#//It's his very CORE aspect

[dutybcrne]

Forever love the idea of Kaeya feeling both Distress but also Anger in the face of realizing just much he likes or even loves somebody.

[ruvviks]

finally got around making a proper outfit reference sheet for nathan! he likes wearing dark clothes which really emphasizes just how pale he is. he was a STEM developer at MOBIUS for nine years what did you expect </3 click for higher resolution and to get a closer look at all the details! outfits from left to right: his gear for the evil within 2, 1am convenience store trip, his mobius gear, and an improvised outfit for my own fictional the evil within 3 =^)

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed, @swordcoasts

[grimalkinmessor]

Was reading tsukinousagi's latest fic (as one does) and xie said that people tend to base their characterization of Light off a certain scene/point in the timeline—and it took me a minute to think about it but mine is probably this one:

[amhrosina]

was talking to my best friend about frank castle and how i feel like i’ve never understood a character as much as i do frank and she just nonchalantly goes

“do you think that’s because you relate to him?”

and i was taken aBACK like bitch i did not need you to point that out to me but thank you for the absolute crisis this is going to cause me

[imminent-danger-came]

Part of me, deep deep down, wonders if we still may have a scene of MK on his knees versus his friends a la 4x07

[longagoitwastuesday]

ngl it sort of pisses me off the way adults regard Gojo in Jujutsu Kaisen at times. Which could be a very interesting and poignant point in a good way if well written, but as it is it becomes mainly just frustrating and sad in a negative way.

Nanami saying Gojo never cared about anything or anyone other than himself crashes interestingly with Kusakabe saying the whole situation was just all his fault because he refused to kill Itadori. The students are very aware of those aspects of Gojo's personality, but overall they seem to regard him with way more kindness and fondness even when at their rudest, not truly coinciding with either Nanami's or Kusakabe's views.

[sheila--e]

I wish more people understood Sheila E. so I could talk about the way I think they would've gotten on if Clara had lived. Like you're all about "everybody lives" this and "modern au" that. ok then, answer me this; how do you think Sheila's life would've been if Clara had lived and how can we apply that to her perspective during the helicopter crash/Night Bird Flying scene? answer, and quickly.

[upsidedowngrass]

man. my interpretations of liam and amelia end up as like . liam 🤝 amelia seeing themselves as Already Dead

[foldingfittedsheets]

So one thing I’ve noticed is that people’s DnD characters may vary but there is usually an underlying thread that they all have in common. This thread is typically related to what that person struggles with the most.

For instance, my betrotheds DnD characters: a bitchy warlock we had to bust out of two different pacts, a sassy barbarian, a reformed drow cultist, and a sunshine fighter cleric.

All these characters were wildly different but at their very core struggle was them grappling with their self worth. My betrothed struggles with their worth a great deal and even with different facets showing their characters all have that too.

Mine all tend to contend with different themes of loneliness and acceptance. Surprise, surprise, the little autistic gremlin yearns to have been met with more love and lasting friendships.

So we’re at breakfast. I am meeting a new friend of my betrotheds for the first time. It’s been twenty minutes since I’ve met this man. I say my theory. He laughs. He starts to describe a few of his characters but specifies that he often has healing aspects. He gives a very broad overview of their character arcs.

I ponder for a moment then said, “Would you like to have my assessment?”

He laughed, “Sure!”

“We’ve just met. It’s gonna get real.”

“Bring it on.”

“I think your struggle is that you feel you must offer something of value or service to people to be worthy of their love.”

His jaw dropped. His fork froze midway to his mouth. A potato fell. He stared into space as this sank in. Quietly he said, “Oh.”

[blindmagdalena]

Night Terrors

1.6k homelander x reader. established relationship. pure comfort fic. remaster of this old prompt. very mild spoilers for s4 if you squint. mostly just wanted to self-soothe with some comfort/cuddle fic. gif credit.

It's been decades since Homelander last stepped foot in The Bad Room, but when he wakes from a nightmare of it in your shared bed, it's as if he never left.

Most of the nights you spend with Homelander are peaceful. 

Tonight is not most nights.

The scream that wakes you from a dead sleep is guttural, barely human. Homelander is sitting upright, frenzied and wild-eyed, the ocean blue of them obscured by crimson glow. You're not even sure that he sees you through it when he looks at you. He's panting like he just ran a marathon, and the comforter is ripped cleanly in half, the two sides strewn on either side of him. "John," you call softly, reaching out to touch his arm, but he jerks away from your hand like you've burned him. "Don't fucking touch me," he hisses, wrapping his arms around himself. Sometimes he is small during these fits, curled in on himself, begging you to make it stop. Not tonight. Tonight he is another self, spitting rage and violence through remembered agony. A cornered animal. "I'll fucking kill you!" "John," you say again, pleading. You know he isn't talking to you. He's speaking to the ghosts of his past. "You're in our bed. You're with me. I would never hurt you. I love you, John." His name is a double-edged sword. It cuts clean through to something at the core of him in a way that “Homelander” doesn’t. Each use of it acts like a shock to his irregulated system.

You keep your hands outstretched, but you don't touch him. You show him that you aren't holding anything. Not a pen, not a notepad, not a needle. You show that you don't mean him any harm. 

God knows he's suffered enough. With the sound of your voice, the red glow of his eyes gradually dims, flickers, and then finally it goes out entirely. He's still panting, hands moving slowly down his arms, his torso, checking himself for injury. Though his body bears no scars of the pain he’s endured, his mind knows exactly where each one of them would be. Bit by bit, you watch him come back to himself. He looks around the room, taking in the evidence of your truth. Framed photos, décor, the life you’ve built together. It isn't a concrete dungeon. It isn’t a lab. It isn’t an incinerator. It's home. "Fuck," he says quietly, hiccupping the word into his palm. He says it again, louder, screwing his glassy eyes shut. The third time he says it, it's nearly a sob. It’s agony to wait, but you don’t touch him before he’s ready. You fist the bedsheets, you don’t stop talking. I’m here. I’m right here. I love you. You’re safe. You’re not sure if it’s minutes or seconds before he reaches for you. All you know is you act immediately. You move swiftly up on your knees, climbing over the ruined blankets to take him into your arms, pulling his head to rest against your chest, bringing his ear close to the beat of your heart. You hush him while you work to unstick the words from your throat, unable to help the tears that well in your eyes.

The fear and misery in him is so palpable, you nearly feel as if it’s your own. He wraps his arms around you without hesitation, pulling you to sit sideways in his lap as he weeps against you. It's taken a long time to reach this point. He used to swallow it back like bile, adamant for the longest time that you not see this side of him, this aspect of himself that he thinks ugly, imperfect, broken. You fought for this. As you hold him through these bone-deep sobs, it shatters you that it's taken him this long for him to find someone who would. "You're safe," you whisper, battling to keep the tears from your voice. "You're home. You're with me. You're safe. I love you so, so much." He rocks back and forth, choking on his sobs. “I could feel it,” he tells you, the words barely escaping the clench of his teeth. “It hurt. Every second of it, and they just–they all just watched.”

