#you: write me a st —

[riality-check]

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

[rocketkit]

fourth scene from a nonexistent fic

[messrsbyler]

ao3 authors who have no social media are are so mystical. they really be writing and posting some of the most perfectly crafted pieces of media and then disappearing without a trace

[astrobei]

in my heart of hearts mike wheeler is absolutely an athena kid but i also have to offer up a concept that i think has extreme comedic and dramatic potential aka: repressed gay teenager mike showing up at camp half blood unsure of who his godly parent is and feeling insecure about not having powers and one day when he’s making not-so-secret heart eyes at his best friend and son of apollo will byers is when a bunch of glowing floating hearts show up above his head. and that’s how mike gets claimed by none other than aphrodite, the goddess of love and sexuality, and is in full denial about it for three days because he thinks it’s some kind of sick and twisted JOKE

(on aphrodite’s end, she’s upset mike is throwing away the gift of true love and keeps trying to trick him out of repression by making more and more improbable and hilarious gifts appear when he and will are hanging out. mike hands will a book and it turns into a box of chocolates and he has to fling it away like a frisbee before will sees it. they’re having lunch and romantic music starts playing. she gives mike the same blessing she used to claim piper and will can’t even look in his direction for a full day because he starts blushing so hard. fifty bouquets of flowers show up at the apollo cabin’s doorstep with a note that says love, mike and by the end of it, mike isn’t even repressed and unsure about his sexuality anymore — he’s just trying to not throw himself into the bonfire out of sheer embarrassment)

[heartsgettingwiser62]

So when are we as a fandom going to stop pretending that jonathan byers isn't one of the best written and most interesting characters in st

[suddencolds]

insatiable appetite [1/?]

sooo... this is one of the thirstiest things i have written—and also one of the only times i've written a character with the kink, ever T.T warnings in advance for mess, character getting sneezed on, implied contagion, possible ooc-ness, & me writing this entirely with my d instead of my head

ivan and till are from al//ien sta//ge (a very fun watch which will only take 30 mins out of your life; i really recommend it!!). that said, this fic takes place in a modern au setting, so feel free to read it without any prior context :)

special thanks to @6pmsoup for sending me a very cute alnst doodle of these two which altered my brain chemistry permanently

—

Summary: Till shows up to a dinner outing with a brewing cold. Ivan suffers. (est. relationship, kink!Ivan, ~2k words)

—

For all Till tries to hide it, Ivan can tell immediately.

There’s this: Ivan has been paying attention to Till for most of his life. A full decade before they’d gotten together officially, and some more—this is how long Ivan has had to observe his tells. Always from the sidelines, always with a detached air of indifference that, in reality, was anything but.

All the signs are there the night before. Till, turning up the thermostat a couple degrees higher than he usually keeps it. Spending a little too long in the shower and using up almost all of the hot water. Clearing his throat one too many times in the morning before Ivan leaves for work, his smile distracted, the rasp of his voice nearly indistinguishable—but only nearly.

Now, Till is here for dinner—it’s a dinner they’ve had plans for a couple weeks now, at one of the nicer restaurants downtown, in celebration of Till’s recent promotion. Ivan had booked the reservation a couple weeks in advance.

When Till arrives, stepping out of a taxi cab, he’s wearing a scarf, even though the weather is too warm for it. Ivan steps up to meet him. 

“Sorry I’m late,” Till says. “Traffic here was the worst I’ve ever seen it, swear to god.”

“Was it cold outside today?” Ivan asks, a little pointedly, tilting his head towards his scarf.

Till looks at him, his expression unreadable. Then he nods. “Colder than usual, for this time of year.”

“Strange,” Ivan says, just to be difficult. “But the weather forecast says it’s the same temperature today as yesterday.” 

“It’s probably just windier today,” Till says, readjusting his scarf around his neck. His face is a little flushed.

“Your voice sounds a little off, though.”

Till clears his throat with a scowl. “You must be imagining it,” he says. “It always sounds like this.”

No admission, then. That’s fine. Ivan will get the truth out of him at some point. He lets Till guide him into the restaurant.

It’s a nice restaurant—worth the hassle of the reservation, Ivan thinks. Each table is set with flowers arranged tastefully in long glass vases, empty wine glasses turned on their heads. The server—who leads them to their table in a small, private booth—is wearing a suit.

It’s a shame, really. Ivan has a feeling that he won’t be able to pay attention to any of that tonight.

