#you really do not get more underdog than this

[youmakethelight]

I'm back in my pissed-off-about-the-title era, as if I ever left. The more promo I see, the more I have to see 'hashtag DARYL DIXON'. It's a fucking slap in the face every time.

It enables microaggressions and overt misogyny across the fandom and more broadly, as well as in how Melissa McBride is treated (e.g. second billing, being listed as '2. Carol' while her co-star gets '1. Daryl Dixon' by default).

Getting the 'DARYL DIXON' title greenlit early on was the biggest middle finger Norman Reedus and the male EPs could give to us and to melissa. I literally hear Negan saying "I just slid my dick down your throat and you THANKED me for it."

It validates people who want to push women, especially grey-haired women, to the sidelines. It elevates daryl as a typical 'leading man', who does 'leading man things' (excuse me while I throw up), which is so far from the outsider underdog autism-coded sensitive character who meant so much to so many people. It enables and rewards powerful middle-aged white men for publishing their problematic fantasies that centre middle-aged white men.

Sorry to make a 'mountain out of a molehill' bc yes there are much bigger and more pressing things happening in the world, but it still matters, and we can care about both. Tolerating problematic storytelling and marketing in our 'escapism' media, especially during a time of terrifying political development in the real world we live in, matters.

I've had people tell me to shut up bc it's "just a TV show" and it's "escapism" so it's not that deep. It's only escapism if it allows you to escape from the realities of real life. If women or anyone else hurt by the narrative have to tolerate microaggressions with their escapism, we're heading backwards. It's only really escapism for people who are uplifted by the narrative. And holy fuck, what a problematic narrative. And that's the baseline for our escapist media? The media that is supposed to be where we can go to escape the problems in real life? Where we can ignore real-life problems and create whatever world we want instead? Sorry, that's depressing for a LOT of us, not enjoyable escapism.

There's so much more to this issue. I could write a fucking thesis. But I'm actually fucking sick and tired of being hit back with fan-splaining from people I've never even spoken to before whenever I talk about this.

The truth is, no matter how much you might not believe it, the network absolutely can change the title if they want to. There are numerous ways they could do this by launching a rebrand. It's not fucking illegal lol. If they really want to uplift Carol and a more inclusive marketing message, they absolutely have the power to do whatever the fuck they want, and yes, that includes changing the title. Again, there are several creative options available to them.

The ONLY questions mystifying the decision are:

1. What is happening behind the scenes that they need to account for?

2. How much money would they have to spend?

3. How much money do they stand to make?

We are not, by any means, "stuck with" the Daryl Dixon title that more than half the target audience hate.

[booberrybawls]

i don't think that Derek is trying to say that Loki the character doesn't live a hard existence tbh. I think he's just pointing out the fact that Loki as a written person wins crowds very easily, while it takes more effort for Thor as a written person to do the same. "Loki has the best lines" because he's the favorite side character who gets to dress insanely well and say the funny caustic witty things. They are a character rooted in nerdy babble about storytelling and casino heists and great queer rep. They cackle as they tumble thru the multiverse, they make silly movie references and have a social media account and like Daft Punk and Nina Simone, and they are the "underdog" that everyone wants to see grow and succeed. Thor is a character you really need to work for to make him shine because he's just. Not as immediately sillygoofyscarysmart. You don't get plot twists realizing that he's been manipulating a situation to his advantage for thirteen issues of a comic, so it's hard for him to wow you as quickly. Quite frankly, I don't know anyone who reads Thor comics or watches Thor movies for Thor alone. He is completely outstripped by Loki in fan favoritism.

That's just my take on what Derek is saying. Thor is great because his interesting traits are actually more subtle than a lot of Loki's are.

"Loki has it easy"......I don't think being outcasted, treated like shit and doomed to fail and suffer forever where you can't even kill yourself to make it the pain stop because the universe will bring you back is in any way " having it easy"💀.

We're so fucked, this is the guy who's gonna be writing Doctor Strange of Asgard.

Thor has it easier than Loki, he's the hero, and he's the one who gets the happy ending. He's the one who gets praised and loved,fuck you.

[constelationprize]

A background detail in the books that facinates me is that the Foxes were on the verge of being dismantled. And by detail I mean that it's a fact so widely known that we hear about it from chapter 1, just as passive knowledge Neil has before even dreaming of playing with them.

It ends up staying fairly background because Neil has... Bigger worries, but it is very much present for the whole series. There are plenty of descriptions of how Palmetto thought the Foxes would breathe life into the town; How Wymack lives practically alone in one of the apartment complexes built out of the expectation.

For four years, the Foxes placed dead last, and if they do it again, they ARE getting demoted from Class I. Of the original team, there was only Seth left. And if you do the math, that means that people were leaving up until the semester before TFC begins, because there are nine players including Kevin, who was an assistant coach, and Neil is replacing another recruit. Seth's death brings them down to nine again, and the ERC's response to that is to start a discussion on whether the minimum number of players should go up to 12. If it weren't for the intervetion of Coach Rhemann, they would have gotten disqualified anyway when Andrew went to Easthaven. PSU was against signing the girls, and both the university and the ERC fought back against making Dan captain.

They are not only fighting for their lives out here, they are straight up losing.

That puts a lot of things into perspective, I think. For one, I think it really explains a lot about Kevin's relationship to the Foxes. Like, imagine knowing your second – your last – chance at a life is under threat, and out of nowhere, the best player in your league offers to help you. And then he does it by saying all the effort you've made up until now was useless, that all your fighting wasn't enough. I'd resent him too.

It also says very interesting things both about who Wymack is as a person and exactly how big of a deal he must have been as a player, that he keeps facing these incredible odds and getting just one more chance. And even when he knows he's running out of strings to pull, he keeps on, because "one more chance" is what his team is supposed to be about anyway.

And then they turn around and not only break their own records by making past the first rounds, they go all the way up and dethrone the undefeated champion of their league for first place. It's no wonder not even they believed they could do it.

[kacievvbbbb]

Honestly despite my feelings about how the last arc of MHA went down I really love Deku and his story.

I just feel like a lot of the time we get these protagonists whose whole philosophy is it doesn’t matter what you were born as everyone can achieve greatness. But then the series goes on and it turns out that actually it DOES matter because the protagonist has this really great lineage and these really great powers you can only have through birth they were actually born born, predestined if you will, to do this.

But MHA actually sticks to its guns. Midoriya wasn’t revealed to have some great connection to all might that the universe had put in place. He wasn’t defended from some great lineage that makes him uniquely suited to this. Hell All for one didn’t even turn out to be his father, there was no hidden powerful quirk he was always meant to have. He was just Midoriya Izuku a boy who was in the right place at the right time and simply decided to act while the world did nothing. And that’s what really made him a hero.

