#// i love these ladies more than anything

[darthmalewife]

Cody is the type of guy to adopt an old, scraggly looking cat. He isn't going to, but then he hears someone in his building is moving, and they can't keep their cat, so either someone takes it or they get rid of it. And Cody reluctantly gets pressured into taking it.

And at first they're roommates, sometimes he talks to it like it's a person. "Ripley, where is my phone? C'mon old girl, you saw me with it."

But then the cat gets used to him, and suddenly, he sits at night watching TV with this cat sitting on the arm of the chair next to him. "You see that? Unrealistic. You'd have to stick the knife deeper for it to bleed that much." "Meow."

But then, one random night, he's had a bad day. He's frustrated and annoyed at everyone and everything. He's sitting with his feet up on the table in front of him, and he's scowling. Then these little paws start stepping across his abdomen, and he stares down at the cat in bewilderment as it curls up on his abdomen and falls asleep. He gives her a little scratch behind the ear, and she purrs rather loudly.

After that, it becomes a nightly tradition.

Eventually, she gets out of his apartment and finds her way to a kind stranger and befriends him. When this kind stranger brings her back, Cody and this kind, friendly, and rather handsome stranger start getting along. A couple of months later, Obi-Wan wakes up in Cody's bed to see Ripley, the little old lady, sitting on his chest staring him down.

[moeblob]

I love them! So much!

[gunsatthaphan]

03/09/1998 - happy birthday to the king, the legend, the light of my life (and the actor that he is) 🥺

~ ⋆˙⟡ ♡˙⟡ ✨🫶🏻💘🫳🏻🐈‍⬛🍊⋆˙⟡ ♡˙⟡ ~

[kacievvbbbb]

Mihawk is such a capricious dude, oh my god. The only dude you know who is always itching for a fight but only ever a specific kind of fight so he goes out of his way to take the path of least resistance for everything else.

Like he would rather leave than fight Don krieg, Sail away than decimate the marines, live in peace instead of challenging the other emperors for the one piece. And when they do he’d rather follow buggy’s idea of just being smarter about how they go about it instead of brute forcing it like the rest. He is constantly leaving fights but then a swordsman of mild repute and an interesting technique engages him in a battle and suddenly you have his whole attention. Like with vista it was obvious that he could have just cleared him like he did everyone else but he’d never seen the flower sword techinque and by god was he going to miss this chance. And so he engages him in what is essentially a spare.

Because Mans isn’t looking for a fight, instead, like a middle aged director of a short indie film, he’s chasing a feeling.

He wants to feel like his 19 year old self did when he was strong but there were people stronger. When there were still obstacles to overcome limits to exceed. When the world was large and exciting and he wasn’t just waiting for it to catch up with him. When he could look at Shanks as the person he is instead of the person he could have been.

He wants to look at Shanks and not see visions of a grinning red haired boy with 2 arms and a strawhat laughing in the dirt and asking for “just one more round Hawky I swear I’ll beat you this time”

But there is nowhere Mihawk can run that that boy won’t haunt him.

[shokupanko]

╰(✿˙ᗜ˙)੭━☆ﾟ.*･｡ﾟSteampunk bunny Mayu for Mayu Monday!

[naffeclipse]

This won’t leave my head since I saw that one YN and Orca Eclipse “WE HAVE A KID?” Post, how would Orca man react to picking up that YN was pregnant already? Like at first it wasn’t obvious but over the coming months in the attic it becomes more apparent and he puts two and two together

OH! He would pick up on Y/N being pregnant pretty quickly between his stalking and grabbiness. Her thick layers would hide the small baby bump at their first encounter but Eclipse doesn't leave her untouched for long. He'd notice how Y/N is protective of her belly when he first gets close to her. He would want to confirm his suspicions by grabbing her and touching her stomach over her layers and confirming for himself. He's thrilled by this (and pays no mind to any father that isn't him—thankfully Y/N would be raising the baby on her own).

