#zak sullivan

[makeagif]

Oscar Piastri, Rene Rosin, Paul Aron and Frederik Vesti at the 2023 FIA Prize Giving Ceremony at Baku Convention Center in Baku, Azerbaijan. (08/12)

[littlequeenies]

A STARR’S NEW PLANET

1991, July - People magazine (US)

Ringo Starr’s 20-year-old daughter, Lee Starkey, celebrates the styles of her pop’s generation in her new Hollywood shop.

A STARR’S NEW PLANET

Ringo’s daughter, Lee Starkey, slips back into the ‘60s at her transplanted L.A. store, Planet Alice

Lee Starkey was born in 1970 – the year The Beatles split up. She didn’t see the swooning fans on The Ed Sullivan show and never questioned whether Paul was dead. As far as she was concerned, her father, Ringo Starr, was just another guy in a rock group. “It wasn’t like a really big thing,” she says. “I went to school with lots of people whose parents were in bands. I knew one of the Hollies’ daughters.”

Even now, when other rock legend’s children – Chynna Phillips, Carnie and Wendy Wilson and Gunnar and Matthew Nelson – are building megacareers with their parents’ names, Starkey, 20, doesn’t call attention to her roots. “I generally don’t tell anyone who my father is,” says Lee, who was raised in London by her mother, Maureen, after her parents’ 1975 divorce. “I didn’t know that much about the Beatles, so I kept my mouth shut.”

Lee communes with Ringo at the boutique's opening bash. "When there's something going on, we're all there," she says of her family.

Starkey is more comfortable talking about her own burgeoning career as co-owner of Planet Alice, a psychedelic boutique she opened last month with partner Christian Paris on L.A.’s trendy Melrose Avenue. Though it is stocked with what she describes as “’90s interpretations of ‘60s styles,” Starkey says, “I didn’t consciously do this because it’s what the Beatles wore in their heyday, but it must have had something to do with it.”

For his part, Ringo is glad that Lee, who didn’t ask him for financial help, “finally found something to put herself into,” he says. “She tried acting school and decided she didn’t like that. She got her diploma from makeup school and wasn’t really enthusiastic about that.” She even tried the drums. “But I wasn’t too good at it,” Starkey admits. Older brothers Zak, 25, and Jason, 23, became the drummers in the family, while Lee persuaded her pal Paris to relocate his Planet Alice shop from London’s Portobello Road to Hollywood. Waiting for her on these shores was her mother, who moved to L.A. last year after marrying Isaac Tigrett, cofounder of the Hard Rock Cafe empire. (The couple have a 4-year-old daughter, Augusta) Lee and Paris, who say their partnership is platonic, are living chez Tigrett until they find places of their own.

"I've never read a book about The Beatles," says Starkey (sketching at home). "If there's anything I want to know, I can just ask my dad".

“We’ve always been very family oriented,” says Lee, who spent childhood summers with her father at his estate at Ascot, where she occasionally encountered the other Beatles. Her parents remain on friendly terms, and Ringo and wife Barbara Bach, as well as Maureen and Tigrett, were on hand for the Planet Alice opening.

For now, Lee is concentrating on running the shop. She has even arm-twisted Mom into helping out one day a week. Dad hasn’t made that commitment, but his presence will surely be felt every time the cash register goes ring-o. 

"I feel I'm very lucky at age 20 to find what I want to do in life," says Lee, at Planet Alice,where everything old is new again.

Photographs by Roger Dong.

[cheese1616]

as sad as i am about the o sullivan news it’s also completely understandable. i feel pretty much the same about it as i do the sargeant news, where o sullivan just wouldn’t be useful really to the williams driver program (f1 at least) considering they have two top level drivers with long term contracts and an academy driver who is gaining f1 experience this year and would be great in a reserve role. feel terribly for zak though. been a very common theme recently of drivers having to stop short on their careers due to lack of funding.

[floridazcrazy]

Bro Zak o' sullivan cant finish his f2 season bc hes out of fucking funding. Williams bruh

[timeforboats]

The Z Stacks' Real Names and Ages (+ other characters)

Like with the last one, these are purely my headcanon!

Zorran: Mason Nichols, 28

Zak: Zak Holmes, 30

Zebedee: Zane Wallace, 26

Zip: Pete Thompson, 19

Zug: Renfield Turner, 29

Grampus: Private Carl 'Grampus' Smith, 20

Bluenose: Captain Jim 'Bluenose' Sullivan, 38

Lillie: Lilian Patel, 24

Sally: Sally Bone, 21

[formulaaone]

I did. some thinking, and realised that Williams don’t have as many options to replace logan as the media portrays.

Firstly, Felipe Drugovich is an Aston Martin Academy driver, and he is in fact the only one so far as i’ve heard. Aston Martin would definitely not let him go, because if they had to find someone to replace Lance or perhaps Fernando in 2025, he would be the first choice.

