#& love when historical people do historical costuming

[daguerreotyping]

Ambrotype of a cute militiaman next door whose hat is as wild as his hair, 1860

[icewindandboringhorror]

I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"

[cupidsbeaux]

hey guys if charlie slimecicle attends a dnd themed rave on may 17th do you think he would try to dress as one of his characters or would he just go for a medieval theme

[rogue-rook]

another year, another fun historical tv show that believes headgear doesn't really count as part of historical fashion

[vinceaddams]

#this suit is an abomination in terms of the cut and embellishment #but I forgive it EVERYTHING because of how much he loves it (via @chocolatepot)

Agreed! Terrible suit, and I was not sad to see it go, but I love all the cursed suit shenanigans! I didn't like his season 1 episode 5 party suit either, but at least it had nicer fabric.

I wrote a post last year about how a good romance is marked by when there are multiple scenes that are just as, if not more, romantic than The Big Kiss.

I’d like to add to that with:

A good gay show is marked by when there are multiple scenes that are gayer than gay kissing or sex

And this show is fucking gay

[moonstruckme]

Hello! Hope you are well! Maybe could you please write about Spencer and reader constantly reapplying red lipstick to kiss his face omg it sounds so cute

Hope you're well too lovely <3

Spencer Reid x fem!reader ♡ 439 words

You lean in close to the mirror, fighting giggles as you reapply the bright red lipstick you’d bought at the drugstore. 

“They didn’t have lipstick in ancient Babylon,” Spencer points out. 

“I know.” You blot your lips together. “But how is anyone going to know we’re together?” 

Your boyfriend frowns. It’s a familiar expression, not one of upset but of confusion, the dissatisfaction of feeling like he’s missing something. “We are together.” 

You turn around, smiling at him. “We know that, but our costumes are just fabric. The lipstick prints make us look like a couple,” you explain. “I think you could use another one on your left cheek, what do you think?”

Whatever qualms Spencer has with your historical inaccuracies, he’s more than happy to receive your kiss. He tilts his left side toward you, and his cheek dimples under your lips. You hold them there for an extra second just to feel his face warm. 

“Perfect.” It’s impossible to keep from grinning at the sight of your serious FBI boyfriend with his face crammed with kiss marks. You’ve even scattered a few down his neck, stopping only where the toga is trapped across his chest. You pause to study your handiwork. “You know, we wouldn’t have had to do this if we’d just gone as Romeo and Juliette.” 

“Actually, Pyramus and Thisbe were one of the first Romeo and Juliet tragedies, so it’s not dissimilar.” 

“Yeah, whatever.” You roll your eyes, though your smile is irrepressible. It’s hard to resent that, when left to his own devices with the choice of your Halloween costumes, your boyfriend wanted you to dress up as what he described as one of the most romantic stories in Greek mythology. You could have thought of a million simpler ideas, but likely none as sweet. “I think you would’ve made a great Leonardo Dicaprio.” 

“Who?” 

“It’s from a movie, I’ll show you sometime,” you promise, reapplying your lipstick one more time. “My point is, I don’t think a lot of people are going to recognize us as Thisbe and Pyro…”

“Pyramus.” 

“Pyramus. The lipstick is to show that we’re in love.” 

Spencer looks at you in the mirror, a sweet sort of curiosity in his expression. “Aren’t we?”

You blink. “I don’t know, you’re the one who told me the story.” 

“Right, yeah, but I meant you and me.” Spencer seems almost shy. You know he knows the answer, but he likes when you remind him. 

You hum as you turn back around, settling your hands on his shoulders. “What do you think?” you ask him. 

Your lips on his are answer enough. 

[an-au-blog]

40y/o zosan where Sanji's a movie star and does modeling from time to time (as some actors do) and Zoro who's a stuntman/teaches actors how to do their own stunts.

At first everyone is all "Aw, how cute, they became besties after working on a movie tonight like 20 years ago and now they go to premiers together? How cute, bestie goals haha", but only because the whole cast rotates like in Wes Anderson movies. Same main actors with different settings.

It's always Luffy, Nami, Sanji and Jinbe on the screen. And Franky and Usopp as technicians and scenographers, Robin as a consultant for historical inaccuracies and costume designs, the music is always written by the legendary Brook and it's always produced by Chopper.

But then fans started noticing that it's not only Tony Tony Chopper movies. Sanji invites Zoro at almost every event. In fact now that they look at him more closely - Sanji's wearing what looks like a wedding ring. But then again, he wears jewelry because of the fashion trends.

That is until someone makes a post about how well each of them ages and they notice something...

