#you can tell what influenced the way I draw this time

[horse-girl-anthy]

The City and the Self: Or, the Uses of Lesbianism

someone in my server recently asked why Ikuhara seems so hung up on lesbians. I gave a short answer which in hindsight doesn't satisfy me. even this post won't touch on everything, there's plenty more that could be said, but here's a stab at a more complete answer, drawing from RGU specifically, though I think these points generalize to YKA as well.

a long time ago--around 2017, I believe--I posted in the RGU tag, asking about differences between how the western and Japanese fanbases see the show. the answer I got surprised me: I was told a popular fan theory held that Utena and Anthy were the same person. this is confirmed in the interview Ikuhara did with Mari Kotani:

Kotani: How did you think about relationships between two women, like the relationships between Utena and Anthy, Juri Arisugawa and Shiori Takatsuki, and so on? Sometimes it is thought of as one girl and her alter ego. Ikuhara: Yes, that's true of course.

at the time, this didn't make sense to me. now, though I don't take the "alter ego" concept literally, I certainly see where these theorists were coming from.

the very first impression the audience gets of the show, the opening seconds of the theme song, depict Utena and Anthy as mirror images of one another. I can't find the post now, but I once saw someone do a face swap of Utena and Anthy... and there was almost no difference in the final result aside from their eye color. yes, the show has somewhat same-y character designs (pointy chins, noses, etc.), and yes, Utena and Anthy are differentiated by coloring and height. however, there are differences in the facial features of the other characters, including other female characters like Juri and Nanami, meaning that you wouldn't get the same result from face swapping them that you do from face swapping Utena and Anthy.

visually, the show is trying to tell you something: Utena and Anthy are counterparts; not "the same person," in that there are clear contrasts between them, but perhaps different aspects of a single self. to put it another way, they cannot be separated from one another; what happens to one of them will affect the other, and how they relate to each other tells you a lot about how they relate to themselves.

RGU is not the first story to have this premise. I just watched Ingmar Bergman's Persona, which uses two women to tell the story of one woman, and that came out all the way back in 1966. I think that it's possible to do this kind of story with characters of different genders--however, it's most often done with homosexual/homosocial pairings because two people of the same gender are seen as better mirrors to one another.

when I initially gave my response as to why Ikuhara writes a lot of lesbians, I cited the influence of shoujo manga. however, I didn't detail how homosexuality was featured in those manga.

Ikuhara once said that the core theme of shoujo is "self-revelation." he wanted to capture that in RGU, and it seems to have come across. consider Takemiya Keiko's reading of RGU as "A story about independence, about finding oneself. It feels like a story about a girl defining 'what is myself?'"

this journey of self-discovery must involve encounter with the other. part of romance is other-longing, the desire to meet the unknown; love requires a separate entity which is not merely an extension of the self (this is why I don't believe that Utena and Anthy actually are "the same person"). through encountering the other, one can find one's own self, and further, through this encounter, the selves which meet can be transformed.

while plenty of 20th century shoujo did center heterosexual couples, I believe that homosexual and homosocial relations were so prevalent because they facilitated this romance more effectively. on a visual level, a homosexual pairing can create a clearer parallel, as discussed above. for a more thematic angle, RGU's lead writer Enokido has mused that homosexuality removes the issue of "genetic advantage" from the equation; since there is not a clear "survival and reproduction" benefit to homosexuality, it is easier to see it as "pure love." along the same lines, Ikuhara has said that "as soon as you see the destination point of producing children, sex becomes a social system." that's not to say that homosexual couples exist independently from social systems. the point is that writers who wish to pursue the idea of "self-discovery through the other" may wish to do so in the context where the norms of heterosexuality are not an issue, as they could muddy the water.

as an example, take Kaze to Ki no Uta, an influence on RGU. Gilbert and Serge, the lead couple, are very different people. often in conflict, their love ends tragically. that is precisely the power of the story: Serge, who is left alone after Gilbert's death, will live the rest of his life feeling incomplete, unwhole, because he has lost the "other self" by which he came to be defined. in Ikuhara's words, "It’s a story about that which forms the core of an artist - a starvation that can never be satiated."

when done properly, this kind of romance can be very moving, because it is not only a "love story" but also a story about the self and its relationship to the other. and even more potent are stories which are both about "finding one's other self" and about "the city":

Ikuhara: Out of your works, I particularly like the stories about cities... Stories of cities and “one’s other self” are enchanting aren’t they. There are a lot of shoujo mangaka who write about one’s other self, but there aren’t really any who write about cities. I think a story is weak if it only talks about relatives and neighbours and never about cities. In contrast, I think your stories which are simultaneously about cities really bring out their era. I think that allows you to mark out a line for the story of the other self. Takemiya: Personally, I feel at a basic level that stories without a sense of daily life aren’t very interesting. If one thinks of each person as a single cell, then the city becomes the “body”, and one cannot create a world without both. Based on where they live, some people become more modern or more provincial - the environment really plays a role. For me, it is a necessary component.

I agree with this exchange: the best stories about "one's other self" aren't solely about love between two people, but instead love between two people placed in a particular social context. it is that social context which gives the relationship flavor.

this brings us to the other reason that lesbianism (and homosexuality more broadly) is used in Ikuhara's works. not only does it allow him to tell stories about "one's other self," but also to tell stories about social systems. homosexuality is "deviant" within the social system that is set up to produce children in the nuclear family; thus, homosexual couples will face resistence and prejudice. as Ikuhara discussed in this interview, he is not necessarily trying to capture "the lesbian experience" in his works, but rather using lesbianism as an allegory for the sense of being a minority; a person outcast for standing out from the crowd. homosexuality thus allows for a marriage between the themes of "the self" and "the city" which are central to the telling of a great romance.

bringing it full circle, let's take a look at how this plays out in Utena and Anthy's dynamic, specifically the climax of the first arc. in the build up to it, Utena has been insisting that Anthy behave like a "normal girl," and believes she's succeeding in this venture. however, her illusions are crushed when Touga defeats her in the duel called Conviction. Anthy, now his bride, tells Utena that she likes being the Rose Bride and doesn't mind being alone.

Utena's reaction to this is interesting. suddenly, she is obsessed with being a "normal girl" herself, deftly signaling that all along, she was projecting her own conceptions onto Anthy. though she comes to realize this, Utena ultimately decides to duel again; in the episode 11 preview, she says, "Himemiya, wait! I have to try to get the real you and the real me back!" their selves are linked, tied; Utena cannot be herself without Anthy. what's more, the "false self" that Utena presents is linked to Anthy's "false self"--for, despite her words, it is quite difficult to believe that she "enjoys" being the Rose Bride, any more than Utena "enjoys" wearing girl's clothes. after Utena wins the duel called Self, she and Anthy meet again, paralleling the end of the first episode, but when Anthy tries to impart the rules of the rose crest, Utena tells her, "never mind all that, let's just go home." the two share a moment of authenticity, their "false selves" blown away like petals in the wind. they've drawn closer to each other and to who they truly are, while simultaneously gaining a level of independence from the system which seeks to define them by their gender. the rest of the show will play out in the same manner.

----

side note: I don't think that Ikuhara is more fixated on lesbianism than he is on male homosexuality; however, I'm not sure if he's focused on "mirroring" between homosexual males the same way he has between females, despite the fact that his cited inspiration for the way he wrote relationships between girls in RGU is yaoi.

[gloomybadger4life]

Azula inadvertently begins a working class revolution because she challenges all suitors to an agni kai and raises the stakes.

Zuko is running out of nobles and disgruntled common folk take that as an opportunity to rise up and take over some provinces.

Half the cabinet wants to send in the army but they also know how bad it's gonna look, you know, internationally.

Azula catches on and thinks it's hilarious. She issues challenges to any and all firebending nobles.

Even if she loses Zuzu is fucked and she has the last laugh.

Zuko changes the law so that Katara can fight her and stop her. He does not realize the implication.

Katara and Azula have a masterful and impressive duel that goes on for hours. They both end up exhausted but refuse to call it a draw.

So they fight the next day, and every day after because neither is giving ground.

By the 12th match Zuko is like: just bloodbend her.

Katara: i tried but she can shoot lightning from her mouth and I can't get a grip.

Azula, now with growing respect towards Katara: In all fairness if the duel was at night, she might win.

So they agree and they fight at midnight.

Katara wins, barely and not without half her body being stunned by electricity.

Azula just asks her when she should propose.

Katara has the realization that Zuko neglected to mention that fact. She goes off on Zuko.

Azula laughs the hardest she has in years. She asks Katara to talk.

Azula: So I wanna apologize to you, for the whole trying to kill you to force Zuzu into a corner. And the whole war thing. I should have practiced this.

Katara: wait what?

