#your past and his present

[theheightofdishonor]

this being hinata's response to the bathroom encounter is insane to me, like it's a joke I shouldn't read into it, obvi hinata knows kageyama didn't cry and wouldn't ask this if he did but like I think it kinda shows that he's aware that even though kageyama was p chill on the outside that there's some heavy history between him and kindaichi

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[ash-and-starlight]

one day, in a thousand years

[abyssal-ilk]

thinking so so hard about vivienne's defensive reactions to dorian and cassandra trying (and failing) to comfort her over bastien's passing. chewing on it. thinking about her inability to talk about bastien, even to an inquisitor when the player tries to talk to her about him.

and then her banter with blackwall, who is one of the companions she has a mostly negative dynamic with, yet it is him and not dorian or cassandra that she responds kindly to.

blackwall doesn't dance around it or try to lessen the blow of bringing it up like dorian and cassandra do, and i think she appreciates that directness. she still doesn't open herself up to him, though. she is so,,, agh

[rexecutioner]

Sorry ive been so inactive recently, I have a life that I needed to get back to for a bit! I am returning with a new hyperfixation (i am seven years late)

I drew me and my friend’s favorite characters in a silly artstyle!! We are going through the game together and we are almost done with Chapter Four (i am so scared) (ignore how tiny Rantaro’s head is) (i rant in the tags beware)

[abnomi]

PSYCHOANALYSIS ON CHARACTER PASTS IN WRECK IT RALPH!!!!!!!!!!!!!!1!

ok... so you know how some characters were never given a backstory to play off of? (like Turbo for example)

i dont know for certain the psychological impact that not having a past could have on video game characters (or if they would even care), but what i do know is that it is objectively damaging to not have anything that came beforehand to work with.

imagine being tossed into a world, have whatever code implanted into your brain tell you specifically what you need to do, not have any choice in the matter, and then be forced to go from there. whether or not the individual believes they need a past is irrelevant; they lack one, regardless.

the psychological differences between video game characters with a past and those without come into question... are those who have a solidified memory of who they were before more or less susceptible to growth over time? or are they both intrinsically equal? maybe it depends on who it is, what game theyre from. some could thrive off of the idea of not being latched onto a past that was chosen for them, while others could long for at least some semblance of an in-between.

all things considered, it would be significantly more difficult to have a broad understanding of emotions when you aren't granted access to the same grace that those with a "before" may have. without any memories, you'd have to rely on your external surroundings to achieve any kind of development; a noticeable contrast to those who already have at least some internal understanding of themselves that came with their programming.

characters who begin their life with a clean slate may be bound to being more actively involved with the world around them because it's how they have to learn. if they don't, they're going to get stuck in the same mindset for an indiscernible amount of time until some kind of external force pulls them out of it. they don't have knowledge of their initial life; all they have is the current moment.

a big factor that correlates with all of this is the psychology of nature vs nurture. in short, "nature" is the deterministic aspect of genetics (or in this case, code) influencing who one may be, while "nurture" is how one's development is influenced by the role that one's surroundings might play. in humans, we experience both of these; they go hand-in-hand. in the WiR universe, however, it's not always guaranteed that a character will have a chance at having both at once.

those with a past get both nature and nurture, bundled into one package. however, those without are only presented with nurture, tossed into a world and expected to move on from there (maybe with a faint sprinkle of nature, but not anything that goes beyond an implication of what their life was like before spawning in). they have limited options compared to the ones who don't have to start off on a blank slate.

something else to keep in mind is how without the presence of a past, there will be far more variations between the same character across different locations. without any code telling them who they used to be, they will learn about who they are through their environment and go from there. of course, no single character will be the exact same, but code largely determines the mindset of a character and how they process the world around them.

in Turbo's case, i personally think it wouldn't matter a whole lot to him because of its irrelevance to his main concerns, but it undeniably had a strong hold over his behavioral development as an individual; he is very immature. he had no foundation to start off with... well, other than the message that was branded into his mind, dictating every decision that he has ever made: he has to win.

he acted like a child when he first came around because, in a sense, he was one (not literally HAHA, i think of him as in his late 30s). his game was plugged in for about five years before he had the biggest tantrum of his life, and keeping in mind how game characters are technically immortal until the moment they're unplugged (unless they die in another game before then), this really wasn't that much time in the grand scheme of things. it was hardly anything at all.

without a healthy outlet to process his feelings, coupled with an unnerving lack of life experience beforehand, of course he'd lash out a lot! of course he'd be overwhelmed by his own emotions to the point of not knowing what to do with himself!

