#you have me crying over here

[maybe-a-gatto-or-a-catto]

hold on I'll make this my personality for 3 months

[s0fter-sin]

something people just don’t think about is how often chronically ill and disabled people just don’t have access to good food. not healthy food, good food; well made, tasty meals that don’t come from a jar or a freezer. how many of us are housebound or can’t drive? delivery services only offer within certain distances, if you live outside a city they aren’t an option. many people don’t have the energy or ability to cook for themselves if they have the skill to begin with. many certainly don’t have the ability to learn how. it’s something that goes completely unnoticed, just the opportunity to have a good meal and how much that wears you down

[lil-lemon-snails]

decided to draw some of your guys' tags from my harlequin sun and moon post!!! These guys are so much fun and you're all so funny >w<

[notyournecromancer]

I totally adore you and have always loved everything you’ve recommended on any platform. I’ve only read marauders fics though and not sure anything can top Jegulus and Wolfstar for me. But I’m curious what the Drarry fuss is about. Do you have any advice on where to start? Something to get me into the characters everyone loves, like Blaise, Theo etc. And then I’ll go down the AFTG and Raven Boys rabbit holes! And probably never sleep again. Or be productive. Etc. But I’ll be happy.

SWEET SUFFERING JESUS i cannot TELL YOU how happy this makes me. DRARRY RECS INCOMING BELOVED!

first and foremost, i simply must tell you of the journey that is Led by Light of a Star Sweetly Gleaming which is the most GLORIOUS wolfstar - hear me out, the sequel to this is a Drarry, called Pages of You . These are by the most wonderful writer @wolfpants - I won't embarrass them by emotionally leaking all over the internet but fucking hear me out, babe, you're gonna wanna read every drop of Drarry they have to offer. While you're having a stalk, go and check out Terrible People and Everybody Hates a Tourist.

Next up, another favourite of mine: Draco Malfoy and The Mirror of Ecidyrue. this badboy is good if you fancy a canon retelling with some fantastic twists and fixes thrown in. each year gets better than the last and I think its such an interesting take on the whole thing.

Alright, another FABULOUS one with such a good little twist: Way Down We Go by @xiaq - a phenomenal writer whose original works you should also absolutely check out. This fic actually has Harry as a Werewolf which I absolutely convinced myself was a plot twist until I later went back and read the tags and realised it was there the whole time. LOVE this one. so good. side note - the supporting cast? unrivalled.

Okay here we have What We Pretend We Can't See by gyzym. this was lovely - I thought the characterisations were really spot on for canon adjacent/continuation. adored this.

Now for something a touch more whimsical, may I present you something unlike anything else I've ever read ever in life? It's called Running on Air by Eleventy7 (they are on tumblr I believe but for the life of me I cannot find their @) anyway. this is just the most stunning thing. it sort of plays out like a movie in front of you while you read it. its gentle and clever and thoughtful and intricate and just one of the most creative stories I've ever crossed paths with. i challenge you not to fall in love.

Here we have Is This The Place by the most gorgeous writer @januaryfirstreads - I promise you you aren't going to find someone who loves drarry like this writer does. and its so clear in every word she writes. This one of her's is lovely, so soft and full of the love of these characters, it does them justice in the most beautiful way.

Alright, if you know wolfstar you probably know @brigid-faye - and if you don't, all you need to know is that I trust brigid with my life. one thing about brigid? these characters are gonna be treated so well its gonna be hard to let go of 'em. here's a drarry brigid wrote a while back, its all the things her writing always has. which is to say, nothing you wanna miss. It's called Breeze (Move Me).

Okay, if you're a Red White and Royal Blue fan, the one and only itsgivingcamp has a FABULOUS ONE which you can find here: it's called Red, Green and Toil Too . now, I may perhaps be biased, but I happen to prefer this to the original. but like I said, maybe biased. but also, correct.