Secondly, Mick Schumacher has had strong rumours to be running in WEC for Alpine, which means that he is unable to race in f1 at all if the rumours come out as true. Although Toto is pressuring James to bring Mick in, I don’t think James would have a change of mind

Thirdly, Williams did make a statement that they want to solely focus on their academy drivers, so Fred, Liam are automatically out. I love the guys, but they have tied themselves to other teams. Besides, Williams actually does have four more academy drivers in formula 3, but none of them are the level where they can skip f2 and automatically join f1. they are great, Zak o Sullivan finished P2 in the championship actually, which is great but I think he needs to go through some more racing experience in the feeder series before he can compete with Logan for the seat.

So most likely, Logan is safe and secured for his seat, I feel like media has been continuously throwing random rumours out of nowhere because they are so desperate to find out the lineup of 2024.

Besides, it’s not that Logan has been doing absolutely shite — yes, he crashed a lot of times and as a logan fan I do believe he needs to clean it up quickly, but I feel like most of the time it’s bad luck. sometimes it is his fault, but a lot of times he either gets nicked or conditions screw his race up. Taking Qatar sprint for example, since he’s running old spec it is not as resistant against the windy conditions as Alex’s car is, but at least he didn’t shag it into the barriers and his car is safely in one piece, which is quite great. It also not like he’s the only drivers that was affected by the wind yesterday, so I don’t get why people are blaming him for losing grip to the wind. He is a rookie and his weak point is that he takes more time to adjust to a track or to a car, and this sprint format did not help at all, which is FIAs fault anyway.

In fact, I believe he is spectacular at trying to improve during the timing sessions like quali and Sprint Shootout, he’s done pretty well and even in the sprint he was chasing Alex. In a track like this, not suitable for his car or even for others, it is good to see him improve.

Overall, I firmly believe that he is secured for 2024 and I hope he can restart afresh for next year and do really well, as well as hoping the car is good for next year to help him even more.

i agree with everything you said. he was actually doing great the entire weekend, during quali and practice he never had any deleted lap times. however he really struggled when the track limits were adjusted yesterday. but that is to be expected i guess, if you’re a rookie and was only given 10 minutes to adjust to the new limits. even Liam struggled too. Oscar is in another league, of course.

as for the possible replacements, I think Williams won’t replace him, but if they will i think they will go with Drugo. but even that is so far fetched. as you’ve said, AM is kind of hesitant to let him go, and some reports suggest that there’s something going on behind the scenes in AM with Lance. also Williams will not replace their own rookie for another rookie who’s not affiliated with them. i just don’t see it. Mick might be with Alpine WEC next year, if you noticed they’ve been posting him a lot in their socials. Liam will not leave Red Bull especially now that he’s basically guaranteed an AT seat in 2025. Helmut hinted very recently that he’s losing confidence with Checo, so Liam might be in that AT seat even before 2025. the reason why i think Drugo is the closest option is because of the fact that he had rejected every guaranteed seat that was offered to him in Indy and FE for next year. the reason for that is either he believes he has a good shot for the Williams seat or he just made a really, really bad decision.

also, have you watched Logan’s interviews lately? he seems not bothered at all. even after the sprint race yesterday. either he’s confident that he can hit James’ targets or he knows something we don’t.

speaking of targets. in James’ recent interview, he said he’ll give Logan until the end of the season to prove himself. it’s really nice that they are giving Logan all the time and opportunity, so we might not hear anything until Abu Dhabi. just like last year when Logan got his super license in the exact same track 😉

ok im babbling now im just gonna end this here

[f0point5]

Williams have Zak Sullivan in f2 but I think they are letting go of him in the next year too

So the only one they actually have is colapinto

Neither of them would have been an option for this year, I think that’s a big reason why Logan got re-signed

[ulkaralakbarova]