You close your eyes, tears rolling down your cheeks and disappearing into the softness of his hair. You kiss the crown of his head again and again, combing your fingers through his hair where it’s damp with sweat and your own tears. “You’re safe now,” you whisper, swallowing the lump in your throat. It isn’t enough, but these words and touches are all you have to offer him against the torment of his childhood.

His grip on you tightens. It wouldn’t take much for him to snap you in half.

That scare you? He’d asked you once. How easily I could break you?”

No, you admitted. It makes me appreciate how hard you try not to. It takes time for his breathing to even out. His hold softens, but he doesn't relinquish you. For as terrible as the nightmares are, it's the shame he experiences in the aftermath that often requires the most care. 

You rub firm circles on his back with one hand while cradling the back of his head with the other, trailing butterfly kisses along his temple, his forehead, down to his cheek. Any part of him you can reach, you kiss, murmuring quiet assurances in between, as if to imbue him with each word. Eventually, the rocking stops. He's breathing more steadily now, arms encircled firmly around your waist. He gives a shaking sigh. "Sorry," he whispers, voice strained. That's a word in his vocabulary that rarely comes up, but when it does, it is always drenched in shame. He hates himself for this. "Don't," you whisper, carding your fingers through his hair. You sniff back your tears, letting out a breath. "I asked for this. I begged you for this," you emphasize, earnest. You cup his face, angling him to look up at you. "Let me do this for you. Please. You have nothing to be ashamed of." He stares at you with large, watery blue eyes. The whites are red, strained by the force of his grief, his durability tested only by his own power. In his gaze you see damage done to him that may never heal, but your words settle over invisible scars like a soothing balm. It’s that very look of vulnerability that has driven you to this depth of love. You know his violence, his viciousness, but so too do you know the fragile man it protects.

Most of all, the scared boy beneath it all.

His grip on you flexes, his jaw clenched. The nature of your insight into him is both a blessing and a curse to him. He cannot hide from you. You know his shame, and despite how deeply he needs your compassion, your understanding, it’s something he has to bleed for every time. He’s perpetually torn between his desperation to be your perfect hero, and his soul-deep yearning to be safely vulnerable. 

If you have to, you'll spend the rest of your life convincing him that he can have both.

Finally, his shoulders sag. "I love you," he says, quietly defeated by your warmth. "I'll never hurt you. Ever." You recognize the plea in his words. He's terrified that someday it will be too much. You’ll see what everyone else sees, and your love will be tainted–destroyed–by your inevitable fear of him. You hope one day that he’ll understand why that will never happen. Someday the depths of your love will soak in as deep as the misery of his past, and he’ll be able to forgive himself for the human way his god’s heart bleeds. "I know. I know that.” You kiss the top of his head, still rubbing his back, taking your hand away only to swipe the tears from your face. “I love you, too. Every part of you."

Even the parts you hate. Gingerly, he lifts you just enough to lay you back down on the bed. He wastes no time cuddling back in against you, burrowing his face into the crook of your neck. The bedding is ruined, but he runs warm enough that you hardly notice the absence of cover while he’s holding you. Your legs tangle with his, bodies slotting together easily. He nuzzles as if he can worm his way closer than skin to skin. If you could, you’d open your ribcage to welcome him inside. He could eat your heart if it kept his beating another day.

"Will you... talk me to sleep?" He asks, threads of shame lingering in the request. The tension has drained away, leaving him vulnerable and exhausted. His blinks are slow, the curve of his lips mournful. "Of course," you whisper, smoothing your hand up and down his back. This isn’t the first time you’ve talked him back to sleep, and you doubt it’ll be the last. Sometimes you tell him the plot of a book as best you can recall, other times it's random anecdotes from your life. Sometimes it's complete nonsense. To him, it doesn't matter what you say. All that matters is that when he does finally drift back into sleep, it's your voice that safeguards him there. 

Gladly, he rests his head back down on your chest, closing his eyes with a rumbling sigh while your nails drag along his scalp. You cradle him there, savoring the warmth of him as it seeps into the marrow of your bones, the weight of him grounding you.

You tell him stories until sleep finds him. Even then, you continue to speak until your voice frays and you can no longer keep your eyes open. You speak and speak and speak hoping that somehow, in some small way, you can help make up for the years he spent with only his own voice for comfort.

[lenny-link]

TF2 x SU au fusions!

oof this took too long but i finally made it !

I kept @gracefireheart Andalusite (HeavyMedic) and @cariocay ‘s Turquoise (EngieSpy) (that i just realized their account got deactivated just a few days ago im sad now) fusion designs because i just found them perfect and whenever i wanted to try making my own designs i always ended up with making something similar to theirs since i was very influenced so i just kept them! They’re so awesome plz check the original artists!

my designs :3 :

About the fusions:

I tried to choose a theme for every fusion that suits the characters like Spessartite (DemoSolly) is a warrior i put Demo’s sword with Soldier’s shield thing well he doesn’t specifically have a shield but yknow the helmet thing i thought that could work.

He’s very powerful, strong and jump into action without a second thought, while he possesses immense strength and a love for loud and chaotic things, his battle prowess is a double-edged sword since his attacks lack precision. however, this unpredictability often leaves his enemies confused and scrambling to defend. he fights more efficiently when drunk lol

Lepidolite (MedicSpy) is a plague doctor, he is very inspired by Hannibal Lecter (nbc Hannibal lol shout out to that one Anon who recommended it for me to watch it lol) at first i wanted to give him a bistouri as a weapon, since it would suit Medic’s saw with Spy’s small knife, but then i felt the fusion was leaning too much towards Medic than Spy, so i put a cane instead to give that old idk gentleman look :P

He is polished and sophisticated, with a hint of underlying sadism and very precise in his movements, he meticulously analyzes his opponents, exploiting weaknesses with surgical precision before jumping into action and strike right where it hurts the most, the cane appears to be a simple walking stick, but inside is a hollowed core that had a retractable, poison-tipped blade, and his poison isn't fast-acting he enjoys toying with his victims, watching as the venom slowly takes hold, fueling his twisted sense of amusement. they are far from being the strongest fusion but they rely a lot on making their opponent weaker by their ability to attack precise hits as well as poisoning them!

Carnelian (SniperScout) his design was inspired by a equestrian outfit (he was the hardest to design tbh bc i wanted his design to be specifically different from the others since Scout is half human so i wanted this "human" aspect to show in the fusion).

He is a walking paradox, he's got Sniper's calm confidence with Scout's hyperactive energy, he loves a good plan but his execution is often fueled by pure adrenaline, he can zip across the battlefield with incredible speed, dodging attacks and flanking enemies. good at mid range and long range attacks but weak at close range, has internalized monologues with himself a lot, he appears calm on the surface however, his foot constantly taps, he fidgets with his slingshot, he cannot stays in place for too long. enjoys taking challenges.

Rubellite (DemoPyro) is a robot with a 50’s cartoon style but with like a creepy vibe to it, their voice sounds like a broken radio perpetually stuck on a laugh track, is both infectious and unsettling.

