#you might learn how to write better

[icarus-suraki]

Unpopular opinion, but some of y'all have got to get over yourselves when it comes to artwork and writing. It's not just "art" or "writing." It's like ART!!! and WRITING!!! around here. It's like some kind of sacred vocation around here if you draw pictures. And I am tired.

IDK, maybe someday there'll be less ridiculously overwrought "poetry" that gets slung around. Just chill.

[amethystina]

Hi there! I don’t know if you’ve ever answered something like this before, but since you have such great writing skills and a nice taste (and by nice I mean similar to mine lol) in ships, I was wondering what your favorite books are (top 5, maybe?).

And since your latest ships seem to have a pattern, are there any books you’ve read that feature similar dynamics?

That being said, with the ending of The Right Set of Circumstances and Who Holds the Devil being far from concluded, I’m really looking forward to A New Dawn or anything Gahan-related.

Hope you’re feeling a little better! Congrats on your skills; I really appreciate them.

I have not answered a question like this before, no. But, as a librarian, I am of course delighted to do so! Reading is one of my biggest hobbies and I make sure to read at least 20 books a year. It has been a tradition for the last nine-ten years or so (and that's not counting any of the fanfics I might partake in as well).

I just think that, as a writer, it's important to have input as well as output. A writer who doesn't read may be perfectly servicable, but they will stagnate sooner or later. They might be creative enough not to run out of ideas, but they'll be stuck with the same vocabulary and understanding of whatever language they're writing in for the rest of their career. So, to me, reading is vital in keeping my writing engaging and exciting. And it's especially important for someone like me who's writing in a language that's not my native tongue. If I didn't read copious amounts, I wouldn't know even half of the words currently in my vocabulary — let alone how to use them.

But, with that said, I'm terrible at listing my favourite books. Not because I don't have favourites — I most certainly do — but because I have a hard time listing things. I can't accurately compare many of the books I've read because they're from so many different genres and have offered me wildly different experiences. It's the same with movies, TV shows, and practically everything else I like. It's incredibly rare for me to be able to definitively say which ones are my Top 5. It's just not something my brain is capable of doing, it seems, unless it's narrowed down to a small enough scope that I can see the full picture.

Another thing about the books I read is that they don't always match what I write. Some of the books I love the most aren't even close to what I, myself, want to write. And I've found that, with books, I focus less on the tropes and dynamics than, say, what joy they bring me or what they can teach me about writing. Basically, what I'm trying to say is that while several of my ships have a pattern (I am, apparently, into age differences? Who knew?) the books I like do not. Or not to the same degree, I guess? There are some that come kind of close that I can pick out from my pile of favourites, sure, but they're not the majority. I think I'm just more broad in my tastes in books than I am in my taste of ships and haven't made an effort — nor do I want — to try and combine the two.

BUT YEAH. With that very long explanation out of the way, here are a couple of books that are important to me for one reason or another. They're not ranked, nor are they flawless pieces of literature — and not everyone will like them — but they gave me something and that's what matters to me.

Luck in the Shadows by Lynn Flewelling — If someone asked me for my favourite fantasy series, nine times out of ten, this would be my answer. I found this at a point in my life when I was dying for an engaging fantasy epic and this delivered in every single way that I wanted. It's complex, has great world-building, lovely characters, is full of intrigue, and is also gay. What's not to love? I absolutely devoured the first three books in this series. That said, it features some heavy themes and I haven't actually read all of the books yet so I can't guarantee that it stays good all the way through. But based on what I've read so far? Fucking outstanding.

Red Leaves by Thomas H. Cook — By no means the best book I've ever read, but it taught me a lot about unreliable narrators, characterisation, how to pace and angle a story, and how important words actually are when writing. How certain choices can affect not just the story you're telling, but the emotions of the reader. This book focuses on a man whose teenage son is suspected of having kidnapped a little girl and just what that does to his view of his son, their relationship, and himself as a father. It's truly fascinating with a focus on the psychological that I truly enjoy. It also taught me a thing or two about gut-punching twists. So there's that.

Days Without End by Sebastian Barry — This book is an Experience. And I mean that in the best way possible. This book isn't for everyone since it's slow and ambling and not the easiest to read, but dear LORD is it amazing. Never, in my entire life, have I read a book so atmospheric. I shit you not when I say that I had to read it with an accent to get the syntax and rhythm of the sentences right. It is pitch-perfect. And crafted so meticulously that my head kind of spins when I think about it. This was the book that made me see how important rhythm, cadence, and word choices are because they can, in fact, influence the reading experience to the point where it feels like the author is taking you by the hand and gently guiding you down the path of the story. And that's something I've tried to incorporate in my own writing, to the best of my abilities. A tip from my wife: If this book feels difficult in text format, read it on audiobook instead since, at least in the version she listened to, the narrator had the correct accent which made the whole thing a lot easier.