I don’t know, maybe it’s just me, but I believe him a bit more when he goes anybody can be a hero if you just decide to act

[sysig]

Totally unaffected by this gesture of affection, definitely (Patreon)

[sinnettini]

so is jannik your favorite player? i was under the impression it was matteo. sorry just curious 😅

hi friend! oh yeah that's a totally fair assumption fjfvjv yeah no it's jannik but matteo is a close second! (for wta it's aryna with ons and jasmine as close seconds. but jannik is like my #1 favorite player in general)

[meowchela]

thinking about the running joke in dorabase where suzu is constantly getting mike wazowski'd and while its a good bit that i like, i also can't help but think about what thats been doing to his psyche

like. honestly its part of why i like him so much, he's a genuinely capable player and has a good number of standout moments but they're all undercut by the fact that nobody ever gets to see them/he never gets appreciated or even seen for what he does. do you think that gets to him??? like hes clearly dejected when he sees how nobodys rly reconizing him and i think after a while thats gonna get internalized hard. like i dont think it'll affect him on the field because hes a determined team player but his self esteem and interpersonal relationships are gonna suffer a LOT if he keeps getting treated like that......like if you feel invisible its very easy to start isolating yourself because whos gonna notice yknow. add on the fact that hes a servant robot (for a rich family yes, but considering we havent even seen his owners they probably dont treat him as anything but a product either.....like compared to kuro and hyoro, when we see those two's home lives its a very close familial bond but the one time we see into suzus house we just see another butler with his owners nowhere to be found??? like even chibi has his owner shown once so we know he exists but suzu's are mentioned but never shown so. the whole "not being seen" extends to his home life too no doubt) AND ALSO that hes shown to be sensitive and crumbles under presure easily (example: when he got stressed and cried during wabc and hyoro had to snap him out of it) i really really really domt think his mental state is doing too well

like my brother in christ your sense of self is probably Horrible for so so many reasons

its even more intruiging because outwardly he seems fine and i think thats def playing a part im things. like he just blends into the background so well and he's so polite that he wont wanna disturb anyone with his problems but that In Itself is the problem!!!!! he probably underestimates his own importance a lot because hell everyone else kinda does too and i can def see that leading to him closing off internally

idk its late and im having a lot of thoughts but not much is coming out comprehensive esp bc suzu is mostly a secondary character who has few moments of focus but like. his inner machinations are so fascinating to me and i love atudying him under a microscope

[thekidsare-not-alright]

I think some mcr fans would rather die than acknowledge that the break up helped cement their legacy and popularity. everyone loves a martyr/what they can't get more of, yknow. it's a fact of life

[animentality]

deadpool is sort of the last movie I would've expected to draw back the old marvel charm, and remind you why its movies were so successful in the first place.

it has all the foundations, you know.

cameos based on pure nostalgia, self aware humor, the big epic action set pieces, and endless CGI.

things that got ruined in all of the other mediocre movies that plagued phase 4, and damaged the brand's reputation with audiences.

but deadpool being the movie to bring back that special feeling, of like, seeing a movie that's both good AND fits into a multiverse, but without being completely dragged into it...

it's just nuts that it was DEADPOOL of all things to do it.

Deadpool's not kid friendly, which is basically Disney's entire brand, especially when it comes to Marvel. He's openly pansexual, a concept that terrifies the Russo brothers and Disney execs.

It also married nostalgia to its main plot, AND played up the nostalgia of the Fox version of the X-men, as an homage/farewell to Fox.

Which I really wasn't expecting. Like Disney is trying to bury the old X men.

Writing them a love letter, and still making fun of them, was just so out of left field.

I guess it's just surprising that it was Deadpool and Wolverine to bring back classic Marvel, because it was this underdog, that no one expected to be popular from the very beginning.

It coming back to save the MCU...

Yeah.

Deadpool being Marvel Jesus...fitting in more ways than one.

Well done, Deadpool.

You did get the last laugh...didn't you?

[calcat89]

Speaking as a cis woman, if you identify as a progressive, cis woman Dropout fan and you are seeing the posts about Dropout’s persistent exclusion of trans women in their programming and your first response is to be defensive, or to get snippy and/or patronizing and/or downright hostile to the trans women bringing up these (extremely reasonable) critiques, then you are not nearly as progressive as you probably claim to be and I really encourage you to examine your beliefs and biases.

Ask yourself why you sincerely believe that a multimillionaire entertainment corporation that sold out Madison square garden is in any way an “underdog” or an “up and coming” media company while the trans women discussing their (valid, true, correct) concerns is not an underdog situation

Ask yourself why Sam Reich and Aabria Iyengar interact with the people that they do on Tumblr. Who do they respond to, and with what? What do they NOT respond to? How many followers do they have?? Like come ON guys use your BRAINS it’s MARKETINGGG they’re marketing themselves as a small close knit media company even when that’s not true anymore and they’re taking advantage of how insanely parasocial you all are lol.

Dropout is a COMPANY. Treat them and critique them as one. And, most importantly, protect and uplift the voices of our trans sisters, who matter more than any show or book or company.

[demilypyro]

Ok so as someone who knows very little about sonic characters that aren't the main cast. Can you explain to me who Surge is? (I am asking you to infodump. I understand I could just check the wiki but then you wouldn't get to talk about a character you like)

Alright you asked for it. Long post attack.

So Eggman had this protege named Doctor Starline, who had a falling out with his mentor and hatched a plan to kill Sonic and replace him with a new hero, one who would take Sonic's place in the eyes of the people but be under his control.

So he kidnapped a random girl off the street (no name or history known at this point), filled her with a bunch of cybernetics to give her superpowers, and slowly brainwashed and trained her into becoming essentially Sonic's equivalent of Wario.

This was Surge the Tenrec.

As Sonic's so-called "imposter," Surge is like an exaggerated version of Sonic. She has his heroic heart, but also his temper, his pride, his irresponsibility, his rudeness, all turned up to 11. She's got the standard super speed, as well as electrokinesis - lightning powers. She's accompanied by Kitsunami, or just Kit, a blue fennec with water powers and a similar background, but who was based on Tails instead.

As part of their brainwashing, Surge was conditioned to hate Sonic. As Surge's backup, Kit was conditioned to want to support Surge in any way he can.

Surge and Kit eventually found out what had happened to them, how Starline had kidnapped and brainwashed them, and were planning to betray him. Before they could, however, Starline was killed, after being thoroughly trounced by Eggman, leaving Surge and Kit free to do whatever they want.

When Surge finally encountered Sonic, she blamed him for what had happened to her. She holds him responsible for always letting Eggman survive to come back another day, leading to ever-escalating conflict. While before she had no real reason to hate him beyond her brainwashing, all that baseless animosity now had a foundation, and she's wanted to take him down since. Surge and Kit have had several fights with Sonic and Tails already, and while they were defeated each time, it's clear they pose a real threat.

Left with only each other, and having no real goals beyond taking down Sonic and Tails, and no hints to their past, Surge and Kit became a neutral force of chaos, not affiliated with either Sonic or Eggman. While Surge has the desire to be a hero, she can't let go of her grudge toward Sonic, and Kit's obsession with helping Surge regularly shows itself to be unhealthy, which may lead to a falling out between them in the future.