They just as powerful as Spessartite but just a bit more agile and lean more on the defense style than offense, their body stretches in a cartoony way and battles become a twisted playground for them, a child's game where they hop and blow things up everywhere. they’re very joyful and loves to have fun while making chaos, they usually make jokes but no one understands their muffled voice so they often laugh all by themselves lol the weapon actually expands where the ball and the shaft of the mace connects there’s a chaine (i didnt draw it cuz there was already too much going on in the drawing lol) which helps them reach target from close to mid range easily, they twist and turn their body in very flexible ways before swatting their weapon at their target.

♠︎ If you want to suggest a pair for the next fusion please just comment here DO NOT send it in my ask box plz !!

And if you want to make your own fusion designs/fanart go ahead ! id love to see other people’s interpretations could be ! just don’t forget to tag me and add the tag ( tf2 x su au) :D

hope you enjoy !

+ early designs :

[loriache]

Kabru, impossible mutual understanding & unknowable objects

Despite his concerted and constant efforts to understand other people, it’s established in a few extras that Kabru believes that true mutual understanding between certain different races is impossible. Specifically, between long-lived and short-lived races, and between humans and demi-humans. Partially, we can trace this conviction back to specific hang-ups caused by his life; the trauma of the Utaya disaster, prejudices he carries from his childhood, and his experience of racism among the elves. In this “little” essay, I’m gonna discuss how I think those experiences formed this belief, how it comes out in his actions, and how some of his actions seem to contradict it. The question of whether it’s possible to reach mutual understanding with other living beings despite our differences is one of the core themes of the manga, and I’ll also touch on how this aspect of Kabru’s character links to that.

Seeking understanding

Kabru is a character who devotes a huge amount of time and effort to understanding people, and he is very good at it. In his internal monologue, we can tell how advanced and complex his skills of analysis are. He is able to read a huge amount of information just from looking at people's faces and body language.

People are, to him, what monsters are to Laios. This is something that's been expanded on at length in other, excellent meta. It's the fact that they're foils; it's the fact that Kabru is also very easy to read as autistic, with a special interest which is the opposite and parallel of Laios'. It's something that came out of trauma and alienation, as Laios' special interest in monsters also began as a coping mechanism.

The complicated origin of this "love" for monsters and for people comes through, I think, in the fact that one of the places we see both characters use their fixation is in being very, very good at killing the thing that they love. This also ties into the idea that loving something isn't even remotely mutually exclusive with using it to sustain your own survival; using it for your own purposes; hurting it or killing it. Love can be, and often is, violent, possessive and consumptive. This understanding is part of what makes Kui's depiction of interpersonal relationships so compelling to me.

While Laios fixated on monsters and animals to seek a place of escape, in both his imagination and his self-image, from the humans who he couldn't understand and who couldn't understand him, Kabru seems to have fixated on understanding people in order to navigate the complex, socially marginal places that he has been forced into throughout his life. As an illegitimate child raised by a single mother with an appearance that marked him out as different to the point his father's family wanted to kill him, and a tallman child raised among elves who didn't treat him as fully human and wanted him to perform gratefulness for that treatment – treatment that, after he met Rin at age 9, he certainly always understood could be a lot worse – his ability to work out what people wanted from him, whether they were friendly or hostile or had ulterior motives, wasn’t just an interest. It will have been an essential skill.  

Milsiril, I think, was a flawed parent who tried to do her best by Kabru and did a lot of harm to him despite her best intentions. She may have treated him much better than an average elf would have, but like Otta and Marcille's mother, there are other elves with different outlooks on short-lived races. How would they judge her treatment of him? We don’t have any insight on what it could be, but to be honest, the person’s whose opinion of her I’d be most interested in knowing is Rin’s.

But even if she'd been perfect, living as an trans-racial adoptee in a deeply hierarchical nation with a queen who is a 'staunch traditionalist' who wouldn't even acknowledge the existence of a half-elf like Marcille (according to Cithis) is an experience that would deeply impact anyone.

Elves & Impossible mutual understanding

While Kabru was living with Milsiril - in other words, while living in the Northern Central Continent - he came to believe that "there was no way to achieve mutual understanding with the long-lived races."

This is evident in his political project: he wants short-lived races to have ownership over the dungeon's secrets. Despite his dislike of the Lord of the Island, he's a useful bulwark to stop the elves taking over. Despite his doubts about Laios, Laios needs to be the one to defeat the dungeon, because if he doesn't the elves will take over.

Kabru still carries a deep scar from Utaya, one that was exacerbated by the fact that he never got an answer to any of his questions about what happened or why. This, despite the fact that Milsiril knows about the demon and how it works. Do you think Kabru, with his social perceptiveness that borders on the superhuman, wasn't aware that she knew more than she would tell him?

Given that, the fact that he gets to a place where he "doesn't have any particularly negative feelings about [elves/long-lived species]" .... well, to put it bluntly, I believe that he thinks that's the case, but I kind of doubt it. After all, if he did have resentment, of Milsiril (someone who was his primary provider and caretaker since age six, and who despite her flaws, loves him and who I do think he loves) or of elves (who he has had to play nice with for most of his life, in order to survive, and will still have to play nice with in order to achieve his goals, since they hold all the power) what would that do except hurt him and make his life harder? Kabru is Mr. Pragmatic, so I don't think he'd let himself acknowledge any such feelings he did have. Exactly because he can't acknowledge them, they're well placed to get internalised as beliefs about the Fundamental Unchangeable Nature of the World.

However, these stated beliefs seem to contradict his actions. Despite his belief in the impossibility of forming a mutual understanding, he certainly seems to try to understand long-lived people, just as much as he does short-lived people. There's no noticeable difference between his treatment of Daya & Holm versus Mickbell & Rin that isn't clearly down to their relationship with him. His skills of human analysis were honed and developed while living amongst elves, and as soon as he's alone with Mithrun he immediately sets to understanding him - his interests, his motivations, his needs, and his past.

He treats him considerately and without bias, and despite the fact that Mithrun conquering the dungeon for the elves is both a reenactment of a core part of his childhood trauma and a political disaster for his aims, that doesn't seem to colour his perspective on Mithrun negatively at all.

This is something I find extremely laudable about Kabru, and it's another way he parallels Laios. He seems to understand that people, as a rule, (in Laios' case, he understands this about monsters - and eventually, all living beings) will act in their own interests, and if those interests conflict with yours, might harm you. But that's just their nature, and it's not something that should be held against them; you're also doing the same thing, after all. The crux of Laios' arc is precisely that he has to accept the responsibility of hurting someone else in order to achieve what he wants.

Kabru is deeply concerned with his own morals, what he should and shouldn't do, but mostly in the context of responsibility for the consequences - a responsibility he takes onto himself. He isn't scrupulous about what he needs to do in order to create the outcome he wants, but if he fails to create that outcome, then....

He blames himself to the point of thinking he should die. He doesn't blame Laios, or seem at all angry with him, despite concluding he should have killed him to prevent this outcome. That's because in his eyes, ultimately Laios was going to act according to his own nature, and it's Kabru's fault for not understanding that nature well enough. He's extremely confident in his ability to understand and predict others, (including elves and other long-lived people). Then, where does his conviction that mutual understanding is impossible come from?

