#;usurper
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tophats-tea · 8 months ago
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sliding scale of posts about Jesus being a carpenter who was nailed to a cross
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lemongrace · 10 months ago
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- No gods but us.
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dapper-lil-arts · 6 months ago
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We were robbed of mom Celestia... And daughter Sunset fr fr
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zorangezest · 18 days ago
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skybound
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dcsmdcsm · 4 months ago
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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infernal-lamb · 6 months ago
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some rushed doodles of our new goat darling........I have so many plans for them
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alicentofhightower · 4 months ago
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being the targtower’s youngest sister would include…
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pairings: platonic!alicent hightower x daughter!reader, platonic!aegon targaryen x sister!reader, platonic!helaena targaryen x sister!reader, platonic!aemond targaryen x sister!reader
synopsis: what it’s like to be the youngest daughter of the green queen.
includes: reader being the only somewhat normal targtower, i went overboard on aegon’s are we surprised, might be ooc, sorry for how short alicent’s is i wasn’t feeling much inspo for her
a/n: one of my favorite things about alicent’s dynamic with her children is that they all represent a part of her: aegon, being used for politics, helaena, her innocence that she used to have, and aemond, her rage and thirst for power. so i decided to have reader represent alicent’s devotion to her family and her “duty”. hotd is so weird abt character ages so for my sanity aegon is 20, helaena is 18, aemond is 17, and reader is 16 in this. forget daeron pls
Alicent
Alicent has incredibly complicated relationships with her children. They are mirrors of her anguish, but her blood nonetheless. She will protect you and your siblings with her life, if necessary, but she also cannot look you in the eye without a pit of guilt settling in her stomach.
She feels nauseous when Viserys has you betrothed to a Lord from the Crownlands, but apart of her is satisfied with the match, though only because it means you will be allowed to stay in the Red Keep instead of leaving her.
She is just as gentle as she is with Helaena as she is with you. You are one of the only good things that have come from her. She cherishes you. When word of your pregnancy spreads through the Keep, Alicent orders an abundance of maternity gowns for you from Myr. She will always, without fail, offer you a guiding hand when going up large sets of stairs.
By all means, she is not a perfect mother, but she does what she can. She gifts you lots of her own accessories, like the hairnet she wore during Aegon’s second nameday celebration. Helaena is her “dearest love”, and you are her “sweetness.”
Trying to include you in her own private matters is one of the only ways she can spend time with you. She takes you to the Sept with her when she can, though her eyes are always averted from you.
That is one of the other strange things you’ve noticed about your mother; she can never make eye contact with you. Perhaps it is because you are with child just as she was at your age.
When the time comes, she cannot be by your side to hold your hand while you give birth. It’s improper. But she is overjoyed that both you and your son are healthy.
— “You have done well, my sweetness,” Your mother whispers, voice soft and melancholic and warm. Grand Maester Orwyle, bless him, had propped you up on great plush pillows after you’d finished your labors. He’d quietly congratulated you and helped you get comfortable in your bed, then had left you to rest.
She sits on the edge of your mattress, right by your side, thumb gingerly tracing your cheek. The forest green she’s clad in brings out the auburn of her hair. “The babe is a beautiful one. A handsome son for the realm. I am��� proud of you.”
Articulating her thoughts has never been her strong point. It is the hour of the owl now. The only sounds you can hear are the padding of raindrops against the tall windows in your chambers and the crackling of the hearth.
“Aegon’s birth came quick for me as well,” She mutters, almost to herself. Peculiarly, she clings to the little ways you are alike to one another; they are fading as the days pass by. Her brows furrow as her mind begins to race.
Your firstborn sons’ births had come with ease. You were both married off far too early in your lives. In girlhood, you had both favored naive stories of brave knights and pretty ladies and romance. You both committed yourself to duty to further the family—
She stops the list she’s making in her head there. Far more resolutely than before, as if putting a wall around herself again, she kisses your forehead and retracts into herself.
“I shall leave you be. Good night.”
Aegon
For Aegon, news of a new sibling is unsurprising. It’s the same old thing to see his mother waddling around the castle, belly swollen. He’s a little indifferent when you’re born.
As a teen, though, Aegon is certainly the type to smack you a bit too hard in the training yard and then shush you, begging for you to hit him just as hard before you wail too loud and one of your mother’s handmaidens hear and alert her of it.