Alright, some classics. I may have read some of these or started them/downloaded them but I fear I've rambled on long enough. so here's the failsafe drarry recs to lead you down the right track:

Dwelling by Aideomai

The Devil's White Knight by Orphan_Account

Harry Potter and the Welcome to the World of Grey by sobsicles

Chasing Dragons by The_Sinking_Ship

and lastly i'm going to do the cheekiest of little self recs. i have a multi chap drarry that will one day be finished called Cold Coffee and a banter-driven little Christmas-themed one-shot named The Weather Outside.

anyway, there are so many bloody more. drarry is the most wonderful thing. its also (in my opinion) so disgracefully canon that it's hard to escape once you get into it. (like hello? the train scene?) so I wish you the best of luck on this journey.

you just come and give me a shout when you're ready to yell about AFTG and The Raven Cycle. I am here ready & waiting!

love you bye xoxoxoxo

[sunwarmed-ash]

Not to be a big sobby queer or anything but EVERYTIME I hear

"What's her name?"

"His name is Ed."

I start fucking bawling 😭😭😭😭😭😭😭

[avastyetwats]

“ I love you more than anyone in the world could possibly love another.. “

He offers Izzy a teary eyed smile in response to that, hands cupping his face while thumbs wipe away falling tears while their foreheads touch. "Oh, I don't know about that. You haven't already forgotten about my letter? I think my love for you is just as much if not a tad more, hm?" He teases him with a warm smile, leaning in to kiss him ever so softly while he held his face in his hands, still wiping his tears away, but not in a way to make him feel like he needed to stop crying, but simply to reassure him that he was here and that he was safe to express himself, to cry.

Then he started touching the ring at the top of his tie and Stede knew he was probably thinking of his mother now. Which was understandable given the gift he'd just given him, having been told about his love of drawing and sketching when he was a young boy and living with his mother. There wasn't too much Stede knew about his life back then, but he also knew it was such a sensitive subject for Israel, and not something he often opened up about, so Stede never pressed. But he figured Izzy knew that he wanted to know whenever he was ready to talk about it, whenever he felt safe and comfortable enough to talk with Stede about his life back then.

And now seemed to be the time because the next words that came from him started with "my mother".

So he listened. He listened to every word about him and his mother, sharing a smile when he did, kissing his cheek when a tear would roll down while recounting something painful, and then dropping one hand from his face in favor of holding his and squeezing whenever he would tense or start to break. He wanted him to know that it was okay, that he wasn't alone, that he was safe to talk about this, while also feeling reassured that if he needed to stop he could. But Stede was happy that Izzy was sharing this with him, that he was opening up and sharing such important and personal memories with him. There were parts where he wanted to tell him it was alright, that he had nothing to feel at fault for, but he didn't want to interrupt so he settled for squeezing his hand every so often to help ground him, to pull him out of guilt and sorrow-filled darkness and back with him.

But gods, Izzy has been through so much his entire life. Since he was but a boy trying to survive the best he could with his mother. His warm smile returned when he explained his mother buying him pencils and paper with what money she had and how she always praised his art and hung it anywhere she could with pride, but it's when he broke into a full sob once more that Izzy let go of his hand and took his face into his hands again before his head could drop too far. So Stede's gift, the manner in which it was gifted to Izzy and his words within the sketchbook were all similar to that of his time with his mother. It broke his heart to hear what they'd gone through, what they suffered, but he admired Izzy's strength, courage and perseverance not just as a child, but even now because he still had so much of it. So much of it that came from his mother. A woman that raised him so wonderfully.

"And she was right." Were his first words after Izzy went silent, agreeing with his mother that he shouldn't be afraid to be himself. But then he broke... he broke harder than the last so Stede pulled him in closer, hands still holding his face. "Hey, hey... none of that now. C'mere." He gently walked backwards towards the bed, taking Izzy with him. When the back of his legs hit the bed, he sits down and pulls Izzy onto his lap, his hands moving down to his neck to gently tilt his head up to look at him. "You have nothing to apologize for, Israel. Nothing. I'm so glad you told me all of this because now... now I get to know you more." And he smiles because to Stede, that's a good thing. Knowing more about Izzy doesn't turn him away, it only makes him love him more. "Don't ever be afraid of telling me things about yourself, okay? I want to know all that I can about you." God, he did.

