#/like erase an entire character's character arc

[lines-in-limbo]

Snape grew up in Spinner’s End, surrounded by neglect and poverty, and that emotional and physical deprivation sticks with a person. His hair, like the rest of his unkempt appearance, reflects that. It’s a visual marker of his inner emotional state and something he’s carried with him into adulthood. I’m not saying he’s dirty (there’s nothing to suggest he smells bad, as others have pointed out), but he’s self-neglecting. He doesn’t care about how he looks because his background never gave him the luxury of caring, and as a result, he neglected it too. That’s who he is, and it’s how he’s stayed throughout his life. Is it important to his arc? Not in the sense that the story hinges on greasy hair, but it plays a role in how readers perceive him. His appearance and personality make him seem unpleasant and suspicious early on, which creates tension around his role in the story. But even when his true motives are revealed, the hair and his overall unpolished look ground him in his past. No matter what he achieves or how big a role he plays in the war, he’s still the boy from Spinner’s End. That’s what makes his character so raw and real because he never escapes that part of himself. Would Snape be a different character if his hair were clean(er)? Not entirely, but it would change how we experience him. Details like that make him feel human. Like I mentioned, his greasy hair is a visual marker of where he came from and how much emotional baggage he’s still carrying. Sanitizing that, whether by saying it’s all Harry’s bias or imagining him polished, feels like erasing that essential part of him. He’s not a shiny, polished person or a traditional 'hero' and he was never meant to be.

Yk, people are really getting a bit carried away trying to argue that Snape’s hair isn’t greasy, just because they’re uncomfortable with his unkempt appearance. But Rowling consistently describes his hair as greasy; it’s not just Harry’s biased view, but it’s in the narration itself. Harry notices it when he first spots Snape, before any animosity has developed and before his bias kicks in. This is a deliberate part of Snape’s character, contributing to the complexity and depth of who he is. There’s a reason for it. So yes, Snape’s hair is greasy and it’s not just pure bias.

[ryuuseini]

I feel like everyone's quality of life would improve dramatically if they watch Yugioh Zexal at least once in their life

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.

[sad-endings-suck]

and if I said that lots of mizu/akemi shippers are actually mizu/fem self-insert and mizu/fem oc shippers then what?

[super-paper]

some of the worst reads on Ochako and Himiko I’ve ever seen have come from feminist vloggers, ironically  

[beestandsforbiancanottheanimal]

okay i think that kako and mirai went back to 1968 to the day of the festival, when amane was trying to repair the old clock, probably to go back in time and prevent tsukasa from making the deal with the entity of the house. so they probably went back to prevent tsukasa from preventing amane?

but that would mean that amane dies at four years old because of his illness???? so what happens to tsukasa?

and would it mean that there'll be another spectrum as mistery n° 7? probably a real hanako-san???

and I think it's safe to assume that all the events of the manga haven't happened, as proved by aoi's hairstyle,,,

BUT nene and teru probably remember all? i mean,, akane did freeze their times, and it's canon that when that happens you're not affected by changes in time. plus, akane said something to teru, he gave him instructions, he wouldn't do that if he didn't expect him to remember it

[nilesmoon]

parani trying to kanallen ship bait is so funny to me. thanks for always choosing to focus on the most boring things kings 🙏🏻

[stairset]

Maybe it's just because of where I live, but the whole "Satine didn't like that her people were a bunch of warmongering imperialist assholes and told them to knock it off and implemented gun control and made the Jedi Torture Boxes illegal so that her people could rebuild and move on from their violent history of civil wars that reduced their planet into a nearly uninhabitable wasteland in favor of focusing on more productive things like art and education and this is literally cultural genocide and she's erasing history and she should've been a villain blah blah blah" take has always been so weird to me. Like I have absolutely seen people say things like that in real life all the time and about 90% of them have confederate flags on the back of their pickup trucks so. Yeah.

[leonardalphachurch]

listen. season 15 is not evidence he does not pay child support.

1) it’s literally been rendered non canon. what’s the point of 15-17 being retconned if we can’t write off the shitty ooc decisions made for the characters in them 😭

2) even if 15 was still canon, it’s not actually evidence he doesn’t pay? we know by the start of 15 it’s been ten months since the end of 13. tucker has been in hiding for nearly all of that. it’s very likely that tucker was away for literally the entirety of the pregnancies. he had no idea this happened. the kids are, at most, a couple of months old. he was not being told that he was actively skipping out on child support payments, he was being made aware that a bunch of infants existed for the first time.