It makes him feel shameful, the first time you see him drunk, stinking of the whores of Flea Bottom and sweat. You promise to not tell anyone of it, if he, in exchange, does not do it again. He still does. You still do not tell.
After the events of Driftmark, you are the one to cut his hair short. Seeing Aemond bloody and bruised had frightened you, caused you to weep in front of the crowd in the great hall, and you’d tearfully asked Aegon if you could sleep in his bed together that night. He forces you to help him trim his waves the next morning as “repayment”, though he did not actually mind it.
You grow closer as you become older. To Aegon, you are the only one who has a semblance of faith in him; your mother was constantly repulsed by him, as was your grandsire and own father. Aemond had given up on him a long, long time ago, and Helaena focused on the children far more.
On his better days, Aegon likes to fly on your dragons together. Seeing you windswept and almost free is strangely satisfying for him; he misses when you both hadn’t been burdened by what your parents had put on you. In the dead of night, he likes to imagine what life would have been like if he hadn’t been forced to marry Helaena, and you your “fat, old husband”, as he put it.
Speaking of, he’d made a great fuss at your wedding. That was the angriest he’d ever saw you; he’d drunk himself half to death at the celebration afterward, made a fool of himself when he got into a fist fight with one of your husband’s brothers. Even the bards had stopped singing to stare at the spectacle. You’d almost lost your voice that night from how loud you’d yelled at him, asking when he’d ever think of anyone but himself, cheeks flushed from deep embarrassment.
“You know of my apprehension when it comes to large events such as these, and yet you cannot steel yourself for one night for my sake? What will you do when Jaehaera is married? Light the castle aflame?”
(You do not know the reason he’d done such a thing was to make such a big scene your consummation ceremony would be an afterthought. That, and the fact he was drunk and angry.)
Some part of him feels guilty when you get pregnant. He knows, deep down, that he had no part in it, and he could not control your fate, no matter if his efforts were weak or strong. But he was still your elder brother, was he not?
One day, while you sit in a rocking chair and he plays with the twins in their nursery, you tell him, “I should like for my son to be like you.” Aegon says, quietly, that yours will be better than he ever was, with you as his mother. He vanishes back into the Street of Silk soon after that.
One of his best qualities is being able to make light of anything, and he does just that after your labors, laughing at how disheveled you are and kissing your forehead. It’s hard not to laugh with him.
Days later, at his coronation, you are the first he looks to for approval, after your mother. The subtle nod you give him makes him wonder how you would’ve reacted if he had been successful in running to Essos. He hopes neither Aemond or Cole told you of what he’d said.
After becoming king, Aegon grows to value your input more and more. On his council, he feels you are the only one to genuinely listen to his concerns and thoughts when it comes to winning the war, and so he ignores the disapproving looks the men around him give him when you come to the meetings.
He does not mention your dragon when discussing battle plans, almost seems to ignore it when Lord Jasper brings you up; your dragon is great and strong, and he knows he will have to utilize you one day, but he refuses to think of it until it’s absolutely necessary. His mind has already been spoiled by what he has seen in brothels and taverns, and he imagines it will only further be by the sights of war. Aegon will do everything he can to avoid what happened to him happening to you.
The assassins Daemon hired infiltrate the Red Keep. They kill his son, leave with his head in a sack. Aegon rages and drinks and rages. He will not allow even you to see his tears, but he cannot stop them from soaking the cloth of your dress when you hug him tenderly, as if afraid he’ll slip through your hands like sand.
Bile floods into his mouth when Otto suggests wheeling his son’s body through the city to secure the approval of the smallfolk. The image of you insisting on going instead of his mother is burned into his brain. “If you will force Helaena, then at least spare Mother and allow me to go,” You’d begged. It does nothing.
As foolish as he can be, Aegon is also not one to forget what others have done for him. You were the only one who’d taken his side against your grandfather. He is glad he was not forced to marry you, glad that he did not force you to a brothel as he did Aemond; he is glad that he has not ruined you.
Aegon’s visits to your child become less and less frequent. He loves the boy dearly, like he’s his own, but he cannot stand to look at him. It’s only a reminder of what happened to his little Jaehaerys.
Rook’s Rest destroys him. He does not even need to tell you that it was Aemond who did it, you just seem to know. There is no way for him to verbalize that he is listening to you while he is in his milk-of-the-poppy induced coma, but he does appreciate the stories you tell him while sitting at his bedside.
