#your comments made my week!

[thatartiststudios]

Due time for another fic update:

Chiron led them to a quiet corner of Camp Half-Blood, away from the curious eyes of the other campers. As they settled, a sense of shared uncertainty hung in the air. Callum, feeling a responsibility to explain, took a deep breath.

“We come from a place called Xadia,” he began, his voice wavering slightly as he tried to steady it. “It’s a world filled with magic, where humans, elves, and dragons coexist. Rayla and I are... different. She’s an elf, and I’m a human mage, which means I can do magic.” He paused, searching for the right words.

“But Xadia is not a part of any world you might know. It’s a mystical realm, a land of wonders and dangers.”

Rayla, her violet eyes uncertain, added, “Our world is divided, torn apart by ancient conflicts. But we come from a part of Xadia where different races try to live in harmony, despite the challenges.”

Piper, her eyes thoughtful, interjected, “I’ve heard of a few magical places that aren’t on regular maps, but Xadia... it’s something entirely new. Annabeth mentioned hidden realms and parallel worlds, but this is... incredible.”

Sadie, her natural curiosity piqued, asked, “Magic, elves, dragons... sounds like something out of a fantasy book.”

Callum nodded, offering a small smile. “It does, doesn’t it? But it’s real, in our world at least. Our arrival here is as much a mystery to us as it is to you.”

Carter, ever analytical, chimed in, “Could there be a connection between our worlds? Some sort of cosmic overlap?”

Callum shook his head. “We don’t know. Our journey here was unexpected and unexplained. One moment, we were in Xadia, and the next, we were falling through the rift.”

Rayla, her grip on Callum’s hand loosening slightly, said, “We’re lost, far from home and without a way back. But we’re not here to cause trouble. We just want to understand where we are and why this happened.”

Piper regarded them with a mix of sympathy and curiosity. “You’re not alone in being far from home,” she said softly, thinking of her own adventures beyond the mortal world. “We’ll help you figure this out, together.”

Chiron, his wise eyes filled with understanding, spoke up, sensing the newcomers’ need for clarity.

“Camp Half-Blood is a haven for demigods, people with powers like yourselves,” he began, his tone gentle yet authoritative.

“It’s a place where young individuals with divine parentage come to learn about their heritage, harness their powers, and stay safe from the monsters that hunt them in the outside world.”

He gestured toward the diverse structures of the camp around them. “Our camp is divided into different cabins, each representing one of the Olympian gods and goddesses of our world. Each demigod here is a child of one of these deities. We train, learn, and grow together, forming bonds that often last a lifetime.”

Piper, always attuned to emotions, added, “We’re a family, in a way. We understand each other in ways nobody else can. It’s not always easy, but it’s home.”

Chiron nodded in agreement. “Indeed, we are a family. And as a family, we help and protect one another. You will find friends here, people who understand the challenges you face and the uniqueness of your abilities.”

Callum, his curiosity piqued, asked, “Are there others like us here? From different worlds, I mean?”

Chiron’s expression softened. “Your arrival is unprecedented, but this camp has seen many extraordinary things over the centuries. We’ve welcomed demigods from various cultures, time periods, and even realms. Your presence, though surprising, is not unwelcome. We’ll do our part to assist you in understanding the situation as best we can.”

The camp fell into a hushed awe as the rift in the sky opened once more, releasing a small, disc-like hologram device that floated gently to the ground. Intrigued, the demigods and magicians, along with the newcomers from Xadia, gathered around the mysterious object. Among them was Leo Valdez, the skilled mechanic and member of the Argo II crew.

With a faint hum, the hologram projected an image of a man in a black suit and a white mask adorned with a spray-painted spade symbol over one eye hole. His voice echoed eerily, filling the air.

“Greetings, young heroes. I am The Collector, and I’ve selected you—Carter, Sadie, Piper, Jason, Callum, and Rayla—to participate in my next game.”

The campers exchanged puzzled glances, their curiosity mixing with a healthy dose of wariness.

