#you deserve so much more recognition

[ruvviks]

PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.

Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need. They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.

anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[beanghostprincess]

Spoilers Op. 1107

(Having an Usopp stan moment, I apologize)

I AM FUCKING SCREAMING I'VE NEVER BEEN HAPPIER LOOK AT HIM I AM VISIBLY SHAKING OH LORD FUCKING FINALLY

I am losing it here you guys

Elbaf mention Elbaf mention I can't wait for Egghead to finish I want Elbaf right the fuck now Oda give it to me I am slowly going insane

[bonetrousledbones]

do u ever think about how crazy it is that undertale came out with its insane amount of unambiguously queer characters in fucking 2015

[quasarifxxy]

if you're a sunturine/avenday fan you are required to Read this fic. i have never been the same ever since

https://archiveofourown.org/works/56593471/chapters/143841502

⚠️ graphic depictions of violence, major character death, and a dash of tragedy :)

[lieutenant-amuel]

Elena of Avalor is genuinely such a good show.

[viillette]

it's so crazy how few historical fiction novels are like sharon kay penman's. the way that they're built out of the skeleton of the historical record seems so obvious, but there's so few people who are actually willing to commit to it in the way that she did. it seems like so often that's just a starting point which gets reformed to fit a coherent narrative, but she makes no real attempt to do that. there's themes and foils and patterns, but first and foremost it is a reconstruction. you can't really know what someone who lived that long ago was like, only what they did, and you can feel how she takes these isolated, dramatic events and builds a whole life around them. the books are nothing more than an answer to the question 'what might someone have been like, what could the history between these people have been, to possibly explain something like this?' the ability to string together a handful of facts and events from medieval chronicles to create people that feel so real, and psychology and relationships that develop so naturally that these distant, seemingly impenetrable choices suddenly feel so immediate and clear is just beyond belief. you know this probably wasn't actually how things happened, but it doesn't matter because it was something like this. the particulars are less important the crushing awareness that at one point all of this made sense. there was a time when all of this was right now. the world is unrecognizable and exactly the same. that's something which sounds very simple but is incredibly difficult to accomplish.

you come to know these people so well, their loves and hatreds and ambitions and failures, and those things are rarely resolved in the end. you know them from the time that they're children, you watch each one of them die, and none of it means anything in particular except that they were a human being. things which seem like they must be building to some tragic fallout end in anticlimax. things which seem utterly inconsequential in the moment manifest again decades later in cataclysmic disaster. and then you see it all play out again from the beginning with their children, and their children's children. all these uncanny echoes, this endlessly unfolding palimpsest of lives, each laid over the triumphs and mistakes of those who came before. i've never read anything so epic with so much mastery over the micro and macro levels of history. it's the minute, seemingly inconsequential everyday details, which build into a lifetime, which builds into generation of lives, which builds into the rise and fall of kingdoms and empires. it's the merciless endlessly turning wheel of fortune that replays the same songs in different keys again and again for all time. a person is both an individual with free will, and the prisoner of their blood and circumstances. somehow everything has infinite weight, is tied to everything that has come before and will come after, is the culmination of someone's entire existence—their pains and joys and fears and hopes—and yet is simultaneously completely meaningless, just one more victim of fate in an endless procession of lives and choices. the whole impotent tragedy of humanity is laid out in front of you and it's so repulsive and beautiful. it's deep love and unfathomable, senseless horror briefly and miraculously reverberating in a vacuum, an absurd aberration fading into silence.

if it's not obvious these books have made me cry like 10 different times

[zeeckz]

got tagged by @qoppybirdie to make myself in this picrew and share the last song I listened to! (Emtee by Otep)

I tag @fotzesfo, @ladym3ry & @evilwizardval ^_^

[rawritsamehh]

I really wish dnp fans would respect pj as a creator and not just as “friend of dnp”

[wirt-is-shining-w-bit]

Let me be real?

I created this account, as a way to get out all my feelings about Bears In Trees, to find fellow people who were like me, who knew who they were, who I could message and be like 'wanna talk abt Bears In Trees w/ me/ (totally cool if you don't wanna i was just wondering :3)'

I'm not saying I haven't found people I'd love to do that with, I'm just scared of interaction.

I ask for nothing here, but to say thank you to the few people who even glanced at this account, reposted, liked, and commented. Again, I ask for nothing, but thank you.

[reginrokkr]

𝐂𝐋𝐗𝐈𝐈𝐈. Today I woke up earlier than usual and chose violence upon seeing yet another couple of details missed in translation that make me salty, specially because they're related with Travail and, once again, with the subtlety play Dain is known for in many miscellanies.

So apparently, the first detail that I read up is that the use of thrones or divine thrones of Celestia doesn't necessarily allude to a throne of power, given that gods in Teyvat are pretty much rulers. But instead, it's more so related with the concept of "throne of destiny" given that the Chinese term used for both thrones and constellations are one and the same. This could give some room for speculation and wonder if, when there is mention in Before Sun and Moon that the second throne came and warred against the Primordial One and 3/4 shades, a new vision of the future was also brought. Which, for better or for worse, could fall in place with Phanes' concerns about the rise of delusions and more that comes with Forbidden Knowledge. But knowing what's happening and the premise that at least to some extent he's responsible for the mess we're witnessing by the hands of the gods: even though the Second Who Came brought Forbidden Knowledge, in terms of raw knowledge is it actually negative or positive? And my reasoning to wonder this is that the Abyss is known for delivering knowledge and it's also known that the Abyss acts like some kind of gateway to influences outside Teyvat, and the potential that some of these tried to enter or are even aware of what's happening but their way to Teyvat is blocked. It would make further sense if we think that its skies are fake as yet another layer of "protection" from the outside.