They sit. Ivan looks down at the menu, picks out something at random in a matter of seconds. Truthfully, he can hardly think of anything less worth his attention right now. He turns his attention to Till instead—Till, who’s seated directly across from him, the scarf still around his neck, obscuring the lower half of his face. 

Till sniffles, reaching down to turn the page, and oh. The sniffle is terribly liquid—has he been sniffling like that all afternoon? Perhaps it’s a good thing that they work at different offices—Till at a law firm, Ivan as a senior manager at a consulting company—because Ivan certainly doesn’t think he’d be able to get any work done with Till sniffling like that. 

It’s not two minutes later that Till is reaching up to wipe his nose against the back of one knuckle. All in all, it’s discreet. Just a quick brush of the fingers against his nose, which is still hidden under the scarf. Though, the look of sheer ticklishness that passes over his features for a brief moment there is...

“What are you thinking of ordering?” Ivan asks.

“I can’t decide,” Till answers. He turns the page again. “It’s between the ribeye steak and the… snf! The pork belly. Is this the kind of place that skimps on the portion sizes?”

“Not from their Yelp reviews,” Ivan says. “You know, if you really can’t decide, I can flip a coin.”

“I’ll pick,” Till says. “Why? Hungry already?”

He looks up, now. His eyes are a little watery. There’s a faint flush over the bridge of his nose. Ivan thinks that if he reached out and touched him, he’d probably be running warm. The thought is almost unbearable.

“Your taxi did take forever to arrive,” Ivan says, by way of explanation. 

“Did you really wait that long?”

He looks uncertain, for a moment. Ivan says, “Not at all. But you know, I’m always impatient when it comes to you.”

Till rolls his eyes, but it’s fond. “There was a meeting that ran late. I wasn’t avoiding you.”

“Is that also a part of your new position?” “I guess so, yeah.”

“I can see why they were eager to promote you, then,” Ivan says. “How productive can late afternoon meetings be, anyways?”

Till snorts. “Not that important. It definitely could have been an email instead. I was about ready to doze off.”

He sniffles again. “Okay. I think I know what I want.” The way he says know betrays the slightest hint of congestion. 

“At long last,” Ivan says, just to be a little bit of an ass. “I’ll call over the waiter.”

He flags their waiter down, waits for Till to order first.

“A spiced apple cider,” Till adds on, at the end, with the slightest of coughs. “Hot, if you can.”

That’s new, too. Till seldom orders hot drinks at restaurants, though he’ll drink tea without complaint if it’s offered. Perhaps his throat hurts, then, from the cold that has clearly started to settle in his system. Subtle, still, but Ivan is familiar with colds like this. He knows it will probably only be a few hours before this deceptively “small” cold turns into…

Ivan orders, too, and thanks the waiter, who leaves with a curt nod. When he looks back over to Till, there’s a… strange something to Till’s expression, a slight distractedness. Irritation.

Ivan swallows hard. He should look away. 

He should, but then, Till’s breath hitches. He pulls the scarf higher over his face preemptively, as if he anticipates having something to have to cover for. The sharp intake of breath that follows is breathy, though Ivan can hear Till’s voice in it. He should really look away.

Instead, he takes the scene in, painstakingly, little by little, as Till’s shoulders jerk forwards. As Till presses a hand to the scarf, presses the fabric closer to his face, to muffle a sneeze into his fingertips:

“hhH-Ih!! hiHH-’IESCHH-eew-!”

God. It sounds utterly miserable, the harsh release of it scraping against his throat, the spray tearing into his scarf. It’s the kind of cold sneeze that is undeniably telling: this is going to be one hell of a cold. It’s not very quiet, either, even muffled into the fabric.

For more reasons than one, Ivan is glad they’re in a private corner of the restaurant, not somewhere more public.

“Bless you,” he offers, once he can trust himself to speak. It’s a good thing that Till is too distracted to look up at him right now. Ivan isn’t sure he can keep what he’s feeling off of his face.

Truthfully, he isn’t sure he’s going to be able to endure a whole night of this.

The problem here is that Till—Till, of all people; Till, who Ivan has been pathetically in love with for almost as long as he can remember—has no idea about Ivan’s… relatively niche interests. That is to say, he has no idea what effect it has on Ivan when he does that.

“Thanks,” Till says, a little stuffily. He sniffles again, lowering his hand. 

Ivan can’t help it. He knows he shouldn’t pursue this line of questioning, but he can feel his self-control dwindling by the second. “Don’t you think it would be better to take off your scarf, now that we’re inside?”

Till freezes. “Y-You know what,” he says evasively. “It’s pretty cold in here.”