He specifically forbids you from looking at him while the Maesters change out his bandages, but he’ll allow you to sit on the other end of his bed with your back to him and hold his unburnt hand while they do so.
— “I feel a monster,” He admits to you one night while you light a candle on the stand next to his bed. You’re clad in a warm nightgown; many whisper that winter is coming, and it’s hard not to notice with how cold the breezes have been lately.
“Why is that?”
“You know why.”
You can’t even fight the scoff that comes from you, and you turn back to him with a frown etched deeply into your face. “You should not. You are king.”
Aegon rolls his eyes. “That did not stop our cunt of a brother from burning me like the Conqueror did Harrenhal.”
Huffing, you smooth out your dress, then walk to the other side of the bed and slowly crawl on. You’re careful not to move around too much, so as to not cause him any more injury, and sit next to him, back against the headboard. You bring your knees to your chest and wrap your arms around your legs. His eyes are slightly glossy when they meet yours.
He takes a sharp breath. “…If it had been my decision, I would have named you regent.”
You laugh incredulously at that, shaking your head. “They set aside Mother for Aemond. They would have forced you to do the same.”
Aegon raises his remaining silver brow. “I am not as feeble and weak-minded as Father. I speak truly. It is you I trust the most.”
Helaena
Helaena is perhaps the least expressive out of all of your siblings, but even she felt happy when Mother’s babe had come a girl.
She does genuinely appreciate that you do not judge her and make fun of her behind her back; she has never felt like she has been able to fit in with her ladies-in-waiting.
As mature as she is, Helaena does like to indulge girlishly sometimes; she enjoys matching her gowns with you, as well as hairstyles and (light, so as to not overstimulate her) jewelry.
Observant and introspective, Helaena also has a great memory. If you tell her you’ve had a fascination with direwolves as of late, or have particularly enjoyed reading about Valyrian history, suddenly the dresses she gifts you will subtly be embroidered with subtle little wolf icons or ancient Valyrian imagery. She is very thoughtful.
Unbeknownst to most, she also gives very good advice. There have only been a handful of times her council has not helped you. Wise and empathetic, she is, and she is always willing to listen to you explain your troubles while she plays with one of her bugs.
It pains her to see you inflicted with the same fate as she was; married off to a man you had no love for, forced to be his incubator. Just as it was during Aegon’s coronation, her head is bowed at your wedding. She does not want to look at your doom.
Despite this, she is perhaps the most supportive of you during your pregnancy; she likes suggesting names for the babe as well as crafting him little clothes for him to wear when he is born.
Although you do not understand her prophecies, it does quell her anxieties a bit that you at least listen to them instead of dismissing them like all else do.
When noise gets to be too much for her, you are the first to cover her ears with your hands, guiding her to the lush gardens of the Keep to breathe. You are the only person she has a likeness of boundaries with; when she does not want to be touched, you leave her be. It’s why you are the sibling she is fondest of.
Her hand immediately flies to grasp yours when Meleys erupts from the boards at Aegon’s coronation. The look on her face had confused you. She’d appeared fearful, but simultaneously also put at ease, as if she’d known that this was going to happen.
After Blood and Cheese, she cannot find rest at night. She takes to pacing about the Red Keep, almost looking like a ghost; pale and silver and paranoid. Despite the fact that it distracts you from your own slumber, you insist on her staying in your chambers with you. She still paces, never sleeps. Some nights you even walk with her around the castle.
— “This one will not live,” She blurts out randomly, interrupting you from one of your tangents, confusing you. She never interrupts you, always listens to whatever your qualms are for the day without complaint.
“What?”
You feel like you’re about to burst; partly from the grand lamb you had for your midday meal and from how heavy the babe in your belly feels. She seems surprised that the words had actually come out of her mouth.
She pushes her face closer to the fly she has somehow managed to capture in her palm, a perturbed glint in her eye. “I do not think this one will survive.”
You decide to indulge her, tilting your head to the side from where you sit across from her, lounging on a velvet sofa. “Why is that?”
“The art of the spider is subtle. It shall trap another in its web.”
(Later that day, you can only wonder if she was speaking of Lord Vaemond after he’d been beheaded by Prince Daemon from behind.)
Aemond
Aemond can barely remember the day you were born, much less the day a celebration had been held for Mother’s pregnancy.
Alike to his siblings, Aemond is not one to forget what you did for him when you were children; how you always offered to take him on rides on your dragon before he’d claimed Vhagar, how you were the only one uninvolved in the “pink dread” incident, how you cried for him after he lost his eye.
