#// i was CONVINCED we were getting 11 eps

[chezlalune]

look at him! look at them!!

[absolutebl]

This Week in BL - Weird Strange Warmth, Thailand

Organized, in each category, with ones I'm enjoying most at the top.

Sept 2024 Week 2

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 1 of 12 - Oh it’s fucking great. What a fantastic start! It’s a fun cast too. I adore seeing all of the familiar faces. This is a lot more fun than Kidnap (sorry GMMTV, do better). I mean both shows are serving the same kind of concept but with completely different energy. I love that War is playing phi in this series. I think it suits him much better. In fact. I really like these rolls for this pair. I think they’re gonna knock it outta the park. I am so happy this is good. I wanted it to be good. And it’s good!

Monster Next Door (Thai Thurs Gaga ) ep 8 of 12 - Oh no! He read the journal. No snooping! Well I guess they needed to get some tension for these 2 from somewhere, otherwise they are too good to each other. Meanwhile, I’m not sure about the sides in this particular series. I don’t hate them. The laundry jealousy moment was pretty well done. But I'm not sold, either.

Addicted Heroin (Thai Tues WeTV) ep 5 of 10 - I forgot that we were already on the ICONIC kidnapping section of the narrative. I miss Gu Hai's OBEY sweatshirt from the original. (Someday I will own that sweatshirt.) Hero should at least be wearing an OBEY T-shirt. Frankly I miss the harshness of the original too. Johnny Huang was just so massive, August doesn't have the physicality to carry this scene off. Nor does Thailand have the guts to push it into the creepy obsessive territory that made the first version so thrilling to watch.

The thing about the original kidnapping bit was we could feel Gu Hai's vibrating need to possess overriding everything else (including his sense of humor and frustration with himself). Gu Hai KNOWS kidnapping was an over reaction, he KNOWS he is being absurd, he just doesn't care. Because he doesn't just want to fuck Bai Luo Yin he wants to consume him.

We didn't get any of that from Hero. Hero, as a character, just isn't edgy enough to carry off a kidnapping, he's been softened too much in this new Thai form.

And then... An around the back of head not-kiss? Interesting choice. (Checks to see if BoomPeak are hanging out nearby.) Is that because the actor is under age? We in that head space for this whole show? (Pun intended.) Not sure how I feel about any of it.

It’s a much milder confession this time around, because it’s Thailand, but it’s still warped. So I’m still here for the weird strange warmth of this damn show. I did laugh a lot during this episode. 

Kidnap (Fri YT) ep 2 of 12 - Oh I am very much enjoying this.

"You’re the worst kidnapper I ever ever met" is an apt accusation.

Battle of the Writers (Sun YT) ep 7 of 12 - I kinda enjoyed the little side romance story (wealthy writer intellectual + poor local salt-of-the-earth boy = Love Seaing all over my damn screen). It came outta nowhere but... okay.

I honestly have no idea what’s going on with this show. But the kisses are nice. And I pretty much like all of the couples. It’s wild how disjointed it is but simultaneously how pretty. It’s like Star Hunter got hold of Mame’s budget and aesthetic. 

I Saw You in My Dream (Weds Gaga) ep 9 of 12 - Boyfriend era to the max. Production is still ignoring the whole "dreaming the future" POINT OF THIS SHOW.

The Trainee (Sun YT) ep 11 of 12 - Jane is VERY COOL. Like tay-style cool… as it were. I like their dynamic when they're given one to play with. It’s the rest of this show I don’t enjoy. 

Live in Love (Sun Gaga) ep 2 of 5 - It cute. Bit odd but cute. I like the language play, of course. It’s an interesting pair to watch flirt because it’s all language play so that's fun but otherwise, I'm not convinced.

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 7-8 of 12 - This BL doesn’t drink from the water bottle to show off its neck. It quietly hands you the water bottle and expects you to understand that is not an act of generosity but of polite distancing. It's about the delicacy of the messaging, and the way themes are conveyed with such nuance.

This story is entirely about the two of them figuring out about each other, and then trying to be what the other person needs based on that information. It means they (and therefore we) are on this journey of discovering affection together. It's brilliant.

I must talk about the physical acting of these two for a second. That scene where they’re fighting over the book and then fall into the pool. That was one take. That’s amazing. These two are really fucking stellar not only at acting but hitting their marks. And let's be clear, that is NOT the same thing. I bet they both have stage training.

Define irony: watching two abandoned kids counsel their respective parents through abandonment issues.

Sugar Dog Life (Japan Sun grey) ep 6 of 10 - It is stupid cute and utterly charming. They are total boyfriends. It’s just that one of them wants to be and one of them assumes they already are. Actually, nevermind boyfriends, they’re married.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 12fin - It made me whimper a lot because they’re both hurting so much. But in the end it was... fine.

Summation

The compassionate story of a college kid going deaf and the one boy he can hear. I love this manga and was let down by the first adaptation (Silhouette of Your Voice), so I was expecting a lot from this BL. I expected the soundscapes in this one to be fantastic, and the were, but I didn’t expect the filming to be something special too. But it really is. The acting is great too. But the story? It was just fine. They spent far too much time on the build to a relationship, then wallowed in their separation and a problematic girl character, when they should have been showcasing Taichi's character arc and his capacity for connection. Perhaps Japan should pass this one off to Thailand, It's a soft story centering on "food as love" so they might do better with it. I am, yet again, disappointed. 8/10 but I want to give it a 7/10

First Note Of Love (Taiwan Mon Gaga) eps 9-10 of 12 - It’s fine. it’s cute. I enjoyed getting some backstory. More of the sides, please.

Seoul Blues (Korea Fri? YouTube) ep 7 - Honestly, why don’t they just call this entire series The Cheating Diaries and have done with it? I’m only watching it because there’s basically nothing else from Korea right now. But I’m generally mad about it. Including the fact that everybody is so pretty and the acting is so good in the series, but the stories are so terrible.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Happy of the End (Japan Tues Gaga) - A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all. And ya know what? There is plenty airing. DNF 

In case you missed it

The Time of Fever (Korea iQIYI & Viki) 6 eps - Side couple from Unintentional Love Story, HoTae & DongHee, return for a spin off backstory show.

It started out fantastic. And it was a relief to have a good Korean BL finally back on my screen, even a high angst one. But I did spend a lot of time trying trying to figure out whether they’re going to rehash or reboot from the previous series. Are we in Between Us territory or Don't Say No or (heaven forbid) To My Star 2?

None of the above, it turns out.

This was a pure prequel about lost first love. As such, it has no real finale beyond what we got in ULS. Which, for this pair, wasn't satisfying. Putting my disappointment over this aspect aside, it is enjoyable on the strength of the characters, actors, and chemistry (if not story). Yes I said chemistry, the kissing is fantastic, sometimes KBL can do that. This one featured the "teach me to kiss trope"!!!! Plus language play. Both favorites of mine. It is all angst, ache, repression, and miles of subtext. It did fudge the ending by not skipping forward and over the events in ULS to depict what happened next (what, no year long time jump when we actually need it, Korea?) It's a worthy companion piece, but should be watched BEFORE ULS for maximum satisfaction, and even then you're going to be left feeling like HoTae & DongHee's relationship was never adequately discussed or depicted in order to achieve resolution.

The little cameo of my baby in ep 5 was much appreciated. But the motorcycle should’ve been set up a little bit more. Of course I wanted it to be about them getting together after the events in the first series. But this was all backstory from start to finish. And while it was good backstory, it wasn’t ultimately satisfying for these characters. Still it’s a good little series. 8/10 

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging. It's just taking me some time. This isn't really a bingable show, not for me anyway. It's A LOT to take all at once. No new one this week.

4 Minutes (Gaga) Ended - Spies reported in to say the ending was not-exactly-unhappy and mostly lackluster. I'm torn over whether to watch. My natural disinclination to binge, meets my dissatisfaction with wishy-washy, is going up against my love for fabulous high heat and pretty pretty men.

Mitsuya-sensei no keimakutekina ezuke finished and it’s reported to be solid. Age gap treated with respect. I'm curious, so I'll check it out. Not doing very well on binging and catching up but it's on the docket...

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming Sept 2024:

9/15 Love Sick 2024 (Thai Sun iQIYI) 15 eps - Remake of the original. I'm scared too.

9/15 Bad Guy My Boss (Thai Sun Gaga) 10 eps - Assistant to a player boss who is in love with that boss decides to quit to save himself. The boss then makes a move. (A gay What's up with Secretary Kim?)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 10 eps - Lawyer and a con artist meet at a bar, pair up, fall in love.

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

THIS WEEK’S BEST MOMENTS

Love a teach me to kiss, teach me to fuck, whatever moment. (I Saw You In My Dreams sides)

Not gonna lie. I laughed. Addicted.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[hexite-nightmares]

My very unorganized thoughts on S2 of Arcane but only about Viktor

Alright I finally had time to think and write everything down so here we go. I want to preface that I have been weary about this season ever since I watched the act 1 leaks. Mainly because it was very clear he was never going to be a machine, and they didn't give him enough screen time to develop his motivations into ACT 3 Viktor being convincing enough

LET'S START WITH THE FALSE PROPHET VIKTOR

Alright so he has about 11 minutes ish of screentime. Aside from the glaring issue of Jayce reviving him and not destroying the hexcore, taking away agency from a disabled character. It was clearly a false prophet situation, but it was so fucking confusing on whether he could feel like a regular human, if he was under the Hexcore's control which makes the agency issue worse or just jaded. He all of a sudden starts speaking like he's reading Deuteronomy passages ?? We don't know for sure if he's aware that he's basically creating a hive mind now, did he start his plans of making everyone into one right here? Sky seems to encourage him to do this, what does she know about it since shes been in the hexcore ALONE for a little longer? (writers didnt confirm whether it was the real her or not) . Act 1 Viktor's issues are mostly about agency, and a seeming full abandonment of his identity as a scientist, his personality does a full 180. He doesn’t seem to question that the object that revived him and killed Sky is giving him healing powers, but he’s angry at Jayce so we have no clue if he’s being controlled or not.

The show doesn't seem to care to spend time with him bc Isha and Ambessa I guess.

Anyways lets move on to not even act 2, but ep 6, his only episode in this act.

I had huge gripes with this episode, mainly because whatever the fuck was going on with Viktor trying to "keep" Vander's humanity, when he clearly was taking it away from everyone he touched, does he actually believe what he's saying or is he under the Hexcore's control still?. Obviously the glaring issues of Sky being there without any actual input, they're cosmic friends I guess but with very generic lines, and the fandom has to fill in the blanks with whatever Amanda Overton feels like saying about Sky in the moment(if we don't see it in the show I don't take it as her development, sorry). So Viktor builds Colloidal silver drinking Joshua tree and ppl think it's fucking Eden, Jinx calls him a Machine Herald when there's NO SIGN OF MACHINERY JUST PURPLE MAGICAL METAL LOOKING FLESH. We get a whole ass different realm with no explanation other than, oh yeah Viktor is inside there. Jayce comes in and almost kills him. The only option there is at this point is for Singed to start his MH era. The choice of becoming MH is nonexistent now, other people have to jumpstart things for him. I know some people interprete this commune as Viktor achieving his dreams, thinking he was being himself, that he was in paradise with Sky and.. that wasn’t the case for me.. it was extremely sinister. Worst part of this Act, is that MH was seemingly a damn trial experiment for Orianna.

BONUS:

So it seems that Christian Linke has confirmed Sky was the hexcore using its influence to manipulate viktor into the glorious evolution. He said it was meant to be as a misdirect. So to everyone who got dunked on here for “wanting to be spoonfed” or “not reading into it deep enough” for thinking he was being mind controlled, you were right about it being the hexcore. Viktor has been confirmed to have no agency until episode 9 I guess. He also mentioned Viktor’s goal was getting the most power/influence… we never saw a fucking glimpse of this in season one I’m sorry.

ACT 3

First awful problem here is obviously Singed having to jumpstart things. Viktor is aware for his choice of whatever is happening with the egg thing. Yet....there's still no sign of machinery. We get a scene where Sky fucking dies again, he refers to her as Ms Young, which im guessing is a parallel to the other time he dismissed her in S1. But of course we get the double fridging in the show, cuz making female characters just for the sake of advancing her crush's plot line is sooo amazing. Here lies sky, the character who is barely a character. Well after that we get the sequence of his transformation and we get that butt ugly mask. His personality does another huge change again. So we know the hexcore is not influencing him anymore as the hexcore completed its goal of the glorious evolution.. so I guess viktor really does think this is the right way?

