#you remember how fun that was

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[ghosted-jazz]

Happy 10th birthday Dashcon!! Get painted idiot

[pancakemolybdenum]

2015 called, it wants its cloudball back. redrawing things yet again.....

original here

dress design by @rumminov

[bastardlybonkers]

feetman

[vintrage]

gay son and thot daughter join forces

[cozylittleartblog]

scribbling ultrakill at da fucking Air Port ✈

[cashmoneyyysstuff]

this is loosely based off of @emmyrosee 's messing with sukuna post bc i just love the idea of messing with your whiny baby dramatic boyfriend and i immediately thought about katsuki ! if you want this taken down lmk !

katsuki is hilarious to mess with.

you've only been staring at him for about 5 seconds when he turns to you.

"whaddya want ?" he asks with a raised brow. you're still all smiles, resting your head into your palm

"nothing." you hum, he grumbles a bit but doesn't pay it any mind. until you keep staring. he's trying to focus on his phone but you can tell he's about to snap when he starts squinting at the device.

"what ?" he grumbles, red eyes narrow at your smile widening.

"nothing !"

"yn. don't fuck with me."

"i'm not !" you giggle " i'm just looking at you, am i not allowed to ?"

you know exactly what to say to fluster him without fail every time, it's something you're most proud of when you see the tips of his ears turn a light shade of pink.

"..no."

you snort "no ?"

"shaddup." he says through gritted teeth "so what, you're just lookin' at me ?"

"yeah." you shrug "i like lookin' at my pretty boyfriend." you prop your head against the couch and sigh dreamingly to sell the lovesick act. katsuki inhales through his nose, chest puffing like he's upset and he tsks, ears and cheeks beet red.

"weirdo." he scoffs, then grabs the back of your head to pull you in and press his lips to yours roughly.

you're both breathing heavy when you pull away. he looks at you, mouth slightly agape as he heaves lightly, eyeing you from your eyes to your lips. and then he huffs through his nose like a bull and roughly pulls you into in chest, causing you to release an 'oomph !' at the force when he flops down onto the couch, pulling you with him.

"m'not pretty." he mocks your voice and you huff a laugh into his collarbone. you wiggle around and your boyfriend loosens his hold a bit so you can look up at him.

"you so are !" you argue, he won't look at you but narrows his eyes at the tv he'd turned to to distract himself from your gaze.

"nah, that's you, babe." he switches through the channels "thought you said i was handsome last week."

"you can be pretty and handsome at the same time, the proof is right in front of me." you flirt, he looks at your from the corner of his eye and his mouth curls up like he smelled something nasty when you wink at him.

"gross."

"you're blushing~" you sing, closing your eyes and laying your head onto his chest, you sigh happily when he starts rubbing up and down your back instinctively.

"go to sleep. m'tired of listening to you." he pushes your head down into his chest jokingly and you giggle. you can't see the smirk growing on his face from where your being shoved into.

you wrestle out of his hold to look at him to see he's already staring at you, half smirk on his face and he scoffs at your expression, you huff through your nose and your smile widens.

"you love me." you whisper knowingly, katsuki takes the hand off of your back to pinch at your side and he snorts when you squeal.

"unfortunately."

you yelp when he wets his lips and he captures yours in a sloppy wet kiss.

[hychlorions]

a what-if i've been thinking about for forever... trucy knowing the truth before anyone could tell her

[clickety-clacker]

Been seeing so many cool Clickies on my dashboard since getting into GGG, I just had to take the time to draw a few of them- plus, it was a bit of a challenge to try new styles. A lot of these guys were also super influential to how I draw and even think about Click Clack on my own time, so you should definitely check them out! Names below the cut cus it got long heehoo

Top left: @malartsorte

Top middle (holding papers): @scribblelimbo

Top right: @wishgraanted

Leftmost middle: @beastwhimsy

Middle (peace sign!): @sootnuki

Rightmost middle: @molabuddy

Bottom left: @pespillo

Bottom middle: @artuurle

Bottom right: @modmad

I know I said it already, but all of yall are super cool and I had a lot of fun challenging myself to make this! Keep on being awesome 👍

[nilgans]

mwah <3

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[waspgrave]

remember character pages? whatever happened to us all advertising our character pages for people to wander over towards and go 'oooooo' at like they're at an aquarium?? where is the creative whimsy to fawn over together

[egophiliac]

ok so as someone still relatively new to TWST (and someone just taking the events as they come to EN instead of keeping up with the JP side) and as a Jack Howl simp

I am of the (CORRECT) opinion that he should absolutely get an Applepom look because... fwuffy. and hat with ear holes. and he'd be SO insistent that he's used to the cold and doesn't need it but he will take it once it's insisted on because he's polite and won't refuse Gramma Felmier

Also I think a fun twist on the "someone's sled breaks and their plushie tears so they have to come up with another idea" bit from the other event is that Jack goes wolf mode to pull the sled (because as said in his starsending wish he pulls sleds back at home on breaks to try and get faster as a wolf!)

I'm biased though because I need more Jacc in my life

Thoughts?

thank you anon for bringing the mental image of harveston Jack into my life. he would be SO fluffy...so warm...he would haul so many apples...

also while I love the imagery of him pulling the sled, I feel like that would probably get them insta-disqualified. :( unless they can somehow 1) convince the judges that this enormous talking wolf is actually a very well-made plush, and 2) get Jack to go along with it (I do think Jack would instantly respect Marja as being more alpha or whatever and would have to, like, choose between his sense of JUSTICE, or going along with cheating at this sporting event so an authority figure doesn't get mad at him) (...wait this is just the plot of episode 2 again) (DANGIT)

[pemprika]

Moon Phos/Invasion arc Phos in Chinese Mafia AU... imagine...

after almost one whole year of receiving this ask, i finally present this crude sketch of triad au moon phos dressed in cheongsam.

i suddenly felt like drawing this au again! this moon phos was fun to think about... i imagine their body would be more tatted around the neck, arms, and legs.

more recent sketches on my side twitter here

[xf-cases-solved]

i fucking love how watching xfiles in order gives you such insane emotional whiplash

like for example, s1 you have ice, this amazing "the thing"-esque thriller, immediately followed by space, which is probably top ten least memorable episodes in the world. beyond the sea has so many emotional beats and insane levels of acting skill, immediately followed by fucking gender bender lmfao. the absolute mindfuck of having the duane barry/ascension/one breath trio interrupted by the 14 year old emo kid's vampiric wet dream that is 3??? unparalleled levels of unhinged decision making in that production room

anyway, i just watched colony/end game, and it ends with that poignant scene between mulder and scully in the hospital, after she put on such a demonstration of loyalty and love by ignoring his wishes and going after him and saving his life, and mulder finishes the scene by talking about how he has renewed faith in his search for truth despite his heartbreak, and it's beautiful bc in the end, isn't loyalty, love, and faith what this show is all about? -cue credits-

then "watch next episode" pops up and

it is the one with the invisible gorilla

this shit sure does keep you on your toes, huh?

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.