that doesn't excuse his behavior at all, as he did have opportunities to change for the better or learn from his mistakes, but he chose not to. he was too stubborn for his own good.

maybe part of the reason he's so hellbent on being the best is not only because it's lodged into his code to feel that way, but also because it would feel like betraying what little personality he was coded with to go against it. yes, he's never been too keen on the idea of having anything or anyone tell him what to do, but consider this: he's clinging to his own identity, protecting what small fragments he was given and holding onto them for dear life. he doesnt have a past; he has goals, and losing said goals would be losing himself and the footing he has on his own identity. he's defined by succeeding, and he refuses to let this go. this is more headcanon-territory but it is fun to explore concepts like these!!! bro is internally empty.......

Felix has a past, yes, but it's vague and uncertain. he had a father, but does he even know what the man looked like? who he was beyond a name and an heirloom?

notice how it took thirty years for the handyman to shift his perspective on who Ralph was as a person. this could likely both be a product of the nicelanders and himself all being programmed with the belief that "Ralph is a bad guy," thus internalizing it, combined with the external influence and pressure Felix upheld being the good guy. (EDIT (LOL!!!!!): i know felix doesnt hate ralph but constantly being surrounded by everyones fear of him would have at least made him cautious about interacting with him)

his younger years have no hold on how he makes decisions, especially considering how absent said years are. his code only hints at the idea of a father, alongside the foundational belief that he is good.

his lack of a clear upbringing contributed even more to his sheltered persona, oblivious to the hardships that everyone else might face. combine this with how every NPC he surrounded himself with never dared to criticize him, he was prone to experience stunted empathetic development. he was never a bad guy by any means, but his lack of exposure to difficult situations did not fare well for his psyche.

that isn't to say he hadn't ever been in any difficult situations before. the roadblasters incident absolutely shook him to his core and likely cut deep into him, as he hadn't ever experienced anything similar to it before. without a fleshed-out past, he didn't have a bright idea of what hardships might linger just beneath the surface.

to his credit, he has changed for the better, now having more awareness of how others feel and function outside of himself. he makes sure to treat everyone with equal amounts of dignity, regardless of any preconceived notions he might have. :-]

when it comes to Calhoun, her experiences shape her significantly, directly being the cause of her hypervigilant and instinctual nature. it can't be ignored that she suffers from PTSD due to how her character's life was mapped. this demonstrates that having knowledge of who one was before isn't always necessarily a wholly good thing. not to say that her condition makes her broken in any way! it just brings difficulty into her life that wouldn't have been present otherwise.

there is some goodness that can be brought to the surface from this; just as it isn't completely good, it isn't completely bad, either. on the opposite end of the coin, she knows how to keep herself and others safe. if it weren't for her predetermined past, she'd potentially face more struggles on the battlefield.

not only that, but it helps us, as the audience, empathize with her character, along with Felix. we learn that she isn't simply intense and nothing beyond that; she's just been through a lot. on top of all of this, she is very emotionally mature and understands how to push through horrific situations, especially when necessary. it is her job to do so, after all!

Calhoun's heavy experiences may be part of her character's mold, but they do not define who she is. a past only steers a character in an approximate direction; it does not 100% determine how they grow from there. we directly see evidence of this when she moves forward and marries Felix :-]

and then there's Vanellope :-] she did have a past, but it was ripped away from her. how does she cope with this? by defining herself and becoming her own person, unrestricted by her code. she didn't start off as a princess, she started off as Vanellope.

even when she had the chance to reclaim her status as princess, she didn't, instead choosing to stick with the version of herself that she passionately created. there's a great chance that she wouldn't be the silly little booger we all know and love if it weren't for her time to think about who she was and who she wanted to be; the omission of her past was a significant contributor in how she now presents herself, unconfined to how she is apparently "supposed" to be. she has more room to choose for herself.

she doesn't let anyone else tell her who she is, holding her handcrafted identity with pride. her eccentricity is nowhere near a flaw, making itself known as a strength. her perspective of the world is unique to her and allows her to emotionally connect on a deep level with Ralph.

one doesn't need to be tied to a past to be a person. it doesnt put any more or less weight on anyone's worth, and we see this as clear as day with her character! starting off with nothing, she grew into her own skin and found her sense of self all by herself without the guidance of anyone else. i am so proud of her. i love my baby ok

above all else, having a past isn't a surefire way to predict how one may develop; it is only an aspect of who someone is. an important aspect, yes, but there are many other things to consider in the sea of personalities and experiences...

