#you will always be famous if dc has anything to say for it

[mikakuna]

twins!!!! <3

[glow-worms-are-believers]

Always room for seconds (dp x dc)

"There they go again," says Aunt Alicia as she looks at the hazmat-clad backs of her sister and her husband jumping into their mish-mash-of-a-van. "And on Thanksgiving too," she finishes to herself as she turns toward her niece and nephew. Neither of them look surprised, though Jazz is clearly more affected if the tick in her jaw is any indication.

"They promised," she practically spits but Danny just sighs and puts a hand on her shoulder. It seems to draw the fight out of Jazz a bit and she sags onto herself.

Alicia loves her sister but she can be so irresponsible sometimes.

"Come on kids, let's go back inside. It's about time to put the turk-" she stops short, then groans. Maddie had insisted on bringing the turkey on account of not wanting Alicia to go to all the trouble, and Alicia had agreed on the condition that her sister wouldn't try to make it. "...And the turkey is still in the van isn't it?"

Danny makes a face. "It's probably for the best. I'm pretty sure I saw it move on the way here."

Alicia doesn't let her head fall into her hands, but only just. Instead, she takes a deep breath to calm herself down to rally her thoughts. "Alright. It'll be too late by the time we drive to town and buy a new raw one, so we can just get some already made from the store. That good for you guys?"

Jazz and Danny make sounds of assent before all three of them pile up in the car. Town isn't too far away, and the trip is mostly silent. Alicia is hesitating over what to say to cheer up her niece and nephew. In the end, they pull up to the grocery store before she manages to come up with anything.

"Dad was also supposed to bring desert," Jazz mentions as she grabs a caddie and wheels it back to them.

"I made apple pie just in case," Alicia answers. Despite her dislike for him, she can admit that Jack Fenton is a generous man. However, as she has learned over the years, that generosity doesn't extend to fudge. Which is why she's got her famous apple pie ready to pop into the oven.

Danny nods relieved, as he files in behind his sister. The three of them are rolling past the frozen section when a familiar voice cuts through the store music.

"Alicia?"

At that, Alicia looks up to see the face of one and only Martha Kent. Her lips stretch into a smile unconsciously at the sight.

"Martha, hi," she answers as the other woman starts walking closer. "How are you?"

"I'm good," the other woman says as she stops in front of them. "Just doing some last-minute shopping." Then Martha looks to Danny and Jazz and gives them a smile. "And who might these two be?"

"This is Jazz and Danny," Alicia introduces them, "my niece and nephew. They're spending Thanksgiving up at the cabin with me."

"Oh, that's wonderful!" Martha says sincerely. "You left your sister and her husband in charge of the turkey, then?" She winks.

Alicia winces. "Ah, not exactly."

"They had a work emergency," Jazz says, unhappy.

Martha lets out a sympathetic oh.

"That's why we're here," Alicia explains. "They left with the turkey without realizing, so we'll have to settle for store-bought this year."

Martha makes a noise of sympathy before her face shifts into something more pensive. "You know," she starts. "I've got a big turkey at home and there's only going to be my son and me to eat it. If you guys would like, we'd love to have you over to help us with it."

"Oh we couldn't possibly-" Alicia starts to protest but Martha takes a step forward and takes her hands.

"You'd be doing us a favour," Martha says, her hands still into Alicia's as she looks up earnestly at the redhead. And damn it all because Alicia can feel a blush spreading on her cheeks at that.

"Alright," Alicia says, too flustered to argue.

Martha squeezes her hands once before letting go and Alicia can't help but miss the warmth of them. "Then it's settled."

"Alright," repeats Alicia. "We'll have to swing back home, though. I made pie."

"That's wonderful!" Martha's smile is radiant and it makes something in Alicia's chest warm.

She disguises it with a cough before speaking up. "Is six thirty too early for you?"

"It's perfect. We'll be waiting for you then," Martha says. "And for your sister and her husband too, if they manage to tear themselves away from work."

"That's not likely," mumbles Danny under his breath. Uncharacteristically, Jazz doesn't say anything about her brother's manners, only putting her own hand on his shoulder. Martha catches Alicia's eye and they exchange a look.

"Well, we'll be glad to have you three, anywho," Martha states firmly which gets her a hesitant smile from Jazz.

Alicia clears her throat. "We'd better get going if we want to be ready in time."

"Oh yes," Martha agrees. "I have to make sure the turkey's not burning." Then she winks, and for some reason, Alicia can feel that pesky blush coming back. It's made worse by the shrewd look Jazz gives her.

"See you soon!" says Martha as she leaves.

"Bye," Alicia answers back a little weakly. Then she looks down to the ground and sighs. When she straightens her head, she's immediately on guard as she catches her niece's smug look.

"What?" Alicia asks warily.

"Is Martha single?" Jazz asks, with a butter-wouldn't-melt-in-her-mouth face.

"Yeah," the older redhead answers slowly. "Why?"

"Just wanted to know," Jazz says innocently. And even Danny is looking at his sister suspiciously now. "since you've got a crush on her and all."

"I do no-I don't know what you're talking about!" Alicia protests though she feels her cheeks warming for the third time today.

And now Danny is starting to smirk too as he exchanges a look with his sister. "Oh," he starts as he looks towards Martha's disappearing figure. "This is going to be fun."

[cursedzucchini]

You know what? Fuck it

DC x DP prompt #3

I think at least lmao.

Anyway! Jason starts making videos on YouTube for one reason or another (is really stressed, no one listens to his rants Abt books who cares). His content is mostly bad books he read or really really really long rants Abt pride and prejudice. Like 3 hours on one tiny detail he noticed on his 214th read through.

He's kinda popular, mostly bc his terrible books videos. He talks Abt the ones that made him the most mad, which coincidentally are mostly romance and supernatural. Like he's one of the well known figures in the supernatural romance critique group (whcih is pretty small, but well). (Also he doesn't show his face on camera, bc secret identity and stuff, it's just his voice over a video of something mundane, like the sky or a room in which is a fly or something)

And now this can go two ways, that i can think of (w dead on main in mind at least)

1) one day Jason finds a book which is supernatural romance and is actually good. It has a kidna cliche system for the supernatural stuff, but with a refreshing twist. The characters have depts and flaws, yet are still very likable. The plot is actually interesting and overall the story's theme is death, not belonging anywhere and overall stuff that is very close to Jason's heart. The story doesn't shy away from violence and it is suprisingly accurate.

(I'm.gonna reblog this w pretty long idea of what this book could be Abt, bc i don't wanna annoy ppl lol)

Anyway Jason kinda falls in love w it, and it becomes famous for being the first novel Jason rated positively or something.

Meanwhile Danny, who was told by jazz writing is good way to get his feeling out, and just wanted to make a quick buck, is really fucking confused how tf did his book become so popular and who tf is this nerd who rates books for a living.

(basically big fan Jason and suspicious/awkward Danny lmao)

2) there is a famous series on Jason profile. It's the worst fucking series he ever read and it's just fucking awful. All the characters are fucking terrible, always going on and on about one thing, the romance sucks in a way that isnt even funny. Jason would love to believe some wrote this as a joke, if it wasn't for the absolute cringefest this was, and it wasn't a whole ass series!! Like who writes 12 books for a joke?

Danny ducking Fenton that's who. Dude was so ducking annoyed at his rogues, he threatened them w writing a terrible romance novels abt them. The ghosts, knowing his terrible grade in literature backed off for a moment, before someone crossed the line. And write Danny did. It was the worst thing he had ever written, the love interest was perfect caricature yet still faithfully go the original. And Danny, because fuck them he lost sommuch sleep over that one prank, decided to publish it. (The book was pretty thin so it didn't take that much time writing it). Unfortunately it became immensely popular in the infinite realm. So the ghosts started crossing lines on purpose. Before Danny figured it out, he had already published his fifth book and was writing another three. After some bargaining, getting a book written Abt them as a piece of shit love interest became a reward.

And while yeah, he had to say his writing was terrible and the books sucked, some small part of him was kinda proud y'know? Like a mother of her twelve ugly as fuck toddlers.

So when he saw some nerd on the internet not only shit talk his book, but also get money of it?

Danny decided to haunt him (just like his books did him, now that everyone knew Abt them thanks to this guy)

(enemies (sorta it's not that serious tho) to lovers ala terrible writer Danny who hates his books and kinda famous YouTuber hasn't who also hates Danny's books)

--

Fuck this is way too long wtf. Anyway imma reblog this w 1) book idea. Might add whatever i think the twelve books could be Abt. Pls if u want to add anything to this pls do!!

[sanguineterrain]

dc masterlist

ONE-SHOTS.

✩ window pains. ─ jason todd x gn!reader

he's got a habit of coming in through the window. you want him to start staying... and using the door. (angst, fluff, pining, injured jason, tending to wounds, feelings).

✩ sunset anew. ─ dick grayson x fem!reader

you're a little nervous to become the mrs. grayson. luckily, your husband-to-be knows just what to say to soothe your worries. (wedding, fluff, anxious reader, insecure dick, so much soft intimacy)

✩ the teeth you know. ─ vampire king!dick grayson x fem!reader

the war between the humans and the vampires has lasted for a year now. when you fled gotham, you thought that would be the last time you'd see the vampire king and the love of your life, dick grayson. you were wrong. (SMUT 18+ only, manipulative dick, dreams, oral f receiving)

✩ savior. ─ jason todd x gn!reader

red hood is the stuff of nightmares. red hood is no hero. red hood is your best friend. (angst, reader is afraid of red hood and they discover that he's jason, injured and kidnapped reader, emotional hurt no comfort.)