Ivan tilts his head in question. “And just how do you plan on eating like that?”

“I’ll take it off when our food comes.”

“I can ask the waiter to turn the temperature up, if it’s a problem,” Ivan says. 

“It’s not a problem.”

Ivan rises from his seat. Till watches him, perplexed, as he heads to the opposite side of the table, where Till is seated.

When he gets there, he stops. Stands, unmoving, so he can study Till from above. 

“What are you—”

Ivan reaches out, settles his palm across Till’s forehead. As expected, it’s warm. Not quite feverish, which is a good sign, but warm enough to be notable. 

“Just how long were you intending to hide this?”

Till stares back at him, wide-eyed. “Hide what?”

Shouldn’t it be obvious? “The fact that you have a cold.”

“I didn’t think it was worth mentioning,” Till says, slowly.

“Hmm.” Ivan drops his hand to his side. He is a little concerned, now. “We could’ve called a rain check.”

This time Till really does roll his eyes. “For the reservation we planned weeks ahead?” he sniffles again. “That just sounds completely and utterly unnecessary. Are you the type of person to call things off just over a little cold?” 

Ivan leans over, tugs down the edge of Till’s scarf. Till bats his hand away just a moment too late, cups his other hand over his face to shield his face from view. For a moment, he looks faintly mortified.

Then his expression settles into something more disgruntled. “What are you doing?” he hisses.

So uncooperative. “Let me see,” Ivan says. Slowly, gently, he pries Till’s hands away from his face, and then—because the restaurant is dimly lit—tilts Till’s face up slightly so that it catches more of the overhead light. 

Till’s nose is redder than usual. He’s probably been rubbing it all afternoon, if the redness that percolates into his cheeks is any indication. There’s  a damp, liquid sheen on the underside of his nose.

“What’s there to see?” Till says, a little crossly.

“Your face, since you’ve been so intent on hiding it under that scarf,” Ivan says, leaning in to get a better look.

Till scowls at him, but there’s no heat to it. “You see my face every day.”

“On the contrary, I don’t see it nearly enough,” Ivan says. “And you hardly ever get sick. Is it so wrong for me to be concerned?”

Without looking, he reaches behind him with one hand to grab a couple cocktail napkins. The other hand he keeps held up to Till’s cheek. 

But then, Till’s breath hitches. “Wait,” he says. Panic flashes through his face. “Ivan, move, I—”

Oh. Well, seeing as there’s no way he’ll be able to get the napkins over in time, it looks like he’ll have to improvise. If Till wants to cover, Ivan can help with that. He moves his hand to cup it loosely over Till’s mouth. Not a second too late, it seems. Till jerks forward unceremoniously, his nose twitching, his eyes squeezing shut.

“hHheh-! HHh’EIITShHh’yYiew!” he gasps sharply. Two? “Hh-! hHiiH’DSSCSSHh-IIew!”  

The jolt of the sneezes is practically electrifying—all of that force, brought to an abrupt halt behind Ivan’s waiting palm. He feels the expulsion of air against his skin, the warmth of Till’s breath, feels the slight dampness behind his hand as the spray mists over his fingertips.

Ivan swallows, hard. Thank god it’s so dark here, otherwise Till might notice what this is doing to him. 

“Bless you,” he says, withdrawing his hand at last to wipe it on one of the cloth napkins. It comes out slightly raspier than he intends it to, though perhaps it’s a miracle that he’s still able to talk at all. “Some cold, hmm?” Belatedly, he hands Till the stack of napkins.

Till practically snatches them from him, turns aside to blow his nose wetly into the top few. The way he sniffles afterwards suggests that his nose is still very much running. 

“Do you have no self preservation? It’s as if you want to catch this,” Till says, drawing back with another sniffle.

Oh, Ivan thinks, fighting back a shiver. That would be far from the worst thing.

[kenobihater]

of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)

[amartianonmars]

Description: Four panel comic

First Panel: Julian Bashir and Miles O'Brien kissing in Mile's quarters on a bed, shrouded in darkness. Julian is on top cradling Mile's head while Miles strokes his hands down Julian's back, which show's that his jumpsuit is zipped down

Second Panel: Julian pulls away from the kiss with a sigh and sits up. Mile follows and asks Julian, who has an anxious expression on his face, " Julian? What's wrong? Are you ok?"