Since their first appearance in the Impostor Syndrome mini-series, they've made regular appearances in the main comic starting with issue #50. They've been making waves, establishing new rivalries and inciting new conflicts. Sonic wants to believe there's good in Surge, but she's a tough nut for him to crack.

Surge is one of the series' best original characters. Surge is cool, has an interesting origin, and she contrasts Sonic in a way that gives ample opportunities for new stories. She's got a good heart, but she's carrying around a ton of trauma and animosity she doesn't know what to do with. She's scrappy, resourceful, and more introspective than you might expect. And by often being positioned as the underdog, she's very easy to root for.

I was always a bit uninterested in the Sonic series at large, but Surge really got me on board. She really made me a fan.

She's my favorite Sonic character.

If you're interested, look into the Imposter Syndrome mini-series, which leads right into Sonic IDW issue #50, or you can just read Sonic IDW from the start.

Okay bye

[okartichoke]

ace avian. that’s what we’re calling this 🗣️🗣️🗣️

please let me know if you have any thoughts or suggestions or input or anything! i’m happy to bounce ideas around (i'll post DL-6 someday soon i swear)

link to masterpost || explations below cut

shoutout to the anon who sent in that ask bc i seriously fell in love with blue jay phoenix. SHOUTOUT TO TAKAHE PHOENIX TOO THO takahe phoenix, you will forever be in my heart and im glad you existed <3333,, (maybe in this au he’s got some loving adoptive takahe parents :3) (YKNOW WHAT YEAH that’s canon now)

but yeah, flight-avoidant jay phoenix still lends itself well to the common-man hardworking underdog vibe i want from him. speaking of flight-avoidant...

Phoenix's relationship with flying:

It's a bit complicated. Basically, Phoenix can fly, but he historically chooses not to. From the lack of any practice, he's an INCREDIBLY weak flier. (That hovering is really all he can manage)

For one, he's still afraid of heights. Can't help that. This fear means he was less inclined to practice flying, which made him a weaker flier. And being a weaker flier, in turn, made his fear of heights worse. And so on, in a loop. With flightless parents too (it's canon now it's canon), there's even less of a reason to learn to fly. At some point, not flying might've even become something he stuck with out of stubbornness lol, knowing Phoenix.

(I will soon be making a couple small world building posts, but) flying isn't necessary to get around in their society. Convenient, sure, but Phoenix realized he could make do without, and so he did. Phoenix, you icon. Slay. 💅💅

i know this probably isn't the popular take with wing AUs??, but Phoenix being flightless (or at least semi-flightless) sounded like a really fun take on the idea to me. His name is irony at its peak. I also look forward to exploring how other characters react to him not flying. The prosecutors are going to have so many cheap insult opportunities.

As I mentioned though, he still uses his wings a LOT, though. He's much more emotive with them than most people. His sarcastic inner-dialogue remarks are also betrayed by his wings lmao

I also imagine bird-folk never really invented bikes (riding would just be annoying with their wings, plus bikes aren't fast/efficient enough to outweigh just flying), so instead, Phoenix gets around on a little wing-powered scooter device (like scootaloo lol) (they're usually made for children who can't fly yet, but Phoenix still uses one)

finally, wow, stellar jay’s are quite literally just phoenix wright as a bird lmao? color scheme, hair, it’s uncanny. give it a pink tie and it just is Phoenix Wright, i used a blue jay since they’ve got a bit more striking wings but wow.

(ty again for the support and for reading my essay ! :3)

one more thing, but @kora-kat YES YES YES this. ^^^^ omg THIS. this is still true even though he's a jay now.

[imustbenuts]

Wolfwood is an underdog character screwed by social hierarchy and Japanese cultural subtext more ways than one: a messy half-assed write up.

This is me saying that Wolfwood is in no way the equivalent of 'white' or even near the top in terms of class even when viewed with a Japanese lens and there's at least a few threads you can follow that will lead up to that conclusion. So to try and (badly) cover this topic as best as I can, the sections highlighted in this post will be the following

Colorism and imperialism

Tribes and burakumin

Shintoism and the burakumin people

Wolfwood's entire fucking design

I explode

Colorism

So in short. Asia has a colorism problem on top of a racism problem, but people like me get really frustrated when a more American POV is applied to try and shoehorn the discussion into purely racism. The reason is: history.

So. Japan was super imperialist back in history. And so was China, which Japan took many inspiration from in terms of language, culture, and most importantly, governance.

In order for their particular system of governance to work, both China and Japan ended up having their own respective court systems where the aristocrats and nobility would spend their days indoors as they administer governance. (Or more accurately, to be so educated, cultured and refined as the world outside implodes.) Thanks to this system, there is essentially a walled garden system where the well-educated nobles would spend their time well away from hard labor like farming under the sun.

This meant there is a greater amount of favoritism towards fairer skinned people as opposed to tan, since it became a quick indicator of class and status. Bc only laborers tended the field under the harsh sun, and women got this especially bad, bc imagine her having to tends the field like a peasant. Gasp.

Anyway bada bing bada boom white skin eventually became so associated with beauty and status. The old poverb, "色の白いは七難隠す", or White skin covers seven flaws, refers to women with pure white (sometimes powdered) skin is attractive no matter what their physical flaw might be. Think Geishas and their job of entertaining at private events with a face full of white powder makeup.

This colorism also hits men less, but the idea of status stays.

...Wink. (To note the above gif here for a sec: IMO Vash doesn't qualify as desirable purely because he's a blonde. A foreigner. An Other. But the hiding flaws part might be worth chewing on.)

And now we suddenly are looking at some kind of a vague hierarchical system. And indeed, Japan has had a caste system of sorts in with varying degrees of social mobility depending on which era you look at. The lowest in some era were slaves. And even then, there is another class even lower than that, the Burakumin. Put a pin in this bc it'll be important in the next part.

Tribes and Burakumins

There are actually, in fact, different tribes in Japan even today. Current day, the well known ones are the Yamato people, who make up 98% of the population in Japan. Mostly fair skin, black hair. East Asian.

Then there are the Ryukyuans, who live mostly in okinawa with their own culture, and then the Ainus.

I don't want to get even MORE historical, but those two groups were conquered and forcibly had their culture identity, language, and even land stripped off them. Attempted to have loyalty towards the emperor instilled towards them at various points. One might think the presence of these two might mean that there were more tribes back in ancient Japan, and, yes, you would be right!

Many of them might have been assimilated into what we think of as Japanese people today. There are always variation in skin color, hair color and facial features alone if one pays attention even in Tokyo. Not all East Asian are fair skin and have straight black hair, but an overwhelming majority do. (plus hair dyes and perms wahoo. who's to know sometimes)

One example perhaps is this. Ever watched Princess Mononoke? Did you know that part of the story centers around Ashitaka, who is part of the Emishi tribe, who are a group who has been rebelling against the Emperor Yamato for 500 years? And so he shoots samurais on the regular?

So here's the rub: the Emishi were in fact a real indigenous group who were basically conquered and assimilated. Some did resist during the 11th century, with their villages/hamlet out deep into the north of Japan. They were of course, greatly outnumbered.