The Collector continued, his tone cryptic yet commanding, “You will face three challenges, each in your respective domains, thus earning you a key. Once you have all three keys, you shall be rewarded for your hard work. Now, for your first clue: ‘The ruins of a city that once towered in the shadow of a great king’ in Egypt.”

Carter and Sadie exchanged a glance, recognizing the reference immediately.

“That’s Thebes,” Sadie said, her voice tinged with concern. “We’ve got to go there.”

A thoughtful expression crossed Jason’s face. “We can use the Argo II to get there quickly,” he suggested, looking at Leo. “But it might need some repairs first.”

Leo grinned, his excitement palpable. “No problemo! I’ll just need a bit of help, Jase. Let’s head to Bunker 9; I’ve got some tools and gadgets that can speed up the repairs.”

Next Part

Also for @booksandfairytales who enjoyed the last bit so much!

[sharkylass]

HAPPY HALLOWEEN!!!

(It's not belated what are you talking about-) With the spooky day I bring...

---------------------------------------

--------------------------------------- There's A LOT OF ART under the cut, however it's A LOT OF SPOILERS.

ESPECIALLY FOR THE ACT 6 ENCOUNTER/TWO HATS, EVERYTHING IN THIS POST IS DEPENDANT ON THE FACT YOU KNOW ABOUT THAT ENCOUNTER.

(The dandelions are frozen in time) (...) (You envy them, but you think that's sacrilege, so you move on.)

The gif takes forever to load, please bare with me-

ALRIGHT, LET ME INTRODUCE YOU TO ROBORO.

Roboro (it/they/he) is cold and calculative. It spent so long trying to get out of the loops, that a lot of their tact and bubbliness gave way to their cynicism and bluntness.

They exhibit more of their younger traits. Extreme smarts and avoidance. However, they still carries themselves tall, and aren't afraid to speak their mind. Most of the time, they simply choose not to.

The decision to make him cold and distant, rather then manic and erratic, actually came from Loop themselves. Loop is very actively trying to be the opposite of Siffrin. They act chatty and cruel because that's how far they've been driven, that's how they choose to hide themselves now.

Roboro is the same, in the sense that it's supposed to appear the very opposite of Isabeau.

"Why is it a Dandelion?"

From what I've seen, most people lean on the space idea for the guides, and I find that super neat-

But as an exercise (before this AU was even an IDEA in my mind-) I tried to design Mira, Odile and Isa as guides.

I tried the space theme, and felt really limited with it.

So instead I decided to design them based of ways to wish

Mira was a fire (candle)

Odile was a coin (throwing a coin in a fountain/well)

And Isabeau WAS in fact a dandelion (blowing on a dandelion)

And I guess that idea just stuck around in my brain until I got to making this au.

Their Dynamic With Isa

The two's dynamic isn't too dissimilar to Sif and Loop. Isa still tries to be his loud positive headstrong self, and Roboro sees past the bullshit, and grinds Isa's gears

(Fun fact for that second one: Roboro knew Isa wanted to be called "good boy" cause it probably would have wanted to hear it too-) As time goes on, the two learn to get along if only a little. Isa starts to appreciate the bluntness of Roboro, together with the helpful tips. Roboro meanwhile, seeing Isa's descent starts to feel a spark of empathy for the guy (which sucks for ACT 5 whoops.)

Silver Coin Equivalent

The equivalent is called "Lucky Pencil". Isa is a pretty superstitious guy, despite knowing better logically. So I thought he'd totally be the type to carry around a lucky charm of sorts!