Blood Harvest by Sharon J. Bolton — The book that has probably scared me the most in my entire life. And it's not even a horror? But, again, it's all about the atmosphere and the fact that some of the sections are told from the POV of a young boy and you can't really be sure if he's a reliable narrator but if he is then what the ever-loving fuck is going on in this town? That's scarier than ghosts to me. Very eerie, well-crafted, and with the bonus of a disabled main character. But it does also feature quite heavy and disturbing subjects (child sexual abuse, to name one) so please be careful.

The Good Son by Jeong You-Jeong — This is a slow, claustrophobic, and ambling descent into insanity and I absolutely love it. The focus is on the characters, their relationships, and the slow unravelling of both. As with most Korean literature, it's very contained and direct, without too much flowery language, and I think that definitely works in its favour. The steady growing unease and tension are exquisite and I appreciate the focus that's put on the main character's thoughts, actions, and behaviour. It's exactly the kind of thing you'd expect me to enjoy if you've read my fanfics. Also, incidentally, Yo Han is going to recommend this book to Ga On in The Devil's Due (if I ever get to writing it) because Yo Han is a fucking menace who loves to push Ga On's buttons and twist his perception. You'll understand what I mean if you read it.

The Circle by Mats Strandberg and Sara Bergmark Elfgren — This is a Swedish young adult series that is so good but also so unnerving. Because it doesn't shy away from difficult subjects and knows how to ramp up the tension and suspense in a way that's truly masterful. I also appreciate that it's very female-focused and that the characters are far from flawless. Some of their actions are outright problematic, even abhorrent. But the beauty of this series is that that's the point. They're supposed to be flawed and they're supposed to make the wrong decisions — because they're human. This book is about a group of human teenage girls put in an extraordinary situation and, as you might expect, the results may vary. I truly recommend it to people who want to learn a bit more about flawed characters and, again, unreliable narrators.

___

Those are all books that have influenced my writing but if you want a list more focused on romance of the M/M variety (which, admittedly, is what I read the most) where at least some lean towards the same dynamics I have for my ships, here are some favourites. The majority of them are of the historical or fantasy variety because that's just where my heart truly lies. I know that doesn't show in my own writing, but that has more to do with my own performance anxiety than anything else, I think. I haven't really dared to dabble too much in those genres.

And so, without further ado:

The Gentle Art of Fortune Hunting by K.J. Charles — Or just books by K. J. Charles in general, I guess? They're delightful, down-to-earth, and easy to read. The characters feel like actual people and not everyone is drop-dead gorgeous all the time. I've been reading a lot of her works lately because they give me just what I want and bring me a lot of comfort.

The Soldier's Scoundrel by Cat Sebastian — Or, again, just books by Cat Sebastian in general. She, too, has a very nice grasp on characters, tone, and can build a really nice story that's not dependent on unnecessary drama. They're comfortable and nice and I love them.

The Ghost Wore Yellow Socks by Josh Lanyon — Another writer whose works I really enjoy, though the focus here is usually contemporary suspense and murder mysteries. Of the kind that manages to feel urgent and tense but without turning dark and gory — which I appreciate. Also, Josh Lanyon has perfected dry, sarcastic humour into an art. One I am very jealous of, not going to lie.

The Capital by A. H. Lee — I ploughed through this series. Like, I don't even know what happened? It's a fantasy story with intrigue and necromancy and amazing characters and magic and lovely world-building. This, for example, is one of the few books I've read where the social issues of LGBTQIA+ rights are touched upon in a fantasy setting. I really liked that. I'm probably going to re-read this series during 2025.

Kill Game by Cordelia Kingsbridge — This is another contemporary series about a serial killer and the cops who hunt said serial killer. So this is a bit darker but, boy, is it a ride. The series is a bit of a slow burn that bleeds into established relationship as it progresses and I just love that shit. Also, it took me until, like, book four (of five) before I could pinpoint who the killer was which is really impressive. Usually, I can do so within the first third of a story. It did drag at times, but the time you get to spend getting to know the characters makes up for that, I think.

Peter Darling by Austin Chant — I adore this book. It's a delicious, wonderful enemies-to-lovers that honestly made me go a little feral. But in a soft way, if that's possible? This book made me feel creative and excited and I was so invested in the characters and the slow build of attraction and awareness between them. I felt high after I finished it. I don't know if anyone else will feel that way (I might just have been very excited that day xD) but it worked really well for me. Highly recommend.

___

And there you have it! Because I can't miss an opportunity to talk about books, I guess xD (and give you more than you asked for)

But please remember to look up triggers and such before you read! I admit that I didn't try to list them all here, mainly because I don't know what people will find triggering so I'd probably miss some even if I tried.