Zoro used to have three dangling earrings. Now they're two. And Sanji didn't have a ring until after Zoro was left with only the hook of one of the earnings.

It's all just crazy fan theories, plus Sanji loves women, anyone who knew his early career can tell you that much. That is... until Sanji likes one of the "crazy fan"'s post. There's screenshots of his liked posts and threads about what it might mean.

But all hell broke lose when the very next day Sanji posts a screenshot of his dm's with no caption or tags.

Marimo: [link]

Marimo: wtf is this shit cook?

Cook: our wedding ring

Marimo: why did you like the post???

Cook: I want to announce our fifteenth anniversary

Marimo: YOU WERE THE ONE WHO WANTED IT TO BE A SECRET

Marimo: fine just screenshot this and post it with no context or whatever

And then almost half an hour later a second screenshot comes along

Marimo: THAT WAS SARCASM

Cook: you don't use sarcasm

Cook: should I post a picture of our wedding as proof? Some people don't believe the screenshot

Marimo: No

Marimo: who cares if they don't believe

Cook: I do :((

Marimo: ...

Which was followed up by a post from Zoro's account that was a picture of Sanji smiling and holding Zoro's hand, showing off both their rings.

[soarrenbluejay]

Can’t remember where I’ve seen the idea first but I’ve had this idea of Regular Clowns taking offense to joker’s bullshit for a while now and exacting Vengeance. The man doesn’t even has an egg! His ass never been to clown school! He’s a disgrace to them all!

So four buddies leaving the traveling circus business decide as people who have loved every second of this and are Deeply Insulted by this wanker to Do Something About It.

Three of them are showmen- an acrobat, a juggler, a fire fanatic, the works.

The last one, Jerry, is a stage hand. He is their most powerful member- not only does he have the superpower of self care, but he’s a meta! Minor telekinesis is actually really useful when shuttling stuff around in a stage in a hurry! (And that whole thing of our idea of ninjas coming from stage hands in all black being ‘invisible’ yeah. Cryptid vibes, except it’s just Jerry)

So. A clown car pulls up in Gotham, in the middle of a Joker attack, presumably despite ever Gothamite on the road who saw it making their best effort to take one for the team and mow them down. This is a no good awful sign for Gotham.

But it gets better.

Because out does not step a bunch of goon reinforcements in masks, or some jokerified poor soul, but instead someone in one of those historical jester costumes, bells and dramatic ass sleeves and all. Also, they’re bright orange. It is slightly eye searing. In one hand is the end to a long line of tied together handkerchiefs in clashing neon colors which appears to be infinite bc it just keeps coming. In the other is a comedically oversized hammer with a squeaky sound effect installed but no spring to soften the blow- it in fact has spikes with little Mayfair banners hanging off.

They immediately attempt to strangle/bash Joker to death with a winning smile firmly in place, and actually survive the attempt of which by apparent virtue of being made of rubber or something. And out slides our fire master, in all teal for contrast, who promptly throws smoke bombs at the crowd of goons around and starts all but boa staffing them down with his fire wand, paired with a dramatic speech about how Joker is in insult to the idea of circus and also the most unfunny bitch to ever walk the earth.

Lastly, the juggler. They have come armed. With glitter and hackysacks. A dramatic beatdown ensues, with much shrieking and yelling on all sides. A gif is made of Joker being bonked right through a concrete wall with a move right out of a video game. Several goons get concussions a la bowling pins. It’s all being live streamed by someone through their apartment window and is rapidly going viral. It’s a good time mostly because this attempt at vengeance against the Clown Bitch Gotham did not immediately involve some one getting very anticlimacticly shot.

No really takes note of the guy in all black and ski mask, calmly standing in the middle of the flaming chaos. He occasionally holds out a new set of props for the juggler, an oversized great sword for our acrobat jester, some nitroglycerin for blowy uppy efforts, the works. Until he starts calmly putting together a three story set of scaffolding for the gang to use for the purpose of beating the crime king’s skull in in even more ridiculous ways and also so jester can showcase their absolute lack of a spine.

And Jerry goes back to standing in the middle of this chaos, apparently unaffected by Literally Everything going on. His friends are fucking crazy, he’s used to it.