Partially, it's the "mutual" part. I'm sure Kabru, who isn't able or willing to deny Otta's insinuation that Milsiril saw him more like a pet than a son, has felt that his full interiority, the depth of his feelings and his ability to grow, act, and think as a fully equal being, was something that the elves around him just couldn't grasp. Because that was their excuse for it, he came to understand this as a gulf between short-lived and long-lived beings, an inevitable difference in outlook caused by their different lifespans.

This experience might be part of what leads to his iconic “fake” behaviour. He trusts his ability to understand others, but if they aren’t able to understand him, then there isn’t any benefit to being honest about his feelings and thoughts. If his attempts to reach mutual understanding with his caretakers were never able to be fulfilled, then it isn’t any wonder that he reacts with such surprise and horror at blurting out his desire to be Laios’ friend.

In his experience, making yourself vulnerable in that way only leads to being hurt. Soothing him, hushing him, lying to him, talking to him like a child that isn’t able to use proper judgement – that’s an inadequate and deeply hurtful way to respond to genuine distress, the desire for autonomy, or disagreement. Ultimately, I think that’s why he comes out on the side of being grateful to Milsiril; because she did equip him with the skills and knowledge he’d need to reach his goal, and let him go.

Though he could understand them, they couldn't understand him. To the extent that was true - which I'm sure it was - it wasn't due to anything about lifespan. It was due to the elves’ racism, and the solipsitic mindset & prejudiced attitude that it caused them to approach him with.

Because, if it needs to be said, the idea that there is an unbreachable gap in understanding between the long-lived and short-lived species is not true. Marcille and Laios have a much greater difference in lifespan than any full elf from any short-lived person, and they’re able to understand each other – maybe not perfectly, but better than many other people who are closer in life-span to them.

That doesn’t mean that I think Kabru is wrong about this, however. Because there’s an interpretation of his statement that is reflected in his actions and is true. When he talks about his problem with elves, it’s not just their attitudes: it’s their power, and what they use it to do. They “explain nothing and take everything”. Though it’s presented in the guise of ‘guiding and protecting’, in fact it’s a simple case of a powerful nation using their military power, wealth, access to resources, and historically stolen land – including the island itself – to protect their own interests and advance their own agenda. That’s why they’d be able to show up, seize the dungeon, and forcibly take Kabru’s party and Laios’ party to the West. If Kabru wants to stop that from happening, or change that status quo, persuasion or a bid to be understood would be completely pointless. Between the political blocs formed by long-lived species and the interests of short-lived species, “mutual understanding”, given their current, unequal terms, would be impossible. This is something that we see reflected in Kabru’s actions; before he asks his questions about the dungeon, he grabs Mithrun as leverage. He never really attempts to persuade the canaries to see his point of view, because that would be pointless: they’re agents of the Northern Central Continent’s monarchy, and will act in its interests regardless of any individual relationship with him.  

I don’t think Kabru sees the different dimensions of this belief of his in quite such clear terms, however, as is evidenced by the other group who he thinks it’s impossible to communicate with.

Demi-Humans & Unknowable Objects

The other place that we see his conviction about the impossibility of mutual understanding is in the kobold extra.

I'm including the whole thing, because I think it's an excellent and clever piece of world-building. Aside from what it says about Kabru, which I'll expand on shortly, what this extra does is deconstruct and call into question the usual "fantasy ontological biology" present in these sort of DnD-like settings. Essentially, the kind of worldbuilding where a race (such as kobolds) can be described as war-like, and that's establishing something essential about their biological nature. That's common to the point that if Kui didn't include this, some people would probably come away thinking that's the case about, e.g., the orcs.

But here, despite what Kabru is saying, the information the reader actually gets is:

the conflict between short-lived humans and demi-humans such as kobolds is mostly over access to material resources that they need to survive.

These resources are scarce because powerful nations, such as the elves, have monopolised them.

Kabru, who has grown up in a place at the centre of these conflicts, ascribes essential, negative traits to a cultural group which was in direct conflict with his own. Communication with this other group is impossible; they aren't people, they're more like objects.

oh yes! just like this conflict between groups of tall-men, a conflict which the reader will immediately interpret as more clearly analogous to real-life racism. Our other protagonists also carry prejudices from growing up in a place where a marginalised group was in conflict with the dominant group over scarce resources. It's definitely impossible to communicate with these people, and you can only kill them.

Woah, when you say it like that, it sounds pretty bad!

But also, nobody walks away having had a realisation or unlearned their prejudices - because they don't have the tools they need to do that work. Yet. I do think, to an extent, it could happen - especially with Kabru, since it's suggested in the epilogue that Melini might become a safe-haven for demi-humans.

To focus in on Kabru, the key here is his statement that you should think of demi-humans as "unknowable objects". Even his extraordinary powers of understanding have seemingly hit a limit. Part of this is just inherited prejudice, and doesn't need to have a complicated psychological explanation, any more than the elves who were prejudiced against him need one.

But also... this is probably somewhat linked to the way demi-humans seem to be considered "pseudo-monsters". They're the place that the strict delineation between the human and the monstrous is permeated. Laios, who is not interested in humans, remembers and is excited by Kuro. Chilchuck and Laios argue over whether it's OK to eat a mermaid. Kabru's prepared to (pretend to) roll with the idea that Laios ate the orcs.

But these are people, aren't they? Of course, this is a social construction, as we see from the fact that in the Eastern Archipelago, the label of "human" is reserved for tallmen, but in most of the rest of the world it depends on some obviously arbirary classification based on number of bones; "demi-humans" aren't in any essential way monstrous, except to an extent in their appearance, and physical location - due to their marginal social status, they're pushed out to live in unsafe places such as dungeons.

Therefore, Kabru's view of demi-humans as fundamentally "other", unable to be understood - monstrous - could be read as akin to abjection, the psychoanalytical concept described by Julia Kristeva. In order to create a bounded, secure superego, that thing which permeates and calls into question the border between self and other, human and animal, life and death, is rejected and pushed to the margin.

“Not me. Not that. But not nothing, either. A "something" that I do not recognize as a thing.[...] On the edge of nonexistence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards. The primers of my culture.” (Kristeva et al., 1984, p. 11) “It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. ” (Kristeva et al., 1984, p. 13) “The pure will be that which conforms to an established taxonomy; the impure, that which unsettles it, establishes intermixture and disorder. [...] the impure will be those that do not confine themselves to one element but point to admixture and confusion.” (Kristeva et al., 1984, p. 107) (discussing food prohibitions in Leviticus)

This is both (due to its affinity with food-loathing and disgust) a very fruitful concept to apply to dunmeshi, and a psychoanalytical theory which I wouldn't exactly cosign as True Facts About Human Psychological Development. You may also know the abject from its utilisation in the classic essay "Horror and the Monstrous-Feminine" by Barbara Creed - that's a lot more approachable than Kristeva if anyone's interested.