the biggest difference between having one and lacking one is ultimately how an individual character might go about how they change over time and how long said progression might take. the past is only a starting point; a pre-written map without a marked destination created in order to provide a basic concept of who exactly one was earlier on. being left without one leaves some with a need for more effort to figure life out, and this distinction will affect everyone in many different ways. at the end of the day, though, a map is just a map. the road itself is what matters most 👍

[astralleywright]

there's nothing orym would ask of the other hells that he wouldn't do himself, which is sort of the problem, really

[chirpsythismorning]

S5 opener REAL

[save-the-villainous-cat]

Hii, I'm here to drop a request~

Okay so, i have a thing for self-distrustive characters. Here's the idea: give me a self-harming hero who is too weak to act on it alone and willingly surrenders themselves to villain assuming (hoping maybe) they would torture them for information. Villain tho reluctant, doesn't hesitate to hurt the hero not too seriously tho. But for our self distrustive hero whatever the villain is doing is not enough to make them feel the relief they're seeking so~ let it slip out. Let them thoughtlessly cry out for more. And then give me a shocked villain. A concerned, regretful and lastly caring enough to treat their wounds villain. Give me an unresponsive to the villain's treatment hero. If you'd like to ass anything feel free <3

Much love to you friend, stay hydrated, we love you ~<33

It wasn’t like it didn’t hurt. 

It just didn’t hurt enough. That’s why the hoarse please had slipped from their tongue. And it was why the weak more followed. Judging from their actions, the villain hadn’t heard it right away but when the hero cried harder, the villain’s hands came to a stop. 

They’d broken three fingers, not to mention the shattered ankle. What had happened to their ankle had felt just but once the villain had moved on to their fingers, the hero had secretly begging them to break harder bones, like their collarbone or maybe even their ulna. It was sick, they knew it in their heart. It was maniacal and disturbing to feel like this.

Heroes were supposed to save people, even if their own well-being came in last. Saving themselves counted too.

The villain let go of their hand, eyes darting between the hero’s.

“What did you just say to me?” The villain’s hands went through the hero’s hair, getting a full grip of them, pulling them up.

The hero thought about their broken ankle. About how they wouldn’t be able to walk for weeks, maybe even a few months…? They always concentrated on the pain, rather than the period it took place in. By the time old pain faded, the hero always managed to get themselves into new trouble.

Letting injuries heal had never been an option. The villain let go of them.

It was hard. It was hard to lie there and accept their defeat, the fact that the villain had found out about their secret and more importantly, that they had stopped bruising the hero.

“Please,” the hero sobbed. “I can’t do this anymore.”

Their nose was running and their tears gathered together, falling down their cheeks like raindrops from the sky. Breathing was hard, their lungs felt frail from these past months and the world came crashing down around them.

When their sobs echoed from the walls, they felt truly defeated, humiliated, and the pain wasn’t enough to forget that. 

For a moment, nothing happened. Neither of them said anything. All that was left in the room were the villain’s questions and the quiet sobs the hero made. Feeling overwhelmed by the horribleness of it all, the hero rolled themselves into a little ball, crying into their torn sleeve. They were ready for everything. Ready to die, ready to be bled, to be beaten, anything.

“Hey, easy there.” Once again, the villain combed their fingers through the hero’s hair but this time it was much more gentle and softer, leaving the hero with the taste of bile on their tongue. They braced themselves for new pain, impatiently waiting for the lashing out and the violent actions but nothing of that sort came. Quite the opposite: the villain scratched their scalp softly. 

“Darling, what happened to you?” Their nails scraped across the hero’s skin, taking their time. It was oddly comfortable. Even though their muscles ached, they looked up at the villain crouching above them. 

“Please,” the hero begged again. “Please hurt me.”

The villain was silent, biting their inner cheek as if they were considering it. But when they answered with a tender “no,” all hopes the hero had were crushed. 

“Please.”

“You’re a mess. Hurting you seems to be what you want. I don’t want to give you what you want,” they explained. They wiped away a tear.  “Don’t mistake this for compassion. This is me controlling your desires. This is me taunting you.” 

They pulled the hero who had exhausted themselves and was completely defenceless into their arms. 

“And this is me wanting information. Why did you say that?” They held them close and embarrassingly enough, it dawned on the hero how touch-starved they were.

“I am so alone,” they whispered. They mumbled the words, not even believing their own mouth for saying it. No one was supposed to hear this.  “I am so alone.”