Azula: Is it one big apology or does it need to be itemized?

Katara: ...

Azula: I'm also sorry for killing the avatar.

Katara: So you're actually sorry. Like for real regret it.

Azula: Yes.

Katara: why?

Azula: Because the war made no sense. I believed in it when i was younger. I was taught to. It was rewarded. Iroh lost a son. Zuzu got banished. One way or another something pushed them away from the nation's influence. I didn't have anything like that.

Katara, shooketh: What are you trying to say?

Azula: that I am what Zuzu was supposed to be. What any of us would have become if we were raised that way. I didn't begin to question it until i was defeated.

Katara: So, what now?

Azula: Don't worry about the marriage thing, I'll handle it. Not in any bad way... Do I always sound like I'm threatening someone?

Katara: Uh yeah, all the time. Last night you grabbed a tray of mochis and told them you were going to consume them.

Azula: You give sea prunes the same look.

Katara: Okay fair, but back to you not being all evil anymore...

Azula: I'll help Zuzu tidy up, make sure he gets the glory. He's gonna need the public's approval, half the nobles have disgraced heirs, the other half are scared.

Katara: and all of this because you didn't want to marry some guy you could have easily killed after.

Azula: I didn't wanna marry a guy, first of all. And secondly, assasination like that is such a hassle. Plus poisons were my mother's thing...

Katara: wait what?

Azula: Zuzu didn't tell you, she poisoned Azulon because Ozai tried to skip over Iroh when he lost my cousin. Azulon ordered Zuko's death.

Katara: Is your whole family this fucked up?

Azula: Yes. I thought that was established.

So they actually start to bond while Zuko goes on a tour to garner public goodwill.

Aang comes in. Azula apologizes awkwardly.

Toph finds the whole thing hilarious and asks Katara if she likes Azula.

Katara is like, I mean she's really weird but it makes sense and she's making a lot of progress not being evil. Cue an hour of gushing.

Azula meanwhile realizes that if she gives up her title the whole marriage thing goes away. She abdicates the title and tells Katara.

Toph: So you didn't wanna marry Katara?

Azula: Not like this.

Azula realizes what she just blurted that out and runs off. She runs face first into Katara and apologizes. Katara is all weirded out bc this isn't regular Azula behavior.

They do have a conversation about her abdicating. Katara is surprised and opens up more. Azula asks her how she doesn't have vengeful feelings about the fire nation.

They have a heart to heart and end up talking all day.

Eventually Katara and Toph head home and Azula asks if she can send Katara letters...

What if Zuko tried putting Azula in an arranged marriage? What would be his motivation and her reaction?

I can easily see his motive being getting her out of the line of succession if he doesn't trust her at all. Now as far as Azula's reaction goes, she'd more than likely be pissed off and would try to find a way out of it.

[5hark-byt3]

Lil wip bc I need to yap less and post art more💥

Ooooooooo changing yr face oooooo the redesigning bug told me so ooooooooo

[sysig]

I know this flavour, it’s on the tip of my tongue... (Patreon)

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[isuckatwritingsobenice]

Thinking about…

Alastor and Bill Cipher after the same s/o (headcannons)

Hazbin Masterlist // Disney Masterlist // Navigation

Warnings: Obsessive behavior! Alastor being sadistic, Bill being a bit weird because duh, wrote this with Human form Bill Cipher in mind, mentions of death

A/N: I really like this dynamic, even though it’s kind of crazy and a lose lose situation for the reader, but it’s still interesting to write about. I hope you all enjoy!!

Alastor

• Alastor isn’t just charming; he’s obsessed with making you see him as the ultimate catch. He meticulously plans every interaction, ensuring that you are always impressed and feel valued. Every compliment and gesture is calculated to win your heart.

“Why there’s that smile I love to see my dear! Ever the beauty!”

Alastor can’t stand the thought of you being attracted to anyone else, especially Bill. He tries to mask his jealousy with his usual grace and horribly timed jokes, but it’s evident in the subtle digs he takes at Bill whenever you mention him.

When Alastor is alone with you he’s not above grand, romantic gestures. Picture him serenading you with an old-fashioned love song or setting up a beautiful, intimate dinner where he pours out his feelings and tries to convince you that he’s the best choice for a partner and way better than bill in all aspects of the word.

Alastor’s affection for you is deeply strategic. He genuinely cares, but he’s also careful in how he shows it. He’ll often try to subtly make you see how a relationship with him would be beneficial, not just for personal pleasure but for gaining power and influence. He’s a very strong man and his image is important, what’s not to want about him?

“Don’t you love this view dear? We could be here all the time, if you wished.”

Alastor envisions a future where you are by his side, helping him dominate Hell. His feelings are not just about the present but about creating a powerful, enduring relationship. He dreams of ruling Hell together, and he’s willing to go to great lengths to make that vision a reality.

But not all things with Alastor are good, you know how much he HATESSSS modern technology and well, it’s how the world runs now. this is something Bill definitely used against him

“Don’t get intimated by a big screen deer man!”

Though he hates how Bills joke makes you laugh, his smile tightens nonetheless

Alastor will often put doubts into your mind about Bill. He is partially right, so it does make you wonder…

“What if he were to suddenly get tired of you? My dear, he’s traveled galaxies and destroyed universes. You wouldn’t want to be subject to that would you?”

or maybe something like,

“That little shape is no better than a toddler. He can’t even take proper care of his toys, breaking them when he gets bored. How pitiful.”

Bill Cipher

Bill is intensely infatuated with you. His feelings might come across as chaotic and erratic, per usual, but underneath, he’s deeply drawn to your spirit and individuality. He finds your uniqueness thrilling and wants to be the one to make your life as unpredictable and exciting as possible.

“ Wanna see this guy dance with his eyes hanging out of his sockets? Gotta tell ya’ you’ll never see anything like it ever!”

Bill’s way of showing affection is through wild and flirtatious chaos. He might sweep you into a whirlwind of bizarre, fantastical experiences, always with an underlying flirtation that makes it clear he’s very interested in you.

Bill knows how to push Alastor’s buttons. He often uses his chaotic antics to draw your attention away from Alastor, playfully teasing him and making a show of his own appeal. For Bill, it’s not just about romance; it’s about proving he’s the more exciting option, you’ll never be bored of him!

Despite his chaotic nature, Bill genuinely wants a deep connection with you, even if he does have a weird way of being about it. He’s drawn to your complexity and wants to show you that his brand of chaos can be both thrilling and deeply meaningful. He might surprise you with moments of surprising sincerity.

Bill is not afraid to take big risks to win you over. He’s willing to gamble with the very fabric of reality just to create memorable moments. His love is unpredictable and intense, and he hopes you will find that thrilling rather than overwhelming.

Bill is the type of guy to take you to a different reality for a date, wanna go watch marshans fight? no problem! upset about something? let’s go to this dimension where you can blow anything up!

He’s definitely got jokes though, and he’s good at them too

“Hey furry, why don’t you cut that loose part of your hair? OH wait, it’s your EARS!”

Bill is no fool though, he sees EVERYTHING, so it’s really difficult to hide things from him, which means being with him also means you losing your privacy.

“He’s a sociopath dove, you can’t really believe that radio freak actually likes you right?”

He isn’t wrong, Alastor has proven multiple times he keeps people around because he needs them for something, and Bill loves this

“What if you don’t satisfy him? What if he decides you’re not worth being with?”

or maybe he’ll say

“ You never know dove, what if he’s just after your soul? Maybe he likes the fact you put up a good fight, eh?”

Both demons have their crazies to them. Picking Alastor means Bill might destroy your dimension and maybe rearrange his molecules. But picking Bill means watching Alastor rip hell to shreds at your expense, hurting anyone and everyone to get you, maybe even threatening whoever you love.

Dating Alastor means you can kind of live a normal-ish life

Dating Bill means you keep your dimension

[kquil]

Hi lovely hole your well!

Can we get a hufflepuff reader x sirius

Your partnered with him for charms class that's all I've got

HER SMILE | PART 2

LENGTH : 1.4k

TAGS. : sirius being a simp ; cutie pie reader ; oblivious reader ; ravenclaw reader (im sorry for the switch!) ; fluff ; jealous sirius

A/N : hello darling! i'm finally doing well enough and not overthinking enough to tackle my requests, I'm sorry it had to take this long omg! your request is the perfect prompt to a continuation of one of my timestamps though, i hope you don't mind that i had to switch reader to a ravenclaw and enjoy the read regardless <3

PART 1 | NAVI.

Both you and Sirius made for an odd pair; people wouldn’t typically couple you together. An extrovert Gryffindor and a cold Ravenclaw. However, as of recently, many have seen you with Sirius quite often, most notably in classes and especially in partner projects. And it was all Sirius’ doing. 