As for my own writing, I hope to finish a couple of projects during 2025, A New Dawn definitely being one of them. Hopefully also some of the shorter Gahan projects I have, plus some older fics I have lying around for other fandoms that I just haven't been able to complete yet. Having too many projects makes me restless and while the easiest solution would be to dump some of them, I don't have the heart to do that when there's just another chapter or two to go.

So yeah. Next year will hopefully involve me finishing a couple of projects, especially old ones I should have completed long ago.

Wish me luck!

[deoidesign]

.

[proselles]

Rating: Explicit

Pairings: Satoru Gojo/Suguru Getou, Satoru Gojo & Tsumiki Fushiguro, Satoru Gojo & Megumi Fushiguro, Suguru Geto & Mimiko Hasaba & Nanako Hasaba

Chapters: 9/17

Word Count: 131,325

Summary: They’re tangled together on the couch when Satoru brings up the boy with the sweetgum hair.

“He’s sorta scrappy looking,” Satoru describes poorly. “Short.”

“Short?” Satoru doesn’t need to see Suguru to know he’s giving Satoru a look - the one where he wrinkles up his chin and mouth, the one that says stop being stupid Satoru. It’s a common enough facial expression in the apartment. “Satoru, it sounds like he’s six. They’re all that height. It’s not their fault that you’re ungodly tall.”

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There are a lot of secrets being kept in Tokyo.

[shorlinesorrows]

just got the time to start the sunshine court and I'm Vibrating out of my skin

[antirepurp]

One of the things that annoys me about Shadow and Silver's naivety is that Shadow has had like 3-4 games where he naively just gets dragged around by others on pure faith, good or bad, while Silver was only really dragged around by Mephiles, learned not to trust him half way through the game and hadn't been as naive since.

im guessing your angle here is that shadow shows a lot more naivety overall compared to the likes of silver, but fanon in particular paints silver as needlessly naive and ignores shadow's naive traits. i would, perhaps gently, argue that silver's naivety still gets played up more than i care for in official material even today, though i suppose that's to be expected when his debut game wasn't received well and taking cues from that might sound like a bad idea to whoever is in charge of characterizing him. that, and at least i see a lot of people enjoying a kind of carefree silver who showcases naivety in a humorous manner, so it'd make sense for writers to lean into it. then again i don't fuck with supplementary material like the comics much, where silver has more presence than in the games rn, so i wouldn't truly know what's going on out there lol

but yeah i'd like to see people acknowledging shadow's naivety more. not in a way where he gets turned into a baby cinnamon roll or whatever, but as a trait that's a part of his personality as a whole, that might slip through occasionally when he isn't making a conscious effort to suppress or work against it

[quatregats]

On the one hand I do really appreciate that the Linux Malayalam keyboard layout doesn't rely on Latin characters at all because I'm coming around to the "you should stop transliterating" mindset, but on the other hand my head is small and I don't want to have to memorize random keys with no visual cues :(

[quietlyblooms]

a possessive kiss that is meant to stake a claim .

kiss & tell | oooh @ofurizen wants chiyo soooo bad ≖‿≖

" 'm sorry i didn't listen. "

the words are tired and spoken between rasped breaths as chiyo holsters her pistols. her arms and legs feel like jello -- a side effect of nearly meeting her end at the gruesome hands of a hulking demon. but there isn't a drop of concern for herself in the pools of brown gazing at v. it's all for him. she'd watched as the creature trampled over shadow, barreling towards the man with such ferocity, and as griffon snatched v out of harm's way, chiyo fired without a second thought. her onslaught drew the demon's attention to her, as she wished, but she didn't have an avian companion to save her from being squashed.

she didn't need one. a well-placed bullet ( read: lucky shot ) sent the demon tumbling to the ground, giving nightmare enough time to manifest and v to finish the job. and thank god.

as v's hair turns from white to black again, chiyo worries she's made him angry. at the very least, she expects to be reprimanded after her reckless display. she's only human. a fragile thing like her shouldn't take risks that aren't in her favor, particularly when she was told to stay back.

green eyes finally meet her own, and chiyo shifts uncomfortably beneath the intensity of v's stare. the need to justify her actions rises in her chest, forces words out that aren't as careful as they typically might be. she cares too deeply to hide it very well anymore. " but that thing wasn't gonna give you a break. i couldn't just stand there. what if you got hurt? " the distance between them is rapidly closing with v's long strides. like she always has, chiyo stands her ground and does not move, brow furrowing and mouth twisting into a frown.

but it is not an argument that v wants. he enters her space not to intimidate her but to pull her closer, eliciting a gasp as his gloved hand grasps her jaw and arm wraps around her. he wants her. the realization winds chiyo, steals the breath from her lungs seconds before v has the chance to, and it's almost embarrassing how easily she melts and molds into his touch then, how readily she stands on her tiptoes so that he doesn't have to bend down quite so far. if he wants her, he'll have her.