Key here, though, is that through the symbol of the "demi-human" is embodied a step between "human" and "monster" - and that's a prospect that puts at risk the whole notion of an absolute separation between those two categories in the first place. To Laios, that's something wonderful, and to Kabru, it's terrifying. We can see this principle further embodied in the relationship both characters have with the notion of becoming monstrous.

To Laios, this is transcendent, and represents a renunciation of everything human - in fact, if it didn't, it wouldn't "count".

To Kabru, it's a deeply-held fear, established by his childhood alienation (due to his illegitimacy, his eyes, and perhaps also his neurodivergency), deepened by monster-related trauma and the sense of responsibility and survivors guilt he feels for what happened at Utaya. His identity as a human who is not monstrous is key to his sense of stability and safety; he doesn't want to touch monsters, he doesn't even want to see them.

To acknowledge a kinship, a possibility of similarity between the things he loves (humans) and the things he hates (monsters) would be more than touching them - it would be putting them inside him. We know, quite explicitly, that this notion is triggering to Kabru. He literally has what seems to be a flashback when he's about to eat the harpy omelette.

So he abjects it, classifying the demi-human as fundamentally unlike him - an unknowable object, or an object that he refuses to know. Because in understanding it, he would interject the things he hates and fears into his self, which is already, always under threat by that hated and feared object.

Of course, again, Kabru isn't very good at enacting this refusal in practice. For one, when he chooses between his desires and ingesting the feared object, eating monsters... he eats monsters. Part of this is treating himself badly, the "ends justify the means" mentality. His goal is to destroy all monsters, so if he needs to become monster-like to do that, he will. But part of it is also the other motivation that he didn't even seem to know about until he said it: he wants to become Laios' friend, and to learn from him how a person can like monsters. He wants, at least in some part of him, to reconcile the feared and hated object into something he can understand.

For another:

Kabru can speak the kobold language. In the first place, while this may have been common in Utaya, it also could have been something he chose to learn, an early expression of his interest in understanding and talking to all sorts of people. It isn't the kind of thing you learn if you believe that communication between yourself and the group that speak it is impossible, is it?

It's possible to harbour prejudices against a group while being kind to an individual, and given Kabru has those prejudices regardless of his reasons, that is what he is doing. But also, his treatment of Kuro doesn't reflect a sincerely held belief that he's an "unknowable object" at all. His approach is exactly the same as it is to any other person: an analysis of goal and motive, and an attempt to help if he's sympathetic and their goals align - going out of his way to give language and local knowledge lessons in secret. His conviction that Mickbell and Kuro will truly become friends when they can properly communicate is completely contradictory to any sense of demi-humans as fundamentally different, or impossible to reach mutual understanding with. To me, it seems like this self-protective shield against the corruptive force demi-humans as an idea present to his identity, this abjection, when Kabru is face-to-face with one, just simply can't hold up against his finely honed skill of intellectual empathy. Perhaps because he's autistic, it seems his "empathy" is less an emotional mirror response, and more a set of cognitive skills for analysis of others. That instinctual, emotional empathy might not trigger when presented with a member of an out-group, but if it’s possible for Kabru to turn his cognitive empathy off, we don’t see him do it.

This isn't to say that this prejudice doesn't affect his behaviour. For one, it could negatively impact his judgement of politics and policy, where individual people don't enter into it. For another, I'm not convinced he'd be willing to overlook Mickbell's exploitative relationship with Kuro if Kuro wasn't a kobold. As it is, since both of them are satisfied, he doesn't feel like he needs to intervene, regardless of the fact Mickbell isn't paying Kuro. But if Daya and Holm were in a relationship, and Holm took both Daya's and his own share from their ventures, but only compensated her in living expenses and kept the rest, do you think he'd tolerate it, for example? Even if she said it was OK?

Conclusion

The kelpie chapter establishes that "people can never know what monsters are really thinking." That isn't just true of monsters, though.

True mutual understanding is impossible - between anyone. We can never truly understand another person's heart. This is touched on in, for example, the existence of shapeshifters and dopplegangers. Even a monster that seemed like a perfect copy of a person wouldn’t be that person, and wouldn’t be a satisfactory replacement.

We’re intended, I think, to understand the winged lion's repeated suggestions to just replace people who have been lost with copies as something uncanny, which demonstrates the way that the winged lion never manages to attain a complete understanding of humans. A version of a person who was created to fulfil your memories of them, to be the person who you wanted them to be, would be a terrible, miserable thing.

Disagreeing, coming into conflict, and misunderstanding each other, are essential parts of what it means to be living beings, as fundamental as the need to eat.

The only thing to do is not to take more than you need to eat to survive, and not impose your own desires onto others. To do your best to sincerely communicate your desires, even if they're embarrassing or vulnerable or strange, like Kabru eventually does with Laios; like Laios does, bit by bit, with the people around him; like Marcille does, Chilchuck does, Senshi does... to hope they will accept you, and do your best to understand them in return.

We can re-examine, in that context, Kabru's line about the elves' tendency to "explain nothing and take everything".

They have the power to impose their preferred "menu" onto less powerful groups. And in that context, mutual understanding being impossible just means that they won't give up their power because they're asked nicely. Kabru's goal is to seize the truth that they won't give to him, and to create a situation where they can't take everything. Because he's accurately surmised that nothing about the treatment of short-lived races will change so long as the power imbalance remains. Despite the way he mistakenly ascribes part of that to "long-lived vs short-lived" or "human vs demi-human", the actual gulfs in understanding he identifies are structural, are about power and about access to material resources and safety.

I think he could come to recognise this. Yaad is teaching him political science after all, and while a prince's lessons on political science won't exactly get at much that's radical or invested in the interests and perspectives of the marginalised (Capital is a critique of for a reason after all...) I believe in Kabru's ability to learn critically and get more from a lesson than it was intended to teach.

[gothicgaycowboy]

❤︎ Jacaerys Targaryen NSFW alphabet ❤︎

My modern Jace’s parents are Rhaenyra and Alicent hence why I’m using the last name Targaryen instead of Velaryon <3

A = Aftercare (what they’re like after sex)

King of aftercare. Nobody else does it like this man when it comes to aftercare and he doesn’t even do it consciously. It’s just his instinct to take care of you.

B = Body part (their favorite body part of theirs and also their partner’s)

He’s not very into idolizing his own body but he likes his shoulders the most. He learned to appreciate them more when you started complimenting them.

Jace is a thigh man. He loves grabbing at them while he fucks you or feeling them squeeze around his head when he’s eating you out. Natures pillows as he calls them.

C = Cum (anything to do with cum basically)

His favourite place to cum is on your face. It’s probably the most shocking thing about Jace considering he’s the biggest gentleman out of all his brothers, but he just can’t help it. The image of your pretty face coved in his load will never not drive him insane.

D = Dirty Secret (a dirty secret of theirs)

He doesn’t really have any crazy secrets, but he really wants to record the two of you fucking. He thinks about it more than it’s probably reasonable for a person to think about it. Setting up his phone to take in the sights and sounds of you getting fucked by him.