In 1978, a Kiss concert was an epoch-making event. For the three teen fans in Detroit Rock City getting tickets to the sold-out show becomes the focal point of their existence. They’ll do anything for tickets — compete in a strip club’s amateur-night contest, take on religious protesters, even rob a convenience store! Credits: TheMovieDb. Film Cast: Lex: Giuseppe Andrews Trip Hurudie: James DeBello Hawk: Edward Furlong Jeremiah ‘Jam’ Bruce: Sam Huntington Mrs. Bruce: Lin Shaye Beth Bumsteen: Melanie Lynskey Christine: Natasha Lyonne Amanda Finch: Shannon Tweed Barbara: Emmanuelle Chriqui Cashier: Kristin Booth Father Phillip McNulty: Joe Flaherty Chongo: Matthew G. Taylor Elvis: Miles Dougal Kenny: Nick Scotti Bobby: David Quane Mr. Stewart Bumsteen: Rodger Barton Mrs. Stewart Bumsteen: Kathryn Haggis Detroit Priest: David Gardner Little Kid: Cody Jones Study Hall Teacher: Joan Heney MC: Ron Jeremy Kiss: Gene Simmons Kiss: Paul Stanley Kiss: Ace Frehley Kiss: Peter Criss Scalper: Richard Hillman Guy in Red Track Suit (uncredited): Jason Biggs Beefy Guy #1: Kevin Corrigan Six Year Old #2: Ryan Letriard Beefy Guy #2: Steve Schirripa Ticket Taker: Julian Richings Film Crew: Casting: Valerie McCaffrey Editor: Mark Goldblatt Costume Design: Rosanna Norton Executive Producer: Michael De Luca Director of Photography: John R. Leonetti Original Music Composer: J. Peter Robinson Director: Adam Rifkin Production Design: Steve Hardie Writer: Carl V. Dupré Producer: Gene Simmons Executive Producer: Brian Witten Producer: Kathleen Haase Producer: Barry Levine Editor: Peter Schink Set Decoration: Carolyn A. Loucks Art Direction: Lucinda Zak Associate Producer: Tim Sullivan Stunt Coordinator: Alison Reid Co-Producer: Art Schaefer Movie Reviews: Wuchak: _**Great 70’s songs, sometimes amusing, but basically an insult to KISS fans**_ In 1978, four teenagers from Cleveland plan to go to a KISS concert in Detroit and have many misadventures reaching their goal. The four are played by Edward Furlong, Giuseppe Andrews, James DeBello and Sam Huntington. “Detroit Rock City” (1999) features great rock/metal from the 70s by KISS, AC/DC, Blue Oyster Cult, Van Halen, Sweet, Thin Lizzy, Nazareth, Styx, David Bowie, Cheap Trick, Black Sabbath, Ted Nugent, the Ramones, etc. There are some fun moments, but the tone is too over-the-top for its own good and the story isn’t very compelling. Couple this with some odious bathroom non-humor, a lack of attractive women beyond Natasha Lyonne and the negative one-dimensional depiction of the protagonists and you have a curiously disappointing teen flick. The focus on pot-obsessed dudes is disingenuous since Paul Stanley and Gene Simmons were never into the drug culture; their idea of a party was working hard creating music, performing, touring, making money and celebrating gorgeous women. Unsurprisingly, mind-blowingly beautiful females were always attracted to KISS and frequented their concerts; so were dynamic, talented males. I’m not saying pot-worshipping, denim-clad waifs weren’t an element of their fan base, but KISS devotees always involved WAY more than this. No wonder Paul Stanley lamented: “To call it a KISS movie does it a disservice, because it does a disservice to the KISS fans, which is what it’s really about.” The film runs 1 hour, 35 minutes, and was shot entirely in the Toronto area. GRADE: C-

[juanmecanico]

"¡Descubre Quién Domina la Segunda Práctica en Sebring! ¿JDC-Miller Porsche o Vasser Sullivan? ¡No te lo puedes perder!" - ¡Wow! No pensé que JDC-Miller MotorSports con su Cadillac DPi estaría tan impresionante en la segunda práctica en el Sebring International Raceway. Mucho que discutir y destacar aquí. #CarreraDeCoches Primero que todo, nos enfocamos en el rendimiento del británico Harry Tincknell en el JDC-Miller MotorSports Cadillac DPi. Debo decir, este tipo realmente sabe cómo maniobrar en un circuito tan exigente. Con una vuelta de 1m51.016s, Tincknell se está esforzando para demostrar que él y su equipo están listos para ganar resistencia en Sebring. Luego nos movemos a Vasser Sullivan, imponiéndose como el coche GTD Pro más rápido. Por cierto, prestemos atención a la pareja Zak Brown y Richard Westbrook que están haciendo magic en ese Porsche 911 GT3 R. Marveloso. Sin embargo, lo que realmente destaca en cuanto al rendimiento de estos tipos es su estrategia y planificación meticulosa. ¡Eso sí, esto es lo que yo llamo una buena estrategia de equipo! Ahora, sobre GTD, cuidado con el Wright Motorsports Porsche y ya que estamos en el tema, el #911 Porsche GT Team con Nick Tandy. El tipo rompió récords aquí, amigos. ¡1m57.512s! Eso es apenas a 0.037s más rápido que Antonio García en el Corvette C8.R. ¡Un hito, señores! Tenemos que mantener nuestros ojos bien abiertos con estos muchachos. Pero déjenme decirles un poco sobre mi opinión, que puede no ser muy popular - sin ofender a ningún aficionado de Porsche, pero ese récord de Tandy es demasiado estrecho. ¿Predice esto una verdadera victoria? El Corvette puede contraatacar con facilidad, y creo que hay demasiada seguridad en ese pequeño margen. Corvette, desde mi punto de vista, todavía tiene muchas oportunidades para darle vuelta a la competencia. #PorschevsCorvette Es increíble ver la sinergia entre los coches, los equipos y sus conductores aquí en Sebring. Hay que apreciar el entusiasmo, la dedicación y el amor que estos equipos tienen por el automovilismo. Realmente es conmovedor. La emoción en Sebring es absolutamente contagiosa y no puedo esperar a ver lo que nos depara el resto de la competencia. En resumen, reconozco el esfuerzo de todos los equipos en el Sebring, la adrenalina es alta y los tiempos son ajustados. Todos tenemos favoritos, pero en este momento, es realmente cualquier hombre con su vehículo. Eso es todo por ahora, estimados aficionados del mundo del automovilismo. ¡Nos vemos en la pista! #Sebring12