After the loss of his eye, Aemond begins to put a wall around himself. Unfortunately, that does include you. Before Driftmark, you were closest with him, but afterward, you had slowly drifted toward Aegon; nevertheless, he shows his affection for you in his own way.
However, he does keep the little gifts you’ve given him over the years safely hidden in his chambers, away from the eyes of curious maids and servants, like the eyepatch you’d embroidered a little Vhagar in in the weeks after his eye was cut out.
When Vaemond’s head is cut off, Aemond immediately places a hand on the pommel of his sword, lest Daemon himself attack you next. When he becomes regent, he is the one who orders you to be given a sworn protector. He is the one who’d help you learn Valyrian when you struggled, even after all your lessons.
Aemond never, never shows much affection to anyone in the family publicly, but he doesn’t mind it if you place a hand on his forearm or his own hand. He prefers it if you keep things like cheek or forehead kisses private in the sanctity of your or his own room.
In his immediate family, you are perhaps the most normal of all, which does make him seek out your company the most. The mornings after he seeks out Madame Sylvi’s assistance are the mornings he spends the most time with you. The shame of it all almost eats him alive, and you are a welcome distraction.
Additionally, the one-eyed prince does genuinely appreciate how you show your devotion to the family, though of course he’d never verbalize it. Almost every training yard session he has, you sit on the balcony, embroidering a dress or two while he swings his sword at Criston’s morningstar.
Your wedding to some old Crownlands lord was a memorable one, mostly because of when Aegon had pinned your new brother-by-law to a table and began beating him senselessly. Aemond was the one who had pried him off, mercilessly tugging him by the collar of his doublet away from the man.
You become pregnant quick. Aemond says that when your son is born, he will bring him to meet Vhagar himself, stating that a “new Targaryen babe should learn the ways of his predecessors”.
As the moons pass by, the Maesters order you to bedrest. Your elder brother likes to visit during his free time, sometimes bringing a book with him to read or nothing, just to converse with you quietly. You are the only “quiet” Aemond has ever known.
When Rhaenys bursts through the boards at Aegon’s coronation, Aemond’s palm finds your wrist, gently grasping it with his long fingers.
Just as your mother does, you begin to shun Aemond after Luke’s murder. It does not make him resent you as much as it does Alicent, but it does make him spiral a bit quicker.
Many a time have you slept in Aemond or Aegon’s bed because of nightmares. The only time he’s ever slept in yours was the night Aegon had found him in the brothel with Sylvi. You had not been awake when he’d crawled into bed with you, just laying beside you and shutting his eye. He makes sure to leave before you wake. Aemond does not know that you were quite aware of his presence, but had chosen not to say anything. If Aemond of all people had decided to find sleep in your bed, something awful must’ve happened. Why take that moment of respite from him?
He knows that you know he burned Aegon, but he does not ever bring it up in a conversation with you, much less acknowledge it. However, Aemond is observant. He notices the fearful glint in your eye when he is around you, now, but this is what he has always wanted, has he not? To rule?
— Aemond is with you the morn after Blood and Cheese, standing in one of the Red Keep’s balconies as you watch the wagon carrying your mother and Helaena depart. Your eyes are sunken in from crying, cheeks swollen; you wear a veil of mourning yourself, though there is no crown settled on your head. The way you lean over the railing to peer at the ground, the way your back is hunched, the way you grieve so openly.. it does not befit a princess. It does not befit someone from the Targaryen family, someone who is supposed to use honeyed words and cunning tricks to protect themself from the environment of King’s Landing.
You sniffle. “Where were you?”
Aemond’s eye goes wide. A deep pit was already settled in his stomach, but it only seems to get worse at your questioning. Even his throat seems to tighten up, make it impossible for him to even choke out an answer.
“When news of… the boy spread,” You begin, “I went to find you myself. But you were not in your chambers, nor in the library. Where were you?”
“Patrolling.” It’s an obvious lie. He regrets it the moment it comes out of his mouth, jaw clenching immediately. There was no use in patrolling at night, when he could barely see anything. His hand unconsciously squeezes the stone railing.
He’s ready to leave with haste when you nod to yourself, face blank and detached from reality. “…I won’t tell anyone,” You mutter, just loud enough for him to hear. “Wherever you were.”