Third Panel: Julian has now shifted towards in the end of the bed, where you can now see the rest of the room is accommodated with a small side table, a round lamp sitting on top, and a large chair besides the bedside, all hidden in the dark besides their outlines. Julian is leaning on his hands with his worried face dipped low, Miles behind him sitting up on his knees, a reassuring hand on Julian's shoulder and a mild expression on his face. Julian says " This doesn't seem right, Miles. What about Keiko?"

Fourth Panel: The room is suddenly bathed in yellow light as the lamp is clicked on to reveal Keiko, who has been sitting on the large bedside chair. She tells a screaming and exaggeratedly shocked Julian, "It's alright, Julian". Julian is holding tightly onto Mile's, his legs and arms draped over his body and his mouth thrown open in a scream, his eyes popping out of his skull. Mile's, casually holding Julian's back, says "Hi, Keiko!"

[riality-check]

tw for mentions of substance abuse (part 2, part 3, part 4, part 5, part 6, part 7)

ao3

Steve Harrington has been awake for fifty four hours. With luck, he'll be able to eke out another eighteen. Three days seems to be the sweet spot, even if he only makes it there half the time and, of that half, it only works half the time.

It's better than nothing.

Maybe four days is the sweet spot. Ninety six is close to one hundred, and that seems like a good omen.

Omens don't really matter though. What matters is staying awake.

So, Steve chugs his coffee and walks into the conference room. Coffee isn't enough, not nearly, but it'll do until he gets desperate enough to take something.

He really does try to only take them when he's desperate. It's easier that way, to just do it when he feels like he needs to rather than measuring dosages and remembering times. Hours start to blur around hour forty of being awake.

He walks in, sits down in the chair closest to the door, and is met with a withering glare from Eddie Munson.

Listen. Steve isn't happy about this either, but at least he doesn't look like he stepped in dog shit on the way here. Then again, Steve doesn't have the luxury of ever looking truly unhappy.

Eddie is a rock star. Mean is part of his brand, while mean is the antithesis to Steve's.

Whatever.

"Are you kidding me?" Eddie says, still staring at him, but Steve knows he's not who he's asking.

"He's the best person for the job," Chrissy, Eddie's manager, says.

"We don't need him."

Someone taps Steve's left shoulder. He turns to see Jeff, the lead singer of Corroded Coffin, give him a warm smile.

"Nice to meet you, Steve," he says, and Steve shakes his proffered hand.

"Happy to help," he says, and it's only half a lie.

The drummer and the bassist - Steve would probably be able to remember their names if he wasn't so exhausted - wave their hellos from a few seats away.

"Hi, Steve," Chrissy says.

He takes another swig of his coffee and gives her a little wave in response.

"We don't need a pop singer to write lyrics for us," Eddie says, still not letting this go.

"Yes, you do," Steve says. He sets his coffee cup down on the table and opens the folder he brought with him. "I read through the lyrics of every one of your songs."

"You didn't even listen to them?"

"Would have taken too much time."

That's a lie. Listening, even with the lengthy guitar solos, probably would have taken less time. But Steve needs something to fill the hours when he's supposed to be asleep, and reading, that slow process with its ample, awakening frustration, is the perfect thing.

"You became so much less interesting after your first album," he says. "Every one of your songs talks about the same thing. Conquering evil, killing demons, blah blah blah."

"That's what's in right now," Eddie snaps.

Out of the corner of his eye, Steve catches the drummer and Chrissy make the same motion. They pinch the bridges of their noses, clearly frustrated.

Steve sees why Chrissy wanted to talk to him.

"It is," he concedes. "But I also read the lyrics of every song by the bands with top ten hits. They don't talk about it nearly as much. They sing about other stuff. And they don't use an F major chord in every one of their songs."

"We don't-"

"We kinda do, Eddie," the bassist pipes up. "I'm a little sick of playing F."

Eddie takes a breath. Steve takes the opportunity to take a pill.

He found a way to make it less obvious for people who have something to say about it. Steve will take one from his pocket, yawn, cover his mouth, and swallow it dry. Easy peasy. They don't notice, he doesn't have to deal with people who don't get it making comments.

Except when he does, this time, Eddie narrows his eyes. Like he knows what he's doing.

Steve doesn't like that look.

"Have you read my stuff?" He won't ask if Eddie has listened to any of it. He knows the answer is no, if he keeps bringing up genre like that really means anything.

Eddie doesn't respond. He keeps those narrowed eyes trained on Steve and stays silent.

"Didn't think so," he says, and he slides over the thick stack of papers Robin stapled together for him last night. "Here's everything. Read it. Tell me if you like it. I'm only helping you if you give a shit. This goes two ways, and I don't want to waste my time if you think I'm wasting yours."