Meanwhile, Ghost King Danny gets a new urgent appeal at his ghostly royal desk- someone is attempting to enact vengeance against the joker and move approximately 46363883 souls along doing it, except it’s not the Red Hood this time! It’s Some Random Guys that a minor mischief god is now attempting to fast track layering with blessings! Said minor god is officially appealing for the Ghost Monarch’s support. Danny is conflicted- on one hand, he Fucking Hates Clowns. And has a major hero worship thing going on for Red Hood, a fellow supernatural hero (in the dead’s eyes) much his senior. However, the idea of a bunch of nobody’s beating the joker to death at the same time as declaring how shit of a clown he is IS pretty hilarious.

He gives it the stamp of Yes, provided others seeking vengeance (aka red hood, the thousands of joker victims in Gotham, anyone who wants to go spectacular viral) can still intervene to catch some own hands, a minor merriment/will of the people god does a jig on the spot, and back with the Justice Circus Brigade, ghouls and Spectors alike start popping up to join in on the fun! Which our beloved ren faire rejects are actually pretty okay with- big enough circus events in the DC universe have a bad habit of becoming possessed/very obviously haunted/Ooky Spooky like, every few months. And these guys look much friendlier than whatever the hell has been in the house of mirrors these last few months!

Red Hood isn’t sure how he’s suddenly in the middle of upper Gotham when he’s was decidedly Nowhere Near three seconds ago, but that’s a problem for later when the Bitch Ass Clown Extraordinaire is Right There!! So he tables it to be very paranoid about later, shrugs, and starts shooting. Jester starts shouting out points for accuracy/comedy, Jerry calmly asks if he wants some of their backup silver bullets just in case The Target really is an unholy being of some sort. (They have taken Precautions. For Everythinf. Or at least Jerry did.) Jason can’t say no to free extra ammunition and also That’s Hilarious, man he has to hire these guys!

Then fire juggler molotov’s the joker, and he decides these idiots are ABSOLUTELY worth saving from the big bad bat. Fuck it, this morons are the BEST.

[cyborgartalchemist2]

Imagine being so fucking aggressive about a ship you make jokes about Magneto and that very groomer scene from X-Men 97 that just... excuse the behavior? Because that doesn't sound very progressive in my opinion. Like yeah... rape culture in relationships just permeats fucking shipping but lets do nothing to argue against it. Lets make jokes that perpetuate the behavior and excuse men taking advantage of women.

To me having Magneto take advantage of a much younger mutant under his tutelage because she's desperate for physical connection and he's the only one she can touch is meant to showcase A) how Gambit contrasts Magneto and B) remind us that Magneto is never above using mutants for his own gains.

If this were reality most people would be calling Magneto a groomer and worse. We know Rogue was still a teen when Mystique took her in. We know that she's been an X-man for a few years. So Magneto was patient enough to wait until she turned 18?

Historically he hasn't done well with his love life. Scarlet Witch and Quicksilver's mom left him without telling him he fathered children because she was scared of him! (I'm only going on TAS and 97 here since this is an adaptation.) So where in the high heavens does everyome think he would be good for Rogue?

I don't care about the 'better than Remy' arguments because that's not the point! The point of who you ship Rogue with should be about if it's a relationship that is good for her! Is she their equal? Does she get treated with respect? Magneto looked at the Genosha council and without asking Rogue said "I'll lead but only if this woman I am trying to get back is my queen". LIKE DOES THAT EVEN SOUND MATURE? Magneto shows up, sees Gambit and Rogue being even mildly affectionate and starts pulling asshole moves on Rogue. And the narrative did nothing to make Rogue stand up for herself (which she would have) she should have told Erik "I'm a big girl I can get my own sugar for my coffee." She is shown numerous times to remind everyone she is no one's 'territory'.

Also wish to address the fact that making Rogue x Magneto comes with a 'sex is the only thing that matters!' Flavor that is exactly what so many of us are tired of in shipping. When did shipping stop being about the drama of a couple fighting against a narrative that pushes them apart or about finding love in the most unconventional of places, like alien hunting? And become solely about how nasty they can fuck? Seriously?

AND it's so blandly hetero it's not even funny. Because honestly the ways in which a couple can experience pleasure that don't involve traditional p in v penetration is vast and wild and there are enough types of gear and costumes and the like to facilitate that between Rogue and Gambit. Because that's all the argument has to stand on, is which man can fulfill her sexual needs. WHICH SHE HERSELF REALIZED WASN'T ENOUGH. She kisses Erik and goes "nope they're ain't any sparks there. This isn't going to be fulfilling ever."