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chanrizard · 3 months ago
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DominATE World Tour ✧ SEOUL D-2 (240825) ending ment
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mostlysignssomeportents · 21 days ago
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Antiusurpation and the road to disenshittification
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THIS WEEKEND (November 8-10), I'll be in TUCSON, AZ: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.
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Nineties kids had a good reason to be excited about the internet's promise of disintermediation: the gatekeepers who controlled our access to culture, politics, and opportunity were crooked as hell, and besides, they sucked.
For a second there, we really did get a lot of disintermediation, which created a big, weird, diverse pluralistic space for all kinds of voices, ideas, identities, hobbies, businesses and movements. Lots of these were either deeply objectionable or really stupid, or both, but there was also so much cool stuff on the old, good internet.
Then, after about ten seconds of sheer joy, we got all-new gatekeepers, who were at least as bad, and even more powerful, than the old ones. The net became Tom Eastman's "Five giant websites, each filled with screenshots of the other four." Culture, politics, finance, news, and especially power have been gathered into the hands of unaccountable, greedy, and often cruel intermediaries.
Oh, also, we had an election.
This isn't an election post. I have many thoughts about the election, but they're still these big, unformed blobs of anger, fear and sorrow. Experience teaches me that the only way to get past this is to just let all that bad stuff sit for a while and offgas its most noxious compounds, so that I can handle it safely and figure out what to do with it.
While I wait that out, I'm just getting the job done. Chop wood, carry water. I've got a book to write, Enshittification, for Farar, Straus, Giroux's MCD Books, and it's very nearly done:
https://twitter.com/search?q=from%3Adoctorow+%23dailywords&src=typed_query&f=live
Compartmentalizing my anxieties and plowing that energy into productive work isn't necessarily the healthiest coping strategy, but it's not the worst, either. It's how I wrote nine books during the covid lockdowns.
And sometimes, when you're not staring directly at something, you get past the tunnel vision that makes it impossible to see its edges, fracture lines, and weak points.
So I'm working on the book. It's a book about platforms, because enshittification is a phenomenon that is most visible and toxic on platforms. Platforms are intermediaries, who connect buyers and sellers, creators and audiences, workers and employers, politicians and voters, activists and crowds, as well as families, communities, and would-be romantic partners.
There's a reason we keep reinventing these intermediaries: they're useful. Like, it's technically possible for a writer to also be their own editor, printer, distributor, promoter and sales-force:
https://pluralistic.net/2024/02/19/crad-kilodney-was-an-outlier/#intermediation
But without middlemen, those are the only writers we'll get. The set of all writers who have something to say that I want to read is much larger than the set of all writers who are capable of running their own publishing operation.
The problem isn't middlemen: the problem is powerful middlemen. When an intermediary gets powerful enough to usurp the relationship between the parties on either side of the transaction, everything turns to shit:
https://pluralistic.net/2022/06/12/direct-the-problem-of-middlemen/
A dating service that faces pressure from competition, regulation, interoperability and a committed workforce will try as hard as it can to help you find Your Person. A dating service that buys up all its competitors, cows its workforce, captures its regulators and harnesses IP law to block interoperators will redesign its service so that you keep paying forever, and never find love:
https://www.npr.org/sections/money/2024/02/13/1228749143/the-dating-app-paradox-why-dating-apps-may-be-worse-than-ever
Multiply this a millionfold, in every sector of our complex, high-tech world where we necessarily rely on skilled intermediaries to handle technical aspects of our lives that we can't – or shouldn't – manage ourselves. That world is beholden to predators who screw us and screw us and screw us, jacking up our rents:
https://www.thebignewsletter.com/p/yes-there-are-antitrust-voters-in
Cranking up the price of food:
https://pluralistic.net/2023/10/04/dont-let-your-meat-loaf/#meaty-beaty-big-and-bouncy
And everything else:
https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens
(Maybe this is a post about the election after all?)
The difference between a helpmeet and a parasite is power. If we want to enjoy the benefits of intermediaries without the risks, we need policies that keep middlemen weak. That's the opposite of the system we have now.