Your classmates typically hesitated to partner with you, let alone sit by you for classes. They found you boring and rather unnerving to be around. You didn’t appear to enjoy being around people and took work far too seriously, so you’ve grown a bad reputation. It didn’t bother you, though; you understood that you weren’t like other people; your bashfulness manifested into a stone-cold exterior and added to the seriousness underpinning your endeavour for top academic performance. People tend to avoid you but it’s for the best, you like to tell yourself. 

After the transfiguration project with Sirius, however, whereby he was forced to partner with you, he’s kept volunteering to partner with you over and over again. Whether it be partner or group projects, he’s the first in line to be your assigned partner. He finds that the best way of doing this is sitting next to you in Ravenclaw and Gryffindor shared lessons, regardless of whether or not it leaves James, Remus or Peter without a partner. It wasn’t typical of him or anyone to be so eager around you but nobody commented on it. As it happens, many eagerly sat back to watch what would unfold.   

In the extra time Sirius has willingly spent with you in lessons, he’s confessed to the reasoning behind his odd behaviour. “I want to know more about you,” 

That was the first time he or anyone else had seen you so flustered and adorably shy. People couldn’t believe their eyes. However, owing to Sirius’ playboy reputation, it was no surprise that he was the one to draw such a reaction out of you. This was also the first time Sirius had seen a favourable increase in his class grades. Your work ethic and drive for high grades have positively influenced his performance in classes. When Remus pointed this out to him, supportive of his new friendship with you, Sirius was surprised but didn’t linger on the fact too long. He didn’t really care; he was too busy figuring out how to make you smile again and engraving the beautiful image into his brain. 

“He’s just as bad as you are James,” Peter commented, noticing the familiar lovesick look on Sirius as he’s seen with one, James Potter. You and the eldest Black brother were sitting at a distant table in the library, thoroughly going over the material before committing to your project for Charms. 

“What was that?” James comes out of his daze staring at a certain redhead. Peter and Remus share an amused look before shrugging off James’ question. Naturally, James returned to admiring an oblivious Lily Evans as Remus resumed his reading and Peter doodled on the edges of his semi-finished divination essay. 

“At least Sirius is finally focusing on one girl,” Remus comments under his breath. 

“Yeah, it was tiring,” Peter sighs in agreement and leans back with a relieved look on his face. 

“Oh! How interesting,” you comment, leaning into Sirius’ side so as to look over his book, “I didn’t know that…” As you take a moment to read over the passage, Sirius carefully observes the way your pretty features go from enraptured to delighted. Your smile is so pretty… “We have to include that in our joint essay; I’ll note it down, quickly. Good job, Sirius,” your smile is even prettier when it’s turned to him and you praise him openly like that. 

“Do I get a reward?” he asks before he can stop to think about what it is that he’s said. 

“A reward?” you tilt your head in the most adorable fashion, “Our reward will be getting the highest mark in the class,” typically, girls would jump at the opportunity to flirt back and sneak in a kiss or two but your impervious, genuine nature gives Sirius pause. Though, he’s soon throwing his head back and laughing boisterously. The panic on your face, however, reminds him of the library setting and immediately stifles his amusement.  

“You’re odd…” you comment on his strange behaviour and return to your work. But Sirius is unphased and holds his chin up with his palm to shamelessly stare at your side profile. He’s tempted to reach up and tuck a stray strand of hair behind your ear, “Get back to work, Sirius.”

“Yes ma’am.”

You won’t admit it out loud but you quite enjoy Sirius’ company. It isn’t so lonely having him around and he helps you get good grades. He’s also very funny and nice to look at. Though, you suppose that was the main downside. He can prove to be quite the distraction if he wants to be. Nevertheless, you’re happy he has the confidence to sit next to you and willingly volunteer to be your partner for all collaboration projects. Everyone in Hogwarts has admitted to having a favourite marauder and you’re not afraid to admit that he’s your favourite; he’s the easiest to smile around. 

⋅˚₊‧ ଳ ‧₊˚ ⋅

Sirius was a lover of pushing boundaries. Seeing how far he can push before high-tailing it when the first signs of danger appear was his favourite activity. That was why he was a marauder, that’s why he loved pranks, that’s why he’s been able to see you get flustered over and over again. 

Over every good thing he’s done to contribute to your projects together, no matter how small, he pleads for a reward. After some months, he’s been able to escalate the ‘reward’ from praise to a congratulatory head pat (his animagus influence), to a hug, to cuddling for extended periods to sitting on his lap and kissing him on the cheek. You become lovably ruffled every time and Sirius savours each reaction as if he’s seeing it for the first time. He always stares at you and smiles brightly when you look away. 

He wants to see more of your reactions. He wants to see you do it every day. And he likes knowing that it’s because of him. 

⋅˚₊‧ ଳ ‧₊˚ ⋅

In the year that passes, Sirius hasn’t failed to be your partner for every project you have in shared classes with Gryffindor. It was only natural that he be your partner for the final term project in D.A.D.A too. As soon as the partner project is announced, you immediately look up and meet eyes with the dark-haired Gryffindor, who had been pressured into sitting with his iconic group of friends. The two of you share a knowing smile. Everyone knows that you’re each other’s partner, nobody would dare interfere with that. 

When the teacher finally allows the class to partner up, however, you’re confronted by a boy you do not know. He looks at you expectantly and asks if you would consider being his partner for the project. You didn’t know what to say. It was utterly lost on you that the more Sirius pulled you from your cold timidity, the more you’ve willingly smiled and showed your sincerity. In turn, the more observant your other classmates have become. 

It became clear to them that you weren’t as cold as you first appear but, because of their ignorance, they overlooked that simply by the unfriendly look you routinely wore. This discovery has led to many of your male classmates growing a new appreciation for you and your unrecognised beauty; they didn’t know someone so cold could be so warm and look so beautiful. It irritated Sirius but he had been able to tolerate it. 

Up until this moment, that is…

“So… will you?” the boy prompts one more time. You don’t know what to say, your innate timidity taking away your voice and rendering your response to a mere shake of your head. ‘No’, the answer was clear. You immediately turn away from the boy and hurry to Sirius, who had observed the boy's audacity with clenched fists and a tight jaw. 

As soon as you are close enough, Sirius pulls you into his arms and tucks your face into the crook of his neck, “you’re mine,” he whispers.

“Wh-what?” You couldn’t believe your ears. 

“I mean– you’re my partner, no one else’s,” smiling up at him, you nod affirmatively and he smiles, tucking a stray strand of hair behind your ear. His gentle touch lingers and travels down to trace the line of your jaw. 

“...Do I get a reward for not punching that tosser in the nose?”

“Not punching what?” he laughs at your wide-eyed stare of disbelief.

“For being a Ravenclaw, you’re not very smart,” 

NAVI.

A/N : again, i'm so sorry for the switch but i hope you still enjoyed reading this x

TAGLIST : @marauderssmut @ohmylordydordy @n1ght-vngel @ddeathday (the darlings that wanted a part 2 and had to wait the longest time -- it's a short list so it's an exception to my no taglists rule)

[kerink]

in light of people's confusion over cecil's longevity in @sexymanotd i wanted to document a bit of his history for those unfamiliar or nostalgic

welcome to night vale is a podcast written by joseph fink and jeffrey cranor. cecil gerschwin palmer is the main character and voiced by cecil baldwin.

it debuted on june 15, 2012 it reached its peak in popularity in 2013-2014

despite this, wtnv has been one of tumblr's top fandoms since staff started tracking fandom-related data in 2014

for the longest time the only thing we knew about cecil's appearance was: "He is wearing a tie. He is not tall or short. Not thin or fat." and that wasn't until episode 19 which aired march 15, 2013. for almost a full year we had no idea what cecil looked like. so tumblr's collective unconscious kicked into high gear and we did what we do best

we created a tumblr sexyman

from know your meme: "Defining traits of the archetype include skinny body type, trickster or villain role and dapper clothing."

know your meme identifies wheatley (portal 2, 2011) and the onceler (the lorax, 2012) as being likely tumblr's first sexymen. and the onceler fandom was at its peak in 2012-2013, the same time as wtnv. in addition to this, the hannibal fandom has been cited as one of the contributing factors to wtnv's success on tumblr.

so tumblr had created an archetype that worked and the wtnv fandom was made up of mostly hannibal fans - the foundation for putting cecil in a suit was there. and honestly? cecil's at work in the show, why wouldn't he be well dressed?

however, while this explains his attire it doesn't explain some of cecil's more unique sexyman features, namely the tentacles. for this we have to return to the 2014 fandom review analysis where you can see the most popular fandom at the time: homestuck

haven't you ever wondered why almost a quarter (189/923 at time of writing) of E rated wtnv fics on ao3 are tagged tentacles or tentacle sex? why cecil having tentacles for a dick is such a seemingly popular headcanon? well look no further then homestuck cultural hold over.