Not to mention the fact that I can't genuinely see Magneto offering to die for Rogue. Sorry that grandstanding in Genosha was not the same. It was barely a heroic move... he still didn't save the Morlocks he promised to protect... he still failed. He couldn't save Leech and he couldn't stop the Sentinel either. Because yeah Magneto attempted to save Rogue and Gambit, but he did nothing to save the Morlocks at his side and he also survived without taking out the giant killer robot... but Gambit? Gambit said fuck it, gonna take this motherfucker to hell with me. He stopped Rogue from facing the sentinel so he could. And he actually stopped it. All on his own. Because that's what an x-man would do. Sure Magneto protectdd two people but sacrificed the morlocks yet again...

AND ON THE SUBJECT OF ROGUE x GAMBIT

Has Gambit always been great with Rogue? No, but that was the 90s and now look at how he handles shit? Comics writing has grown. It was a lot more heternormative and still had lots of rape culture hold overs in it.

Look at the episode when Cody shows up. He uses Rogue's connection to him from the past and then puts her in a situation that almost takes away her humanity. Her powers, which was what lured her into this trap in the first place, saved her from a man taking advantage of her. And the one time Gambit (in TAS) takes advantage of her, Morph in her form, told him to come and get some from her first. (So while he should have paused and woke Rogue up before kissing her, he had what he thought was an invitation.)

Gambit takes Rogue's decision to rule Genosha with Magneto incredibly well. He doesn't get mad, he doesn't call Rogue names, he doesn't do anyhting to hurt Rogue the way she is hurting him. He accepts it like a gentleman. Unlike Magneto who pursued Rogue's affections in unhealthy ways.

So uh... yeah that's my fucking rant.

[concerningwolves]

Fashion history resources?

researching fashion for the various time periods has been driving me a little crazy, particularly because when you search up historical fashion, the results overwhelmingly trend towards upper class women (usually aristocracy), then upper class/aristocratic men, then middle class men/women, with little representation of working class women and even less for working class men. (This obviously depends on time period and country; currently, I'm scrounging around for references for servants in 1660s France. Non-European fashion is even harder to research).

So, I figured it could be good to start a chain of resources on fashion history! Here's two that I've been using heavily in researching my current WIP:

Nicole Kipar's Restoration Costume Comes to Life

This truly lovely website which details costumes of the Restoration (1660s England, mostly), and has a gallery collection of paintings of working class people with annotations on what they're wearing, the time period, and their specific social role (i.e., poor peasant, affluent peasant, market trader). It's designed for costume makers, but it's also useful for artists or writers. There are five parts: working class men and women, women of the gentry and aristocracy, men of the gentry and aristocracy, accessories, and a costume focus.

Fashion History Timeline

It is what the name suggests: open source fashion history timeline from prehistory to (afaik) 19th century. I haven't explored much beyond 1660s yet, and generally does seem to focus on fashion of the upper classes, but it's already been so useful.

If anyone has any websites/books/other resources to add, please do!

[mysewingadventures]

Making the ✨Lioncourt Gown✨ (Part 1/4)

Shoot, it's been like two years since I last posted, apologies! I’ve been incredibly busy with uni and life in general, taking care of my mental health, it’s just been a very stressful time lately. I haven't really worked on anything worthy of posting in the meantime, only minor things and one dress I rushed and it didn't turn out well anyway. But, since Halloween is coming up and I don’t feel like wearing the same thing for the third time in a row, I thought it was the perfect excuse to try and make something new and the other day at 2am I fell down a rabbit hole and came up with an idea I’m completely obsessed with.

So recently, (in case you couldn't tell by the title haha) I’ve been really into Interview with the Vampire (the TV show), and there’s this one costume that’s so iconic it immediately caught my attention: This Lestat outfit.

I feel like since this blog isn't fandom related I need to explain myself to those of you who are just semi-familiar with IWTV. Maybe you know Lestat as essentially the villain of the story and are wondering why on earth I'd want to make an outfit inspired by him. The answer is quite simple and not actually deep at all: I just thought it'd be a fun project. I'm very well aware of his personality and would not want to be in the same room as him in real life haha. But he's such an interesting character to watch on screen (they all are, in my opinion). Anyways-

This outfit is from a scene that takes place in the 1790s and now, I’m unfortunately not too versed in men’s fashion so I can’t quite comment on its historical accuracy (and also it’s worn in the context of a theater performance so it’s bound to be more flashy than what people would have worn on the streets), but the way the lapel is shaped just screams redingote to me, and since I've always wanted to make a redingote I'm going to make a redingote version of the costume!

For reference, here's what a c. 1790 redingote looks like:

This one has a normal button closure but redingotes were also often double-breasted (which is what I'm going for), taking inspiration from men's fashion. These were often worn to ride in - hence the name, redingote - riding coat.