3) like. the joke is racist. we can all understand how “black guy gets a bunch of women pregnant and doesn’t want to pay child support about it” is a racist joke, right? and that, given the lack of evidence that he isn’t paying (see: 1 and 2) and the amount of evidence that we do have that he takes care of his kids (he fully adopted the alien a parasite that used his body as an incubator as his son. hello.), i think actively perpetuating the racist joke is. mm. i don’t think you should do that!

[emeryleewho]

There's a huge difference between redemption and humanization. I feel like a lot of "redemption arcs" aren't actually redemption at all, they're just attempts to humanize the villain so that they seem multi-faceted, but people read them as "redemption arcs" and think that that is meant to justify all the evil they've done before and negate whatever made them a villain in the first place. I think true "redemption arcs" are actually kind of rare because true redemption would take making the villain acknowledge their crimes, reevaluate their actions, actively choose to do better, and then proceed to make amends and become a better person, and that would this take more time than most stories are allowed to give their characters.

I've also seen people argue that a character has to be poised for redemption from the jump for it to work because once a character does something "too bad", they can't be redeemed. I completely disagree because redemption isn't justification or forgiveness, so no matter how horrible a character's actions, they could choose to become better, but because a lot of people (including writers) think redemption means "erasing the character's flaws and making it so they did nothing wrong ever", a lot of attempted "redemption arcs" just end up erasing a character's entire history or justifying every evil thing they've ever done. And yeah, in these cases, the only way to make a character go from a villain to a perfect cinnamon roll with no flaws *is* to have been planning it from the beginning and make sure they never do anything that can't be explained away later.

TLDR: real redemption arcs require a lot of self-awareness, patience, and growth, which are things that are rarely actually allocated to villains, and that's why real redemption arcs almost never get executed. The reason people think redemption arcs are overdone is because there are so many attempts to either humanize a villain that get misconstrued as redemption or attempts to blatantly erase who a character was in the name of "redemption", which is really just poor character development.

[demilypyro]

Honestly I never liked Starline much. As far as IDW's original characters went, he was my least favorite. For a long time, he was just Eggman's overeager sidekick, and I didn't really see what he was supposed to add. But supposedly, Surge and Kit were planned characters right from the very start of the comic's run. And if that's true, it reframes Starline's character a lot.

If the goal all along was to eventually introduce Surge and Kit into the plot, then it makes sense they needed to introduce a new character to create them. Because a lot of the drama of their characters comes from their trauma. They were kidnapped, tortured and brainwashed, and who they were before that is unknown. The only person who knows their pasts is Starline. And in the very same issue that fully introduces Surge and Kit into the series, issue 50, Starline gets summarily killed off. It's been 24 issues since, and there's been no sign of him. The only person who knows their pasts is gone.

Through this lens, the utility of Starline's character becomes very clear. They wanted to introduce Surge and Kit, but needed to build towards them. They had to justify their existence in the narrative with the proper drama. Erasing their past was one way to do this, but this necessitates another character entirely. Someone needed to create them, and that person would need to go away. It couldn't be Eggman, since Eggman will always survive and return eventually. But an entirely original character could freely be killed off. Still, his influence could continue to haunt Surge and Kit.

Starline's arc was one of lost faith. He began by idolizing Eggman and wanting to please him. But then he was shocked by Eggman's seeming unwillingness to just... win. Eggman didn't want to kill Sonic before proving his full superiority by beating him fairly, and Starline eventually lost his admiration for the man. This was established quite early, as early as issue 14, so we can tell these seeds were planted with his future arc in mind.

Rather than helping Eggman, it became Starline's goal to surpass Eggman, by breaking the narrative stalemate between the heroes and villains. Endless stories like that of Sonic require that the hero always win, but the villain always survive and return. He wanted to break that status quo, what he called The Sonic Cycle. What he didn't realize was how expendable he is as a character.

As a character stuck inside the narrative, he could see the cycle, but he didn't see why it existed: editorial oversight. The powers that be would never allow Sonic or Eggman to die. He never had the narrative importance to accomplish this. He was only ever a means to an end, a narrative tool to introduce Surge and Kit. That would be his only lasting legacy. And there's tragedy in that. But he was also downright awful, so I can't say I feel sorry for him.

In the end, he was another victim of The Sonic Cycle, outlived by his creations, who have far more narrative potential. Get dunked on.

[silvercat-s]

Silco's death magically making Jinx sane contradicts Season 1 entirely. In Season 1, we see how obsessed Vi is with killing Silco because she believes her sister is brainwashed by him. She thinks removing Silco from the equation will fix everything and Jinx can go back to being the adorable little girl she once was.