(You recall.) (Before you lost yourself to time, you tried to become a defender.) (You got so tired of being the lone kid, the one people would not see, or think about.) (You were smart, but you were invisible.) (Sure, you were quiet, but you had good grades! You were getting by!) (Even your own family didn't think much of your solitude.) (And yet, you were so scared to open your mouth, to even answer questions you knew the answers to-) (It was hard. Suffocating even.) (When teachers started giving you good grades without you even having to try-) (Something had to change. You had to change.) (And you did! You became stronger, resilient, reliable. Became the very antithesis of what you used to be.) (Left everything you were behind.) (But it was worth it! You could finally!!! Talk!!! You could bring smiles to people's faces! They'd smile when you entered a room! And each time you felt pride. Pride in who you were.) (You tried talking with your family more, being more open, loud-) (They still didn't see you.) (Smart kids turned away, uble to face you, see their fears embodied. Fears that if they wanted to belong, they had to leave their brains for brawn.) (It was better. You were happier. But you still didn't belong, either.) (In hallways filled with people, you were still just there.) (…) (You tried really hard for you Defender exam. You exercised to near faints. Only really ate and slept cause you knew it would make you stronger.) (Buried your nose in reading and studying to avoid thoughts of doubt. And when they'd reach you anyways, you'd go for a run.) (You know it wasn't the best for you. You're supposed to be stupid, not unwise. "Just until I pass" you told yourself.) (… You were exhausted on your exam day. As your nerves heightened, so did your "coping". You were ready!!! You just, needed a little help.) (So you opened your drawer, filled with old papers and textbooks and notes. You don't like looking in there too much, but you took what you needed.) (A beaten up pencil. Your little lucky charm!!! Sure, you always knew the answers, but it was easier if you believed this pencil was helping you, guiding you.) (It was silly to think it would help, but you weren't taking chances.) (…) (Even after all that time, you couldn't leave that part of yourself behind.) (You still can't.) (You're the only one that can't.)

ACT 6 FIGHT

The ACT 6 encounter would... go about as well as you'd expect. Not only did a version of you win- it's the version of you that pretends to be a meat head, the one that's preoccupied with being nice rather then thinking ahead. How did he get to win when you, you who's changed, you who's given everything you had, everything you wanted to simply get out?

Why does he get to win? Why does this loud mouth, emotional, explosive guy get to win? He's learned nothing!---

I have more stuff to draw for this encounter, including the "I'm sorry/ thank you" pictures. I leave this one off with the knowledge that Isa used to tug on his hair as a stress stim. Guess is stuck around huh.

______________________

Post Loops Roboro

Roboro, once again, Changes! This time to resemble a yellow dandelion, rather then a white one. The family is long gone by the time Roboro wakes up again, and first thing's first- It has to find clothes. It doesn't like the weird looks people give him.

So, he goes to the House, braves the looks and gasps and confusion. It's trauma be damned, it's gonna talk to that Head Housemaiden finally.

He meets up with Euphrasie, and she quickly catches on what must be going on.

She's readily willing to give Roboro one of her old dresses-

Problem being- 1. They are too big on it (he may be Tall, but not EUPHIE level tall-) and 2. It wouldn't be the most comfortable wearing a dress around.

So, they figure they should make some adjustments. Euphrasie is willing to make the adjustments, it would only take her a day or two.

However, Roboro kind of... wants to try to do it themselves. There's no rush, it has nowhere to be. Maybe... maybe learning to re-engage with an old hobby could be good for it...?

Euphie excitedly lets it stay at the House, figure out what it wants to do- to take it's time changing!

Obviously, Roboro has trauma from the House. The walls, the cramped space- it terrifies them. But they also don't want to stay at anyone's home in Dormont, the awkwardness would kill him, if feeling like a nuisance doesn't do it first.

So. Roboro stays at the rooftop.

Roboro does some sewing on a new outfit, at the top of the House. At the very end of everything.

It's a bittersweet reminder that it's over, so it's as good as it could get while staying at Dormont.

I have a whole comic about this in particular, but this is already a massive infodump so I'm gonna stop it there for now-

Roboro travels around a while. It and Isa agreed to meet up eventually, but there was no rush to it.

He went around a while, re-familiarized itself with life, with people, with hobbies, with existing-

Probably made some friendships along the way. Those are probably the people who pushed it into reconnecting with the family.

I'm not gonna go into detail about everyone's dynamics and stuff, this is too long, and I'm still writing that stuff anyway.