throughout all of this, the development of the sexyman archetype on tumblr and the rise of homestuck, one creator really stands out: kinomatika

kino was one of the most popular homestuck artists on tumblr at the time, popular for their eridan fanart. if you google image search "welcome to night vale" kino's art is still one of the first results you'll get

their design was so popular in fact it was featured in wtnv related articles from the time

and yes there were absolutely other artists giving cecil tentacles and moving tattoos at the time, but it can't be understated the reach kino had and the influence their homestuck roots had on their design choices

i recommend going through the archive of @nightvaleartclub to see how cecil used to be portrayed back in the early days. unfortunately the earliest fanart i've been able to find is july 2013 and i find it hard to believe it took tumblr a year to draw him. although, i started listening at episode 5 and didn't start drawing him until then myself so who knows...

cecil has had tumblr's heart in a vice grip since episode 1, with "20,000 posts, 183,000 blogs and 680,000 notes using the #Night Vale tag" during its first week. tumblr's love for wtnv has always been fairly genuine, from the impact the writing has had on tumblr humor and future story telling, to how wtnv paved the way for lgbt+ representation in indi media, to how it popularized podcasts as a medium for story telling, to the little comforts some of cecil's quotes still bring people today

cecil is not only a founding father of tumblr culture, but also a blorbo of the people. cecil the character in canon has a tumblr account where he posts his art and slash fanfiction.

although cecil's character has developed over time and we've come to see what a ditzy, eccentric, brat he really is, changing his status from sexyman to babygirl, cecil is absolutely a character you should embrace. and you know what... despite what i've said in the past

#cecilsweep

[ID: Images one and two are Google analytic graphs for the search terms "welcome to night vale" and "wtnv" between June 15, 2015 and January 27, 2023. They both depict very sharp spikes around 2013-2014 until the lines decrease greatly over time.

Image three is a drawing of Cecil from Welcome To Nightvale. He is white, with white hair, glasses, a third eye on his forehead, and he is wearing a suit. In the background is the silhouette of a neighborhood from the WTNV official art, a galaxy, and a moon. It is tinted purple. Image four is the always has been meme. Instead of the earth is the tumblr logo, and the text is: “a wtnv fansite?” “Always has been”. End ID] id thanks to @princess-of-purple-prose

[anantaru]

— drunk genshin boys

including heizou, alhaitham, scaramouche, kaveh, pantalone, childe, diluc, cyno x gn! reader

꒰ genre ꒱ — fluff & crack, idk what this is but very cute

drunk! heizou who gets tremendously clingy with you— he doesn‘t have anything but embracing and snuggling up to you in mind. from the beginning, before anything else, you have to help him get to bed, he can barely walk in a straight line and you wonder who he was sharing his drinks with— might be kazuha for all you know. "you‘re so good to me." he slurrs his words, eyes lowered and almost closed but keeping them open, heizou tries to because he can’t keep his eyes off you— even when drunk out of his mind, then the sweet man reaches his arms out for you, "come here come here." it’s a combination of a pitchy whine and a pout displayed before you and archons, how can someone be this adorable without even trying hard? you wonder but ultimately smile at your boyfriend, drawing a fuzzy blanket over his body before leaning into his chest.

drunk! alhaitham who fights with himself, more or less— he can hardly stand. you see, your boyfriend knows he‘s drunk and now he‘s forcing himself to sober up with nothing but pure, strong willpower and a good spirit at hand, but beware, he knows it‘s not possible but he tries to tell himself to sober up regardless, even when aware that that‘s not how it works in the general rule of booze. "i have almost conquered myself." he announces proudly while leaning against your shoulder, his soft hair ruffled and ticking your cheek. "yeah yeah." you playfully roll your eyes, placing your hand on top of his thigh while petting the clothed skin. it‘s when he places his palm on top of your hand to catch you in his embrace before you can notice the faint, soundly snoring sounds of your boyfriend succumbing to a deep slumber against you.

drunk! scaramouche who, much to your own surprise, tends to indicate a few kisses, cuddles and silently thanks you for taking care of him— it‘s especially surprising since this never happens when he‘s not under the influence of alcohol. truthfully, he didn‘t think he was even capable to get drunk and tried a bunch of different beverages around sumeru city. what he didn‘t know was that, alcohol can become a little tricky, especially when it hits you somewhat delayed. you were quick to notice his cheeks changing their color until his entire face was covered in red— the small pants from his parted lips and his larger pupils only proving your point. "nuisance." kuni curses, planting his arm over your shoulder as he makes you stop for a second, keeping your movements to a stand still. "kiss." he leans closer, no words following, ultimately failing to hit your lips and bumping in your nose instead— at this point you’re dying of laughter, you had even attempted to fight your giggles but how could that even be an option when he‘s like that? yet to the best part, you show him how it‘s done and properly melt your lips on his.

drunk! kaveh who— and such fact is known throughout all of sumeru, was a lightweight on the inside, but sometimes had the need to pretend to actually be able to hold his drinks in. you on the other hand knew your boyfriend and his tendencies to drink a little bit too much whenever he‘s meeting up with his friends for a round of tcg or anything really— most of the time it does consist of gossiping. considering this, you always await him late at night, knowing full on well that he‘s going to have a hard time getting out of his shoes or, frankly, find the way to his bedroom. "i‘m not- not drunk!" he proclaims with a pitched, half broken tone, raising his pointer finger in the air, "drunk not i not!" and stammers before dropping into his bed face first. you welcome him with a smile, "you sure aren‘t." and amusingly shake your head but not before placing a bucket next to the bed for— well, who knows what you both will face this entire night.

drunk! pantalone who loves to drink a few glasses of red wine— reveling in the massive flavor of different nuances the beverage had in store after a long day of working himself to frenzied tiredness. believe it or not but he knows the limits of his body quite well, yet even he can overindulge in it from time to time. in which case would he make himself overly noticable the moment he stumbles home. it‘s louder than usual and you wonder if he actually tripped over and fell carelessly or ran against the door. but the man finds you at last as he always did, you long since ready for bed before dropping right next to you, still fully clothed in a perfectly fitted garment and his glasses messily shoved up, "i may have had too many drinks tonight." he admits against his own volition, rubbing his head and the tiny red spot emerging on his forehead— he really did hit the door, "and you may need to help me out of my clothes."

drunk! childe who doesn‘t consider a party being a real event without him in it— surprinsingly was the eleventh harbinger good with keeping his booze in, it‘s rarely for him to get real, drop dead drunk, but when he does— oh boy, you can be sure he won‘t stop talking to you the entire night. "have i told you about that time i dropped a whale on an entire army?" brazen words after arrogant notions, ajax cuddles himself against your back to try to turn you towards him, after all, he thinks you weren‘t listening with your body being turned away like that. after a deep-rooted yawn, you pull yourself to the left to face him, "you did." and cradle his cheek, "you did at last three times this past hour."

drunk! diluc who, much to his own embarrassment, needs to be taken care of. the man loathes alcohol to his very core, but even he needs to occasionally drink a couple glasses with important partners who he had been collaborating and working with. "i can‘t feel my legs." he almost whines at the loss of his senses, numb and tired as you repeatedly dapped a cold washcloth on his forehead while he was continuously pinching his biceps, "that‘s your arm baby." your expression softened slightly as you carried on to clean him up. as it was time to turn in for the night, you felt diluc‘s intense, warm presence closer than on any other day before, "please don‘t leave." his words find your ears with such ease, like a piece of his own soul, a bright, hopeful voice, full of hope but webbed in bristling fear, "i won‘t."

drunk! cyno who— and this really doesn‘t surprise you at this point in time, pompously shows off all his aquired and bundled up jokes, you had, in the beginning of your relationship, thought that what if he would genuinely turn out to be legitimately hilarious when in such wobbly state. "a tighnari and cyno walk into a bar." he pulls his mask off and places it on a drawer that, and don‘t ever tell him that, but there isn‘t a drawer there, he‘s just imagining things, "knock knock, *hiccup* who‘s there?" cyno quickly stops himself as you pick up the mask and put it on a real drawer, sliding into the warm bedsheets beside him afterwards, "wait, that‘s not how the joke goes." the man wrinkles his nose in thought, blinking rapidly while looking at you through puppy eyes, as if you had an actual idea on what he‘s talking about.

©2023 anantaru do not repost, copy, translate, modify

[twistedwonderlandimaginesblog]

Differnt anon but i love the swimsuit top falling off imagine, can we see it with Cater, Vil, Rook, Malleus and Lilia please?