A huge issue I have again, is the lack of agency. In this particular scene Jayce goes "My partner died in this room" yeah..Viktor didn't fully choose to become this right? it all started with Jayce using the hexcore on him, it’s been manipulating him the whole ass season…Kinda wish there was some sort of acknowledgement from Jayce that he’s basically the catalyst of this.

He gets his laser because...fanservice. There's no way he went all the way to the lab and magically attached it to himself just to cut off a wall. He keeps going on that choice is false, but a few minutes before he said he’d evolve all of those willing?

In the cosmos, beautiful sequence. I don’t love Jayce’s dialogue choices(about his disease) here and then it all being about viktor hating himself.. since the hexcore was leading to all of this, his motivation for it all being self hatred feels a bit eh. The sequence is beautiful and Jayce and Viktor destroying the anomaly with the rune shard is nice, that part was cute. But then they kinda disappear and we only know that viktor is alive so far, no clue about Jayce. The sequence is touching towards the end and I’m a sucker for characters finding each other in every timeline/universe but it can’t make up for all the other things that are bothering me. This seems to be the one time Viktor has some sort of agency I guess.

Then obviously the worst part that will bother me forever. The thing that made me almost slam my laptop shut

This retcon is just awful I shouldn’t even have to say why, it makes things fucking weird and it’s frankly stupid. Also viktor can’t rock a beard like that.

Anyways this is very disorganized, fuck you riot I felt like an insane former this whole time but I was right.

[writing-for-life]

Sandman Predictions

So we’ve been speculating wildly what the remainder of The Sandman might look like on here and in our community (join us!) for a while.

And I thought it would be fun to put my predictions to paper (so to speak) so I can be embarrassed about them later and laugh at how wrong they were 🙈

Taking all the casting announcements and BTS in consideration I’ve collected like a magpie (check out my #sandman S2 tag), I will have a stab at it…

Only 12 Episodes or Aiming for Renewal?

Both is possible, but I am more and more leaning we’ll get the whole thing in twelve episodes in two batches of five each with two wraparound episodes (one will be AGoY/THCoL in the middle, one the last three issues of The Wake).

We know the episode names for six episodes that are directed by Jamie Childs. That doesn’t mean they were in order, or that there won’t be other directors involved. It wouldn’t surprise me if they at least went for female writers/directors for AGoY/THCoL, and if that’ll be the episode that separates (or rather connects) SoM and Brief Lives. So here comes my totally unhinged prediction for 12 episodes, including the titles we know (mind you, they might also be working titles). The chapters from the comics are to be seen as fluid and not absolute, because there are a lot of scenes that are not linear in chronological terms and will probably be shuffled around a bit:

Batch One

“More Devils Than Vast Hell Can Hold” (that title is a direct quote from AMND): A Midsummer Night’s Dream, SoM Prologue & Tales in the Sand flashback

“Season of Mists”: SoM ch. 1-3, ch. 4 is getting dropped

“The Ruler of Hell”: SoM ch. 5 through Epilogue

TBA: AGoY & THCoL “Brief Lives”: Brief Lives ch. 1-3. Maybe the first parts of Thermidor (could also be ep. 5).

“Brief Lives”: Brief Lives ch. 1-5 “The Song of Orpheus”: Brief Lives ch. 4-6 and The Song of Orpheus segueing into

“The Song of Orpheus”: Brief Lives ch. 6. Bast is an excellent cut to SoO. “Family Blood”: Brief Lives ch. 7-9. Parts of Thermidor will also be in there.

Batch Two

“Family Blood”: Brief Lives ch. 7-9 TBA: TKO ch. 1-4

TBA: TKO ch. 1-4 TBA: TKO ch. 5-7

TBA: TKO ch. 5-8 TBA: TKO ch. 8-10

TBA: TKO ch. 11-13

TBA: The Wake (all of it apart from…)

TBA: Sunday Mourning/Exiles/The Tempest

Edit 19/09:

[strikeouts in text done on same day]

So I’ve read The High Cost of Living again over the past few days because it didn’t want to leave me alone, and I’ve now convinced myself we’ll get it as a side-plot to Brief Lives in episodes 4-6, and that we’ll get tiny bits of AGoY, (mostly to set up Wanda/Ruby for Brief Lives and Hazel/Foxglove for THCoL) as a side plot to SoM in episodes 1-3. Spoilers ahead, so skip if that’s not your thing:

Both Sexton and Orpheus have a death wish. I don’t want to drag this out too much because the post is long enough as it is, but suffice it to say, Sexton rethinks after spending a day with Didi/Death, while Orpheus is granted his wish. And this is what ultimately sets Morpheus on his own path. The meaning of “So live” would be beautifully contrasted that way because it has different meaning to different people, depending on their own experience. Add to that Death spending a “brief life” for one day herself, and I can somewhat see the vision.

Failing this, THCoL could also be a special in episode 13 that hasn’t been announced yet (I’d rather have Overture though if I’m honest).

In more detail:

A Midsummer Night’s Dream and The Tempest will be bookends, one before SoM, one after The Wake (they don’t necessarily have to be full episodes, they could be half each and make up roughly an hour combined. It really depends on overall runtime).

We’ll kick off batch one with Season of Mists (maybe the prologue and will also be in episode 1–there are several points in AMND that would make good cuts into SoM), and Tales in the Sand won’t be a full episode but incorporated as flashbacks (maybe around the family dinner). After we conclude SoM, we’ll get one episode of AGoY will be a side-plot to SoM, as per above (if it happens at all), and leads into THCoL as a side-plot to Brief Lives as per my edit above, because there’s a through-line in there for Fox and Hazel, plus we can set up Wanda/Ruby for Brief Lives.

Bonus 1:

Johanna will be somehow involved in SoM (she’s the Hellblazer after all), and we’ll get her to hook up with Murphy. No need for a longwinded introduction of Thessaly. Or, failing that, we just cut out the love interest completely, Morpheus does his moping session because Nada rebuffs him again, but Jo will still take Thessaly’s place as the crone.

We’ll move into roughly three episodes of Song of Orpheus/Thermidor and Brief Lives from there. Wanda will die in Brief Lives like Ruby, not in AGoY.

We finish the first batch with Morpheus alone on his chair after you-know-what 😩

Second batch: TKO and The Wake. Little bits of World’s End will be woven in where it fits, maybe already in the first batch as well. Same goes for little bits of standalone issues from Fables and Reflections.

Jo will take Thessaly’s place and protect Lyta because she’d just believe it’s the right thing to do (she also sympathises because she lost Astra). Whether she also holds a deeper grudge depends on if they set them up as having an affair or not.

My guess is four episodes TKO and one for the Wake. Sunday Mourning and Exiles will be done in one episode. The movie concept art that Jill Thompson did ages ago showed Daniel in the distance on the beach with the other three, and I think that’s a good tie-in point to lead into Exiles. Even the Tempest might fit in there if they make the last episode more feature-length. And you’ve got your two Shakespeare bookends.

Bonus 2:

Hob will be reinstalled to his narrative purpose because at least half the fandom will drop him like a hot potato and ship Morpheus x Cluracan instead. Because:

If you think 12 episodes are tight: Yes, if you want to see every detail and issue of the comics. But not everything you see in a graphic novel translates well to screen, plus you don’t perceive time the same way. What takes ages to read can be something like 30 seconds in a film. Add to this that the movie that never happened was conceptualised as a trilogy if I’m not mistaken, so probably 6-8 hours planned runtime in total. So they always had a definite idea how to streamline it, and they were planning for it before. 12 episodes with 45 to 60min each give us more to play with than a movie-trilogy (plus we can already take the time off that we spent on S1). I think it’s doable, but of course it means tightening arcs and dropping stuff.

However, I’ll be honest with you: With all that’s been going on, and having seen that they filmed right through until the end, I’d rather have them wrap up now. Because I honestly can’t see a S3 happening after all that’s already been cancelled and put on hold because of you-know-what (I’m thinking of Disney shelving The Graveyard Book and Amazon putting GO on hold and sitting on the Audible despite it being finished).

But also: These decisions have likely been made long before these considerations even became an issue: Renewal was on a knife’s edge, and choices were made back then we can only guess at. Scripts aren’t written over night, neither are sets changed around wildly on a whim (plus actors aren’t just tied to one project and can’t just willy-nilly change their schedules). And some sets for TKO were already confirmed and booked in May. So they were always going to do what we’ve seen in BTS shots. It’s not a sudden development.

In any case: If they aimed for more seasons than two, I think this prediction could still hold in general, we’ll just get it more fleshed out. In that case, I’d say 10 episodes of SoM and Brief Lives (5 each), and A Midsummer Night’s Dream and THCoL as standalones with the rest as side-plots woven in (that includes AGoY). Then S3 comprising TKO and The Wake with more space for standalone episodes and World’s End. Maybe even Overture as a special. I very much doubt they would go for more than three seasons in total though.

So these are my predictions, now I’d love to hear yours…

[beautifuloxymoron]

When the Phone Rings - Finale.

After thinking it over and sitting with the ending of When the Phone Rings, here are my overall thoughts on the show. I liked it. Yes, even with that ending. I knew after the 1st ep that I will not take the show as some sort of "serious" kdrama and readied myself for a the show to have somewhat of a makjang or exaggerated narratives twang to it...

While this show wasn't a full blown makjang which I appreciate, because frankly that is just not cup of tea, it really did immerse me into the world that they created.

Was I a bit disappointed? Yes. In my opinion, the ending needed heavy reworking, and frankly I think the show would have benefited if it was extended to 14 episodes to better flush out the remaining plots.

Writing wise, I really disliked that the writer pull the noble idiocy trope last minute. They were communicating so well in the previous episodes… So what changed? I also think the ending with the "real" Baek SaEon his mother was lackluster. He was tormenting the main leads, constantly threating their lives whole lives throughout the show and yet we only hear/see quickly that he died on scene. I felt that the way it was shot/written, just left me feeling a bit unsatisfied - felt a bit to easy. I would have also loved to see a scene to provide more insight to the extended family, especially Hong In Ah.

I think with extended episodes it would have let the writer breathe and write a ending that didn't include unnecessary tropes & convince them that adding the war torn country plot was a not a good idea b/c let's be frank the fuck was that? I know it was taken from the novel but …. omitting it would have been 1000% better.

Episodes 1-10 were fantastic. Starting from ep 11, you could tell plot became a bit strained. As for the last episode, the beginning was good - brilliantly acted by Chae Soo Bin, Middle -I'm erasing it from my memory and end was fantastic. I wished writers could learn that what the audience wants is to see the leads thrive and be happy, and yes, showing the characters happy for the the whole last episode is acceptable. Other than that the overall plot was fun. It was INSANE but fun.

Also, the acting really carried the show. Point blank, without the brilliant acting of Yoo Yeon Seok & Chae Soo Bin, the show would have me saying ahnyeong by ep 2. The dialogue had to have someone execute the lines with a certain "swagger" or precision for me to not find it overly cheesy and frankly believable.

So, would I recommend When the Phone Rings to someone?… I would… with a warning. While the ending may have people thinking it was a waste of time, which is perfectly fine, everyone's opinion is valid, I rather enjoyed it until the end.... Maybe it's because I usually drop shows when I get bored of them, which unfortunately happens often.

overall rating - 8/10

I also bring you my visual representation of my thoughts...

[oscconfessions]

Since Inanimate Insanity has recently ended, I've decided to tell my II journey to the void. We go back 7 years, aka half my life ago. (This will mainly focus on the main grand slams)

First of all, like many, I watched Battle for Dream Island first. I thought BFDIA got cancelled (didn't know there was a season 3 and beyond till WAY later) and found Inanimate Insanity. Only problem is I saw the big ol 1 in the corner of the SEASON 2 thumbnail, and figured that was the starting point. And. I. LOVED IT. I proceeded to watch the rest of season 2 the same day (well, what was available at the time, ep 1-11) and I was convinced that EP 11 was peak fiction.