Jace knows it’s incredibly stupid and risky with the profile of his family’s name — neither of you have even sent nudes to each other for that reason. It’s just the idea of the two of you having a sextape for your eyes only is very hot to him.

E = Experience (how experienced are they? do they know what they’re doing?)

He went through a phase of sleeping around in high school like his brother (Aegon of course) until he realized it wasn’t for him. He didn’t feel right using girls like that, he’s a romantic to the core.

The only good thing that came out of his little experimentation was building up quite the resume of experience. You’re grateful for his little hoe phase as you called it.

F = Favorite Position (this goes without saying, may include a visual)

Jace is a firm believer in the superiority of missionary. He gets to control the pace and look directly at you the whole time. If he’s feeling wild he’ll hike your knees over his shoulders.

He also loves being able to whisper dirty things in your ear while fucks you.

G = Goofy (are they more serious in the moment, or are they humorous?)

He is generally a lighthearted guy at all times so the bedroom wouldn’t be that different. He would never take himself too seriously but he’d also never ruin a perfectly romantic moment by acting like an absolute loon.

H = Hair (how well groomed are they, does the carpet match the drapes?)

When it comes to shaving he prefers comfort over aesthetic. He’ll trim when necessary but you are never getting that man shaven bare. He’d want you to do the same in terms of shaving for your enjoyment, not his.

I = Intimacy (how are they during the moment, romantic aspect…)

Jace is a good old fashioned lover boy. He believes in romance out and inside of the bedroom. Some people have called him corny but he takes it as a compliment.

But just because it’s romantic doesn’t mean it’s boring and repetitive. This man puts all he has into his lovemaking. Honestly he thinks it’s what he was put here to do with his life.

J = Jack Off (how often do they do it? how do they feel about it?)

Probably about once or twice a week. He would never use porn though, for one he knew all that shit was fake, and it just felt wrong especially when he had you. He likes to use his imagination when he does it, picturing you sprawled out underneath him, bouncing with every thrust he gives you, eyes rolling into the back of your head.

In his mind that’s better than any porn ever made, because it’s just for him. Although he does still want to have a real video of you at some point in the future.

K = Kink (what are they into?)

He’s pretty basic when it comes to kinks. Dirty talk will always get him going — the sound of your voice in general actually. He’s convinced he could cum from the sound of you reading him a grocery list. He also really likes watching you masturbate. Seeing the way your body moves in response to your own hands and toys is priceless to him.

L = Location (favourite places to have sex)

He’s a bed guy all day and all night. Nothing beats the comfort of his sheets, but he’s open to trying out wherever you want to.

M = Motivation (what turns them on, gets them going?)

Kissing will always led to something more with Jace. Innocent peck on the cheek? It’s moving to the mouth. On the lips? You’re gonna feel some tongue sneaking its way through.

If you kiss him on the neck you are asking for it. His neck might honestly be more sensitive than his cock.

N = Nope (something they wouldn’t do, turn offs)

Absolutely nothing that hurts you. The only way he can stay turned on is to know he’s causing you pleasure, not pain.

O = Oral (preference in giving or receiving, skill, etc)

If he had to choose between never eating pussy or never getting his cock sucked he will happily choose never getting head again.

Jace was built to eat pussy. It’s his idea of heaven. He will spend hours doing it without even breaking a sweat. There have been many times where you had force his moth off you because he ‘wasn’t done yet’. Your pussy is literally a drug to him.

P = Pace (are they fast and rough? slow and sensual?)

Jace is all about taking his time with you so it’s slow and sensual all the way.

Sex with him always starts with you getting eaten out (and we all know he’s enjoying every minute of that) so after he’s had his fill of you that’s when he gives you what you’ve been waiting for. Hips rocking smoothly into you as he tells you how gorgeous and perfect you are.

Q = Quickie (their opinions on quickies rather than proper sex, how often?)

He would prefer not to, but if you or him are feeling desperate then he’s not too prideful to get down on his knees for you real quick.

R = Risk (are they game to experiment? do they take risks?)

He’s pretty vanilla when it comes to experimenting but he will do almost anything to make you happy.

S = Stamina (how many rounds can they go for, how long do they last?)

A two to three rounds type of guy for actual penetration, but if we’re talking eating pussy? Days on end with no breaks.

T = Toy (do they own toys? do they use them? on a partner or themselves?)

He was open to trying them when you asked him but the idea has never crossed his mind on his own. He never thought of them as a necessity. The first time he watched you use a vibrator on yourself changed his mind instantly. Anything that gives you pleasure gives him twice as much.

U = Unfair (how much they like to tease?)

Only so he can make your high last longer. He will rub your clit for hours before he lets you cum just so he can watch you squirm.

V = Volume (how loud are they, what sounds do they make?)

He’s more of a whines and moans type of guy than a grunter. He also loves praising you.

W = Wild Card (a random headcanon)

He’s never tried eating ass but he secretly wants to. When he’s down there, nose rubbing circles against your clit, while his tongue licks its way into your wet hole, he’s been tempted to travel a little lower. To spread your cheeks and run his tongue against your ass while his fingers spread your cunt open is his fantasy.

The only thing stopping him is he’s afraid you’ll think he’s gross.

X = X-Ray (what’s goin’ on under those clothes?)

Hung like a true horse. Other than just being a people pleaser to his core, the whole reason he got so into eating pussy was because he knew in order to take some of that initial pain away he needed to prep you first.

He never wants to hurt you but it’s just inevitable sometimes with the absolute size of him. BDE comes with a price.

Y = Yearning (how high is their sex drive? how many rounds can they go for, how long do they last…)

He wants to live between your legs. Jace has ‘joked’ many times that the ideal day off for him would be having you sit on his face until he suffocates. He’d be more than thrilled to go out that way.

Z = ZZZ (how quickly they fall asleep afterwards)

You run him ragged. Even if you fuck during the day it is required both of you have a power nap immediately after.

I wrote way too many of these alphabets back to back so sorry if the wording in a them is a little repetitive, hope you enjoyed ♡

[tevanbegins]

To think that Buck's always been bisexual without realising it, checking out hot guys' asses because he thought that's normal. He's crossed paths with many hot guys in his life. He works with hot guys, his BFF is a hot guy. He's been in multiple situations where there have been innuendos thrown at him of his being gay/queer.

But he still never thought much about all of that. Until one day, he met Tommy.

It took one hell of a compelling man like Tommy Kinard for Buck to relentlessly pursue this subconscious attraction till he'd finally had a taste of what it was like, and known for sure that he liked it and wanted more of it.

This is the most obvious indicator that Tommy is not just any other guy. Buck had many choices and chances before to question and explore this part of him, but Tommy is the only one who shook something in the core of Buck's being and made him want it so bad, that he had to keep trying till he got it. The attraction is unlike any he's ever felt before, and not because of the gender of the person, but because of the intensity of his feelings towards him.

Buck wanted Tommy's undivided attention, he wanted to keep spending time with him even if that meant making random excuses, getting to know him better. He couldn't get Tommy out of his head. That's how magnetically drawn he was to Tommy. Tommy's gender is not really a big factor here as most people believe it is, because the key takeaway here is that Buck's never felt this drawn to anyone – girls or guys.