"And your mother? Oh, she sounds wonderful. The most beautiful woman, if I may say." He smiles, his words genuine. Just from the kind woman she was, and all she did for Izzy, Stede knew she was beautiful. Inside, out, everything about her. "She was right, you know. You are beautiful. From what you've told me about her, you're very much like her." He smiles, knowing how about that would mean to Izzy, but then he says something else. Something that would be even more meaningful.

"And you know what else?" He runs the back of his hand gently over Izzy's cheek, his touch so loving, so tender, as he gazes into his tear-filled eyes with his own, lips curling into the warmest of smiles. "I know she would be so proud of you, Israel."

Stede must have remembered when he told him about his mother, about how he used to like to draw. It was so hard for him to open up about her. He’d only given him the very basics and Stede hadn’t pushed which he appreciated. He understood it was a sensitive topic, that Israel was still working on dropping part of his old self, and was trying to be a better person.

He would have continued to just cry into him if his face hadn’t been held. Now, with red eyes staring into his and soaked cheeks, a bit of mucus from his nose as this truly was an ugly cry with no shame, he was kissed. His eyes fluttered shut and he returned the gesture before he needed to breathe, simply resting his forehead to his. As he spoke his voice was still very much choked. This was so hard.. even to talk about with Stede.

“ I love you more than anyone in the world could possibly love another.. “ Even Stede. Slowly he reached up to his own tie, fingers softly rubbing around the ring at the top. It was his own type of stimming, a sort of calming as he tried to calm a little so he could speak.

“ The last person that ever gave me a sketchbook was my mother. She might have been a whore, but she didn’t do the job because she liked it. My father ran out before I was born and she was left destitute. It was the only way that she could make money, and luckily she was able to get a room in a brothel. Most women like her weren’t so lucky. Most children like me.. they died from starvation, or from the chill and heavy snows of London. “

He swallowed hard. Had this been the most Izzy had ever spoke at once? Possibly. And he knew Stede was from a disgusting amount of wealth and never knew the kind of suffering and pain of men like him. Men of the lowest class. So he felt in a way that he should educate him. Yes, Stede had seen pirates at their lows but this was different. This was a young mother, and her innocent child just trying to survive.

“ My mother was a good person.. she was.. “ Suddenly he lifted his eyes away, letting out the softest and saddest of laughs as he reminisced and looked upward. “ She was so .. kind. And gentle. She always tried to protect me from what happens at brothels but eventually you get a little older and start understanding. Never once did I hate her for it.. I’d even try to pick up odd jobs myself but work was hard to come by. “ Especially for a 7, 8 year old little thing. “ She always made time for me. No matter how terrible a client had been.. no matter if she was bruised which always broke my heart. I felt so fucking defenseless, Stede. I felt so small. “

“ And she’d tell me —“ The absolute sobbing returned as he hung his head, but he forced his way through it. “ She’d tell me how beautiful I was, how much she loved my pictures. She’d hang them around her room. She spent her last pennies on getting me pencils and paper. That’s just how she was.. she told me that I should never be afraid to be myself. “ Just like Stede had, which clearly with the gift was what had absolutely broke him. This was the most he’d spoken about anything, the most he’d ever opened up. Ed didn’t even know about all of this. Not every minutiae, anyway. His lover made him feel safe even when he was at his most vulnerable. Clearly he had more to say on the matter, but he’d started sniffling. And then.

“ I’m sorry.. “ He covered his mouth. There was that shame again. God, now he was ruining their anniversary wasn’t he? He couldn’t stop crying. Not about the gift, not about Stede, not about his beloved mother.

[coquelicoq]

it's about...longevity? stability? it's about natsume believing he'll be somewhere long enough to plant flowers and see them bloom. it's about him taking touko seriously when she asks him to tell her what flowers he wants to plant. it's about making something with his own hands, building a future with the fujiwaras. it's about him repairing a rundown home for someone else, restoring it because it's beloved to them, because it's the home of someone they love. it's about him seeing touko's joy and thinking about the youkai saying we'd like to look upon her happy face forever. it's about the box garden making him think of the fujiwaras' garden and his parents' garden, about the flowers being both the memory of flowers that bloomed there before, and the flowers that he and the youkai planted earlier that day. it's about him waking up in both worlds with sensei. it's about touko finding the petal in his hair. it's about him feeling how he falls short and the youkai saying, but you have such gentle hands...