Though that was also because I instantly related to Balloon. I didn't have the context of season 1 yet but as a kid that was bullied by "friends" seeing Balloon being shoved aside felt familiar. But as much as he was relatable I LOVED Suitcase because to me she represented someone that was kind and wanted to be friends with Balloon. It gave me hope that I could have a friend too... But as much as I just wanted a friend, I was 7 so naturally if anything got along they had to kiss- Stayed obsessed with Inanimate Insanity a little longer but my attention span was short and after finishing season 1 (I HATED it so I tried to ignore it's existence, I like it much more now, but at this time, yeah) I found other fandoms.

Flash forward 3 years later. I'm 10 now and my attention span is a biiiiit better (though I'm not obsessed again, it's just one of my background fandoms) and I find out 2 new episodes where out! Watched them, but ultimately was slightly sad because I realized that wasn't really going to be any Suitloon content from this point. But they were still enjoyable because Suitcase was still in it! Stayed in the fandom, EP 14 came out, then season 3. I remember when season 3 came out, I HATED Nickel and Balloon's friendship WITH A BURNING PASSION and it definitely didn't help that they're ship was absurdly popular. Balloon was my second favorite next to Suitcase so the fact that (I thought) they were writing him so BADLY (again, I THOUGHT) upset me. Eventually I warmed up to them and still didn't ship it but could respect it. By the time the finale happened I could it admit it was cute, just not my favorite.

...then I went to the meetup for S2 ep15 this june... and I'm HYPERFIXATED AGAIN. And stay hyperfixated until the finale (and honestly beyond). I'm having the time of my life, I get a Tumblr, I have both irl friends that actually stayed for another year and moots that i can hyperfixate with, and Im happier then ever! And...now it's over.

As much as it might sound dumb, I feel like I finally have the Suitcases to my Balloon and this show was able to keep me company until then. I remember how many times I would sob about never getting friends and watching Inanimate Insanity to give me hope. So thank you II. For helping that girl feel less lonely.

.

[spicyvampire]

Okay so after the whole Sakuna/Wansarut and Phaya/Tharn "characters description" fighter (protector)/healer+protector(mediator) post, now imma talk about about our resident Snake (PhD), Doctor Chalothorn being a fighter and well how do you convince a fighter to not fight?

I've already made a whole gifset about this but I needed to put the stuff into words cuz u just can't say everything in a gifset so this post is gonna be about a few things, first of all, the way Charlothorn's goals shifted in the last 2 episodes, from wanting to kill Phaya so he can have Tharn, to wanting to save Tharn and Phaya's end not really mattering anymore, and second of all Tharn's role in this shift and where have we saw something similar to this shift before aka Wansarut and Sakuna and how Wansarut even did that

Same disclaimer as the last one applies : pulling this out of my ass from watching the show, these are raw out-of-order thoughts, ill try my best to separate but like the last post because I'm going to have to go back and forth between Wansarut (love of my life, talking about Wansarut has to be my favorite activity rn), Sakuna, Tharn (smooching him smooching him), Phaya and Chalothorn this might get hard to follow but hey that's what it's like inside my brain so welcome to the mess

Putting it under keep reading

So like I said in the last post, Chalothorn is a fighter, like you can't get more fighter than this, the man is literally the prince/ruler of Nagas and he is right in the middle of the battle field anytime there is a fight to be had, and like I said in Sakuna's part of the post he is a level that can probably can only be rivaled by Sakuna's brother, you can't be a higher level of Naga fighter from what I understand, so like how do you fight this man if you are Wansarut and Sakuna? (ep. 8)

Keep in mind that : the answer is that they never were supposed to fight Chalothorn

SCENARIO 1 : Chalothorn wins

This is what we've seen in the show, Sakuna/Wansarut/Phaya/Tharn would never win against him in a fight because they just aren't strong enough to began with, Sakuna and his Garuda were not Chalothorn's level when he was alive, Wansarut is a healer/protector not a fighter, Phaya can only do ✨Sparkles✨ of Garuda powers as of rn and while Tharn can do some powerful protecting he is of the gang the person who is the less in contact with his past and magical self (other than for protecting Phaya magic, we have not even seen his Naga in this lifetime) and also his past self wasn't even a fighter, so it makes sense that Chalothorn just keep killing them and every single one of their reincarnations, he kills them so much that it was destroying his own soul (ep. 8) because surprise he is getting affected by the little cyclic karma thingy they got going on too, this isn't just about Wansarut/Sakuna and PhayaTharn, Chalothorn is trapped in this shit too

Clearly fighting is not the answer, because even if you win, which Chalothorn has been doing a lot of, you still lose, Chalothorn is losing control of his Naga form, not only does it destroy his soul (ep. 8) but he might just not be able to turn into his human form anymore aka would be forced to be a Naga forever (ep. 9)

Another lost of this is that he keeps losing Wansarut and having to wait for the cycle to start again so he would get another chance, like the level of psychological damage getting done to him because he kills the one he loves and he is always left behind alone to wait is enough to drive anybody insane (ep. 11)

And I think that's one of the reasons why it took him so long to understand that he should let Wansarut/Tharn go, because when you do something so despicable and keep doing it over and over again you have to justifies your bad actions to yourself so you don't break and the more you justifies them the harder it becomes to see clearly through them, so you just keep doing it, like Chalothorn probably hates himself more than he even hates Phaya or love Tharn at this point because he keeps killing reincarnations of Wansarut, like this is his reaction to killing Wansarut the first time, falling to his knees screaming and everything (ep. 8), the cognitive dissonance in that man's brain must be insane

SCENARIO 2 : Phaya wins

Now let's imagine for a second there that they did win, Phaya succeeded in killing Charlothorn, and then what? Isn't Charlothorn just gonna reincarnate and come back for them again? Like yes it might take some times but it will happen, and then Phaya and Tharn would be the one destroying their souls and making their karma worst, that's just not a solution

Also we saw with Narong's case part of the show that "victim turned attacker" is not the answer (anyways that's what the show says), when Tharn and Phaya are talking to the abbot at the end of episode 5 the abbot keep repeating that over and over again killing is not the answer

When Phaya Says "Those victims are left with no choice but to fight back in order to survive. They have to kill." The abbot answers "The basic code of moral conducts for human beings like us is the 5 precepts. One should be abstained from killing other living beings. These precepts can bring peace and happiness to your family and the society. Undertaking the 5 precepts will benefit not only yourself but also the people around you." Basically straight up telling them that [not killing] is the only answer that will bring peace to everyone

Also so many parallels can be made between Narong and Chalothorn (which is probably why it was easy for Chalothorn to possess Narong to attack Phaya but let's not get into that), because like isn't this Chalothorn? (ep. 5)

His mind is so clouded by anger and wanting to kill Phaya and getting Tharn that he is obsessed with it, he literally do not see anything else, specially if Phaya is in the room and/or mentioned, like I said a bit higher in this post, he hates Phaya, but he probably hates himself too, and so much hate and anger just blinds people

Also sidenote that I'm not really gonna dive into : How do you think Tharn would feel about Phaya killing Chalothorn, knowing what u know about him? like Tharn loves Chalothorn as a friend, and that's even if Chalothorn is responsible for all the bad things in his life (ep. 12)

Tharn may be looking at Chalothorn saying this but he said "Please stop killing each other." he could not be more clearly talking to both of them, he doesn't want Chalothorn to kill Phaya but he also doesn't want Phaya to kill Chalothorn

SCENARIO 3 : Tharn Wins

Now lemme say this, you can literally never convince a fighter by fighting him, like if you've ever had a fight/argument with someone you know that you cannot reach a compromise in the heat of the fight when everyone is angry and losing the control of their emotions, it just doesn't work, but what does work in the context of the show?

Wansarut and Sakuna

And now I'm back to Wansarut (<3<3<3<3<3<3) and Sakuna because well Wansarut did change a fighter's mind before already, this is part of Wansarut's power that's why I also describe Wansarut as a mediator, and what did Wansarut do exactly?

Well Wansarut healed Sakuna, even if he is from the enemy side, and took care of him and acted in a way that was protective of him, even if again Sakuna is an enemy of Wansarut's people (literally brother of the Garuda king) because that Wansarut's character, Wansarut is a healer/a protect/a mediator that's how Wansarut fights (ep. 8)

Then Wansarut tough Sakuna about Naga culture (Naga offering and breathing fire to pay respect to Buddha, on the 15th nigh of the 11th waxing moon)

And while being in love with each other did facilitate this change of view in Sakuna (which would later turn him a bit into a protector of Wansarut), you really do not need to be for this to work, like the best way to change people views on some things truly is just to expose them to the thing from the POV of the people living it, when nobody is in any immediate danger

And that is exactly how Tharn succeeded in convincing Chalothorn that the love between Phaya and him is good, by being there for Chalothorn and taking care of him, and being patient, until Chalothorn was ready to let him go on his own, not in the heat of of fight when everyone is angry and putting the blame on each other, which was again so healer/ protector/mediator of him like I talked about in my other post

Tharn and Chalothorn : the final

So with Wansarut and Sakuna we saw how Tharn could change Chalothorn's mind and what really does work, now imma dive into the last 2 episodes of this show aka the shift in Chalothorn

So in episode 6, Chalothorn says this

And at that time I think those words were true cuz that's literally what he has been doing isn't it? Like everytime he lost, both Wansarut and Sakuna's reincarnations died, so he was "okay" with killing Wansarut, as long as it meant that Sakuna was also dead and they weren't together (crazy way to fight cognitive dissonance if you ask me) but then something changed around episode 11 because Chalothorn started saving Tharn even if Phaya was still alive? (Ep. 11) (ep.12)

The importance of Chalothorn saving Tharn those 2 times, is that 1) now Tharn knows what the fuck is going on and 2) (like I said in the other post) Tharn end up understanding that Chalothorn can be talked too and reasoned with (the abbot would call it enlightenment), because in that 2nd saving he told Chalothorn to not kill Montee, and Chalothorn listened

Sidenote : Wansarut also did tell Chalothorn to not kill Sakuna and Chalothorn did listen that time too, like Wansarut has a BIG influence on this man (wish we saw their relationship before the mess), the only reason why the fight did continue was because Sakuna did not let Wansarut go

Why did he listen then? because he loves Wansarut, it really is as simple as that, and that's why he also listened to Tharn with Montee, because our chronically involuntary celibate man is head over dick for Tharn (valid and relatable)

So remember when I was talking about cognitive dissonance and stuff, well by ep 12, Chalothorn cannot justifies killing Tharn anymore, he is tired, he is turning into a Naga, and he cannot stand seeing another reincarnation of Wansarut die again, but most importantly he cannot stand to see Tharn die by his own hands

It's easy to concentrate on Phaya's distress in this scene but Chalothorn is in as much distress as Phaya, you can hear Chalothorn's voice break when Tharn is dying in both Phaya and his arms after asking them to stop killing each other, they are both screaming Tharn's name, and this time Chalothorn just listen because this is too much, his hatred for Phaya is just not important anymore, killing Phaya is just not as important anymore because anyways Tharn did choose him didn't he? isn't that what he wanted? even if Tharn clearly is in love with Phaya, Tharn did choose to come with him, so in a way none of this shit even fucking matters anymore

So for the 3rd time, he saves Tharn, this time by literally giving Tharn his soul so he would live (wish we saw him breaking down over Tharn dying in his arms in the Naga caves until he ended up giving Tharn his soul tbh), Chalothorn chooses to save a life instead of ending one and thus ending the curse on his part

[hooked-on-elvis]

MY EYES... MY TEARY EYES! 🥹

ABOUT ELVIS AND GLADYS' BOND. ♥

"Watching the snow reminded me of Elvis' mother. She used to say that if snowed in Memphis when Elvis was gone, she always went outside and gathered up enough in a pan to make snowballs for Elvis to see when he came back. She put them in the freezer of the refrigerator to keep. Elvis loved to see it snow at Graceland." Excerpts from "Elvis: This One's For You" by Arlene Cogan.

No wonder why EP missed his mother dearly. There's many types of moms but the Gladys type of mommy is a true blessing - the ones which heart's that almost burst while trying to make you feel their love for you. It's almost a physical need to pour love in their children every way they can. Towards their children, they have all love languages at once: words of encouragement, sound advice, physical touch/cuddles, actions… It's suffocating, but in a wonderful way. Gladys Love Presley was the sweetest mom anyone could wish for. EP was fortunate in many ways - starting from his family - but what a misfortune was to lose Gladys so early in his life. Love is a dangerous splendid thing anyway. It's best to have it and lose it than never being touched by it. Gladys' love for her son was bigger than life anyway. ♥ -- Note: The excerpt from that book reminded me this footage below, where Gladys is playing with the snow with Vernon (C. January, 1958). There's also another book that mentions her saving some snow so that Elvis could see it later when he came back home (i don't remember what book, unfortunately, but I've read this before).

