#::I'll be here for the night

[evenlyevi]

By the lake

[just--a--vessel]

He/him pronoun bracelet broke, call that fragile masculinity

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[lunacias]

but we'll never be rid of each other

[nipuni]

THE DOCTOR We had a pact, him and me. Every star in the universe, we were going to see them all.

My version of The Master and The Doctor in their Academy days 😊

A speedpaint video of this will be available at my Patreon on april 1st!

[greatgoddyke]

ur afraid of being corny but i was born on the cob

[edorazzi]

Page 43 of my Miraculous Mentor AU comic A Matter of Trust! In which the last of the Sphinx bloodline finally come face to face... 🦋🐈

Index | Start | Prev | Next

Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work! 💖

[barghest-land]

ata tu corazón, mi amor, y arrástralo por la tierra

[xxplastic-cubexx]

the way u tuck charles hair behind his ear like a dainty elf princess whenever u draw him sends me every time, i know erik would agree 🙏🏻

i fear im adopting 'dainty elf princess' into my vocabulary here on out thank you for this wonderful gift anon

might you accept my small gift in turn ... i was inspired ...

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 4: Deranged Bedfellows

(Part 1, Part 2, Part 3, Part 4.5)

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[acekindaneat]

Day 2: Animals/Field trip!

Bro used his flip phone to take that picture.

clearer version:

[snarkspawn]

a weeping widower with a thorne~

[bucksdaffy]

you know what's tearing me up inside every time i think about it?

the way tommy is meant to parallel abby as buck's "first" big love.

and yet there is such a clear difference between him and abby (aside from gender, obviously).

because abby had never entertained the idea that her relationship with buck was or could be something more than just her having fun.

and i think it's pretty clear even in their first goodbye scene. she knew she probably wouldn't come back, not to him, and she tried to set him free.

and it's just as evident in the subsequent episodes, where she eventually started ghosting buck.

tommy, on the other hand, admitted to wanting a future with buck. he wishes buck was his last.

yeah, when he breaks up with him, he sets him free just like abby did.

but we know that even after the breakup, he's yearning. he's fucking yearning, you guys... he wants to reach out to buck just as much as buck wants to reach out to him. he doesn't think he can, so he doesn't, but his relationship with buck was clearly never for the fun of it for him.

and what's tearing me up inside is not the fact that it's framed in such a way because, GOD, this could be so delicious if executed properly.

it's the almost certain possibility that i'm simply reading too much into it. and that i'm setting myself up for disappointment, secretly hoping for something that most likely will never happen, and if it does, then not in the way i expect it to.

the tragedy of having a good story potential in the wrong hands.

[wavesoutbeingtossed]

Ok but I’m still gagged by the choice of the white dress covered in her spilled ink for the TTPD set.

The way it’s almost certainly meant to reference a wedding gown just like the music video and how that ties into the narrative of TTPD in general.

The way so many of these songs are about how she’s been wronged and how she’s angry.

The striking image of her floating around on stage unleashing her anger in Who’s Afraid of Little Old Me, or her collapsed on the platform in Down Bad begging to be beamed back up to the space ship. Very much giving dying on the altar waiting for the proof (in both meanings). She’s the jilted lover and the runaway bride. She’s the old widow who goes to the stone everyday and she’s the girl heading towards a shotgun wedding if she keeps this up. She's the unhappily married woman whose life is turned upside down by a man beyond her reach, with the chasm between them widening the longer the set goes on. And then!!! she's taken away (held back?) by the nurses at the asylum -- the crazy wife being committed for hysteria!!! (Actually I don't know what order that comes in in the set -- I'm going to have to find better videos.)

She said that the TTPD set is Female Rage: The Musical, and a lot of that is "I'm pissed off you let me give you all that youth for free." She sacrificed her youth to her demons and to people who never had her best interest at heart. She sacrificed her youth to bad actors who wanted to ruin her. She sacrificed her youth to men who traded promises of commitment for their own safety.

So to see that all symbolized in the white gown, saying "I love you, it's ruining my life," is so powerful. By the time we get to "The Smallest Man," she's covered up in the band (or army dress?) uniform, those dreams finally dead and buried, marching to her own memorial service. They all finally kill her, and her dreams of her future.

IT'S A LOT. A LOT A LOT A LOT.

[somegrumpynerd]

(They did not stop shredding the curtains)