lantanam

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for all the "what is cassius warrington was the hogwarts champion" headcannons I've read, can someone write me a "what is angelina was the hogwarts champion" headcannon?

how gryffindor house was divided in itself, rather than hogwarts.

how fred led angelina around for the champions' dance.

how the people under the lake would have been ron, hermione, fred and gabrielle

especially how harry and angelina helped each other throughout each of the tasks, because for them, it didn't matter who won. it would only mean a victory for gryffindor and hogwarts.

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i'm giving up.

officially.

at this point, the only thing that can cure me in 2024 is reputation (tv).

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When you, as a literature student, know that two of the greatest and most popular monster tropes - Frankenstein and Dracula - were the direct results of a night spent locked in a cabin with Lord Byron, you officially know too much.

It's time to retire from literature.

You're wayyy too deep down the rabbit hole.

Remember this for the time the next Hotel Transylvania movie comes out.

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Petition to make Paul Blofis an honorary satyr/seeker.

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what is that fear called when the person who your parents trusted enough to leave near their tomboyish 10 year old only child manipulates her into opening the door to her bedroom she had locked herself into by promising to hurt her younger brother left in her care if she did not and she is just laying on her bed staring at her ceiling thinking of how she'll need to wash off her bedsheets before her parents notice otherwise she'll be in big trouble?

how does she fit that big primal terror in her small body without growing up?

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when you feel guilty about eating the food bought for you, because it's always accompanied by bemoaning how much it costs, does it count as anorexia?

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for beneath all your pain, all that you've suffered, all that rust that makes up the ruined you, all that comes out of your mouth is a plaintive, childish cry, and you hate yourself the more for it. but all you have to show for yourself is 24 years of baggage and pain and guilt for the pain and the only thing you can ask yourself is

"why can my friends not understand when i say i'm not allowed?"

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how do you actually explain the brutal ache you feel when you are being consumed drop by drop until there is nothing remaining in your ocean to give and all that is left is a glacier unwilling to melt for it knows the storm it will unleash leaving you unable to look in a mirror afraid of the truth it will find written in big bold letters in the anxiety font and all you can say is

"why can i not go out with my friends?"

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"you're the product of what happened that one night the inhabitants of Beast's castle decided to have a Mamma-Mia level o*gy out with Ms. Potts."

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First Citizen in the fridgen☕

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here’s a story about changelings