✩ in your hands. ─ jason todd x gn!reader

jason thinks he's too big to be loved. you show him that that's impossible. (bathing together, sad jason, brief dissociation, i hc jason to have body dysmorphia and i wanted to explore that, non sexual nudity, washing your partner, bruce angst, hopeful ending.)

✩ restroom attendant. ─ jason todd x fem!reader

tonight is the worst night ever—you just got dumped on your birthday, and all you want to do is cry in the restaurant bathroom in peace. that is, until, the red hood bursts in. this city just won't cut you a break. (humor, flirting, meet ugly, awkward cute jason, canon typical violence)

☆ angel of small death. — jason todd x gn!shadow monster!reader

you can't remember what it was like to be human. until jason returns. now, he's the only thing tethering you to this world. and you won't let anything happen to him. (monster!reader, canon-typical violence, codependency, stalking, suicidal thoughts, somewhat happy ending.)

☆ crushin'. — jason todd x gn!reader

barbara invites you to dinner with the bats. she's done so before, and you've always declined, but this time, you agree because the bat you've had a crush on for ages will be there. little do you know, the only reason he's staying for dinner is because of you. (mutual pining, crushes, jason is a sweetie, matchmaking, dick is a meddling brother with good intentions)

☆ most normal thing in the world. — jason todd x gn!reader

you get hit with a love spell. naturally, the first person you seek out is jason todd. (love spell, mutual pining, love confessions, jason todd's endless self deprecation)

☆ in the buff. — jason todd x gn!reader

the one where you learn firsthand that jason todd sleeps in the nude. (fluff, humor, love confessions, friends to lovers, nudity)

☆ knight in shining helmet. — jason todd x fem!princess!reader

you're a princess who's visiting gotham. you weren't loving it to begin with—then you of course had to get kidnapped. you're hoping that you'll be rescued by the famous batman. instead, it's the infamous red hood that finds you. (kidnapping, meet ugly, strangers to something more, soft jason, roman holiday vibes).

◇ knight!jason universe - in which you're given to knight!jason as a present (light dubcon elements)

intro post | you make dinner for jason

-> temptation (smut 18+, dubcon voyeurism, religious guilt read the tags!!)

-> a bloody vow (violence, eroticism, part 2 of temptation)

BLURBS.

ALL READERS ARE GN UNLESS NOTED OTHERWISE

-> DICK GRAYSON.

"this is real. i'm real. look at me."

"can you walk? i need you to walk."

dick catches you when you trip and fall

"you matter so much to me."

you meet the yj team for the first time and have a panic attack

dick cuddles you after he returns late from patrol

you try to break up with dick when your insecurities overwhelm you

dick and assistant!reader who has a secret nightlife

-> JASON TODD.

"i thought you were scared of heights."

reader calls jason in panic when they are chased by a goon

"you're just going to leave me here?!"

awkward jason with a big crush on baker!reader

you break up with jason after he almost dies | part 2 (completed)

playfighting with jason turns into something else (NSFW, fem!reader)

jason rescues you after you have a fight (fem!reader)

jason asks his family to help after you, his fiance, are kidnapped

you forget to text jason you're home safe and he panics

you comfort werewolf!jason during a shift

you are jason's ex and have to work with him on a mission

headless horseman!jason gives you a ride home

"why not them, why me?"

you find a werewolf in your shed who has a dead boy's face

you and jason fight and he thinks you broke up

devoted jason who just wants to be yours

jason tells you that he's asexual

you give bodyguard!jason a gift | you defend him at a gala

you're a vigilante who's after the red hood | pt 2 | pt 3

fussing over jason after he's shot in his bulletproof vest

boxer!jason protects you from a creep

you're a reporter who's under red hood's protection | part 2 | part 3

a stranger thinks you're in danger with your boyfriend, jason

introducing naps to jason (hc)

you bring home a baby and insist on keeping her

jason loves his childhood crush's new curves, make no mistake

jason takes care of you when you're high on pain meds

you meet jason as a civilian when you're both held hostage

virgin!jason comes fast (hc)

jason will keep you safe by any means necessary (dark content)

-> TIM DRAKE.

mauling jason (in a sexy way)

your bff is back and insists she's not the girl you knew (female!jason)

you have insomnia and run into tim in the yj tower

-> CLARK KENT.

holding hands while walking with clark

giving clark a massage when he's stressed

clark is scared when he finds out he's going to be a dad

you politely reject superman (you're dating clark kent!)

-> BRUCE WAYNE.

the JL discovers that batman is married... to you

[joesquinns]

https://www.tumblr.com/joesquinns/759493106439782400/from-racist-songs-to-problematic-boyfriends-doja?source=share

JQ & DC is most likely a PR stunt, not a real relationship. Joseph had (most likely/pretty much) rejected her back in 2022 and she had dissed him in one of her songs called "Attention", basically saying he's lazy as shit, how he needs a new wig (Eddie reference), how he thought he was above her (he basically is), how she didn't care that he wouldn't fuck her (she does), and how she had him famous from the problem she had with Noah (she fucking didn't, it was all Joseph that made him famous). Obviously, she couldn't take rejection. Also, she has an album coming out and tours to do and he has Gladiator 2, F4, and he was in British Vogue. She's a very bad person and I have no idea why she had to be the pick for the PR stunt but whatever. Also, the stupid thing is that people are attacking Joseph's father for "raising his son badly". Which passes me off because his dad didn't do anything. This is all JQ and DC's issue. I don't want them bringing his father into this. See many people are saying to "just accept the fact that they're dating" but they aren't even dating. Joseph didn't like her in 2022 and she's very bad. She couldn't take rejection like a bitch. And she's very demonic and weird as fuck. This has to do with Marvel or something and this JQ and DC news is from a person who's notorious for PR stunts. Also, JQ isn't the only one doing these things. It's just a Marvel thing I guess. And to anyone who supports DC or even likes her, that's insane. I talked about this to my mother and grandmother and they even say that it's fake and it's just a PR stunt. A similar thing happened with famous rappers Ice Spice and Central Cee where they did a PR stunt with their new collab song. And they both are problematic in their ways. Also if anyone thinks that hating on Doja is "racist", most people agree that Lupita and Joe would've been way better and cuter. Lupita is a real woman and very kind and not problematic while DC is just a stupid girl who's weird as shit. And I'm not jealous at all, I could care many fucks less about Joe's dating life. But this is DC, a very problematic girl who's done very bad things and is very demonic and weird as hell. If it was any woman that people knew and wasn't problematic, it would've been way better. But this isn't any chick, it's Doja. So people can make all the articles as they want but in the end, it's fake as fuck. It's a PR stunt. I will always love Joe but he gave me the ick and I feel like I need a break. And maybe others. Joe can do whatever he wants, he doesn't know me. And I only know so much about him. He's a grown man and he has a job. But I can disagree with things. I can have opinions on things. My opinion on his choice is....well wtf Joe? But I can't just tell him what he's doing is bad. We all just need to like- ignore it and not talk about it and just suffer for a couple of weeks. Then we can have our old Joseph back but for now, he's just Joe.

Dw JQ fandom, chill, and take a deep breath, it's fake. It'll go away. We'll hold each other's hands through this bumpy road and eventually, we'll cross it. All we have to do is wait and pray or whatever. And if you have your own opinions, that's fine. But here's something to ponder over and think about. There's more to it but I'm too tired to type it out lmaoo😭😭

I rest my case.

To be honest, how everything has been handled and came out since Sunday I'm leading it to being a PR stunt as well.

No one can claim that it is not at all suspicious...

We'll get the blurry pic on Deux and then suddenly not even an hour after there's an article on THE SUN and then suddenly there's a video from two weeks ago and then suddenly someone saw them a day earlier and all this happens in the span of what? 2 hours? And oh suddenly someone spots him on a concert of her from a month ago where his neck seems like the one of a giraffe?

The video where he's grabbing her "ass" is's suspicious as hell...it's more her hip than her ass but ok we could argue about that but it's clear that he's asking her before he lets his hand slide down so for me it's staged af and doesn't scream "comfortable".

DC is a bad person and everyone who says something else is simply...I don't know...

No matter "If she has changed" or "maybe she's different"...I don't care that her fans are saying "she's calmer" and what else.

In Italy we say A wolf may lose its fur, but it will always remain a wolf

I also don't believe that Joe is "not online" because hell, I didn't know about all her shit before Sunday and it didn't take me that much and that long to find it and he has his phone with him all the time WE see him so he knows how to google

Believe me, I can disagree on things as well and I am disagreeing on his choice here. I know for him it doesn't matter but just because I'm a fan, I can still express my anger about the bullshit he does (and everyone who has been following me for longer knows that I'm usually one who defends him).

And before anyone comes in - no I'm not jealous. I know he doesn't know me. I know I don't stand a chance with him and yet I have the right to be angry if he pulls such a bullshit and to post that on my little blog.

To sum it up:

I don't find this funny and I hope this is over soon because otherwise if this really turns out to be "serious" and "longlasting" (like some people claim it to be) I need to unstan him because I don't know if I can support someone who showed himself to be this sweet guy and gentleman person (the past two years) and then turns around and does this bullshit. Either you're real or fake and I'm not here for fakeness.

That's just my two cents and I can guarantee you all this comes out of my brain and I don't have a friend of a friend of a friend who knows him/works in PR/hooked up with him/is in the industry.