Cater Diamond:

Cater had been mid beach selfie, striking a cute pose when he heard your cry of shock. His head whipped around and he became pink up to his ears, whipping his head the other way just to meet the prying eyes of others on the beach. He’s struggling to come up with a plan but finally points in a direction and gasps, yelling out a random influencers name and hoping their follower count was legit enough that they’d be known by the general public. It worked well enough that you were no longer the center of attention, an excited crowd forming and looking for the rare celebrity sighting while Cater rushed over to you. The crisis had been averted as you found your top, mumbling you’d just be lounging on the blanket the rest of the time. Later, when he’s sorting through his photos, he’s reminded of the moment as he caught the exact moment your top fell off, his face growing red as he hurriedly deleted the picture.

Lilia Vanrouge:

Lilia is no stranger to accidental nudity, these old eyes have seen some things in his many years on this planet, and it doesn’t leave him feeling any specific type of way. He can see that you don’t share the philosophy of ‘oh well’ when something embarrassing happens and does his best to save you, summoning a sudden wave that crashes onto shore and almost washes away some of the beach gear the gawkers had left unattended while ogling. He walked up to you with your top in hand, humming as he did; he held up a towel to cover you while you put your top back on, chuckling as he commented he knew the day would be interesting when you asked to spend it together.

Malleus Draconia:

The storm clouds that appear just as you’re kneeling on the ground, desperately searching for your top before others start pointing you out, was a blessing in disguise. Most beach-goers are too shocked by the sudden change of weather to pay you any mind and it leaves you with plenty of time to find your top, which Malleus casually stepped over to help you with. You feel embarrassed again because a prince of all people was witnessing you in such a state, but Malleus paid it no mind, seeming more protective than judgmental in the moment. You don’t catch any hint that he was the cause behind the storm, the clouds clearing away as he helped you tie your top back on and asked if you were ready to continue your stroll in a more secluded place along the beach.

Rook Hunt:

Rook had seen the unraveling as it begun, but you had not heeded his warnings of the top not being tied securely as every time you tugged it seemed to stay in place. He kept a diligent eye on you, not like there was anything else as striking as you on this beach regardless, but he does find himself failing in his duty when you point out a group of dolphins frolicking close to shore. When he hears your gasp he already knew what happened, his brain calculating in mere seconds that the disastrous future he had predicted had come to be. With a swift movement he removes the towel from your bag he’d been carrying, holding it over your chest and requesting just a moment to allow him to find the harbinger of chaos that was your swimsuit top.

Vil Schoenheit:

This was the issue with fashion these days. There was no practicality even in swimsuits, and while Vil lacked a real opinion on most beach outfits, he found yours seemed flimsier than most. It wasn’t quite a warning but he was unsurprised to see the top had pulled loose and left you in the middle of the beach, covering your chest and frantically looking around for your top before your humiliation limit was reached. He knew you’d rather be buried in the sand but he snapped his fingers to draw your attention, telling you to stay calm as it would attract less attention that way. He walked around you and finally found it half-buried in the sand, scolding you as your panic had nearly buried the only thing that would stop the staring. He suggested a nice cover-up next time, just to have a back-up plan should a swimsuit fail you again.

[girllblogging777]

Hiii 😊 Cinammon tinged tale for Mattheo Riddle/reader please!

How about Mattheo is a member of a band, and the reader is a journalist and they give her an interview and Mattheo is instantly head over heels.. Love at first sight

𝐴𝐿𝐿 𝐼𝑇 𝑇𝑂𝑂𝐾

↳ famous mattheo riddle x journalist reader

↳ 𝑤𝑜𝑟𝑑 𝑐𝑜𝑢𝑛𝑡 : 0.6k

𝑠𝑢𝑚𝑚𝑎𝑟𝑦 : the lead singer of the band you’re interviewing falls for you.

─── ⋆⋅☆⋅⋆ ───

the fluorescent hallway outside the room hums with low voices and muffled bass, a promise of the chaos waiting beyond the doors. you clutch your notebook a little tighter, running over the questions in your head for what feels like the hundredth time.

this is the biggest feature you’ve done for the paper, a full interview with the silver dominion, the band that has been skyrocketing through the rock charts lately.

you’ve done your research: lorenzo berkshire on drums, theodore nott on bass, mattheo riddle on guitar and vocals. mattheo… the name alone is enough to bring heat to your face. it’s impossible to miss his face on album covers, magazine spreads, and the endless stream of fan edits flooding your feed.

but none of that really matters right now. this is your job, you remind yourself before stepping into the room where they’re waiting.

the band is sprawled out on a couch when you walk in, the kind of casual chaos you’d expect from a group this magnetic. theo is tapping a rhythm against the armrest, enzo is looking through the setlist, but mattheo looks up the second the door opens.

and he stops.

completely.

your eyes meet, and it’s like the air shifts. his expression freezes, his hand hovering in mid-air where it was reaching for a cigarette. his dark eyes widen and for a split second, he looks like he’s forgotten how to breathe.

“hi,” you manage, your voice steady despite the way his gaze sets your nerves alight.

“hi,” he says back, low and unsteady, like the word has weight to it.

enzo glances up from the documents, breaking the moment. “you must be the journalist.”

“that’s me,” you reply, tearing your eyes away from mattheo. you try to focus as enzo introduces himself, then theo, but you can still feel mattheo’s gaze on you, sharp and heavy, like he’s trying to memorize every detail of your face.

“and that’s mattheo,” theo says, motioning toward him with a smirk.

you glance back at him, and he still hasn’t looked away. his lips part slightly, like he wants to say something, but no words come out.

“nice to meet you,” you say, your voice soft.

he nods, and for a moment, his mask of cool indifference slips. something flickers in his expression, raw and disarming, before he quickly looks down, fumbling with the cigarette in his hand.

“so,” you start, clearing your throat as you sit down across from them, trying your best to look at ease. “let’s dive in.”

the interview begins, and you do your best to focus, asking theo about his influences, enzo about their songwriting process. the room fills with easy banter, laughter spilling over as theo tells a story about their disastrous first gig.

but mattheo barely speaks.

he answers when you ask, short, clipped responses that seem out of place for someone so magnetic on stage. but every time you glance up, his eyes are on you, and they’re not just looking. they’re studying.

“mattheo, how do you balance writing lyrics and playing lead guitar?” you ask, hoping to draw him into the conversation.

his lips twitch into a small smile, but it doesn’t quite reach his eyes. “it’s not something i think about too much. it just… happens.”

enzo snorts. “he’s being modest. he’s a control freak in the studio.”

“shut up,” mattheo mutters, but there’s no real bite to it. his eyes flicker back to yours, softening. “it’s just about the feel of it, you know?”

you nod, scribbling down his response, but you can feel the weight of his gaze lingering.

“so what about you?” he asks suddenly, cutting through enzo’s attempt to steer the conversation back.

you blink. “what about me?”

“why’d you start writing?” his voice is quieter now, laced with something you can’t quite place.

“uh, i…” you falter, caught off guard by the shift in his tone. “i guess i’ve always loved telling stories. finding the human side of things, the parts people don’t usually see.”

he leans forward slightly, his elbows resting on his knees. “and do you find it?”

“sometimes,” you say honestly, holding his gaze even though it makes your chest feel tight. “not always.”

his lips part, like he’s about to say something, but theo cuts in before he can.

“are we just gonna let him hijack the interview?” theo teases, raising a brow at mattheo. “she’s here for all of us, you know.”

“right,” mattheo mutters, sitting back, but his eyes don’t leave yours.

the rest of the interview passes in a blur. you jot down notes, ask follow-up questions, laugh along with theo’s jokes, but mattheo stays quiet, only speaking when directly addressed. and yet, his presence fills the room, drawing your attention back to him over and over.

when it’s finally over, you gather your things, feeling oddly reluctant to leave.

“thanks for your time,” you say, standing.

theo and enzo wave you off with easy grins, already diving into some argument about their setlist, but mattheo follows you to the door.

“wait,” he says, his voice low.

you turn, your pulse quickening as he steps closer.

“you’re coming to the show tonight, right?”

you nod. “i’ll be covering it.”

his gaze softens, something like relief flickering across his face. “good.” he hesitates, rubbing the back of his neck. “can i… ask you something?”

“sure.”

he swallows, his confidence faltering for the first time. “do you… i don’t know, do you believe in things happening for a reason?”

his question catches you off guard, but there’s something so vulnerable in his expression that you can’t brush it off.

“sometimes,” you say carefully. “why?”

he shakes his head, a small, almost self-deprecating laugh escaping him. “i don’t know. it’s just… the second you walked in, it felt like…” he trails off, glancing away, then back at you. “like something shifted.”

your breath catches, the honesty in his voice cutting through every defense you have.