These people who resisted the rule all over Japan with different identities, names and culture and survived came to be called the Eta 穢多 (lit. abundance of filth). Later, Burakumin.

Now I mentioned the Burakumins. Burakumin are written like this 部落民, and refer to a strongly discriminated class of people who live in discriminated villages/hamlet. The kanji though, literally translates to "People who falls outside of the order", or, "Outcasts". In other words, even though there's a caste system which basically at least recognizes people as part of a governing system, the Burakumins do not qualify to even as to be human in this system.

And indeed, some of these tribes who had their culture and identity stripped off them are not even people in the eyes of the ruling government. Today, the term refers to the descendants of these people, and they do encounter a lot of discrimination and abuse in their daily lives from social to work. It's so bad that parents do not tell their children of the ancestry to avoid discrimination. Also its possible to know if one is a burakumin just by checking family names and registers jsyk, since they were once location based.

EDIT: those judged to be criminals also become part of this group!

More info by a Japanese guy regarding current day burakumin problem here on youtube.

Oh and also, many burakumin ended up joining criminal gangs like the yakuzas. Put another pin in this.

Shinto and the Burakumin people

Preface: shinto is a very sacred religion to many Japanese people and is still actively practiced today. Be respectful and just know I'm being hyper specific about this singular aspect of shinto. It is a very old religion and history which is fascinating.

But to not talk about this specific topic would be to kinda miss what Studio Orange has been doing to Stampede Wolfwood so I'm just gonna do this super quick. A more indepth messy write up can be found here if you like.

Right. So. Like with many religion, Shinto was also used as a means to convince people to fall in line. One thing that Shinto has is the concept of spiritual dirtiness, which is generated upon contact with death, blood and disease. Being dirty would then draw evil spirits and invite terrible misfortunes, so being clean is important in Shintoism. So important that meat was considered dirty. (With the exceptions of game meat and the whole religion thing applied to them.)

It's so important that certain professions such as Butchers, Tanners, Gravediggers etc were seen as so terrible that no one but the etas, the burakumins would do it. This whole thing then reinforces the hierarchy. And meanwhile the rulers in their court and shinto priests could conduct rituals to purify themselves.

And for me, this is the most insane thing since dirty jobs like that must be done no matter what era it is. Just by being alive, people get dirty and there's no avoiding that.

Anyway. In Trigun and even Japanese media, this gets translated into what I would call The Tormented Ones Whose Hands Are Permanently Stained With Blood.

Nicholas the Undertaker was certainly an interesting choice of writing. At least imo.

FUcK

Ok now to recap. I've established that even without colonization and talking about (american pov) racism specifically, there are still very real elements of Japanese history that is too strong, too deep, to intertwined with classism to ignore.

This is the historical baggage of Japan's colorism. Whether or not if Wolfwood is a burakumin here is not the point, but rather that it borrows from that issue all of its influence in varying shades.

It's the erasure of ethnicity and culture in its totality, or to be so consumed by the bigger ruling group that this thread straight up disappears. And to be considered so unwanted that even their descendants today are considered dirty.

They abolished the feudal caste system in the 1800s by the way. Still dealing with like over a thousand years' worth of shit though.

Now I can finally talk about Wolfwood.

Wolfwood's entire character design and writing choice.

Since trimax wolfwood is the base, I'll start with that.

Dark(er) skin, sunglasses, a business suit and a kansai dialect.

All of those are significant.

Now remember that I've mentioned Fair Skin and Black Hair to be the most defining trait of an East Asian. Even people who say East Asian even casually have that specific image in mind. But Wolfwood with the exception of BLR has always been depicted as just slightly tanned especially beside Vash.

The shade fluctuates all the time depending on the artwork, but it's clear that the production staff knows the roots his character design is touching on in order to elicit that "otherness" from the Japanese audience. Which is all that above. The entire post.

Sunglasses and business suit also has a significance. One might think it's just the outfit of an average Japanese salaryman, and yes, that would be technically correct. More so though, this combo is also the outfit style of the Yakuza. Sans ties maybe bc Ww hates his organization.

This is a picture of a Yakuza group known as the Yamaguchi-gumi. Their leader stands in the middle of this photo, the oyabun/father of the group, Kuzuo Taoka. More info and another rabbit hole here.

The Yakuza are a historically violent criminal gang whose membership often consisted of societal outcasts. Outcasts like the Burakumins, who due to their status in society could not find a proper job, and suffer abuse. Being in the Yakuza meant respect and status, and turned boys into men.

All that was needed is absolute loyalty to the leader, the oyabun or the patriarch of the group. If he says it, white is black and black is white. Disloyalty means to chop one's finger off.

If any of this sound even familiar.... Well, yeah. Unhinged criminal boss Knives and his merry Gung Ho Guns.

Next, kansai dialect. So, Japanese dialects are never properly taught when one attempts to learn Japanese. It's a thing that's not Standard and therefore unnecessary to learn. We learn the -desu's, -masu's, the keigo, but never the '-yan's', the 'eenen', the 'akan' or the chau's. (Or even the many other dialects out there)

I will now ask you to hold the idea that 'dialect' and 'language' can be interchangeable. The implications of the Standard Japanese is that it is the ruling class' language and the most proper form of it above all else. Seeing as the Capital of Japan is Tokyo, and their government centers there, it would not be stretch to also call Standard Japanese Tokyo Japanese.

Which means, Tokyo is the classy city and Osaka, the largest city in Kansai, is not as classy. Not as important. Not as well educated or hold as important of a place to the entire country.

It is also very common to hear Japanese people mask their dialect with Standard Japanese when they're in Tokyo, and then go back to their hometown and code switch. Because it's considered 'hick'.

Which, if you haven't considered is also a thing many of us do, I now present you the gift of this fun knowledge.

I Explode

In closing I hope this at least is interesting to chew on for anyone interested. It's by not means perfect and I might have gaps in my knowledge but fwiw, I hope it's at least fun.

Nightow has stated Wolfwood's ethnicity is ambiguous, which I would also interpret as him saying indirectly that Wolfwood is as valid an interpretation to see him as anything but a privileged guy having a good time in the story of Trigun.

It's possible that his ambiguity of roots is meant to simply elicit the idea of a "stolen child".

One fun thing I do consistently notice is that Fanon Wolfwood almost never is in a comfortable position in life even in AUs, and always somewhat broke. In both EN and JP. Which, yeah. Yeah.

There is intersectionality going on and I hope this post helps people see some of it at least. So thanks for reading! (sorry it got so long...)

Additional cool posts other people have written from their pov:

udon-tea's write up about wolfwood's unestablished canon ethnicity

interesting thoughts about tortoise matsumoto being the base and what they think of wolfwood's possible ethnicity

[burningred1989]

UNDERDOG

A/N: First ever Niall fic,, hope y’all like it <33

Niall feels down when he sees the other boys’ lines are full of fans wanting to meet them but there are barely any fans lined up for him, until he sees a girl holding a photo album.