Thank you and now I go outside to touch some grass instead to go to his dad’s insta to leave a stupid comment….how old are you? 5? Get a grip

[vechter]

top 5 dick & bruce fic recs + comic recs?? (you don’t have to do both though!)

batman/nightwing: bloodborne (2002) comic of all time, truly. one of my fav characterizations for dick. he's a complex, hyper-competent and intense character. he's never gonna recover from his devotion to bruce. whacky comic shenanigans, some absolutely heartbreaking narration from dick, really insanely well done details about dick and bruce's dynamic- all the things that go unsaid between them, all the things that can remain unsaid because they know each other so, so well.

batman: dark victory (1999) dick doesn't appear till issue #8, i think but it's one of my fav origin stories for robin. dick is a grieving, angry kid trying to make sense of this new world around him as an orphan and you can see why bruce thought he could help him. and he does! some amazing parallelism, great art, stellar dialogue. also, just the whole comic itself (even the issues without dick) are a great introduction to gotham and its rogues and how exactly batman serves as the city's protector. selina is fantastic in it, too.

let them live!: unpublished tales from the DC vault (2021) #2 this is a one-shot story that is mostly nightwing-centric but his competence and confidence are really well-written here. i'm putting it here because the moments between bruce and dick (even tho they're on comms) are great. bruce is both batman and father, torn between coordinating/ strategizing with nightwing and being torn by his worry for dick. you can see why people think dick and bruce are cut from the same cloth but you can also see exactly why dick is the only thing that bruce thinks he did right.

year one: batman/scarecrow (2005) this is a mini-series with dick in his early robin years. the dynamic between them is absolutely great. dick offers exceptional support and empathy to bruce, but there's also elements of playfulness and light-heartedness. there's some great detective work going on, the plot keeps you pulled in and you're able to understand why dick and bruce are so insane about each other. dick understands bruce so, so well even this early on. also has one of my favourite quotes from dick about batman. "you...really that scared of me?" "yeah. in a god-fearing kind of way." father figures as gods you will always be famous to me. although this is a very subpar origin story for scarecrow but also, he's a sub-par rogue to me anyway lol

batman (1940) #615 this is unfortunately in the middle of the loeb's hush arc so it's a bit of a slog to get through but this particular issue has a great dynamic for dick and bruce. mostly dialogue and narration centric tho, dick and bruce are in a good place in terms of their relationship and it shows! also just how much dick means to bruce even if he can never say it.

honourable mentions to teen titans spotlight (1986) #14, robin (1993) #13, batman (1940) #590, detective comics (1937) #725, the entire batman: bruce wayne- murderer/fugitive arc (2002) and robin: year one (2000) for some of their best moments as well

also, fic recs- there's toooo many but anything by @dustorange, @nighhtwing and @bluegarners is a delight to read, you should check out all their works on ao3!!!

and if you're looking for the most compelling, devastating dick grayson characterization ever,,,, that makes you feel unhinged, then i'd recommend persephone's in hell.

[genichisojo]

Chihiro's Age and Being the Perfect 18 Year Old Protagonist

Today I will be breaking down Kagurabachi's Chihiro’s age and why he’s a great 18 yr old protagonist and acts his age. Please forgive if my current DC brain rot bleeds into this.

I think Chihiro’s core can attributed to growing up being loved and respected by his parents. One of the first conversations is Kunishige telling Chihiro that if he wants to be a blacksmith like him and carry the burden of the role’s consequences, “…If that’s how you feel, all that’s left, is for me to believe in you.”

I think when you grow up with a loving parent like that, that loving voice is always in your head. He reminds me of that joke that the reason Superman is so good is because both of his parents loved him unconditionally. But who do we get when you have loving parents who get killed in a traumatic way in front of you? Batman, hi! Hi, Batman! Hi! AKA “that nut from Gotham city” and Chihiro already has such a reputation. Not as a psycho, but he’s deemed dangerous and strong. He’s someone to keep an eye out for now. He’s been underestimated before this arc because of his age.

I personally think that had Kunishige never been murdered, Chihiro wouldn’t had ever chosen to wield a blade unless it came to a time of war. But he adapted to the idea easily because he’s been preparing himself his whole life to be responsible for deaths as a blacksmith. What’s the difference anyways when you’re the wielder? Probably a lot, but you’re a teenager and want one thing, and it’s the right thing in your mind so let’s just start moving.

He has assigned himself the responsibility to get the katanas back and get revenge, and he’s very set on it in a one track, 18 yr old way. When Char got taken, his mind was on getting her back. When Sojo was doing his shit, his mind was on taking him down. Then he immediately moves back into getting back the katanas, not really taking time to process literally losing a limb after already not fully healing from a hospital visit. He’s reckless with his physical health- typical for his age.

Older characters around him also treat him his age. Shiba doesn’t really leave him out of his sight if we’re real about it. He lets him fight on his own and trusts that Chihiro has a handle on things because he knows him and probably trained him. He would’ve gone in during the first fight with Sojo had Azami not stopped him. He is willing to hop in when things get bad, and he will always be there to catch him, but overall, he knows he’s old enough to handle physical strain. Still, there’s that famous moment in the train at the beginning where Shiba does warn Chihiro all the hatred he’s been carrying is “…gonna break you.”

Chihiro asks in return, “So you wanna stop me?” And neither of them says anything and continue to go about their mission. Shiba respects Chihiro and his choices, understands he’s an adult and this is what he wants, but he looks out for him because at the end of the day, he’s still eighteen. And his best friend’s baby.

We also have Azami who summoned the Kamunabi because although he he’s been told Chihiro can fight, he also knew that he had never fought another enchanted blade wielder before and knew the city damage could get crazy. In a way, I think it was also a way to keep an eye on him because he doesn’t want him to get hurt, either. Azami has been proven to be sentimental with his phone lockscreen. He kept Chihiro’s existence a secret because until KB’s starting point, he was a child. He’s barely an adult, and Azami who hadn’t seen him in a while, is still like I guess he can handle it, if Shiba says and then absolutely not.

My final point is that Chihiro treats children well. He talks to children in a way kids like to be talked to- like real people. Kids say crazy things, but he still took time to feed and talk to Char and take her seriously even before they were attacked. The same thing occurs with Mr. Inazuma. He gets down to their level, listens to them in the way his father listened to him, and he goes along with what they want while making sure they’re not going to die.

Chihiro was shown to have been a responsible child and he had to grow up quick to be able to accomplish his goals. In a way, an indirect goal of his is to protect the innocent- children. He knows what it’s like to be a defenseless child and to have nobody run to your aid, so he acts the most rational when other people’s lives are on the line. And when it all falls on his life, he lets himself get a little bit reckless because that’s just what allegedly blood thirsty 18 yr old boys do. I’ll come back to the allegedly later.

[koufli]

141 with a famous reader? Actress like a reader who’s a iconic ( known to be the queen of action movies) marvel,dc,desperate housewives etc SHE HAS A BIG SUPERHERO ROLE (wonder woman,scarlet witch,catwoman)

❤️❤️❤️

꧁༺𝙷𝚎𝚢 𝚊𝚗𝚘𝚗𝚢𝚖𝚘𝚞𝚜! 𝙾𝚘𝚑, 𝙸 𝚖𝚊𝚢 𝚎𝚡𝚙𝚎𝚛𝚒𝚖𝚎𝚗𝚝 𝚊 𝚋𝚒𝚝 𝚠𝚒𝚝𝚑 𝚝𝚑𝚒𝚜 𝚘𝚗𝚎, 𝚝𝚎𝚕𝚕 𝚖𝚎 𝚒𝚏 𝚢𝚘𝚞 𝚠𝚎𝚛𝚎 𝚕𝚘𝚘𝚔𝚒𝚗𝚐 𝚏𝚘𝚛 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚍𝚒𝚏𝚏𝚎𝚛𝚎𝚗𝚝 𝚏𝚘𝚛 𝚝𝚑𝚒𝚜. ༻꧂

꧁༺𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝚜𝚘𝚖𝚎 𝙽𝚜𝚏𝚠! ༻꧂

1. Simon “Ghost” Riley.

°⨳°·..·°⨳°٭⊹°⨳°·..·°⨳°.°⨳°·..·°⨳°٭⊹°⨳°·..·°⨳° °⨳°·

Simon hardly ever watches any movies, but the ones he watches are definitely some sort of fighting genre. He loves action movies, but he’ll never admit it.

He also never admits that he has a favourite actor, he’ll always say something like: “that’s stupid. It’s not like it’s realistic or real, why would I obsess over someone who’s just playing a role?”

Little does anyone know that you are his favourite actor.

He purposefully picks the action movies you’re in, and when he’s alone he’ll appreciate your skill in acting.

He’ll always start getting defensive if soap points out the fact that you’re in every movie he picks, so the TaskForce just stay quiet and grin in amusement that he may have a fond liking towards your characters.

He’ll for sure save the movies you’re in to jerk off to later, he doesn’t realise the extent to which you turn him on. He’s never felt like this about any other celebrity before, but he finds you so attractive it’s hard not to get a bulge when he’s watching you.

He’s the type to settle down after a long day, turn the Tv on and lazily touch himself to your action scenes. He has a huge thing for how vicious you look.

If you two were to ever bump into each other, he will be fan-girling so hard.

He won’t show it, but his heart will be pounding as he casually strolls up to you and asks for a picture.

He’ll clear his throat to get your attention and ask you in a very manly tone to get a picture.

If the two of you were together, he’d be the protective type - he’d hate the fame you’re getting. He’s not jealous, just annoyed that many men will also be drooling over you too.

He likes to keep you, not share you, and in public he’ll often show that.