[dirtbagdefender]

[luisdemen]

Zak O'Sullivan fue anunciado como el ganador del premio Aston Martin Autosport BRDC Young Driver of the Year 2021

Zak O’Sullivan fue anunciado como el ganador del premio Aston Martin Autosport BRDC Young Driver of the Year 2021

Aston Martin Lagonda se enorgullece en anunciar a Zak O’Sullivan como el ganador del premio Aston Martin Autosport BRDC Young Driver of the Year 2021. El británico de 17 años, de Cheltenham, recibió el honor más prestigioso en el automovilismo juvenil durante la ceremonia de gala de los Autosport Awards celebrada en el Grosvenor House Hotel, en Park Lane de Londres, el domingo por la…

[vocalintel]

ghost adventures silent hill 4 the room. Zak Bagans shows up and hes like Today me and the ghost adventures crew are going to be investigating the infamous room 302 of south ashfield apartments, said to be haunted by the ghost of infamous serial killer Walter Sullivan. and then they talk to the building superintendent and he lets slip he keeps walters umbilical cord in a little box in his room and zak gives him that one look of shock and disbelief but doesnt press any further. and then zak is like Now were going to talk to a former inhabitant of... the infamous room 302... Henry Townshend! and he keeps asking henry how haunted it is and if he ever saw any ghosts there. and henry is just like, tired, and hes like. well. i might have had some paranormal experiences there. but not anything major

[greensparty]

Takeaways from Little Steven’s Memoir “Unrequited Infatuations”

Steven Van Zandt, also known as Little Steven, is a member of two of the most powerful NJ families: the longtime guitarist for Bruce Springsteen’s E Street Band and as Silvio on The Sopranos. As if that weren’t enough, he hosts the syndicated radio show Underground Garage where he sings the praises of garage rock and hosted the Underground Garage Festival in 2004 in NYC (I attended it!), has a record label Wicked Cool Records (The Empty Hearts’ The Second Album was released on the label last year), founded the music education foundation Rock and Roll Forever Foundation, and he is an activist for several causes. He has also released several solo albums with Little Steven and the Disciples of Soul (read my concert review of their 2017 show in Boston here).

For someone so strongly affiliated with New Jersey (what’s more NJ than Springsteen and Sopranos?), it might surprise some to learn that he was actually born right here in Boston. Until the age of 6, his family actually lived in Watertown, MA, just a few blocks from where I live now. Sadly, Watertown does not come up in his new memoir Unrequited Infatuations, recently released by Hachette Books. 

book cover

Here are just some of the things I learned in reading this book:

1) As a teen in Middletown, NJ, SVZ frequently went to Jack’s Music Shoppe, a record store in Red Bank, NJ. I’ve actually been to that record store and Kevin Smith fans will recall it being a location that Holden and Hooper X have a conversation while browsing in Chasing Amy!

2) Lots of Beatle references! Its no surprise that as a musician who was a teen when The Beatles appeared on Ed Sullivan Show in 1964, SVZ is a big Beatle fan, but I literally lost count of the vast references he made to their music, their trajectory and their albums! He said about Lennon’s death in 1980 it “hit me so hard that I expected we’d cancel. But Bruce gave me a wonderful speech about how people needed us more than ever in moments like this”. SVZ recruited Ringo and his son Zak for “Sun City”. Both Yoko and son Sean joined him for an anti-apartheid concert in NYC in 1986. And there’s several references to the Fab Four’s albums and songs throughout.

Bruce Springsteen and SVZ

3) SVZ and Vini “Mad Dog” Lopez were bandmates for a while! E Street Band’s original drummer Lopez was the drummer from 1972-74 and played on the first two albums. SVZ didn’t join until 1975. But pre-E Street, Springsteen’s band Steel Mill featured Lopez on drums and SVZ on bass. There’s more than a few stories about Lopez.

