#you know this is helping me see what works and what doesn't work and what I have to go back and change

[nightingale-prompts]

Do NOT Touch a God- DC x DP Prompt (Tim x Danny)

Correction: don't touch Danny.

A rule has been added to the house rules of Titans Tower. It started after the arrival of the summoning of the interdimensional teen that takes residence there.

Despite being only a teenager the power he held was at the level of a god. He causally reshaped reality around him to his liking. Rooms are made bigger on the inside but remain the same outside. Danny's hate for things getting too dirty made all clothes left on the floor for too long disappear into the laundry room and spilled drinks evaporate. The tower became self-cleaning as everything found its place on its own. Danny said it was just what he prefers, lab safety and all that. Sometimes Danny would turn off gravity, no reason be just likes it like that.

Unfortunately, he doesn't go on missions except for extreme situations where he is needed. He is content to spend his time in the med bay as the resident healer. He is also one of the few that can fix up Cyborg. Danny doesn't get involved unnecessarily. This has led to a few arguments in the past over how unhelpful he can be despite being able to help them. Danny shrugs it off and disappears when it happens. It was not fair on him, if he didn't want to fight he shouldn't have to. He was an asset and he offered his help freely.

So why does the No Touch rule exist? Well, Danny doesn't like touching people. He wears gloves for a reason especially when he is working in the bay fixing up everyone after a mission. He also avoids others touching him, shrinking away when someone tried.

Everyone respected that boundary but after a rough mission in particular Kon started an argument with him. The injuries were severe and he was just mad that M'gann was hurt. Danny was already overwhelmed with healing everyone and Kon seemed to strike a nerve. When Kon almost made contact with him Danny flickered out of existence and reappeared further away.

After several hours of fixing broken bones and open wounds Danny retreated.

Tim decided to check on him later. Kon was sorry for overreacting and blaming Danny for something he couldn't control but Danny probably didn't want to see him right now.

Danny looked worse for wear when he opened the door. He looked tired, weary from using his energy. He wrapped a blanket around himself.

They talked for a while. Mostly about nothing important, other times about how stressful things were right now.

Tim often found it hard to believe that Danny wasn't just a normal teen. Then again, what did he know about normal?

But he had wondered something.

He reached out and tried to hold Danny's hand but Danny moved away quickly noticing.

"You shouldn't do that." He said simply.

Had he been Dick he would repect the boundaries and if he was Jason he'd probably agree. But he was Tim and Tim was very bad at boundaries. That's kind of how he got here.

"Why not?" Tim asked.

"It might be too much," Danny said cautiously eyeing Tim who held his hands up.

"Try me."

Danny sighed and removed one of his gloves and touched his hand to Tim's shoulder.

All at once different sensations filled his senses. A comforting touch of a friend, a light fluttering of a passing stranger on the street, a strike of a hated rival, the steady hand of a family member, the playful tap of a classmate, the caress of a lover...all at once. Each feeling is defined but also blurred. It was almost like being pulled in thousands of directions as they tried to claim a part of Tim into their reality.

A single touch sent him into a trace. When Danny pulled away he expected to have broken Tim like how a child accidentally snaps their toys when playing. He knew his touch could overwhelm people almost to death. Clockwork said he'd be able to control it some day but Danny didn't even want to test it. Being able to fracture someone's mind was scary. Seeing it happen once was enough. So why did he try it on Tim? Did he not care what happened to him?

It's a bit selfish and embarrassing to admit but...not being able to touch another person was awful. He's not clingy but it feels like he has lacked sensation for a long time. Tim willingly asked for this and Danny wanted this as well.

Tim wasn't broken. Infact he had never felt more alive. When Danny removed his hand he found himself pulling it back to him. He couldn't explain it but it felt like...everything. Indescribable but amazing. It was contradictory but all of it made sense.

"Do it again!"

Things kind of escalated from there. It would probably be crass to even say it but let's just say that neither was lacking sensation. It was profound, not purely physical nor emotional, something else entirely. The religious sort would call it divine or a blessing, perhaps it was what heaven feels like. Others would call it sinful, partaking in things no human was meant to know or experience. The folly of humanity.

It was certainly addictive though. Whispered words echoed in every tongue. With every contact a new chorus created. The memories of long dead god flashed and worlds yet unawakened showed themselves. And just when it seemed like everything in the universe had collided and finally made sense...it was over.

There was a knock on the door.

Danny managed to roll the breathless, Tim off with a groan. He stretched feeling a bit locked up. He had been holding each other for a while now.

He opened the door and saw Kon standing there nervously.

"Look, Im sorr-"

"Danny?" Tim called out groggily interrupting whatever Kon was saying.

"I'm busy," Danny said quickly closing the door to go back to...you know.

(So were they having sex or just cuddling? I have no fucking idea and I wrote this. I feel like it's a secret third that is somehow worse.)

[lo-bo-tomia]

you open up your phone and look for a picture to show them. You look and look but you can't seem to find any pictures of your friend's face. You tell them your plan and they say they've never taken a picture because it would defeat the whole purpose of hiding in plain sight when they're hiding. You remind them that they could just shapeshift into another face, and they laugh. I sure could...

What an idiot. They're desperate. They need their original form for that date. Certainly they can't go as a hawk. You're good at drawing faces, you say that.

You've been doing that your whole life, to capture people's essence. You enjoy drawing random faces you've seen by memory and sometimes the cute and funny expressions your friends make. They're not really contempt but they seem to absolutely need to go back to their original form.

So you start drawing. It doesn't take long. It looks good, or at least that's what you thought. That moron looks at the picture, and immediately shapeshifts into their original form. But something's deeply wrong. They look like... a shell of themself. It's like they couldn't remember their face even after seeing the drawing and they could only shapeshift into the drawing itself. It looks inhumane. They seem to notice right away, and break down crying. You try to comfort them. There must be a way to make them remember a vivid image of their face. You think about that old guy at the edge of the realm that knows how to communicate telepathically, even with images. And you think they could be able to show your friend their face, recover their memory or at least help them recover it. It's not a bad idea, but what about the date? The best solution would be to just tell the truth. It's a complex situation. Your friend is reluctant, and it takes you a solid half hour to convince them. But they refuse to talk. Your idea means you have to break the news. You go out and your friend shapeshifts into a hamster. It's cute, discreet, and they've got wet eyes. They want to look as pitiful as possible. The date's been waiting. You're late. Your friend points at them and you sit down next to them and say hi. They're confused. "I'm sorry, I'm waiting for someone" squeak. You didn't think a hamster could convey emotions so well with a simple squeak. But you swear that sound your friend just blurted out sounded so sad. "I know" You say "You've been waiting for this" and you point at your friend, the hamster. This didn't clarify anything. "I'm sorry, what?"

Your friend starts talking, in a very high pitched voice. "Hi Erin, it's me Alex. I know you were expecting a human but here we are"

"I swear I'm not a hamster, just an idiot. I'm actually a shapeshifter and forgot how to turn back to my original self. This friend over here is trying to help me with that. Could we maybe reschedule the hangout maybe when I look more... bipedal?" - "We were planning on blasting a memory of their original body in their mind, so that they can remember."

"Oh you mean to go to the mindreader at the edge of the realm to do this?"

"Well yea that was the plan"

"No need, that's my dad, I can do pretty much the same thing and I've seen Alex before. Just, I can't communicate telepathically with animals: I'm a little limited like that. It's not even that I literally can't it's more of a mental limit that I can't seem to shatter"

"No problem! I've got the solution" Squeaks Alex the Hamster. They immediately shapeshift into your drawing. It looks so wrong, even Erin is startled. "Yea I tried to make them remember by drawing them, but they just look like a shell of themself"

"That's terrifying, but I can work with that" Erin lays their hands out towards Alex. Their face lights up and immediately they shapeshift into their original form. "That's much better, thanks Erin, thank you friend"

"I guess there's no need to reschedule now, see you around Alex" You ditch them and go home. That seems to be a good combo. You hope the date goes well.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[ir-abelas-vhenan]

Don't mind me, just revisiting the plot (again) and dying over this line (again). (These screenshots are going to be abysmal, but you'll get the point).

"To stop now would dishonor those I have wronged to come this far."

Yeah he's talking about Mythal (earned or not) and Felassan and Lavellan and Varric...but the way it applies to HIM, too, is what absolutely guts me.

Long post ahead...

Solas realizing that Lavellan doesn't care about how others see him or want to use him under the inquisiton, that HIS motivations as he has shared them are enough for her and worth defending against those who would tell him he's something he isn't. Solas, for the first time, being confronted with the realization that one these new elves he does not see himself in will still go to bat for him.

"You came here to help, Solas, I won't let them use that against you."

(Is he duplicitous? Yes. But intent on working against Corypheus? Undoubtedly).

“How would you stop them?”

“However I had to.”

“...thank you.”

Solas grappling with the fact that it wasn't just a one off, that this Dalish woman being faced with "hypotheticals" he's desperately been trying to get her people to entertain is jumping in head first, pushing back and disagreeing with him but never treating him worse for their differences and always admitting when he's helped shape a changing perspective. Solas daring to ask for help and marveling at the fact that he receives it, that the same woman who asked if it might some day be possible to live alongside spirits, who did not immediately shoot down his critique of THE CHANTRY REFUSING TO ACKNOWLEDGE SPIRITS AS LEGITIMATE BEINGS (GAH), who did not laugh at him for saying he preferred their company most days, this woman, is going to drop time and resources during war time preparations to personally help his friend.

And then, when he is too late and has once again failed someone he considers a friend, he disappears within himself, where he has always gone to exact punishment for the weight of the lives he believes he's betrayed. It almost works, too.

Psych. Lavellan doesn't want him to grieve alone, to stare at the place in the Fade where his friend used to be and think of all he should have done differently.

“The next time you have to mourn, you don’t need to be alone.”

“It’s been so long since I could trust someone.”

“I know.”

“I’ll work on it. And thank you.”

And still she unbalances him, accepts him, wants more. Solas is sharing a personality that brings him the closest he has ever been to his spirit form, and it is ENOUGH for her. Existing as he has always dreamt of is all takes to earn her loyalty, respect, and eventually love.