Take interoperability and IP law. Interoperability (basically, plugging new things into existing things) is a really powerful check against powerful middlemen. If you rely on an ad-exchange to fund your newsgathering and they start ripping you off, then an interoperable system that lets you use a different exchange will not only end the rip off – it'll make it less likely to happen in the first place because the ad-tech platform will be afraid of losing your business:
https://www.eff.org/deeplinks/2023/05/save-news-we-must-shatter-ad-tech
Interoperability means that when a printer company gouges you on ink, you can buy cheap third party ink cartridges and escape their grasp forever:
https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer
Interoperability means that when Amazon rips off audiobook authors to the tune of $100m, those authors can pull their books from Amazon and sell them elsewhere and know that their listeners can move their libraries over to a different app:
https://pluralistic.net/2022/09/07/audible-exclusive/#audiblegate
But interoperability has been in retreat for 40 years, as IP law has expanded to criminalize otherwise normal activities, so that middlemen can use IP rights to protect themselves from their end-users and business customers:
https://locusmag.com/2020/09/cory-doctorow-ip/
That's what I mean when I say that "IP" is "any law that lets a business reach beyond its own walls and control the actions of its customers, competitors and critics."
For example, there's a pernicious law 1998 US law that I write about all the time, Section 1201 of the Digital Millennium Copyright Act, the "anticircumvention law." This is a law that felonizes tampering with copyright locks, even if you are the creator of the undelying work.
So Amazon – the owner of the monopoly audiobook platform Audible – puts a mandatory copyright lock around every audiobook they sell. I, as an author who writes, finances and narrates the audiobook, can't provide you, my customer, with a tool to remove that lock. If I do so, I face criminal sanctions: a five year prison sentence and a $500,000 fine for a first offense:
https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff
In other words: if I let you take my own copyrighted work out of Amazon's app, I commit a felony, with penalties that are far stiffer than the penalties you would face if you were to simply pirate that audiobook. The penalties for you shoplifting the audiobook on CD at a truck-stop are lower than the penalties the author and publisher of the book would face if they simply gave you a tool to de-Amazon the file. Indeed, even if you hijacked the truck that delivered the CDs, you'd probably be looking at a shorter sentence.
This is a law that is purpose-built to encourage intermediaries to usurp the relationship between buyers and sellers, creators and audiences. It's a charter for parasitism and predation.
But as bad as that is, there's another aspect of DMCA 1201 that's even worse: the exemptions process.
You might have read recently about the Copyright Office "freeing the McFlurry" by granting a DMCA 1201 exemption for companies that want to reverse-engineer the error-codes from McDonald's finicky, unreliable frozen custard machines:
https://pluralistic.net/2024/10/28/mcbroken/#my-milkshake-brings-all-the-lawyers-to-the-yard
Under DMCA 1201, the Copyright Office hears petitions for these exemptions every three years. If they judge that anticircumvention law is interfering with some legitimate activity, the statute empowers them to grant an exemption.
When the DMCA passed in 1998 (and when the US Trade Rep pressured other world governments into passing nearly identical laws in the decades that followed), this exemptions process was billed as a "pressure valve" that would prevent abuses of anticircumvention law.
But this was a cynical trick. The way the law is structured, the Copyright Office can only grant "use" exemptions, but not "tools" exemptions. So if you are granted the right to move Audible audiobooks into a third-party app, you are personally required to figure out how to do that. You have to dump the machine code of the Audible app, decompile it, scan it for vulnerabilities, and bootstrap your own jailbreaking program to take Audible wrapper off the file.
No one is allowed to help you with this. You aren't allowed to discuss any of this publicly, or share a tool that you make with anyone else. Doing any of this is a potential felony.
In other words, DMCA 1201 gives intermediaries power over you, but bans you from asking an intermediary to help you escape another abusive middleman.
This is the exact opposite of how intermediary law should work. We should have rules that ban intermediaries from exercising undue power over the parties they serve, and we should have rules empowering intermediaries to erode the advantage of powerful intermediaries.
The fact that the Copyright Office grants you an exemption to anticircumvention law means nothing unless you can delegate that right to an intermediary who can exercise it on your behalf.
A world without publishing intermediaries is one in which the only writers who thrive are the ones capable of being publishers, too, and that's a tiny fraction of all the writers with something to say.
A world without interoperability intermediaries is one in which the only platform users who thrive are also skilled reverse-engineering ninja hackers – and that's an infinitesimal fraction of the platform users who would benefit from interoperabilty.
Let this be your north star in evaluating platform regulation proposals. Platform regulation should weaken intermediaries' powers over their users, and strengthen their power over other middlemen.