A few years back, I was working on a music-based TV project I was developing and for the demo reel I was putting together, I contacted Lopez, and interviewed him. He was so cool and I’ve remained in contact with him since. In 2014, the E Street Band were inducted into the Rock and Roll Hall of Fame, including both Lopez and SVZ.

4) SVZ almost quit E Street in 1979, but then the Boss asked him to produce The River with him.

5) When talking about the art of covering a popular song, he called Johnny Cash’s cover of Nine Inch Nails’ “Hurt” the “most dramatic cover of all time”.

6) SVZ decided to use music to protest apartheid in South Africa in the mid-80s by putting together the all-star protest song “Sun City” by Artists United Against Apartheid. I’ve written about this song many times and how I bought the single at age 9 even though I didn’t understand a lot of the political content. The music video was directed by Jonathan Demme, who would go on to direct SVZ and E Street Band’s video for “Murder Inc.” and “American Skin (41 Shots)”. SVZ wrote about how Demme became a lifelong friend and how they only had him for one day while he was shooting Something Wild, so they needed to shoot the video guerrilla-style. Hart Perry filmed the London portion of the video, while Demme did the NYC portion. He flat out says that if anyone knew “Sun City” it was because of the video on MTV and BET. I, myself, remember seeing it on V66. 

SVZ and Jonathan Demme on the set of the “Sun City” music video

Working with Demme on “Sun City” lead to the soundtrack for Something Wild, which SVZ and Arthur Baker wrote “You Don’t Have to Cry” for Jimmy Cliff.

7) SVZ briefly talked about his work with Lone Justice on their second album. Not sure why he was so humble that he didn’t address co-writing their best song on their debut album, “Sweet Sweet Baby (I’m Falling)”.

Peter Wolf with SVZ and the Disciples of Soul at Orpheum Theatre 9/29/17

8) Peter Wolf convinced him to do The Sopranos. After David Chase offered him a part on his new TV series despite the fact that SVZ hadn’t acted before, SVZ met with his good friend Peter Wolf, who convinced him to take the part: “If its a success, great. If not, no one will remember it.“ When I saw SVZ in concert in 2017, Wolf came out as the special guest for the finale. 

SVZ as Silvio Dante on The Sopranos

Also - David Chase wanted SVZ to play Tony initially. But that was a bit too much of a gamble for HBO to take on someone who never acted before. Chase wanted SVZ on the series and thus the character of Silvio was developed. SVZ had come up with his backstory and Chase incorporated him into the series.

For info on Unrequited Infatuations: https://www.hachettebooks.com/titles/stevie-van-zandt/unrequited-infatuations/9780306925429/

[stainedglassgardens]

Favourite films watched in 2020

In no particular order:

Katalin Varga (Peter Strickland, 2009) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Post Tenebras Lux (Carlos Reygadas, 2012) The Return (Возвращение, Andrey Zvyaginstev, 2003) The Grand Bizarre (Jodie Mack, 2018) Transnistra (Anna Eborn, 2019) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) The Petrified Forest (Archie Mayo, 1936) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967)

Complete list of all 323 films watched in 2020 under the cut!

January

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Blade (Steven Norrington, 1998) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Disctrict 9 (Neill Blomkamp, 2009) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Sister (妹妹, Siqi Song, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) The Ghosts of Sugar Land (Bassam Tariq, 2019) Amazonia (Dominic Hicks, 2018) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Headcleaner (Nick Scott, 2019) Rattlesnake (Zak Hilditch, 2019) The Neon Demon (Nicolas Winding Refn, 2016) Skin (Audrey Rosenberg, 2018) The Banishment (Изгнание, Andrey Zvyagintsev, 2007) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Road House (Rowdy Herrington, 1989) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Ghost Train (Lee Cronin, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

February

Sitting Next to Zoe (Ivana Lalović, 2013) Dark Places (Gilles Paquet-Brenner, 2015) Nocturnal Animals (Tom Ford, 2016) The Limey (Steven Soderbergh, 1999) Side Effects (Steven Soderbergh, 2013) Good Sam (Kate Melville, 2019) Anima (Paul Thomas Anderson, 2019) What Did Jack Do? (David Lynch, 2017) Fleur de tonnerre (Stéphanie Pillonca, 2016) Parasite (Bong Joon-ho, 2019) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) Devil (John Eric Dowdle, 2010) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Grave of the Fireflies (火垂るの墓, Hotaru no Haka, Isao Takahata, 1988) Elena (Елена, Andrey Zvyagintsev, 2011) The Lighthouse (Robert Eggers, 2019) Baskin (Can Evrenol, 2015) In Fabric (Peter Strickland, 2018) Leviathan (Левиафан, Andrey Zvyagintsev, 2014) Suffragette (Sarah Gavron, 2015)