But does she stop there? No. She doesn't chafe at this random apostate who speaks with certainty and unapologetically delves into a past he believes worth preserving, even at the cost of questioning her culture as it currently stands.

The very woman he once thought of as a mistake that HE unleashed upon the world is asking to be a part of his, not because of what he can bring to the table, not because she needs a right hand man, and certainly not because she thinks he has some well of power and intelligence critical to winning over enemies she’s willing to join for "supervisory" purposes (cough cough hi Mythal). She bears the weight of choices that can and will lead to death, to pain, and when it wears on her she relies on him, not for solutions but so that at the end of it all she might smile with someone who knows her heart and the good she tried to do amidst a sea of terrible options. She wants to be known, no inch of her unturned, and worse, she thinks she knows him. But how could she? This is no longer who he is, it is merely the remnants of what he destroyed to make a world at Mythal's whim.

“You’re an admirable man. Not many people know who they are the way you do.”

“Thank you. Both for saying that and…for seeing that. Few in this world can see me instead of just seeing a pair of pointed ears”

She. Sees. Him. Every part he slowly is realizing he wants to be known for and even a few he thought he could hide. And then he gives it all up. Because he woke to a new world where spirits and elves and mages were so far removed from the role they played in Arlathan that it can only be yet another mistake he caused and must fix, never mind the fact that the dwarves have forgotten why they fled underground millennia ago in the first place.

The friend who tore him from the world he loved, urged him to take physical form? She is dead, too, never mind the fact that she ignored his urging for a different path, nevermind that he killed and tore and hurt in her name because otherwise what was losing the part of himself he loved for?

"A spirit becomes a demon when denied its original purpose.”

“It hurts. It always does, but I will survive.”

“You bound it to obedience, then commanded it to kill. That is when it turned.”

He may no longer recognize where the Dread Wolf ends and where Solas begins, but if he gives up now and permits himself the chance to remember, the pain he caused himself and others means nothing, because he did it all for Mythal and in his final discussion with her, regardless of what Veilguard tries to convey, she does not release him from his position as her agent.

And maybe that's part of why I'm so angry, because EVEN BEFORE TRESPASSER, the fragment of Mythal that ends up in Morrigan could have freed him, but she does not.

"I am sorry." He whispers.

"The failure was mine," he tells her, voice trembling. "I should pay the price."

Silence.

And do we get that "what we did, we did together" psuedo-fake ass-absolution, the one that, if given enough time and safety to put himself first he may have realised he doesn't truly need to pursue the things he deserves, that make him feel finally like himself again? No the fuck we don't.

"As am I, old friend." She murmurs.

Looking through the lens of Veilguard, this isn't an apology, it's a condemnation. It's Mythal tormenting him one more time, twisting the knife deeper, agreeing that it is Solas alone who has brought them to this point, who deserves to be punished. And then she reminds him what they are to each other, what he is supposed to be to her. What he must become again.

"It isn't abuse if I ask," Cole says in his personal quest.

"Not always true," Solas shoots back.

So he recommits to the friend he gave up his nature for, he refuses to let himself remember that Lavellan learned the full truth of his identity and still begged him not to mourn alone. Even so, he still cannot quite forget.

Var lath vir suledin. Our love will persevere.

I wish it could, vhenan.

And so he pushes onwards, spending almost a decade denying himself his true nature and regretting that he ever gave it a chance to come through because now he KNOWS that this world is different and a little broken, but it's a world he could be a part of because of the woman and the friends that made a place for him. It is a world that doesn't necessarily need to be restored as much as it might need renovation, but that is not the world Mythal demanded of him when she let him kill a remaining piece of her. And any solution but that means the hurt of taking a body, of hurting the titans, of time and time again being called on by one evanuris to fix a problem they all caused, was for nothing.

And a Pride of that magnitude, that sinister an origin, has a long, long way to fall.

And then that same uppity little shit has the audacity to tell him it's not too late, that he can turn back.

He kills again. He kills again. He kills again.

He kills a friend.

He fails to prevent the Evanuris from wreaking havoc a second time, wrenches another innocent into his war, and when they ask him about the woman he calls vhenan, he feels the mask stifling him begin to suffocate. But he never lets it fall, because to surrender now is to place her broken heart atop the pile of regrets he's been holding up like Atlas crumbling beneath the weight of the world itself. Because he still thinks it selfish to want the things that make him feel like himself again, so they need to be taken off the board entirely.

"To stop now would dishonor those I have wronged to come this far."

If he gives up now, his entire corporeal life has been a betrayal of many, but worst of all, he will have ruined himself for nothing.

But then she's there. A little older, a little sadder, and still looking at him like she did the night he almost broke and instead carefully removed any suggestion that she had ever belonged to anyone but herself.

"Didn't you hear me?" Her every action screams as she kneels to meet his gaze like he did the day he took her arm (another failure, another sacrifice he cannot let be for nothing).

The tombstone in the fade is his greatest fear, but it is not his fate. Why? She will not let it be. It cannot be his din'anshiral if she is not beside him.

Lavellan may not have understood the depth of exactly WHEN Solas first came somewhere foreign and uncertain to help, but she never once failed to keep her promise. She refuses to let his initial desire to do good be held against him any longer. And when she sees him accept that not-quite-absolution-definitely-more-of-a-power-play from the god that saw what he was capable of and molded him into a weapon, she finds her in to make sure he doesn't walk off alone to mourn again, never again will she lose him to the expectations others have of him. No doubt she wants to find a way to sink the fingers of her good hand into that spectral visage and tear it away like he wishes to do to the veil. But she is not here for Mythal. She is here for her heart, and for the man who has been carrying it since the moment her lips met his in the fade ten years ago.

“No orders to kill, no conflict with its nature, no demon.”

She forces him to see that the only remaining betrayal is to lock himself away one more irreversible time. All that's left to lose is the piece of himself he cherishes more than his greatest victories: all that he has to gain comes from making sure the love that was given to him at Skyhold, in the moment where Varric saw all he was capable of and still tried to bring him back home, was not given in vain.

"There is no fate but the love we share." She tells him as soon as Mythal's too-little-too-late platitudes send shudders through his body.

Banal nadas ar lath'ma vhenan.

It will not be so terrible a place, so unforgivable a betrayal if he can finally dare to put himself first. If, unlike that night in Crestwood, he finally gives in not to break, but to make himself whole.

There's a codex entry in Inquisiton about a spirit of wisdom who is summoned by researchers and only after a very pleasant conversation do they realize they made a mistake and never successfully bound the spirit in the first place, that it chose to speak with them of its own accord.

"I am not certain the spirit would have talked so freely had it been shackled at the time," writes the author of the entry.

I keep thinking about this alongside the datamined line of Morrigan saying, "And so, the Dread Wolf is stopped by, of all things love."

But that isn't quite right, is it?

Because in the end, of course the Dread Wolf could only ever freed by, over everything, love.

[gothhabiba]

@ anon

I think it might be actually dangerous to publish your ask, but I'm sure from my response people will be able to tell what it's about anyway.

You're full of actual, absolute shit if you're pretending not to know by now that verification processes to ensure the legitimacy of Ghazzawin's fundraisers have been undertaken, and that details about what these processes entail have been shared by several people. Several people, some of them currently in Gaza, put themselves through countless hours of work video-calling people, judging their knowledge of dialectical Arabic, seeing their faces and their children's faces and their living conditions, seeing IDs and bank information, asking invasive, personal questions that they didn't want to be asking & that the people responding probably didn't want to be answering, and physically visiting people in Gaza and video-recording their interactions, just so that people like you could be sure that these fundraisers were legitimate. If you're ignoring all of the blood & tears that went into that process just so you can hand-wring about scams, no one needs to be concerned with convincing you of the legitimacy of anything, because you were never going to donate to these people anyway. You are just looking for any plausible-sounding excuse not to do what you already didn't want to do.

If, by some miracle, you actually didn't know about the verified fundraiser spreadsheet (which is frankly still blameable bc, where on earth have you been?), then there it is. The post of mine that you're referring to never even mentioned responding to asks; using this spreadsheet is an absolutely valid, reasonable way of donating directly to families.

Now let me treat some of your statements as though they were questions (which, they were not).

How do people in Gaza have internet access?

Internet infrastructure in Gaza is very robust (e.g. in what cables are made of, how deep they're buried, amounts of redundancy in the system, &c.) because they have been getting bombed by Israel all the fucking time for decades, so they expect this infrastructure to be put through a lot. There have still--if you've been following the situation at all--been several outages caused by damage that Ghazzawin have needed to repair. Though I do have to say that I find it odd that you doubt Ghazzawin have internet access, but also say that you buy eSims...?

A lot of people right now are indeed connected via eSim, which to my understanding only need to connect to wifi once, right when they're activated. People put themselves at risk to connect to eSims because they need to get a good wifi signal, which usually means walking for several miles trying to find high ground. One of my contacts once urgently called me (this is the only time he hadn't just texted) because he had been told his friend had found a signal and so they needed an eSim right then, before they went back to their tent.

I've been trying for some time to connect another of my contacts in Gaza to an eSim, but we're not having success. At Crips for eSims for Gaza they / we (I'm on the server getting advice and helping out but I'm not using their funding; I'm using what people on tumblr have given me to purchase eSims with) keep a constantly updated sheet of which eSim providers use which networks and which networks work in which areas--because the situation is constantly changing. Because my contact doesn't have an eSim on a personal phone, she has to go to a central location to be allotted three hours of internet access from someone who has managed to get connected. Lots of people, on their fundraising posts and pages, specify exactly how they've gotten internet access, how difficult it's been for them to get it, and how stressful it is to be relying on this tenuous connection, spending hours away from their families (at high risk of being shot at by IOF soldiers the whole time), just to message people for hours straight and then go home again.

2. How do people in Gaza have tumblr accounts?

This is a stupid question. Anyone with an email address who is capable of picking a username and password can make a tumblr account. I have personally helped several of my contacts in Gaza with the process.

3. How do people in Gaza know to come into people's tumblr accounts?

This is also a stupid question. I don't really see how you could ask this question if you saw Palestinians as, like, real humans beings. You understand that people talk to each other, yes? Like with words? As soon as a few people had success fundraising to evacuate Gaza on tumblr (nearly a year ago... this news has had a lot of time to spread), obviously they told other people about it.