MASTERLIST

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The meet-and-greet was in full swing, the buzzing energy of the crowd filling the room with excitement. Niall Horan sat at his designated spot, his heart pounding a little harder than usual. Fans were lining up, eagerly waiting to meet the boys, but as he glanced around, he couldn’t help but feel a pang of disappointment. The line for Harry, Liam, Louis, and Zayn was growing longer by the minute, while his section remained almost empty. He tried to smile, tried to keep his spirits up for his bandmates, but the loneliness of the moment was almost overwhelming.

Niall had always been the supportive one, the easy-going guy who would never let his insecurities show. But today, they seemed to creep in uninvited. He knew he shouldn’t feel like this; after all, he was part of the most famous boy band in the world. Yet, as he watched the other boys interact with their fans, he felt a sense of being overlooked, like an underdog in the shadows of the others.

He let out a quiet sigh, his hand resting on the table in front of him, his gaze wandering across the room. That’s when he saw her.

A girl, no more than 2 or 3 years younger than him, stood at the edge of the line. Her long hair framed her face perfectly, and she had an aura of quiet confidence that immediately caught his attention. She wasn’t like the others—she wasn’t screaming or jumping with excitement—but there was something about her that stood out. She smiled shyly, her eyes locking with his for a brief moment, and Niall felt something stir inside him. It was as if she had snapped him out of his trance.

"Hi, Niall," she said softly, her voice warm and kind. "Do you mind signing this?"

She handed him a picture, one of him playing his guitar on stage, his face lit up with passion as he strummed. Niall’s heart skipped a beat as he took the photo, his eyes scanning it. "Where’d you get this?" he asked, his voice filled with curiosity.

The girl laughed softly, a sound that made Niall’s chest tighten. "Oh, I took it when I went to your guys’ show. I brought an album too, if you want to see?"

Niall’s eyes lit up. "You brought an album?" He looked at her with genuine excitement, his earlier worries momentarily forgotten. "Of course, I’d love to see it."

She handed him a small, worn album, and Niall’s hands shook slightly as he flipped it open. Each page was filled with photos from the tour—some of him on stage, some of the other boys, and many of the band together. But as he turned the pages, it became clear that the majority of the photos were of him. His heart swelled in his chest, a lump forming in his throat. It was overwhelming to see how much effort she had put into capturing moments of him, moments that he often thought went unnoticed.

"If you couldn’t tell, you’re my favorite member," she said with a playful grin, her voice light and teasing.

Niall chuckled, his heart racing. "Really?" he asked, a soft smile tugging at his lips. "Well, I’m glad to hear that."

He paused for a moment, then looked up at her, his expression sincere. "Can I keep this?" he asked, his voice barely above a whisper. "It means a lot to me."

The girl’s face softened, and she nodded. "Of course, you can. It’s yours."

Niall felt a warmth spread through him. He had always been the one to encourage his fans, to make them feel special, but this moment was different. This girl, this fan, had made him feel seen in a way he never expected. She had made him feel important, like he wasn’t just the guy who played guitar in the background. He was more than that to her.

"Thank you," he said, his voice thick with emotion. "This really means a lot to me."

She smiled brightly, her eyes sparkling. "No problem, Niall. It’s the least I can do."

She then hesitated for a moment, a shy smile spreading across her face. "Can we take a photo?" she asked, her voice hopeful.

Niall’s heart skipped another beat, and without thinking, he slid his arm around her shoulders. The moment their bodies touched, a strange fluttering sensation filled his chest. He hadn’t expected it, but it was there—this rush of warmth and excitement, like a thousand butterflies had suddenly taken flight in his stomach.

Y/N leaned into him, her head resting gently against his shoulder as the photo was taken. Niall’s breath caught in his throat as he looked down at her, the softness of the moment making his heart race even faster. He wasn’t sure what it was, but there was something about her that made him feel alive, something about the way she fit perfectly against him that made him feel like he mattered.

When the photo was done, Y/N pulled away, her smile wide and bright. "Thanks, Niall. I’ll see you around," she said, waving as she turned to leave.

Niall watched her walk away, his gaze lingering on her even as she disappeared into the crowd. She was the first fan who had made him feel like more than just a background member of the band, the first to make him feel like he truly mattered. The butterflies in his stomach didn’t fade as she left, and for the first time in a long while, he felt like he wasn’t just the underdog.

As he looked down at the album in his hands, he realized that this moment, this one small interaction, had changed everything for him. Y/N had made him feel seen, and he would never forget it.

PART 2

[hemlock-dreams]

PleSe may I ask for a tiny morsel of the written word depicting bartender Petey taking care of business when some customers get too rowdy? Saw the "80s theme" and immediately thought he'd look amazing tossing out the trash (ideally covered in blood cause can't make an omelets without breaking eggs but bartenders don't tend to break faces sadly)

Here yo go! Have a snippet from the upcoming Chapter 2 of Pick Your Poison!! Hope you enjoy!!

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Wade sees Baby Boy snatch a bottle that comes flying at him out of the air without looking. 

Damn, they threw the thing at mach speed, too. Wade’s got to hand it to the kid; those are some impressive reflexes. He follows the easy catch by spinning the glass with enough flair to make a schoolgirl swoon, setting it against the bartop like he’s the main character.

The jackasses in the back don’t even notice, hauling each other over the tables in a messy, drunken sprawl. Wade hasn’t seen this much fumbling since prom night.

It’s embarrassing. He should do Weasel a favor (and indulge himself) by shooting them in the legs for interrupting plans between Wade and his future paycheck. But the look of intense concentration on Baby Boy’s face is distracting. That’s the furrowed brow of a man who is about to fuck around and find out.

Boo. Three more days and Baby Boy would have passed the cutoff mark. 

Wade usually likes hedging his bets on the underdog for the thrill, but four against one is bad odds for anyone who isn’t Deadpool, even a civvie with so many tough-guy tattoos. 

“And he was this close to being the final girl,” Wade mourns performatively, sparing a glance at Weasel to gauge how the man is feeling about the prospect of watching his civilian pet project get snapped in half. But the asshole just looks vaguely amused, which piques Wade’s interest.

So he turns back around just in time to watch Baby Boy march right into fucking around territory, straight up walking toward the group of heavily-armed mercs, no weapons, no foreplay, no nothing– just moxie.

Damn. He’s stupid. Wade likes that in a guy.

“Hey,” Baby Boy says, wrapping a hand around the leg of one wooden chair as the one with a bad haircut raises it over his head. 

Their kerfuffle is interrupted as four extremely drunk mercs with more bullets than brains pause to reorient their attention on Baby Boy.

“You know the rules. Sit down, or take it outside,” He continues, tugging on the chair like he’s trying to take it from an unruly toddler. 

There’s a collective laugh from all four bozos as they forget their beef to unionize against a new, soft, and squishy target.

“Oh yeah?” The short one smiles, revealing a row of really ugly teeth. Wade’s fist immediately itches to plant itself into that mouth, just for offending his eyes like that. “Who’s going to make us, you?” 

