want to read about them - she should have made the cover a topic she knows Sebastian hates, like a compendium of spells to boost fingernail growth or a Duncan Hobhouse biography - but it's too late now.

Sebastian clears his throat and glances at her, and she sees uncertainty, vulnerability in his eyes as they make brief contact with hers. Finally her brain starts working - quite possibly for the first time since she started this stupid game in Herbology on Monday - and she hastily stands up, snatching the book from Sebastian's hands - he puts up no resistance - and clutches it to her chest as she blurts out in one breath: "I-slept-terribly-last-night-and-it's-all-thanks-to-you."

And now, she's fleeing the Great Hall, wondering what's gotten into her.

She next sees Sebastian during their Ancient Runes class. Well, she doesn't actually see him: she's made it a point to be the first to enter the class, and keeps her head down as she stares at her parchment the second everything is set up perfectly. Inkwell - parchment - her stupid replacement quill - textbook - everything is in place. After the disastrous event otherwise known as breakfast, she's decided that she's over her silly little crush, and she will never think about Sebastian Sallow again. She will never think about things she might say that will make him laugh again, she will never think of book recommendations again, she will certainly never think of his strong hands caressing her thigh again, and she will never, ever -

A tiny paper fox climbs into her hand.

I didn't get any sleep last night either, because of you. P.S. I still have your quill.

She flushes and looks over her shoulder. Sebastian flashes her a crooked smile that makes her stomach lurch in an unfamiliar way, before he ducks his head down and continues to scribble his translations with her quill. Her quill. A new flash of hatred surges through her - that's what these intense feelings must be - and she decides she needs to get it back.

Instead of translations, she hatefully scribbles down everything that she wants to do to Sebastian Sallow - she wants punch his stupid face, wait: she wants to kiss his stupid freckled face and hold his silly beautiful hands and she wants to feel the deep rumble of his laugh after her jokes as she rests her head on his shoulder and she wants to read next to him and have things be back to how they always were, and yet she wants more than that, more than just being friends, it's what she's wanted all along, isn't it? - and she marches after him when the class has finished.

Sebastian doesn't spare her a glance even though he has to know she's behind him with how much noise her frustrated huffing makes as they weave through the throngs of students in the hallways. It's lunchtime, and yet instead of heading to the Great Hall, he's leading her somewhere else.

He finally stops when they reach the top of the Astronomy Tower, and she opens her mouth to protest. She knows she's terribly flushed, her chest heaving as she glares up at him: "You are despicable! I need my quill -"

She's cut off from speaking as before she knows it, his hands are caressing her face and he is kissing her. Oh, Merlin, it's better than she could have hoped it to be, and her own traitorous body and mind have forgotten the alliance formed against him in the face of Sebastian Sallow's persistence and she's wrapping her arms around his neck and pulling him down closer, making sure he can't get away from her again.

Maybe later she can show him all of her notes on how much she hates him and they can have a laugh. Maybe later they can revisit some passages from the book she filched.

But right now, she doesn't let go of Sebastian.

[brutally-loving]

Fun fact! Being an idiot, as in, HARASSING PEOPLE, about other people selfshipping with your f/o would not make your f/o like you any more. At all. Also you're the worst kind of person and you make everyone in this community look horrendous.

Sending hateful anons and making alts to harass people is cringe and you are beyond childish. Get over yourself. Point and laugh at the clown, class.

[artuurle]

I was able to make 2 whole normal images in call last night before the normal men invaded the canvases of me and @sootnuki 's art programs. here's more of them lol

Bonus of the actual description i gave to my sibling of the last image as we progressively made it worse under the cut.

[megpricephotography]

Beach Boy! Barney, jumping for joy during a trip to the beach in July of 2012.

[poorly-drawn-mdzs]

Would you mind if I drew this art in my style? (This is so beautiful, btw, it broke my heart!)

Permission is *always* granted to people wanting to do redraws! I am so touched you liked it enough!