If anyone’s asking for a picture he won’t let go, he’ll keep a hand around your waist and force the fan to get him in the photo too.

Hell purposely start kissing you/ your neck when paparazzi are around. He likes people to know you’re taken.

After a long day of shooting or a fan-signing event, he’ll fuck you for hours on end just to prove you’re his.

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2. Konig.

Is he in the TaskForce or am I being stupid? I searched it up cause I was confused and it said he was a TaskForce 141 operator…so someone correct me if I’m wrong haha.

This man has no shame. He’ll have posters/collectibles of your characters and keep them around his room.

He’s the type to print out pictures of you from google and make his own posters out of them.

He does get a little embarrassed when someone brings up the fact he’s practically in love with you, and he doesn’t necessarily talk to his peers about it.

He finds it more of a quiet hobby. So whenever one of his colleagues steps into his room, he gets very flustered about his obsession.

Is a hard-core movie nerd, so he pleasures himself a lot to your pictures, characters, movie scenes, anything that includes you. His dick looks beat up and down right swollen from how long he spends jerking off to you.

If he was to ever see you in public, he would go feral. He’d be so nervous at first, not knowing how to approach you and visibly beating himself up to man up and go speak to you.

He’ll eventually do it and approach you, he’s very flustered but gets things done.

He’ll chat for ages once he’s comfortable, sometimes over-shares and is down right creepy about how obsessed he is with you.

Konig has a massive ego, so he’ll start to brag about how big of a fan he is, starts to really get into the conversation.

If you two were a couple, he’d have a love-hate relationship.

On one hand, Konig loves the fact you two are together and can show the whole world, but then again, he likes keeping things private between the two of you.

He really hates big crowds and talking to people, so whenever it comes to interviews he’s the most awkward person ever.

Paparazzi wise, you’re actually pretty lucky since he’s a huge guy and nobody really dares to cross a line with him.

He has the most intimidating stare without realising, but to you he’s just a big teddy bear.

He’ll swear at paparazzi in German.

Absolutely loves watching a movie with you in and fucking you raw on the couch as you’re watching said movie.

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3. Captain John price.

He’s not sly or ashamed, he’ll be open about his liking towards you as an actress and a character.

He’s not the type to have any posters, figurines, etc, but this man will have a borderline obsession and has watched every movie you’re in.

He’ll scroll through your social media, sometimes sitting alone at his desk, busy with plans and work when he finds himself working his hand over his twitching cock under the table.

Price would definitely pull a picture of you up on his phone and cum all over the screen.

He likes badass characters, and you being in a lot of actions just does something to him - especially the outfits you wear.

If he caught you out in public, he would be so friendly that anyone would think the two of you are friends.

He’d approach you with no shame, his camera already out like a desperate puppy.

He doesn’t mean to, but invades your personal space a lot, will just hug you for a picture, wrap his arm around your waist, etc without knowing how touchy he’s being.

Tried to get your number ‘jokingly.’

If the two of you were a couple, he’d be devoted. He’d come to your sets, the biggest smile on his face as he watches you work.

On the red carpet etc, he will always have a hand wrapped around your waist - just a simple gesture to show everyone the two of you are a couple.

He doesn’t mind the fame you get, mostly because he’s with you all the time - so he keeps an eye on you.

This is just random - but if you smoke too he’ll blow the smoke into your mouth before kissing you (in public) in front of the cameras.

He’ll appreciate every inch of your body in the bedroom, especially after seeing you on set on the same day. He’ll beg you to take any outfit from the set back home to see you wear it.

This man will go on for hours, he has the most energy during sex.

sometimes when he gets jealous, he’ll take a picture of your nude body and save it just so he can act smug knowing he has it.

°⨳°·..·°⨳°٭⊹°⨳°·..·°⨳° °⨳°·.. °⨳°·..·°⨳°٭⊹°⨳°·..

There will be a part 2, for some reason my tumblr isn’t letting me type anymore. >:(.

[mxtantrights]

this is a snippet from the famous dc! au that started with The Greatest Hits [read here] you don't have to read it but a lot of things would make sense if you do

THE GREATEST HITS - the proposal

You've come home about an hour earlier than you usual do. That is why Jason panics. No other reason. Oh yeah, maybe it's because tonight he's planning on telling you out right that he wants to marry you and has a ring to offer you and everything.

But you're home early.

"Shit shit shit shit-" he says to himself. You're coming through the front door. And at the front door are the black and red balloons. If that didn't tip you off then maybe the candles would? Jason cringes.

"Jay?" you call out.

He thinks maybe he shouldn't answer. If you think he's not here, maybe you'll step out and call him to see where he's at and if he has anything to do with this. But you're way too smart for this. You'll know this was all him.

"Yeah?" he responds.

"Are we having a party tonight or something?" you ask.

Jason cringes even more. If you were asking that, you obviously didn't see the candlelight dinner set up in the dinning room. Jason thinks to himself, he can save this.

He runs at the speed of light. He darts out of your shared room and around the corner, stubbing his toe. He lets out a string of curse words as he continues running. When he sees you at the threshold of the living room.

The living room where polaroids of you and him are hung up from the ceiling. Right. Those. He forgot about those. You are looking up at the pictures in wonder. Then you look at him.

"Jay..." you trail off.

"You weren't supposed to be home until nine, you're early." he grumbles.

You smile at first and then a laugh starts making it's way out of your chest. The sound is comforting for Jason, he knows then and there that none of this is scaring you at all. He feels his heart start to beat normally again.

You slowly make your way over to him by the hallway. As you do, you wrap your arms around his waist.

"What'd I do to deserve all this?" you ask.

"You existed, you signed that first movie contract, and you put up with me-" Jason starts.

For him it's true. Surely you would have dropped him if you two weren't staring opposite in a movie together. Or if the movie tanked. Either way, he knows that every day you choose to be here with him and he's thankful you make that decision.

"I love you, I'm not putting up with you Jason." you say.

He looks at you then. In your eyes. He can see how your pupils dilate just the tiniest bit. He remembers the first time he saw it happen on set. He had to ask for a break because he couldn't believe he was in the presence of a being capable of holding his attention that way.

"I just-this was supposed to be a big surprise and I was gonna get you at the door and walk you around before I gave you the ring, which now that I think about it you don't wear jewelry that much anyways so if you don't like it I can return it or pass it to someone else." Jason rambles.

Your eyes go wide at his words.

"You got me a ring?" you ask.

Jason nods his head. He keeps nodding and nodding until he's pulling out the box from his jacket pocket and bending on one knee. Your eyes begin to water and he wants nothing more than to wipe them but he can't.

"I'm finally asking, sweetheart." he says.

Then he props the box open. A black metallic ring in the box with the smallest jewels set in the metal.

"Jason! It's always yes! Yes! A million times yes!" you shout.

You hold out your hand, and Jason takes the ring out of the box and slides it onto your finger. You don't even look at the ring after that. Your arms go around his neck and you fall right into him. The both of you go softly tumbling to the floor, Jason cushioning the fall for you.

"I can't believe you said yes." he says, and laughs too.

"I can't believe that you can't believe I would say yes." you laugh too.

Jason Todd didn't think his life could get better. Yes he grew up the son of a movie star and was able to figure out if the life was for him or not, and he got to do things other people only dreamed of. But walking onto set the first day of your movie was the best day of his life and he didn't even know it then. He knows it now.

[ilikekidsshows]

https://www.tumblr.com/ilikekidsshows/751741085530931200/drip-irony-about-ladybug-holders-mister-bug

Thomas Astruc: I'm the only creator to have come up with a ladybug-themed superhero!

Kamen Rider Stronger, a show that aired in 1975:

Astruc thinks "binge-reading" comics makes him an expert on the superhero genre, which it really doesn't. "Binging" on something means moving on to the next piece as soon as you're done with the previous one. It's consumption where the point is to be done as quickly as possible with no time for thinking about what you're eating/reading/watching. He claims he "binged decades of comics" which is meant to make it sound like he read a lot of comics, but he mustn't have put much thought into what he was reading, since he says incorrect stuff like "Miraculous is like having Catwoman and Spider-Man in the same comic, except the genders are reversed" (Spider-Man comics have a prominent cat-themed female ally character already) and "girls are always sidekicks to boys" (all "girl versions" of boy heroes are actually independent heroes, especially Batgirl) all the time.

These mistakes are also really obvious if you ever watch or read anything based on the Batman or Spider-Man comics other than the movies, so they shouldn't have happened if Astruc really did read "decades of comics" as he claims. Black Cat is a prominent supporting character in Spider-Man comics and shows up in almost every cartoon adaptation and is even a love interest. Meanwhile, Batgirl is almost always depicted as an independent agent and not someone who answers to Batman, with the one notable exception of The Batman where she basically takes the role of Robin because DC executives were scared of having more than one version of any character in cartoons at the time. In fact, just looking at DC's comic lineup tells you that Batgirl has had several of her own solo books with no Batman necessary.

Basically, unless Astruc's "binge reading" was really more just glancing at the comics, he really should know more about the genre he claims to be subverting. His understanding of the superhero genre is on the level of a Buzzfeed article back when those were still a thing; people complaining about a movie or genre they've never watched and everyone thinking their distorted idea is the reality. Remember when "Belle has Stockholm Syndrome" was a common take on Beauty and the Beast? "Girls are always sidekicks" is that exact thing, people who have never read or watched Batman look at the name "Batgirl" and think she's a sidekick because she was inspired by one of the most famous superheroes ever both in and out of universe. It's like Astruc has heard other people talk about comics more than he has actually read them.