One of the ways that Israel conducts its genocidal war is through the destructiveness of frustration and boredom. It's a strange situation because everything is extremely dire, urgent, terrifying, and dirty, but there's also seldom anything to do. People are singing, telling stories, going to the beach, inventing games and contests, to entertain children, but also to entertain themselves. And this is the situation--with a bunch of desperate, bored people packed into a tiny piece of land--this is the situation that you think it's impossible for people to talk to each other in? Come on.

If you want to donate to Anera and World Food Kitchen and buy eSims, that's fantastic. Please do that. But if you are as ignorant of the particulars of what this situation is like as your ask makes you appear, then I hope you refrain from speaking on what the situation is like.

I've been nattering on for a long time so here's my call to action:

Decide what you're capable of giving right now, or the next time you get paid

Scroll down on the vetted fundraiser spreadsheet and find someone very low on funds, or with injured children who urgently need treatment or evacuation, and give that money.

AND / OR give it to the PCRF or the IRW

[mumblingsage]

#🤔 i remember reading about trauma being a psychic wound#from witnessing or experiencing an event where someone's physical integrity was threatened#i know you can't start talking about ptsd until 6 months after the event if you're still seeing effects from it#i'm not so sure about the formal definition of traumatized#bc most people heal after even really bad trauma. ptsd is what you get around 1/3 times when your psyche like. doesn't#so i think traumatized might be for shorter term effect? but still like a specific term for you know like an actual medical condition#and indeed i'm no health professional or expert but i'm p fucking sure that can't happen from stuff happening to fictional people#and much less from reading words on a page#anyway thank you for this post op

I also find these distinctions and definitions super interesting! (I'd say "fun" but it's just not a fun topic.)

-My understanding is that you're right, post-traumatic stress syndrome can't be diagnosed until 6 months after the event. If you're having stress symptoms in the immediate aftermath - and this is quite common, much more common than longer-term PTSD - it's called acute stress disorder (there's also 'adjustment disorder' which might overlap?). And people actually going through the fight-flight-or-freeze survival response to trauma may not be aware of themselves as particularly upset or realize they're having symptoms; those often emerge after the immediate threat is past. I cannot stress enough that people with PTSD are not weak and have not failed; to survive trauma requires immense resilience whatever the outcome. But PTSD also isn't an inevitable outcome. (George Bonnano's book The End of Trauma is poorly titled - he doesn't promise to end trauma - but was a really informative read on resilience.) Also, the fact that 85% of the people who evacuated the Twin Towers on 9/11 did not develop PTSD makes me skeptical of how many people would develop PTSD from reading or watching a movie; if as a species we're that resilient when our lives are truly threatened and death is all around us, I expect we'll be pretty resilient in milder circumstances. [However, some forms of trauma have far higher likelihood of PTSD than others because of different factors: for instance, about half of sexual assault survivors experience PTSD, because our culture really sucks at supporting SA survivors. The same article says 94% of survivors experience PTSD symptoms in the first 2 weeks; I think this is what the 'acute stress disorder' diagnosis is intended to cover.]

-So then what do we actually mean when we say "traumatized"? Speaking for myself as OP, I'd mean either/or 1. Developed symptoms of PTSD or acute stress disorder, or 2. Went through an experience known to lead to symptoms of PTSD or acute stress disorder (on which I'll defer to section A of the DSM-5's diagnostic criteria for PTSD), even if such symptoms didn't develop or have since resolved. This definition may be somewhat circular. It is not perfect (the DSM is not an unimpeachable document; at the same time, informed and caring people are always at work to improve it). But I think it gets at a real distinction that will emerge if we compare the experiences of, for instance, people who actually had a friend die suddenly in childhood vs people who just read Bridge to Terebithia.

-In hindsight it might have been helpful to define what I think it means to be "traumatized" in my OP, but it isn't easy to get the entire contents of Judith Herman's Trauma and Recovery plus Bessel van der Kolk's The Body Keeps the Score plus the odd discussion in the therapist's office into a concise blog post. And maybe it was more productive to leave the term undefined so each reader has to examine their own definition/understanding of it. (I'm giving myself too much credit. Even so.)

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[a1ecmcdowell]

dean winchester x angel!reader — take a shot or six.

or, dean's feeling it five in, but he's not going to let you win. or, dove beats dean at his own game.

cw, drinking, alcohol, tipsy dean sjkefdh, sexual tension SORRY

word count:

notes, by @depressionbarbie2023's suggestion... except i make it more tension riddled because i like my cute stuff with a dash of spice hehehe HOPE U LIKE IT STILL

★ ˚⋆

how were you supposed to know that the glass decanter on the accent table next to dean's chair was whiskey? he's staring at you now, like you just killed his entire family with your bare hands, as you hold a crystal glass full of it in between your nimble fingers.

you blink. his eye twitches.

"do you know how long that whiskey aged before it got to me?" he asks you slowly, like any of those words or processes are meant to ring any sort of bell in your head.

you shake your head. "why... do you let a drink age?"

another eye twitch. "enrichens the flavor." he nods toward the glass in your hand, nearly spilling over the brim. quickly, you raise the glass to try and alleviate the problem, sipping on the overflowing top loudly. "tastes good, doesn't it?"

your shoulders lift in a mindless shrug. it burns in your throat for a split second, but other than that, it tastes like caramelized oak, like wind through a nighttime forest, as sweet and secretive.

"what do you mean by—" his shoulders lift now, in a mockery of your shrug, which does nothing but make your head tilt in confusion. dean's quirks were something you were used to, at this point, but never before had you not been able to clue together why he was behaving like he was. "that's a 15-year old whiskey you're drinking like water. gimme that."

his boots echo on the solid floor as he stomps up to you, snatching the crystal glass from your fingers, letting the liquid slosh over the top and onto the both of your hands. dean gestures with his head again, his lips pursed in that look that you think, honestly, is reserved solely for you. "c'mon. lick it up. no wasting this shit."

being bossed around, and being bossed around by dean, is something you don't often let fly. his eyes stay on you as he lifts the glass to his lips, taking his own mindful sip, slow and deliberate like he's working it around his tongue before he swallows. much to the opposite of how you'd been throwing back the entirety of the decanter.

"oh, jesus christ," he grumbles when you actually do start to lick it off of your skin, the salt and the sweet burn making a surprisingly decent flavor, to his clear chagrin.

like always, it seems you do the wrong thing. since he'd shown you how to drive baby, arms around your body as he held you steady, dean had been pulling back. he was already a bit distant, but now? it felt like you were strangers all over again, and he wouldn't tell you what you'd done wrong.

it didn't stop you from coming around, though; your duty was to help the winchesters, and unfortunately for dean, helping him through his disdain for you was a part of that.

his lips stay pushed together in that signature irritated dean look, wrinkles embedded in the corners of his mouth, eyes betraying nothing of the thoughts in his head.

"i'm sorr—"

"don't even start," dean shoots back sternly, turning to weave out of the pillars of the living space and toward the kitchen area. naturally, you're inclined to follow him, your lips already downturned into a frown that could only be described as insistent. why couldn't he see or accept that you were sorry? "don't even know what you're apologizin' for."

he's opening cabinets too tall for you to reach with his free hand, eyes narrowing as he searches for something. "yes i do," you say fiercely, hurt flashing across your face at the accusation. "i upset you, and for that i'm sorry."

"oh, no, dove," he says with a little laugh, setting the crystal decanter on the countertop, using that hand to hold his weight as he reached deep into the cluttered cabinet. "you did not upset me. well," another tip of his lips into that unreadable expression, "i was, but not genuinely."

you blink at him, confusion melting into the hurt look on your face. "that does not make any sense."

"you see everything in black and white, dove," he says, a bottle of deep caramel liquid in his grip. his free hand goes to the crystal tumbler, a frown gracing his pretty expression, "two things can be true at once. i can be upset and not upset at the same time."

your mouth opens to answer him, but closes. his eyebrows flick up in amusement. "you should know that, with how often you give me that look. confused but not confused." he lets out a deep sigh through his nostrils. "christ, this is like, minimum five fingers of whiskey. whole damn hand's worth."

"there are no fingers in that." you watch as he lifts the glass to his mouth, his eyes locked and intense on yours the entire time. he downs half of it at once. "and it is inappropriate to say that."

"oh, piss off," he murmurs into the open mouth of the glass, though his eyes glimmer now, while they stay locked on yours.

your deep frown becomes a hesitant smile. no, maybe he is not-not mad anymore, actually.

he finishes the glass off with a groan that is entirely too sinful to be able to be created by one human man, albeit one that's been to hell and back. "see, this is why m'not pissed at you," dean says, voice thick and raspy as he tips the glass in your direction. "because i've got a helluva tolerance, and that burns. you... you drank that entire decanter like it was fuckin' kool-aid."

a pause and a blink. "juice. like juice. m'not explainin' kool-aid to you today. not in the mood."

his nails tap lightly on the countertop, drawing your attention there. "m'gonna guinea pig the shit outta you real quick."

"guinea pig?" your voice is a soft mutter of confusion. "you cannot—"

the sound of something popping open makes you blink in surprise, caught off guard by the sound of the cork popping free from the bottle on the countertop. "we're gonna play a game, dove. s'all you need to worry that pretty, confused little head about."

"oh."

dean pours a sip's worth into the crystal glass, before he pauses with the bottle in the air, and pours another of the same amount in. then, he passes the glass to you. "bottoms up."

"you are not getting me to show you my bottom, dean," you say sternly, with so much more authority than anyone could expect from an angel with a glass of whiskey in your fingers.

dean actually laughs. it's such a nice sound, hearty and rare these days. you wish you could bottle it up and cork it instead of what's already in there. surely, whatever it was wasn't as good as the sound of cackling. "means drink up, dove."

if only he'd actually just said that. you fluster, but you attempt to hide it behind the glass as you raise it to your mouth and sip it down in one gulp.

he tips his head in a small nod, eyebrows to his hairline, watching you with a look you can't explain in his eyes. impress? shock? affection? they're all things he rarely shows you, especially anymore. "what?"

dean raises his hands in mock surrender. "you just tossed back at least an eight hundred dollar double shot like juice, dove. let a man be impressed."

you choke belatedly. that little amount was eight hundred dollars? no wonder he'd been so angry, when he'd stumbled into you finishing off the bottle in the living space.