Episode 9 completely destroys that notion. Jinx explicitly says that it wasn’t Silco who made her this way, it was Vi (while obviously not wholly true, Vi did play a part in it). Silco's death is what pushes Jinx to stop trying to convince her sister (and herself) that she can be Powder again. It’s the moment she fully embraces her Jinx persona, culminating in that horrifying dramatic act in his honor

Now season 2 completely backtracks by suggesting that Silco’s death did fix everything! We’re suddenly back to square one with the Jinx vs. Powder conflict, even though the final episode of Season 1 was supposed to resolve that. Silco’s years of influence, both good and bad, are simply erased from her life. The trauma, emotional manipulation, paranoia, and codependency are just... gone. The time she spent with him is not even mentioned

It’s starting to feel like Silco had her under some magical mind control, and his death broke the spell. That’s not only reductive but also undermines the complexity of Jinx’s character arc. I really thought we were past this

[notdeezy]

Let's be Alexaniel haters together <3

I wish more people cared about actual Alexander's motive to return to his homeworld, it actually would be so cool if others made content about him and his beloved also like, hear me out Alexander angst based on his desperation to come back to someone who he loves. But hell nah we can't have that because it all got watered down by Alexaniel shippers, and honestly in my personal opinion Alexander is mischaracterized by this fandom so much especially by Alexaniel shippers and I hate that, despise even.

[neominthe]

SPOILERS FOR SCTIR FOR +CH 200

CW: (possibly) Eating disorder ED, depression

Something that keeps me awake at night: at the beggining of the story, Yoohyun's death isn't so painful for the viewers, because we only see what is on the surface of the Han brothers' life. It's through memories and flashbacks that we get to learn 3 facts: Yoojin dedicated his entire life to Yoohyun, they parted ways and in the end they reunited, only for one of them die. That's the introduction of SCTIR for us. Moreover, Yoojin is desesperate to leave the past behind, so he doesn't linger on his traumatic memories for too long, hence why the pain of reading SCTIR isn't instant.

It is gradual.

Yoojin and we learn that the past was never erased. It still happened, and exists in the form of Yoohyun's body out in the cold. Gradually, it becomes more apparent how Yoojin is still so affected by his previous life, despite his fear resistance skill. It starts with small things like him avoiding eating unless someone tells him to do so, always occupying himself with tasks that could be handled by someone else, negative thoughts about himself for every single action he takes and so on. I love, with all my heart, the manhwa, but the novel makes it so much more apparent how Yoojin loathes himself, to the point he keeps wishing he wasn't a human being, rather an item for his brother to use. It's so messed up to want to abandon all your humanity, feelings and concept of self just so you can be of help.

SCTIR is fun to read, but even more so with the unreliable narrator that is Yoojin. He sees what he does as nothing impressive, considering the people he is surrounded with, despite running the kisengsu facility, negotiating with the hair loss company to develop a new product, managing Seok Hayan's research team, mantaining diplomatic ties with Japan, training and helping other hunters and, most importantly, caring for all the S classes. He worries for their well-being because it's only natural for him to do so, as the Perfect Caregiver.

And, in the middle of it all, the only thing Yoojin spares for himself is hate. He doesn't want to live long for himself, but rather for Yoohyun, even though Yoojin already has been through the pain of loss. When Yoojin died in chapter 241, the first thing that he thought was Yoohyun. He didn't even think about how much it hurted dying (with a freaking shot on the head)! He just wanted to reunite and soothe Yoohyun that he was okay.

Speaking of which, in Sigma's arc, as Yoojin was alone, he really stopped caring for his well-being, so Sung Hyunjae took that role and did everything he could to help Yoojin. But, for him to even have to create a quest just so Yoojin could eat is what sparked my lizard brain to write this post.

My point is, there isn't an arc dedicated for recovery (at least until the chapter I have read that is like, ~300) and that is beautiful, because Yoojin is still processing what he went through, and we get to see that. Yoojin has such an interesting character arc as he begins wanting to forget the past, as it is too painful, to start running after it. He can't let go of it, because letting it go means letting his little brother go too. Which is why he says he will never be okay again in chapter 278.

[lkfarrout]

Why Stan Had to Get His Memory Back

For many of the episodes of Gravity Falls, there is a pattern where the physical supernatural beast or conflict being dealt with matches directly to some internal conflict that the character has. 

Examples:

In Double Dipper, Dipper wants to dance with Wendy but is getting in his own way with his overthinking and his list. This is shown physically by clones of himself turning on him.

In Carpet Diem, both twins are struggling to see from the other’s perspective and be more courteous with how they share a living space. They are physically forced to switch bodies to learn more about the other’s experiences. 