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[dollypopup]

"Penelope should have chosen Debling!"

My sister in Christ. . .he literally dumped her???

Like just before Colin Bridgerton was on his knees after outrunning her carriage to profess how he can't stop thinking about her in his love me, choose me, I'm yours speech, Debling did the Regency equivalent of calling her a floozy who would undoubtedly cheat on him when he abandoned her for several years to chase his passions (because she would never be one of said passions since she asked outright if he could ever come to care for her and he went 'hmmmm seems unlikely! good thing you have solitary hobbies to occupy you instead!') when he has been given 0 evidence of such other than realizing she liked to look out the window because she had a crush on the boy across the street. I was ready to challenge that man to a duel for Pen's honor

His feelings for her were middling at best, I mean Christ on a Pogostick, after he asked her mum for permission to propose he isn't even happy when he opens the door and Pen is there? She's looking like a snack- nay, a whole ass MEAL, and he can't even smile? He just nods at her and dips the fuck out? You don't think it would kill Penelope to know that both her sisters have husbands who absolutely adore them and she's out here with an absent dude who likely won't even write to her?

Portia's 'Love is make believe!' speech is so transparently full of shit when you realize that we've got Dankworth who is so obsessed with Prudence that he makes heart eyes at her every waking moment and considers her his little bonbon and Albion who loves Phillipa so much that he was waiting for her to consent to sex (not realizing she didn't know what it was) for two entire years because he would never pressure her and so he was content with finishing in his pants when he kissed her to make sure she was comfortable. And you want Penelope to settle for a life of loneliness? When Colin is so besotted with her that he dreams of her and breaks every societal expectation in the book as a notorious People Pleaser to run after her and cannot even wait for the morning after being intimate with her to introduce her as his wife to his family in the middle of the night? You want her to turn down Mr "When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible" Bridgerton? For LORD PENGUIN?

Be so serious right now

[chirality]

who the fuck discovered this before me

[captainhysunstuff]

22 more images (with some saucy shenanigans and immature "seduction" tactics towards the end) below the cut:

Ryuk makes his grand return and is brought up to speed with Light and L's immoral union. The date seems pretty successful~.

Next (Mature)

Next (Super Abridged)

Previous

First

Master List

Transcript

[hyohaehyuk]

Sam talks about Jacob being 'an exceptional person' and answers what would have happened if Dale interviewed Lestat and whether or not Dale and Louis would be "friends" in The Emsolation Podcast Extras!

Note: Unf this is not the complete video where he answears that question(s). I had to edit it with a few excerpts i found so it might not make much sense. if someone put the whole segment of this question(s) i will edit this with that video

Source: The Emsolation Podcast - Sam Reid talks the FINAL season of The Newsreader, urvampiregirls, loustatsoup, comeappraiseme and pixielayer

------

Him saying that he can't imagine Louis giving two f*cks about Dale 😞 Well the fanfics says otherwise 🙃 i am really surprised they didn't told im about the Louis x Dale fanfics on AO3 🤣

i cant find the tweet now but i swear that i saw someone one twitter saying that Michael Lucas and the lady in the video talked about it a few weeks ago in one of The Emsolation podcast eps.

Anyway, it's funny that Lestat possessed him both times: one (where Sam clearly was able to control him) where he was totally down to the idea of f*cking Dale and in the other where he cant stand the idea of Louis f*cking Dale (Lestat you fake poly. A cheater is what you are) I didn't believed 100% in the Lestat possession allegations until i watch this 🤯

[suchine-toki]

Top 10 Gintaka moments

(Arranged chronologically because it was too difficult to choose. Spoilers ahead.)