Just because Tommy is his first queer experience, doesn't mean that Buck's using him on a trial basis. That boy's down bad. And that has nothing to do with the novelty of dating a man. It's all got to do with who Tommy is as a person, how patient, caring, and understanding he is, and how happy he makes Buck, making him feel safe and loved in all the ways he's never felt before.

That's the whole point of it. In Tommy, Buck's met someone who could very well be the love of his life. It's just that he never thought it would be a man. For Buck, it's so much more about finding lasting love at this stage, than it is about playing around with this newfound aspect to his sexuality. This is more than a coming out arc. This is a romcom as well, where Buck has finally found true love. He's getting off the hamster wheel for good. His father-figure Bobby and everyone around him can see it.

Tommy is clearly being written as Buck's endgame, and I don't see how anyone in their right mind can be blind to the significance of this storyline. I for one am super-thrilled and optimistic about all the possibilities of Buck and Tommy's romance moving forward! 😍🥰❤

___

[dunmeshistash]

Why did Milsiril adopt Kabru

Milsiril might be one of the most misunderstood characters in dungeon meshi and I see people making assumptions of why she adopted Kabru based only on their races and not in the characterization, so I wanted to think about some of the "theories" I see the most often about what made her take him in and why I don't agree with them

(read more cause as usual I ranted a lot)

1 - Attention (white elf savior)

This is the one I have the hardest time understanding so I'm starting with it, I've seen people compare Milsiril to irl white wealthy women that adopt "exotic" kids to keep an altruistic appearance. Like a white mother adopting a chinese child because of white savior complex and for everyone to compliment them on how good they are but this idea ignores a core aspect of Milsiril: she doesn't like attention of her peers

Her bio reads: "The people around her teased her, calling her Gloomy Milsiril; partly as a result, she hates elves. (...) She secluded herself deep in the mountains and intentionally lives apart from other elves"

Milsiril is the type of person that has trauma related to her own kin, she was ostracized by everyone including her own family that sent her to the canaries, and as a result she herself refuses to engage with them even when they extend a hand as you can see with past Mithrun. The only other elf she's seen speaking to is Mithrun when he's sick and Helki. Her interest in raising short lived kids isn't seen as altruistic by other elves it's seen as another weird side of her so there's no incentive in elf society for her to do that. So she didn't adopt Kabru because of optics, she clearly doesn't care what other elves think of her and she hid herself from their judging eyes as soon as she was able to.

2 - She wants to feel superior to someone

Another one I find baffling but I can understand a little better since she's constantly seen in the caretaker role. But the evidence I see for this is literally the type of people she surrounds herself with.

The people we know she interacts with willingly are:

Her adopted short lived children

One of her prisoner partners (Helki)

Mithrun when he's in recovery

Based on these I can see how a very uncharitable view can interpret as "she surrounds herself with people that she's superior to" and it is somewhat true. But she's never shown mistreating or actually acting superior to any of them, if anything Helki is constantly hanging out around her (he was pardoned after Utaya and might be her servant now but their interactions seem very casual), Kabru says she teaches her children everything they want to know and she eventually let him go even if before she was hesitant to (as a overprotective parent) and Mithrun was still a noble with several servants when she cared for him so even if he was sick socially he was still the same. (considering both are noble outcasts)

The evidence both for and against the idea that she adopts children to surround herself with people "inferior" to her are all circumstantial so I guess it depends on how you want to see it. I myself think there's no evidence she thinks of them as inferior considering all we see she seems to treat them either as her babies (would you word your feelings for a baby as them being inferior to you?) or as someone she wants to nurture

3 - She wants to be in control of someone (Kabru is her doll)

Related to the above reason but slightly different, in this interpretation I see people assume she doesn't see Kabru as his own person but as one of her dolls to be controlled. As if she raises her children so she can play house and dress up with human dolls.

Honestly that's pretty cool and an amazing visual for an evil mom but there's zero evidence that that's the case. Starting with her actual dolls themselves they aren't dress up dolls or something she puppeteers in an evil way, they're literally her comfort toys she runs to when she's sad

She's making them by hand while crying cause she feels like she doesn't belong, her bio says the dolls are her only friends so it makes me a little sad when people act like her doll hobby is somehow a creepy aspect that makes her seem evil, since that's exactly how the elves think of her (creepy and gloomy)

Milsiril is clearly someone that enjoys taking care of others we see it both with her children and with Mithrun, but how to know if that's actual altruism or some twisted sense of superiority? How to know if she isn't the toxic nurse that just wants to be in power of someone? How to know she is actually helping the people she cares for?

Easy, she helped them until they didn't need her anymore.

She trained Kabru and taught him everything he knows, he's where he is because he had her help even if at first she wanted to prove he wasn't strong enough to go, he was. She sees Kabru as a small child because of their race differences but she still respected him enough to take the training seriously.

Mithrun actually recovered once she could take the time to help him, I keep reminding it but it was years after he was rescued that she went to help with his recovery (his bio says Utaya was what motivated him to finally come back and she was the one that went to tell him about Utaya and help out) right now Mithrun is able to follow a routine and live by himself, Milsiril isn't even someone he talks about as he is now.

Both people we know she cared for are completely independent of her now and neither of them even thinks about her much. A controlling person that wants to keep you within their grasp and keep you needing them would never actually help you be independent of them.

4 - Then why did she adopt Kabru?

I think it's an easy answer the way I see it: shared trauma.

What Kabru went thru is 100 times worse than what Milsiril went thru during Utaya, especially since he was just a small child back then and he lost everything, But Milsiril is still a war veteran, the things Kabru describes, people turning into monsters eating the others, all the death and destruction, Milsiril was there to witness it all and she failed to save them. her bio reads "After the incident in Utaya, she left the Canaries in disgust. She secluded herself deep in the mountains and intentionally lives apart from other elves" she was so traumatized by the events she both left "in disgust" and became a hikikomori. Earlier in her bio it also says "(...) The people around her teased her (...) partly as a result, she hates elves" I sure wonder what's the other part that makes her hate elves. (Probably is the way they dealt with Utaya)

I think she adopted Kabru because she wanted to give a good life to the only survival of the war she fought, the other destiny Kabru could have has would be the same Rin had, a traumatizing stay with the elves, Milsiril saved him from that fate when she adopted him. He wasn't a random brown kid she picked up, they share a traumatizing experience (once again: even if it was 100 times worse for Kabru).

The reason she adopted the other kids is also pretty obvious to me: she likes caring for people and she wants to feel loved. That's her ulterior motive to raise short lived children, she has elf trauma and she wants a family.

That doesn't make her a perfect mom or a perfect person tho*, she's just as flawed as anyone, I feel like people sometimes forget mothers are also human beings with flaws. Being flawed doesn't make her a monster, being loving doesn't make her an angel, she's just a person doing her best.