I can however leave you with this:

(I might change how Post Loops Isa looks in the future, I haven't quite figured it out yet)

______________________

PHEW

THAT WAS A LOT

IT'S NOT EVEN EVERYTHING I HAVE, I HAVE SO MUCH STUFF AUGH,,,

Anyways, I just wanted to thank you all for the support on the first post, I didn't expect it at ALL Just know I appreciate it :]

[moeblob]

having a stressful time at work but i think it's very important to point out the other day i was asking a guy for help and he's like aight gotcha and then we go to this freezer room and he, from somewhere beyond a mound of boxes, just goes "you like anime right?"

sir this is the FIRST TIME we have spoken how did you clock that.

(he claims i had the vibes of someone who liked it then i was like oh like the woman in the deli wearing a jujutsu- and before i can finish the series name he says "no not her, she just liked the shirt. she's never watched anime". . . oh. i see. you have already had this debate with her then. okay.)

EDIT UPDATE:

So I got clocked AGAIN as a weeb by a coworker because I saw part of her outfit and was like "oh, Attack on Titan?" and while I then said I've never watched it she said that's fair then "do you know anything about vtubers?" and I just. Are you kidding me. I mean yeah but like. Why is your safe question with me "do you know about vtubers".

WHAT AURA DO I BRING TO A GROCERY STORE TO BE CALLED OUT LIKE THIS?

[coworkerjonathan]

This is a call out post for your toxic behavior

...Ahem.

Thank you very much for the delicious lunch today. You looked - let me check my notes - very gender while preparing the food. Just the most mascufeminine aura while eating with me, a truly trans-a-gressive conversation and very nonconforming cuddles afterwards. Not a single binary to be found.

[eikotheblue]

Behold! This absolutely incredible drawing of me as a Pokemon gym leader, drawn by my wonderful and incredibly talented friend Fen @salt-and-bramble 💙💙💙

I love it so much as a work of art and as a drawing of me and I'm using it as my profile picture everywhere now.

Fen did a wonderful job of - capturing lots of details that match up with things I actually wear (the heart gems I put on my forehead, my favorite top with the boob window, the galaxy print on my favorite dresses, the color of the glowy wheels on my skates), while also adding so many delightful little things that spark so much delight in my soul (the heart-shaped pupils, a much fancier design on my gloves than I currently have, the poi-pokeballs, a lil bit of embellishment on the cleavage) and. the hair.

Gods, the hair. Y'all have to understand - I've legit never seen a picture or depiction of my hair I've loved anywhere close to how much I love this. I've gotten a lot of compliments on my hair over my life, and despite historically really hating it, lately I've been figuring out ways to get it in a state where I can appreciate it myself, which has been a slow and strange process. But when I first saw this drawing, I felt like I understood for the first time what people are seeing, when they look at my hair and tell me it's beautiful. (When I told Fen this, they said I have the curls of the ocean... ;-; this has stuck in my head, and I think of it when I look at my avatar or my hair.) And the action lines in the rest of the piece really enhance the wave vibes...

it's just so perfect ;-;

[thinkin-bout-milgram]

Triage: Initial Thoughts

Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 

I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 

Alright, let’s do this!

Shidou’s kids died immediately, but his wife had a chance to live.

I’m basically just going to give a quick play by play of what I think happened in the video.

Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.

He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.

Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.

I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 

I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 

This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.

NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.

Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.

Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.

He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 

He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.

In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 

Shidou is constantly plagued by the guilt of what happened.

The simplest way to explain this is with this image: 

When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 

Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.

Triage takes place almost entirely before and after Throwdown.

That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.

Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.

In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).

He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.

VOTE: INNOCENT

Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.

Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.

I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.

[ninjas-and-coffee]

Current Ninjago *wip* Projects List

Ninjago Arena: Ninjago but a Mortal Kombat game animation project

NRB: Ninjago but i wrote a bad rap battle or like 3

Darkleys Graduation: I made darkleys more serious and whatnot

Animatics: Dont be Sad -Tate McRae (Morro) Rockstar - CallmeKarizma(Jay) Thot -Tokyo's revenge(Llorumi critical/joke)

Art Projects that will take me 20+ hours to finish feat: Overjay au, Overlord Possesion type study??, Post-Possesion au(art and writing) Ninjago: WhatIf (art+writing). Other long ass art starts

For all the people who didn't ask why i keep disappearing or why i mention a project you've never heard of. There's a lot. And I'm not even including the 17fic backlog. Ufkbfkabfakb.