1. Takasugi's laugh

After many encounters challenging the dojo, Gintoki sees Takasugi laugh for the first time, which becomes a core memory of his, a symbol of how things used to be and what he wants to preserve (ch. 517).

2. The promise

Surrounded by enemies, Takasugi asks Gintoki why he decided to join the war, to which Gintoki replies that, like him, it was not for a noble cause. At this, Takasugi recognizes that the two are good-for-nothing warriors, but asks Gintoki to take care of their sensei in case he dies. Likewise, Gintoki asks Takasugi to stay alive (ch. 516).

3. Gintoki's tears

Right after their sensei's death, Takasugi furiously runs towards Gintoki until, for a split second, he sees him crying. This becomes the last thing he saw with his left eye, a core memory that reminds him of the pain and grief they experienced (ch. 520).

4. Reunion at the festival

After 10 years of not seeing each other, Takasugi sneaks up behind Gintoki and threatens him with his sword, commenting on how easy it was and that he has become weak. He also tells him about his plan to kill the Shogun, claiming that within him there is a black beast that seeks revenge. At the same time, he confronts Gintoki for looking away from the past, making him unable to understand his feelings. To this, Gintoki responds that it's a shame that he underestimated him, which can be read in both a physical and emotional sense. It's assumed that they separate without another word (chs. 30-31).

5. They were the same

During a conversation with Nobume, Oboro asks her if Gintoki and Takasugi look like their sensei, to which she answers no, that the true resemblance was between them, since both had eyes full of sadness. As she says that, Gintoki and Takasugi can be seen passing each other, but only the former turns around to check that the latter is gone. It's worth mentioning that Gintoki warned Takasugi to be careful if he saw him walking down the street in chapter 97, but in the end he decided to not do anything (ch. 398).

6. Confession and realization

After their fight, with both of them on the floor, tired and full of injuries, Takasugi opens up to Gintoki about his suffering. He confesses to him that his face was the last thing he saw before losing his left eye, how devastating it was to see him cry, and the enormous survivor's guilt he feels, because he understands how much Gintoki loved Shouyo. To this, Gintoki responds that he didn't choose him, but simply knew what was important to theirsensei, thus lifting the burden from Takasugi's shoulders. Not only that, but Gintoki also confesses that, despite everything, he continues to see him as a fellow disciple of the Shouka Sonjuku and a comrade, whose soul he will protect (ch. 520).

7. Sword exchange

After a long coma, Takasugi awakens in Rakuyo and throws his sword to save Bansai. Likewise, Gintoki launches his bokuto to save Shinpachi, leaving them both unarmed. This is when they decide to take each other's sword and protect what is important to the other, reinforcing the message that a sword is made to protect the soul, and on other occasions that it even embodies it. Afterwards, they pass through hordes of enemies in order to see each other again, defending the other from an imminent attack and retrieving their weapon while locking eyes and making snarky remarks (ch. 573).

8. Pep talk

While everyone on Earth seems defeated, Gintoki hears a familiar voice over the radio. Hundreds of kilometers, far up in space, Takasugi tells him that they have everything under control and encourages him to continue fighting. Likewise, Gintoki assures him that on his side they haven't lost yet, and playfully encourages him, asking if he has already been reduced to junk. Despite being injured, Takasugi tells him to be ready when he comes for him, to which Gintoki smiles (ch. 650).

9. Let's rescue sensei

The greatest tragedy in Takasugi's life is not only the death of his teacher, but also that Gintoki had to be the one to kill him. Aware that he has little left to live, he admits that now he can be a little more honest with what he really wants to do. After fighting Gintoki as a way to punish himself, he's now able to recognize that he wishes to fight alongside him, while also wanting to alleviate his suffering by sharing the burden of his actions that day. Upon hearing this, the serious expression on Gintoki's face turns to astonishment at being able to achieve mutual understanding and once again have a common goal that is deeply personal to both of them (ch. 682).