March

The East (Zal Batmanglij, 2013) Solaris (Солярис, Andrei Tarkovsky, 1972) Mamma Mia! (Phyllida Lloyd, 2008) There Will Be Blood (Paul Thomas Anderson, 2007) Io (Jonathan Helpert, 2019) The Death and Life of Marsha P. Johnson (David France, 2017) A Bump Along the Way (Shelly Love, 2019) Color Out of Space (Richard Stanley, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Mirror (Зеркало, Andrei Tarkovsky, 1975) Zama (Lucrecia Martel, 2017) Swallow (Carlo Mirabella-Davis, 2019) Joy (Sudabeh Mortezai, 2018) Good Time (Josh and Benny Safdie, 2017) Quarantine (John Eric Dowdle, 2008) The Reflecting Skin (Philip Ridley, 1990) Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017) Leto (Лето,  Kirill Serebrennikov, 2018) The 39 Steps (Alfred Hitchcock, 1935)

April

Queen of Earth (Alex Ross Perry, 2015) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) Les Misérables (Ladj Ly, 2019) The Evil Dead (Sam Raimi, 1981) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Fallen Idol (Carol Reed, 1948) The Wailing (곡성, Gokseong, Na Hong-jin, 2016) Inherent Vice (Paul Thomas Anderson, 2014) Sorrowful Shadow (Guy Maddin, 2004) Mistery Lonely (Harmony Korine, 2007) The Grand Bizarre (Jodie Mack, 2018) Zombieland: Double Tap (Ruben Fleischer, 2019) Waves '98 (Ely Dagher, 2015) Uncut Gems (Josh and Benny Safdie, 2019) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Room (Lenny Abrahamson, 2015) Queen & Slim (Melina Matsoukas, 2019) The Holy Mountain (La montaña sagrada, Alejandro Jodorowsky, 1973) The Chaser ( 추격자, Chugyeokja, Na Hong-jin, 2008) Made in Dagenham (Nigel Cole, 2010) The Color of Pomegranates (Նռան գույնը, Nřan guynə, Sergei Parajanov, 1969) Lost Girls (Liz Garbus, 2020) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) And Then There Were None (René Clair, 1945) Doctor Sleep (Mike Flanagan, 2019) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Catfish (Henry Joost and Ariel Schulman, 2010) Wildling (Fritz Böhm, 2018) Delphine (Chloé Robichaud, 2019) The Strange Love of Martha Ivers (Lewis Milestone, 1946) The Red Balloon (Le Ballon rouge, Albert Lamorisse, 1956) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) Invisible Man (Leigh Whannell, 2020) Sans Soleil (Chris Marker, 1983)

May

A Russian Youth (Мальчик русский, Alexander Zolotukhin, 2019) Sicario (Denis Villeneuve, 2015) Fedora (Billy Wilder, 1978) LoveTrue (Alma Har'el, 2016) The Platform (Galder Gaztelu-Urrutia, 2019) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) The Last Man on Earth (Ubaldo Ragona and Sidney Salkow, 1964) Beanpole (Дылда, Kantemir Balagov, 2019) Mommy (Xavier Dolan, 2014) The Fall (Jonathan Glazer, 2020) Girlhood (Bande de filles, Céline Sciamma, 2014) Carnival of Souls (Herk Harvey, 1962) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) Eraserhhead (David Lynch, 1977) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Free Radicals (Len Lye, 1958) Aniara (Pella Kågerman and Hugo Lilja, 2018) Vivarium (Lorcan Finnegan, 2019) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) GUO4 (Peter Strickland, 2019) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Živan Makes a Punk Festival (Živan pravi pank festival, Ognjen Glavonić, 2014) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) The Octopus (La Pieuvre, Jean Painlevé, 1928) Hyas and Stenorhynchus (Hyas et sténorinques, crustacés marins, Jean Painlevé, 1929) Sea Urchins (Les Oursins, Jean Painlevé, 1929) Bernard-L'Hermite (Bernard-l'Ermite, Jean Painlevé, 1930) The Sea Horse (L'Hippocampe ou "cheval marin", Jean Painlevé, 1934) Voyage to the Sky (Voyage dans le ciel, Jean Painlevé, 1937) Le Vampire (Jean Painlevé, 1945) Freshwater Assassins (Assassins d'eau douce, Jean Painlevé, 1947) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Pigeons of the Square (Les Pigeons du square, Jean Painlevé, 1982) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) The Cranes Are Flying (Летят журавли, Mikhail Kalatozov, 1957) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007)