They started sobbing again. It was hopeless. The villain was the only comfort they had — even now that they weren’t hurting them.

“You will never be alone with me,” the villain said carefully. “I’ll make sure of that. Now, come on. Let’s treat your wounds.”

In all honesty, the hero had never done that. They weren’t sure if there were rules to it.

“If this is you taunting me,” the hero said, “then why do you want to treat my wounds?”

The villain gave them a grim look that didn’t leave room for protest.

“I’m asking the questions, not you.”

[upontherisers]

in the cold spring

a/n: i'm in a writing mood recently! disclaimer: i haven't read mota or on a wing and a prayer yet so i do not know anything about jack kidd's life beside what is available on the 100th bomb group's website, so consider some details ~exaggerated for dramatic effect~. title is from ml burch's "i feel like giving you things" and this fic is about neither the cold or the spring, but it fits.

Goddamn Air Exec. 

Jack says goddamn Air Exec from the moment Bucky tells him that Hughlin recommended him, through two rounds of meetings with Harding—call me Chick—and Bowman—call me Red, through moving into the ops barracks, through shaking a thousand hands, and through getting a desk. Goddamn Air Exec. Goddamn Egan, goddamn Hughlin, and goddamn Air Exec.

His crew, his fort, and his dignity all because Bucky purposely flunked out of the tower. And Buck vouched for him! Goddamn Cleven and goddamn Air Exec. All of his training out the window for a desk in a corner office. He can’t even see the runway through the blinds, just the backroads of East Anglia and occasionally the Land Army girls and their cows. Five hundred hours of flight school for a desk in a corner office and a secretary.

“A secretary?” he asks as Harding points at a small station outside Jack’s newly-labeled office.

Chick nods. “Yes, Lieutenant Keene.” He looks around the busy floor, eventually settling on who he’s searching for. “There she is… Hazel!”

A head pops up from the mass of moving bodies and paper and a woman quickly makes her way across the room, weaving through the crowd with practiced ease. As she approaches, she’s smiling with a brightness that goes all the way to her warm, round brown eyes, hand outstretched for another yet another handshake. Goddamn Air Exec, but he’s less bitter about it.

“Jack, I assume you’ve met Lieutenant Keene—”

“Hazel, I insist.” Her grip is firm and as warm as her eyes.

They met the few times when he had to go to Bucky’s office—his office now—and she was waiting at her station outside. He remembers her as polite but busy, inoffensively curt. Not one of the staff who blathers away, overly chipper and overly interested in the reason for his visit, but also not one of the ones who snaps at him to sit and wait and then ignores him like he’s the reason they’re losing the war. Hazel’s friendly and effective, a good temperament for a C.O. He wonders why she’s in here and not up in the air.

“Good to see you again.”

“Thank you, sir.”

“Jack, I insist.”

Her smile widens just so, and he has a feeling that they’re going to work well together.

She turns to Chick and nods to where she came from. “Last of the after actions for the 418th—” Jack pretends that doesn't hurt to hear. He should’ve been up there with his boys. Goddamn Air Exec. “—I’ll have ���em to Sheila in fifteen, and I’ll be at my desk after that, in case you need anythin’.”

It takes him a moment to realize she’s speaking to him, and he mumbles an ‘of course’ at his shoes. He’s a man who gets waited on now; it would take some time to get used to. She departs with another smile and heads back into the fray.

As Chick leads Jack around the rest of the space, showing him charts and maps and a million other semi-familiar faces, he remains acutely aware of Hazel. She’s speaking to a WAC as they go over some maps, marking here and there, her encouraging smile no doubt prompting stellar work from the younger girl. He’s reminded of Ev, the way his friend’s genial countenance can turn a boring day kicking around the hard stand into a respite and a rough flight home from a mission into a night at a comedy club.

Then he misses his friends—Ev, Dougie, Crosby and the man the navigator has become since getting kicked off of the Crash Wagon. He misses hearing DeMarco and Cleven bicker as they climb into their fort, that damn dog never far behind as Lemmons likes to sneak him out onto the hard stand. He misses the feeling of sitting in his seat and the controls roaring to life under his fingers as he hears his crew get ready at their guns. He misses looking out the window to see Ginny settling into her cockpit to his right, grinning like it’s Christmas morning and popping her gum into her headset receiver to set off Knick Knack at her navigator’s seat.

He even misses Bucky and his plane-to-plane chatter, always vigilant, always watching out for his squadron, his group, and the rest of the wing. He misses the man Bucky can be in the air as opposed to the faux-apologetic fast-talker that landed Jack at a desk in the first place. Goddamn Air Exec.

