#you gotta shake like

[purpldawne]

do they even have therapy in the devildom

[fjordfolk]

this is absolutely not professional advice but there's something about trust and handling and cooperative care that just boils down to whether your dog knows you have their best interest in mind. it's not just trusting your bond or them being calm or whatever, it's about experience. the time your dog gets a bone or a stick or a pez dispenser stuck between their teeth ideally shouldn't be the first time you poke your fingers in their mouth and they shouldn't be running away from you thinking you're trying to take it from them. there's something about your dog knowing not to freak out because parts of this experience is not new to them, and it's going to be fine.

[casualavocados]

You've never done that when I got close to you before. Why? None of your business. Tell me, or you can't leave.

KISEKI: DEAR TO ME Ep. 10

[motianz]

I think it's crazy He tian is canonicaly this intense with his attraction to Mo

And he's always surrounded by people who you know would be happy to hook up with him, but he's never shown any interest in them, so it's not even that he likes to fuck around, it really is just Mo,

He's just super fucking horny towards Mo guan shan and that's it.

[kagooleo]

johto’s champion and chronicler for the deity of the ilex shrine, it’s lyra!🌿

this one took me a while due to trying out different techniques (studying a Lot of art nouveau) and making a couple changes to her outfit (the details help), but I’d like to think she’s learned a lot in her journey and wanted to reflect her experience more in her champion fit

her specialty would be in fairy types and her meganium’s divergent evolution is grass/fairy 🧚🪷

and a bonus w/ the johto gang after the photoshoot!

[ahollowgrave]

-- brunch gossip. (feat. the absolutely stunning and charming Manx from @thefreelanceangel!)

Some bonus shots where I was playing with angles !!

[citrusacidic]

zee scenes i like. had to share

[vulpinesaint]

Eddie Brock + Kissing Death by MOTHICA

[warpedpuppeteer]

Not Buck dating a carbon copy of Eddie and Eddie dating a (literal) carbon copy of his ex-wife who he's hung up about because he's stuck on the ideal of having a partner who's like his best friend and makes dating seem easy (like magic) and also makes the perfect family with him and Chris, all of which he already has with Buck. So they're basically dating each other without actually dating each other. When I say these queers make me Tired™️

[marchinginthewrongparade]

born to huiii :3 forced to hello

[bananonbinary]

Another aspect in the ‘it’s not not true’ that I think some people may have lost sight of- funding things, generally speaking, isn’t a presidential decision, it’s a congressional one. They’re the ones with the ‘power of the purse’. Biden has the power to veto those bills rather than signing them into law, but if they’ve got a big enough majority, they can overrule him.

And also? Congressional bills, especially the spending ones, often aren’t doing just one thing. A lot of the bills sending funding to Israel recently are the same bills sending funding to Ukraine. If Biden vetos and it stands, then he’s not just blocking more money that Israel will put into Palestinian genocide, he’s blocking support for Ukrainians trying to keep Russia from conquering them.

(And that’s not even getting into the fact that pulling support for a long term political ally would have ramifications that go far beyond just US/Israeli relations. Foreign policy has a lot of interconnected parts.). People want there to be a single simple solution, but it’s not that easy, no matter how much we wish there was.

this is a very good point. again the problem with painting biden as the criminal is like. it denies that the entire rest of the government is mostly working towards the same stuff. politics has a lot of moving pieces, and as much as people want the president of the united states to be a unilateral dictator, there's actually a lot of shit going on behind the scenes.

you know what actually im going back to referring to "the administration," because yeah, it's just not super helpful to frame this stuff as One Man's doing.

[spooky-activity]

Going insane over this Makoann fic because I’m gay with big feelings sometimes

+bonus I always forget how awful it is to be Makoto in the first bit of the game. Girl can’t catch a break. EVERYONE be bullying her

[fiendishartist2]

need to work on spacing but heres my wip!!!!!

[casualavocados]

Amir Wilson as WILL PARRY HIS DARK MATERIALS 1.08 | Betrayal

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[knickynoo]

One of the best scenes in BTTF Part III is the one where Clara stops by to ask if Doc will fix her telescope, and Marty is just standing behind her reacting to everything she and Doc are saying. He goes on such a face journey.

Look at him. The confusion. The slight panic. The awe and disbelief (bottom middle gif in particular!). His best friend is in love, and Marty is trying so hard to process the sudden development.