The edge of Baby Boy’s mouth curves, “If I have to,” he says, and it can’t be mistaken as anything but a taunt.

Bold move, Cotton. 

The rest of the bar, normally oblivious to a few broken pieces of furniture and some blood, takes notice of the audacity. Wade can practically hear eyeballs turning and the collective bating of breath. 

“That’s cute. He thinks he can take us.” Bad Haircut snickers, drunkenly swaying into the conversation. He gives Baby Boy a once-over, expression turning lewd, “Then again, maybe he can…in one of the back rooms.” 

“He does have bigger tits than most of the girls here,” His unfortunate-looking friend leers, staring at Baby Boy’s admittedly mouth-watering chest. Motherfucker is tall and top-heavy, built like a linebacker, invading the kid’s space like he’s looking for a touchdown if you get Wade’s drift. “Got a pretty face, too. What do you say, sweetheart? Why don’t we go to the back and we can apologize to you real good.”

Baby Boy’s hand constricts halfway into a fist before he forces it to relax. He looks like he’s barely holding himself back, and coin flip on whether this is going to be very funny or very sad, but either way, Wade’s on board to be entertained.

“Yo Weasel,” Ugly Smile calls out, eyes locked on Baby Boy, lurid and alcohol-glazed, “You mind if we take your bar boy for a spin?”

His grin promises an unpleasant time, but Wade isn’t worried. Maggie’s is a shithole for sure, with morals looser than Wade’s jaw, but some things are still too far. Not that it keeps these loser shitheads from defaulting to it when they need to compensate.

“You break it, you buy it,” Weasel replies gamely. Which, dang, cold. Always nice to be reminded why Wade kind of likes the guy. 

Baby Boy’s mouth twitches into a smile, and Wade’s entire body goes on alert, “Take the chair out of my rent, then.”

Ready, set, action. An invisible hand slams the clapboard, and everyone bursts into motion.

The chair in question swings and misses. Baby Boy fluidly sidestepping both Bad Haircut and his buddy, grabbing the support and using the momentum to hook the wooden back over Linebacker’s neck, flipping the chair and twisting both mercs like puppets before sending them crashing to the floor. 

Bad Haircut is scrambling up, but Linebacker is pinned to the floor by his chair necklace, anchored by Baby Boy’s leg as he presses down hard enough to snap the wood and drive the remaining air out of his lungs.

The bigger they are, the dumber they fall. Linebacker is immediately out for the count, but a broken chair is still useful, and Baby Boy is apparently the creative sort.

The snapped leg turns into a baton, and Baby Boy leisurely sways out of pistol-whipping range when Bad Haircut pulls out his gun, dancing back in to drive the splintered wood under the merc’s armpit on the outswing.

Screaming in pain, Bad Haircut stumbles back only for Baby Boy to grab his wrist and haul him forward, twisting his arm in a fancy maneuver that ends up with the gun on the floor and kicked safely out of reach.

Interesting.

Then it’s a pas de deux, with Baby Boy’s back against Haircut’s chest, using the impaled baton as leverage to toss the man over his shoulder and straight into Ugly Smile. 

The merc falls out of the way, only to run into Baby Boy’s fist as it buries deep in his guts. Even at a distance, Wade can hear his ribs break. Doubled over, Ugly Smile is coughing up blood and vomit when a tattooed hand cradles the back of his head and slams his mouth into the table once, twice, three times. Then it’s lights out.

It’s over almost as soon as it began, and as the dust settles, Wade is reevaluating the merits of his earlier bet. 

Yes, they were drunk, but Wade still expected it to be fast, if not messy. He hadn’t been counting on class. He hadn’t been counting on Baby Boy to be the one last standing, let alone to have shut them down so completely it barely merits the paragraph.

And the kid isn’t even done. He’s locked eyes with the fourth guy, jaw flexing like an attack dog straining against its leash, but the dumbass looks like he’s turned over a new leaf and become a law-abiding citizen in the few heartbeats it took Baby Boy to clean the floor with his buddies. 

When the guy doesn’t make a move, Baby Boy leans back, completely relaxed, eyes flat, no sense of triumph in the aftermath, just…disappointment– like he’d been craving something more and been left wanting.

Wade can’t resist a low, appreciative whistle, clocking the way Baby Boy’s entire body reacts to the sound. His head snaps in Wade’s direction, and the whole room vignettes as he stares Wade down, eyes flashing like he wants to crumble his spine like a cookie. 

Lust stabs Wade’s gut all the way to the hilt.

“Changed my mind, Weas,” Wade breathes, feeling the tension drain from the room and right into his dick. “You should keep him.”

[luveline]

𝐢𝐬 𝐢𝐭 𝐜𝐨𝐨𝐥 𝐢𝐟 𝐢 𝐡𝐨𝐥𝐝 𝐲𝐨𝐮𝐫 𝐡𝐚𝐧𝐝? | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧

Eddie asks you out on your very first date, indulging you in huge philly cheesesteaks, a vanilla milkshake (with two straws), a largely neglected bucket of popcorn, and a sugary first kiss. requested here. shy fem!reader, 3.2k

˚ʚ♡ɞ˚

I'm actually going to die here, you think morosely. 

This was a very bad idea on your part, and perhaps a worse one on his. What possessed Eddie —ripped jeaned, silver-chained, aspiring heavy metal rockstar Eddie— to ask you on a date? Perhaps you'd appeared more formidable outside of Hawkins library than you usually did.

You were in a particularly bad mood after a chilly fall afternoon spent checking the quality of the returns, and the prospect of walking home in the cold was a dismal one. You'd been glaring at nothing when a big, hulking bucket of a van slowed to a crawl beside you, thumping bass leaking from the closed window. It rolled down, the music quieting with it, and out came a head of inky dark curls. 

"Hey, sweetheart," Eddie said, pet name rolling around in his mouth, "you heading home? Do you want a ride? It's a long walk." 

Somewhere between the library and your driveway, Eddie asked you on a date. You genuinely can't remember what you talked about or how it happened, your adrenaline high enough you could've used it to climb Everest. You do remember the quiet way he'd asked, as though he was waiting for an impending rejection, and his smile bordering goofy when you breathed out, "Yeah, okay." 

You rub at the seam of your cream sweater over and over, the pad of your thumb numb. The wind runs through you, ruffling the skirt of your black dress against your thighs. I'm an idiot, you think. Hypothermia might kill you if your racing heart doesn't. 

Eddie holds a similar sentiment, "What the fuck are you doing out here?" 

You flinch embarrassingly hard. He wasn't there a moment ago. Eddie cusses and holds his hands out to you before you can slip backward off of the low brick wall you'd been waiting on, his fingers shooting tingles down into the epidermis of your skin like wild golden sparks where they grab you, hoisting you up into a more secure standing position. 

"Fuck, I'm so sorry. Like, really really sorry, I didn't mean to scare you, just– it's like, minus ten out here? What are you doing?" 

"I–" You give him a more petrified look than you mean to. "You said to meet you here?" 

Does he not want you here? Was it a joke?