Above, pictures takes in 1957, during "Loving You" movie production. Gladys actually appears on the big screen for a few seconds in this Presley early movie. EP dances next to her while singing "Got A Lot O' Livin' To Do" by the end of the movie… It's so cute!

Photo 5-13: March 23-24th, 1958

Elvis was about to be inducted in the US Army. The photos showing the Presley's alone were taken March 23rd, a day before Elvis' army induction day. On the actual induction day, on March 24th (pictures 11-13), there's footage where EP's hopping a bus together with other fellow guys, heading to the army camp to the beginning of the basic trainning and his 2-year epic journey as Private Presley in the U.S. Army. Gladys was visibly shaken and heartbroken to see her beloved son go away and the reason why. Some family members and friends said Gladys was terrified thinking about the horrors of World War II that she seriously feared for Elvis' life and well-being as a soldier. She never got over it, even though Elvis and everybody else tried to convince her nothing was going to happen, after all they were living at the Cold War period, therefore there wasn't reasonable reasons in being anxiously alarmed. Nothing seemed to comfort Gladys. We know she sadly passed away on August, 1958, a few months after Elvis was inducted in the army. Years later, EP would say to one of his intimate acquaintances "my mommy really worried to death." It's so sad... in a poetic way. IDK what I'm talking about right now… It's like she couldn't live without her little boy, literally. Gladys was so close to her son! The reciprocity is true. She was the only person EP trusted blindfolded, with all his heart, body, mind and soul. Gladys only had the best intentions for her son. She didn't care about the money or fame. She actually asked him many time if it wouldn't be better/safer if he gave up his career and just became a business man, a owner of some local company in Memphis/TN, got married, had his own family, and lived a nice, calm, Southern life. EP used to get upset with that "nonsense" talk, because he loved his career greatly and everything was working out just fine for him... he was in love with his music and his fans. He was born to be the King of Rock and Roll and he worked very hard for it every single day. It wasn't right to chicken up. He wouldn't give it up his career, even for his beloved mommy. Yet, Gladys couldn't help herself but to worry something bad could happen if she was not by his side 24/7. A typical loving mom behavior. Even when she acted overprotective like that and drove Elvis insane sometimes, it was all out of the purest heavenly true love... and he knew it.

Although she was uneasy most of the time, thinking about Elvis' well being, the constant travelling on the road all the time, having tabloids badmouthing him, a portion of American society threatening to put him in jail, crazy passionate fans scratching the hell out of him, trying to touch him to the point they'd tear his clothes off his body, even so Gladys supported Elvis' career and was by his side whatever he decided to do. He knew how blessed he was having her for his mother, and Elvis did his best to protect his mommy's heart - even by hiding some of the bad happenings in his life from her. He wouldn't let anything break her heart... even himself.

Yet, so soon the day came when she was gone. Elvis never ceased missing his mommy.

Shantay Perrish, a dedicated fan shared the following story: "We arrived about 7:00 pm that following evening and were shocked to see Elvis leaving on his Harley with a blue flower arrangement strapped to the rear. I quickly went to the guard house shack and asked Harold Lloyd, "Is that who I think it was?" Harold said, "Yes that was Elvis, but don't follow him." We waited there and he returned to Graceland within the hour. Earlier that day we had gone to pay our respect to his mother at Forest Hill, never thinking of Elvis possibly showing up. The next morning we again went to Forest Hill Cemetery and there on Gladys grave was the arrangement of blue flowers we had seen the night before on the motorcycle. Elvis had been to visit his mother in a quiet personal moment."

Photos and excerpt from the book "Elvis Behind the Image."

This event possibly took place circa August 11th, 1977. A few days before Elvis Presley sadly passed away on August 16th. The photo 1 shows Elvis leaving Graceland that day and the photo 2 is Gladys' grave site with the blue flower arrangement he placed there for his mommy for one last time. Elvis assured to send flowers there often over the years since Gladys' passing, but this time he delivered it there himself. Isn't intriguing, to say the least?

Oh, mama liked the roses but most of all she cared About the way we learned to live And if we said our prayers Oh, mama liked the roses in such a special way We bring them every Mother's Day And put them on her grave Oh, mama liked the roses Mmmm Mama liked the roses

In loving memory of Gladys Love Presley ♥

[big-low-t]

My Record Store...

This was my record store in Charleston, West Virginia. It is closing. The owners are retiring. It breaks my heart, but at the same time it stirs up great memories and nostalgia.

It's 1979, a young and innocent Tim (yeah, 10 or 11 year old me) convinced his mother to stop at Budget Tapes and Records. I needed to get the latest Bad Company album. Hey, "Rock and Roll Fantasy" was a good song, but I can't say I was impressed by much of the rest of the album. My record kept skipping, so I took it back, got another and it skipped too. One of the kind folks at Budget suggested I go to the audio store a few doors down and get a new needle for my fairly cheap stereo system. I did and it worked. No more skipping.

It was the start of some special memories. I got my first Iron Maiden record there. The "Maiden Japan" live EP. Very quickly afterwards I was grabbing everything else Iron Maiden had released up to that point. Picked up my first Motorhead album there, too.

This would be my record store of choice up until around 1990 when I moved out of state after college for a job.

Once I had my driver's license I stopped there at least once a week. It got to be where one of the main employees, John, would see me come in and yell "Hey Timmmmm, we just got something in that I think you'll like..." He was pretty much always right. I remember him playing the promo copies of "Electric" by the Cult and "Nothing's Shocking" by Jane's Addiction to me. I bought the promo copy of that Cult album on the cheap when they were done playing it in the store a few months later. I think I still have it stashed away somewhere. By the way, John still works there, has been for 48 years, but that will be ending once they close on March 3rd.

I met some cool people there while browsing for records. One dude a friend and I bumped into in the metal import section began raving about a band called Celtic Frost... before we left the store parking lot we hopped in his back seat and he blasted the song "Dethroned Emperor" to us. I just remember looking at my buddy and saying "Holy shit!" Blew me away.

Another time I bumped into the "other guy." It seems that between me and this other guy, we would be the ones who usually bought the latest heavy metal import albums. But for a long time we didn't know that. Once we met and started talking we became friends. We would record a cassette tape for each other of the albums we got that the other didn't have.

So many good memories from a place that's been around nearly as long as I have been alive.

But it will all be ending in a few days. Another piece of my past crumbling away into the dust of memories.

I can still hear this dude yelling "Timmmmm, you gotta check this new album out we just got in..."

Those were good days.

[telomeke-bbs]

OUR SKYY 2 x BAD BUDDY x A TALE OF THOUSAND STARS – A REVIEW AND PARTIAL ANALYSIS

Yes, I'm well aware that it's been more than two weeks since the Our Skyy 2 x Bad Buddy x A Tale of Thousand Stars 4-ep closer for OS2 aired, and I'm far behind the bandwagon in posting this.

Thing is, I've had to take some time to gather my garbled thoughts on how I feel about the mini-series, and I have many. Also, the longer I dawdle, the more others have posted similar musings, and I then have to edit down my own write-up to avoid repeating stuff that others more knowledgeable and eloquent than I have already made public.

This is like my fourth or fifth re-write, and I've already chucked so much aside. But now the ideas jangling in my head seem a bit more coherent, and maybe it's time to solidify them in the written word.

I think part of the block I was facing had to do with the fact that I was expecting the Bad Buddy portions of OS2 x BBS x ATOTS to be doing more than they did, and when they didn't I was left a little directionless. This is not to say I didn't enjoy the episodes though; I most certainly did. How great was it to see Pat and Pran back in action again? 😍 Even though their dynamic and storyline weren't as deeply resonating as what we saw in the original Bad Buddy, they still managed to charm me no end.

While I certainly wanted more information regarding Pat and Pran's relationship (and we did get to see a tiny bit), what I'd really been hoping for was more of the intellectual gamery that had been so carefully interwoven into the original BBS, that was densely layered with metaphor, allegory and messaging. It was also rich with linguistic wordplay and cultural content, and I was on the lookout for more of the same in OS2 the moment Pat and Pran appeared. But these were mostly missing, even though they delivered callbacks and charisma in spades.

It was only upon re-watching that a number of realizations crystallized for me, chief of which was the fact that I'd been looking for things in the wrong place. The subtextual (and even metatextual) cleverness I was expecting actually was there, but it had been woven more into the ATOTS portions instead. And while I like the original ATOTS, it didn't inspire in me the same kind of obsessive love that Bad Buddy had done, so I have never gone in for a re-watch or examined it in greater detail, and thus wasn't paying as much attention to the ATOTS portions of OS2.

More fool me. No wonder my first watch of OS2 x BBS x ATOTS missed what it did, because I kind of sped through Phupha and Tian's story, when the mini-series was leaning more on ATOTS than BBS to telegraph its messaging.

I really shouldn't have been surprised. We know that the creators of Bad Buddy (Director Aof mostly, but Ohm and Nanon were in on it too) viewed BBS as having told all that needed to be told of PatPran’s story, and this was signified by the apartment door closing on the happy couple’s continued rough-housing at the end of Ep.12.

(above) BBS Ep.12 [4/4] 18.22 and 18.23 – the door closes on Pat and Pran's story (dunno who was swinging it shut though – Nong Nao maybe? 😂)

And this is why OS2 x BBS didn’t show us events post-Ep.12, but chose instead to position the mini-series during the timeskip between Episodes 11 and 12.

So when BBS became the success it did, pressure must have mounted on all sides but especially from the higher-ups to squeeze out a sequel somehow, because it would undoubtedly be a money-spinner. But what more is there to spin out when you, the maker, are convinced that not only is the whole yarn already spun and done, the tapestry you wove from it is pretty much complete as well?

I will go so far as to say I think OS2 x BBS x ATOTS was Director Aof’s escape hatch – instead of trying to spin out more from nothing, he shone a spotlight on a previously unseen section of his opus (letting management and fans know we would be getting Pat and Pran back, but then showing us their timeskip rather than events beyond Ep.12). And a short while later he segued artfully into a related piece, wrangling PatPran into a crossover with ATOTS that would have its message revolve a lot more around PhuTian’s story instead. I'm sure we find out more about Phupha and Tian's relationship too, but I'm not going to go into it in any detail because I'm not as au fait with their backstory as I feel I am with Pat and Pran's; I'm pretty sure though that their story in OS2 was the primary vessel for deeper messaging.

And I'm glad to see that I'm not the only one to pick up on Director Aof making ATOTS do the heavier lifting – see @wen-kexing-apologist’s write-ups linked here and here.

To my mind, Director Aof's bait-and-switch (kind of a hallmark with him) was also signaled at the end of OS2 x BBS x ATOTS Ep.1 [4/4], when Pran had to hike up to Pha Pun Dao just as Tian had done in the original ATOTS.

(above) OS2 x BBS x ATOTS Ep.1 [4/4] 10.28

Pran found it as much of a physical ordeal as Tian did, and the parallel with Tian's trajectory is unmistakable (while also being oddly illogical, since Pran should still be pretty fit as an ex-rugby player while Tian is a heart transplant recipient 🤷‍♂️).

But in service of the narrative, when an exhausted Pran finally reaches his destination – it’s the waiting Phupha who faints, not Pran-as-Tian. (In the original ATOTS, it was Tian who fainted at the end of the long hike up to PPD and Phupha was the one who caught him.)

(above) OS2 x BBS x ATOTS Ep.1 [4/4] 11.28

For me, this signals that a switch-up has happened, and Phupha's story has somehow taken up continuity from Pran's (and we do see him learning from their similar experiences when they talk in the forest in Ep.3). More than just a callback to ATOTS, it also represents the moment when the red thread of the narrative, the coursing of the prana or qi, symbolically transfers from PatPran's storyline to PhuTian's.