[writeouswriter]

Reading a fic that's so well written I wish I could close my eyes and just let the descriptions and atmosphere wash over me, but the dilemma with closing my eyes is, well, I then would not be able to continue reading this fic, now would I.

[undertale-fic-librarby]

Featured Fic Friday!

Welcome to Featured Fic Friday! A day where I, or someone who suggests one, tell you about a fanfic that I really enjoy! Spoiler's under the cut! Today's featured fic is...

The One Where Sans Tells It Like It Is. (Or: The One Where Sans Is Number One Dunckle) by marauding_bagel (General Audiences, Complete)

When Toriel asked him to attend the meeting in her place for one night he thought it wouldn't be a big deal. Turns out Sans could not have been more wrong.

A bit of a short fic, there's a surprising lack of fics with this concept! Even still, I like the way the author exectues the idea! I loved reading comics similar to this fic when I was younger, so this threw me back a bit!

I enjoy the way the author writes the characters, & how they have them interact with each other!

Spoilers ahead!

I really like how the author includes some of the reactions from the unamed parents also at the meeting, having mentions of nods of agreement & cheering when Sans insults Helen's brownies!

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[verdantglow]

I’m trying, I’m trying

To let you know

How much you mean…

(Reference photo: @dfreske)

[ageless-aislynn]

Nowwwwww, I facetiously mentioned at the bottom of this post about the Halo: Reach achievement:

To do that, you have to go under or close to par time on pretty much each level ON LEGENDARY.

I have beaten Reach on Legendary but it probably took me closer to 30 hours than 3 because I did my slow, methodical strategies to get through. I did the par time achievement by running past everything I could on Easy. Can I combine the two successfully?

I decided to give the first level "Winter Contingency" a try (after watching some Youtube vids on getting this achievement, of course 😉). Par time is 15 minutes.

That was my third try, the first was 16 and some minutes, the second got it to 15 and some and then that one got under the par by 32 seconds! I should note that this is considered one of the easiest levels to do on Legendary and the guide I watched by the ever-awesome Halo Completionist did it under 12 minutes and you're going to need every spare second you can scrap together to give you a buffer for some of the long, difficult levels. But still!

It's silly, I know, but I feel so proud of me! I'm an old lady (well, middle-aged, if I'm being generous 😜) playing Halo with shaky hands but I made under par time on Legendary! 🥳🥳🥳

PS - Tried it again and got 13:55!

[crimeronan]

come on torn head of the biceps muscle....... you know it's me.......

[syn4k]

I am pleased to announce that my Tumblr tag passes the vibe check

[galahadenough]

This is a scene from one of the best things I’ve ever read, book or fanfic, Blind, But Now by aperplexingpuzzle on ao3 (currently @ghirahimbo here)! I cannot recommend this story enough!

If a legend is a regal and intricately woven tapestry, hung on a distant wall, then BBN is that tapestry up close. It takes the legend and lets you see the threads, lets you feel the texture. Every knot, every spot worn smooth over time. The story sees both the original image and the pieces that make up the image. It looks at how the journey weathered the tapestry, looking at the broken threads, the frayed and discolored spots, and sees an image made all the more beautiful because it doesn’t just tell the story of the legend but the story of the tapestry.

This scene really gave me such a deep, almost physical feeling of the heat and immensity of the region. It stays with me and is one of the first scenes that comes to mind when I think about the story. I was hoping to catch a little of that, plus the overall feeling of their encounter, that edge of potential. Potential danger and potential.. something else.

[blessedshortcake]

I dont know whos angst blorbo i am being posessed by but you can stop putting me through the trials of hell now 🧍‍♂️

[soundsfaebutokay]

The Horror and the Wild album anniversary is upon us! Well, it's on Feb. 29 which only happens on leap years because Joey and Madeleine are just that Extra, but you know what I mean. What are we doing, o favorite fandom of mine? I haven't had the time to do my usual thing (i.e. fight with Tumblr search a month in advance to find THATW posts to schedule for a week-long reblogging spree) so this blog will be relatively quiet. Did anyone post or announce any plans or suggestions?