*She still has the ingrained elf socialization and clearly thinks of her children as babies, she treats teen Kabru almost like a toddler in some interactions. There's also the thing about her not fully understanding the importance of his cultural background. Struggles that I assume are common in interracial adoptions

Disclaimer cause this is the reading comprehension website: This is my interpretation of the character, some of it is very charitable towards Milsiril and I'm not talking about how Kabru might feel about her. I'm trying to think of their relationship thru her perspective and how she treated him because some interpretations seem to come out of nowhere to me. Kabru has complex feelings about elves and about his elf mom but overall I still think "overprotective foster mom" really summarizes his feelings. I don't think he resents her even with her flaws.

[gay-dorito-dust]

I loved Ford nervously after Reader kissed him. So I thought, Reader dated Ford since college, and he was already pretty addicted to her kisses, the portal thing happens and 30 years later Ford come back, what would kisses be like from a Ford desperate for contact after 30 years?

P.S. I love your writing ♡ and sorry if it is not very clear, English is not my first language

Kisses with Ford back in your college days were soft, sweet, gentle and a little hesitant and or nervous to start off with as he’d often overthink whether his kisses were any good.

‘They were,’ you’d reassure him as you held his face, ‘they taste like heaven…and the jellybeans you’ve had prior.’ You chuckled at his flustered expression. He could’ve sworn he had eaten a healthy amount of jellybeans beforehand but he guesses that he let himself overindulge in his sweet tooth a little bit.

You loved kissing Ford as the look on his face was the most rewarding thing to see in your entire life. You didn’t care for achievements or accolades, just seeing Ford’s flustered cheeks, panting, fogged up glasses, wide blown eyes and a expression that told you that he wanted more before he confidently cups your face and goes in for another series of kisses.

That and the look of admiration, desire and more when you sat yourself in his lap, feeling his heart race against his chest, but wilfully ignored it for his sake as you ranted about how pretty your smart Fordsy was while peppering kisses across his face and neck and hands. Only to soon decide that enough was enough and that you should kiss him senseless as he whimpers against your lips, his cautious hands now gripped your waist in order to keep you against him.

The glasses stay on when you kiss! You didn’t care if they got fogged up or slanted, that was the best part! You just wanted to give your smart as fuck but overworked man a bit of loving as reward.

Jellybeans maybe his favourite food but your kisses had become an unhealthy addiction for poor Ford as each second that passes where he wasn’t with you, his mind was racing with the thought of your lips on his in the comfort of his and Fiddleford’s dormitory. You made the man unable to focus on the best of times but he always makes up for it tenfold in the end as that was Ford at his core.

So after waiting thirty long years after seeing him be pulled into the portal and hearing your heart break into two, after thirty long, gruelling years of being remained that Ford might never come back to you. lost to the wide expanse of whatever -or who- lied beyond that portal and sleeping in the room you once shared together, now feeling colder and lonelier then ever, finding yourself lost and haunted by the memories that were encased into the walls of the very shack itself.

Thirty years and the wait was finally, finally over the moment you saw Ford come back through the portal, dressed in an all black attire and an aged face that only made you believe he has only gotten more handsome with age; Very handsome you might add but you were bias towards Ford in every sense of the word.

‘Ford?’ You whispered, almost as though you were scared that any louder and you would’ve woken yourself up from the realest dream you’ve had in a long, long time.

Ford, who had equally been your presence for the past thirty years, looks over at you with wide eyes as though you were an aspect of this reunion he didn’t take into account for. ‘Darling?’ He asked as he finds that his body had taken over him, his feet were leading him towards you in a slow and hesitate pace, almost as though he was just as uncertain whether all of this was real. That you were real and looking as beautiful/handsome as the day he first met you back in college.

‘It’s me sweetie.’ You said eagerly as you found yourself walking towards him, almost as though it was coded into your dna to be drawn to him -your other half- no matter how much time has passed between the two of you. You’d always find yourselves going back to each other one way or another, though neither of you were exactly complaining about that as you were soon enough within reaching distance of each other.

No other words were exchanged as Ford was quick to grasp you by the waist, pull you in and kissing you senseless this time as you’re forced to grip onto his coat for dear life. His kisses were desperate, sloppy, deprived and almost carnal with how it seemed to show just how much the time apart had affected Ford.

Though soon as the kiss began Ford slowed his pace to a more tender, loving and gentle manner as he weaved his lips between your own, making extra sure to allow for his lips to linger there for a second longer just to pull away to see your expression with newfound confidence.

You were panting, flustered and just as wide eyed as he was when you first kissed him in college and Ford had to say the expression looked far better on you then it probably ever did him, but knew you would digress…had you managed to catch your breath that is.

‘Welcome home.’ You said breathlessly as you tried not to show just how affected you were by the kiss but with the way you were struggling to stay standing up right on weak legs, that and how your grip on Ford’s coat remained, was enough evidence for him to know that he had accomplished what he had dreamt of for thirty years. And yet he still found himself wanting to kiss you even more with the way you kept glancing at his lips, sharing his sentiment to keep going at it but having to restrain yourself in the presence of others, who were looking at you both were gobsmacked expressions.

‘It’s good to be home with you my beloved.’ Ford then whispers, equally as out of breath but not as much as he rests his forehead against yours. ‘Your kiss is still as sweet and as addictive as I dreamt, and believe me I have dreamt about it enough in these past thirty years away from you to last a lifetime.’ He then adds, pecking your tender lips as you whined, trying to follow after him as though in a trances.

‘Oh Ford I’ve missed you so much.’ You said softly as your hands reached to cup his face, tracing the new lines that graced it while peppering his face in kisses like you use to back when you were younger. In this moment it was almost felt as though you were young again and with the way Ford kept hold of you by the waist, it certainly brought back some rather fond memories of your youth, but most importantly it felt as though you had finally gotten your other half back and everything was right again.

Your vision was once again filled with colour the moment Ford came into view, as did his when you came into view, there was a weight that had finally gotten off of your shoulders and now you could rest in the arms of your beloved Stanford Pines as intended from the start.

Kissing Ford thirty years after the portal incident is a different kind entirely. He wants to make up for lost time and so you’re more then likely cooped up in your shared room, in his lab or anywhere the kids aren’t likely to walk in on you both, and allow yourselves to reacquaint with one another through strong and passionate, drawn out kisses that always leave your forgotten your human need to breath.

You were familiarising with each other favoured forms of kissing as though you were two teenagers who couldn’t keep their hands off of each other. There were kisses where Ford was dominating your mouth, giving you cheeky nips on your lip now and then just so he could have more access to your mouth and deepening the kiss.

Then there were kisses where they were long and slow, almost as if trying to savour the taste of each other’s lips as though it was going to be your last ever. The types of kisses where you just wish he’d pick the pace but loving it even more when he weaves his lips between yours so slowly that you could feel the texture of his lips and commit it to memory.

Ford has gone far too long without your touch that he dedicated all his time to familiarise himself with you again however he could. But you don’t mind letting him do so as you’ve went the same amount of time without him also.

Stan tells you both to get a room frequently because of how touchy you both were being for people pushing 70. (Is he jealous? Maybe. Is he happy for his bother? Fuck yeah!)