#//Haha; Why This; you may ask

[dutybcrne]

Referring to Taru as your knight is a surefire way to make sure he will Center His Entire Personality Around It in regards to his views of you

[edains]

Shepard getting sassed by her squad

[therentyoupay]

im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????

THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕

i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:

elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂

when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.

jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).

they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)

elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).

elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now

(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)

until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.

jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.

jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.

jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).

elsa is meticulous about planning and preparing for special occasions.

elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)

so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).

jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.

(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)

(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)

i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).

and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).

elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.

however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.

jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.

jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)

his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.

jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.

after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).

when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.

in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[misiahasahardname]

i invented a custom season of tdi in my brain and i've decided these three are in an alliance and. and they are friends.

total drama losers: where the characters that never got their chance to shine compete to see who is the best loser!

[neon-danger]

To be less rude about that anon, I have said quite a few times now that I will not be writing a milk fic

For one thing, it’s against my rules and I expect you as readers to respect that, but also the original creator of the milk fic is just all around Bad.

While I don’t think the actual contents of the milk fic are bad or problematic, I do not want my name associated with the milk fic, the writer, or their reputation.

There’s nothing wrong with enjoying that sort of content, and I have absolutely no judgement in that regard, but it’s kinda not cool for people to continue asking after I’ve said no A Few Times Now

Consent is a big thing in a lot of my fics, and I expect you as readers to know that No Means No, not ask again later.

[moon9931]

nah bitch

nah bitch I'm doin it again

super crown pt characters: revamped and better looking cuz my art style in December was abhorrent coming soon

[ofallthingsnasty]

been thinking about putting up my little One Piece ficlets on ao3 as well. Idk what's stopping me bc my first fics were mindless, one-scene pwps - and now I feel like that's not good enough for ao3? lol, the brain is weird. I shall put them up and that's the end of it

[malikselfindulgence]

Guy who 1. asked me to date him despite the fact I'm trans and he's straight and I'm also aromantic 2. told me my prescribed anxiety medication was a trick by Big Pharma 3. told me my therapist only tried to get me evaluated for autism as the "easy way out" of actually helping me just texted me AGAIN apologising for "NOT HELPING ME OVERCOME MY AUTISM LIKE HE PROMISED HE WOULD" . WHAT ????

[pawstickers]

Amy lives in an apartment all by herself, with no adult supervision even though she is only 12 years old. Someone should call child services for this poor neglected child.

i feel like maybe for mobians/furries/animal people (what. do we call this species now help) this sort of independence is seen as normal, which is why teenagers like espio can work at a detective agency as well

[ladyryukyo]

For the WIP thingy, 🗣 and 👻

🗣️Talk about your favourite WIP

i am so excited to talk about this FSHLFSG so i always find multi-chaptered fics super intimidating and i have this thing planned out from start to finish and written about 20k words for it but im too scared to post it unless im at least halfway done bc i dont want to risk abandoning it 〒▽〒

i dont even know if anyone in this fandom knows about these books, its a beyblade x all for the game crossover, you dont need to know anything about aftg, its just the setting but then with the mfb characters and beyblade instead of exy. kyoya is neil (obviously, its me duh) and on the run from his dad and gets recruited for the metal state spirits, a pretty decent college beyblade team. it has its two star players gingka (kind of a mix of kevin/matt) and ryuga (andrew; yup this is ryukyo) who convince kyoya to accept the offer despite him knowing it will put him at risk.

so theyre all in college, and the spirits are gingka as the team captain, then ryuga, kenta, hikaru, benkei, yu and kyoya. ryo is the coach. hyoma the team's physician. hokuto is their psychiatrist lmao.

i dont want to reveal everything yet bc there is some mystery there especially if you dont know the books (and even if you do cos i did make a lot of changes to the original plot); but ill put a short scene at the bottom under the cut if that interests anyone

👻Is there a scene that you find intimidating that you have yet to write?

tbh anything that is very introspective is intimidating to me and i am in particular talking about the dark trio and the dark power right now because thats a thing i promised and desperately wanted to do for mayblade but i am struggling so hard with how exactly to go about this. i have a whole word document dedicated to how the dark power affected each one of the dark trio but the how and why of the conversation(s) they would have about that completely eludes me at the moment bc i need it to be at least kind of in character and it has so many references in canon which is exhausting and intimidating both. i am honestly just writing all the other prompts i still have for mayblade first and probably will be leaving this one for last or until i have a sudden flash of inspiration. you never know.