Put in this light, it's easy to see why the ill-informed calls to abolish Section 230 of the Communications Decency Act (which makes platform users, not platforms, responsible for most unlawful speech) are so misguided:
https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/
If we require platforms to surveil all user speech and block anything that might violate any law, we give the largest, most powerful platforms a permanent advantage over smaller, better platforms, run by co-ops, hobbyists, nonprofits local governments, and startups. The big platforms have the capital to rig up massive, automated surveillance and censorship systems, and the only alternatives that can spring up have to be just as big and powerful as the Big Tech platforms we're so desperate to escape:
https://pluralistic.net/2024/03/23/evacuate-the-platforms/#let-the-platforms-burn
This is especially grave given the current political current, where fascist politicians are threatening platforms with brutal punishments for failing to censor disfavored political views.
Anyone who tells you that "it's only censorship when the government does it" is badly confused. It's only a First Amendment violation when the government does it, sure – but censorship has always relied on intermediaries. From the Inquisition to the Comics Code, government censors were only able to do their jobs because powerful middlemen, fearing state punishments, blocked anything that might cross the line, censoring far beyond the material actually prohibited by the law:
https://pluralistic.net/2024/02/22/self-censorship/#hugos
We live in a world of powerful, corrupt middlemen. From payments to real-estate, from job-search to romance, there's a legion of parasites masquerading as helpmeets, burying their greedy mouthparts into our tender flesh:
https://www.capitalisnt.com/episodes/visas-hidden-tax-on-americans
But intermediaries aren't the problem. You shouldn't have to stand up your own payment processor, or learn the ins and outs of real-estate law, or start your own single's bar. The problem is power, not intermediation.
As we set out to build a new, good internet (with a lot less help from the US government than seemed likely as recently as last week), let's remember that lesson: the point isn't disintermediation, it's weak intermediation.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/11/07/usurpers-helpmeets/#disreintermediation
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Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en (Image: Cryteria, CC BY 3.0, modified)
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eloquentsisyphianturmoil · 25 days ago
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Maedhros’ abdication is so funny because every feanorian was probably salivating over his return like oOOooOoh Nelyo’s back, oh yeah we got our King now you see what he’ll do to you Nolofinwe he’ll really put you in your place huh buddy, good old Nelyo’s not gonna stand for this disrespect he’ll show you the crown belongs with us. And then
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poorly-drawn-mdzs · 10 months ago
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Good Morning, World.
[First] Prev <–-> Next
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chancekey · 2 months ago
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it was technically his temple anyway, so Narinder's holing up there instead of in some stupid hut
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ivansbadart · 3 months ago
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"Brutus" - The Buttress but it is Aemond Targaryen
This project took forever to finish, but alas I am very happy with how it turned out. If you look closely you'll see plenty of religious imagery that lent itself as inspiration (real ones and asoiaf ones).
I might post some of these individually in the future to fully preserve the original quality, which I know tumblr will spoil :)
I also did switch some of the lyrics so it makes more sense, and swapped the Latin to High Valyrian:
Frater Meus = Nuha Lekia = (older) Brother Mine
Rex = Darys = King
The Valyrian glyphs = either "Fire and Blood" or the inscription from the dagger (as much of it as I could decipher at least)
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ladydreamfyyreee · 3 months ago
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𝐏𝐫𝐢𝐧𝐜𝐞𝐬𝐬 𝐉𝐚𝐞𝐡𝐚𝐞𝐫𝐚 𝐓𝐚𝐫𝐠𝐚𝐫𝐲𝐞𝐧 & 𝐏𝐫𝐢𝐧𝐜𝐞 𝐉𝐚𝐞𝐡𝐚𝐞𝐫𝐲𝐬 𝐓𝐚𝐫𝐠𝐚𝐫𝐲𝐞𝐧 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞𝐢𝐫 𝐝𝐫𝐚𝐠𝐨𝐧𝐬 𝐌𝐨𝐫𝐠𝐡𝐮𝐥 & 𝐒𝐡𝐫𝐲𝐤𝐨𝐬.
𝐜𝐫𝐞𝐝𝐢𝐭𝐬 𝐭𝐨 : ( 𝐜𝐫𝐚𝐳𝐲𝐭𝐨𝐦𝟎𝟕𝟏𝟐 ) 𝐨𝐧 𝐗
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ferideart · 4 months ago
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Tom Glynn-Carney's performance as Aegon II Targaryen is too good not to use as a facial expression reference. He became one of my favorite actors on the show after S2.
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