I'm saying of course he doesn't know about a super sentai giant like Kamen Raider. He doesn't even really know anything about the things he claims are direct influences on his work, like Batman and Spider-Man, the two most well-known western superheroes.

[butchgrayson]

15 16 18 for Jason Todd

omg jason time... i am about to reveal how much i love and miss countdown and all its potential and the fact that i cannot shut up abt it...

15. What's your favorite ship for this character? (Doesn't matter if it's canon or not.)

JAYKYLE i think that theres something so interesting about their dynamic during countdown (kyle in one of his worst mental spaces post-ion, jason adrift as he tries to figure out what he's doing in a post under the hood world) and the antagonism/friendliness that so clearly could have morphed into a truly interesting relationship that could have been so thematically relevant to both their storylines and i wishhhhh dc had actually committed to more stories with them post countdown but well. as with all jason things we must grasp onto its potential with all our might <3

16. What's your least favorite ship for this character?

The clear answer is anything batcest but outside of that i have to say jay/roy. i have read all of rhato unfortunately and so i can understand logically why people end up shipping them if rhato is their intro to comics/they haven't read any roy comics before (or jason ones for that matter lmao) but like. n52 roy is simply not roy harper, and lobdell's writing is truly so contemptuous towards him (and kory) that i really really dislike it. as with everything that came out of that series it relies on butchering every single character and selling their parts off in order to contrive a dynamic that does not make sense given their histories. blegh.

18. How about a relationship they have in canon with another character that you admire?

JASON AND DONNA TROY YOU WILL ALWAYS BE FAMOUS <3333 its like catnip to me i wont lie. like even starting in jay's robin era him and donna have such a fun dynamic (see: ntt v2 #20 esp), where outside of dick she is the titan who takes the most time to talk to him/get to know him, and then after his ressurection in countdown she is like. the only person who really gives him any chance/benefit of the doubt re:duela or his capacity to change. i think the fact that they had suchhhhh clear parallels to each other with their deaths/ressurections and the fact that they cause such huge shifts in their internal self-conceptions, and the process of them dealing with that on their little cross-dimensional road trip is such a treat. sometimes you see someone you used to know two lifetimes ago and it is a comfort and a knife because who they are and who you are have so radically changed but all you can do is keep moving forward etc etc. i wish they had done more with these two after 2007, but unfortunately jason got tossed back into batman-land and genuinely some of the worst writing he has had post-res and donna had like .5 good comics afterwards (i hate u titans 2008). once again: potential potential potential

tysm for sending this in 🥰

character ask game

[thenixkat]

superheroes well known for being easily lead or inspired by a singular person

its not like they're famous for popping up largely independently and doing their own thing for years before even running into another superhero even if there's multiple running around the same city

so the writer has made Superman's second coming the second coming of Christ and thus the kickstarter to the end of the world b/c… that says great things about superheroes in yer superhero book

again very heavy Christian themes that i dont care for and don't mean anything good for this lackluster story

are we gonna pretend that there arent superheroes like Praxis running around in teh main DC universe at the time who was just as openly racist as this ultra patriotic 'superhero' here?

like, just, Superman and the like dont give a shit mostly about the dark edgy superheroes in teh mainstream DC universe except for stories not unlike this where the main thing is criticizing the fuckers.

oh no the bystanders! It not like I've read a story featuring SUperman being perfectly fine with demolishing peoples' homes on account of he can just rebuild shit later

i think this writer might be unaware of all the fuckers who died or got maimed or injured in normal superhero fights back in the day just cause the artists and writers never showed the collateral because superman was neccessary for all these heroes who started independently of him to get off their asses and protect more than just one small area

b/c we all know that SUperman is the bestest best boy in the universe and every hero needs him as inspiration to be heroic Fascinating how Red Robin is shown as one of the good heroes of yester year when he's rightfully contemporary of Lightning, Black Lightning's daughter shown as one of these reckless youthful metas with no morals

it's not escaped me that all of our great heroes of yesteryear are white. And a good chunk of our amoral young metas are notwhite, and also the majority of heroes that were aquired from other companies. Strange that~ Totally a coincidence and not something to look into

I just kinda hate this story. I dont think its good. It's giving 'the good old days'/Make DC Great Again vibes. The only reason I picked it up is to get more info on Ted in this universe b/c the wording on his beetle armor has me unclear if its actually armor made by Khaji Da or just powered by it

and of course fuckers pulling a Batman and acting like fuckers need to be sanctioned by them to be allowed to be superheroes b/c that's how superheroes work

Batman's mansion is run down. His identity got exposed a while ago. The Batcave is half flooded

actions to disparage the amoral youthful heroes for: Blowing up the torture prisons where supervillains get turned into slaves with bombs implanted in their heads and normal criminals get lobotomized

sure they should not have also killed the prisoners. But destroying the prisons? go for it

also love how stories of this type always play the superheroes as the problem. Due to wro

ng methods and shit when superheroes are largely just a symptom of the issues plaguing society as much as the crime they fight

less crime would mean less superheroing of all regards, less poverty and war and shit would mean less crime but also just saying that more metahumans is just going to lead to shit going to shit is just such a bad message for a superhero comic given how much of folks becoming metas is a stress response and/or saying that superheroes shouldn't breed b/c their superhuman offspring will fuck shit up

yeah Batman generally seems inclined to turn shit into a police state in his brand of superheroing like that's good

helpful or desirable and Bruce calling Clark out for his tendency to turn totalitarian when shit goes sour

like both of you are terrible in yer own ways

i feel like Green Arrow and Blue Beetle should not get along as well as they keep being shown too in shit like this just cause they're teh same type of superhero. Especially Mr. Problems with authority Blue Beetle

why are yall relying on Batman's plans yall are just as smart if not smarter and way better with people

I hate this story so much. Both Superman AND Batman were the bestest of the best the pinnacle of superheroing. Makes me want fucking vomit

also I love how often Wonder Woman is just fucking chopped liver in the stories like this that ride Batman and Superman's dicks they're getting paid for it Dr. Mid-Nite can fly??

like for some reason Diana isn't allowed to be the pinnacle of paragon or truth or justice and has to try convincing Superman to lead them all into a better future and how she just dips into bloodlust when things go poorly like…

Also none of the younger new heroes are allowed to be viewpoint characters yet b/c this is a propaganda piece an we cant humanize the fuckers we wish to disparage

we get supervillains, the old guard supervillains of course, as viewpoints b4 we get any of the youth that's being disparaged

It's also 90% white in this old guard important villain's meeting.

so a good chunk of these amoral young metas are villains

a group of mostly white elderly villains actively making shit worse, to provoke a war between regular people and super people b/c sure people will somehow benefit

[mutable-manifestation]

The Ghost King (of Miscommunication) Ch. 20

Part 1-12,Part 13,Part 14,Part 15, Part 16, Part 17, Part 18, Part 19

Part 20!

Info:

DC timeline is fucked, I’m going with the “Batman know most ids but hasn’t revealed himself yet” and a use of the ol’ canon “Brucie Wayne is That Famous(™)" and known as being a serial adopter.

As for how Deadman knows things: Rama pulled a favor with clockwork to let Deadman mature as a ghost/learn about important zone information & culture before yeeting him back to the living world with no time lost bc balance reasons.

He doesn’t know everything about the zone - he’d be garbage at finding his way around and he doesn’t really know anybody - but he knows customs and he knows about halfas bc all info about the Ghost King was High Priority Know This Or Don’t At Your Own Risk (the risk is that will turn u into a . He basically spent a subjective decade practicing his powers or reading books on ‘how to ghost’ next to Rama. He never has to go back to the realm to ‘recharge’ because Rama just kinda beams him what he needs to keep going.

***

“Well,” Constantine starts as he - ‘Finally,’ Bruce thinks - steps up to the table, evidently finished examining the scene, “I can tell you why we couldn’t find shit wrong in Gotham.”

“Elaborate,” Bru- Batman - he has to be Batman, now, has to be calm and think if he wants to get Jason back - demands.

“Don’t get your cape in a twist, Dadman, I’m getting there.” Constantine rolls his eyes, taking a seat.

“There’s a reason I don’t visit Gotham if I can help it - other than its stellar reputation and your renowned hospitality to outsiders.”

His amused snort very quickly transitions to a grimace.

“Gotham’s got the magical equivalent of background radiation. Real uncomfortable stuff. Feels like walking in the world’s biggest graveyard. And that-” he jabs a thumb over his shoulder “-feels just like it.”

“You’re saying he’s being kept somewhere in Gotham?” Red Robin perks up, voice hopeful and doubtful at once.

“No,” Constantine shoots down. “I’m saying whatever little fairy theory the kid had going was wrong, the fae haven’t lived in hell for centuries now. Even if it were them, pocket dimensions don’t actually work like that.”

“Wherever that portal led to reeks of death-” the Gotham heroes all tense at this, the others shooting them tentative looks of concern as Constantine steamrolls on “-and Gotham is exactly enough of a cesspit to have covered up the stink of it before. If it weren't for him being treated relatively well there, I woulda guessed he’d been dragged to hell. Dunno much about heaven - obviously - but I’ve never heard of them having escapees.”

“Obviously not,” Robin snaps, standing. “Red Hood is not dead, he was just here. We were able to see and interact with him, without any need for your tricks. Now can you tell us what it is, or do you just intend to sit there and list off all of the things that it is not?”

Beside him, a brace of batarangs appears in Black Bat’s hand, fanned out threateningly.

“Black Bat, Robin, that’s enough.” Batman commands, voice leaving no room for argument.