June

Funny Games (Michael Haneke, 1997) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Wodaabe: Herdsmen of the Sun (Werner Herzog, 1989) Bells from the Deep: Faith and Superstition in Russia (Glocken aus der Tiefe - Glaube und Aberglaube in Russland, Werner Herzog, 1993) We Are the Best! (Vi är bäst!, Lukas Moodysson, 2013) Olla (Ariane Labed, 2019) Return to Reason (Le Retour à la raison, Man Ray, 1923) Ghosts Before Breakfast (Vormittagsspuk, Hans Richter, 1928) Sissy Boy Slap Party (Guy Maddin, 2004) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Sullivan's Banks (Sullivans Banken, Heinz Emigholz, 2000) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Fall (Tarsem Singh, 2006) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Curling (Denis Côté, 2010) Trouble Every Day (Claire Denis, 2001) The Return (Возвращение, Andrey Zvyaginstev, 2003) Maillart's Bridges (Maillarts Brücken, Heinz Emigholz, 2000) Two Years at Sea (Ben Rivers, 2011) The Creeping Garden (Tim Grabham and Jasper Sharp, 2014) Homo Sapiens (Nikolaus Geyrhalter, 2016) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Disclosure (Sam Feder, 2020) Baghead (Mark Duplass and Jay Duplass, 2008) Lahemaa (Leslie Lagier, 2010) Closeness (Теснота, Kantemir Balagov, 2017) Touki Bouki (Djibril Diop Mambéty, 1973) Daughter (Dcera, Daria Kashcheeva, 2019) Human Nature (Sverre Fredriksen, 2019) 1 Dimension (一维, Lü Yue, 2013)

July

Post Tenebras Lux (Carlos Reygadas, 2012) Something to Remember (Något Att Minnas, Niki Lindroth Von Bahr, 2019) Gegenüber (Ewa Wikiel, 2019) The Claudia Kishi Club (Sue Ding, 2020) Villa Empain (Katharina Kastner, 2019) Fata Morgana (Werner Herzog, 1971) Some Like It Hot (Billy Wilder,1959) Breakwater (Quebramar, Cris Lyra, 2019) Y a-t-il une vierge encore vivante? (Bertrand Mandico, 2015) Virus Tropical (Santiago Caicedo, 2017) The Tribe (Племя, Miroslav Slaboshpitsky, 2014) Integration Report 1 (Madeline Anderson, 1960) Tribute to Malcolm X (Madeline Anderson, 1967)

August

The Stopover (Voir du pays, Delphine and Muriel Coulin, 2016) Our Time (Nuestro Tiempo, Carlos Reygadas, 2018) Never Rarely Sometimes Always (Eliza Hittman, 2020) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Continental, a Film Without Guns (Continental, un film sans fusil, Stéphane Lafleur, 2007) Spaceship Earth (Matt Wolf, 2020) The Go-Go's (Alison Ellwood, 2020) First Cow (Kelly Reichardt, 2019) Light of My Life (Casey Affleck, 2019) Wadjda (Haifaa al-Mansour, 2012) Spinster (Andrea Dorfman, 2020) Love and Anarchy (Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..., Lina Wertmüller, 1973) Shapito Show (Шапито шоу, Sergey Loban, 2011) Charade (Stanley Donen, 1693) Cat People (Jacques Tourneur, 1942) Radioactive (Marjane Satrapi, 2019) Tabloid (Errol Morris, 2010) The Mourning Forest ( 殯の森, Mogari No Mori, Naomi Kawase, 2007) Lilya 4-ever (Lilja 4-ever, Lukas Moodysson, 2002)

September

The Nightingale (Jennifer Kent, 2018) Babyteeth (Shannon Murphy, 2019) Let the Corpses Tan (Laissez bronzer les cadavres, Hélène Cattet & Bruno Forzani, 2017) Wings of Desire (Der Himmel über Berlin, Wim Wenders, 1987) In My Room (Mati Diop, 2020) Katalin Varga (Peter Strickland, 2009) Les 3 Boutons (Agnès Varda, 2015) Somebody (Miranda July, 2014) Öndög (Wang Quan'an, 2019) Strasbourg 1518 (Jonathan Glazer, 2020) Mermaid (Русалка, Anna Melikyan, 2007) The Lighthouse (Маяк, Maria Saakyan, 2006) Phenomena (Dario Argento, 1985) That One Day (Crystal Moselle, 2016) Brigitte (Lynne Ramsay, 2019) The Wedding Singer's Daughter (Haifaa al-Mansour, 2018) Shako Mako (Hailey Gates, 2019) Carmen (Chloë Sevigny, 2017) The Summer of Sangailė (Sangailės Vasara, Alanté Kavaïté, 2015) Hello Apartment (Dakota Fanning, 2018) Seed (Naomi Kawase, 2016) Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019) Matthias & Maxime (Xavier Dolan, 2019) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000)