Eddie laughs out of the side of his mouth like he's holding a cigarette between his lips. "Well, yeah, but I meant inside. I've been waiting for you at the table." His amusement dissipates as he feels the chill emanating from your clothes. "Jesus, I'm sorry. Are you ready to come in?" 

Minus ten was dramatic. It's a solid 30 Fahrenheit, but the cold wind makes it feel colder. As soon as you enter the diner you're warm, heat nibbling at your fingers as the blood starts to pump. Eddie takes you to the side of the restaurant away from the noise of the games machines and the bathrooms, slipping into a booth where a worn paperback book is waiting. 

"I left that in case someone decided to steal our table." 

"What if they stole your book?" you ask, sliding into the booth seat opposite. 

"They'd love it," Eddie says. He leans forward with a mischievous air about him. "It's about a bullied teenage girl who loses her shit and gets psychic powers. I think she's gonna kill someone." He blinks. "Not that that's cool." 

"It's just a book, right? You're not a murderer."

You wonder why the fuck you'd say something like that, but he nods his agreement breezily. "Exactly." 

"Plus," you add, eager to say something he'll like, "it's hard not to root for the underdog." 

His smile twitches with an emotion you can't name. "Exactly," he says again. 

A waitress with thick rings of eyeliner comes to take your order. She has a sunny attitude, like Eddie in that way, an exterior some might say was intimidating and a bright smile. You're nervous from the get go and you have a cliche worry, watching Eddie interact with her from the corner of your eye. 

"For you?" she asks you. 

You stammer. What you'd thought about on the walk here this evening can be pinpointed into two simple lines of inquiry —what should you say to Eddie, and what should you say to the waitress. Shy to the point of aching, you'd rehearsed your order ten times, but all that comes out is hot air. 

"Um," you say, wishing you'd paid more attention to what Eddie said rather than how he looked at the waitress, "could I have, uh. Just the same? As he had, please." 

"Are you sure?" Eddie asks, nothing but patience in his tone. "Do you like pink lemonade?" 

You don't want anything carbonated tonight, nauseous enough. "Um, the same but with water instead, please." 

The waitress writes a short sentence with a big flourish. "Water," she reads, giving you and Eddie each a glowing smile. "No worries, I'll bring your drinks right out, food in twenty at most."

"Thank you," you and Eddie say together, in starkly different tones. 

Eddie waits for her to leave before he shucks off his jacket. He puts his elbows on the table and runs his knuckles up and down the length of the opposite forearm, smudging the whorls of his inky tattoos, the skinny silver chain around his wrist catching the light. "You know, I don't mind doing the talking, if you don't want to." 

You can't describe the embarrassment that bites at you, then. "It's– I'm sorry, I just couldn't think of what I wanted–" 

"I'm sorry," Eddie interrupts. "I should've told her to come back in a minute, I didn't give you chance to read the menu. I swear that's the only time I'll make a dick move tonight." 

You cough. He grimaces, teeth sinking into the pink of his bottom lip as he laughs it off. "Not like that. Or, not not like that. No dick moves," he says, "I just wanted to talk to you over a table rather than that pillar of a desk in the library." 

"It's a really tall desk." 

"It's so tall! I get that they want us to have somewhere to put the books but they have to go down to you guys anyways when you stamp 'em." 

"I don't know what the idea was behind them," you say. 

"Maybe they hired a bunch or very small librarians initially," Eddie says. He spies the waitress approaching with your drinks and leans back to accommodate her. He thanks her, but as soon as she leaves he's staring at your tap water with critical eyes. "It looks a little cloudy. You want my lemonade, instead?" 

"No, it's okay," you say, though drinking it feels like a bad idea. There's a whirlpool of scum at the top like clouds circling a mountain peak, ice cubes drifting in slow laps beneath. 

"I can take it back–" 

"Please don't," you say, "I'd be so embarrassed, it's only water." 

"I get you. Maybe I can get you something else, then. I'd say we should get hot cocoa but it's weird having hot cocoa with cheesesteaks." Eddie knocks the table. "I'm really sorry I asked you here." 

Your heart could be likened to a balloon popped by a sharp pin. You knew he'd regret asking you, knew it was too good to be true–

"We should've gone somewhere nice. Like Enzo's or Bullock's. Hey, we even could've gone into Indianapolis. And I have to say sorry double 'cos I should've asked you if I could give you a ride, I really messed it up." 

"It's not messed up," you say. "It's not." 

Eddie smiles at you, his most stripped back to date. 

Things are awkward and you theorise that it's your fault, but Eddie doesn't let you flounder in it. He asks questions, he says kind things. You have no choice but to relax and laugh at his ill-conceived jokes. You almost choke on your sub and he goes as far as to say, "Hey, you even make choking look good," having leapt up to pat your back. It's too much but it's weirdly nice at the same time. It's almost worth dying if it means Eddie's gonna rub your back with a big, unflinching hand. 

He wanders off when he's sure you're alive and you catastrophize: choking is far from attractive. He saw the way your nose wrinkled and your jaw went soft in your coughing and jumped ship. You dab the tears (from choking, though they could change at any moment) away with a napkin, sniffling. Your throat hurts and your sandwich doesn't look as appetising now. 

"Here," Eddie says, placing a tall glass in front of you grandly. 

"What is it?" you ask, though it could only be one thing. 

"Vanilla milkshake. Benny uses full fat cream, it's basically ice cream and nothing else. Is that okay?" 

You take a sip through a red and white striped straw without answering, the cold soothing your raw throat. A second straw stabs you in the cheek. 

"That ones for me," Eddie jokes. 

You swear you're gonna catch fire, putting the milkshake down with a thunk. "Oh," you say. 

"I'm kidding," he says. 

"No, I mean, if you want to share–" 

You're offering in the interest of being polite, but the look on Eddie's face reminds you of the more romantic connotations. "You sure?" he asks. 

You could say no. "Yeah. Of course." 

Between sips, you talk. Your conversation begins to feel like the unwinding a tight knot, unravelling defences you were unaware of, like a tapestry you never agreed to shaken out. Sure, you're shy, but you're interesting, and you have things to say. Eddie's eager to hear them; he won't stop pulling on the thread. 

Your throat tickles intermittently with scratchy pain. Eddie tucks a rather lustrous curl behind his ear, exposing a small stud earring and a hoop behind it. 

"I never noticed you have your ears pierced," you say, leaning forward to take another sip. 

Eddie pulls his straw from the glass to hit at yours teasingly, the slope of his eyebrows arching steeper. "Then you should look at me more often," he says. He stabs his straw into the glass and meets your eyes. To the outside observer, you're sure you look like partners getting gooey. "Notice anything else new?" 

Your pulse tangles in on itself, a snag in the thread. "Um, well…" You glance over his pale cheeks, their gentle caress of freckles. "You have freckles… and," —there, nestled between his lashes like a tiny dotted star— "a beauty mark under your eye." 