Maybe this is the point where I should mention that I'm not going for perfect historical accuracy for this project. It really is just a fun project to try to approximate something as seen on a show to an actual historical piece of clothing.

Here’s a super quick sketch I drew to check if the colors looked good together, and I have to say, I’m sold 1000%.

I am so excited to wear this when it’s done, but also a bit anxious because for starters, I’ve never made a redingote before, and the dresses that I have made all have issues with the sleeves because apparently, I can’t sew sleeves correctly. So this time, I really want to make sure it all fits properly before I sew it and take my time with it to make sure it ends up being something that I love as much as I love the idea of it.

This time, I tried something a little different with my mockup - usually, I’ll draft a pattern on paper, then cut out my mockup and sew it, but this time I decided to make the mockup by draping the fabric directly on the mannequin that I dressed in my stays and a bumroll, making sure I had the correct measurments, and it was a complete gamechanger. It fit right away with minimal adjustments, and I was also immediately able to check how the fabric falls, if it needed to be on the bias or not, etc. I ended up doing everything on straight grain which is technically not 100% correct as the front piece needs to be on a slight bias but it seems to work for this piece so let’s hope the fabric doesn’t wrinkle! I’ll also be adding boning so I’m hoping that’ll additionally keep it all straight and even in the front.

Once the mockup was completed, I went on the search for the right fabrics and got these (the skirt fabric, the buttons and the tape I ordered online and they've yet to arrive!):

The black base fabric and the blue one are cotton, as will be the skirt. The details are satin! I spent a long time at the fabric store trying to think of the best way to do this and it does look like the details on Lestat's outfit are maybe velvet, but I was afraid it would look a little too costume-y and cheap, so I ended up going with satin in the end.

I pinned the fabric mock-up onto the lining fabric (just a white Ikea bedsheet), added 1,5cm seam allowances where needed cut out the lining first, then placed the lining onto the black base fabric and cut that out as well.

I needed to lay the pieces down this way because I bought 2,5 meters, and I'll need 2m for the outer skirt alone so there's not a lot of space left, as I'll also have to cut out the sleeves from that fabric. I then sewed everything together.

And then I noticed I'd made a mistake - the lining for the front panel was supposed to be blue. Welp, now it's white, and I also realized I didn't have enough blue fabric to do the collar AND the lining, so I went for a fake lining for which I cut out two blue triangles to be slightly bigger than the lapel

and stitched them to the lining layer so the seams wouldn't be visible on the black outer layer. This was the result:

Pretty happy with it! Next up, even though I don't have the beige tape yet, I decided to cut out the color panels in the front and already pin them down. After some trial and error, I decided to go for 15x4,5cm triangles and calculated the size needed for the shorter ones (9x7,5cm), cut them out of the satin (which, let me tell you, was so finicky it ended up being the most difficult part of it all) laid them down and fastened with pins.

This is what I have so far:

Looking at it in the picture, I'm worried that the color panels take up too much space in the front. It looks like that in the original picture, but in my sketch I made everything a little narrower. But I was also scared of pulling on it too much because the panels are just pinned to the fabric. Some parts are sticking out over the black base layer which maybe also makes it look wider than it really is, I'll cut it to shape once I have the tape and have a better visual understanding of what it's going to look like.

Next up will be the collar/yoke and the dreaded sleeves and possibly the boning. I should do the boning before I attach the beige tape. I am realizing as I’m writing this that I should’ve done the boning before pinning down the colored panels as they’re supposed to cover it. Oh well. It’s fine. Either way, I think it already looks super cool and I can't wait to see the finished product!

Part 2 | Part 3 | Part 4|

[phoenixyfriend]

HI DO YOU WANT SOME COSTUBE DRAMA THAT TURNED KINDA WHOLESOME

Pt 1: The Drama

Okay so a long-ass time ago (I think like 15 years), a British costume historian on youtube by the name of Cathy Hay decided she was going to remake 'the peacock Worth gown' and started a kickstarter for it. She made a bunch of money, but the actual work ended up being much more than she expected, so the project kept getting delayed.

In the years after, she befriended the now much more famous Bernadette Banner. They got close enough for cross-Atlantic trips to visit, etc. They were best friends and often joked that they were the same person.

Drama started riling up as people criticized Hay for not engaging meaningfully with the problematic history of the gown in question, which had been made for the wife of a British Governor of India during the 19th century, for a party celebrating British imperialism in India, and the gown's shining feature was Indian embroidery which was almost certainly underpaid, and that embroidery was the massively time-consuming bit that had been delaying her this whole time.