Feel free to ask about any of these, I just answer asks slowly because of anxiety around disappointing people or just not having an immediate response. Or if they're compliments i just save them for encouragement.

[canonkiller]

sometimes a piece of art uses imagery that is important to the person making the art and it differs from the traditional usage of that imagery. you may even have a different personal interpretation of it that is not shared by the artist or the traditional meaning. this is important to know and learn.

[sillee]

I would also like to second the YouTube comment. I just subscribed and I am so inspired by your save file and lore and it makes me so excited to play the game again, you made it feel so alive and full.

ahh thank you!!! it is so good to hear this type of thing, honestly! <3 it’s so exciting that my channel can be that for people.

[ellies-enrichment]

oh my god my editor for this fic is the slowest editor that has ever existed

*i am the editor for this fic*

[flurry-of-stars]

I stayed up till like 4 last night writing and woke up remembering I wrote a little thing for the Dad Sigma AU again and went to proofread it.

And all the author's note says is

b(T▽T)

[neonforgetmenot]

today someone saved Snakes and Lattes to a reading list entitled “F*ckers who will never update :)” 

and that was it. 

that was the spite fuel i needed to open up the neglected word doc. 

[tevatron]

i'm so glad i won't be working with my pi after this month. i think i've reached my limit. i just can't deal with her anymore

[songofwizardry]

hey there's a lot of shit out in the world but like. there's also 300k fanfics written as labours of love and exuberant comment threads on art that point out and gush over little details and there's people who spend hours sewing tiny details on their cosplays and there's fragments of poetry that get shared over and over and bring emotions over and over and there's entire communities of people built around 'we loved a story together' or 'we made a story together' and there's people poring over every line in a work and building theories together and there's getting together with your friends to have ridiculous fantasy adventures every week and yeah. there's some good stories here too yknow.

[ankhisms]

it feels like only creepy old men are ever attracted to me i must be cursed or something

[presiding]

just saw that there's a monster in the hull update and realized i'd missed three of those........this + the audio are such treats giggling and kicking my feet about it fr. going to leave a comment on the fic itself but in the meantime needed to drop a letter on here to say i love the way you write billie--her loneliness, her thoughtfulness, distrust of yet attraction to emily and everything she represents........not to mention the way she's haunted by daud, the longing for a life she can't fathom and will never have !!! society if everyone gave billie the complexity she deserves. and your banter and prose are stunning as always lord everything abt this fic is so good. bringing wine to you on the deck to drink together about it in spirit and yes pun intended

🙏😭 thank you so so much I don't know what to say! that's amazingly kind of you ♥ its a genuine pleasure to like. double down on themes and nuance and less popular characters and just like. idk. trustfall into the fandom that there's people with taste like you, and you can invite them onto your metaphorical deck for wine and meaningful looks 🍷♥♥♥

re: billie - no one else in the dh universe comes close to whatever she has going on

hiding my thoughts about writing dh2 billie >

there's so much material to her!

i thought i'd never write for dishonored 2 (not derogatory - its my favourite game). its undoubtedly linear & doesn't have the mystery or grit of dh1 IMO.

but i saw lapin post that billie & emily comic, and i saw a few other people i respect mention billie/emily and it had me rotating them until the abjection/emily-monster thing clicked and then it was downhill from there

but there's more to think about - what billie has been doing with herself, how she feels about daud & the whalers at this point in her life, her relationship with sokolov (god.a separate rant), her history in karnaca & dunwall, emily's place in the empire and how that fits into billie's story, her lifelong revenge arc, and comparisons between jessamine & deirdre.

like. when you consider billie's perspective you realise how fucking badass she is for going back to dunwall. she not only did it scared she did it scared for her life. suicidal level flimsy disguise trapped in a tin can with your enemy. etc

PLEASE tell me if you ever decide to post that daud & billie fic you mentioned a while back :O