#you drew him very pretty :)

[hakunoknight]

local lesbians have a sew off in the troupe tents

[kit-screams-into-the-future]

help i can't stop drawing this guy

[sluckythewizard]

FIIIINALLY almost nailed my designs for lizzie and caspian can i get a HEEEELLL YEAAH???? i think these two make a vvery cute duo and i cannt wait to see them again. i also hope they both get hurt reaaaallly really badly. togeter

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[wtfforged]

i can draw whatever i want

[emikumaarts]

new arcana card wip <3

lineart busted my ass but i love these two too much to be mad

I FORGOT TO INCLUDE THE CLOSEUP LINEWORK IM JUST BARKING OVER REN

[jascurka]

Suzuki "what do you plan to do with that filthy cat?" Toichiro

Me and @rxraltzna were talking about Toichiro ending up liking the kitty and silly shenanigans involving them. The name is Tabby!

[skrunksthatwunk]

nishiki takes kiryu to the disco to pick up Hot Singles In Their Area and kiryu FINALLY takes an interest in someone. guess who it is lol

(click for better quality bc DAMN they got crunched)

pt 2

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[itissadbutitsmy-artblog]

i overturn my uncles barbeque grill and turn the Fourth Of July into the Fourth Of Shit

theres a gray one becaesu i actually hate coloring things so much

[demigod-of-the-agni]

Peter Parker if he got bit by a radioactive sword ☢️🟢⚔️

if I had a nickel for every time I made a Spider-Man au based off a video game, I'd have three nickels, which isn't a lot but it's concerning that it's happened three times. This au is the spidey/final fantasy vii mashup, where Peter becomes the Unreliable Narrator

anyway someone pretty please write this au for me <333 I'll pay you <3333333

bg variants under the cut

the BIGGEST dilemma(s) was figuring out if I should

A) keep the eyes in my art style (no colours, just the highlight), bc ngl it makes him seem more babey (pic 1),,, or

B) add the mako-glow to the eyes so i could be lore-accurate.... also I spent a lot of time!! on colouring in those pixels!!!!! dammit!!!!!!!!! (pic 2) and

C) OF COURSE i was struggling to choose between the white and red backgrounds!!!!! evil me!!!!!!! making difficult creative decisions!!!!!!

i will,,,, try to draw the other peeps as well (mj as tifa and gwen as aerith ,,, mmm yesss esysey yes ssss) but i fear the monkey brain has already died........ i will try tho,,,,,,,,,,

[skitskatdacat63]

Some matador studies :)

+ ref pic I like but couldn't even attempt to draw 😭

[sensitiveheartless]

i love the difference in how you draw flustered soukoku, like chuuya always looks so pretty whereas dazai just looks like A Creature, as he should

Since I am still stuck mostly bedridden and coughing and sniffling up a storm, I went down a rabbithole of looking back at my drawings of them and…yeah you're 100% right anon, this is a noticeable pattern all the way back to the beginning XD

Flustered Dazai:

Flustered Chuuya:

I feel like this is slightly indicative of my view of their characters in general lol—I could never pick a favorite between them because I just enjoy them in very different ways, but when I was first getting into BSD I looked at Dazai and instantly went "okay yup, he's a stinky bastard man, got it" whereas with Chuuya I have been rotating him in my head for more than a year to try to figure him out and also just to appreciate him aksdjfksdfjksdfj (and reading Storm bringer made the speed of rotation become that of an overpowered spinning teacup ride)

...Although that said, Chuuya does get the gremlin treatment whenever I draw him angry XD

[sysig]

Can’t, too busy flirting ♥ (Patreon)

[britneyshakespeare]

My toxic trait is that I like how my incomplete drawings look better than the finished things

[crystalpallette]

I love it when they give guns to pretty girls and also they are in summerwear