It was a whole thing that she sort of? Tried to address? buuuut The thing is, one of the seemingly obvious ways to manage this conflict would be to coordinate with an Indian embroiderer. In fact, a very accomplished specialist did reach out to her about collaborating on this! And she ghosted him! Maybe even blocked, I don't remember, but the thing was that he was ready and willing to do this cool project that could explore and reimagine a beautiful but morally ugly example of their shared countries' histories.

And she just… kept refusing to engage.

And then people started pointing out the weirdly predatory marketing she had for an online product/newsletter she had, and the discourse kept building as people realized overall that she was just… not as good a person as she claimed to be.

It got bad enough that Banner broke off the friendship, in large part because of that refusal to engage meaningfully with the loaded history of the Worth gown project

Pt 2: The Wholesome

So, a few days ago, Bernadette Banner released a video of her making a Regency gown. It's a very standard kind of project for her, just using old patterns and adding a touch of her own gothic tastes with historical methods to make a cool piece of clothing that explores costume history.

Halfway through, she has a call with someone she is planning to do a different video with. We don't know what the video is, but!

The thing is

The person she is having this call with

Is the Indian embroiderer, Mayankraj Singh, that Cath Hay ghosted.

And the video continues on with Banner and Singh talking about her Regency gown project and just. He ends up making an embroidered chiffon overgown with a crow motif. And it just feels very wholesome and I love to see this all coming back around.

(Okay, double-checked and apparently Hay requested a sample from Singh, and then ghosted him after she got photos of it)

In late September, another costumer, Miah Grace, released a video noting that, in 2020, Hay had requested an embroidery sample from with Mayankraj Singh, founder of the luxury fashion brand Atelier Shikaarbagh. Indian embroiderers in this shop possess skills that go back seven generations. Singh reportedly made a sample made but only sent Hay photos of it. After Hay stopped responding for many months, Singh went live on Instagram to explain what happened. Apparently, when his head embroiderer found the sample, he burned it, and scolded Singh for making it. “He said it was an inauspicious design,” Singh said, “and we do not make it anymore.” Hay later apologized to Singh, and he now considers the matter settled. - Craftsmanship Magazine

Anyway, yeah, after all of that from a few years ago, it was kind of exciting to see Banner collaborating with Singh

And she's so excited to open the package! Happy screaming!

It's so sweet.

He had his team embroider their names on the hem And she loves it

I am living for this vicarious excitement

(She does lay it on a bit thick at the end, but you know what. I'll take it.)

OH and the ending involves her attending the ball with Nami Sparrow, one of the creators of Indian background (Indian-American) that was a voice of Expertise criticizing Cathy Hay a few years ago.

Which is like. Tacit endorsement? If Singh alone wasn't enough.

Anyway yeah I lost my mind a little about this.

[shini--chan]

Personal pet peeve of mine: Reading a yandere story with a historical setting with the yandere reducing the target of their obsession to just sitting around all day when they are not being subjected to "affections" and it being written that way for "historical accuracy".

I mean, yeah, there were gender roles in the past, but those gender roles didn't feature women being completely reduced to fleshlights with no other purpose. That was a job and it was called prostitute or concubine, and many women didn't do it willingly. Even high society women had a lot of tasks.

Being into historical re-enactment really showed me that it didn't matter if you were a man or a woman, or even just a child; you really didn't have much time to be idle. Asides, idlness was/is frowned upon in many religions and cultures.

C'mon, even the thing with societal norms is that a great part of society didn't adhere to them 'cause it just wasn't feasible. The attitude went along the lines of: "Nice morals you got there. We're just gonna throw a few out 'cause else we're not gonna survive. Mary, go get ye scythe now, the wheat's not gonna reap itself." And high society geneally didn't really practise what it preached because it was commonly too interested in debauchery.

People didn't get married for shits and giggles either. The single lifestyle only really worked when you either inheired a lot/had relatives paying for you or that you were living under your employers roof and all your worldy possessions fitted in one bag. Or you just lived with your family until you kicked the bucket. I mean, the armour and weapons a knight had were often provided by their liege lord and a priest's housing belonged to the Church.

Also, the trope of arranged marriages is a bit overused at this point. How about more stories about both parties hating each other's guts, or the woman loving the idea of marrying her intended but the man wanting to run for the hills? The woman baby-trapping the man perhaps? Because all of that existed to!