So, summarizing the structure of this four-ep mini-series:

Ep.1 was basically a set-up to get PatPran up to the mountains, padded out with lots of gleeful fanservice moments for BBS fans (not that I'm complaining! 💖);

Ep.2 was devoted to setting out the main subject matter at hand and establishing the framework within which it would be discussed (PhuTian’s relationship, juxtaposed against PatPran’s);

Ep.3 – the jungle jaunt – introduced external conflict as the tool by which the subject could be dissected under scrutiny; and

Ep.4 was of course the resolution, drawing matters to their natural conclusion.

And with regard to Bad Buddy, what we see in OS2’s BBS portions is really a kind of compromise. It’s not a sequel to BBS by a longshot, but mostly a flourish of fanservice instead (hence the generous gifting of callbacks and re-creations of iconic moments from BBS, especially in Ep.1 of the four-parter – some scenes, like the one starting at Ep.1 [1I4] 8.31, consisted almost entirely of callbacks).

(above) OS2 x BBS x ATOTS Ep.1 [1I4] 8.47

This is not to say we don't see anything at all with regard to growth though. By situating PatPran's storyline during the timeskip between the original BBS Episodes 11 and 12, we were effectively allowed a glimpse into the state and development of their relationship sometime after the heady hormonal rush of their honeymoon period in Ep.11, and before its relative maturity in Ep.12, and there were some choice moments on display.

OS2 called this out at Ep.2 [2/4] 10.29, when Pat asked "Since we’re here in the North, should we make it our honeymoon trip?", which Pran then dismisses with a reminder of their task at hand (getting PhuTian's permission for his play).

(above) OS2 x BBS x ATOTS Ep.2 [2/4] 10.51

The honeymoon reference was a callback to BBS Ep.11, in which Pat was wanting to live indefinitely in a sort-of forever honeymoon by the sea (that even he knew was only illusory). Pran's dismissal of Pat's suggestion in OS2 was a reminder that their honeymoon period was over, and it was time for them to be dealing with the growing pains that every couple faces on their journey to a stable pairing.

What wasn't addressed in the original BBS is that PatPran's natural propensity to draw each other into conflict could not have been healthy for their longer-term relationship post-honeymoon, unless they found a way to corral the constant infighting and invent a set of gentlemen's rules that would prevent damage to their bond.

(above) BBS Ep.5 [1I4] 3.19

And I think this is part of what OS2 was trying to show us (however briefly): Pat and Pran moving toward finding a balance between loving each other and punching each other up (emotionally), despite conflict and rivalry paradoxically being the age-old rockbed of their relationship.

The following are some of the relationship dynamics that they explored in OS2:

Transitioning from an individual mindset to a couple-based one (which was highlighted by Pran's solo expedition to the mountains, before Pat managed to catch up);

Adapting to each other's personal styles (Pran's is spikier, and Pat's more embracing);

Learning about give and take, and looking for win-win outcomes rather than keeping score (in OS2, this was illustrated by how their earlier duels – like who gets the auditorium, who gets the HighTem sponsorship – were framed as zero-sum win-lose situations, where a win for one would mean a loss for the other; it was also given a nod in Pran's talk with Phupha at Ep.3 [4/4] 1.19 regarding his insecurities about who gives more in a relationship).

There are possibly others, but these are just the ones I could suss out with my one haphazard re-watch, and I'm not ready to go looking for them. 🤷‍♂️

Now I was originally going to go into these in detail, but I realize it's not what interests me the most about OS2 x BBS x ATOTS, nor do I think OS2 adequately dealt with these (and/or other) relationship issues between PatPran during the mini-series itself (as in, we aren't shown enough of Pat and Pran working together on detangling the knots in their bond for any suggested resolution at the end of the fourth episode to feel logical and satisfying).

It seems almost as though OS2 x BBS x ATOTS was expecting us to believe that PatPran's Ep.3 trial by forest (which they also went through mostly apart from each other) was enough to be some magically purifying crucible, imparting wisdom via its sufferance.

(above left) OS2 x BBS x ATOTS Ep.3 [1I4] 15.16 – Tian, Pran and Kampung lost in the forest; (above right) OS2 x BBS x ATOTS Ep.3 [1I4] 17.46 – Pat and Phupha on their wilderness search

We do know that PatPran's journey to arrive at a steady-state couplehood will continue unseen beyond OS2 and that they eventually end up on rock-solid footing, with a set of mutually-agreed ground rules for engagement that is acknowledged and respected, because it's obviously what they have in place by the time we see them in BBS Ep.12 (so much so that their relationship could withstand the difficulties of a long-distance commitment after Pran moves to Singapore).

(above) BBS Ep.12 [3I4] 8.15

I'm willing to accept this because I think OS2 x BBS x ATOTS was not meant to be a PatPran vehicle in the main, and so I will take whatever crumbs are on offer and view their forest ordeal as more metaphor than real-time depiction of their actual process to ground their relationship in greater maturity. (If you'd like to look at PatPran's learning track more in detail however, I can point you to the ever-incisive @miscellar's breakdowns linked here, here and here. 🤩👍)

But what I find really interesting about OS2 x BBS x ATOTS is when PhuTian's storyline gets drawn into the mix – and it happens much earlier than you would think on first watch.

One part of OS2 x BBS x ATOTS that stood out for me was all the discourse around the Engineering play, because quite frankly it felt incongruously spotlighted. First of all, why Snow White? And why an entire scene of Pran demonstrating the art of theater to Pat backstage? I now believe Director Aof was doing this to call attention to some underlying significance.

(above) OS2 x BBS x ATOTS Ep.1 [2/4] 9.15

Tumblr user @ranchthoughts has very astutely pointed out that the story of Snow White has many parallels with the original ATOTS (e.g., the gallant woodsman; the fragile, privileged damsel who falls in a swoon; the journey through the forest; the misappropriated heart that doubles as proof of good faith – see these links here, here and here for more 🤩👍).

(above) An illustration of the seven dwarfs finding Snow White by Franz Jüttner, from Sneewittchen (1905)

So by bringing up Snow White, Director Aof was already slyly alluding to PhuTian in OS2 x BBS x ATOTS Ep.1 [2/4].

Although it is not a strict retelling of the fairytale, I think that OS2 x BBS x ATOTS also contains elements of Snow White:

Another character (Phupha) swoons into unconsciousness (like Snow White did after biting the poisoned apple);

There is also a journey through the wilderness (mirroring Snow White's abandonment in the woods and finding her way to the dwarf house);

A cast of supporting characters parallels the seven dwarfs (Kampung is one, and this is perhaps why they dressed him in oversized windbreakers, playing with his proportions to make him seem more dwarf-like; this is also possibly why Pat jokingly mentions Korn playing one of the dwarfs in the Engineering play at Ep.1 [1I4] 13.26 – Drake may have been originally envisioned as part of the cast, in character as Rang, up in the mountains);

The magic mirror, that always tells the truth, is actually PatPran, in whom PhuTian see their own relationship problems reflected, and whose truths help them to better their own dynamic (see Phupha's comments at Ep.4 [3I4] 0.53 and 1.05 – "It has to be you two who play the parts" and "No one gets us better than these two" as well as PhuTian's more light-hearted callbacks to PatPran's cheekier moments, e.g., at Ep.4 [2/4] 1.25 and 1.59).

But it's really Pat and Pran's interaction backstage at Ep.1 [2/4] 8.54 that both illuminates and foreshadows some bigger themes to come in OS2 x BBS x ATOTS (when Pran demonstrates how a simple bench can transform onstage, depending on how you frame it for the audience via the narrative).

(above left) OS2 x BBS x ATOTS Ep.1 [2/4] 10.12 – Pran shows Pat how a bench can be a dining table; (above right) BBS Ep.3 [3I4] 9.01 – Pat shows Pran how roleplay can spark a creative bus stop design

On the surface level it's a parallel and callback to PatPran's roleplay at BBS Ep.3 [3I4] 8.38 (although flipping the roles with Pran turning educator doesn't quite gel, given that Pat was fully aware of how to use the power of imagination at the bus-stop).

It's also a tip of the hat to theater legend Peter Brook who famously said "I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged", which invokes the same kind of metamorphic magic that turns Pran's bench into a mirror, a dwarf dining table and a glass coffin. (Peter Brook also passed away just a few months before the Our Skyy 2 trailer aired, which lends a poignancy and weight to this moment.)

(above left) Theater legend Peter Brook; (above right) OS2 x BBS x ATOTS Ep.1 [2/4] 11.03 – PatPran roleplay Snow White and the glass coffin

The bench as glass coffin is also a metaphor for the constraints that PatPran must face living their relationship in a glass closet – open to view yet limited on all sides by expectations (remembering that they've officially broken up but still have to interact in public on school matters).

And of course it's unmissable that both Snow White's glass coffin and PatPran's relationship are a metaphor for queer lives in the closet. (PatPran leaning in for a kiss on that bench only to be interrupted by a uniformed security guard, is also a tongue-in-cheek reminder about how higher authorities can and do impinge on the freedom of queer people to love freely.)

However, in the context of BL and of Our Skyy 2 as a BL anthology, OS2 x BBS x ATOTS is also a metatextual comment on the telling of queer love stories in the media. The entire four-parter can be seen as a metaphor (or more correctly, an allegory) regarding the commodification of LGBTQ+ love by the BL industry itself, if you will, as well as some of the issues this stirs up.

In OS2 we have:

PatPran turning PhuTian's love story into a drama for public consumption;

(above) OS2 x BBS x ATOTS Ep.4 [3I4] 7.00

The emphasis placed on consent for that story to be used (in the words of Ajahn Pichai at Ep.1 [2/4] 12.15, 12.31 and 12.38, and PhuTian's exchange at Ep.2 [1I4] 16.30) and the comment that partial consent is not enough (from Pran at Ep.2 [1I4] 10.18 and 20.22);

(top) OS2 x BBS x ATOTS Ep.1 [2/4] 12.38; (middle) OS2 x BBS x ATOTS Ep.2 [1I4] 16.32; (bottom) OS2 x BBS x ATOTS Ep.2 [1I4] 20.22

Phupha's objection to being portrayed as a one-dimensional love interest, reduced to only his romanticized and/or sexualized self (Ep.2 [1I4] 18.35), instead of being seen as a fully-realized human being in his own right (Ep.2 [1I4] 18.25);

(top) OS2 x BBS x ATOTS Ep.2 [1I4] 18.35; (bottom) OS2 x BBS x ATOTS Ep.2 [1I4] 18.25

Pran detecting Phupha's self-doubt and commenting at Ep.3 [4/4] 0.58: "Why do I feel like you’re just insecure and not sure if you’re good enough to tell anyone that story?";

(above) OS2 x BBS x ATOTS Ep.3 [4/4] 0.58

Phupha finally giving permission for PatPran to dramatize his and Tian's story, with the proviso that Tian and he be played by PatPran themselves (Ep.4 [3I4] 0.48).

(above) OS2 x BBS x ATOTS Ep.4 [3I4] 0.48

The parallels with the BL industry are striking. (I'm sticking with BL as the established industry here, but you could perhaps apply the same points to the nascent GL as well.) No disrespect to allies, but Director Aof is pointedly saying the following:

Queer love stories are constantly being dramatized in Thai media (by cishet-dominated parties and largely for cishet consumption) – but this is often done without the LGBTQ+ community having much say, let alone any consent, in the matter;

The commodification of queer love (especially in the BL industry) has resulted in most productions forefronting the romantic and/or sexual aspects of the narrative (understandable, because these are romance-driven), but this also has the unfortunate result of reducing the queer characters to pretty vessels for love stories, deified and/or fetishized, and with limited room for more to be said about other aspects of their queer lives;

Perhaps because of discrimination, people might still be carrying the idea in their heads that queer stories are somehow less valid than the cishet ones that dominate media (remembering how SOTUS had to break the mold for BL, and InkPa for GL) – and the call sometimes even comes from inside the house, when queer people feel that their stories may somehow be unsuitable for mainstream channels (as echoed by Phupha's insecurity, called out by Pran at Ep.3 [4/4] 0.58).

Not only are queer stories that exist beyond the romantic/sexual dimension worthy of being told in a more expansive arena (Pran's Architecture play, and its reception), the LGBTQ+ community should be mindful when control of how these stories are told and who gets to tell them is not in its hands (echoed by "neutral" Ajahn Pichai's reminder about consent, and Phupha's insistence on having a trusted couple incarnate his and Tian's story).