the worst thing about this is that i have several ideas for several short fics talking about the dark power and the dark trio or just tsubasa or just hikaru (kyoya just wasnt as affected lol) but obv still have the same problem for these. i am so fascinated by what you could do with these kids and their trauma i just wish i knew how to go about it haha ha... ughhh

okay heres the snippet for the aftg crossover:

Kyoya only realizes his mistake once it's already too late. He's too engrossed in teaching Gingka a lesson that he doesn't notice another person appear behind Gingka until they grab his T-shirt and violently yank him around. Kyoya’s back slams against the row of lockers next to the door to the locker room. Ryo angrily shouts, "Ryuga!" but gets no response.

Internally, Kyoya sighs in exasperation. Gingka Hagane and Ryuga Himoto. He is in a room with the two people he has vowed to keep as far away from as possible. In his mind he sends a quick prayer heavenward and apologizes to his mother for all the stupid decisions that have brought him into this situation.

Ryuga fixes him with an unreadable stare of golden eyes. His hands are still clutching Kyoya's shirt, but he looks composed, almost bored. Kyoya returns his gaze with hostility, but knows he wouldn't win a fight against Ryuga because he is taller and in a decidedly more advantageous position than Kyoya.

However, when nothing happens after a few moments, he realizes that this is just Ryuga's intimidation tactic and forcefully tears himself away, taking a few steps back from Ryuga.

He looks at Ryo, whose attention is on Ryuga, a disapproving twist at the corners of his mouth. "Is that your usual tactic for recruiting new bladers?" Ryo turns his attention back to Kyoya. "Because the tactic sucks."

Gingka laughs briefly and Ryo sighs, running a hand over his face, exhausted. "No," he says, rolling his eyes. "It's not our normal tactic. But we usually don't have such a hard time convincing new bladers to join us."

"That surprises me," Kyoya replies dryly which elicits a resigned smile from Ryo.

[gloomwalking]

it never occurs to me to ask questions in conversations w new people and then afterwards i’m always like oh man i really wonder x or wish i knew y about them and it’s like. the opportunity was right there and i totally missed it. AND it was probably a social blunder and made me look disinterested or rude. little lose lose. need to ask more questions. idk i feel like i was expect it to go “question” “answer” “reaction to answer” “same question back to them”. but instead it’s always “Q” “A” “new Q”. if that makes sense. i’m a bit stoned.

[urgothgfsbeltchain]

“well, i might be gone a long time,

and it’s only that i’m askin’,

is there something i can send you to remember me by?

to make your time more easy passing?

oh, how can you ask me again?

it only brings me sorrow.

the same thing i want today,

i want again tomorrow.”

[dundotten]

this is the same penguin btw

just alternate timelines

[neo-shitty]

spring day never latches on to a permanent face. it takes the form of the people i miss whom i have no way of reconnecting with. ever since i read that message in my inbox, it has taken the form of you, kesya.

[hoshigray]

𝐂𝐨𝐫𝐫𝐮𝐩𝐭 𝐌𝐞, 𝐁𝐚𝐛𝐲 | gojō satoru

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: bully! Gojo x afab/fem! reader - explicit content; minors DNI - modern au! you + Gojo are college juniors - first kiss - fingering (f! receiving) - sqüiřtıng - virginity loss - corruption kink - missionary + deep impact positions - clitoral play - unprotected sex (psa: wrap the willy, you sillies!) - premature ejaculation - pet names (baby, crybaby, cutie, princess) - itty bitty possessiveness - mention of spit/drool and tears.

𝐰𝐨𝐫𝐝 ���𝐨��𝐧𝐭: 2.6k

“Yo.”

“Yes, Satoru?”

“You never had your first kiss, huh?”

Gojo Satoru takes pleasure in being your bully — nothing in his third year of college gives him much joy than being your one source of torment. Sure, he’s got everything: being the campus’ grounds #1 heartthrob, a star player on the men’s basketball team, and an excellent scholar in all his courses despite being a dickhead. But, even if he possesses the things that put him at the top of the class body, his other fountain of entertainment comes from something - or someone - that playing ball or dormitory parties can’t produce the same level of internal enjoyment. 