In Scary-oke, Dipper struggles to trust Stan and feels that Stan’s goal to protect him from the supernatural is unfair and unnecessary. Dipper then summons a bunch of zombies to prove a point. Him and Mabel must then rely heavily on Stan’s help to escape the zombies, and team up with him to finally defeat them.

Most character development in the more stand-alone episodes follows this format, but it’s harder to catch with the series-spanning character arcs like Stanley’s.

But before we get into that, one more less-obvious example:

Fiddleford’s internal conflict while working with Ford is that he had many traumatizing experiences that were causing him to suffer. But instead of having time and loving people around him to help him work through it, he had Ford continuously pushing him to work harder and finish the portal. This required him to suppress his feelings and pretend that those bad experiences did not exist. 

This is physically manifest by his creation of the memory gun. Which, in my opinion, does not completely erase memories in the way that Fiddleford intended and believed that it did. Instead, it only suppresses them. The memory gun takes whatever is written on it out of the person’s conscious mind and pushes it deep into their subconscious mind. Fiddleford still suffered the effects of his trauma - the fear, the paranoia - he only forgot the cause. And it drove him to insanity.

But when Dipper and Mabel help him remember, and when Ford finally apologizes for all that he did, Fiddleford is able to bring those feelings back to the surface and begin to work through them while surrounded by people that care about him. Ford explains in the journal that all of this helped Fiddleford begin to slowly return to his old self again. 

So, knowing that the memory gun only suppresses memories, let’s finally talk about Stanley:

When Bill first entered Stan’s mind while he was sleeping, he was inside of Stan’s subconscious mind, which contained all of his old memories and feelings and experiences. But when Bill enters Stan’s mind when he’s awake, he’s in his conscious mind - what Stan was currently thinking about at that moment. Which was, essentially, himself and Bill. His focus was entirely on himself defeating Bill. If, in order to be a hero, Stan’s conscious sense of self had to physically be erased along with Bill, what internal conflict of Stan’s does this represent?

Stan’s whole life he felt like a screw-up. Like a bad guy that would never be worth anything. That’s who he felt Stanley Pines was. So, in order to be a hero for his family, he felt that everything he used to be had to go away. He had to repress all of his past mistakes and screw-ups in order for his family to see him as a hero. He could not be both a hero and Stanley Pines because Stanley Pines was not a hero. 

Once Bill is gone, Stanley is a hero, but he isn’t Stanley Pines anymore. Until Mabel and the rest of the family start to talk about how wonderful he used to be. How the old Stanley wasn’t a screw up. How everything that he used to be was wonderful and good and they loved him for it - all of it. Once Stan accepted that he could be both a hero and be himself and be all of his past and be loved for it and not have to suppress it - it all came back. It came back because he realized he’s loved and accepted by others and he could finally accept himself. 

That’s why Stan had to get his memory back.

[oltammefru]

Civilight Eterna is an incredibly incredibly interesting character, and has so so much going on so I thought I'd share my read on her. First off, Civilight Eterna isn't Theresa. Like, at all. In her dialogue, she repeatedly says she's not Theresa, talks about Theresa as a person distinct from her, and seems uncomfortable when the Doctor treats her as if she is Theresa.

The way I see it, she is actually far more like Kal'tsit and Amiya than she is Theresa. Once you accept that, I think Civilight Eterna becomes an incredibly, incredibly interesting character who provides a large amount of great characterization to Theresa.

The real Theresa is dead and gone and erased forever now, but ironically, if anything, after ep14, the narrative is far more haunted by Theresa than it ever was. For the most part, no one is particularly happy with CE being on the landship as she is: for Kal'tsit, who had finally come to terms with her grief and loss, all CE really does is dredge up all the pain and sorrow and hatred she felt about Theresa's death.

For the Doctor, she is a source of self-doubt and guilt over their past sins.

There's also an interesting contrast between her and the Doctor, as CE spells out, with one of them being an existence entirely of memory, and the other having none at all.

Amiya is mostly ok about her, but even for her, CE a reminder of who and what she has lost. She sees CE and understands and sees her not as Theresa, but as something else, but because of her resemblance to Theresa, she can't help but be reminded that Theresa is gone, and she won't be able to see anything she's done or gone through anymore.

Theresa, herself, is gone for good now, but the shadow of her last deed hangs over them all. CE as a character takes the enormous background presence Theresa has in the narrative and she makes it a lot more personal than it already is. As a character, CE takes the ghost of Theresa that's been haunting the narrative in the background and drags it kicking and screaming into the forefront, forcing the main trio to confront it.