Eddie doesn't take the stack, but the drummer, sitting next to him, tugs them closer. "Thanks."

"Let me know tomorrow."

"Tomorrow?" Jeff says, eyebrows raised.

Steve forgets that most people don't actually take advantage of their twenty four hours.

"End of the week," he says instead, and he relaxes when Jeff does.

The drummer starts flipping through the pages while the bassist looks over his shoulder.

"Need anything else from me?" Steve asks Chrissy.

"I don't think so," she says. "I'll call you back to set up a time for Saturday."

He's amazed by the fact that someone as sweet as her works with someone as pretentious as Eddie.

"Sounds good," he says, and he walks out, trying to ignore the feeling of Eddie's eyes on him as he goes through the door.

It only halfway works.

The pill should kick in soon, within a half hour, maybe shorter because of the coffee. Maybe he'll write something. Maybe he'll work on the piano melody he's been tinkering with for the past week. Maybe he'll read the latest book Robin picked up from the library, something interesting enough to be worth the frustration of the moving letters, something that will still fill the time.

He'll make it to seventy two hours. Then he'll crash because his body is a worthless piece of shit, and he hopes this is the half of the time when he doesn't have any goddamn nightmares.

Maybe he should pop another pill, just in case.

[casa-delle-galline]

It’s so funny how I went from not understanding the appeal of ZeLink in BoTW, to absolutely bawling my eyes out about Link and Zelda in ToTK living together and Link buying a dream house which is normally made for couples and families and is way bigger than the Hateno house.

I don’t think I’ve loved ZeLink this much since Spirit Tracks and Skyward Sword.

1. ST ZeLink (ALWAYS, NO QUESTION)

2. SS ZeLink (plus Groose, because it feels wrong to leave him out)

3. ToTK ZeLink

That will be all.

[maldupay]

fuck i need to replay isat because i cant remember anything but um something something siffrin's increasingly concerning comments through the acts on losing his appetite -> getting violently hungry -> having tear induced nightmares about cannibalizing his friends

[polteergeistt]

Have some lovey dovey writing for once. No tw at all, just iv and iii being in love.

IV will always remember that night. It wasn't a special night at all. It was quite mundane for him. He just liked this night a lot.

The four of them were sat, or more laid entangled together on the couches, II and Vessel on one and IV and III on the other. IV was laid on his back and III was on top of him, on his back too. While they were watching a movie, IV gave sublte touches and nuzzles to III's hair. When it ended, a bit after midnight, II and Vessel went straight to bed. III was asleep. When Vessel noticed that, he smiled at IV.

"You want me to carry him upstairs ?" Vessel offered.

"Nah, I'll be fine. Shut the lights... Goodnight, angels." IV responded.

II and Vessel gave a goodnight kiss to the two others then went to bed. There was no light except from the streetlight dimmed by the curtains. IV shifted so III's head was resting on his shoulder. The guitarist couldn't help but smile fondly. How peaceful this little devil looked when he was asleep... IV caressed his soft cheek with the side of his index finger, like one would to feel a baby's soft skin. III eventually stirred awake. He looked a bit disoriented, but found a safe place in IV's neck. His long arms wrapped around his body.

"What time is it ?" III whispered.

"It's 18 past midnight, babyboy." IV answered, his voice hoarse just like III liked it. "Do you want to go to bed ?"

"Mmgnh... No... I don't want to move..." III groaned.

IV tilted his chin up and his heart melted as his eyes met III's sleepy gaze.

"You're so gorgeous when you're sleepy." IV murmured in immense adoration.

"I could kill you in your sleep." III grumbled.

"Perfect."

IV leaned closer and pressed his lips to III's. The bassist's reaction was immediate. He buried his slender fingers in IV's hair beneath his hood, gently pressing him against him. They both poured all their love in this soft late night kiss. IV was not ready to let go yet. His hands cupped the blond's soft cheeks and held him close while his fingertips were into his hair. They gently nibbled and sucked on each other's bottom lip, as if to bring the other closer than humanly possible. IV pulled out to let them catch their breath, assuming that III wanted to sleep so badly that he couldn't keep going, but III pulled him back in and kissed again just as passionately, if not even more. III pressed his forehead to IV's.

"I love you so much." III whispered.

"I love you too."

IV peppered III's face with kisses which made him chuckle, and III laid his head back down on IV's chest. They were both giddy yet sleepy. III nuzzled IV's neck while he was soothingly playing with his hair. They both fell asleep in each other's arms, tangled endlessly like lovers entwined, sharing their body warmth. No one could make them feel more at home than each other.