“mattheo—”

“sorry,” he says quickly, stepping back. “i probably sound insane. forget i said anything.”

you want to say something, anything, but the door swings open behind you, theo calling him back inside.

“i’ll see you tonight,” mattheo says, his voice softer now. and as you leave, his eyes follow you, heavy with the weight of everything left unsaid.

and you know.

you know he felt it too.

─── ⋆⋅☆⋅⋆ ───

a/n : as an aspiring journalist i wish this was me fr, thank you for this request !!! likes, comments and reblogs are appreciated <3

tell me if you wanna be added to the tag list !@redeemingvillains @leona-hawthorne @shiftingwithmars @tateshifts @rose-of-the-grave @clar2aa @iris-qt @sp7-mr @deadghosy @deadsnakey @helendeath @jolly4holly @larmesdevanille @dexoq @shiftingwithleah @sunkissedscribbles @chelawrites @myunperfektstorys @yikesitslush @slut-for-fictional-men @romantasyreader28 @witchsrecs @mattiesgf @reidol0gy @kenjikishimotoswifey @2dloveshp

[gothgoblinbabe]

hiyaa <333 just wanted to drop a Logan request here.. (pref from the ver of the x-men, 2000?) because it's always like sunshine reader this and grumpy/mean logan that (i luv them btw) but what about cool!reader. what about the reader that can and will not put the cocky shit he is on his place but keep him there??? what about the reader that tames him down, the reader that casually grabs the back of his shirt to keep him from launching himself at Scott with a deadpan face, the one that lets him bite??? the one that will literally outmatch his agressive and violent energy????? the one that grabs his wrist when his claws go out and quirks an eyebrow at him like 'really?'???? like pls we do seriously need a bit of a level-head/intermediator!reader with Logan (can be smut if u feel like it?) 🙏🙇 fem if possible <33

IM KICKING MY FEET SO HARD RN OMG, I also love grumpy Logan x sunshine reader but being w someone that matches his energy? Oh my god, that’s my shit

NSFW/18+ // This isn’t like a full oneshot ig but if you do want that with plot and stuff lmk!)

- Within the first few months of meeting each other, everyone would definitely tease Logan (and you) about how you’re like the female version of him. You don’t put up with anyone’s shit, including his. He learned that the hard way, nearly being knocked on his ass when you yanked the back of his jacket to prevent him from ripping Scott to shreds because of some stupid comment. That wasn’t a one time occurrence, either. You were the only one bold enough to actually try to put him in his place when the claws came out, going as far as to use both hands to hold his wrist in place while you glared up at him.

“Chill the fuck out, would you?”

And the first time you had the balls to actually do that, everyone else stood back in mild fear, anticipating some kind of fight between the two of you. Instead, he rolled his eyes and retracted his claws. It was an unusual influence you had over him, something about you that made him feel hypnotized.

- He’ll never admit it to another soul, but he definitely likes that you’re dominant over him at times when you have to cool him down. Grabbing his arm, pushing him back - lightly tugging at his hair if you really couldn’t get his attention. He likes when you put him in his place, get a little rough with him or talk in an angry tone.

- And because I’m a sucker for friends to lovers, I think he’d be so head over heels for you because of that. He’d try his best to be stone faced when you were stern with him, but he’d be gnawing on his bottom lip to the point of drawing blood.

- Same thing with training: If you actually manage to wrestle him down to the mat, he knows he can push you off if he really wants to, but he never does - he gets way too engrossed in staring up at you while you straddle his lap and hold his arms down.

- Though Logan wasn’t always levelheaded, he could return the favor of holding you back when you got too aggressive, wrapping his arms around the middle of your waist and pulling you back - sometimes even having to lift you off the ground and sling you over his shoulder. Truthfully, he’d let you tear someone apart if it were up to him - the assholes usually deserve it - but he knew it would be frowned upon to not stop you.

- I think when you somehow do admit your feelings - maybe you get pissed when he puts himself in danger and just tell him you love him or he does the same when he starts to become a little too jealous of anyone else hanging around near you - he’d always have his hands on you in some way. Maybe the small of your back, your hands, your wrist - anything. And the jealousy thing? Oh, forget it, he won’t even let another guy stand too close to you. He’s not toxic (maybe if you wanted him to be🫣) but very protective, he’ll let another guy talk to you if he’s gotta but his hand is in your back pocket the entire time while he stares the dude down.

- Angry sex is a regular occurrence. Are you really mad at each other? Not even close, but it doesn’t take much more than a few choice words exchanged in the hall for Logan to be dragging you into the nearest room with a lock, holding you up against the wall and drilling into you till he has to hold a hand over your mouth to keep you quiet. There were definitely a handful of times you’d almost been caught, trying to babble out an excuse about being busy to whoever was behind the door while your leg was hiked over Logan’s shoulder, messily eating you out with your skirt bunched up at your waist.

- Overall I think you’d make a good pair, keeping each other in balance when one of you gets a little feral (though, let’s be honest, it’s definitely usually you having to hold him back).

Like I said if you want more of that concept or like something w plot pls lmk!! Absolutely love the idea 🫶🏻

[ghostlyferrettarot]

🦋Pick a Picture: 💎🦚You hidden talents🦚💎

•Pile 1 •Pile 2 •Pile 3

❗️This is a collective reading, take what resonates and leave the rest❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

💎If you like my work you can support me through Ko-fi. Thank you!💎

🦚Masterlist🦚

🦩Pile 1: 3 of Wands, 3 of Cups and 8 of Wands.

You have a unique ability to connect with people. Although you may not recognize it at times, there is something about your energy that draws others to you. Your presence radiates a mix of maturity and softness that makes people feel at ease around you. It is as if your company alone can calm those around you, creating an environment where they feel safe to open up and share. That ability to calm others is a gift that not everyone possesses, and it is something that you should value. Many around you perceive that you have a voice that resonates strongly and can influence the lives of others. If you have ever thought about using your voice more actively, whether in the professional or personal sphere, do not hesitate to follow that impulse. Your path seems to be aligned with the idea of ​​communicating and expressing yourself, and that can take you to surprising places.

There is a special quality about you that makes you stand out when it comes to helping others. Not only are you a good listener, but you also know how to provide advice and comfort when it is most needed.

🦩Song:

🐞Pile 2: The Empress, 5 of Pentacles and 4 of Swords.

You have a unique ability to create, I feel that you can be a master manifestor. Any project that crosses your mind, any idea or work that you wish to carry out, has the potential to generate a significant impact on your life and the lives of those around you. Your ability to innovate and think differently is something that many fail to understand, but that does not matter. The essential thing is that your ideas are original and can lead you to achieve notable recognition, so do not hesitate to share them with the world. Your ideas have the power to endure over time, and I am convinced that you will be able to build a legacy of your own. The way you see things is unique, and although some may not capture the essence of your thoughts, that should not discourage you. On the contrary, it is precisely this uniqueness that sets you apart and gives you the opportunity to leave a mark on the world. Every idea that comes from you can be the start of something great, so keep going and don't hold back.

Don't limit yourself by the opinions of others; instead, focus on what you are truly passionate about and how you can bring your visions to reality.

🐞Song:

🦋Pile 3: 10 of Cups, The Sun and 2 of Wands.

You have a special gift for brightening the day of those around you; it seems like the day of others doesn't start until you appear. It may seem a bit extra, but that is the impression you leave. Your energy is contagious and you are one of those people who always looks for the positive side of things. This attitude of yours is what makes you so loved and appreciated by everyone. Many people admire your charisma and the confidence you radiate, even if sometimes you doubt it yourself. It's funny how, despite your insecurities, there are those who see you as a role model. The truth is that you have a natural charm that attracts others, and it's essential that you start recognizing it in yourself. Don't let your achievements or productivity define your worth; what really counts is the unique essence you bring to the world.

At the end of the day, what really matters is how special you are in the lives of others. In their eyes, you are a true winner, and that is not measured by material success or goals achieved. So, start believing in yourself and the positive impact you have on those around you.

🦋Song:

💎Thank you for reading and tell me if it resonated💎

[multistan-247]

❝ 𝖞𝖔𝖚𝖗 𝖇𝖔𝖉𝖞 𝖑𝖎𝖌𝖍𝖙𝖜𝖊𝖎𝖌𝖍𝖙 𝖘𝖕𝖊𝖆𝖐𝖘 𝖙𝖔 𝖒𝖊 ❞

⚠︎ Characters: bf! toji zenin x gf! fem reader

⚠︎ Warnings: 18+, cunnilingus, explicit smut, nipple play, nicknames, established relationship, toji showing off his strength and his insatiable appetite for you.

⚠︎ Synopsis: Toji loves to get his hands on you when you slip on his t-shirts after a long night of love making and wants more.