10. Born under the same star

While Gintoki's eyes reflect the despair he feels at having to strike Takasugi's body, he remembers their childhood together. Gintoki fought very hard to protect everyone, but Takasugi fought even harder to protect him, and although Gintoki was definitely not ready to lose him, Takasugi was content with the idea that he had prevented him from killing their sensei once more. Knowing that he has little time left, it's Gintoki's turn to be more sincere. He embraces Takasugi and reassures him, acknowledging that he did indeed manage to protect him and that he wished they could have drunk together more often. But Takasugi tells Gintoki he doesn't want to hear him like this and he asks him not to send him off with a sad face. Mustering willpower, Gintoki smiles and tells him to wait for him in hell, which becomes the last sight from Takasugi's right eye as he smiles back before dying. No longer able to restrain his emotions, Gintoki weeps as he watches the sunset (ch. 703).

Part (1) (2) (3) (4) (Bonus)

[angelpuns]

Just another day wishing I didn't live with my parents but having to because I can barely take care of myself

[polysyndetonaddictsupportgroup]

did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?

As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.

AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.

And as to whether Endeavor was that scared about the next fight with AfO... Yeah.

I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).

But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.

He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.

He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.

And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?

And the answer that he came to was that they couldn't. Not without All Might.

He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.

So. That's why he came to that decision. Why did every hero fall into line?

So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.

Structural Flaw #1: Transportation

Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.

But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.

Who is sending the jet?

Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?

Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.

But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.

All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.

Who is sending the jet?

Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.

They are all on fucking strike.

Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.

Who is thinking to send the jet?

Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.

Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.

ASIDE: The Economic Structure of Heroics and Why It Sucks

I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.

How the fuck do heroes get paid?

I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.

But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.

From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?

Sources of Funding

a. Public Funding

There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.

In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.

It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.

But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.

It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.

But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?

It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.

The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.

Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.

Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.

But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."

These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.

Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.

Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.

b. Private Income Streams

We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.

In order to get this kind of income, you are necessarily in competition with your fellow hero.

Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.

2. Distribution of Funds

So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.

a. Independent/Underground Heroes

I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.

Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.

It is not a popular employment option.

Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.

How the fuck do you start your own t-shirt line?

How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.

Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).

Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.

On that note:

b. Agencies.

This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?

i. Public Funding in an Agency Context

Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.

Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.

But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.

Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.

So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?

Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.

This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.

So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.

ii. Private Funding in an Agency Context

But that’s just public funding. How would agencies distribute private income streams?

Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.

So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?

You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.

Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.

Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.

END OF ASIDE.

With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?

Okay, but what about situations like this? Massive emergencies where you need more people?

Those haven’t ever happened before. They had All Might.

So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?

Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.

Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.

But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?

Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.

If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.

So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.

Most of those guys were on fucking strike.

Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.

The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.

All those guys are on strike.

Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.

Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)

Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.

All of those ten guys responded to Tartarus before Endeavor made the call.

To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.

The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.

Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.

The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.

But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?

For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.

So now we’re down to 2/3rds of them who can even try to show up.

A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.

So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?

This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.

Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?

You frantically try to get in touch with your (ex) agency. Who is picking up the phones?

No one. That was your fucking job before you went on strike.

I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.

Unions incentivize treating workers right. The absence of them opens the door to the opposite.

Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.

You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o

Yeah. So that happened.

There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.

But they know where the fight is. It’s on the news. Why don’t they just show up?

Where’s their gear?

Who owns it?

Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).

All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.

With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.

Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?

Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.

It may be a bit too specific to be a structural flaw but I’m counting it anyway.

So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.

So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.

Now we’re down to 2% of Japan’s total heroes.

Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.

Now we only have the remaining 1.8% of heroes to analyze.

There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.

So we only have the ones who disagreed with his call left to look at.

These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.

It has never actually been down to them.

Think of Uwabami. Momo did her work study with her.

Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.

Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.

But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.

And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.

Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.

These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.

This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.

Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.

The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.

Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama” then you’d likely be doing it alone.

What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).

The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.

Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.

If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.

But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.

It’s that they were together.

It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.

Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.

What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.

Maybe you disagree with Endeavor but you defer to his training and experience.

Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.

I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.

But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.

They were together. And they always felt braver when they were together. Together, they could make miracles happen.

[greennoobartist]

Vio's ability to make me cry is insane... HE DID IT THRICE LAST NIGHT!!