"nuh uh, pretty thing," he wags his finger, before the motion becomes a snap until you hand him back the glass, "no gettin' shy now. i wanna see you off your ass."

you bristle at that. "you have an obsession with my... my ass."

dean's grin becomes downright wicked. "yeah, i do."

the words take a second to register, and by the time they do, he's turned back and pouring another two shots worth into the glass. thankfully, too, because the last thing you want is for him to see the flush of pink on your cheeks.

"c'mon. one more." dean turns, holding the glass out for you. his eyes are a little glazed, and he seems lighter on his feet. not so tense around you as he'd been for weeks. you suck your lip between your teeth as you debate it, a little nervous, admittedly, to know what it's like to be off your ass. "nope. none of that."

his free hand cups your cheek suddenly, thumb dragging your bottom lip out of your mouth. "what?" you say, blinking your confusion. "none of what?"

"that," he answers, waving his hand in a broad gesture in front of your face. "m'feelin' too warm and buzzy to watch you bite your lip like a little temptress right now."

temptress. you? just because you'd— "oh." you feel your heart skip in your chest, and the feel of it nearly makes you jump. too close. he's too close. did you always feel like this when he was near, or was this one of those new feelings you stumbled across sometimes, that left you a bit breathless in your confusion?

the glass in his hand presses to your puffed bottom lip, the coolness of it dragging it open further, until it's in a little open o-shape. dean is close enough that you can hear the shudder in his inhale. you wonder, for a second, if it's because his heart, too, is stumbling over itself in his chest.

he begins to tip it back, pouring it in a slow stream between your parted lips. "yeah, that's a good girl," he mumbles, his voice rougher than you've heard it before. the praises always make you feel headier than usual, warm all over like the whiskey felt in your throat. "little more, c'mon. i know you can take it. yeah, just like that."

your eyes are locked on his the entire time, and you watch in real time as his pupils double in size, the green of his irises disappearing into a thin ring. once the glass is empty, he holds it to your lips a blink longer than necessary, his own mouth parted with words he didn't yet say.

another blink, and the glass is away from your mouth, and he's at the sink, back turned to you. "feel it yet?"

your hands do feel warm, like static runs through your veins, like each of your movements is more fluid. "i feel... something."

dean turns on the stream of the faucet, rinsing the glass out in silence. but softer than a breath, you hear him say, "yeah. so am i, dove."

tags,

@figthoughts, @jasvtsc, @titsout4nicholas, @deanswidow, @whyyouegg,

@bombarda-babe, @whisperingwillowxox, @underground-secret,

@bitchykittenconnoisseur, @jensenacklesantidote,

@keira-kaz2y5

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[icarusredwings]

Thinking about the way Wade "jumps" awake after dying and for some reason my brain can't stray from the idea of him 'asleep' in bed only to sit up panting because he gets cancer blockages that's causing really bad sleep apnea and therefore briefly dies because of it.

Some nights, Logan will be laying near his chest and wake up from his breathing stopping, sit up, and shake him a bit (yeah, as if that helps)

"Wade...WADE!"

He jumps awake with a gasp and then whines at him all sleepy like. "Whaattt?"

"Your heart stopped again..."

"Annndd???? It does that."

"Soo why is she taking you so much?"

Wade groans half asleep, rolls over and scooches himself back into Logans arms muttering "I dont know, It's her deathaversery soon. Shes probably just lonely."

"Deathave- what?"

"The day she died, Logan keep up."

"..... death can die?"

"Did you not read the comics at all??? God...yes death can die. Everything dies eventually. Even the universe... now jus' hold me.."

So now, Logan is holding wade, litsening to his heart, awake, and wondering how the hell death can die. And what comics? Death has comics about her life?- well.. death?

Other times, like when napping in the car, he'll sleep from the comute from home to the school and half way home Wade will just sit up holding his chest and gasping loudly.

"JESUS-"

"I died!"

"I can see that! Do you mind not scaring the shit out of me!? Im tryna drive!"

"I can't help it that my heart stops randomly!!??"

"For fuck sakes, Wade.. you need to get that checked out."

"Get what checked out? My entire body? Thanks ive been working out- OF COURSE I CANT GET CHECKED OUT Im 99% cancer!!"

"DONT YOU FUCKIN YELL AT ME YOURE THE ONE THATS GONNA MAKE US CRASH-"

"IF YOU BOTH DONT STOP YELLING ILL KILL YOU BOTH!" says a very fed up Laura, who doesn't even know how theyre together all they do is argue.... sheesh...

[thisisnotjuli]

umm actually im Hashtag Actually Autistic and I can definitely tell the difference between bananas cultivated by exploited workers in the global south and I am Very Sorry about it but they're my comfort food! you see I grew up poor and my poor single mother (poc!!) worked sixteen jobs to feed me and my four younger siblings, and I took care of them while she worked and I frequently starved myself so they could eat (yes I was always this humble even since i was a child 😔 Hashtag Older Sister) and once a year on my birthday my mom (poc!! she's a woc!!!!!!) saved up to buy me a banana as a birthday gift and it was of course the cheapest banana she could find because we couldn't afford otherwise so of course it tasted like imperialist explotation of the global south and im sorry to say that, because that was my comfort food for years (because it was all we could afford!!) it is still something i love and when I need to treat myself after a hard day or when I want to treat myself with a reward after a good day or when I want a snack I can't help but long for a banana that tastes of imperialist explotation of the global south and I'm autistic so i can definitely tell the difference in taste from other bananas and it just doesn't taste the same. and like I said I am Actually Autistic and I'm also poc because my mom was so! so I'm like 1/37th black actually, and I'm 1/207th latinx too! so actually I know A Lot about explotation in the global south and I know the impact it has in those places Hashtag Mexico Is Also My Home (nevermind that I've never been and I don't want to go because it looks all dirty and disgusting and what if I get sick and catch a plague or something? I'm Actually Autistic and I have a deep fear of sickness you know). so actually your post is classit and discriminatory because I'm Hashtag Actually Autistic and I Need those bananas that taste like imperialist exploitation of the global south and you're a meanie for saying otherwise 😡

what europeans don't understand is that here in the US we NEED to exploit the global south because there's poor people here that need bananas

[novvabee]

And They Were Roommates pt.10

summary: friendsgiving, you meet all the slytherins, this kinda doesn't contain a lot, just meeting new characters and wholesome interactions, i might make a part two to this lmao

cw: casual drinking? firewhisky is mentioned but you can interpret it in any way you want really

word count: 2.1k

“Stop that, Siri,” you scolded, swatting at his hand, “It’ll never boil if you keep stirring it.”

You were at the stove, boiling water for potatoes, or trying to at least. Sirius, bless him, wanted to help out, but he was really just in the way if not a downright hazard in the kitchen. 

“You told me to boil and stir, those are my duties and I take them very seriously.” He said with a chuckle at the last part. You rolled your eyes and scooted him out of the way.

You had already baked a lovely cake, and helped James cook some chicken and pasta, the last thing you had to make were the mashed potatoes. Remus had cooked up some veggies and was storing them in the warmer.

About a week ago, you suggested a “friendsgiving” to the boys. They had no idea what you were talking about, staring at you and blinking blankly as you explained the concept. You just wanted to have your friends over, all under one roof, and eat yummy food and play fun games. It sounded easy, in theory, but it turned out to be a lot more work than you were expecting, especially since one of the three boys could not cook to save his life. You decided to put Sirius in charge of drinks and entertainment and that appeased him. 

The house was a rush for a couple days, you all decorated and figured out recipes you were going to make for the whole group. Then there was the inviting everyone and setting a time that everyone was available. It was like herding cats.

Your friends, Mary, Lily, and Marlene, were all easy. They communicated and organized and everything went off without a hitch. But Sirius wanted to invite his brother and some friends that you had yet to meet and they seemed…. Well a little less communicative and organized, but that was apparently very normal for them, none of the boys were upset by it.

“Remus,” you called into the other room. The tall boy appeared on the doorway in an instant. “Would you please help me finish the food?” you asked sweetly, batting your lashes to really drive it home.

Remus smirked and rolled his eyes. “Only if I have to.” he replied jokingly.

Sirius whined from beside you where Remus was now moving him out of the way. “Well what am I supposed to do?” he said, pushing out his bottom lip in a fake pout.

You looked at him and smiled, knowing his antics, he was only wanting to stay in the kitchen so he could “test” everything you were making. “Why don't you help James?” you suggested. James was in the living room, setting up some fall-ish decor which included strings of leaves he found outside. He claimed the colors were too pretty to be left out in the cold, so he hung them up insead. It was cute. 

Sirius huffed and exited the kitchen. You continued on cooking, a little faster and more efficient now that Remus was actually helping you. It was a little while later, as you were finishing up, you heard some muffled arguing in the other room. You and Remus gave each other a confused look, then went to go and see what all the commotion was.

You entered the living room and it was completely transformed into a fall wonderland. There were strings of leaves hung up across the ceiling, carved little woodland creatures strewn about, candles lit everywhere, and a fire stoked in the fireplace. The room had a warm glow to it. You stood there in awe, taking it all in. Maybe you should put Sirius on decorating duty more often.

“How did you do all this? And.. you were in here for like ten minutes, how?” you asked, still in shock.

Sirius smirked at you. “Magic,” he drawled, shoving what looked like one of the decorative sticks into his back pocket. James shook his head at Sirius, and Remus coughed from beside you. You couldn’t believe it, he and James must have worked really fast. 

Your attention was drawn to the door, hearing a knock and some cheerful chatter. You smiled, instantly knowing who it was.

You opened the door and were met with the sight of Mary, Lily, and Marlene, all holding dishes they made.

“Hello love!” Mary sang, kissing you on the cheek before stepping inside. You hugged both Marlene and Lily and let them in as well. 

“I can’t believe you actually live with them,” Marlene said to you while handing her dish off to James. “I mean, if you ever need an escape, just let me know and you can come stay with me instead.” she said, conspiring against her friends.

You laughed but answered, “I like it here, the boys are lovely.”

Marlene blinked at you in shock. “The boys? Lovely?” 