But remembering Director Aof's leanings toward LGBTQ+ activism in his work, it's also possible to read the drama in OS2 x BBS x ATOTS as an allegory itself for real-life situations, beyond this BL anthology's metatextual comment on the BL industry. I think that this is the ultimate message with PhuTian's story being the finale for Our Skyy 2 (landing not coincidentally during Pride Month and all).

With the metaphors in Pran's theater class backstage and the BL allegory as a launchpad, OS2 x BBS x ATOTS (and Ep.4 especially) is also allegory for queer life in a broader context:

In wider society, the narrative for queer lives has for so long been dominated by the cishet majority and dictated by it (just as the queer romances in BL have had to respond to cishet impulses).

So many queer people have to live their lives with varying degrees of (in)visibility, subject to unseen but still suffocating constraints (Snow White's glass coffin, standing in for the proverbial closet).

Queer lives often take on a performative public face and people have to pretend to be less than their whole truth (Pran's bench, actually so much more than meets the eye).

Queer individuals' self-worth and self-acceptance are influenced by the views of those outside the community, whether coming from family or larger society (Phupha's insecurity, called out by Pran at Ep.3 [4/4] 0.58).

Remembering how Heart in Director Aof's recent (and also mega-important) work Moonlight Chicken was sequestered away by his parents because he was different (i.e., he was a Heart who did not fit what they perceived as "normal"), there is also a parallel in OS2 with Tian whose heart is one step removed from what is considered the norm by wider society (being a transplant from Torfun in ATOTS).

(above) Moonlight Chicken Ep.5 [4/4] 12.23 – Heart weeps in silence at his isolation

Tian's heart often causes him pain, and he is often enfeebled or constrained by it, but even so he loves with his heart just as hard as the next guy (maybe even more, seen not just in his relationship with Phupha but also in his compassion for his students and especially the lost Kampung).

(above) OS2 x BBS x ATOTS Ep.3 [3I4] 2.57

We are shown that Tian is not willing to be held back by his difference, and expects to live his life to the fullest. It's just that he needs to live his life a little differently, and indeed he thrives when he is given the right circumstances (controlled exertion, and the right sustenance/medication) and freedom to do so. And all this is of course a metaphor for queer people, whose hearts also love differently from the cishet majority's, and who are simply asking for the freedom and space to live their best lives.

So in a sense – just as PatPran were a magic mirror to PhuTian – OS2 x BBS x ATOTS is also Snow White's magic mirror held up to its audience, reflecting truths about queer life back to all who are watching.

But as is typical of Director Aof's work, Our Skyy 2 also suffuses its message with hope, so it's not all hard truths, raw and unvarnished. The series draws to a close on an uplifting note, and as an allegory it hails on behalf of the queer community the hope of a positive future that is presented as not only attainable, but also deserved.

Homophobia is not shown to exist in this universe (as was the case with BBS and also ATOTS). So when Phupha meets up with Tian in Bangkok, they're surrounded by a supportive network of family, friends and allies who were working together to make Phupha's attendance at Tian's birthday celebration a reality.

(top) OS2 x BBS x ATOTS Ep.4 [4/4] 3.06 – Tian's birthday celebration with his parents, best friend Tul and surprise guest Phupha; (bottom) OS2 x BBS x ATOTS Ep.4 [4/4] 4.32 – Tian's parents give Phupha their blessing to marry Tian

Tian's parents also giving joyful, proud and formal blessing to their union, as well as Tul and Yod's cheerful assistance, all signal the aspirational message that a better, more accepting world is possible for the LGBTQ+ community.

And of course that super-romantic wedding proposal caps it all off:

(top) OS2 x BBS x ATOTS Ep.4 [4/4] 8.46 – Phupha kisses Tian's hand after placing the engagement ring on his finger; (bottom) OS2 x BBS x ATOTS Ep.4 [4/4] 12.16 – Phupha and Tian's post-engagement kiss by the pool

But it's not just trumpeting support for marriage equality, the cause célèbre that BL series have been championing over the past few years. Noting that Thailand is expected to legalize LGBTQ+ marriage in the coming weeks or months, queer people in the country are now daring to look to the future with much more hope in their hearts. 💖

With this as the context, Phupha and Tian's engagement in the present, with matrimonial union set for the future, can also be seen as symbolizing the hope of even better days to come – when members of the queer community will finally be afforded equal rights in all respects. And I think this has given Our Skyy 2's last episode a rainbow flourish truly worthy of Pride Month 2023. 😍

‌ P.S. Not to take away from the importance of Director Aof's vision, but this is a Bad Buddy blog after all, so I will close this write-up with a bit of a rewind back to PatPran. We didn't get to see a whole lot of information regarding their relationship growth in the four episodes of OS2 x BBS x ATOTS, but there is an Easter Egg hiding within the layers near the end. One of the issues that Pat and Pran had to deal with as a new-ish couple was how to move away from scorekeeping in their constant, competitive jostling. Their first few contests that we saw in OS2 x BBS x ATOTS were win-lose ones ("if you get it, it means that I won't", e.g., the use of the auditorium and the HighTem sponsorship), and that kind of dynamic would only have been corrosive for their couplehood in the longer term. What we see in OS2 x BBS x ATOTS is that in the end they somehow arrive at a win-win instead (just as their Ep.6 Beachside Bet in Bad Buddy sidestepped a black-and-white win-lose outcome and gave them both the winner's prize of being in love). I don't have proof that it's intentional, but Director Aof and his team are certainly clever enough to have planned it to be so. For if ATOTS really is a version of Snow White, both of them got to stage their plays (and share in the sponsorship) since Pran's play (ATOTS) is also Pat's play (Snow White). OS2 x BBS x ATOTS winks at this with Pat – an Engine boy – playing Snow White/Tian, and by showing Wai and Korn in cahoots backstage (why should Engineering student Korn be helping with the Archi play anyway?). 😍

(above) OS2 x BBS x ATOTS Ep.4 [3I4] 6.55 And then PatPran are of course forced to kiss onstage (celebrating their union in more ways than one).

(above) OS2 x BBS x ATOTS Ep.4 [3I4] 7.13 Another sly little wink from OS2, they're lovers pretending to be enemies pretending to be lovers, which in a way is also emblematic of OS2 x BBS x ATOTS's deeper message, told matryoshka-style with layers of allegorical meaning. 💖

‌

[shimmeringweeds]

Link Click Episode 10 part 2 (part 1)

On the Twin Question

Alright, so I still cannot get away from the verifiably insane theory that both twins visited Lu Guang the night Chen Bin died. And since we have points for both Li Tianxi and Li Tianchen being THE twin, I want to put this down as a third option to cover all bases. I hope this can guide people towards their own, individual, answers as to who did what that night.

Starting with the security footage. This is damning. There's only one twin..... Xiao Li never mentioned more than one person. But did he have to? Xiao Li was sent this image and it's not even live footage. Since Lu Guang is obviously okay, he may have thought it was good enough to just show the one photo and ask him about it. Why would Lu Guang lie? He's the victim here. (and Lu Guang doesn't lie. He thinks very carefully before giving a truth.)

Also, this twin in the surveillance image is standing right in the doorway. We can't see Lu Guang. The same applies to anyone else who might be standing inside the room. And you know what, if Episode 10 can reveal a hidden Li Tianxi in the back of the car, then episode 11 can reveal a hidden twin in this room.

The Incident, in Pictures

The first time we are shown a scene of a twin visiting Lu Guang is at the end of episode 2. I'm going to post screenshots in the order that they appear: This gets image heavy, so under the cut it goes.

The scene keeps getting cut. And the angle of perspective changes each time.

---

In episode three, there are two separate times where Lu Guang thinks back on the encounter.

The first time is right after a phone call with CXS/QL. It appears they had to go to the police station, and were not able to check back in with Lu Guang that night (they're telling him about the fight, and CXS notes that LG is acting strange). - pin that for later.

The memory goes like this:

Here, there's an overlap. Not a smooth transition.

Okay, that's just called reusing animation, yeah, yeah.... How convenient for the animators. Bet they breathed a sigh of relief to not have to reanimate this sequence for fluidity. There are multiple "animation inconsistencies" in this show that I'm not convinced are just so. That's another post.

At the end of episode three, we finally get a full scene (or at least, we get one scene.) Cheng Xiaoshi is presumably still inside Chen Bin's photo and Lu Guang gets lost in thought. (He is so stressed by this incident, save him) It follows like this:

We neither see hide nor hair of the "red eyes", and the point of view is consistent.

So what happened? Which twin is this?

We see Li Tianxi run away in a uniform. She shows up later in the same uniform. Similar problem with Li Tianchen, he still has the same hoodie jacket combo In ep 10. (and it could just be character design, but in this particular case I find it unlikely.) The twins run away and then someone, wearing Li Tianchen's coat, shows up at the hospital.

Huge shout out to mimicha-arts (I'm in awe) who noticed that Xiao Ma might have gone back to kill Chen Bin, thereby giving the twins time to move. There's still the matter of Li Tianxi "seeing" Chen Bin apologizing, but I'll accept this small blessing for now because I was ripping my hair out.

So either twin had time to make it up the elevator and retrieve the phone from Xiao Ma. From there, the visit to Lu Guang can be taken at a leisurely pace. In the meantime, they have a multitude of empty rooms to hide in, and the "security" is otherwise occupied.

(For reference, I think the top room is LG. Floor 5 or 6? We don't know about the other occupant, the nurse maybe.)

This part is all untold, a dark space with no light. We do not know what happened that night. We can only guess. So let's weave a story. (there's a huge chance this is wrong, okay, don't take it seriously.)

(EDIT: you can even swap the roles out if you like. I just picked LTC as default. There are no rules.)

Li Tianxi runs to the hospital. Maybe she wants to stop what is happening, maybe she wants to turn herself in. She's distressed and guilty. Li Tianchen catches up before the elevator doors close. He apologizes to Tianxi and quickly hides her in one of the empty rooms, let's say on floor 6 where the elevator stops. He never lets her reach the roof.

Li Tianchen doesn't make it to save Chen Bin. He never planned to. He stays in a blind spot on floor 7, where he collects the phone from Xiao Ma. Xiao Ma walks down the stairs, and takes the elevator on floor 6 down. Li Tianchen returns to Li Tianxi.

Side note about security cams. Xiao Ma wasn't wearing a mask. He doesn't care if his identity is spotted and Qian Jin doesn't care to enforce it, even though he very much cares later. So I don't think anyone was too concered about the surveillance footage.

---

Li Tianchen knows that Lu Guang is alive thanks to possessing Chen Bin. He was privy to that entire conversation. They can use that.

When did the twins possess Lu Guang? (assuming LTX's drawing here is accurate and she isn't just choosing to not to draw a possessed QL in front of QL.) That night is the only window of opportunity the twins would have to play this out.

When they block the door, Lu Guang's hand is right there. Possession easy-peasy if this is Li Tianchen alone. But that's not what's shown in Li Tianxi's drawing.

I haven't yet figured out how a potential coat swap works in this. There wasn't anything else besides the plushy left in Chen Bin's bag, right?

I don't want to suspect him anymore, unless Li Tianchen specifically requested the help. Li Tianxi doesn't have the coat later. So it is a one coat operation, in my opinion. And if this is a two twin operation, then one twin is always being hidden out of sight. Tricky, tricky.

Lu Guang is very occupied throughout this scene. He's tracking a whole hospital (but not everyone in it) He stops moving towards the door in order to focus solely on directions. By the end of the fight, his stab wound is bleeding but he's barely moved (it is a serious injury). He doesn't seem to have lost awareness at any point, but how easy would it have been for a twin to slip in at this time?

When Chen Xiaoshi and Qiao Ling speak with Lu Guang (on face call after the fight) Lu Guang hangs up right after Cheng Xiaoshi suggests he handcuff himself to the bed in case of possession. Cheng Xiaoshi notes that Lu Guang was acting weird. We joke and say Lu Guang just wasn't in the mood for teasing, but maybe he's worried those words are the truth.

When did either twin escape?

Remember, Cheng Xiaoshi and Qiao Ling don't return that night, though the police would have checked in on Lu Guang promptly. How much time passed before Xiao Li was conscious and giving orders?

The only exits known to us on are on the ground floor, and that was swarmed.