He doesn't smile, but some sweet softness plays in his eyes, his lashes kissing as they close ever so slightly. "You're prettier up close," he says quietly. "I didn't think you could get much prettier, but I've never been this close before, I guess." 

You take another sip to avoid further mortifying yourself with a stammering answer, but Eddie has a similar idea, leaning in. More awkward to pull apart, you share your drink and try not to bump his nose. The drink slurps and crackles as you finish it off together. Sitting back with twin smiles, awkward and flushed and not knowing what else to say, you fluster. There's a lot of stuff you want to ask him, but now he's finished his food and the milkshake is empty, you might not have time.

"Did you, like, wanna catch a movie or something?" Eddie asks, sounding for a second not quite as confident as he appears. 

You like metalhead Eddie, but you're starting to love this earnest version of him too. 

"Yeah, I'll see a movie with you," you say quickly. 

"Yeah? I know that's weird to plan more date in the middle of the date, I'm not trying to pressure you." 

"I've never been on a date before, so. This is setting the precedent." 

"The precedent," he says. "For future dates?" 

Is he hopeful? You open your mouth without thinking. "With you." 

His lips purse to one side, tamping down a big smile. Your cheeks hurt from how much you've smiled tonight. Is it always like this? Being with someone, dating, is it always unnervingly pleasant? You're eager to find out, and Eddie's eager to show you. 

"Let me go track down our waitress and we can probably get to the Hawk before the seven thirty," he says, clambering sideways out of the booth. 

You and Eddie are fifteen minutes late for a slasher movie, but you get there. Dark, two lone seats at the back are your only options, and you cram into them together with a frankly ridiculously huge bucket of popcorn to share. Eddie keeps whispering even when it's quiet and ticking off your rowmates, but he's being so sweet on you that you forget where you are. You forget to worry about what people are thinking. 

It's bliss. 

"Look at that," Eddie says, a handful of popcorn to his lips. "Ew, that's bloody. Shit, sweetheart, don't look at that." 

Sweetheart. "What do you think that is?" you whisper. 

"The fake blood? Isn't it pig's blood?"

"Is that legal?" 

Eddie almost drops the popcorn as something super gross happens, a silver flash and a spray of sticky orange movie blood coating the protagonist. "Holy fuck," he says, much too loudly as he puts the popcorn in your lap and covers your eyes. 

You laugh in surprise, "Woah, wait a second!" 

Someone shushes you loudly (and deservedly) from the row in front. 

"Sh, we're at the movies!" Eddie whisper-shouts. "Don't be inconsiderate." 

You peel his hand from your eyes. It doesn't drop entirely, long fingers slipping slowly down your cheek, turning your face to his. He's close, the nature of the small seats and your low conversation, his skin glowing with a red-pink and dappled white as the movie plays to your left. 

"Can I kiss you?" he whispers. 

On the walk to Benny's, your mind had drifted to the fantasy of a kiss. Eddie and his hands, the small silver bands of his rings and their heavier signets, how he'd offer to drive you home, walk you to your door, and peck you chastely in goodbye. He'd smell like his cologne that you tend to notice when he returns his borrowed books on Saturday mornings, chamomile and something deeper you've never been able to identify, no matter how long he stood there chatting. His lips would feel solid and cold from the weather, and here's where you stopped yourself from thinking any further, blood rushing to your wind-bitten cheeks. 

It's not so simply condensed, here. 

"I've never kissed anyone before," you whisper. 

"I'll have to set a good precedent, then," he says, rubbing the hollow of your under eye tenderly. "Or you can say no. That's okay, too."

You shake your head, "I want you to." 

The eagerness that's been simmering behind his eyes all night rears as he ducks in for a kiss. It's not what you're expecting, but it isn't bad; it's lots of things, his hand on your face and your elbow, your hands vying for him in startled delight, the popcorn between your knees tipping dangerously to the side as your lips give under his. 

He doesn't smell like chamomile at first, but hairspray. He presses against the seam of your lips and only as they part, forcing you to suck in a breath through your nose, do you smell it on him, close now. The cologne must linger on his shirt. 

He pulls away to shush you gently but urgently, Don't get us kicked out, it seems to say. 

And he's kissing you again. Nothing heavy, charged all the same, the barest taste of sweet popcorn shared between you. His hand does half the work, the tracing of his fingertips and the soft line they draw as he slots them behind your ear puttyifying you, like jelly in his warm palm. You make an unsure sound and he pulls away a second time, sugary brown eyes widened in concern.

"Bad?" he whispers. 

"Am I doing it right?" you ask. 

The concern becomes adoring. You feel like you've been injected with manic butterflies, having a guy like Eddie looking at you like that. "You're doing it super right," he says, so quietly you can barely hear him. "I'd tell you practise makes perfect 'cos I'm dying to do it again, but it was already perfect. You lying to me?" 

"No, of course I'm–" 

"I was kidding," he says, his side pressed heavily to the back of his chair as he drops his hand to your elbow casually.

"Oh. I knew that." 

He pats your arm, sympathetic, a tad condescending but he's hot enough to get away with it like this, lips kissed rosy and a glossy black curl falling into his eyes. 

You look down at his lips. Eddie doesn't make you beg, but he does gesture you forward, your hand landing atop his thigh as you angle up for another kiss. It's unlike you, but it's such a rush of feeling, you don't give your hokey-pokey brain time to consider the things you'd usually worry about. 

That being said, you pause just before your lips connect. You close your eyes too hard, head listing to the side self-consciously. 

Eddie must see it, whispering reassurances with a rough scratch, "Hey, it's okay. You can kiss me. You worry a lot for such a pretty girl, you know that?" He takes your hand. "Don't overthink it." 

"I can't," you say. 

"Take the night off. Let me worry…" His breath fans over your lips. "I'll take the lead," he suggests, closing the short gap between you. 

Your hand goes limp in his. 

—

The flowers are delivered to your desk sometime in the mid-afternoon. Pearly white lilies with green spots creeping toward the soft edges. Your chest yawns open and your lips curl into a smile like you've been hooked, rubbing a thick petal between your thumb and your forefinger. 

There's a long note folded and tied to one of the stems. 

Y/N, 

I am so, so sorry. So sorry. I am the sorriest boy who has ever lived, and I would love to make it up to you. Please call me when you get the flowers and tell me if they're a sufficient apology, or don't call me and I'll send you more. I know you said it was fine, but still.

Yours, Eddie Munson. 

P.S. did the flashlight guy have to be that mean? He pretty much blinded us with that thing. And did he have to make fun of my jacket? 

P.P.S I promise I will get you unbanned from the Hawk. Best date ever, yeah? 

You'll call him. Getting kicked out was a joint effort, after all, and you really want him to kiss you dizzy again, even if you found it hard to look at him on the drive home.

Maybe if he kisses you enough, you'll forget how it felt to be shepherded out of the movie theatre like a common criminal. 

You drop the note between the pages of your current read with a sigh. "Best date ever," you say. 

˚ʚ♡ɞ˚

thank you so much for reading! i really hope you enjoyed ♡ if you did, please considering reblogging, it means the world and makes a difference :D