The person most haunted by Theresa is Civilight Eterna herself. She was made with the purpose being a replica or substitute of Theresa, with the memories of Theresa, but she's really not her, and she's in fact quite bothered by such a concept. The impression I get from her files is that her arc as a character (provided they give her continued story content and don't just throw her by the wayside) is mostly about her struggles to find an identity for herself beyond the one she was assigned and was made to be (which very much parallels much of Amiya's struggles throughout the her entire character arc!)

In most of the story, Theresa is framed as this, almost mythical, larger-than-life figure, who you hear of often and her legacy greatly influences everything that unfolds, without actually appearing except in brief glimpses and flashbacks (until the story starts peeling back the curtain on her with Babel.) For someone as existent and present as CE is, there is no way that she could actually live up to the legendary figure that Theresa was, nor does she want to. The mythos surrounding Theresa is so great that just by virtue of being made to be like Theresa, this serves to erase any identity or personhood of her own she might have (once again, parallels with Amiya.)

(This is also somewhat painfully ironic on a meta-level. If you engage with CE's content at all, it spells out the fact that she is very much not Theresa, but just because she was made to resemble her, even the playerbase of the game thinks of and sees her as Theresa!).

The thing that's juiciest about this to me is that the relationship she has with Kal'tsit. Kal'tsit is maybe the one person who can truly empathize with CE and her mode of existence: both were made and instilled with some driving, defining purpose, but wish to carve out an identity of their own; both occupy some messy, intermediate state between humanity and inhumanity; and both struggle with the risk of being subsumed by some ideal or identity far beyond what they could possibly be. But instead, Kal'tsit can't bear to see the sight of CE, she gives her the cold shoulder, and is unwilling to meet her eyes. Even if Kal'tsit does understand that CE isn't really Theresa, she can't help but see her and think of Theresa, and for CE, this is incredibly, incredibly alienating, that the one person who should be able to truly understand her and her struggles to find an identity for herself, sees her more as the person she was made in the image of and could never really be, instead of her own person.

In light of the fact that CE's files state Kal'tsit has been avoiding CE is so fucked actually, especially when you think about this in the context of Lone Trail. Lone Trail takes place over an (in-setting) year after CE shows up, and despite this, she is never been mentioned or referenced at all, even obliquely. Has Kal'tsit just been coping about it for an entire year straight*? Like, here's about how I imagine this goes: The Doctor mentions CE to Kal'tsit exactly once and immediately gets the hint to not do so. They don't get a lecture about this. They don't even get a Kal'tsit Stinkface Talksprite. She just looks, however minutely, a slight bit more tired and sad. And so that's the last time they ever bring it up. And the thing is, CE has the same care and love that Theresa had, and she wants so so desperately for the people Theresa (and by extension her) cares about to be happy. And so if the only thing she can do for Kal'tsit is to remain completely out of Kal'tsit's sight, existence unacknowledged, no matter how much she might want to reach out, no matter how soulcrushing and painful it might be to do so, she would do this and bear all the pain, out of the love she has for Kal'tsit.

The main way we see Theresa characterized before Babel and Ep14 is through the things and people she's left behind: the people who lived because she died, a dream, a photo of her snuck when she wasn't looking (she was looking), a flower garden, a letter, a promise, a girl made to bear the weight of the world and an apology to her. CE is the last thing she leaves behind, her last act, her last sin before she exits the story for good. In particular, I think CE as a character is some really good final characterization for Theresa, one that serves to highlight her character flaws.

As a person, Theresa is sort of messy. I mean this specifically in the sense she is a person who does great and grand things, knowing that there will be consequences (both foreseen and unforeseen), and does them anyway, often leaving a mess in the process for others to pick up. In Warfarin's 2nd operator record: her attitude towards Theresa highlights this well, to her, no matter how noble her ideals and how good her intentions might be, the fact of the matter is that she is starting a civil war who which will get people killed. In this regard, I think her creation of CE fits her character perfectly. What she does in episode 14: finally being able to free the Sarkaz from the shackles of Originium, and making CE as a final act of care to Amiya, fulfilling her promise to Amiya to always be with her, but making a huge mess in the process, serves as a perfect capstone to Theresa as a character. Even though she is now gone, the effects of her last choice and legacy still hang over those who knew her.

*Of course it could also be that they wrote LT at a time where there were no plans to have CE be a character at all, but especially when it comes to things like this, HG does generally write things years ahead of time. The ending of Lone Trail does feel very much like it was written with Babel already in mind, and Vigilo was also clearly written with Babel in mind (see: Memoria specifically) despite being released several years before Babel.