You and he were alone in his apartment, umbrellaed under the instruction of working on an upcoming project this month. Of course, boredom is evident in the tall one’s heavy sighs as he looks through multiple articles on his laptop. Cerulean orbs wander away from the device’s screen and land on the other side of the couch; another figure glued to the armrest is concentrated on typing their keyboard to notice the prying survey. 

Gojo’s ennui begins to flicker out the moment he sees you, wanting nothing to do with this damn assignment and just to mess with his favorite pushover. This is precisely why he prompts himself to ask you a question, and judging by how quickly your fingers stop typing, now his attention is hooked onto a matter way more fascinating.

He spots your flattened lips. “…Wh–Where did that come from?”

“Just curious, a random thought that came to my head.” 

“Why was that the thought that—“

“Hey, aren’t ya gonna answer the question?”

You stammer. “What makes you think I never had my first kiss?!”

He lifts a brow; his round shades shine when he smirks. “So you did have a first kiss?” Your lips open with no voice, and both silver eyebrows rise from the silent answer you’re giving, only for you to close your mouth and avert your gaze elsewhere. Gotcha, he stifles a chuckle. “Thought so, you terrible liar. Embarrassed I called you out? Haha, hilarious.”

Your eyes may be on the words of your document on your laptop, but the heat on your cheeks and the uncomfortable knot in your gut kept brewing. You chew on your lips to focus on something other than the guy getting a kick out of your lack of experience — the guy you don’t hear close and place his computer on the coffee table.

“Hey,” the closeness of his voice takes you aback, and you’re surprised to see him sit closer enough to bring a hand to close your laptop. “Wanna kiss me?”

Mortified eyelids shoot wide. “Wanna—Wh-What!?!” What the fuck is going on?!? “Why would you ask me—“

A nonchalant shrug adds more weight to your shock. “Why not? It’s just you and me, alone in my apartment at 8 o’clock. Sounds like a perfect opportunity, doncha think?” 

“Yeah, to do work!” Your emphasis fails as Gojo takes your device to add to the table surface. “I-I didn’t come here for you to question me and ask to—“

“You got someone else you’re waiting for?” He uses a hand to cage you from escaping, a knee between your legs. He knows he has the upper hand, observing behind shielded sunglasses as he awaits your response. 

“I–W-Well,” God, what did I get myself into? “Not necessarily…”

“So, do you not trust me with your first kiss?”

“That’s…That’s not the point—“

“You’re deflecting!”

“Satoru,” the way you say his name — low and soft, a pleading whisper — makes something switch for Gojo, looking at your bashful expression with hesitant hands, barely pushing his chest. “We shouldn’t…Let’s get back to the assignment?”

That wasn’t working on him; he’d never want to stop teasing you, especially now when you look too cute. “Let me kiss you one time, ‘kay? Then, we’ll go straight back to work.” He can see the cogs work in your brain, deciphering whether he is genuine. Was he? He couldn’t tell; all he was thinking about was how your lips felt. “I promise, princess.”

You didn’t mean it to happen, but you scan from his shades to his lips; now, it’s all you can see. The bob of his Adam’s apple, when he gulps, has your breath hitch, and after a few silent seconds with no movement, he begins to descend his face lower, and your lids swiftly close. So does his as he gently places his pillowy lips onto your plump ones, and a hushed squeak doesn’t go neglected.

Cherry — that’s the flavor that Gojo can taste. It has to be from the lip gloss you plastered on your lips that made them inviting to gawk at, pretty lips that the tall other couldn’t stop peering occasionally. He licks the bottom, taking in more of the taste with a soft groan. You yelp, gaping your lips further to give the man above an idea, and chew on your bottom lip. More whimpers slide past your control, hands gripping his sweatshirt as he peppers you with soft kisses, latching onto yours for longer seconds from one after the other — so much for one kiss.

You’re the one to break it off, hesitantly backing away from him to breathe. Hot skin returns to the cold air, and intimate huffs fuel into the space. You open your eyes slowly, half-lidded with knitted brows and scorching ears. You examine Gojo’s neutral expression; orbs that were once filled with reluctance are now replaced with a...wonder.