But then he comes back to Hazel and the scrunch of her nose as she stretches her arms above her head with a yawn. She slumps back onto the desk she’s sitting on, looking around the room curiously before meeting Jack’s eyes and nodding. He nods back before Chick drags him off to some new wonder.

She’s at her desk in fifteen minutes like she told him she would be and sticks her head into his office with a smile. She smiles a lot. “I’m back. Holler if you need anything.”

By the time he can look up from the file he’s puzzling over, she breezes back to her desk and immediately busies herself at her typewriter.

He doesn’t know what to do with her. The other C.O.’s have their secretaries do the standard—take memos, keep their schedules, make coffees—but that seems insulting. She’s here to win a war; he wasn’t going to send her scrambling for sugar. On the other hand, it’s insulting not to utilize her, as sharp and reliable as she is. His father would find her a task and a ring, which he had with his last three secretaries. Jack had no intention of using his rank like that. He’ll find something for Hazel to do. It just has to be the right thing.

And he searches for too long, it seems, because after three days of greeting her when he arrives in the morning and occasionally asking her where certain stationery was stored, she steps into his office post-lunch and plops down in the chair in front of his desk with a sigh. Her eyebrows raise and she wears a bemused smile as she folds her hands in her lap. She reminds him of Bucky for a moment.

“Was it something I said?”

He shakes his head. He’d been hoping she wouldn’t notice his lack of engagement, or perhaps would lean into not having much on her plate. “I’ve never had a secretary before.”

“Most men haven’t.” She leans forward and starts picking at a chip in the wood of his desk. “Your job is my job, too.”

“You seem busy enough.” She does. Every time he looks out into the hall, she’s up to something, whether it’s at her desk, in the filing cabinets along the walls behind her, or somewhere on the ops floor. She knows what she’s doing; he’s the one who’s lost.

Her mouth purses. “Not for long. I’ll be done with the backlog Bucky left by EOD.”

“I’m sorry he left so much—”

Her exaggerated eye roll surprises him. “That’s the point, Jack. It’s too much work for any one man.”

Goddamn Air Exec.

“But that’s why you got me. We’re a team… so,” she raps his desk twice, “put me in, Coach.”

He wants to say something, to have an important Air Exec order or some example for her to follow, but as he looks into her expectant face, he comes up short. He hasn’t eaten yet today, but he’d shoot himself in the foot before he ever made her go to the mess for him. She reads him like a book, which only further rankles his sense of command.

“Well, what’s all this?” She spreads her hands over the papers in front of her.

“Interrogation logs, new crew files—” He points at a pile Chick’s aide had delivered that morning. “I need to get those back to Harding as soon as I sign them.”

“Sign ‘em now and I’ll run ‘em over.”

“No.” This is exactly what he’s been avoiding, assigning her utter tedium. 

She pushes the papers toward him. “C’mon.”

He blinks at her before opening the file. It’s some report or inventory request, or both or neither, which he has no idea why he has to sign, but he’ll do it because that’s job along with waiting around and going to briefings and briefings about briefings. Not even a week in and he was ready to crawl out of his skin or at least out the window. Chick denied both his requests to fly so he’s truly stuck in this office for who knows how long. Goddamn Air Exec.

Two signatures, three, four, five—Hazel points to hidden dotted lines, flipping through the pages without a second glance, and Jack can’t help but feel like she’s tying his shoes. That probably flew with Bucky, but it wouldn’t with him. They gave him the promotion because they knew he could do the job well and he agreed. This is something he could be good at. A team of subordinates was a perk of the job, expected for a man of such a station, and he’s grateful that folks were will to help out, but he’d grown up watching secretaries turn from aides to mother-wives and he doesn’t want that for anyone, especially a gal as nice as Hazel. He’ll find something for her to do.

He signs the last page and closes the file as Hazel stands, hand outstretched. Pausing for a moment, he doesn’t pass it over quite yet. “I don’t want you being my errand girl.”

She reaches across the desk and plucks the file from him. “It’s my job.”

She turns on a graceful heel and heads out across the floor, making it to Harding’s office and back before he could find it in him to stop staring at her confident, unaffronted gait. Bright laughter—the brightest he’s ever heard—bubbles out of her as she tucks her skirt under her thighs and takes a seat at her desk.

“You could’ve signed three more reports in the time that took me. Now I’m gonna have to wait for you.” She tsked. “Wastin’ both our time.”