A/N: a repost because tumblr loves to be a bish and send complaints abt one of my best works.

He's been at this for a while now.

Ever since Toji slid his hands up your thighs, smirking when learnt the absence of your panties, his chuckle in your ears makes you shudder.

"An open invite for me, huh sweetheart? Well, who am I to say no to that?"

So when you found yourself laying on the cold kitchen counter, bare for his eyes to feast upon, a blush streaks the plum of your cheeks. His eyes soften when they catch you blushing, but the predatory look never fades.

He hums and buries his raven head between your thighs, immediately gaining moans from you as his mouth greedily takes what he wanted.

"I eat pussy for myself." He'd said, the first time he ate you out.

Loud slurping sounds, provocative and loud, now fill the kitchen as the aroma of freshly made coffee and toast linger in the air.

"T-Toji."

You mewl, tugging at his free raven locks and your thighs threaten to close around his head. Calloused hands grip them open, squeezing or running his thumbs over your skin mindlessly.

Toji was a starved man, finally finding his elixir of life between your thighs, his own personal heaven. He was selfish with the way he eats you out but knew exactly what triggers you.

Your moans grow high-pitched when he slowly drives his tongue into your pussy, drawing the beginning of an orgasm from you. His slurps become louder; filthier. Your nipples tighten, and he notices the effect of his actions in your bodily reactions.

"Toji- Toji- please- please-"

"Shhh, little girl. You're distracting me."

He says in a reprimanding tone and hooks his brawny arms under your thighs, pulling you impossibly close to his greedy mouth.

"Ha- Toji!"

He doesn't stop at all.

You feel the peak of your orgasm unraveling quickly, but steadily, reducing all your moans into mewls of his name, your fingers tugging at your nipples.

He suddenly lets go of you, shock registering into your body when he slides his hands up your back, supporting your lower half and one around your neck, lifting you quite effortlessly, the position allowing him a lot more access to your pretty pussy as you squeal and your thighs twitch.

Toji's head is sandwiched between your thighs and he couldn't be more happier.

"I love your pussy. So wet and complaint for me."

He groans, the vibrations arousing goosebumps on your hypersensitive body. And then, his swollen lips suck on your clit so hard, your vision is reduced to black spots and then you come, his tongue going back to dive into your hole, not wasting a single drop of your juices.

"Fuck. You squirted."

Rising up from between your legs, the emerald green of his eyes blown wide with the lust occupying him. His mouth is red, coated in a sheen layer of your transparent juices and he darts out his tongue to lick it; and you groan, hiding your burning face behind your hands.

"You're so filthy." You tell him as you sit up, and he laughs, throwing his head back and eyes scrunching.

"Only for you, darling."

"Gimme my shirt. I'm cold and hungry." You pout, the coldness of the granite slab chilling you despite your previous activity.

"Nuh-uh. I'm hungry for your pussy. Breakfast can wait." He growls, sending another spark of desire to your belly. You don't have the opportunity to protest when he picks you up and makes his way to your shared room.

The neighbours hate the both of you for sure.

© 2023 all rights to multistan-247 - do not copy or modify.

[dunmeshistash]

Interview to celebrate the opening of the Ryoko Kui Exhibition

About Delicious in Dungeon: Story making

Q1. Your first long-running series has lasted for about 9 and a half years. Has it been different from your previous experience drawing short stories?

A1. Compared to short stories, the series has been easier because the same characters appear each time. But I was surprised to find that I got tired of drawing the same characters too many times.

Q2. You have said before that the overall structure of the story was decided before serialization began, but how much of that had you communicated to your editor? Also, what kind of communication did you have during the series production?

A2. The goal was something we discussed and had decided on from the beginning. The goal itself was simple, but the path to get there was more difficult and took longer than imagined.

Q3. Regarding the overall story concept and development, did you write out or put anything down in writing (such as the plot)?

A3. I did, but it was simple.

Q4. Did you come up with the dishes based on the monsters you wanted in the story? Or did you come up with the monsters based on the dishes?

A4. It depended on the story, but usually the story came first followed by the monsters or food. I feel like that was most often the order.

Q5. As you progressed in drawing the series, what elements of the characters, story, or world expanded or grew in the most unexpected way?

A5. Nothing particularly unexpected perhaps. When I used to draw web manga, I tended to think up inconsequential settings. So, from the beginning I tried to restrain myself as much as possible and not expand too much. I was surprised when my editor said "Let's expand it more," in the second half of the series.

Q6. "Delicious in Dungeon" starts with a relatively simple setting, but as the series and the labyrinth exploration continues, the map slowly expands little by little in the readers' minds. It becomes more three-dimensional, revealing the secrets of the world, and taking on a multilayered structure. Are there any sources that you used as a reference, or which influenced you in creating this multilayered structure?

A6. A long time ago, when I was working on my personal web manga (fantasy), I drew it however I wanted, thinking that "Only people who can read this will read it," but I regularly received feedback that it was "unreadable", so I tried to make it as easily. accessible as possible.

Q7. The series combines many elements, including "fantasy", "gourmet", "battles", and "puzzle solving", but I think it's also important that it is a "comedy" which makes people laugh. Could you let us know if you have a creative commitment towards depicting humor?

A7. My hopes are that I can make it fun for people to read.

[page 5]

About Delicious in Dungeon: Drawing manga

Q1. Please tell us about the drawing tools you currently use, both digital and analogue.

A1. In terms of analogue tools, I use a light box, a G pen, a round pen, and a brush pen. And for digital, I use CLIP STUDIO PAINT and a Wacom LCD tablet. Screentone pasting is always done on the computer, so ultimately it all ends up as a digital manuscript.

Q2. Do you have any rules or reasons for using digital and analog separately?

A2. I'm always looking for ways to draw better and save time, so the exact approach is probably different for almost every chapter. Personally, I feel that analogue methods create more appealing lines, but I feel like digital saves time, so maybe I'll do a digital rough sketch and do the inking by hand… I might have been using a G pen, and maybe I'll try out a turnip pen, or this time I'm short on time so I'll draw it entirely digitally, but with digital I can redo it over and over, so maybe analogue is still faster, and so on and so forth. I'm indecisive in this way and so haven't developed a consistent process.

Q3. I understand that you prepare 3D data for your assistants to draw the backgrounds. What kind of data did you make for "Delicious in Dungeon" ?

A3. You could call it 3D, but it's not a proper model, just something to help with the rough sketching. I line up cubes to share the perspective and sense of scale, and they use it as a reference.

Q4. At the beginning of the series, the characters and backgrounds were somewhat simply drawn, and it seems like they became richly detailed over the progression of the story. What was your intention behind using these different styles?

A4. It's simply that my technique isn't stable. I thought I'd put a lot of effort in at the start. I remember being confused when my editor asked me to add more in to the drawing, and I wondered "Where…?"

Q5. Thinking about the food, were there any menu illustrations that you were particularly satisfied with, or which you struggled with?

A5. I've never liked my own food illustrations. But the times when I read other people's manga and thought "That looks delicious," I think it's been more an influence of the movement, the staging, and the situation than the drawings.

Q6. For the world maps and the terrain of each continent, did you refer to any maps of the real world? I feel like the shape of the 'island' is similar to the shape of Fukuoka Prefecture or Kyushu.

A6. I didn't reference any specific geography, but I did try to put thought into things like whether a developed city would be near a river or the sea, and what the coastline would look like. I'm pleased if it feels similar to a real place, because it means my interpretation was pretty accurate.

About Delicious in Dungeon: Other

Q1. Which is your favorite monster?

A1. Nightmare.

Q2. I'm sure you have received a lot of feedback from readers in countries and regions outside of Japan. Please tell us if there was anything from them that made you happy, was unexpected, or which made a lasting impression on you.

A2. When you play foreign games, there are times when you think "Why did they translate it into Japanese like that?" But having been on the side of having something translated, I've realized some things are unavoidable, or endless, and there are many things that don't matter either way from the author's perspective, so it was interesting.

About Ryoko Kui's short story collections and herself

Q1. Dragons are a consistent and important motif in your work. Was there any particular work or experience which inspired this? Also, are there points about drawing dragons which you find interesting or have had to work hard on?

A1. It's less about liking dragons, and more that I'm interested in the worlds in which dragons exist. When I draw dragons, the depiction in itself has a sweet feeling to it. I have never had a pet reptile, so I don't have a very good understanding of them.

Q2. Unomiya University in your story "The dragon's school is on top of the mountain" has a Faculty of Dragons, Department of Environmental Studies, and Department of Technology Studies, and a Faculty of Veterinary Medicine. If you were to enroll in the university, which department or faculty would you like to enter?

A2. I probably wouldn't be accepted….