Y/N would be very anxious about being in such a vulnerable state around the siren. Eclipse, however, is elated and already doing everything he can think of to provide for Y/N. He'd especially be pushy about bringing her food, constantly killing everything and anything to see if she would eat it. The instinct to provide for his future mate is so strong for Eclipse. She needs to eat! He wants to take care of her and her baby!

Y/N manages to keep him at bay with excuses, and Eclipse won't push it (even though he really wants to) due to her pregnancy. He's very doting and protective. He's also mindful around her. He wouldn't grab her randomly nor surprise her, but make his presence known and carefully draw her closer so he could nuzzle against her face. Y/N relaxes eventually around the siren because it's clear that he's endeared by her baby bump (and herself, evidently), but it's still interesting to hear a siren talk about how he's going to take care of her and her child.

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[winters-rose-daughterofcain]

I've been trying to phrase things eloquently and I really can't so here you go. Part two really felt like it was trying have its cake and eat it as well in a lot of ways, and it really didn't work.

You give Cressida a whole redemption arc and friendship and put her in an impossible situation and humanise and make you sympathise with her, then want me to hate her again?

You show how Pen uses LW as a coping mechanism and how it's not good for her or those around her and not have her drop it?

You want LW revealed to the ton but no real consequences?

You double down on how Pens family treat her only to have them all come together and be forgiven at the end?

You sideline Colin in his own damn season and butcher Penelope so badly I almost wanted less of her as well?

You can't have everything. Not in such a short time span at least, and it really suffer from it. If you wanted to give Cressida more depth and expend on her role why was she tossed away like nothing at the end? Why did Eloise abandon her? Why was she treated as awful in part two after being put in an actual horror show of a situation? I know they needed the blackmail plot but you can't just give her depth, make her the antagonist and then drop her storyline in the drain that's not how that works. That's not complexity that's laziness, and laziness they created mind you.

They didn't have to write Cressida the way they did this season, if they wanted to make it easy they could have had her marry off screen between seasons to a rich man, they could have had Eloise befriending her be a mistake and had a different arc there, they could have had her LW claim be for any number of reasons, and her blackmail because she still has it out for Penelope. They added this to the story, and as much as I was sceptical at first (I have seen far too many botched bully redemptions) I was glad they did it aded a lot of depth and character interaction, it created some interesting parallels between Cressida and Penelope and seeing Eloise in a different, less intimate friendship with someone who, ironically, is a lot more open with her was interesting. Incomplete, but interesting. It was good, or it could have been. But you can't just turn like that and have it still work. You can't just have Eloise abandon her and have it treated as the right thing to do. You can't leave her with that ending and consider it a happy one. You can't have your cake and eat it too. You didn't create a complex antagonist, you created a scared lost girl who was cruel because she was taught to be and you left her to burn.

You could have had Penelope and Cressida talk to each other, could have explored the ways the mirror and the ways they differ. You could have had Penelope struggle, but untimely empathise with Cressida and help her out, she could have forgiven her for her years of torment because she of all people understands why she did it. You could have had her forgiveness mirror Colin and Eloise forgiving her for LW. You could have looked at how Cressida's openness helped her friendship with Eloise and how Penelope might start to incorporate it. About how by nature of Cressida's openness Eloise is learning to see other perspectives and listen more even if she still has work. You could have done so much with female friendship and camaraderie and empathy and you just... didn't.

The Lady Whistledown this season was just... I think I have a thesis which is most of my thoughts on Polin.

Whistledown was meant to be the subplot to the Polin storyline, not the other way around.