reposted from my old blog, which got deleted:   Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch. She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage. Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings. “Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child. Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin. “I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.” “I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.” “Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.” Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine. “We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…” “Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.” Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has. “Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.” Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project. She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still. “Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once. Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.” Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.   They all live happily ever after. * Here’s another story: Gregor grew fast, even for a boy, grew tall and big and healthy and began shoving his older siblings around early. He was blunt and strange and flew into rages over odd things, over the taste of his porridge or the scratch of his shirt, over the sound of rain hammering on the roof, over being touched when he didn’t expect it and sometimes even when he did. He never wore shoes if he could help it and he could tell you the number of nails in the floorboards without looking, and his favorite thing was to sit in the pantry and run his hands through the bags of dry barley and corn and oat. Considering as how he had fists like a young ox by the time he was five, his family left him to it. “He’s a changeling,” his father said to his wife, expecting an argument, but men are often the last to know anything about their children, and his wife only shrugged and nodded, like the matter was already settled, and that was that. They didn’t bind Gregor in iron and leave him in the woods for his own kind to take back. They didn’t dig him a grave and load him into it early. They worked out what made Gregor angry, in much the same way they figured out the personal constellations of emotion for each of their other sons, and when spring came, Gregor’s father taught him about sprouts, and when autumn came, Gregor’s father taught him about sheaves. Meanwhile his mother didn’t mind his quiet company around the house, the way he always knew where she’d left the kettle, or the mending, because she was forgetful and he never missed a detail. “Pity you’re not a girl, you’d never drop a stitch of knitting,” she tells Gregor, in the winter, watching him shell peas. His brothers wrestle and yell before the hearth fire, but her fairy child just works quietly, turning peas by their threes and fours into the bowl. “You know exactly how many you’ve got there, don’t you?” she says. “Six hundred and thirteen,” he says, in his quiet, precise way. His mother says “Very good,” and never says Pity you’re not human. He smiles just like one, if not for quite the same reasons. The next autumn he’s seven, a lucky number that pleases him immensely, and his father takes him along to the mill with the grain. “What you got there?” The miller asks them. “Sixty measures of Prince barley, thirty two measures of Hare’s Ear corn, and eighteen of Abernathy Blue Slate oats,” Gregor says. “Total weight is three hundred fifty pounds, or near enough. Our horse is named Madam. The wagon doesn’t have a name. I’m Gregor.” “My son,” his father says. “The changeling one.” “Bit sharper’n your others, ain’t he?” the miller says, and his father laughs. Gregor feels proud and excited and shy, and it dries up all his words, sticks them in his throat. The mill is overwhelming, but the miller is kind, and tells him the name of each and every part when he points at it, and the names of all the grain in all the bags waiting for him to get to them. “Didn’t know the fair folk were much for machinery,” the miller says. Gregor shrugs. “I like seeds,” he says, each word shelled out with careful concentration. “And names. And numbers.” “Aye, well. Suppose that’d do it. Want t’help me load up the grist?” They leave the grain with the miller, who tells Gregor’s father to bring him back ‘round when he comes to pick up the cornflour and cracked barley and rolled oats. Gregor falls asleep in the nameless wagon on the way back, and when he wakes up he goes right back to the pantry, where the rest of the seeds are left, and he runs his hands through the shifting, soothing textures and thinks about turning wheels, about windspeed and counterweights. When he’s twelve–another lucky number–he goes to live in the mill with the miller, and he never leaves, and he lives happily ever after. * Here’s another: James is a small boy who likes animals much more than people, which doesn’t bother his parents overmuch, as someone needs to watch the sheep and make the sheepdogs mind. James learns the whistles and calls along with the lambs and puppies, and by the time he’s six he’s out all day, tending to the flock. His dad gives him a knife and his mom gives him a knapsack, and the sheepdogs give him doggy kisses and the sheep don’t give him too much trouble, considering. “It’s not right for a boy to have so few complaints,” his mother says, once, when he’s about eight. “Probably ain’t right for his parents to have so few complaints about their boy, neither,” his dad says. That’s about the end of it. James’ parents aren’t very talkative, either. They live the routines of a farm, up at dawn and down by dusk, clucking softly to the chickens and calling harshly to the goats, and James grows up slow but happy. When James is eleven, he’s sent to school, because he’s going to be a man and a man should know his numbers. He gets in fights for the first time in his life, unused to peers with two legs and loud mouths and quick fists. He doesn’t like the feel of slate and chalk against his fingers, or the harsh bite of a wooden bench against his legs. He doesn’t like the rules: rules for math, rules for meals, rules for sitting down and speaking when you’re spoken to and wearing shoes all day and sitting under a low ceiling in a crowded room with no sheep or sheepdogs. Not even a puppy. But his teacher is a good woman, patient and experienced, and James isn’t the first miserable, rocking, kicking, crying lost lamb ever handed into her care. She herds the other boys away from him, when she can, and lets him sit in the corner by the door, and have a soft rag to hold his slate and chalk with, so they don’t gnaw so dryly at his fingers. James learns his numbers well enough, eventually, but he also learns with the abruptness of any lamb taking their first few steps–tottering straight into a gallop–to read. Familiar with the sort of things a strange boy needs to know, his teacher gives him myths and legends and fairytales, and steps back. James reads about Arthur and Morgana, about Hercules and Odysseus, about djinni and banshee and brownies and bargains and quests and how sometimes, something that looks human is left to try and stumble along in the humans’ world, step by uncertain step, as best they can. James never comes to enjoy writing. He learns to talk, instead, full tilt, a leaping joyous gambol, and after a time no one wants to hit him anymore. The other boys sit next to him, instead, with their mouths closed, and their hands quiet on their knees.   “Let’s hear from James,” the men at the alehouse say, years later, when he’s become a man who still spends more time with sheep than anyone else, but who always comes back into town with something grand waiting for his friends on his tongue. “What’ve you got for us tonight, eh?” James finishes his pint, and stands up, and says, “Here’s a story about changelings.”

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My family is not very religious most of the time.  We pray at Christmas and Easter and Thanksgiving dinners, and my mom’s entire side of the family excluding her parents and siblings is hardcore religious so whenever we do anything with them it’s kind of religious.

But the point is, most of the time we aren’t, but every year at Christmas time, a church in the next town over puts on a Bethlehem and it’s kind of a tradition to go.  They go all out.  The building is massive, and they’ve got it all decked out.  There’s animals and stalls and everyone is in costume and in character.  When you get there, they give you some pennies and you can go and barter for cool little trinkets, and there’s other more expensive things you can buy with your own money.  And they have the best apple cider.  All in all, it’s pretty cool.

But anyway.  We go every year, bundled up in hats and scarves and mittens, and have a good time.  We’ve been doing it for as long as I can remember, and my mom talks about going when she was a kid.

I’m going to mention again that everyone is massively in character, especially the really super hardcore religious adults.  Because this is an important fact.

Every year since I was about thirteen or so, there’s been this one lady who worked at a stall selling ponchos (I have, like, three.  They’re really cool).  She was probably there before that, but I was thirteen when she started trying to barter for me to marry her son, who was also about thirteen.

“What a pretty little thing.  I think you’d make a very good wife for my son.  These are your parents?  I’ll give you six goats for your daughter’s marriage to my son.”