She’s tying his shoes again and that lights a fire under his ass for the rest of the day. He clears the files that had accumulated on his desk plus two rounds of parts inventory from the hard stand and he gets a memo off to London requesting more birds. He feels satisfied by the time he flicks off the light and gathers his jacket and coat. It sure wasn’t flying, but it felt like making a difference all the time. He didn’t know he could do that from behind a desk.

It takes some soul-searching, but he manages to light his own fire for the rest of the week. He maintains his composure through the worst of it, a long fog delay that had half his pilots climbing into the tower to beg him for clearance, a ‘misplaced’ delivery of Mae Wests that somehow ended up with the 418th before they came to ops, and another declined request to fly from Harding. Goddamn Air Exec. 

The job gets easier each day, especially with Hazel right outside the door. It does feel more like a team than subordination as they move around each other, trading reports and memos without having to speak. Still, she’s a few steps ahead of him—coming through the door before he can call her to pick up a file, finding this or that form before he can realize he’s misplaced it—but he’s determined to catch up. He comes in early on Saturday and has the summarized after action reports in Chick’s office before Hazel’s arrived for the day. It’s a good feeling when her eyes go wide in surprise and her cheery mouth finds its usual smile.

“Well, I suppose we’re even now.”

“No,” he shakes his head, “not even close.”

If they’re really going to be a team, he’s going to even the playing field. No more having her play governess. Neither of them are here to clean up after someone else.

That evening, Hazel is leaning into Chick’s doorway as Jack leaves for the day, chatting with Sheila. 

He mumbles a ‘pardon me’ as he passes and her face lifts at the sight of him. “Major Kidd! We were just talkin’ about you.”

“You were?” he asks as they fall into lockstep on their way out. 

“We were sayin’ how nice it is to have an Air Exec who knows what he’s doin’.”

“Bucky tried his best.” He’s lying.

She knows it and she snorts. “He was fun to have around, certainly.”

It’s quiet as they walk. The flights have stopped for the day and if he strains his ears he’d be able to hear the crews working away on the hard stand, but there’s no need for that now. That’s another thing he’s learning—when he’s doing the job and when he’s not. With the warm evening air and the blazing sunset in front of them, he’s grateful for the time off the clock.

He looks at Hazel and is struck by the sight. The light washes her dark cherrywood skin in a velvet glow, sending shadows of her lashes and her nose across her face. He’s suddenly jealous of Bucky and he doesn't know why. She catches his eye and smiles. Blanching, he clears his throat and stares at the ground. His boots are the cleanest they’ve been since he’s been in England now that he’s out of the grease and dust of the planes. Goddamn Air Exec.

They’re nearly at the ops barracks when he realizes that he doesn’t know where she’s going. Does she live in the barracks? Is she one of the girls who’s at a billet in town? Why doesn’t he know? Shouldn’t he know? She’s never in the mess and is so rarely at the Silver Wings. He wonders what she does with her time. He realizes he doesn’t know much about her at all, not her hometown, her family, where she was before the Air Force. The Oberlin pennant on the wall in his office had prompted her to ask into his life, but that’s because she’s always where he is, but he’s never where she is. He wants to be.

“Where’re you headed?”

She comes to a stop. “Home.”

“Where’s that?”

Her wry smile makes his heart skip a beat as she turns down the path leading toward the enlisted barracks. “Good evening, Major.” She never calls him that.

“Some of us’ll be at the pub tonight—Chick, Red, Bucky… it’d be good to see you.” He takes a half-step toward her so as not to yell the offer, maybe she’ll take it if he’s gentle. Part of him hopes she’ll say yes. He wants time with her outside of keeping the group on its feet, just an hour to hear her laugh, to ask her where she gets that charming accent from, to ask her for a dance. Part of him hopes she’ll give him one more good smile and walk away, that she’ll remind him there are rules, lines to be maintained. He’s not going to become his father.

“Good evening,” she repeats and he watches her go. He doesn’t have time to dwell on the ache in his chest as Cros yells at him from across the way. He’ll have his night and she’ll have hers.

He’s not sure if he should apologize for being out of turn when he sees her next, clear the air and make it clear that he’s not… he isn’t going to be that man. He reasons to himself that wants to know her as a teammate, in the same way he’d come to know the members of his crew. It’s what any good leader does. There’s a short speech ready to go when he enters HQ Monday morning after seeing the forts off.

She greets him as politely as she always has, but he gets the feeling he probably wouldn’t be able to tell if she’s upset. Her cards are meticulously close to her chest while she learns about the people around her. It’d be a good quality in a C.O. He thinks of all the women he’d just sent to Norway—Ginny, Vera, Amelie, Suzanne. Hazel would fit right in.