“They better be,” Lily chimed in, glaring at both Sirius and James.

The latter held his hands up in defense as the former confirmed “We’ve been on our best behavior.” 

All of you settled in, the girls leaving their dishes on the long table that James had somehow conjured up early this morning. You all found space on the couches or chairs or just on the carpeted floor. Conversation was lively, they all were recounting stories about their school days. 

You learned a little bit more about the boys through the eyes of the girls. Apparently Remus was known as sort of a “casanova” in their years at school, James and Sirius got detention every day for three months but were able to sweet talk their way out of it after only a week, and that they had once set a fire in their common room.

“It was small!” James defended himself and his friends. “And we put it out eventually, didn't we?”

“Yes, because I supplied the water!” Lily laughed, making the rest of the room chuckle along with her.

“What about you, Y/N? You have any harrowing tales from school?” Mary asked.

You shook your head and let your gaze fall to the floor. “I was way too shy to do anything bad or adventurous in school.” you supplied.

“You never got into trouble?” James asked. “Not even once?”

“I mean…Not for anything like setting a common room on fire.” you shot back at him, jokingly. James smiled at you, the perfect, warm smile that he often reserved only for you. The type of smile that would instantly heat your face.

You were grateful for the knock at the door, taking the attention away from you and your growing blush.

Sirius jumped up and raced to the door, opening it to reveal a boy you had yet to meet. He looked almost exactly like Sirius, the only differences were his shorter hair and his sharper features, almost cat like.

“Reggie!” Sirius exclaimed, wrapping his arms around him in a tight hug. The boy stiffened a bit but pat Sirius on the back. "You didn’t make anything?”

The boy furrowed his eyebrows. “Why would I make anything? Can’t we just-”

“Regulus! It’s been too long” Mary called out, skipping up to him and hugging him as well.

“Where are the other two?” James asked.

The boy shrugged. “Honestly I don’t know, I told them I was leaving at 5:00 and for them to be in the car. I left at 5:00.” he said plainly, making James chuckle.

“And they weren't in the car?” James asked again.

“They were not in the car.” The boy confirmed smiling slightly, just the corners of his mouth, but somehow it lit his face up entirely. He turned to you, looking you up and down. “Hello, I’m Regulus.”

“Hi, I’m Y/N.” you said, giving him a small wave. “I’m their new roommate.” you explained, nodding your head to where James stood beside you.

“Oh right, Sirius mentioned you,” he said. You couldn’t really get a read on him, didn’t know if he liked you or not, if he was friendly or not.

You were saved by Marlene inserting herself into the conversation by asking, “So Reggie, uh, do you know who else is coming?”

Regulus turned his attention to her and smirked. He raised his eyebrows and said, “Oh yeah, Pandora is coming. Can’t wait to see her.” He smiled at her like he knew something, like he was onto some game she might be playing.

“Cool, yeah! Love Pandora. I’m, uh, excited to see her too.” she said quickly, then walked away. Regulus and James laughed.

There was another knock on the door, Sirius again opened it and revealed two girls standing side by side. One with dark brown hair and the coolest clothes you had ever seen, the other with blonde hair and an eccentric aura around her. The blonde was holding a tray of baked goods and the brunette was holding some sort of bottle.

They said their hellos to everyone before the blonde stopped right in front of you. “You must be Y/N! It is so lovely to meet you. I am excited to get to know you more, I’m Pandora by the way.” she said in an airy type of voice. She seemed sweet, kind. You were excited to get to know her more too.

“Yeah, nice to meet you too.” you said.

“I made pumpkin pasties, I hope that's alright with you.” she said, motioning with the tray in her hands.

“Oh, uh, yeah that’s great, thank you so much.” you started, “I’ve never had one before so, I’m happy to try one!” you finished, trying your best to match her cheeriness.

“Never had a pumpkin pasty?” she asked, cocking her head to the side. “They are practically all I would eat when I was at-”

“I’ll take that.” Remus interjected, taking the tray gently from her hands.

“Oh Remus! How have you been? I was wondering about…” she started, getting distracted from you and following Remus into the kitchen. 

The other girl now stood in front of you. “Hey, I’m Dorcas.” she said. (you noticed Marlene blushing in the corner, eyeing her. Is this who she was hoping would show up…)

“Hi, I’m Y/N,” you repeated to her. “Nice to meet you.”

“Nice to meet you too,” she echoed the formality. “So… you’re living here now? With them?” she nodded to Remus and James in the kitchen.

“Yeah,” you said, nodding.

She handed you the bottle in her hand. “This is for you, I think it may come in handy living with that bunch.” she laughed, her voice smooth and soft. “It’s whiskey.”

You giggled and thanked her, taking the bottle. “Drinks, anyone?” you asked, raising the bottle up for all to see. There was an assortment of yes’s and agreements. You made your way to the kitchen to start handing out drinks.

Everyone was mingling and drinking, making their way to the table. You sat between Remus and Dorcas, talking to her about clothes and jewelry. She was wearing some of the coolest rings you had ever seen and you needed to know where she got them. “Oh here,” she said, handing you one you had asked about.

“W-what no. I couldn’t” you stuttered, shocked that she would be willing to give it up. Like she had known you for years, like you were sisters sharing clothes. 

“No, don't worry about it, think about it like a house warming present or something.” she explained, popping the ring  on the placemat in front of you. “Besides, I like making my own rings, I can always make another.”

You thought right then that she may be the coolest girl you had ever met.

There was yet another knock at the door. “Late as always!” Mary sang from the other side of the table, making the room laugh. Pandora was the one who jumped from her seat and made for the door. 

“Evan!” you heard her call out. She re-entered the room with two boys behind her. The first boy was tall, almost as tall as Remus, and blonde like Pandora. The other was slightly shorter and had green streaks dyed into his black hair. The second boy was holding a pie.

“I told you I was leaving at 5:00” Regulus muttered from one of the heads of the table.

“We made a pie.” the one with the green streaks said, extending out the pie he was holding.

Lily crossed her arms over her chest and raised a brow “you made a pie?” she said with an accusatory tone.

The green haired boy smiled. “We bought a pie, and the pie is here.”

You stood and walked up to the two new boys. You introduced yourself and took the pie, telling them to follow you to the kitchen so they could grab drinks as well.

“I never thought the day would come when I would be jealous of the marauders.” you heard the green haired boy, whose name you learned was Barty, mumble to the tall blonde boy, whose name was Evan, Pandora’s twin brother.

so this one was so fun to write even though nothing really happened, I just like to flesh out all their personalities kinda... idk. also there is so much magic in this one if you're looking for it. I do wanna do a pt.10 pt.2 lmao but that is so silly

taglist 💌:@too-efn-old-to-be-here @cometsghost @eeviee4 @giuli-in-earth @spicybearnaise @the-lavender-girl @adharalikethestar @champomiel @itsleroyposts @enamoredwithbella @babymash @ilovejamespottersomuch @liszblog @sammyreid @kiaslily @idkman5335 @willowlovestheweasleys @lady-balem @nislame @latenightreadingpdf @v-loves-frogs @meggishhhh @mooonyxoxo @sodavrr @notmonstersapocalipse @plk-18 @prettylittlewrites

[slightly-knot-insane]

A Little Bit Rusty [part 2]

[ m!monster x fem!reader ]

a/n: continuation of this short drabble, now with more plot, hehe. also, i imagined this monster as some kind of dinosaur hybrid, but i'll still keep it vague enough for readers to imagine whatever they like ^^ content: nsfw, some steamy moments with clothes on, fingering

You left his apartment before he woke up, figuring it will be less awkward than to have breakfast together and spend the morning in silence avoiding each other's gaze. The night was so good, though, you think as you enter the museum, your workplace.

It's hard to focus on paperwork you left unfinished yesterday in order to have fun with your co-worker, aka supervisor, aka mentor. It's very hard not to think about his long monstrous tongue or his teeth biting your inner thighs.

"Good morning..." You jolt up immediately recognizing your mentor's voice. You didn't notice when he entered the office. He is standing a few steps away from you, like you have a disease. "Are you... okay?"

"Why wouldn't I be?" You are truly surprised with his question. Last night was fantastic.

He suddenly stands with his back straighter than before - if that's even possible. "R-right. Good to know." And then basically runs away.

Maybe he didn't have such a good time? He sure didn't act unsatisfied. You chuckle looking at him trip over his own legs.

It's a busy day, Saturday, and the museum is full of people. You both have tours to lead, but since you only started working, you are mostly free or assisting him.

You actually love listening to him, since he's very eloquent when talking about archaeological findings, especially about bones. He is especially charming with kids and can make them laugh easily. But as soon as he lays his eyes on you, he blushes or stutters. It's so entertaining seeing him flustered you can't help but on purposely make his job even harder.

You shorten your skirt, pull your blouse down to expose your bosom, and tighten the belt around your waist to accentuate your curves even more. When he sees you the next time, his jaw drops like a malfunctioning lid. Luckily, his group is enjoying some free time exploring the science room so he has time to quickly approach you.

"You, um..." he tries to form words, ask you something very polite probably, but you bite your lip and his pupils dangerously dilate.

He pushes you behind 'staff only' little door in the next room and shoves your body against the wall. It is so cramped in there and you can't move - not that you want to. This 'rusty old man' how he called himself, is all but out of practice, and you get wet just thinking about what he could do to you right now.

"I'm not blind," he growls and pushes his clawed hand into your hair pulling your head backwards. He licks your neck along your jugular. "You're toying with me."

"You think?" your sarcastic remark is cut short by his hand sliding between your thick thighs and lightly touching your mons pubis.

"Why did you leave this morning?" he asks you but doesn't let you answer because he pushes his tongue inside your mouth. All you can do is moan and suck. "Why?" he repeats letting you catch your breath.

"I-I'm not sure," you reply, mind hazy, "I wanted us to think about everything, I guess. Analyze things."

"I see," he hums as his finger slithers inside your panties and rubs your lewdness while his other hand grips your hips. "I recon we're both done thinking."

He pulls his finger out and licks it with the tip of his tongue. Your pussy throbs.

"We should get back to work," he says, blushing again, returning to his old flustered self... and kisses his wet finger before exiting the storage room with a naughty wink.