October

American Murder (Jenny Popplewell, 2020) Hereditary (Ari Aster, 2018) Ghostland (Pascal Laugier, 2018) Triangle (Christopher Smith, 2009) The Amityville Horror (Stuart Rosenberg, 1979) The Visit (M. Night Shyamalan, 2015) The House of the Devil (Ti West, 2009) Misery (Rob Reiner, 1990) The Exorcist (William Friedkin, 1973) Coherence (James Ward Byrkit, 2013) Metamorphosis (변신, Kim Hong-sun, 2019) Errementari (Paul Urkijo Alijo, 2017) I Am a Ghost (H.P. Mendoza,2012) The Changeling (Peter Medak, 1980) Witching and Bitching (Las Brujas de Zugarramurdi, Álex de la Iglesia, 2013) Thirst (박쥐, Park Chan-wook, 2009) V/H/S ( Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, 2012) The Autopsy of Jane Doe (André Øvredal, 2016) Overlord (Julius Avery, 2018) Häxan (Benjamin Christensen, 1922) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967) Amulet (Romola Garai, 2020) A Bucket of Blood (Roger Corman, 1959) The Wasp Woman (Roger Corman, 1959) Mother! (Darren Aronofsky, 2017) Suspiria (Dario Argento, 1977) The Open House (Matt Angel, Suzanne Coote, 2018)

November

The Damned Don't Cry (Vincent Sherman, 1950) Notorious (Alfred Hitchcock, 1946) While the City Sleeps (Fritz Lang, 1956) The Man Who Wasn't There (Joel Coen, 2001) The Naked City (Jules Dassin, 1948) The Petrified Forest (Archie Mayo, 1936) Croupier (Mike Hodges, 1998) In a Lonely Place (Nicholas Ray, 1950) Elevator to the Gallows (Ascenseur pour l'échafaud, Louis Malle, 1958) Key Largo (John Huston, 1948) Dial M for Murder (Alfred Hitchcock, 1954) The Long Farewell (Долгие проводы, Kira Muratova, 1971) The Killers (Robert Siodmak, 1946) Gun Crazy (Joseph H. Lewis, 1950) Alphaville (Jean-Luc Godard, 1965) Laura (Otto Preminger, 1944) The Third Man (Carol Reed, 1949) Dark City (Alex Proyas, 1998) Night and the City (Jules Dassin, 1950) Ace in the Hole (Billy Wilder, 1951)

December

Nimic (Yorgos Lanthimos, 2020) Elsa la rose (Agnès Varda, 1966) Le Bonheur (Agnès Varda, 1965) Little Girl (Petite Fille, Sébastien Lifshitz, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald ou (Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013) Zootopia (Byron Howard, Rich Moore, 2016) It's a Wonderful Life (Frank Capra, 1946) Paddington (Paul King, 2014) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018) Paddington 2 (Paul King, 2017)

[eitmonline]

EITM Playlist 3/15/21

KISS - Detroit Rock City | 5:39

H.E.R. - I Can’t Breathe | 6:08

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A post shared by H.E.R. (@hermusicofficial)

Bob Dylan - Subterranean Homesick Blues | 6:26

KISS - God Of Thunder | 6:31

Drake - Started From The Bottom | 6:59

Billie Eilish - everything i wanted | 7:27

Megan The Stallion ft. Beyoncé - Savage (Remix) | 7:46

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A post shared by TINA SNOW (@theestallion)

KISS - Shout It Out Loud | 7:52

Kenny Chesney - Knowing You | 8:21

Jazmine Sullivan - Pick Up Your Feelings | 8:53

Taylor Swift - august | 9:19

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A post shared by Taylor Swift (@taylorswift)

Elvis Presley - Suspicious Minds | 9:41

KISS - Beth | 9:45

Zak Abel - Be Kind | 10:14

KISS - Do You Love Me | 10:34

[skowhegan]

Claudia Bitran (‘14), Amy Brener (’11), Julia Brown (’06), Melissa Brown (’00), Christopher Chiappa (’97), Angela Dufresne (F ‘17), Jonathan Ehrenberg (A ‘11) and Sean McCarthy, Dana Frankfort (’97), Adam Henry (’05), Janelle Iglesias (’09), Vera Iliatova (’04), Meredith James (’11), Chelsea Knight (’08), Florian Meisenberg (’09) and Anna K.E., Ander Mikalson (’12), Shana Moulton (’04), Bridget Mullen (’16), Andrew Ross (’11), Royal Osiris Karaoke Ensemble (’14), Gabriela Salazar (’11), Lui Shtini (’07), Zak Smith (’98), Jennifer Sullivan (’11), Letha Wilson (’09), Bryan Zanisnik (’08), and others AXxoN N.: A Collective Commentary on David Lynch’s Inland Empire Essex Flowers In The Back Space 19 Monroe Street, NYC February 10 – March 10, 2019 Opening Reception: Sunday, February 10, 6-8pm