Her son, meanwhile, is in the “shop” behind her looking absolutely mortified and like he’d rather be anywhere else than there, and I’m pretty sure I probably looked just as embarrassed.

My parents gave her some sort of excuse, like it wasn’t enough goats or they weren’t ready to marry me off yet or something, and we moved on.

The next year we’re back again, and come up near to the same stall.

“Ah!  You’re back again!  Have you married your daughter off yet?  I can up my offer to nine goats and three chickens for your daughter to marry my son.”

Somehow she remembered the exact people she’d tried to buy their daughter off of for an entire year?  So my parents are refusing her offers again and me and the son are trading embarrassed looks and we go on our way.

And then it happens again.  And again.  And again.  Each and every one of the last six years this lady has tried to buy me in goats to be her son’s wife. 

 A couple years ago when we were waiting in line to get inside my mom jokingly said that they should accept this year and see what she’d do and I completely refused because it was mortifying enough as it was.

One year we brought my friend with us and we’re waiting outside and my sister was like “Are you gonna sell Kee this year?” and my dad was like “Maybe if there’s enough goats” and my friend was confused as heck and I was like “This lady tries to buy me to marry her son every year.  I told you that” and she’s like “Yeah but I didn’t think this was a thing that actually happened” and she was still skeptical and by the time my parents had finished refusing the lady’s offer, she’s killing herself laughing and then spent the next few months telling me I couldn’t look at guys because I already had a fiancée.

Anyway, it happened again this Christmas and the son has somehow gotten almost ridiculously attractive since last year.  The speech this year had something to do with how I was far too old to not have a husband yet, and the son and I just rolled our eyes at each other as his mom tried to barter with my parents for me.

This year’s offer was twenty six goats and nine chickens.  My sister looked up how much goats are worth, and was mad our parents didn’t sell me so she could have sold the goats and gotten $2000-$8000 for them.  My dad says they’re waiting out on an offer of a camel.  My brother thinks they should have it more than once a year so he can get more apple cider.

Now I’m back at uni, and in my first psych class of the semester the guy sitting beside me looked really familiar.  

As in his-mom-tries-to-buy-me-with-goats-every-Christmas familiar.

That kind of familiar.

We introduced ourselves before class started and I sat there for a couple minutes readying to make a total fool of myself in case I was wrong before turning to him again.

“This is going to sound really weird if you aren’t who I think you are, but by any chance does your mom try to buy you a wife with goats every Christmas?”

His friend gives me a weird look as he walks past me to sit on the other side of him, but he’s definitely putting the pieces together.

“That’s you?  Bethlehem in [city name], right?  God, my mom is so mortifying.”

And we both kinda laugh and meanwhile his friend is giving us both weird looks now because apparently he didn’t know that his friend’s mom was trying to buy him a wife using livestock.

So he turns to his friend and is like

“Oh, I forgot to introduce you.  Danny, this is my fiancée, Kee.”

And I kinda rolled my eyes and was like

“I’m not actually your fiancée.  Your mom hasn’t offered my parents enough goats yet.  But apparently my dad will sell me for a camel.”

And he laughed and shook his head like

“I am not telling my mom that.  I don’t want to see what she has planned for if your parents ever accept.”

So yeah.  His friend was really confused by that point and we explained it to him and it turns out he’s pretty cool and we’re Facebook friends now and hang out in psych classes.  Apparently his mom only ever tries to buy me for him and she and my mom had gone to the same church growing up which is why she can always pick us out.

So yeah.  That’s the story of how some lady tries to use goats to buy me to be her ridiculously attractive son’s wife every Christmas, and how he’s in my class and we’re friends now.

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A faerie introduces himself. Then, holding out a hand, asks, “And your name, please?”

And, like a fool, you give it to him.

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Erlen: Queen Queer Q-donewithyall

Serilda: Gaslight Gatekeep Girlboss

Erlking: Manipulate Manwhore Manslaughter

Perchta: Bully Butcher Bisexual

Gild: Simp Spin Sadboy

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IT WASN'T A HEARTLESS ENDING I'M SCREAMINGGGGGGHHHHH.

Serilda: Gild, darling, you need to stop your inflating the economy.

Gild, frantically spinning everything into gold: but Serildaaa I have to have a hobby.



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Ginny as Monica, Hermione as Rachel, Luna as Phoebe, Ron as Ross, Harry as Chandler, and Neville as Joey!

(also imagine Arthur and Molly as Jack and Judy Geller. My haaaarrrrrtttt)

I wanted to send you an ask but your box is closed so I’ll do it here.

Can we all give @forfucksakeidontknow props for their hilarious Harry Potter characters as Friends videos? They are amazing!

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Considering the fact that his husband was a Classics professor and he himself was interested in history (with a special emphasis on etymology), I find it really hard to believe that Captain Ray Holt would not know what punk referred to every time he said that.