“He didn’t have a pulse.”

All eyes snap to Oracle, whose voice is only barely heard thanks to the silence following Batman’s words.

“That doesn’t mean anything!” Red Robin insists. “Superman and Martian Manhunter don’t always have a detectable pulse! We already know Hood is…different now. But that doesn’t mean he’s dead! Some kind of magic or advanced tech could’ve-”

“You think I don’t know that?” Oracle demands softly. “I don’t want him to be dead either, but lying to ourselves will just make things harder. We need to know the truth if we’re going to get him back, whether we like that truth or not.”

Constantine allows a few seconds of somber silence before opening his mouth to break it, but is cut off by the door slamming open.

“I’m here,” Shazam says, rushing to his seat, “What’s going on?”

“One second,” Constantine interjects, “Deadman is here too. Let me just….”

Deadman pops into visibility over the table.

In lieu of re-explaining, they play back the relevant recordings - Batman had started them the moment he sat down, just in case.

There were only perhaps 15 minutes of relevant video, including the explanation, the re-kidnapping, and what little Constantine had told them - they’d spent much of the time Jason had been present getting details, brainstorming potential counter-strategies, and just generally killing time in the hopes that the clock would run out and everything would be fine.

“And that’s everything we have so far,” Batman says as he pauses the video - no need to replay the argument. “Thoughts?”

“Well, Conny’s right that they ain’t fairies. You’re not gonna like the answer, though.” Deadman starts, ignoring Constantine’s glare.

“If you have answers we want to hear them, whether we like them or not.” Batman insists, trying to reign in the fragile hope trying to bloom in his chest in favor of bracing himself.

“That portal led to the Infinite Realms - more commonly called ‘The Ghost Zone.’ As the name implies, it’s infinite and - whaddaya know - full of the dead.”

“Then Red Hood is…what? In heaven? Limbo?” Batman’s mind races; was it even possible to steal him back? Had they just…been allowed a final goodbye?

“Nah,” Deadman says, breaking him out of his thoughts.

“Heaven, Hell, Purgatory - those places might be all Constantine has interacted with, but you gotta remember that I talk to Rama. Avatar of Vishnu? Yeah. The afterlife is a lot more complicated than most people think; fact of the matter is, all the afterlives people have believed in over the ages exist, and they all sit neatly in their own little slices of the Realms.”

Deadman floats to sit cross-legged at the head of the table.

“The only reason portals to hell and other locations in the Realms look different is because the local deity and/or devil makes them so, but much of the Zone is ungoverned by any specific deities or devils, so if you just open a portal to a random location, odds are it’s gonna be the green swirly.”

“So he is dead,” Signal concludes mournfully.

“Not necessarily. Kid said he got pulled through a portal to some kind of medical center, right? And his body was completely normal until one day he woke up looking different. And you lot didn’t find a body anywhere?”

“No,” Batman answered, “All we could find was the residue from the portal.”

“Well, if he’d up and died he shoulda left a body behind; it woulda been dumped back out by now - somewhere obvious, too, ghosts are big on proper burials. So unless someone managed to vaporize him, odds are he’s not fully dead, but he’s definitely at least a little dead.”

Robin scoffs, “‘A little dead.’ Do you hear yourself? Either he is dead or he is alive, there is no in between for that kind of thing.”

Deadman merely snorts.

“Says the liminal.”

Robin frowns.

“Liminal?” Robin, Batman, and Constantine all chorus.

“I thought that was just Gotham being possessive,” Constantine continues with a raised brow, turning an appraising eye on the batfamily.

“No,” Deadman answers, “All of you bats and birds are liminal - some more than others. Just a little changed, just a little touched by death. With any luck, the missing kid’s case is just a bit more severe. But we can talk more about that later. Back to the kid.”

And they will get to it later. Jason is their priority now, but if something is going on with his kids Bruce intends to know about it.

Deadman pauses to take an unneeded breath.

“I’m gonna be real with you - and Batman, don’t freak out - but it sounds to me like he’s been ghost adopted.”

A beat.

“Excuse me?”

Deadman waits for the litany of ‘what the hell’s and ‘ghost adopted???’s and ‘he already has a family!’s to die down.

The non-Gotham members of the League remain quietly confused - hoping this means things can be resolved peacefully while privately wondering if the bats and birds really would turn out to be some kind of self-unaware cryptids.

“Okay. Ghosts form when enough ectoplasm and ectoenergy - which you can think of as basically the carbon and electricity of the Zone, I guess, at least in this context - are present at the death of a being experiencing strong emotions. In the absence of that perfect mixture, a shade - just a soul with no real power - is formed, only able to become a proper ghost and form a core if brought to the Infinite Realms-”

“A core?” Batman asks.

“Ghost brains, basically. Anyway, ghosts can also form if there’s enough ectoplasm and energy in one place, either from the zone itself - known as neverborns - or from strong enough ghosts intentionally forming them - known as naturalborns. Now, ghost families don’t work the same as living families do. Ghost families form from a sort of ‘dibs’ system-”

“Dibs?” comes Flash’s incredulous voice.

“I’m gettin’ there,” Deadman sighed at the second interruption. “As I was sayin’. Regardless’a how, once a core is formed the new ghost is considered a baby ghost. It isn’t really a one-and-done process. Sure, once you’ve got a core you’ve got a ghost now, but not a mature one. Cores have to grow until they reach a stable size and energy level - usually marked by natural power acquisition settling down and ectoplasm fluctuations stabilizing. How long it takes depends on the quality and quantity of ectoplasm and ectoenergy available - the shortest known time was just under 5 years, longest was a few hundred, I think? Average is a decade or two.

This is relevant,” Deadman emphasizes for those who are visibly growing impatient, “For two reasons.”

“Firstly,” he holds up a finger, “The ecto a ghost takes in while maturing has an impact on how it develops, the powers it ends up with naturally. Everything in the zone is made of ectoplasm, and ghosts both take it in and echo out the excess - like plants, kinda. Maybe.

So if a baby ghost is around, say, a fire ghost a lot of the time it’ll probably end up with fire powers of its own. Assuming it was early enough and their core wasn’t already leaning towards ice or something. A stronger ghost parent also means faster growth.

Now, the Infinite Realms are infinite. People can’t always find each other, some people die at different times, some people return to the cycle before their loved ones die, some are neverborns, etc. Most sapient beings want friends and family, it’s just how it goes. So ghosts sometimes just kinda. Dibs each other.

Multiple dibs’ are pretty abnormal; baby ghosts aren’t actual babies in the human sense of the word. They don’t just pick a parent and stay there all the time while they’re waiting to mature. There’s generally that first few week-to-month period where they’ll stay put with whoever dibses them first for safety until the basics settle in, but after that? Ghosts explore, and dibs occur, and lots of newbies end up with something like a dozen parents and however many siblings-in-dibs.

Secondly,” another finger joins the first in a peace sign, “And what I suspect - and hope - is that while souls can fail to form cores and become shades, the opposite is also possible; a living being can become liminal enough to form a core. Making dibsing pretty much inevitable - no decent ghost is going to leave a baby seemingly stranded in the living world to starve into nonexistence. Gotham might have enough polluting the place, but it’s pretty much all rancid so that would’ve made them even more eager to get the kid outta there.”

“So what you’re saying,” Red Robin drawls, “Is that he’s dead-but-not-really and is only missing because a dead-for-sure person took one look at him, went ‘that’s baby,’ and pulled a Bruce Wayne?”

“Pretty much.”

“Even if it wasn’t intended to be malicious it’s still a kidnapping,” Batman says.

“Well, Wulf did offer to let the kid bring guests back with him-”

“What!?” Everyone choruses.

“Yeah, though given the whole fae-kidnapping assumption I think the kid took it as a threat, but he asked the kid how many of you he wanted to bring as guests. He said none, so Wulf said do not pass go, do not collect two-hundred dollars." Deadman said casually, as if that wasn't a heartbreaking bombshell to drop.

"Anyway, point is, if this really is just one big misunderstanding then you can go talk it out. Ghostspeak isn’t really living-friendly and the living language he did know clearly didn’t help. Lucky you, I can translate. And the Realms are a human-safe environment. Well, the air is breathable at least.”

"Human-safe my ass," Constantine spits. "If the demons I deal with dwell in one little slice I don't even wanna think about the kind of nightmares strolling around the rest of the place."

"We're not leaving Red Hood in there."

The Gotham heroes' words leave no room for argument.

They get down to planning.

***

Fun Fact:

Ghosts do change their names because of the whole ‘holds power’ thing - not in a mind control way, but in an emotional way. If someone can dig up how you died they’re probably gonna say something insensitive. Case in point: people on ghost shows being like “hey *ghost name* we heard *insert horrible thing here* happened to you. Is that true?” Rude. You’re a complete stranger.

Anyway here’re the ghost names.