[melit0n]

EUCLID ANALYSIS.

Told you guys it was coming, didn't I? I apologise that this has taken a bit longer than expected, my mental health hit me like a bullet train, but I do hope it's sufficient.

Part one -> You're already here!

Part two -> Line by line analysis part 1

Part three -> Line by line analysis part 2

Part four -> Musical/intrumental notes

Part five -> The Night in Sleep Token

Part six -> Conclusion

Please note this is a general analysis. Although I do go into theories, both my own and others, this is just general thoughts. Also note when I speak of Vessel, I mean Vessel as a character, not the person, unless I specifically state so.

Tagline: @rilllvri @a-s-levynn @fivewholeminutes @euclidsvessel @tonguetyd @moonchild-in-blue @kkarmatic @branches-in-a-flood

+ Some people were worried about spam liking/reblogging the last time I did one of these big analysis posts, and I want to say please don't worry about that! I get happy when I see the same users pop up liking and reblogging my work, because it means you're interested in this enough to go through the whole thing. Feel completely free to add your own thoughts, correct any errors I've made etc. As per usual, my DMs are completely open to anybody wanting to discuss ST <3

Let's start off with the basics. ‘Euclid’ is the anglicised version of the Greek name Eukleídes (Εὐκλείδης), mainly known via the ancient Greek mathematician Euclid of Alexandria, who is seen as the ‘father of geometry’, and most famous for his work on symmetry. Its general definition is something or someone who is renowned and or glorious (A) and the lesser known definition is something that is a copy of the same (B) (taken from Euclid’s ideas on symmetry), which we’ll come back to in a bit.

However, there is another Euclid in history that we’ll be referencing; Euclid of Megara. This Euclid, similar to our mathematician, was an ancient Greek Socratic (having been a pupil of Socrates) philosopher. I’ll be taking part of a text out of his Wikipedia article since his ideas have been explained thoroughly there.

(we'll be coming back to him soon)

First off, this is an incredibly interesting choice of name for a song. Outside of someone's maths and philosophy class, this name doesn't exist to most, so the fact it's been chosen at all is intriguing.

Vessel has shown time and time again he enjoys sometimes elaborate references in his art, an example being chemistry and biology in TPWBYT (most notable would probably be ‘Telomeres’), so, I think it would be easy to say that, whether it be a reference to Euclid the Mathematician or Euclid the philosopher, that said reference is understood and intended by Vessel.

So, let's start with our mathematician, shall we?

What I find interesting about Euclid of Alexandria is that his life and existence outside of his work on geometry is almost completely unknown. There's almost nothing known of him, as a person, other than where he spent half of his career (Alexandria; Egypt, hence his title), where he may have studied (Platonic academy) and a general idea of when he lived (around 300BC). What is known about this insanely famous man who created the foundations of symmetry is incredibly barebones. People take Euclid at face value for his work, just like Vessel (both as an artist, and a character).

Further, we, as listeners, don't have much of an understanding of who Vessel is other than being a mouthpiece of a deity known as Sleep, someone once human now grasping at the threads of humanity and someone sharing some of his struggles in life (both with Sleep and unknown people). Like Euclid, he is barebones, we take him at face value; a vessel. He is both a mouthpiece for Sleep, a mouthpiece for his own emotions (obviously) and a mouthpiece for us. His experiences transcend being just his, due to his anonymity, therefore allowing us to connect and express our own experiences. It's music for the sake of music; expression.

Now, having talked through Euclid as a person, it's time to talk about Euclid and his symmetry. Symmetry in shapes is 'reflections, rotations, translations, and combinations of these basic operations. Under an isometric transformation, a geometric object is said to be symmetric if, after transformation, the object is indistinguishable from the object before the transformation- a copy of the same’. So, of course, this means shapes like squares, rectangles, parallelograms and circles. Circles are a representation of infinity, wholeness, unity and loops. What does Euclid do? Loop itself (starts and ends with B major, which also happens to be the same chord that TNDNBTG starts with), and loops the three albums together, musically and lyrically.

Now, onto Euclid of Megara.

Euclid was born in Megara, Athens and was a follower of Socrates (sneaking into Athens to hear him speak, and he was also present during his death). He is most known for his philosophy that good is the knowledge of simply being and that the opposite of good does not exist, aka evil. The Good is described to be a perfect, eternal, and changeless Form, existing outside space and time. A form of Heaven without a God.