his kiss is a hungry, greedy thing, and chiyo is nothing but willing to feed it. he need not tilt her head for a better angle because she does it for him, presses closer without the encouragement of a tighter embrace, though she does relish in it. he need not be insistent for she wants him, too; he must understand that when she is so eager to surrender to his touch. take what you want, her body sighs. one hand slides up tattooed skin to rest delicately at the base of v's throat while the other tangles itself in dark strands and doesn't let go. her mind grows fuzzy, unable to think clearly even as their lips part for air, and chiyo meets v's gaze with half-lidded eyes. she feels the rise and fall of his chest, wonders if his heart beats as fast as hers does.

yours. all yours, her eyes seem to say as she takes hold of the hand that held her jaw and turns her head to press a kiss to his thumb, tilt her face into his palm. a smile tugs at her mouth, bashful and teasing all at once.

" maybe i'm not so sorry. "

[edge-oftheworld]

help i'm listening to an orchestral arrangement of holiday by green day and i can't deal with it

[vegley]

hi guys i am pretty bored

[windupaidoneus]

now some people may not like to hear it but even the worst people who exist are still people & there is no human being who has More right than others to decide whether others deserve to live or die (does not mean i personally condemn murder in self defense or anything of the sort or killing fascists or whatever i'm just saying as a baseline This Is How it Is) & this is why the death penalty is not a good thing no matter how good & trustworthy the people in any government might be. people on average also deserve the chance to learn to do better. & no, someone who's been forcefed propaganda their entire life will not let go of that deeply entrenched mindset so easily, it's not particularly unrealistic & it absolutely sucks to deal with but in the context of tangibly working toward world peace it's also not an issue to try & help such people both in material ways & in helping them learn better rather than cut them down or abandon them to a grim fate. all this to say that's why i don't think garlemald is written badly, as unpleasant as the experience might be. walks off the stage

[sorikkung]

people interacting w wgoin in my notes... this would be a rly bad time to say all my writing will probably be on hiatus for the indefinite future huh

[swordsonnet]

on the off chance anyone on here followed me for my jonmartin fake dating au, currently standing tragically unfinished at 7 out of 8 chapters: i'm still working on the last chapter! i would love to have it up this year, but unfortunately i can't make any promises, because i've started a new medication and the side effects are wreaking havoc on my mind and body. haha isn't chronic illness fun. but rest assured the fic is the beating heart under my floorboards, and i WILL finish it one day

[peppermintgrim]

*blows a kiss to my computer* this one's for you, Aldith Sereda Wilhelmine Aeducan, kinslayer & kingmaker

[simplyghosting]

Amber fog

amber - share an unpopular opinion that you may have

Well the current one in my family rn is that i don't need to go back to therapy lol

fog - how well do you think you'd do in a zombie apocalypse scenario?

while i'd like to say I think i would be a good basic medic because i'm not squeamish and usually get asked anyway to deal with any blood/gross stuff at home and i have decent aim to get some ranged shots in for temporary defense-

but most likely i'd be buy-us-some-time zombie chow (╥﹏╥)

[luckyshotwrites]

since the other anon already asked. is xander ever going to see lynette as something other than food? and does lyenette consider any of the coworkers as a friend

Hmmmmmmmmmmm

I cannot answer the first one, I KNOW it's a wait and I'm sorry.

I feel organically speaking it wouldn't be rushed because they only work together. They've had very few interactions outside of that setting, but nothing too deep.

Lynette at this point is far to passive and doesn't know how to approach things quite yet. And Alexander- actually more will be explained later.

Does Lynette consider any of them friends: Out of all of them, she thinks Viola and June are friend material. However as she moved quite frequently she doesn't always know how to approach friendships. Nor how to get to know someone better, etc. She still tries to be friendly and nice to anyone she meets though.

On night crew, she's weary of Drake, but trusts him the most out of everyone there. So in her eyes, he's nearly a friend.

(Now, Lynette would not introduce any of them to Wicks. She'd be afraid Viola and or the others might attack him as he's not on the same contract, and that June might spill the monster beans. XD

Funnily enough, she'd maybe be willing to introduce him to Drake. Only because she doubts he'd attack Wicks, and Drake acts really calm compared to the others).

I hope this answered your questions well enough and THANK YOU SO MUCH FOR THEM!!

Again, I'm sorry it's a slow burn. There's so many characters/stuff I have to set up with these chapters. It's like- I just put a bag of popcorn in the microwave, all those little threads or passing remarks are the kernels, and I promise, once it starts THEY all are going to start popping. I hate waiting to trust me.

HAVE A SWELLARINO DAY, COOL CAT!~~~