Don't get me started on fashion. Corset =/= patriarchy. You don't see the women in Jane Austen or Mary Shelley novels complaining about corsets and burning them, so let it rest. Really, that trope of corsets being a torture device comes from men making fun of woman's fashion and actresses with illfitting periode costumes. Corsets were more comfortable than stays and only really went out of fashion due to women needing more flexability due to bicycles. Ya really think ladies removed ribs, in a period where there weren't antibiotics and doctors went from cutting up corpses to treating patients without washing their hands inbetween? Common sense, where are you?

Asides, the clothing having to be chaste and covering certain parts applied to everybody. Breeches went out of fashion because people thought women would become arroused by men's exposed calves. Such standards didn't only apply to the Victorians, mind you.

I'll stop here, else this will be ten pages long. You also get the gist of it. Over and out.

[meadowmusing]

random Cabin 10 / Aphrodite kids headcanons

˚ʚ♡ɞ˚

They keep a meticulous track of who is dating who, whose crushing on who, who isn't is rejecting who, ect. They also have a betting pool around certain relationships and campers. artistic rendition of Aphrodite campers presenting their romance predictions for the summer:

˚ʚ♡ɞ˚

They host charity events around Valentines. Its important to them that people spend the day with their loved ones, but also to make sure that love is shared around everywhere and with everyone. ˚ʚ♡ɞ˚

They may not be as big readers as the Athena kids, but they do have each their own favourite couple in history and media that they are ride or die for. They can even go toe-toe with Athena's kids in debates over these couples, arguing about their favourite relationship's historical legitimacy/basis or canon. ˚ʚ♡ɞ˚

Aphrodite kids aren't known for enthusiastically participating in training or camp activities, but like water is to Percy, love is a powerful adrenaline rush. When they're fighting for someone or something they truly love, they can become incredible warriors and protectors even if its only for a short time. ˚ʚ♡ɞ˚

Marilyn Monroe was a child of Aphrodite. I will die on this hill. ˚ʚ♡ɞ˚

Despite their reputation of being quite vain, children of Aphrodite can be intensely devoted and self sacrificing when it comes to those they care about and matters of love. Being loved by a child of Aphrodite means discovering what it means to be worshipped like you are the moon to their tide, the air to their lungs. ˚ʚ♡ɞ˚

If you have a nasty break up with a child of Aphrodite, the next few dates you try to go on will go terribly and embarrassingly wrong. The bad luck will fade eventually, just long enough to create a few truly cringe worthy memories. ˚ʚ♡ɞ˚

Cabin 10 campers host make up and wardrobe workshops semi regularly, giving advice to those that want it. They also collaborate on theatre projects the Apollo and Dionysus kids sometimes put on, mostly in make up/costuming/hair, but occasionally as captivating romance leads or as script consultants for love stories (in fact they get quite offended if you don't even ask any of them to at least read over your script). ˚ʚ♡ɞ˚

Weddings or engagements where part of the couple is a child of Aphrodite is massive affair. The whole cabin gets together for it, no matter where they live at this point in their lives. They also perform some really old ancient rites to honour Aphrodite and to ask her to bless their sibling in their relationships future. ˚ʚ♡ɞ˚

When children of Aphrodite go to battle, they wear something of their lover. Sometimes something simple like a picture of them, favourite jewellery of their lover's, their lover's lucky underwear, a hair piece from their love ect, or it can be as something as intimate as a lock of hair or even an ash diamond (if they've passed away). If they don't have a lover, then they wear something symbolic of their mother for her protection. Most popularly this is a dove feather or pearl jewellery, even both at once.

[97keanu]

Keanu characters + couples Halloween costumes:

John Wick:

John wants to say he doesn't do costumes. He complains, gently, saying he's too old to dress up anyways, but he can't say no to you in the end. He thinks you're funny when you suggest being a nurse since you're always patching him up all the time, but he also can't deny the image of you being a sexy nurse either. You also joke about him being a literal baba yaga and he finds that less funny. In the end, you two go as something that's actually as far from his work as possible, something simple and cute that ends up leaving John feeling happy he can have a moment of fun. Even if that is just staying in, watching cheesy horror movies, and giving out candy with you.

Kevin Lomax:

Unlike John, Kevin would totally go for the obvious with an angel/demon couples costume. He might even ask to be the angel just to throw people off, not to mention seeing you in a sexy devil's costume (especially if you're typically an innocent!reader) would really turn him on. He also likes to keep the costumes a bit higher class, so what you're wearing is not coming from the corner store or the mall. No, Kevin is buying you louboutin red bottoms to match a skin tight Alexander McQueen red dress. And, well, maybe the devil horns and tail do actually come from the mall...