Putting aside my own wishes to have her end Whistledown for her character and for her and Colins relationship, and her love of Colin, her continuing it isn't unexpected I was afraid of this and thought it might happen even if it's lazy. If that was it and if it was handled better I think I could begrudgingly live with it. But it's not. Not only was it handled so so poorly it was the whole second part and for what? Part one was Polin. Part two was Lady Whistledown drama with some cute Polin moments sprinkled in-between with some mandatory angst. Tell me the resolution to Colins arc now. Quickly. You can't he didn't have one, we barley even saw him through Episode seven and eight. There is so much romance in your purpose being the person you love, IF and only IF, it's reciprocal. Penelope literally says in season two, when she has been Whistledown for over a bloody year that she hasn't found her purpose yet. They were meant to find each other. To both have their writing as their passion and creativity and fulfilment, not Whistledown, but her manuscripts, his stories from around the word their joint and secret words. But their centre, their purpose, their guiding light was always meant to be each other. It's what kept Penelope sitting at that window, it's what draw Colin to her at every ball. They had all the potential and set up to be the most beautiful, genuine, heartfelt relationship. But no.

Colin deserved to be angry. The woman he loves has lied, has hurt him, has his from him after all the times he was venerable with her and so, so much more. They deserved to argue. Penelope deserved to be more upset over this than crying in the moment and walking past him later. That's the man she loves, who she thinks hates her, who she know if he did hate her she would deserve it and she wouldn't blame him for a second. They deserved time and space and Colin deserved explanations and apologies. They deserved a later, happier wedding, they both deserved to have their feelings heard and said and listened too. Is that not the core of their relationship? Listening to and seeing each other? Would that not lay the groundwork for some really good well earned conflict and a really rewording resolution? The groundwork was all there that's what's killing me. The set up was all there for something so good which is why I was excited. I know screen time is limited, I know there is only so many emotional conversations you can have on screen, but Bridgerton primarily just people talking on conversations, when it's there bloody season surely they can space out the conversations that need to happen in a way that works with pacing. And to be honest, the screen time defence only works when the screen time that they did have was allocated well. And I'm not taking subplots. Even if I think a few could have been trimmed, the screen time Polin did get was just used so so badly. Colin got dust and that didn't even feel like Penelope had the time, just a mouth piece for the writers.

Rapid fire stuff because I need to expand on the above in more detail later lol.

The acting was flawless give everyone on that set their flowers.

I really like the Mondrich's and seem to be the only one who likes seeing them lol, their sweet and always a good time they just need a better storyline, or you know, one that actually has a resolution.

Not what I would have done for Benedict and I still want to see him look at art again but let's hope season 4 is better lol.

Don't like the way Penelope's family stuff was done, specifically Portia but it is what I thought would happen. Disappointed but not surprised. I'm biased tho so I won't speak on it too much. I lose too much objectivity.

Hate hate hate the baby thing tho, it was fine as a subplot with her sisters but her having the boy was predictable and also dear god the girls nineteen for fucks sake. No. Hated that.

Francesca the absolute love of my life. I adore her and John, I liked the conflicted with Violet, loved everything about her storyline this season she was perfect, my favourite part honestly lol. Also Michaela Stirling get behind me NOW. Sapphic Bridgerton fans truly are the bravest soldiers cause istg. Also I don't trust this fandom with any actor or actresses period but especially not a Black actress who's "ruining" your favourite storyline. So I will be greatly enjoying everything I see of all three of them Francesca John and Michaela, while watching with a sharp eye for any bullshit.

Kate, also the love of my life it was so lovely to have her back even if just for a bit. Wish they did more with Anthony especially him and Colin tho, but again, wasn't expecting much more. I do wish they would write them out with a bit more subtly tho it's getting almost funny how obvious it is.

The Violet, Marcus, Lady Danbury plot I didn't actually mind. Could have been trimmed a bit but it was good seeing the adults in more depth, I haven't watched queen Charlotte tho so I kinda feel like I missed some things.

Overall, I liked certain parts of this season I really did, especially if I fully ignore the context, and I'm happy for everyone who enjoyed it truly, but it was have an entirely different ending in my head. I'll definitely write about at some point but who knows if anyone wants to see that lol.