The twin's timeline stays tricky. Li Tianxi runs away at some point that night, not wearing her brother's coat. A few days later, she is found in the grocery story and taken into custody as an unidentified person.

Li Tianchen has some convenient timing showing up at the police station while Cheng Xiaoshi is still in their photograph. We don't know how many days have passed. What we do know: when a man hunt is declared for Li Tianxi later that evening, she's already been in police custody for two days. Meaning she isn't in contact with her brother.

Is anyone else getting the feeling there's more to Li Tianxi's powers than we know? Or am I just crazy (I feel crazy.)

I do feel that Li Tianchen is walking on a tightrope around Qian Jin. He wasn't asked if he wanted to kill Chen Bin, just told to do it. This play only works if Li Tianxi understands that, and still trusts her brother despite the horrors.

[mikailys]

MCL NewGen Ep 11 Commentary

Back at the monthly review! I'll start by saying that I actually enjoyed this ep –except some parts but we'll get there– despite it being extremely expensive. Too much, honestly. Following Jason’s route and picking all the LoM-boosting options without using jokers cost me 2554 AP. I basically had to burn through all my gems 🥲 As always beware of spoilers under the cut~

The episode is basically divided into two parts. The first focuses on planning the event commemorating the artistic anniversary of our dear ol' Violet, while the second revolves around “the date” with our LI. I don’t want to linger too much on the first part because it was way too long and drawn-out, just like in episode 9. There are many parts I would’ve cut. While it’s nice to see old faces from time to time, it feels like they’re leaning too much on the nostalgia effect instead of creating new characters or deepening the ones we already have. I understand they want to focus primarily on the time we spend at work but it often seems like the characters are doing little more than sitting at their desks and pretending to work tbh.

On the bright side tho, I really liked that our colleagues are slowly starting to notice there’s more going on between Candy and Jason. The scene where we meet Jason with Thomas - or any other colleague - was a nice touch. You could sense a bit of jealousy from Thomas also i'm always more convinced that Thomas will be the one to break the news about them to the others at this rate

The whole bet between Candy and Jason is intriguing and fitting, even though it’s starting to feel like that’s all they ever do. But hey that means more Jason screentime and I’m not complaining in the slightest, especially after the drought we went through last ep.

But from this point on I honestly couldn’t make sense of anything anymore lol. Maybe I was overwhelmed by all the Jason content (which was a lot compared to what I'm used to) or it was the fact that I ran out of APs right at this point (not to mention the tons of timers in this ep I had to wait through wtf bv) but the more I played the more my brain turned to mush because what do you mean he decided to shake up the bet by inviting us over to his place?? For dinner???!! Cooking for us??? Paying the food??? WE WERE IN HIS CAR TOO WHAT THE FUCKKK

p.s. his apartment is beautiful I love it it's just how I imagined it to be, modern and sofisticated mmh yes

I admit I wasn't absolutely expecting any of these things but I don't mind it... at all.

It’s ridiculously obvious that this whole bet thing was just an excuse to spend time with Candy but damn I didn’t expect him to make this move that soon. Also I always headcanon Jason as the type of character who struggles with love and can’t easily dive into romantic relationships but apparently that’s not the case because it's pretty clear he's already completely head over heels for her. This could be strictly for work, cause apparently he was impressed by her project and wants her by his side at Goldreamz but I’m sure there’s more to it than that. He knows how he feels, he accepts it, and he wants her to acknowledge it too.

But how does Candy respond to it? By fucking leaving.

Look I was about to rage quit but fortunately the episode ended right after…

Oh boy. I kinda understand Candy—I get what she’s sensing and all the implications that come with it—but come on, you knew this was going to happen. What were you expecting, going out on a date with him? Or even making the bet in the first place? And seriously, after all the effort he put into making dinner for you—at HIS expense I might add—you just leave?!? And all because oh you suddenly remember you’re "enemies"? (which isn’t even true—he literally tells you Devon’s the only one he considers his enemy). She spent the whole episode going on about how she’d honor the bet and then, out of nowhere, she bails because "no, it’s not fair to the others!!11!". Please.

Anyway I love his new sprite, I’ve been waiting to see him with his sleeves rolled up since day one and it did not disappoint hehe. The special scene was super cute and the illus is amazing. I loved how they used the purple palette for the ambiance and lighting yes very good choice

When I read the synopsis for the next episode, I started having flashbacks of repressed trauma ngl. The orienting race was my thirteen reason, I hated that episode so much back in the day why would they ever bring it up again my god. Anyway if that's really the whole premise for the ep I'm v curious in how they're gonna include Mr. J in it - hopefully not like they did in the halloween event ty - and how things between them will play out.

[unhinged-comics-screaming]

*crawling out of my migraine floor nest to open my drafts and post this before the next EP drops*

Because the joy in weekly shows is theorizing like mad and (壊せよセオリー I guess) Bravern hopes and dreams as we approach the end!

It's really long so uh tl;dr 8th potential death drive theory, seagulls and then some other odds and ends included

I'm living for Bravern as Gluttony somehow theories. Went down a random path and gluttony isn't necessarily just about eating too much but basically doing anything fun with food. From an article:

The glutton uses food for something other than its proper intention. 

Apparently one of the worst versions is straight up enjoying too much. Which like, every death drive treats their pilots/organic lifeforms as just food while Bravern is obsessed with how his "food" fuels him... And everything else about his "food". Ignoring whether he's actually using Isami the way a death drive uses Lulus and will eventually drain him, he's putting a lot more emotional investment into Isami than any of the Deathdrives into Lulus.

But also! As you dig into this there are also writings about how Gluttony isn't actually a sin so maybe Bravern is Gluttony but also he gets a pass.

Ugh no this could be a cool sidebar into what Bravern as Gluttony's "ideal death" would be. Like, truly overindulging in his "food" aka his pilot aka Isami aka gay sex. AND THEN. This gets rid of the Deathdrive/mecha form. Leaving Smith. And then gay sex with Smith.

With all of the Deathdrives being driven to have the ideal death, and Bravern being born of the desire to live*. I wonder if he can convince Superbia to live. That would be sick. Live a prideful life or something.

*it can be argued that Lewis Smiths resurrection is because he didn't have his ideal death so it's less of a counter force to the Deathdrive and more of his own version of being just like them but that feels less like the main energy of the story.

Moving on from that, I love the seagulls being a big part of the episode 10 preview and then the episode 11 preview having bravern surfing on the newly added fusion part just like them.

I think I read somewhere about seagulls going back to where they met to mate so. Yeah. Back to Hawai'i! With Brave being the one signalling I hope this is like, Isami really expressing his trust in Bravern and making it a matched relationship. My ideal scene is Isami seeing how Lulu's determination to pilot Superbia means he needs to commit to trusting Bravern. Which should totally include knowing who he is.

Which, adjacently, I think the reveal phrase should've been Bravern saying some phrase with "cool" in English. Like "the finishing move was ⟨super cool⟩> right?". It just feels more Smith imo. I really love how little they gave us with this though. Who were they fighting? How did they achieve this? Why did they get beat up instead of blasted/disintegrated? who knows. We can infer that they did save the day at the end but at what cost.

I think at this point it would be funny if they somehow slipped in another time loop. Hell give us a montage of time loops. Also I am a tiny bit smug about mentioning that Bravern not having time travel abilities yet like 1500 words ago. Will this be touched on more? Probably as some dramatic last episode if anything.

Considering the really fast pace of the show making everything feel important I hope we get references to some other things like Isami's built in airbags (maybe he gets ejected out of Bravern?). Isami's Senshi-bility in "we need to eat to save people". Whatever the heck Lulu's Heat Beam kick is. What was that. What's going on with the blood drop, does it mean something.

My only other hope and dreams is probably just some good old fashioned mech fights. It's been a lot of endure barrage of attacks -> get motivated -> super attack. I need substance!

[turtlesocksv2]

Liveblogging DFF Ep 11

We're in the Final Stretch! Shit's gonna hit the fan and I am here for it.

Uncle Joe is the worst. He is the real villain of this show.

Interesting that Tee claims Non as his friend when we know damn well that was never true. But he does seem to mean it, pleading for Non's life and physical safety.

Non's so right to be confused. Tee is just...really surprisingly naive. "i didn't bring you here to die! Uncle said he'd help you find the money!" dumbass what on earth did you think your mafia uncle was gonna do to get the money??? considering he already extorts his underage nephew??? you've been involved in mafia shit for a while it seems like, and you still didn't realize?????

This dramatic confrontation really does make me want TeeNon though. You were the one supposed to be helping me! Why me? Is everything I do so awful? This is all your fault!

"when you pay off your debt you can go home" he's never going to pay off his debt!!! that's the point of mafia debt!!!

So Perth's unnamed character is weird. He's clearly important and isn't a fan of working of the mafia. Is he a prostitute/forced into sex work? the way he was rubbing uncle joe's shoulders that one time, the way he's Doing Customer Service in the casino. The way he tells Tee not to question his work ethic. I just get that vibe. I did laugh when Perth called Tee out for giving Non special treatment and liking Non. I just said the TeeNon vibes were real and now i am validated. thank you Perth.

"I think I'd choose myself. Would you?" that's exactly what Tee did when he got Non involved in the first place, he put his/his family's health and safety above Non's. I'm not say Tee was wrong to look out for his sick family member but there must have been a way that didn't involve dragging highschoolers into the mafia. and Tee regrets it! He's trying to make up for it! so no, at this point I don't think Tee would choose himself, necessarily. He might! But it's less likely than it was.

Interesting that Top is the one to say he thinks Non will come back to school when Top was the one most convinced that Non's ghost was haunting them.

Good on Jin for getting up and leaving the table.

Tee got a job at an arcade! couldn't you have done that earlier?! but i guess he did have to stop going to school to do it...not exactly great for the future. but neither is working for the mafia so...

oh Tee's dad is THAT kind of sick. yeah, kid never stood a chance. especially since it seems like his dad was also mafia before the dementia. like this is genuinely heartbreaking stuff. i have to assume that tee's dad is going to die soon because by the time Phi and Tan join the group Tee seems a lot lighter.

lol I don't think any of them really believe Non ran away with Mr Keng here. but fucking Top being the one to say that the video leaking was enough to make him run away! the dumbest most annoying one of the group! out of the mouths of idiots I guess. and Por! Finally someone saying Mr Keng is evil for what he did! Wow!

oh shit. Non's dead for real for real? damn, i was hoping for him to be alive and stalking everyone.

what does the paper say?????????

oh. "I'm gonna get out of this place I'm not a loser" and then i suppose tally marks for the days? that's...heartbreaking. no wonder Tee's upset.

lmao at the transition from the sad noteburning "i don't deserve to be happy" to the absolute shojo meetcute energy of White coming into the arcade. pink lights and tinkly piano music ~Cute Boy Has Entered Your Life Alert!~

White trying to hit on Tee by asking if Tee's smoking pot and can he try it??? is so funny. these fucking loser children. White slowly breaking down Tee's walls is very cute. i have to say, that's the least sexy shotgunning i've ever seen on tv, BOC, but i don't think it was actually meant to be.

Lol Fluke I seriously doubt that "I'm not involved" i just don't beleive it. Phi getting the gun from Fluke was A+, very hot shit. Tan is full crazy and I love him. He's right! These Assholes did cause Non's death! Jin needs to shut up with his "you don't want to be like New do you?" boring ass take. "you'll be no better than the bad guy" takes are always the worst.

lol TanNew slutshaming Phi. "You're a slut who didn't love my brother if you did you'd kill them!" King Behavior. and then he drugs everyone even more. I love it.

[dorizardthewizard]

Galactik Football season 3 rewatch, eps 10 - 12

Episode 10:

So we open up with Yuki getting mad at Micro-Ice and thinking Zoleen is his girlfriend, and Mice is dumb enough to not reject that claim when she asks him directly if they're going out. He also barely acknowledges Yuki's birthday despite previously rehearsing this dramatic confession of love to her. Thran and Ahito are literally, and I mean literally the only Snow Kids that don't have any love drama going on (I know Mark's got something coming) and every single one has revolved around love triangles, whether misunderstood or not. I can't take this anymore, I'm at my limit.

Anyway, *hits play again*

Since when did this Cyclops dude have a wholeass funded show, when he wasn't even a proper journalist before?

WOOWAMBOO RETIREMENT RUMOUR?! SAY IT AIN'T SO!