[ third part coming soon! ]

[annasellheim]

We're sitting at the table I'm glaring at them. These heroes ("The Big Three" as they are known in the industry) are questioning me? ME? They're questioning ME???

These motherfuckers made me come to the Cape Crusaders big, tacky mansion to justify my actions to them?

The thing that pisses me off the most about their reservations is the fact that what I do IS SO MUCH MORE IMPORTANT than anything they could possibly do. These idiots just punch bad guys in the face and send them to prison, just so they can escape and start the cycle over from scratch.

I've already saved so many more lives than they ever will. I've made more of a positive impact on this planet than anyone will ever know.

Because my power is to stop disasters, and the most effective way to do that is to prevent them.

No one knows how many wars I've stopped before they began, how many diseases I found vaccines for before they became epidemics, how many cities and countries I've helped create infrastructure for so they could avoid being over run by natural disasters.

And my job is made even more difficult than it sounds because no one can truly fathom how bad things would be if I don't use my powers. I have to fight ppl tooth and nail to get it anything to happen because they don't know how bad it'll be if it's not acted on.

No one sees what I see. They don't feel what I feel. They'll never know the particular ache in my chest that somehow has has an entire narrative wrapped in it whenever a potential disaster hits me. An ache that is so powerful that it's made my knees buckle multiple times.

And the feeling doesn't dissipate until the disaster is fully prevented. It means that when I know something needs to be done, I have to make sure it's dealt with, or-

It's destroying me in a way. Doing so much, all the time, with no compensation or recognition.

The heroes at least know about my powers and know that I have nipped a bunch of really bad shit in the bud.

The villains thing has come up before and it's irritating. For years I thought it was because they were lazy and just were angling for help over shit that I didn't have time for, and in the big picture, didn't matter. Asking for even more help than I already provide.

I'm at my limit already.

But looking at these three at this table in this enormous, extravagant kitchen, it hits me how wrong I am.

These heroes don't have my powers. They can't foresee and stop disasters. For all they know, these clowns that rob banks and occasionally attack and murder people, could cause major disasters down the line. I'm not perfect, I can't stop all disasters. I have to sleep and eat and work a fucking day job.

I still feel residual aches from time to time for every disaster I've failed to stop.

They aren't trying to get more free work out of me, they're trying their best to figure out what villains can do major damage in the future.

They're scared.

"So, the way my powers work," I say while leaning back in my chair, "is that at some point, I know something will go from being an issue to a problem to a disaster. I can only intervene when I know it'll be disastrous, otherwise I can't use my powers, it's like they don't exist. Until something goes over the thresh hold of becoming a potential disaster, it's like I have no powers at all."

"How do you know when a disaster is going to happen? Is it like a vision?"

"It's more internal than that- it's like a feeling I guess...I'm not sure how to articulate it."

Huh, no one has ever bothered to ask me anything specific about my powers or the work I do. I don't have a lot of answers if they keep prodding.

"So, yeah, it's not that I'm neutral to villains, it's just all of the ones you guys been dealing with don't-" I yawned "- don't give me that feeling. I'll let you know if it changes."

I put my head in my hands. Fuck, I'm so tired. It's not like I can stop being a hero, I see the alternate world where I don't intervene, I feel it. But I'm so, so tired.

"Go take a nap."

My head shoots up, "What?"

The Masked Crusader (dumb ass name btw, just like his dumbass mansion) says it again, "Go take a nap. I'll make us all dinner. Go use my guest room and pass out for a bit.

Damn it, did I say I was tired out loud? Or was mind reading one of his superpowers? I can't remember, things have been so overwhelming recently, my memory is shot.

"No, the Masked Crusader can't read minds, that's me" Brainiac says.

Oh. Shit. Right.

"We just, we see you burning out, let us support you for once," chimed in the Singing Banshee.

This was not how I was expecting this conversation to go AT ALL.

Banshee continues, "You've got a lot of walls up, probably from years of running yourself into the ground saving thousands of people without any help. So, we're now going to help you."

"That's not a request by the way," the Masked Crusader says as he slides me a glass of water. "We're doing it whether you like it or not."

Shit, I hadn't even realized I was thirsty. Have I drank any water at all today?

And then *BOOM* I get hit with it- the feeling of an impending but preventable disaster. But it's different than any other disasters I "felt" before.

It's me... It's me, in the near future, collapsing and being unable to do anything about, well anything. I won't be able to stop future disasters, hell, I won't be able to function. And the only way to prevent it was to lean on these people.

This is a lot.

I chugged the rest of the water and wiped my mouth.

"Ok, thanks..." I whispered.

It's too much to think about right now. It's too much to feel right now. I'm not used to, I don't know, being taken care of. I don't know how to be supported.

I'll figure out a way to properly navigate this later. Right now I need to lay the hell down.

You're a superhero who specializes exclusively in stopping disasters. The other heroes just don't understand why you need to remain neutral to the villains…

[kiemiu]

headcanons of chris dating a lavish hyper feminine gf | ( fem!reader ) fluff + soft hours. established relationship headcanons wc 943 (library) + (request)

boyfriend!chris who loves that you have standards. as someone who grew up with a certain lifestyle, you made it clear to chris before you started dating him that you don't settle and have pretty high standards. expecting him to take a step back because most men do when they realize they can't afford you, he surprisingly doesn't. he just smiles with low eyes and says "i can handle whatever you throw at me, mama."

boyfriend!chris who reaches for his wallet without hesitation every single time. before you can even set all of your items on the counter, he's pulling out his wallet. when you go out to eat together, he pulls his wallet out as soon as the waiter mentions the check. it doesn't really matter where you are and what you're buying, he's gonna be the one to pay for it. doesn't even entertain the idea of you paying for something by yourself and will actually roll his eyes at you when you start to reach in your purse.

boyfriend!chris who pays for your mani pedi every time you go to the nail salon. all you have to do is offhandedly mention your acrylics growing out and he'll give you his card to go and get your nails done. every now and then when he has the free time, he'll go get it done with you. he usually finishes his treatment before you, so when he does he likes to just sit next to you and gossip with you and your nail tech. if you mention that you're hungry and the nail tech still has a long way to go with your nails, he'll pick up something to eat for the both of you and even the nail tech if they want anything. without thinking twice he'll feed you so you don't disrupt the nail tech while they're working. he'll get really shy whenever the other people in the salon point it out and coo over how doting he is.

boyfriend!chris who also chooses your nail design. he's consistently been choosing your nail color and design ever since you've gotten together and he takes the job very seriously. he'll genuinely get offended if you let someone else choose your nail design or if you get a touchup without letting him know. besides that, he loves to get matching designs, even if it's something as simple as having each other's initials on your ring fingers.

boyfriend!chris who loves to watch you get ready in the morning. if you ever have somewhere to be and he doesn't, he likes to follow you around like a baby duck and watch you pamper yourself. he'll hold your hair up for you while you search for a hair tie, he'll blow dry your hair for you, he'll choose your perfume, he'll even pick out your outfit if you let him. if he's not doing that, he'll just watch you do your makeup in fascination and whisper compliments, usually something along the lines of. "beautiful before and after." never fails to ask you for a kiss after you put on lipgloss, even though you'd think he'd hate the sticky feeling, he actually loves it and won't wipe it off even long after you're gone.

boyfriend!chris who keeps a compact mirror on him just in case you need it. when you're together, you try not to be on your phones as much, especially when you're out spending one on one time together so to avoid you looking at your phone he carries a small compact mirror around for whenever you feel the need to check your makeup. you could just carry it in your purse, but he prefers to do it. he says it'll be safer in his hands, especially since it's made out of glass but the real reason is that he likes you asking him for help.

boyfriend!chris who carries all of your bags. it could be groceries, shopping bags, or luggage, it doesn't matter. he'll always do the heavy lifting as well as the easy lifting. all you have to do is be pretty for him, he enjoys the view. if he sees you carrying something he'll take it from you without hesitation, especially if it looks heavy. most of the time he doesn't even realize he's doing it, he just feels the need to grab whatever you're holding. what if you chip a nail? he can't have that happen, you'd be so upset, and what kind of boyfriend would he be to not keep you happy?

boyfriend!chris who is always pleasantly surprised when you buy him stuff in return. he genuinely enjoys spoiling you, and the way you always show appreciation for him and the things he does for you always makes him feel fulfilled as your boyfriend. so, whenever you give him something back that's not affectionate doting, he's always pleasantly surprised and really appreciative.

boyfriend!chris who loves to kiss your attitude away. you've accumulated a bit of an attitude due to everything being handed to you, so whenever something doesn't go your way, you have no qualms about showing how annoyed you are about it. the platform uggs you wanted went out of stock? well, chris is right next to you to kiss the pout away and promise that he'll get them for you as soon as they're back in stock. your nails didn't turn out the way you wanted them to? no worries, chris will take you to get them redone tomorrow. he's always there to smother his pouty baby in kisses.

boyfriend!chris who is completely wrapped around your perfectly manicured finger.

' 𝒕𝒂𝒈𝒍𝒊𝒔𝒕 ' 🥡: @emely9274 @ginswife @chrisstvrns @conspiracy-ash @sturnina @lovetaylorrussellgrr @nervoussagittarius @sacaydia @chrissturnsss @hearts4werka @oliviagirlsworld @koilaniazul @starsforu @sturn777 @sturniolosiphone @chrisfavoritewhore

[beanarie]

i never wanted water once part 3

tommy is also breakup baking, prompted by my dear @sanguinarysanguinity

tw: mention of parent death, mention of child abuse

part 1

part 2

~

Gutierrez eyes him on his way out of the locker room. "Feel like no one ever sees you anymore. You coming back to the pickup game or what?"

"Oh." Tommy gives his damp hair one last rub from the towel. "I wasn't planning on it, to be honest. Too awkward."

Gutierrez frowns. "Why?"

"You know," Tommy says, wishing he didn't have to, "Eddie Diaz. I broke up with his best friend."

"Diaz hasn't shown in weeks. Probably got injured. You know how that crew is."

And that. Well. He and Eddie were friends. They became tight very quickly in a way Tommy hasn't experienced with many people. He shouldn't have thrown a connection like that away without at least trying to salvage it.

He sends a text, a polite, generic one asking about his welfare. Worst thing that can happen is Eddie tells him to fuck off and he's back where he started. He fully expects to be left on read.