This idea could be linked lore-wise with Sleep Token; Sleep could, in a way, be The Good literally. Bliss. Further, with the idea that there is no actual opposite of good, then how can anything be bad? How can Sleep, as a deity, have bad intentions if there is no actual evil?

So far, with these two notable figures in mind, we can perceive Euclid as one of two ways (and there are more ways to come). Euclid can be seen as quite literally being a form of symmetry; a parallel that Vessel lays his life on because it brings all of the produced albums, all of his stories, together. Or, we can think of Euclid as Vessel. This brings me to @euclidsvessel's post on their theory on Euclid; what if Euclid was Vessel’s name before he became a vessel?

The theory that Euclid could be Vessel’s old name is not only extremely insightful, but very plausible as well. They explained their points very well in their original post, and I don't want to repeat what they’ve already said, so I do implore you to go read that! It's not detrimental to needing to understand this post, but I highly recommend it. Despite this, I am here to both support their argument and bring my own comparison. Take a look at the cover art for Euclid:

Let me repeat the lesser-known definition of Euclid; a copy of the same. A clone. A replacement. Held in the right hand is the decapitated head of Vessel's old (2nd gen.) mask. Specifically, the one that covers his mouth; the version that relinquishes the most amount of humanity. The album art is a representation of change portrayed in a symbolically gory way. Beheading, depending on the era you’re working from, symbolises both vengeance as well as a form of purification. By cutting off the head, you remove any ‘unholy’ thoughts. It's also among one of the most horrific and humiliating ways of killing someone (since it was typically done publicly, and sometimes the heads were placed on spikes of battlements as a warning).

Furthermore, there's a theory that's popped up a couple of times, lore-wise, that Vessel is not the first person to be turned into a vessel of Sleep, and he certainly won't be the last. So, considering the literal album art illustrates a replacement of Vessel, I’d say that theory is pretty much confirmed. In conclusion, the album art can either be interpreted as how Vessel will eventually be discarded and replaced by another vessel, or how Vessel himself will change, for better or for worse; clawing out of his own skin to become “someone new”.

So, to compare the idea of Euclid being Vessel’s old name, and to create the third perception of what or rather, who, Euclid is, what if Euclid will be the eventual replacement for Vessel?

[withacapitalp]

Pre season two AU where El didn’t disappear at the end of season one. Everyone knows she’s staying with Hopper except the government because stick it to the man

Steve has been acting off for a few weeks and finally admits to Nancy that he hasn’t heard from either of his parents in a really long time. They are gone a lot, but they haven’t even answered his calls, and that’s unusual.

Finally she convinces him to ask El for help. She found Will in another dimension, surely she can let him know that they’re okay at the very least so Steve agrees. He brings one of his old photos, searching for one that has both his mom and dad. He cant seem to find any, and he can’t ever remember really taking one together.

They get to the cabin and everyone is there. All the kids want to see El use her powers again, and Hopper and Joyce are concerned about the strain it puts on her. They all watch as Steve hands the photo over with slight nerves. El looks down at it and stops short, staring silently down at it as her entire body starts to shake.

“This is your Papa?” She asks teeming with rage, and Steve furrows his brow. He goes to open his mouth, but suddenly he is no longer in control of his body. El has her arm stretched out, and she’s dragging Steve over to her. She holds him in an iron grip, ignoring everyone’s shouting as she grabs the left sleeve of his sweater and yanks it up. There’s an ugly scar on his wrist, but not what she’s looking for.

El demands to know what it is. How did he get this mark. Steve stammers some story out about burning himself on the stove when he was Seven, clearly completely freaked out. He manages to pull himself out of her hold and bolts without another word, leaving the door open in his haste to get away. Hopper is the first to ask what the hell is going on, and El simply hands him the picture in response, going into her room and shutting the door.

Hopper looks down and drops the picture like it’s on fire. They all stare at the Polaroid with horror in their eyes as it slowly floats down to the floor.

Because there, standing on either side of a much younger Steve with a nearly buzzed head, is Connie Frazier and Martin Brenner

[bigboysteveharrington]

Steve giving in and letting Dustin talk him into playing D&D with Eddie and his friends. Dustin helps him make his character beforehand but Steve doesn’t totally understand a lot of it so when they get there and Eddie asks what his alignment is, Steve doesn’t realize he’s asking about his character or what an alignment even is and he’s like “both I think”

Eddie pinches the bridge of his nose between his thumb and index finger and takes a deep breath and resists the urge to snap out I thought you said you prepared him for this, Henderson because he doesn’t want to scare Steve off five minutes in so instead he takes a second to calm himself and his eyes are closed and he’s focusing so hard on trying to keep himself from shouting but there’s still an edge to his voice as he lets his morbid curiosity get the best of him and asks “both of what?”