Oh christ this is the start of the Sinedd parents arc isn't it. Holy shit they try to stuff so much into this season. But happy we finally got the backstory on Sinedd with him not being born on Akillian!

I can barely watch this segment holy shit it's just so awful (in universe, I mean, not the writing). Not just because I know they're con artists but it's so sudden, Hush Sharky making a whole spectacle of this on live TV in front of an audience and Sinedd had NO IDEA that he was going to meet his freaking PARENTS. WHO HE THOUGHT WERE DEAD ALL HIS LIFE. This emotional and insanely personal moment being used for entertainment fits with the corporate hellscape that the show takes place in, but what the hell. He has the full right to be pissed at Sharky.

Not the con artist parents running off immediately when the ground starts shaking 😭 Parents my ass

lol of course Micro-Ice has to fall in the cake. I think they use him for slapstick too much in this season

Tbf I quite like the villains in this season, it's an interesting dynamic with Lord Phoenix having his own motives but losing control of Vega

Sinedd's reunion with his parents is a pretty sweet moment if it weren't for the fact that IT'S A LIEEEE ToT.

Aarch yelling at Artegor about Adim... all this drama...

THE GIRLS ARE FIGHTIINNNNGGNGNGG and it's so silly

This is how I picture it

Is that the fucking Netherball music

The little TV spots with Yuki and Mei talking about each other before the match are cute! Makes the world feel more lived in and gives us some more interactions between the girls, even if not directly face to face here

I like Mei berating Sinedd for taunting Yuki when she's injured but... girl. He was always like this. You knew this. Why are you surprised?? They never actually showed him becoming a better person, just that he suddenly liked Mei and convinced her to join the Shadows. And Mei does not strike me as a poor judge of character so why would she date him....?

Wow Elektras not letting Mei through to help her friend? Why? They were literally celebrating her birthday together tf??

Poor Yuki, what a shitshow of a match for her although she did score a goal (I'm guessing the Breath is more powerful than the Elektra's flux since she's running in to attack). Loved her lil' chat with Mei though, I will say this season gave us more of the girls in the team being friends which I really do appreciate.

Here for the other Shadows players cooing and awing at Sinedd with his parents, I want to see more of what the team dynamic is like since they seemed to welcome him quickly back in season 1

Thran coming through with his tech knowledge!

Episode 11:

Does Bennett just carry a harmonica on him all the time haha

Harvey fought in the flux war?? ok cool lore I guess?????

Corso wondering whether to trust Sonny just because he didn't bring up Magnus straight away is a bit weird? I just feel that with all they've been through, it would take more for Corso to start questioning his faith in Sonny. This is also like, a 5 minute plot point that goes nowhere so why???

Tia talking with her parents about her concerns is an improvement from what their relationship used to be like in season 1, it's good to see!

Oh so Mei is a striker now. Is this implying that Mei's decision was influenced by her mother? Weren't we over that?? Still kind of sad to see her mum dismiss the SK and seem like she's still the same. Mei probably feels she'll never be good enough for her.

Not Sinedd complimenting D'jok just to be polite to Maya 😂 But what do you mean they haven't met yet? It's literally this season (I think?) that shows Sinedd was friends with D'jok when they were young kids! Maya hangs out with Mama Ice at the cafeteria as well, there's no way they've never interacted before!

Yeah Tia, it WAS stupid of you to be jealous of Lun-Zia. Weird though bc the show previously implied Lun-Zia liked Rocket but turns out she had a boyfriend all along?

Aarch: Artegor? Aarch: I'm sorry we started a bit earlier today, I forgot to mention it

Aarch you're such a petty bitch 😭

Oooo Micro-Ice is up for kick-off. Seeing them antagonistic towards each other is so sad :( Although season 1 Micro-Ice would have found a way to roast D'jok lol

I just realised team Paradisia and the Elektras probably have visors so they can have more diverse character designs in the 2D animation, while still copy-pasting models in the 3D scenes lol

Go Mark! Why did the goalkeeper run out from the goal I don't know anything about football

Nice to see Mark and Micro-Ice working together and having fun

D'jok's plan being to pass to Nikki-4 because the SK will think he's too selfish to let someone else score is so fucking funny

Oooo you don't get penalty shootouts that often in GF

I do love and miss sassy D'jok

Nikki-4: I guess you'll always be a Snow Kid at heart D'jok: At least I've got one

Bold claim with the way you've been acting, D'jok

Niki-4 threatening physical violence on D'jok lmaoo I guess she is a cyborg but it's weird D'jok actually held out until now with the way he's been acting towards the SK. Why does he suddenly now have a moral dilemma?

Episode 12:

Now to rant about the Ahito betrayal plot <3

Ok this how to beat Ahito thing is dumb from the get go. It's treated like some big secret and it would be a big betrayal to reveal it, but that's not how sports work. They could easily have figured out his weak points by just watching a load of videos of his saves, in fact they SHOULD have been doing this anyway – the best teams don't win just by playing their best, but by knowing their opponent's strengths and weaknesses and being able to exploit that! It's not dishonest it's just... how it works! Rocket was doing this back in season 1 when he was suggesting tactics!

So to treat it like a big betrayal to reveal something that's easily obtainable public knowledge is dumb. And also, they're treating this as if knowing a player's weakness is some magic key that means they can definitely beat him if they exploit it, which is... also not how sports work!! It's not like he'll definitely fail to save your shot if you hit in a certain way, and it's not like he can't adjust his play after you score a goal. It just.... it makes no sense!!

It was also kind of weird to hear D'jok talk about wanting to win honestly when he was fouling Warren last match and got scolded for disrespecting the game, they made it look like D'jok fully only cared about winning now, whatever the cost, but now suddenly he's having second thoughts and doesn't want to betray a team he's been shit-talking all this time?

I also don't like that what made him cave in the end was mind control, it takes away a lot of accountability. It also would have fit more for D'jok to continue doing anything it takes to win, so he can realise he's wrong later and that he's just been using that to run away from his feelings. As stupid as this “betrayal” is, it should have been his low point showing how far gone he is, his big mistake, that he can then work up from.

Rant over <3

Nork, commenting on a player's health problems is just rude

Of course Rocket starts feeling ill the second he has to go up

THRAN SCORES!!! Nice to see him do some shots

Goooo Lun-Zia! She's been a good addition

Last season I got sad that Micro-Ice was the first to flunk his shot, please don't let me down this time

YESSSSS

D'jok: Ahito always jumps in place, a little more to the side he's gonna leap to. He can't control it, it's stronger than he is!

And THAT's the way to beat him? Totally foolproof? Bruh. If all the SK knew this and it's sooooo easy to score against him once you figure it out, surely Aarch should have.... I don't know, helped him train so that he doesn't reveal which way he's jumping as easily?? THIS IS EASILY DISCOVERABLE INFORMATION GUYS THE POINT OF TRAINING IS TO IMPROVE ON YOUR WEAKNESSES

NOOOOO TIA OF ALL PEOPLE???!!! I HAD TO TRADE A MICRO-ICE GOAL WITH THIS? 😭😭😭 It happens though. Also weird she's the first to use her flux so far for this like, it's penalties. You don't have to conserve your energy, just use the goddamn Breath!

TT^TT Nooooo they look so devastated :( On the other hand, kind of crazy it took three seasons for them to actually lose an important match lol it's been win win win the whole time so far, so kind of refreshing.

I want to cheer on Mei for putting Sinedd in his place after shit-talking the Snow Kids but like, girl, HOW IS THIS SURPRISING?! HE'S BEEN LIKE THIS IN EVERY MATCH YOU'VE PLAYED AGAINST EACH OTHER, YOUR LAST INTERACTION BEFORE SEASON 3 WAS HIM PUSHING YOU TO THE GROUND AND THREATENING YOU!!!

She thought he only hated D'jok and now she's realising he's just nasty to everyone? Girl where were you when he was bullying Micro-Ice on your team lol. I mean she didn't care back then but she does now! Mei is not dumb, writers

That was a pretty good pick me up speech, Aarch

The animation makes this kind of funny out of context but, Artegor hesitantly reaching out to Aarch but then thinking better of it... aarrrrgh </3

Quick shoutout to the background designs in this show, they look really cool and I love how it's futuristic while still being colourful and bright. There's some beautiful art of the natural scenery too

What's up with reporters immediately wondering if a team is done for, or the coach might be resigning, after ONE loss? They're still GF champions, losing once doesn't mean it's all downhill from there

Adim standing up for her man <3

In this dub he calls her Mum-Ice lmao. So I guess it is just Mama-Ice? I do prefer the novelisation with her actual name, she's not mum to everyone, although I wouldn't mind having -Ice at the end of a name being some family tradition or cultural thing. Also love seeing her hanging out with Maya!

Poor Kernor just can't eat her ice cream in peace huh 😭

Aww Mama-Ice's speech is so sweet

Aarch needs a new start now more than ever? Why exactly?

Norata dancing in the back <3

Holy shit, Brim Simbra actually intervening?

Oooooo secret supplier guy was Harris all along, who would have guessed?

Huh looking at the ending screen of this youtube upload, I didn't know Robotboy was Gaumont animation too! Well probably Alphanim back then

[randomidiocyncrazies]

Hot take but I actually don't like Isami's "hot-blooded super robot protag" makeover in the finale. (Elaboration below)

For one, I think his character design is now way less charming because 'Hero Isami' kinda just slapped generic protagonist design traits together and called it a day (and i know this is just personal taste, so no shade to those who prefer his new look). Also, while I like the symbolic reason for him looking like a super robot protagonist when he decides to fight back against the remaining Death Drives/embrace the kind of narrative he's in, I'm not super enthused by how they've executed it? I don't feel like he's really embraced it so much as 'had to embrace it', like how he kinda had to go along with the rest of the story thus far. His new look is very much a 'super robot protag' look imo, but I personally think the transistion from him running away to embracing the 'super robot protag' label is a little superficial in terms of the character's emotional development.

We're told that Isami accepts Bravern, and we do see them get closer, but we don't actually get any meaningful depth about Isami's definition of heroism prior to Bravern—we understand Smith's idea and drive to be a hero, we understand Lulu's motivations, but we don't really get that for Isami. The finale gave us "I never wanted to be a hero" to contrast with Smith's "I've always wanted to be a hero", but we don't really get why Isami wasn't interested, nor what he thought a hero was before Bravern. I know they wanted to set up a situation where Isami is inspired to become a hero because of Bravern, but the slightly ham-fisted way they say Isami trusts Bravern/is inspired by him etc didn't feel very compelling to me because they focused on Smith's character in the first 8 episodes and Isami's character didn't get that exploration.

For the impact of Isami finally embracing being a 'super robot hero' in the finale, we should see a change in either his understanding of heroism itself, or his understanding of himself in relation to the concept of heroism. I mean, i guess his talk with Smith kinda touches on it, but without exploration of how he was before Bravern re: heroism, the impact of him choosing to embody the typical 'super robot hero' approach (shown by literally changing his character design to fit the vibe) falls a bit flat for me.

And like! The idea that Isami needed to actively embrace the super robot story he found himself in to get his happy ending is a really neat one! He's been steamrolled into it for pretty much the entire show, so him seizing control over his story is inspiring—and I think a little more clarity on what heroism means/meant to Isami would elevate the character writing. Right now he's kinda just this guy who gets bullied by the story, and tbh the change between his despair + begging for his life to taking up the hero mantle willingly in the finale feels kinda like he's reacting in whatever way the plot needed him to. In general there were times where I felt Isami's reactions seemed abrupt for what was established between him and other chracters; it's not a huge deal, but it did stick out to me.

(As much as I loved the the love confession scene in ep 11, I was confused at Isami's emotional intimacy with Bravern; not because I don't ship it, but because Isami seemed quite bothered by Bravern's overeagerness before this point. They grew closer after ep 9, but the intimacy at the beach wasn't convincing on Isami's side for me because there was barely build-up. In general, Isami's acceptance/buy-in to Bravern's definition of heroism was mostly glossed over imo.)

Don't get me wrong, it's still a very fun show! I enjoyed the wild homoerotic ride and most of the humor (LOVED the little meta jokes), and the story's themes are really compelling in theory. Bang Brave and unleash your courage in a stylish explosion! I just wish they gave us a little more time to sit in Isami's head.