He does not expect Eddie to tell him he's moving back to Texas because he's given up on his son deciding to come home. Eddie invites him to a pre-going away dinner at a bar and grill before he goes down South for a few days to scout out homes. And, no, absolutely not. But Tommy proposes getting a drink, just the two of them. Eddie very validly explains that he can't spare the time, since he's already started packing up his life and he's working overtime to save up for a down payment. Tommy gets it. He does.

The day after the dinner, Eddie calls him. "Hey, man. I know we're like two ships passing in the night, but I didn't want to leave without a proper goodbye. I still got some more shifts before I move for good, but the time will go by quick. We'll just stay on the line, okay? Keep me company while I go through my kitchen cabinets."

"It's good to hear from you," Tommy says honestly.

"So yeah." Eddie hums. "Why'd you do it?"

"Text you?" Tommy says. "I heard that-"

"Kinard," Eddie says, unamused.

"Yeah. Sorry."

"You just didn't seem the type to flee."

None of you know me as well as you thought you did, Tommy doesn't say. That's not fair to any of them. "I wasn't, in the past. Well, I tried not being that. A couple times. It didn't work out."

"Oh," Eddie says. "There it is."

"There what is?"

"You've got shit."

"Haven't we all?"

"Hey, I am not denying that." Eddie chuckles. "Do you plan on dealing with it, or letting it blow up every good thing you find until you die?"

"Jesus, Eddie."

"What's the point in mincing words? You did something dumb and destructive. What kinda friend would I be if I let that go without saying anything?"

"So what's the weather even like in El Paso? Does it ever get below 100?"

After a groan, Eddie lets Tommy talk about his shit, about Texas, parenthood, and chess clubs, for the rest of the call. Tommy can't say that he'll miss him. He missed him already and now he gets to continue doing so. All of this sucks.

Tommy tries his hand at gnocchi made with ricotta, lemon, and pepper that subsequently almost causes a fistfight during B shift.

Demetra favors him with a warm smile, taking in the large box in his hands. "Tom, right? Welcome! What's all this?"

"Tommy," he says easily, impressed she remembered his name at all. He hasn't been to this slightly dusty community center in five or six years. "Uh, this is garlic knots and mini calzones."

"Well, hey. You're even more welcome than before. Come take a seat."

December is a stupid time to rejoin group, many of the participants close to the edge from a cocktail of seasonal depression, missing dead loved ones, and generalized loneliness. Tommy knew it would be like this going in. He counted on it. Everyone will have so much to say that there likely won't be any time for him to open his mouth. He's not ready to spill. It will help to just soak in the atmosphere of unashamed honesty for a while.

At his third meeting, Cal, a slender guy in his mid twenties with a curly mohawk, keeps bringing up his mother. "She never wanted me to enlist," he says, "and now that I'm back home and struggling, she can't stop being all 'I told you so' morning, noon, and night. She never says it, but she is thinking it."

"Is she?" Tommy finds himself asking. "Or are you putting something on her that isn't there?"

"Maybe so." Cal pops one of Tommy's fried ravioli in his mouth and chews thoughtfully. "I don't know, I should probably give her a chance, think first about what she's actually saying before I react. But it's hard in the moment, you know?"

"Tommy?" Demetra says a minute later, making him feel like a kid being called on by the teacher. "How's your relationship with your mom?"

"Nonexistent. She died when I was fifteen." He crosses his ankles. "Fell asleep in the car on our way back from an away game and we couldn't wake her up. Heart attack."

Demetra frowns sympathetically. "That must've been hard for a kid to witness."

"I've seen so much worse since then. People shot in the head by machine guns, people covered in burns over most of their bodies..."

Demetra shakes her head slightly. "They weren't your mom."

He ducks his head, pressing his lips together. "True. It's just- That's not- It's not trauma. I don't fear falling asleep and not waking up."

"What do you fear?" Cal asks.

Being left, being hurt, being validated in his belief that no one will ever see him for all he is and choose to stick around. "Standard stuff, really. Clowns, taxes, drivers on the freeway."

He gets a pity laugh, a groan or two, and one outright glare. "Okay, okay." He exhales loudly. "Ending up alone by someone else's choice rather than mine."

"So you're cool with being on your own, as long as you're the one keeping everyone away," Cal says.

God, that sounds idiotic. "Yes?"

"You prefer it like this?" asks a woman about his own age wearing a green bomber jacket.

He shrugs. "It's not ideal, but as far as worst case scenarios go, it's okay. It's fine."

"It's spineless," says a gray-haired man with a Desert Storm hat.

Tommy doesn't flinch. "Yeah, that's kind of an inherent character trait. I keep thinking I got it licked, then it shows up wearing another face. Scared of my dad, so I joined the army and became someone he couldn't hurt anymore. Scared of people knowing I was gay, so I waited to come out until I was surrounded by brand new people. Scared of my boyfriend leaving, so." He pushes at the skin above his knees, kneading it. "So I left him first."

"You fall back," says Bomber Jacket. Her name is Annie or Angie. She has conflicted feelings about dating a man with kids. "It's easy to stop being scared when the thing that scared you is far away."

He hears Eddie. You just didn't seem the type to flee.

Demetra holds up a hand. Tommy's face must be doing something concerning. "No one here faults you for what you did to survive. Is it still serving you, is the question, or is that just what you're used to?"

He doesn't bake when he gets home. He drinks half the beers in his fridge and does a shockingly efficient job of cleaning his house, while drafting and deleting twenty-seven different texts. He then wakes up the next day, and goes to the pickup game.

Gutierrez scores four rebounds on him and doesn't shut up about it for the rest of their next shift. Tommy grumbles, and talks shit, and promises he won't have much to brag about next time.

[bloggerspam]

I'm a dummy and have fucked up the reblogs.

So I'm going to fix that and delete the incorrect posts so that the chapters are all in one place in the correct order. Please bear with me and I'm sorry for any confusion....

===

Gotham is unusually sunny, which works in Steph's favor by providing ample lighting.

Steph adjusts herself, posing just a little against a streetlight behind her, tucking a strand of hair behind her ear. She smooths down her skirt, her favorite black denim pencil skirt that makes her legs look long, for the millionth time. Her oversized jean jacket and fitted purple turtleneck keep her warm as she waits impatiently beside an equally posed Jason.

He's decided to cross his arms and casually lean back against Danny's bike, wearing a tight black thermal henley that really doesn't do anything to hide his muscles. His jeans look painted on, and his leather jacket is tucked safely in her car, parked a little ways away.

They're both pretending they're not acting like peacocks.

It's mostly working.

She's entirely grateful that Sam decided to bail the two troublemakers out, rather than Jason and Steph having to beg. Sibling solidarity can go a long, long way when cute boys and girls are involved, but it's better to err on the safe side when your main antagonist is your pesky nosy cop of a brother.

…Not that Steph's a Wayne by any means, but still. It counts.

The sound of bickering, familiar voices cause their nerves of waiting to turn into the nerves of anticipation.

"Fenton I swear to Clockwork I will end you if this happens again!!" Val's smooth baritone rasp is threatening, and even though it's playful, it still brings shivers down Steph's spine.

"What makes you think it'll happen again?" Danny challenges, Jason perking up beside her like a puppy.

"Because I know you, you dolt." Val growls, both of them coming into view now, "I bet you've already got plans on a better version knocking around in that empty head of yours!"

And fuck. Val's wearing a loose yellow crop top and low rider jeans, and with the way she jostles about with Danny, Steph can see a little peak of her abs every time she reaches up. Steph licks her lips at the flash of the other woman's dark skin, wants to bite at the pouch she's got going on that Steph knows means she's packing practical muscle.

Steph really, really wants to get her mouth on that woman ASAP.

If only Val would actually use said god damn muscles and pick up on the damn hints Steph's been leaving, that would be phenomenal.

"Just because you're right doesn't mean—oh!" Danny pauses, causing Val to stutter stop with him reflexively.

"Bossman?" Val squints, before her eyes widen, "Steph? Is that…Danny's bike?"

Jason puffs up his chest, proud, looking especially pleased when Danny beams and rushes towards them to check over his baby. It puts Danny all up in Jason's business, who refuses to step away probably for that purpose. Damn him, but he's smooth.

"Did you guys bail out the bike for him?" Val asks, smile soft as she comes to stand next to Steph, "You really didn't have to, Danny's not worth all that trouble."

"Oh, it was no big." Steph shrugs, peering down at Val through her eyelashes as best she can, "Between you and met? It didn't cost a penny." She winks. "We heard from a little birdy Danny quite likes bad boys."

"Yeah?" Val smirks, and gods is it hot, "And you totally didn't go along with it to, oh, I don't know, egg him on?"

Steph giggles, giggles like a schoolgirl! Ugh. She can't with herself sometimes. "Hey, who says he didn't need my expert help? I'm a beast with a lock pick you know."

Wait. That's not a normal thing to brag about. Abort! Abort!!

"Nice. I'm no slouch either, but I can't imagine it was easy." Val chuckles, shaking her head. "Which of you managed to crack Danny's security system? Your lockpicking skills extend to hacking too?"

…Apparently, it is a normal thing to brag about. Proceed as planned!

"We had a little help." Steph smiles her most winning smile, leaning a little into Val's space. The other girl's eyes widen, licking her lips, and Steph almost says fuck it, almost leans closer, if only—

"So I was thinkin' we could watch that new horror movie playin' at the threatre," Jason's voice is low, Steph almost misses it, if Val immediately swing her head towards him, "Carnage for Christmas, y'know, 'tis the season and all…"

Pouting at her missed opportunity, she looks over herself to see what the fuss is.

Danny is smiling helplessly up at Jason, who has a hand on the bike and is leaning over him close. They look snug, Danny fiddling nervously and looking besotted whilst Jason is eyeing Danny like he wants to eat him up.

Steph refuses to get jealous. Jason's got a head start, but that doesn't mean—

"Danny hates Christmas," To her credit, Val looks like she very much does not want to interrupt whatever is going on over there, "Plus, he's scared of ghosts."

Which. What?