There’s a small box on his desk, no sender address upon investigation. “Hazel?”

“Yeah?” she asks as she gets up from her desk.

“Do you know who this is from?” He’s popping open one end with his letter opener.

“Oh, well,” she starts, folding her arms and leaning against the doorframe, “it’s from my momma” Her inflection is that of an embarrassed and entertained daughter. 

A swath of white silk flutters to the floor and he picks it up. It’s a scarf decorated with rows of small and large flowers. From… from her mother?

“I—I, uh, I wrote her about you and she insisted on sending it. Bucky got one, too, when he started.”

He couldn’t recall Bucky ever wearing a scarf. “What’d he do with it?”

She scoffs. “God knows. I don’t think he remembers getting it. It was one of his… one of his mornings.”

“Hungover?”

“Still drunk.”

Closing distance, she takes the scarf from him gently and tosses it around his shoulders. She’s so near now as she starts tying it and he can look at her while she concentrates, her eyes glittering with that hope that never seems to fade. Does her mother have the same eyes? The same round apples of her cheeks, the lovely point of her chin? And her perfume, the faint hint of roses he occasionally gets during the day now in full force as she works. He feels flush and he doesn’t know what to do with his hands or where to put his eyes or what to say. A woman who’d only heard about him in letters sent her daughter to war and is sending him beautiful scarves. That’s the kind of woman who would raise Hazel.

“I always tell her that this is unnecessary, that y’all have mommas of your own to fuss over ya,” she says as she adjusts the knot at his neck and smoothes her hands over his shoulders.

“I—I don’t,” he stammers out. 

Her eyes widen and he hates the kick in his chest. “Oh, I’m—I’m so sorry, Jack, I had no idea.”

He waves her off but can’t quite find the words. There’s a yearning suddenly, one he left in the dark years ago, and he doesn’t know what’ll come out if he tries to name it. Hazel puts a comforting hand on his arm and looks at him sympathetically. “Well, I’ll tell my momma to keep sending scarves… only if—if you wouldn’t mind.”

“I could use a few more of these,” he says, glancing down at the knot at his neck. He probably looks ridiculous wearing it without the rest of his flight gear, but the accomplished smile on Hazel’s face is worth it. He’ll bear all the stares in the world if it keeps her smiling. 

She gives him one more once over before returning to her desk. “It’s a good color on you.”

“Matches my eyes?”

“Something like that.” She winks. 

His stomach flips; he thinks of his father and three weddings. 

“Oh,” she calls, “you can keep it on.”

He raises an interested eyebrow.

“The Telergma mission, you’re going. Chick sent authorization this morning.”

Three days later, Ev’s the only one who comments on Jack’s new gear after they finally get the all-clear for engine start.

“That from Franny?” his co-pilot asks. It’s a good guess; his sister would send something like it. 

“Lieutenant Keene’s mother sent it.”

Ev scoffs with a shake of his head. “Your secretary’s mother is sending you scarves? Goddamn Air Exec.”

Yeah, Jack thinks, smirking out the window and sitting a little taller. Goddamn Air Exec.

[theheightofdishonor]

the kindaichi/kunimi/kageyama/hinata dynamic is still one of my absolute favorite, most compelling dynamics in the entire show, like I could live in their post-practice match confrontation forever

ive most definitely said this before but imagine being kindaichi and witnessing how much kageyama caters to hinata lmao. I do not blame this kid at all for like the sheer dumbfoundedness and indignation because to him, it must've seriously looked like kageyama had some kind of personality implant

[akkivee]

ALL THE ADULTS IN ICHIROS LIFE ARE A BUNCH OF BUM FCKS THERE I SAID IT I NEED EACH AND EVERY SINGLE ADULT TO GET AWAY FROM HIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIMM

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[ardentpoop]

[little-shadow-club]

SL Rag spoilers below

just another Haein ramble post don mind me.

Look man I love Haein as much as the next person but I feel like, even with the new content of her coming out (from SL Rag to Arise to the anime) she's still lacking in something of her character. And, as I began to look more into her I kinda saw that the main culprit of her characterization is that: She is perfect.

Too perfect, I mean she holds no flaws or anything that can set her aside from the rest (and no being an s rank and female doesn't automatically make her different), and even if she does she doesnt hold them to the extent that other characters might have them, or she just has the same thoughts as anyone else. Her personality as well never clashes with the other hunters or is too different, especially from Jinwoo-- and okay yeah that's expected bc trophy wife trope and all that–  and in a sense I think this might derive from the fact that everyone wants her to still be stuck into this mold of “perfect wife + perfect mother” that doesn't have the same level of flaws as the rest. 