And now what concerns Dain, he's always tied with destiny in some shape or form. Starting from the fact that he was searching his own destiny when he lost everything with Khaenri'ah's destruction, to his title as the confluence between the past and the future (future isn't exactly a 1:1 of destiny, but they are related), the fact that he has something to do with reweaving all threads of destiny and rejecting this world, which to my interpretation what he's rebelling against is the fate / Heavenly Principles as he keeps saying time and time again that he's an advocate that everyone is masters of their own destiny, as in saying that it's not being the case as things currently stand. To wrap this point up, it's curious that the Heavenly Principles (sometimes interchangeable with destiny / fate) started with Phanes and that, if the Second Who Came is meant to represent a new destiny, the Heavenly Principles continue to predominate.

◜That (divine) throne (of destiny) in the high heavens was never a seat reserved for you from the start.◞

Reading this brings something new in question: what isn't reserved for someone is that they can't achieve godhood despite that's what it's said to be the case (perhaps godhood but with a shit ton of small letters that no one reads) or that it is their destiny that they aren't allowed to choose? We have a "Loom of Fate" operation undergoing, and a new interpretation of Lumine's quote of "I won't rest until the Abyss has engulfed the thrones" is added if we re-shape the quote as "I won't rest until the Abyss has engulfed the constellations".

◜But oh, you who oversteps your bounds, do not stop walking here. For none can watch the fire burn from the other side of the river. Watch...◞

This here is what makes me salty the most, and it's because apparently the Chinese wording of "overstep" can also mean "to usurp". While for now I don't have anything major to say about this, it's the subtlety play that I talked about earlier that makes me raise an eyebrow because in the past (recent and distant) Dain proved to have a way with his words that at first glance and given the timing, it's hard to pay attention to as something relevant but once more information comes that is related to that, it makes you realize that his word choices aren't coincidental and this is one more detail that sheds some light with that. If anything because any knowledge about usurpers seems to be among the highest most classified knowledge of this world (there is an interesting ranking of that, but the lore is too extensive to make one of those) and as always, even though he doesn't state it openly, he once again says something that only those who know about it would understand.

[girlishguitarist]

I am telling you right fucking now if you like stuff like punk, techno, hardcore and black metal then you should listen to UNIITY because she takes inspiration from all those genres and more. I’ve literally never heard such a fucking amazing blend of genres from one artist.

Like she will go from singing to actual fucking screaming in the same song and I just love that. It’s actual perfection. I unfortunately don’t live anywhere near the US to see them live but from videos her stage presence is so fucking insane.

source

I’m linking my favourite song from them and her Instagram + Spotify below

Instagram

Spotify

[corrodedcoughin]

You!!! Make this community a better place!!! Thank you for grazing in the Steddie nation!!

[ao3screenshotss]

I’m not sure if you give credit to the fics used in this blog, but I’m still going to include it just in case. https://archiveofourown.org/works/45823654/chapters/115322548

[apotelesmaa]

Objectively yes five pebbles deserves most of the blame for every problem in rain world but I think seven red suns does not get near enough flack for knowing five pebbles wanted nothing more than to end it all, knowing he shared resources with moon, knowing 5P trusted and looked up to him and STILL choosing to send him the information on the very risky plan to die that requires constantly utilizing every drop of water at your disposal and requires complete perfection in execution to avoid giving yourself super turbo mega cancer. & then going Omg I can’t believe five pebbles has done this :( why is he so mad at me now :( my iterator in Christ you literally gave him step by step instructions on how to ruin his life and accidentally kill his sister what did you think was going to happen.

[tenitchyfingers]

I mean, people who watched Good Girls and don't see what a great fucking job Matthew Lillard did on Dean are just pitiful. Like this character could've been the blandest, most boring and meaningless one on tv ever, and I've seen similar ones too being played, you know, that way, with no pussy put in them. And I would've hated THIS character so much had he been played by literally anyone else. But there's a humanity and a frailty coming through with this performance that just steals my heart. Yes the character is not a goddamn saint, yes he fucked up, yes he did shit that gets you angry because of how dumb he was in s1-2. But throughout it all you see so well how Dean is just a person (in fiction anyway) and how he feels the way a person would. He's not a stereotypical man, he's not a performance, he's a guy who's pretty normal and feels like just a guy, with human complexities. Stan feels the same. And I really do believe it takes breaking a character into pieces to see who they are and how they work, and I love how Dean is fundamentally a flawed person who's grown SO much since season 1, probably more than anyone else, and you see that growth through this performance. He just feels authentic. Rio, though? That guy's just such a one-dimensional Bond villain. Seriously, no depth is put in that performance, there is nothing real in it and honestly? That's why I want him dead. He's a flat character played by an actor who gave a flat performance. and hey, I'm not saying Manny is not a good actor, he just probably could not get into the mind of someone doing what he does. He's too surface-level for it, which is counter-intuitive because playing evil villains should be fun and should get you to dig deep within a character and find ways to connect to them. But Rio just feels like a pretty shell and the hotness factor wore way off back in the beginning of season 1. And I mean, I absolutely LOVE bad guys, shit most of my favorite characters ARE bad guys. My favorite performances by Lillard are the bad guys. But honestly, he's the best performer in this show along with Reno Wilson and Christina Hendricks. It's not just because I'm currently hyper-fixating on Lillard, it's because he's objectively a scene stealer even as, if not even more as, a supporting character. And that's his thing, he gets cast as a secondary character and delivers the best performances in anything he's in. I'm not going back on this.