Jason, mirroring her confusion, sputters. "But—I thought?" Jason's eye flick back and forth between a sheepishly embarrassed Danny and a reluctantly cockblocking Val. He settles on the safest thing to say. "Isn't Amity Park 'The Most Haunted Town in America'?"

Both Amity Parkers nod with a grimace.

"Aren't your parents ghost hunters?" Steph asks, though she regrets it when both of them stare at her with hard eyes.

"We never told you my last name." Danny's voice quavers, and he backs up just a tiny bit. "…Did you look into me?" Jason's expression crumbles, just that tiny bit, reaching over only to stop and bring his hand back when Danny flinches.

You mean his bully and his stalker? Sam had said. Fuck.

Steph and Jason both try to say no, only—only they did. Thankfully, Val steps in.

"Danny, they're Waynes." Her voice is forcefully calm. "It would be weirder if they didn't look into you."

That, thank all the fucking gods, does the trick. Steph bites her lip from refuting her Wayne status, watching tensely as Danny starts to cautiously relax, no longer looking like he's ready to bolt at any minute.

"Right." Danny breathes, relaxing enough to lean back into Jason's personal bubble, "Right, of course."

Steph and Jason silently resolve to give Val an expensive gift and a raise, respectively.

"Where did you find out about his parents?" Val asks, still in that forceful calm, silently urging them to…what, give a good excuse?

"From us, guard dog. Breathe a little." Sam's voice sounds out from the police station. "Not that I blame you, but we promise Danny is safe."

It's an odd thing to say, a concerning thing. She can tell Jason's already made a mental note to figure that shit out pronto. Boy's definitely gotten attached.

"Long time no see!" Tucker grins, waving at the four of them, "Sorry we took so long, that brother of yours had a lotta questions and Sam was not having it."

"ACAB." Sam deadpans, rolling her eyes and startling laughter out of Steph and Jason.

"He's not even supposed to be here," Steph rolls his eyes, "He usually works over in Bludhaven."

"He gave us some bull about police officer exchanges," Jason adds on, "which neither of us bought."

Danny relaxes all the way now, darting up a glance as a softly smiling Jason (gag) and even daringly leaning a shoulder against him. Jason preens.

"Wait go back," Val squints suspicious eyes at Tucker, "What do you mean long time no see?"

"It was a joke," Tucker's smile goes sly, "We met yesterday, committed our first crime in Gotham together and everything."

"Even got ice cream to celebrate" Sam smirks, "Swapped stories."

Danny looks up at Jason, wide eyes sad and mouth pouty, "You committed crime and got ice cream without us?"

Steph watches as Jason try to placate Danny, who is clearly joking and not having it, and feels all kinds of jealous and happy for him.

It just reminds her that she's gotta get going, so she leans just that little bit closer to Val, who is focused on Sam.

"What kind of stories?" Val crosses her arms, which. Delicious. Steph wants to bite them. Maybe Steph has an oral fixation.

She's okay with that. Hopefully Val is too.

"Oh…you know," Tucker drawls out, taking his sweet time, "Like how Danny's parents are ghost hunters turned ecto-biologists, a little bit about the ghosts and our town heroes…"

"…maybe a little bit about the Phan Club," Sam adds, not so innocently, "And how you were obsessed with Martina William's buck teeth in Junior Year because you thought they made her so cute, like Bugs Bunny—"

That seems to be the last straw. Val lunges.

Sam and Val chase each other, another, less monkey'd version of how Danny and Val brawled together.

It gave Steph more opportunity to observe their fighting styles, do a little more guesswork on the mystery that was Amity Park.

Danny liked to throw things, reliant on his apparent strength. Not for the first time, Steph wondered if Danny was a meta, if this was further proof that maybe Danny was Phantom, the blurry, hazmatted hero of Amity Park.

Val liked to flip and trip people up, even now, she was hooking her feet and flipping over objects on the street. She's been filmed on all sorts of security cameras, but her background doesn't discount her as Red Huntress, the newer hero that seemed antagonistic towards Phantom. Steph's not sure though, there isn't a lot of overlap beyond that in their fighting styles, and maybe it's the suit but Huntress' body type looked more svelte.

Sam, apparently, liked to use the other's momentum against them, stepping out and pushing against already moving limbs to twist them all around, topsy turvy. When Val went low to sweep a foot under, Sam stepped back and kicked it, turning Val all the way around and giving Sam a wide opening to the other girl's back, easy pickings

Steph squinted. Red Huntress liked to use weapons, so it was harder to really cement a fighting style, but she's seen Huntress use that move in one of the clips Babs sent over. And Sam was a little more on the petite side...

…Was Sam Red Huntress?

"You guys really like to brawl, huh." Steph said absently, trying to see if she could make any other connections.

"Everyone in Amity Park knows at least a little somethin' about brawling." Tucker shrugs, "It'd be hard not to, Most of the older generations were really into self-protection of any kind, even before the ghosts came around."

"Mom's a 9th degree black belt and Dad does judo," Danny agrees, "Jazz, my sister, took to Krav Maga like a duck to water, but got Dad's terrible aim."

"What about you?" Jason asks, peering at Danny's arms, no doubt remembering Danny's ease in tossing Val clear across a room and probably drooling about it. "Judo?"

Danny blushed, but it was Tucker that answered. "Danny's a whiz with weapons." He grinned a sharp little grin, "And yeah, he knows a lil' somethin' about judo. He's stronger than he looks."

Danny scratched the back of his neck, bashfully, "Mom was a little disappointed about the Krav Maga, I just don't have the head for it, but she perked right up when she found out I was good at handlin' guns."

Jason's eyes flared, and he leaned in a little closer with a gleam to his eye, voice so low Steph could scoop it up from the god damn floor. "Yeah?"

Ugh. Someone gag her. This does put the Phantom thing a little on the grayer side, since the 'ghost' hero relied more on their punches.

Steph shakes her head to clear her thought, looking hopefully over at where Sam and Val were still at it. She sighed, but turned back with a smile anyway. "And Val?"

"Val's dad works in Security," Danny's ears are so very red from Jason's attentions, "She's got some history in Hapkido, or was it Taekwondo?"

"Explains all the kicks," Jason whistles, "And all of Amity Park's like that?"

"Nobody realized how weird it was to have PE just be a karate class until Sam came around." Tucker continues, gesturing to the girls, "She came to town later, but she's also kind of good at most physical things."

"She's kicked my butt too many times to count," Danny grumbles, "Aikido is tricky to handle."

"At least you can keep up." Tucker rolls his eyes. "Leave some talent for the rest of us."

"Says the resident tech genius." Danny scoffs, but wisely keeps it at that when tucker rolls his eyes. "Besides, you're passable at guns."

"Passable," Tucker mocks, "Gee thanks."

The more she hears about Danny, the more she thinks he's too good for Jason. But then again, he also seemed perfect for him, so Steph called it a wash.

"So about that movie?" Jason decided to change the subject, probably impatient to get loverboy to himself. "We could watch something else, if Christmas or scary movies aren't your thing."

"The new Venom is out," Danny perked right up, turning towards Tucker for some reason, "We've been meaning to see that, right?"

"Uh," Tucker hesitates, gaze wide and frantic as it darts between Danny and Jason, "Y-yeah, buddy but I think—"

"The Marvel movies are one of the few movie franchises we can all agree on," Danny explains, turning back to Jason and looking up brightly, "We usually wait to watch on stream or something, but…" Danny bites his lip shyly, voice quieting, "…maybe we can watch it theatre just this once?"

Jason looks like he's trying his damnedest to not look disappointed, which—Steph feels for him, really. She and Tucker share a look, trying to figure out how to delicately navigate out of this disaster.

"Actually, I was thinking of—" Steph tries, only to be interrupted by a loud boom!

All six of them stiffen, bracing themselves and looking for the source. Those stories about Amity Park being a less Gothic version of Gotham is starting to hold water.

"Hello, Gotham!" A familiar grating voice echoes, "Welcome to my funtime jamboree!"

"Which one is this guy?" Val asks, still looking for the rogue.

"It's Riddler," Steph and Jason say at the same time.

Val groans, Sam rolling her eyes as the boys for some reason cheer.

"There are several bombs hidden throughout Gotham," Riddler continues over the police speaker system, "And each of them require some…shall be say creative problem solving!"

Steph gets tugged by the arm, pulled away before can even think about a way to separate naturally and disappear with Jason.

"Val?" Next to her, Jason has being herded by Sam, as Danny and Tucker conspire together over what looks like an old, beat up PDA.

"Danny and Tucker love escape rooms," Val explains, face scrunched up cutey in distaste, "I've been dragged to too many to count—"

"Wait—Riddler is too dangerous for citizens to—" Jason starts, trying to turn around to grab Danny, but is pushed forward by a surprisingly strong Sam.

"Yes, yes," Sam rolls her eyes, "We know, civilians etcetera and all that. Don't worry."

Steph and Jason try to argue, but are summarily stuffed into Steph's car—when did Val pick pocket her keys? Why is that so hot?

Before either of them can comprehend, Steph's been buckled into the driver's seat, Jason in the passenger, with the car somehow running.

The doors slam, and when both of them look through the passenger window, Sam has Tucker and Val in a rental car with her, Danny on his ecto-bike, already driving off.

Towards the commotion.

Steph and Jason share a look.

"What the fuck just happened?" Steph asks, stupefied.

"I didn't get Danny's number." Jason answers, equally confused but still buckling up and putting in a comm, "And you didn't even get to flirt."

"Hey!" Steph defends, putting in her own comm, "I'm not the one whose date thought they were asking the whole group to the movies!"

"Just drive," Jason growls, but it's lost in the sound of Steph revving her engine and their comms bursting into life with Babs' commanding voice and Duke's cheery timbre.

Riddler first, then dates.

Hopefully.

Mechanic!Val AU, but make it gay and sapphic.

ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)

Dead on Main and with some future Val/Steph >)

also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.

===

Val’s pretty sure her new boss Jay is actually a crime lord.

She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes. 

The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.

To be clear, she’s not mad about Red Hood himself. 

She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.

She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly? 

Gotham is Amity Park Lite: Gargoyles and Furries Edition. 

Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy. 

So here she is, working for the resident Crime Lord in his civvies. 

Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance. 

All in All?  It could be worse—she could still be working for Vlad, after all. 

It's the little things.