And Steve’s like “What do you mean? There’s only two options, isn’t there?”

And now Steve’s confused because everyone’s looking at him weird, but he’s heard of guys being into guys and obviously he’s heard of girls being into girls considering he’s best friends with Robin and he’s told her about him liking both and she never said that wasn’t allowed or that there was some other option? How do you like more than both? (Steve lives in Hawkins in the 80s so he still hasn’t found out about gender not being a this or that deal)

And now Steve’s less sure of himself so he asks “Why are you all looking at me like that? What option would there even be outside of girls and guys?”

And Eddie catches on first while everyone looks so confused, but it takes him a moment of just staring open-mouthed at Steve and he’s not even sure if he’s more surprised that Steve isn’t exclusively into women or that when he thought that was what Eddie was asking, he just announced it in front of the whole Hellfire Club before he manages to find the words to say, “I asked your alignment, not your orientation”

And Steve furrows his brow and tilts his head a little and his “oh” sounds more confused than anything so Eddie adds “your character’s alignment, Harrington” and Steve says “I don’t know what that is” and turns to Dustin for help because he made the character so he must know but Dustin’s just gaping at him so Steve asks “dude, what is it?” But Dustin’s still stuck on the fact that in all of their conversations about Steve’s love life that Steve never once mentioned being into guys so he asks “what the hell, Steve?”

And Steve has a moment of panic while he can’t tell if he’s in trouble for not remembering his character’s alignment or because Dustin has a problem with him liking both (which Robin has warned him could be a possibility if you tell the wrong person, but this is Henderson and he really didn’t think that after the bullshit they’ve been through so far that that would blow things up and he didn’t think it was all that risky bringing it up in a group that literally formed because the people in it are different than and don’t fit in with the average high school student and when he shares way more deadly secrets with the majority of them) but he finds out pretty fast that neither of those is what Dustin’s annoyed about when he glares at Steve and complains, “Come on, man. We’re best friends. How have you never brought this up before?”

And Steve just shrugs and says “it never came up” and Dustin says “oh, sure, it’s never come up but you tell Eddie just like that?” And Steve’s confused because he said it in front of all of them so it’s not like he wasn’t just as willing to have Henderson know or like he wouldn’t have told Henderson on his own if he’d had reason to, so Steve just says “he asked”

And Eddie raises his hands up in a show of innocence as he says “I definitely did not, but that’s… good to know” and Eddie’s never just casually thrown his sexuality out there because he’s well aware he would not win in a fight and he’s terrified of getting hate crimed but his friends are giving him looks like they’re wondering about it from the way he said it and how tense he suddenly went but even if no one is harassing Steve for liking guys, he’s not about to just throw his own orientation out there five seconds after finding out Steve likes guys just to make himself look desperate and have everyone know that it must have happened when he’d inevitably (in his mind) get rejected so he focuses back on the game and snaps his fingers petulantly as he asks “Henderson, what’s his alignment?”

[kcscribbler]

I'm supposed to be "working on lowering my stress levels," so I thought I'd make a Hug version of this fabulous kiss ask game that's been making the rounds lately. I've loved reading everyone's answers to those! So:

Send an Emoji and a Ship for a brief snippet!

🤗 encouraging hug / reassurance

💜 unexpected hug / sweet gesture

😌 peaceful hug / quiet and serene

🤩 excited hug / shared joy

🥺 support hug / being there for someone

🤭 secretive hug / hidden affection

😊 first hug / new beginnings

😢 consoling hug / shared grief

🥳 celebration hug / achievement or milestone

😴 sleepy hug / falling asleep together

😨 fearful hug / seeking comfort

😩 exhausted hug / reaching the limit

😇 comforting hug / "It will be fine"

🥰 reunion hug / long time no see

🤯 magical hug / extraordinary or special

🤓 spontaneous hug / unexpected

😭 farewell hug / saying goodbye

🤪 nostalgic hug / reminiscing

🤠 homecoming hug / feeling comfortable

😜 playful hug / light-hearted fun

🛌 bedtime hug / end of the day

🤫 sneaky hug / hug from behind

🙄 unreciprocated hug / squirming or Do Not Want

🤕 panic hug / "I'm glad you're okay"