An innocent wonder that nearly has Gojo shut down from seeing as your hands steadily ring around his neck. There it is again, another switch flipped. This time, a spark ignites his brain, curiosity coursed to a more indecent field after what it feels like taking your first kiss. Because the way you’re looking under him — entirely submitted to him and his touch — wasn’t something he expected to rock his core. And all he can think about now…

…Is what taking all of your firsts would be like.

“—Taaahhh, haah…! Satoru, w-wait a min—“

“Hey, baby, tell me, what’s it like having my fingers inside you?”

Gojo’s little experiment delved into different extremes; your first kiss was the starting point of the many thoughts that perturbed his thinking. He wanted to know more about your potential firsts. For example, such as right now, how you’d be if he were the first to touch your privates. 

The atmosphere around the living room became hotter; the tepid silence switched with the erotic sounds and squeals that exited your system. Your legs spread apart, Gojo in between your thighs as his big, calloused hand swims under your panties to shove away and meet the bareness of your cunt. You were so wet, your liquids effortlessly coating his fingertips with barely any push. An entire mess between your inner thighs and labia. And that made Gojo’s mind go wild.

“Holy shit,” he chuckles in a heavy sigh. “So fucking wet and tight…Heh, you’re all like this because of a kiss, huh? So adorably pathetic.”

Refutation is impossible as he curls his forefinger inside, scraping your upper wall in a manner you never envisaged. “Sator—Mmmph…!” He keeps pushing the digit to the knuckle, touching crevices of your inner channel you could never reach. “O-Ohhh, Jesus…”

“Mmmm, fuck, you're twitching like crazy,” and Gojo was loving every second of it. The taller junior then decides to test something and creeps his middle finger near your opening, smearing itself with your come as lube. 

You sense him push the finger in, nerves heightened. “W-Wait, Satoru, I can’t—“

“Oh, yes, you can.” He interrupts you with a cheeky sneer. “You’re practically asking for it with you twitching so much. Watch.” Gojo pushes the middle digit leisurely; your beseeching babbles become increasingly incoherent when he adds the whole thing with the other finger. Now, both of them have you shrilling from their intrepid fashion, grazing on your vaginal walls with every pull and shove until his knuckles smooch your labia.

Good God, the place is so hot, your face is hot, your body’s hot, your insides feel hot — everything is just too hot for you to handle! And your brain cannot hold itself together as the seconds go. You throw your head back, your eyes sewn shut, “OhGod, ahhck! Wait, stooop! Go slow, go slo—Ohhh!” Gojo does the exact opposite; the pace of his fingers surges to a tempo you find difficult to ride through. Your entire frame locks together, preparing for the inevitable to slip past your hold, and tremors course around you as your orgasm hits you like a train.

Simultaneously as Gojo continues to rut your soapy cunt, a clear liquid disperses out of your urethra and sprays outward. Sprinkling onto the skin of your thighs and drenching your underwear. Although you’re not the only one who gets caught, Gojo at the front gets a genuine display of you showering his forearm with your essence, damping his sweatshirt in the process, and even a bit on his sunglasses.

It happens the third time: something snaps inside Gojo once he sees your oddly beautiful teary face. It’s at that moment that something in his core breaks and permeates his entire body with a force that’s been itching to get out when he kissed you earlier. He swallows thickly because the next thing he does after this will eat him alive, a queerly anticipated feeling for the white-haired man.

Of course, Gojo is astonished at what transpired, the shock in his eyes concealed by the shades. “Did you…just squirt on me?” His ears pick up the sound of you sobbing, your hands covering your face as you whine.

Massive tears roll down your cheeks, “I—hic—I told you to wait…!” 

It’s a no-brainer that Gojo pulls you off the couch and leads you to throw on top of his bed, stripping himself off his pants and briefs to free his raging erection and crawling up on top of you after chucking his shades off. A gasp leaves puffy lips when his pink glans meet the folds of your vagina, burrowing between your labia to coat with your slick.

“Satoru, wait,” you voice. “D-Don’t you have a condom?”

“Sorry, ran out of them.” Lies. Gojo knows he has rubbers tucked in his nightstand. However, the intention to use them is nowhere to be found. Because tonight – knowing completely and damn well you’re still a virgin – he had to fuck you raw. The drive to do so sent shivers up his spine. “Don’t worry, cutie. I’ll promise to pull out.”

Yet again, another deception.