Q3. The collection includes a short story staged as an essay manga. Are you a fan of essay manga? Please tell us about any genres of essay manga that you like.

A3. I love all kinds of essay manga. I read them often.

Q4. If you were to make your own game, what kind of game would you like to make?

A4. I prefer being a player when it comes to games.

Q5. When did you first start drawing illustrations (doodles)?

A5. I don't exactly remember when I first drew a picture, but I think I started drawing manga around the fourth or fifth grade of elementary school. in my notebooks and had my friends read them.

Q6. What is the most fun part about drawing manga?

A6. Every part is fun and hard in its own way.

Q7. Please tell us if there is anything you "just can't stop no matter what".

A7. My procrastination habit.

Q8. Could you please tell us if there's something you want to draw now?

A8. I've been working continuously since the serialization, so I'd like to take about 2 to 3 months to just draw whatever I want.

[eunnieboo]

IYHM ask replies! (2/3)

🌸 @csevet asked:

hi my copy of iyhm just came in and my fiancee and i snuggled up and read the whole thing cover to cover and CRIED!!! i love when lesbians 💕💞💝💗💝💗💘💞💖💗💝

AHHHHH thank you SO much!!! OMGGGGG 🥺 live laugh lesbian..... 💞💗💖💕💖💞💕💖💗

🌸 @chrysalis-the-butterfly asked:

I read If You'll Have Me a few months ago and I loved it! Your art is so pretty and Momo and PG are such cool characters! 🥰 If you're okay with sharing, I'd be interested to hear what inspired you during the creative process? Were there any pieces of media or any other characters which influenced the formation of Momo and PG? Or did you do your own thing?

oh my gosh! thank you!! i really love character interactions and relationship dynamics, so i wanted to depict two girls who seemed like opposites - one cool and laid-back, the other soft and sweet. after a while they started to take on a life of their own, and i thought it'd be wonderful if their story could evoke the feeling of a shoujo romance!

i had a lot of things on my mind when i wrote the script... friendship, intimacy, communication... communication can be so hard! sometimes it's harder with someone you're close to because their opinion is so important to you. and what happens when you've got a character who's non-confrontational and has low self-esteem + someone who prefers actions over words, and would rather burn bridges than admit to feeling vulnerable? how would they get past that? i wanted to write their flaws as believable, and how their life experiences have shaped the way they think about themselves / the way they respond to personal conflict... but also how they learn from each other and grow ❤️ tysm for the question!!

@bisexualgoof asked:

Hi Eunnie! I just finished reading “If You’ll Have Me” and let me tell you, it was spectacular! I saw it in a local bookstore the other day and it was a no brainer to grab. The characters are so fun, the story is beautiful and heartfelt, and honestly every character is attractive… I especially fell in love with the pages of the books without words, especially 312-313, it made me cry. Such beautiful art! I related to PG’s annoyance with her long hair, I felt very seen with her comments. I’ve definitely said “I’d like to forget” so many times myself, right to my butch heart haha. Thank you for sharing this story with the world, and thank you in particularly for your acknowledgment at the end of the book, it made me feel seen. What an amazing love story, hope to see more of this adorable couple in the future!

oh my goodness!! this is so lovely and wonderful and ahhh T_T thank you so very much. it's such a dream, having these girls be out in the world with their personalities and backstories revealed at last! and i'm so happy to hear about the cast and side characters, i love designing people hehe ♥ i'll definitely keep drawing this couple, alongside more sapphic couples that are to come 😍 thank you!!

🌸 @skittles-rainbow-cat asked:

HI HI HI!!! you’ve been one of my fave artists forever and i just got done with iyhm and it’s sooooo amazing im in love with it. also i think strawberry blonde by chloe moriondo fits mono and pg very well :] i hope you’re having a good day and thank you for all your art it heals me in many ways <3333

HIIII omg!!! thank you so much! this song is so cuteeee oh my gosh this line:

Takes my hand in hers when the lights aren’t on Smaller than mine and oh god I am gone

it's so sweet ;_; thank you forever, i hope you're having a wonderful day!! <3 <3 <3

🌸 @lord-of-the-froggies asked:

Howdy Eunnie! I know you're probably swamped with work right now, but I just wanna let you know that I got my copy of your book today!! I'm gonna start reading it right away, it looks and feels amazing. From a fellow Washington artist to another--congratulations on such a huge achievement!

yay hello fellow washingtonian! and fellow artist!! thank you so much for your kind words 🥺 and i'm so glad the book got to you safely! wishing you a happy read~

🌸 Anonymous asked:

I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!

omggg thank you that means so much!!! ;_; <3

🌸 @ddooyoung asked:

I got my (signed!) copy of the book, and I love it SO MUCH. It's everything I was hoping and more. I love finally getting to know them, especially Momo. Since the first time I saw them, I thought Momo was a lot like me and now I have confirmation 😆 Thank you so much for writing such a wonderful story!!! I'm excited for everything you do 💗

WAHH thank you so much!! yesss i'm so overjoyed to finally share their story after so long! i hope the signature turned out okay, i was very nervous signing books for the first time (shaky hand and everything) 😱 i think next time it would be fun to make a custom stamp and stamp a doodle next to my signature hehe. thank you again!!! 💕

🌸 Anonymous asked:

I somehow missed the news about your having created a whole damn book?? was just flipping through yu & me books's holiday gift guide and did a double take when I saw priscilla and momo!! zoomed in and sure enough, there was your name at the bottom! congrats on ihym and congrats on being featured on rec lists from shops as cool as yu & me 🎉😍

omggg thank you thank you!! 🥰 AHHH yu & me books looks so amazing! i've been to new york just once but if i ever get to go back i have to visit them... i'm always looking for indie bookstores to throw my money at 😤

🌸 Anonymous asked:

1. Will there be an “if you’ll have me” sequel? 2. Is Momo her full name or a Nick name? If it’s a Nick name what is her full name? Thank you i love your work! ❤️😊

ahh there's no sequel planned as of right now! but i'd love to make one if i get the chance... i have some ideas that i think would be fun <3 and momo gardner is her full name! i liked gardner because it made me think of flowers ☺️❤️ thank you so much!!

🌸 @upsidedown-shadow-dreamer asked:

Hello, long time fan here. If You'll Have Me was delivered an hour ago and I've already finished my first read. OMG it's AMAZING. I love the story, the beautiful art, the inner thoughts, the pacing, the page color changes for back story… Just major WOW. I hope you are so proud of this work. I'm already looking forward to reading it again. Thank you!!!

this is sooooo AHHHHH T_T i'm in tears. i can't tell you how happy and thrilled i am to hear this!!! it's so encouraging and uplifting and ahh!! i want to make more stories... and just knowing that this book will be read by the same person more than once, omg! it's truly the highest of praise. thank you from the bottom of my heart <333

🌸 Anonymous asked:

Hello!! I just remembered I could borrow graphic novels as e-books from my local library, found IYHM, devoured the entire thing in one sitting, then went through your tags so I could look at all your other IYHM art, and I was wondering if you'll make more stories about Momo and PG because I can't get enough of them! Absolutely obsessed with these two and I love seeing them so happy together 💖💖💖💖

hello!! oh i'm absolutely over the moon about this! i can definitely see myself making a follow-up book if i'm so lucky 🙏 but i'll keep on drawing more minicomics and illustrations no matter what!! thank you so much for this wonderful message 💕💕💕💕

🌸 Anonymous asked:

hi!! love love love your art!!! do you think we can expect to see another graphic novel about momo and priscilla in the future?

🌸 Anonymous asked:

I’ve read IYHM so many times already and I absolutely loved it!!!! Are you planning on writing another book with Momo and PG? Is is there a way we can buy more of your stories?

thank you both so much!!!! <3 a sequel is actually one of the ideas i pitched for my second book! my editor cautioned against it in case IYHM didn't perform well, so i ended up going in a different direction - but my fingers are crossed for future opportunities 😤 realistically, it will probably depend on sales... but for the record, i'd want to do one regardless of the numbers...

i have one more book coming out, which i'm working on right now! the timeline is a bit up in the air atm but i'll try to keep everyone posted. making a book is so slow but i'm so grateful to you all for waiting 🥺💛

🌸 @randomqueernoun asked:

Do you make webcomics for other apps/websites? If yes where can I find them and what do I search in them to find your comics?

ahh not at the moment! but thank you SO much for the interest! one of my biggest goals right now is to set up a website where i have all my work in one place, and that would definitely be the place where i post future webcomics 👀

also, just as an aside... i want to make webcomics so bad. i think after my next book, i might take a break from traditional publishing to do that. sometimes i can't believe i'm drawing hundreds of pages i can't post... i'm like, how are people supposed to read this if i can't show them? how will they know?! ahh it kills me... but yes... someday!!!

part 3 to come~