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[lichqueenlibrarian]

Jim you softie

[mswyrr]

This moment shapes how I interpret where they will go in season 3. In the book, Rhaenyra relies increasingly on Mysaria as her advisor as the war continues. Including during some of the darkest chapters of her reign. I can see the seeds of that here - Rhaenyra committing to a path of taking and holding power by any means necessary and Mysaria supporting her in that, believing that it is justified by the kind of queen Rhaenyra will be (and their apparently now shared belief that the gods have chosen Rhaenyra - very significant that they're on the same page religiously in that, or that Mysaria is choosing to say that she shares that view. With Dae/mon's visions and commitment to Rhaenyra as the ruling queen, that makes three people on this "team" who are all in on mystical fanaticism).

I think it's important that, despite Rhaenyra and Dae/mon's reunion in a prior scene, it is Mysaria who Rhaenyra shares her doubts and moral discomfort with. It is her opinion alone that has that weight. This is due, I believe, both to Mysaria's own history as a low born woman who has suffered due to that, her advocacy for the smallfolk, her support and loyal validation of Rhaenyra, and the long-term fractures of trust in his judgment Rhaenyra had with D/aemon over young Jaehaerys' murder and their prior disagreements over who will "rule" in that relationship.

Rhaenyra is Rhaenyra - she has always craved love and will not deny herself any connection that sustains and comforts her. But I think that, going forward, the "lady wife" role Mysaria can play to her [a role that, as I've argued before in this meta, Rhaenyra seems to crave in her life and has since her youthful bond with Alicent] will be vital to shoring her up, intellectually and emotionally, and that Mysaria's strategic thinking will be important to her as well.

Their bond will be an essential one for Rhaenyra going forward, imo, based on s2 and the book info. I hope the studio is brave enough to let the queerness of that bond be clear as the story continues.

[kheyys-worms]

I don't talk much about penacony but have a meme i guess,,,

I mean, no offense Jade Leech but COME ON,,,

LOOK AT HER ✨✨✨

[dootznbootz]

I think some folks MAY have gotten the wrong idea about how I feel about Circe with some of my posts. So, to clear the air...

Homies, I love that fucked up sorceress.

I love how we're never given a reason why she turns people into animals. That's so funny and so awful. And another potion-making magic gal?!?! I love that she's just basically vibing on an island doing whatever she wants. I even love the fact that she scares Odysseus shitless! She's morally gray and that's why she's FUN.

I just sincerely hate when people try to girlboss her or have her be a victim of SA when she never was Looking at you, Miller. Especially when she was actually the one who coerced Odysseus in exchange for his men being transformed back into humans. And even then, while he was clearly afraid of her, (it's in the language of the Odyssey) she likely meant him no harm after a certain point. He just didn't know that.

Why does she need a reason to do awful things? Why can't she just be a goddess who does whatever she wants? That's the reason why I love her!!! She's fucked up!!! :D

I hate what the Telegony did to her as well! >:( You're telling me, this sorceress goddess, who makes potions (!!!) wouldn't have magic contraceptives??? Would WANT CHILDREN?!?! WITH THE PATHETIC WIFEMAN?! No. Fuck no. Eugammon of Cyrene, I have beef with you 🤬

Anyways!!! Understand all the "#anti circe" I have is simply Anti "Girlboss Circe" or the book. I genuinely think she's neat af as her morally gray, fucked up sorceress self and just get frustrated with...everything :'D

[ykashley]

every day that part at the end of whipping girl where serano discusses how people with 'weird' genders are seen as inherently more progressive and virtuous than binary trans women who are said to be "reinforcing gender stereotypes" becomes realer and realer

[rafiascribbl]

⋆｡‧˚ʚ 🌺 Lady Gyokuyou 🌺 ɞ˚‧｡⋆

[edorazzi]

I’m having so much fun with Thunderbirds Are Go! It’s one of those weird shows that’s way better than it has any right to be. As a fan of TOS I’m hooked!

Part one of however many of these comics I’ll end up making, feat. Kayo handling her bunch of brothers and slaughtering her evil uncle every time she sees him! 🥰