She wants a comfortable life, like Jinwoo, she trains constantly, like Chiyeol, she is not burdened by trauma unlike Juhee who leaves the story or Jinah who actively tries to stop his brother at one point from entering dungeons (and stopping the MC? Clashing due to real life precautions and worries? And expanding on that? No sir we don't do that). She is strong but not too strong to be a threat (in their first meeting maybe but then Jinwoo just levels up in the castle and then bam stronger than her again) just like… yeah everyone else lol. She fights Jinwoo at one point but it's not due to some difference in thinking or to stop him from something, rather Haein just wants to spend time with him. And yeah despite wanting a comfortable life, or so told so far, she is still placed in the spotlight during her idol years, and has to deal with the most supernatural shit going on in her life constantly. She might be strong but she is still a damsel in distress, and her olympic background… I mean it's there.

I like the implication that she might have been stressed about appearing perfect during her idol life, especially pressured to do great by the adults around her just as she was pressured to be a maintainer of peace when she was an S rank (friend’s death and all), but that… doesn't get anywhere, and I admit Haein hinted to being stressed was only in the date scene with Jinwoo, the rest was expanded by Arise and Rag, still, still its not treated as anything else except ‘oh she is so camery shy’ and ‘oh she just wants a normal life being a normal wife’ (mind you Jinwoo is there as well but he even he doesn't see a problem with that except for when the cameras are pointed at him to which he just makes all the photos look black) and not, idk, dwell on the amount of pressure she would have been faced in since she was a child, the failure of not meeting those expectations in her past life and wishing to meet them when she was given the chance to become an s rank hunter, or how all of that constant training might have affected her life and social ties with other children who werent as talented as her. Or maybe how Haein has had to constantly keep people at a distance due to her nose problems, plus her almost never appearing in the news (so it was said during her hunter years, bc she had signed a contract with Jongin for this to not happen i think) leading everyone to not get to know her as well as the rest of the other hunters who were practically seen as celebrities.

No? None of that? Not even tackling the fact that olympic athletes tend to suffer from burnout, eating disorders, depression, anxiety, or how traumatic the double dungeon must have been since it was the first time Haein, an S rank, had ever come so close to dying (as far as we know in the og sl), and it cant be backed away with saying ‘oh that would be too complex for the story!’ when we’ve seen Haein trying to challenge her fears against Beru during the Ahjin guild arc. 

It's also not needed for her to be so overly complex either, I was listing examples out of the many routes in which her story could be fleshed out more. She can have a small healing moment to herself or slowly unwrap the tolls of pressure she’s been under, and that would be enough, because tbh, she does deserve some time to breathe, as a character, as herself. For the most part she’s never alone, in every scene we see other she either is with someone (mostly a guy) or thinking about someone (90% Jinwoo), so seeing her outside of anyone’s interaction, seeing her go on about her daily life or her daily struggles, or seeing how Haein fixes her own situations without the reliance on others, that I think, would be more needed than ‘just more Haein scenes’ 

Arise has one scene which I like, her talking with Chiyeol after his double dungeon incident. Both characters definitely needed something like that in my part, 1) because it highlights Chiyeols maturity over the certain years he has been as a hunter, and 2) because it emphasizes Haein’s relationship with her teacher and how she’s not only learning to be skilled but also the pain that comes with losing your comrades afterwards.

And in Rag, though I find it way too absurd to the point that its funny that Haein has managed to protect an entire village, on her own, for the past 5 years, with daggers, in her 40s, no experience whatsoever in a fight unless it was also transferred alongside her memories, and also had no qualms in protecting the race of beasts that had once pose such a level of danger Jinwoo himself rewinded time itself— I do like her interactions with Sirka,  and it posses such an interesting dynamic to see considering she is one of the few humans who has managed to maintain a connection and lived alongside intelligent magic beasts like he elves (Suho being the other which is… interesting actually when you think about it considering Jinwoo is somewhat yes and not on the list). 

Again, she is so interesting in her own right, but the thing is that we never see her act alone or be solely in the spotlight, and don't get me wrong, this also goes from the other characters too. But with her I feel like too much of what she could be or experienced is brushed off too quickly or not given enough time to expand. 

So anyways, I will like to see where she might go off from here foward, especially in rag, and the anime.