The trio had been dating for over a year when Sam & Tucker died and it was a very stable relationship. They’d been planning out their future together by that point, down to details like where to live so all of their work would overlap, how to manage Danny’s lack of aging (aka moving frequency), etc. When they brought up thinking of ghost names Danny - distracted - immediately just said, “Well you could just go by Phantom now since you will be in another year or two anyway.” He’s incredibly embarrassed when he realizes what he’s just said, but they’re all happy and engaged by the end of the day. (They tease him mercilessly about that being the world's smoothest yet most clueless proposal ever for the next 10 years)

Jazz & Spike Spook were already mentioned in canon with their sense of humor being explained (you’d think the joke would get old after 40 years, it hasn’t. Not when Danny still pouts when he hears Spike’s full name)

Jack was really excited to help fight ghosts as a ghost to protect Danny (he’s really proud of his baby boy growing up and becoming a king via fighting ghosts). He dies before Maddie and calls himself Jack Specter “after the specter deflector, because I be deflecting [your enemies implied here]” (Danny had to go lie down after hearing this sentence [Jazz’s sense of humor came from somewhere and that somewhere is Jack Fenton. Jack Fenton’s knowledge of ‘hip phrases’ comes from Jazz and Jazz’s sense of humor, also known as brother-torture or simply ‘betrayal’ as Danny claims]). Maddie likes that it fits the family name theme and calls back to one of their inventions (& wants to match her husband).

Dani stay a Phantom, ofc, and is formally ghost-adopted by Danny after he tells his parents everything (his parents formally human-adopt her so she has a stable human-world home if she want it, but she calls them Gran and Gramps as a joke that becomes sincere over time)

Wes goes by Wes Wraith because it’s close to wrath and he is fully and consistently angry about fenton=phantom and also a slight edgelord.

Ida Mason is also a ghost. She simply goes by ‘Wilda’ now (pronounced like wild-uh) and looks shockingly like Ember if she was an adult. And her hair wasn’t made of fire. And also went more pink than blue. So barely like Ember at all lol. She died in the middle of trying to finish knitting a scarf and now her obsession is knitting. She knitted a moped. She knitted a house. Home girl knitted herself an entire island and has not stopped.

The Manson parents have a little door-realm connected to their house in the living realm (like Poindexter with the school) and spend their time pretending everything is normal (like how Poindexter was stuck in the bullying loop but just. Reading the same newspaper/remaking the same dress, watching the same shows/etc).

The Foley parents were perhaps the most normal people on the show. 

When Sam and Tucker died, the only ones who knew what happened were them and Danny - even Jazz didn’t get an explanation until she & the Fenton parents followed them into the ghost zone to find out what was going on - so the police were left to draw their own conclusions.

The GIW had already proven themselves to be reprehensible and overly willing to step on anyone who got in their way. The tech the police found was a collab between Dalv Co & the GIW and with Vlad’s disappearance and the GIW’s emotionless denial no one ever gets prosecuted for Sam & Tucker’s deaths (Vlad has a warrant out for him & the Mansons try to drag the GIW to court but it never goes anywhere). 

The Foleys switch job tracks to take down the GIW/the Anti-Ecto Acts/any other asshole ghost hunters they can find. The Fentons are only exempt because they tell them what happened, explain how their stance on ghosts changed when they found out about Danny, and help the Foleys on their journey.

As ghosts Angela is obsessed with Justice & takes the name Justitia and Maurice is obsessed with ethics (bc if the GIW had any they wouldn’t have made weapons like that in the first place. Literal animals had more rights than ghosts at the point despite them being provably sapient) & takes the name Ethos. (They keep Foley as their last names tho). Yes, Danny does royal-decree them into being Walker’s oversight. Pretty much everyone is a fan of that. Except for the observants, who complain about everything but especially about how much Ethos & Justitia argue with them (what is the ‘greater good’ does not often match up with what is right. Especially when their idea of greater good is ‘eliminate problem via murder or core-crushing before it can become one’ instead of literally anything else).

@mayoota-blog1 @kyrianclawraith, @do3y, @someonebored0100 @omegasmileyface

[mk-wizard]

“Thor” Speaks Out: We won’t take the hate that you give

First, the She-Hulk TV series’ creators admitted that they made the show with the objective of mocking fans, then Henry Cavill walked out on the Netflix Witcher because he had enough, and now, Chris Hemsworth who is famous for playing Thor in the MCU has had enough and is putting his foot (and hammer) down hard in how he is sick of being ridiculous on purpose.

THIS is what Disney, Netflix and a lot of media have to show making films and series that are not only devoid of love, but openly hate the source material and will create a media based on it just to spite it and its fans. Back when I was growing up, if someone on the set of a movie or show mocked the very piece they were creating and did not take it seriously, they got fired. If you don’t really want to be there and don’t even like what you’re working, then you shouldn’t be there. Now, it looks like insulting the media has become part of the creative process and is even encouraged. And that’s bad.

I admit that even fans laugh at the very fiction they love sometimes because we are not blind to its flaws or silly parts. It is even an art form to sit back and laugh at the silly side of our fandoms hence why we have spoof films like Dracula Dead and Loving it, the famous Naked Gun series, the Lethal Weapon TV series on Netflix, Shaun of the Dead, The Orville, the webcomic 8-Bit Theater and more.

But even then, it was still obvious that behind these parody pieces was a very obvious love and endearment towards the source material. In other words, we are laughing with them together with no hard feelings and we all still love what we love. The creators did not make these films or series because they wanted to make the original material look bad. They did it because they wanted to make us laugh. And even then, they were put together with care and with intent of making something great that all audiences could enjoy.

Now, pieces that are meant to be part of the official lore feel like hate letters to both the original fans and creators. And what do you really have to show for it when you create something with hate, resentment and with the intent to insult and punish the audience? Nothing. All you did was waste your time and made yourself look bad. Not to mention that when you make bad media on purpose, it becomes permanent on your record. Moreover, when you have a chance to work with something as big as She-Hulk, Star Wars, Superman, He-Man or other iconic figures in fiction, it would be wiser to give it your all and make it into something great like Noelle Stevenson did with She-Ra. Even if you aren’t a die-hard fan of the material, it is still honour to be picked to work on it, so it is better to treat it like an honour instead of a joke. And if you dislike it that much, it is better to kindly turn down the job.

The point is that Hollywood needs to not only remove hate from the equation, but to also put love back into the creative process. Too much of Marvel, Disney, DC and now, Netflix are plagued with meanness and hate, and the material is suffering for it. I also truly believe that deep down, these companies don’t want to be hateful or mean to anyone including themselves. They don’t really want to lose their loyal fans and don’t really want to make half-baked films or shows.

I believe that things are going to change and while I admit that maybe it will get worse before it gets better, I have faith. After all, DC, Marvel and Disney have been around long before this new wave of media came along. And it had its bad times before yet braved them. The Dark Knight rose once, he can do it again and so will all the other heroes.

After all, love is stronger than hate. If anything, the fact that these actors are taking a stand and speaking out is a sign of positive change. They are finally saying “no” and if there is one thing I have learned as a parent, “no” has love behind it.

Thank you for reading and as always, stay safe.

-Mary

[floof-writes]

Officially Declaring War On The Canon V Fanon Debate in DC (it's fundamentally flawed, they are interdependent)

"Actually in canon" "fanon always gets this wrong" "Dick's the golden child" "Jason's the golden child" "In canon Alfred's an enabler" "Actually Bruce is abusive" "Hate when people pretend Tim cared about Jason as a kid"

Look, if being in the DC fandom has taught me anything, it's that canon has so many retcons and reboots that they made up an in-universe mechanic for when the world resets. Why are we pretending that Fanon is anything less than another branch of this world? Golden Age, Silver Age, Pre-New 52, Fanon. Who are we to say that if Superboy Prime punched reality hard enough or Flash fucked up enough, we wouldn't end up here anyway? Comics as a medium are messy and worked on by hundreds of people across the decades.

DC comics is almost a century old. The Justice League wasn't always called that and Batman wasn't always part of it, there's a Batman rogue named 'Condiment King' and one of his most recent appearances was in a fucking LEGO movie, Dick is named Dick. These characters and their stories are living artifacts- time capsules of decades long gone, but also undergoing constant and soul-deep change.

Moral of the story: If DC canon is your golden standard then you're measuring against a piece of cooked spaghetti.

And we expect canon to evolve, to be inconsistent. When they made Dick they didn't know about Jason, when they made Jason they didn't know there would be a Tim, and when they made Tim they didn't know Jason would come back. These characters are inherently fluid because they weren't created with each other in mind, so when the Batfam is all together today, their characterizations are adjusted to make them a more interesting group for the given storyline and genre. Canon has always just been an attempt at expanding on and experimenting with what has already been built, and it has always been influenced by the fans of the time. The most famous example being the phone in vote on Jason Todd's death that literally defines canon today. Characters are killed and resurrected and given comic runs based entirely on popular demand. Fans and fanon have power- and rightly so.

DC canon is simply the constant interpretation and reinvention of the work of hundreds of artists and writers over the years, all compiled into this conglomeration of Stuff- and guess what? That's exactly what fanon is.

"Fanon loses their mind when they see actual complexity" Guess what? Storytelling is based on archetypes. Fanon isn't a 'dumb it down' machine- it's a purifier. It boils things down to their essence. It takes the contradictory, awful, beautiful mess that is canon and turns it into something usable. Fanon characters tend to be an approximate average of all the different interpretations, and they separate the characters into the parts that people find the most compelling. It identifies the pieces of a character that define it to the audience and gives canon something reliable to work off of the next time they decide to rewrite the universe.

And yes, often times Fanon doesn't make it out without a heavy dose of optimism. The erasure of certain abuses, the resolution of certain arguments. Because let's face it: moral grayness is Uncomfy. And people engage in fandom largely for comfort- that is one of the main functions of all entertainment. In other forms of media, problems are given finality. Complexity is given a rest with an ending, happy or not- but comic books don't do that, and in the next run with the next writer they may just ignore it happened at all. Fanon's rose tinted glasses aren't always rose, sometimes they're a sickly green- it's just that to write the next story with nuance you have to have a solid starting point.