Gojo pushes the tip in as he counts your breaths, watching every wince and contortion of your expression as the cockhead ventures and seeks shelter inside your slit. Your body is squirming through every exhale, and Gojo’s coaxes to relax your rigidness are somewhat helpful as you intake air. Before you know it, your mouth goes to a permanent ‘o’ shape once the tip is inserted, the act of breathing stops, and your body recoils and tenses as he slowly forces the foreign limb to carve your tightness inch by inch.

Oh, fucking shit…!! Oh yeah, Gojo thanks himself for not putting on a rubber. The firm grasp of your walls around his length nearly has him lose balance, sinking into your warm wetness clenching onto him so deliciously. He bites his lip to composure, a futile attempt as he throws in a few slow thrusts, and the snug of you has him in a chokehold. Then, when he hits your cervix, you instinctively grip onto him tighter and wrap your legs around him, and Gojo almost chokes. 

“F-Fuuck, wait, wait..!” He curses, submitting to a release way too early; his hips tremble as his cock ejaculates into your vagina. Shocks rattle his brain, rolling his eyes to the ceiling at the sensation of pooling himself into you. “Shit, oh shiiiit…this fucking pussy is driving me crazy.”

It really does because Gojo, still keen from his climax, dials the cadence, rutting into you with purpose. The sudden movements have your shrieks bouncing across the bedroom walls, and hits to your womb are frequent and cause more tears to strike down without your comprehension. “Nnnmm! OhhhmyGod…! Mmoohh!!”

“Heh, look at you cryin’,” Gojo teases you from above, licking a tear before kissing your cheek and ear. “Guess that’s expected for your first time, huh…Hnnnm, God, you’re clenching my dick so much.”

“Th-That’s because you’re—“The curve of his shaft has the tip graze your walls in an angle that makes your back arch. “Ahhoooo!! I’m fuull; you’re making me fulll…!!”

“Awww, am I making you full, crybaby?” He mocks you in your ear, the snicker sounding too salacious to the drum. “You full with my dick that it got you whining and crying for me?”

I can’t do this! Your brain dissolves into mush, and your face is too hot to construct adequate consciousness. “I can feel it, I can feel…”

“What is it? I can’t hear you through all the sobbing,” Gojo unscrews your legs to maneuver one for him to straddle and the other to lie on his shoulder. The new position gave him a directed way to piston his pelvis into your aching cunt, your squeals turning into screams as pokes to your womb come with the feverish pacing. He’s hitting so deep you can’t catch up! “What, you think you’re about to cum?”

You nod hurriedly. “Yes, yesss!!”

“Oh, that’s what you want now?” The snow-headed man chortles before sneaking a hand to your vulva, where his fore and middle finger swipe on your clit. “Tell me, is that what my pathetic angel wants?” You nod again, so he pinches your bud. “Tell me properly~.”

“—Ahhnnn, ohh, Sa—‘Toruuu!!” You pan to him. “Pleaseee, please make me cum, I wanna cum…!!”

God, this was a picture worth savoring. The image of you being all desperate for release, wanting nothing but to succumb to your wanton desire. You looked so ruined, like a completely different person compared to the meek exterior Gojo used to. And it’s all because of him – his words, his touches, his lips, and his dick – that you’re like this. A fact that only propels him to hammer his hips into you harsher. 

“Good girl,” he bends down to close his face to yours. Surveying you make such erotic faces as he keeps playing with your clit is food for his soul. “Enjoy yourself, princess,” and he steals your lips once more for another kiss.

Your orgasm comes to you quicker than ever, thanks to the work of Gojo’s hips, the hits of your cervix, the pinches on your clitoris, and the sloppy makeout session. Your body freezes and lets the aftershocks jolt you to a rocky clarity, your head in a dense fog, and your vision just about blurry. Your legs quiver with heaving breaths, and Gojo keeps thrusting as you soon fall out of your euphoria. 

The cold air blankets both of you once tense muscles calm down and bring you two back to reality. Silence befriends the lack of words aside from the pants of breath, and Gojo sluggishly withdraws his cock out of your wet chasm, whistling at the sight of his load slowly protruding out of your essence.

“Hey,” your face forms into a helpless expression. “Bet you never tried anal before.”

Tonight was dedicated to conquering all of your firsts. And Gojo means that with every bone in his body!

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ⊹ transparent edit made by me + dividers from @animatedglittergraphics-n-more.