Neo:

Neo doesn't want to admit how badly he loves dressing up. He likes being able to be someone else from time to time, just to get away from his typically boring on the surface life. He likely is asking you to be in 90s nerdy pop culture cosplay for Halloween, maybe even leaning onto the more goth side of media. He would take inspo from movies like: The Crow, Blade, Underworld, and maybe even end up asking you to be the Sally to his Jack.

Ted Logan:

Ted would love any outfit that he could easily pull off being stoned in. Think Shaggy and Velma (bill might even tag in as Scooby). Another great one you two cook up is Garfield and Hello Kitty, but Ted also adds that, Garfield is also, of course, stoned. There's also a possibility for you two to get into a lot of silly innuendos costumes as well, but with Ted's mind they would likely not make much sense. Possibility for you to convince Ted on a historic costume and getting him to take you back in time for period accurate clothing. Also, don't be surprised if it turns into a thrupple costume with Bill.

Evil!Ted Logan:

He would think couples costumes are stupid at first, and maybe even berate you about it (crybaby!reader watch out!). His mind would change when he sees there's slasher Halloween costumes at the mall, and he decides he and evil!bill can probably get away with more mischief if they're masked. He would probably try to talk you into being either the final girl from a slasher to reenact some fantasies, or ask you to be a sexy ver. of Ghostface or Freddy.

Constantine:

Constantine doesn't do costumes. He will likely not even end up breaking like Wick, and instead is a meanie about the whole thing. He shows up in that damned suit he always wears while you're out here in your cutest sexy girl outfit (think angel, playboy bunny, cat woman) and only ends up feeling bad about the whole thing after you storm off and cry. He apologizes the best he can, and ends up trying to make it up to you by being more social at the party, and telling your friends that he's dressed as "Vincent from Pulp Fiction" or some other character that comes to mind that wears a suit. Next year, you make him promise to actually dress up, and when you two do it's totally cheesy ones he hates but allows for you, such as Joker and Harley Quinn-esque.

Jonathan Harker:

This ones fun because you two are going to a masquerade! You get the most gorgeous gown with all the frills you please, with a gothic touch of course. Jonathan isn't usually one who dresses overboard, but tonight he has dressed to the nines for you! He looks sleek and dark, stunning in an illusive mask that for some reason has you feeling more of his dom side. Jonathan actually ends up really getting into it, and he charms you all night long as if he's almost another man entirely. The beauty of the masqurade conceals and invites freedom to be someone you're typically not, and by the end of it, you can't wait to take him home. He can keep the mask on tonight.

♰ Please send any costumes you think would work for keanuverse characters, I'd love to hear them! Especially anyone I missed ʚ♥︎ɞ

[beyondthisdarkhouse]

I'm coming to change how I think of "historical accuracy", which I used to think was the highest peak of perfection when it comes to making historical clothes, or writing fiction, or whatever. Because that ideal, or the way I was using it, have turned out to be really toxic for me; it sets up a world where there's Good and there's Bad and if you're not historically accurate enough it's okay for all the other kids to make fun of you. And you have to suffer and be virtuous an appropriate amount before you're allowed to feel good about your art.

I'm so sick of the way costumers talk about their own projects, picking them to pieces. "I made this dress ten years ago before I knew very much about historical costuming, and it's just a disaster. Everything is polyester, and the hems are all done by machine..."

I think I used to want to disappear into historical accuracy like a person hiding in a hollow tree; if all my work was perfectly accurate, there was nothing of me to criticize or laugh at. It would finally be safe and okay for me to be a weirdo dreamer who loved creating things and wanted to look fantastic, because I had created an armour of artifice. I had slipped entirely into a world that would support and enclose me.

Letting go of historical accuracy has meant I've had to accept who I am now. I've got to understand and see the beauty in the modern world and all its strange complexities. And I've also got to accept and defend myself in the face of derision or disrepect or criticism, instead of blaming myself for not being perfect enough to avoid them. (To be clear: Sometimes that "defense" just means tuning out or walking away. People aren't automatically correct just because they're critical of me. Which was kind of a surprise.)

The mindset that works for me now is that I am a modern person, living in modern material reality. I am making works that are in conversation with the past. They will never not be modern works, but they're worth making and appreciating no matter how unhistorical they are. Sometimes their conversation with the past is shouting and waving at someone on the other side of a crowd; sometimes it's a deeply braided multi-year friendship that infuses every fibre.

This also opens up a whole dimension of attitude, where sometimes I love the past and want to hold it up as amazing, and sometimes I think the past should go fuck itself and I'll do what I want instead. History isn't a dictator.