I'm not denying the power of working within the restraints of a predefined timeline, nor the power of something being officially canon. Returning to the source material can inspire new nuance, new details, new opportunities- but using the source material to disqualify nuance made by fanon is counterproductive and frankly dumb. We're all building off of eachother- why are you retconning something that existed only as an experiment? It's important to acknowledge that an audience is half the art, and once something is published, there's no way to take it back and make it definitionally pure again. It is the property of all those who consume it.

TL;DR- 1. Canon is absolutely fucked anyway. 2. Fanon and canon have always been and will always be intertwined and interdependent.

[roobylavender]

im fairly new to batcomics so forgive me for this dumb ask/being uninformed, but do you ever have like. doubt in your reading for bruce as a character, or feel bleak about it (?) im aware you dont really like the reading of him as an abuser, but from what ive seen he most often does emotional neglect/distance and parentification of a child, which /are still/ abuse, and this happens very consistently. from what i can tell there is more evidence of him being a bad parent than otherwise. people often say hes incapable of having a child without messing them up beyond repair, and from what ive seen that rings true😭 i also know you said u dont like alot of his modern portrays, but these types of abuse also occur in older comics as well from what i can tell. i myself often have doubt (perhaps this is because i havent read everything yet and im still informing myself on his character)-that maybe this /is/ just his character, bc of HOW consistent the pattern is. idk if im really asking a specific question. im more so wondering what your thoughts are, like on parentificafion of his kids and emotional neglect/distance, would this be different if DC portrayed him more empathetically/based on your reading, and/or is he just fundamentally unable to parent someone without abusing them like some ppl say. i understand i may have just opened a whole can of worms lol but im so curious

you are totally fine! canon is quite overwhelming in both volume and scope, and conversations about bruce being an abuser definitely dominate at present (not wrongfully btw), so i don't blame people for ascribing to them early on. i will say at least from what i have read (and i will admit here that my pre-bronze age reading is not nearly as consistent as my post-bronze age reading so i have kept less track of specific writers and runs there) that i think the aspects that largely define present interpretations of bruce as an abuser tend to take from canon post-crisis onward. so that's probably why in a sense it looks like bruce has "always" been an abuser, bc realistically speaking if you're a new dc reader it makes most sense to start with the aftermath of the crisis and go from there. most conversations about "canon" tend to be about post-crisis canon (ie what has taken place on new earth/prime earth) and usually when you're looking up batman reading lists they will start with year one rather than with anything in pre-crisis. the crisis was nearly forty years ago after all! it covers a lot of territory and unless you're a really dedicated comic reader with a lot of time on your hands i don't think most people have the time or energy to go further back (to no fault of their own obv)

all that being said. pre-crisis canon is obv not monolithic in nature and there are definitely blogs out there who have dedicated themselves to compiling individual issues or moments they would personally interpret as evocative of abusive behaviors on bruce's behalf. i don't think that's inherently wrong to do per se and to each their own reading but my primary divide with that practice is that it's often performed within a vacuum. to me the most important thing when it comes to being a comics reader (or any kind of reader really) is taking into account real life context and genre conventions. how do the politics or culture of the time shape the way a given narrative is written and with what tone it's written? all of that is crucial to incorporate into an analysis. i'm going to use a pretty famous example of why. world's finest comics #153 (1965) is the origin of a pretty famous panel you may be familiar with:

on its face this looks pretty bad (and it'll actually factor into when i discuss parentification later) but contextually this issue imagined an alternate reality wherein superman was responsible for the death of bruce's parents and subsequently became the face of bruce's relentless revenge and pursuit of criminal activity. obv that's not a bruce who actually exists in reality and this was merely written for the sake of exaggeration and entertainment but it can also give rise to some interesting questions about what the writer here was specifically trying to satirize and why. primarily it's obv trying to poke some fun at the idea of bruce's crusade to begin with (which i am sure most people would agree was quite cartoonish in the early decades of dc despite the more layered portrayal and analysis it was afforded in later decades). but what's also pertinent here is the sort of "natural" exaggeration of bruce's dynamic with dick. in even as far back as the original bob kane comics, bruce and dick had a dynamic where dick was comedically portrayed as the more morally responsible one of the two. it wasn't much reason for concern back then bc the stakes weren't nearly as high and dick's tendency to question some of bruce's decisions (eg his tendency to always let selina go or to allow some villains to die horrifically) was almost always played off with a laugh. but the foundation was still there and you can recognize it in these panels despite that foundation obv being taken to an extreme. all of which is to say: the portrayal of bruce as an abuser largely depends on what a writer is willing to exaggerate, and why, and how. this issue was obv a one-off with no relevance to actual canon but it was nonetheless a peek into what that dynamic between bruce and dick could look like given a writer willing to pursue a darker tone and to explore the potential extremes of what was on its face merely a gag

the novelty of cape comics is that they are a place to explore anything and everything. extremes are possible bc no writer/artist and no editorial staff are ever on a book forever. what creatives want to explore with what they're given can hugely vary esp if a particular editorial staff is liberal enough to allow that exploration. and i think it's fair to say that a lot of writers are interested by the idea of that what if the above issue explored. not out of malice per se but certainly out of a growing curiosity as to how far disbelief with respect to the internal reality of cape comics can actually be suspended. the big question for batman in the 80s was whether having a kid sidekick constituted child abuse. this was primarily explored via the starlin run that ended in a death in the family. and obv following that we got the triple whammie of year three, a lonely place of dying, and knightfall. these arcs to me were what really cemented the foray into parentification in batman comics. the fledgling idea of it had always existed in a sense. dick was the more morally upright character of the two known for chiding some of bruce's decisions. he was the leader of the original teen titans, who historically demanded more respect and support of their mentors (i do not think it all inconsequential that dick and roy were developed so closely). and increasingly as we moved from the bronze age into the modern age we saw a dick who simultaneously desired to be independent of bruce and to be recognized by him. so the components to take that fledgling idea to its natural extreme were all there. editorial merely had to create the right circumstances to mesh those components together, and those circumstances were the buildup to and execution of the death of jason todd

i really do not think it can be underestimated in any sense what an enormous impact that event has had on the entire bat mythos at large. beyond utterly shattering the readers' suspension of disbelief wrt sidekicks' place in cape comics what a death in the family did was create an unavoidable void. this was not an event that could merely be skimmed over and moved on from. the aftermath and the consequences had to be dissected to their fullest extent otherwise batman editorial risked falling into the exact same problem the crisis was written to avoid: circular and aimless continuity. everything had to have concrete, forward moving direction and the consequences had to matter long term for there to be meaningful character development. so when you created the circumstances for a child dying bc batman had him gallivanting around as a masked vigilante, he had to retreat into his shell and utterly fall apart from the guilt of it all while everyone else fought like hell to keep him standing. it was pretty riveting and compelling. knightfall is probably one of my favorite arcs ever despite how utterly boring it is bc the introspection into bruce and his breakdown following jason's death was superb. but the circumstances it created for everyone else in bruce's vicinity to act like his emotional crutch while he took the next decade to recover obv had significant long-lasting consequences. dick had to be relegated to acting as the go-to family man rather than ever again pursuing his own dreams as he had in the 80s and early 90s. when jason came back he had to deal with all of bruce's grief and guilt being projected onto him while his own concerns went unheard. tim had to spend his teenage years deluding himself into believing he was the only one who could hold gotham together while bruce was falling apart. cass had to expend an enormous effort trying to prove herself to bruce bc all of the built up circumstances from the last decade drove him to insane paranoia about having sidekicks at all. and damian had to deal with whatever bruce had become by the time all of that was over

all of this to say: do i think bruce was always meant to become an abuser? not really. but did editorial avail themselves of and relentlessly pursue narrative circumstances that allowed that path to be realistically taken? absolutely. it's ultimately a debate of whether or not you agree they should have taken that direction long term. and i know it may look like i would probably be a hard no on that but personally i find myself more in the middle between these two imaginary camps. bc i'm not unsatisfied with what knightfall explored. i found it hugely interesting to explore the natural conclusion of bruce taking all burdens upon his shoulders and making himself highly vulnerable to collapse bc he refused to open up to anyone out of a fear of burdening them in turn. but knightfall was also followed by contagion and legacy and no man's land and murderer and fugitive. it was bruce taking one hit after another until he was utterly ripped to the core and had to start over from scratch and ig that's what i fundamentally disagree with. i don't think they needed to have gone any further than where knightfall took him and to me the end of knightfall should have signaled that bruce was ready to turn a new leaf where he could healthily balance his emotional commitments without letting them be guided by fear. publishing comics takes a long time so i think people often forget that despite there being a decade worth of comics between the events i immediately listed above what actually transpired in real time in the pages was two years or less. if we want to go all of the way back to a death in the family and account for that as well it becomes four years. four years isn't at all a long time nor is it unsalvageable. but by the time knightfall was over i truly think editorial was so obsessed with its own ideas on exploring bruce's collapse that it failed to see little else in the way of that. everything became about how people responded to him rather than about how bruce responded to the world. ironically by being the main character of his books he became the maker of his own demise. bc everything and everyone had to relate to him and his problems first before they could ever have any of their own. that is why keeping him in a perpetual state of emotional collapse has been so profitable. it is the easiest way to tell a story without ever having to make an effort on anyone else in it

note: one clarification i forgot to make earlier is that everything i wrote above is specifically with respect to bruce’s emotional abuse. i personally think there is zero justification for bruce’s physical abuse and that it can’t actually be extrapolated from anything about him as a character at the core, so whenever writers resort to it in the pages i dismiss it completely