#~Maybe I could... never leave~

[hinamie]

'what do u want to draw' 'idk, megumi?'

[lasagoofs]

Ghost critters

[twentyfivemiceinatrenchcoat]

one morning you cling to satoru’s back and sleepily plead for him not to leave for work and he feels closer to killing the higher ups than ever before

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[fictionadventurer]

Hot Tip: If you're trying to secretly commit bigamy, don't do it when your wife is hidden in the house you currently live in.

Hot Tip: If you stop an innocent girl from committing bigamy, don't leave her living alone in the house with the guy who tried to trick her into bigamy.

Hot Tip: When you're trying to convince a girl to live as your mistress, don't tell her about how you grew to hate all the other mistresses you lived with.

Hot Tip: If you leave your home and place of employment with nowhere else to go, DON'T SPEND ALL YOUR MONEY ON BUS FARE!

[blujayonthewing]

This year's big web! This one marks five years of big web!!!

[littlelightfish]

I would like to remind people that Chilchuck hasn't seen his wife in 4 years.

So he maybe wasn't there to see his daughters become adults, but he was there for the majority of their childhood.

When he left, Mayjack and Flertom were 12, and Puckpatty was 10. They reach adulthood at 14, so maybe yes, he was absent when they were still kids, but that doesn't mean he didn't maintained contact with them afterwards as far as I know. The thing he uses around his neck was a gift from Flertom, and he was using it when he met Laios's party.

[lacecap]

song about something you'll never be forgiven for. beepbox link here, and a singalong under the read more :''-)

starting point "…so don't look back" i took your hand and led you astray into the light i fear i might have made a fatal mistake walk in a straight line walk in a straight line i couldn't ask i only hope that sinners are saved but in all honesty, my honor keeps me somewhat afraid walk in a straight line don't dare look behind ♫♫♫ i had a dream we tried to reach the finishing line but in the silence still the time we killed had come back to life walk in a straight line walk in a straight line the signs had merged into a single "end of the world" where every undead thing was damned to sing "esrever ni gnos a" walk in a straight line …tell me that you're fine ♫♫♫ walk in a straight line (walk in a straight line) don't dare look behind (don't dare look behind) tell me that you're fine (something that had died) you're still breathing right? (are you satisfied?) walk between the lines (how to save a life) don't dare look behind (change the ending line) reach the end this time (tell a little lie) bring me back to life… ♫♫♫ if i'd look back and held the hands that led me astray into the light i'd proudly cry "this is my final mistake" walk with me this time walk with me this time i should have asked i know the answer's somewhat cliché but was it worth the price and worth the pain? you're fading away— walk with me this time bring me back to life… if i'd look back… if i'd look back… if i'd look back… if i'd look back… if i'd look back… if you'd look--

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[dykedvonte]

Why do you think did Anya ask Jimmy to give Curly the meds when she knew what kind of person Jimmy was?

I subscribe to the idea it was because she couldn’t bring herself to force the pills on Curly the same way Jimmy forced himself on to her. That and a mix of it inducing nausea due to the pregnancy. Since she took care of him outside of that one task, I think it was more the sound of him struggling and resisting than disgust with him.

On a personal level, it’s Curly. She still likes Curly and seeing the one person that was just starting to hear her be reduced to such a suffering, vulnerable state. It hurts and it’s frustrating and it’s unfair and despite the med bay being her area, she doesn’t like hearing the pain inside it. She asks Jimmy in my mind because Daisuke is a bit too young, to eager in her mind to help, he could easily and accidentally make it more painful for Curly. Swansea is just to gruff but Jimmy?

Jimmy was Curly’s friend, best friend, closest friend. He knew him and vice versa. Of all of them he should be the most willing and best option to get rid of his pain. I mean, I don’t think it was with malicious intent. She knew how cruel Jimmy could be but Curly said it himself.

“He won’t try any shit with me.”

She clings on to that a bit, despite knowing it’s meaningless now. I think it makes a nice parallel to how Curly’s attempts to help just fell flat or made things a bit worse. She wants him to stop hurting but this way just brings a whole new type of pain. It’s so much more obvious the way Jimmy treats people with Anya cause he has no false pretenses with her. He makes her feel guilty for asking to do one thing similarly to how he guilt trips and twists words with Curly.

[mintypsii]

excuses

[mercutio-the-velaryon]

I luv meljayvik hell I luv jayvik but I draw the line at Mel being reduced to a vessel for Jayce's sexual feelings for Viktor JUST BACKWARDS AS ALL HELL...

May need y'all to get into a little book called Fearing the Black Body by Sabrina Strings and then hop over and get into a book called Venus in the Dark: Blackness and Beauty in Popular Culture so you can start acting properly.

[beneathsilverstars]

if i failed to protect my kid during the apocalypse and they almost died wandering on their own but got rescued by a team of four competent, battle-experienced adults who cared about them very much and made them feel less scared and useless but refused to let them fight, i think that would be a pretty decent outcome and i'd be pretty okay with it. sure i could dream up a better situation but there's a hell of a lot of worse ones too.

[buqbite]

it's kinda fascinating to me how welt has been "at the end of his life" for like. several decades by now. he goes on and on about how old and weary he is and how "his job is done" and his story is over but- oh wait i just realized i can phrase this in a very funny way- he's kind of sorta immortal now because he got the herrscher core back, so he's really just stuck in the epilogue for all eternity

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[yasmeensh]

Story update

I got to write a good chunk of the opening these past two days. Excited to get more work done over March break. And I can't wait to get to writing more about my daughter T-T But she comes in a bit later in the story. Still in the first act, though.

Some more character design doodles: