#you can see alessandra too
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nothinghappned · 1 year ago
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saw a post about the nordic party, and may I offer some gifs of kris dancing his heart out to cha cha cha
[warning for flashing gifs/images!]
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also
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and also, if you watch the video (x) it's hilarious how the moment käärijä walks on stage you can see bojan's head at the bottom left side popping in frame as he and kris makes their way closer to the stage. they were summoned.
there's a skip in the video i linked, but apparently käärijä did other song(s) too, and since the jo boys arrived at the beginning and was still there at the very end of the set, it's safe to say they saw at least välikuolema live too
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davey-in-a-minivan · 2 months ago
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Isabel Lovelace My Absolute Beloved
Lovelace is one of my favorite examples of one of my favorite kinds of characters, which is: woman who the world is trying so hard to kill and emerges beat up and spitting out teeth and still going.
(Relatedly, Eva Olivia Moreno is one of the few White Vault characters I really loved and it's on the strength of the joy I felt when i realized that not only had Eva NOT died when a rockslide separated her from the team, but instead dragged herself three days over the mountains, alone, covered in mud and blood and bruises, WITH ALL THE TEAM'S DATA DRIVES, to let the world know what was going on and demand rescue for the others. LOVE HER. Alessandra "Cockroach" Strong of the Penumbra Podcast ALSO falls into this category and I would've loved to see more of her)
Interestingly, I think Lovelace plays a similar role in-universe for Eiffel and Minkowski, in that they first encounter her as a 'character' in old audio logs whose survival they are rooting for at a remove -- when Eiffel and Minkowski listen to her logs but it's unclear whether she made it off the station, Eiffel shushes Minkowski's skepticism and says "let me have my badass space commando chick!!" In the absence of conclusive evidence he clings to the idea that she survived, for what i suspect are two reasons: (1) it means it's possible to survive and gives him and Minkowski a sliver of hope, and (2) it's not fair for her to die after trying so hard to save herself and her crew, and if she survived he can believe that there's some fairness in the universe.
After Kepler shoots Lovelace, Minkowski tells an imagined Lovelace how badly she wanted to get Lovelace home because she wanted to believe that she could go home, which feels like an echo of Eiffel's earlier sentiment--obviously by now Minkowski knows and cares about Lovelace as a person, but she's also a symbol of the ultimate survivor, who will do whatever it takes to get home. If Lovelace, who fought harder and longer, with more skill and fewer limits than Minkowski finds herself capable of, and still didn't survive, what chance is there for Minkowski and her crew?
WHICH MAKES IT SO FUCKING SATISFYING WHEN LOVELACE LIVES AGAIN.
I need you all to know--Lovelace was "dead" for, what, an episode??--in that time my then-roommate and I put up a SHRINE to her memory. She was too cool and tragic and extreme and funny and hot to die!!!
I'm very glad the universe and Gabriel Urbina agreed.
It's not only satisfying because I'm obsessed with her and wanted her back (which I admit freely). It's a riveting development in the story of the unkillable Captain Lovelace where we finally see that she CAN'T be killed because she's already dead. Functionally she's a ghost in the story, haunting the Hephaestus until she finishes her unfinished business, and there's a delightful sheen of destiny to her arc where I was like oh fuck they've already done their worst to her and she's still going. She's going to win this. I don't know what it'll cost her, this could still be a tragedy, but she's GOING to succeed.
What does this mean for the rest of the original crew looking to her as a symbol? Eiffel, Minkowski and Hera do survive, like Lovelace. It is possible. But it costs them a lot. Weeks after Lovelace dies, resurrects, and has the day-ruining revelation that she's actually the alien clone of the dead woman she thought she was haha, she talks about the discomforting effort she makes to be the real Lovelace, not the person that Goddard turned her into. I think once they return to Earth the rest of the crew will struggle in similar ways. Minkowski need to believe that Lovelace could come home, and she did. But none of them could be the same as they were before.
Now, obviously the extremes Lovelace had to go to in pursuit of survival and justice were difficult and upsetting for her. But they were also hot!! SO let's wrap this up with some of the most iconic Lovelace moments according to me:
1. The "run and hide" monologue Eiffel and Minkowski find - HOT. sorry i know this comes on the heels of her describing the harrowing tragedy of her crew members' deaths but like
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that's hot!!! go girl, kill em all!!!
2. THE DEAD MAN'S SWITCH. she said im going big AND going home, through the power of insane resourcefulness and this nuclear bomb i made
3. "variations on a theme" is suuuch a good minisode
4. disabling the airlock during the clone jacobi situation without telling anyone
5. NAPALM
6a. broadly, the hostage situation during the coup, where she goads kepler into focusing on her instead of eiffel
6b. SPECIFICALLY the part of the hostage situation where she gets the show's one "fuck"
7. alien possession lovelace!!!! i know it wasn't quite her melting kepler's hand off but god it's a fun scene
8. time loop lovelace. i love a good time loop and the contrast between her yelling and goading and shooting things in the last argument but also being, like, pretty chill and pragmatic about it--this is just her method of causing enough trouble to break the loop--is fun
9. hera's and her intersecting journeys re: what it means to be a person
10. distracting cutter so minkowski can stab him with the harpoon!!!!!!
in conclusion: WHAT A CHARACTER
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murfpersonalblog · 7 months ago
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IWTV S2 Ep1 Musings - Looking for Home: Louis, Claudia & Daciana
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They flip between siblings and parent so much even I was getting whiplash--no wonder Lou's confused. U_U
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This was EEEEEEEEVIIIIIIL, AMC! 😭 Louis carrying Grace's wedding portrait, and using it to FAKE his identity in Europe, after Grace couldn't even go to Europe for her own honeymoon cuz Paul died--STOP IT! 😭😭
And you can hear just a few quick seconds of the DPDL lietmotif that always plays for Grace, Paul, and sibling!Claudia, before it takes this SUPER dark and ominous tone--the song has been tainted, just like Lou's relationship with Grace and Claudia was tainted.
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Go AWF, Claudia!
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And then she finds ONE, and it was so heartbreakingly touching.
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I was hoping she was Alessandra, but nope, she's an AMC!OC, Daciana. I'm assuming they were nodding to one rando revenant:
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And she is obviously the same "Anna" the kids were singing about--(very Gaunter O'Dimm of them, I love it 💀)--living like frikkin Baba Yaga in a grimy castle in the woods.
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Daciana killed her own fledgling after Claudia blinded him--after the revanant AND Daciana attacked them first, but whatever. Cuz she said he wouldn't be able to hunt/feed with no eyes--so it can't heal; her fledglings are too effed up. She's officially the last one in the area.
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And I get it now--the bear(?) head Claudia breaks off of the dead vampire's sarcophagus was a heraldric figurehead. Claudia showed it to Daciana, as a way of asking her who that dead vamp was.
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She didn't want to tell them her story or hear theirs--but she wanted them to know about Cezare Romulo (RIP). (It's crazy how in 5 minutes The Vampire Daciana was way more effective than a whole hour of Dierdre Mayfair. 🙄😒) She complimented Claudia's blood, saying it tasted like the cream of the crop. Daciana only told them her name, and that she was waiting for her children--fledglings or real ones, who knows (I bet both).
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Only for Daciana to kill herself right in front of them (RIP). 😔🔥
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This is so sad, but it was obvious she was gonna do that.
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Stop teasing the Children of Darkness after this Alessandra fake-out. She's got the same darkness in her that Nicki (AND Louis) had. And we know where that means. 🔥💀🔥
These vampires are STARVING--hungry for family, love, home: LIFE.
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So is Claudia! 😭😭😭 She wants a blood spouse! She wants a companion!
So I LOVE that Morgan clocked Louis on Grace's photo--that ain't yo wife! The gaydar was beeping the second your pretty arse walked in!
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Like, it's been established that Louis is a terrible liar-you don't need an investigative journalist to figure that much out. Louis is TOO honest--he was dumb AF for telling Morgan his real name! I get why he did it in the book--again: desperate to make a connection.
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But on the show it comes across way different--Louis almost immediately tells Morgan his name (he doesn't do that for Emilia, even though SHE called him pretty! Istg I was picking up some flirtatiousness with Lou & Morgan; put those pheromones AWAY 😂). But you come across MIGHTY SUS if your Black arse is going around switching identities on all these twitchy Europeans, Louis!
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Like baaaaaasicallllllyyyyyyy!!! 🤦 You see them shooting up corpses just to make sure--you think they won't shoot YOU!?!
Anyways, it's so cool that they made Morgan a photographer--so is THIS why Louis starts taking photos!? 🤩📸
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Cuz I've been wondering how Louis makes money in Paris so they don't have to pickpocket anymore?
I love that they included this.
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No matter where they go, they have to pose as Black servants and maids and VALETS and SLAVES, white folk are the same regardless of the country.
Which was an interesting parallel with Daciana, and how much they were hyping up America.
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She was clearly nuts, but smart & sane enough to realize that 2 (two!) Black vampires had fled their oh-so-great "land of the free" to come to HER busted AF blown up war-torn country, so why should she expect to have any happiness over there?
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I don't know a lick of Romanian, but I wonder if the "another one" she was referring to was the soldier, or the country. As Daciana realized that no matter who she made her new fledgling, and no matter which country she ran to, she'd be alone & unhappy without the people she loved--her HOME.
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Home is where the HEART is! Claudia's been homeless this whole time! Daciana's got that huge castle, but lives all alone--she can't make proper fledglings. Meanwhile Louis still thinks NOLA is home, even after they killed everyone who knew them--"including" Lestat!
*sigh* I hate this effing show, it's so dang good. 😭
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stonesylove · 10 months ago
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Summary: Alessandra and Tom met on a casual night out in Berlin while he's filming the prequel of the hunger games, both of them are down for a little three month affair but what if they want a little bit more.
social media au
A night out in Berlin pt.2
Our first conversation
Chapter 1 - Chapter 3
Alessandra woke up and as normal 22 year old, took her phone to check her social media after one of the best nights out she ever had, she remembered some parts of the night but the others felt like a distant memory; she opened up Instagram to see and she had a new verified follower, someone called “Tom Blyth” she knew a lot of Tom’s but not a single one was famous so when Alessandra touch his profile pic and went to his profile she got hit whit the memory of the tall man with a buzz cut, she couldn’t believe that she fooled around with an actor in a random club in a night out.
“GIULIANA COME HERE” she screamed calling her best friend to tell her the crazy news, Giuliana and Alessandra have been best friend since they were 3 years old, they met in a little ballet academy in Naples, both have dreamed of dancing around the world and they ended up living together in Berlin and dancing for Staatsballett; Alessandra heard the steps coming closer and then she saw her door being open by her friend.
“Girl it’s 8 am, stop screaming” Giuliana said, “shut up and listen to me, remember last night when I got lost from you guys?” Alessandra asked thrilled to tell the whole story, her friend nodded so she can continue with the story, “Well I ended up dancing and making out with this cute tall man and I guess at some point I had to tell him my ig because now he’s following me” she said.
“I don’t see what’s the issue here” Giuliana said with a confused look, “HES A FUCKING BRITISH ACTOR” Alessandra screamed excited while her best friend was in completely shock, “you need to post a thirst trap right now” Giuli said with a playful look in her face, “I’m going to follow him up first and maybe I’ll post it later, I don’t know this is fucking wild” Alessandra said while opening up Instagram again to follow Tom.
Alessandra kept her day going without stressing too much about the topic, she knew he must be busy working on Germany or maybe he’s traveling with some friends so she wouldn’t want to distract him with a text but maybe it was a good idea to post a little selfie on her stories just to taste the waters.
Alessandra Di Maggio posted a story
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Alessandra was walking with her friends to her class while she posted a pic she took some days ago that she felt would be cute enough to draw his attention, she felt like a little girl waiting for her crush to give her some attention and that made her feel so stupid because Alessandra knew that an actor would never lay his eyes on her and all that happened was just a drunken mistake, she locked her phone deciding she wouldn’t check Instagram for the day, Alessandra just didn’t want to get all in her head and get distracted during what’s really important.
The class was a success, she felt tired but at the same time she knew she had to be the best to get to the point she wants to be; Alessandra picked up her belongings and the walked out of the door waiting for her best friend to catch her up.
“So, have you checked Instagram? Did he even liked the story? Did he answered?” Giuliana said while catching Alessandra outside of the dance studio, “I literally posted and blocked my phone, I haven’t check it out” she said while trying to sound uninterested, “WELL DO IT BITCH“ her friend said while rising her voice. Alessandra took her phone out of her bag, she saw that she had a couple notifications but nothing special so she opened up Instagram to see that he liked her story and he sent a message.
Tom Blyth sent you a message 
Tom Blyth
Good morning Alessa with 4 s
Alessandra couldn’t believe that he send her a message, it was crazy for her because they were a little too drunk and she thought he wouldn’t remember her and also the way she screamed her Instagram handle, “Giuli he messaged me” Alessandra said a little bit shocked because she thought it meant nothing for him, “REPLY RIGHT NOW” Giuliana screamed.
Alessandra Di Maggio
hi Tom boy, thought you forgot about me
She send the message and block her phone again, Alessandra couldn’t believe she was doing that, texting him was a crazy scenario in her head, that type of stuff never happen to people like her so she wouldn’t keep any high hopes. Alessandra and Giuliana decided to grab dinner outside because contrary to popular believe ballerinas usually ate a lot; when they arrived home Alessandra didn’t check her phone since she replied the message and she wasn’t ready to do that yet, so she went to the bathroom took a long shower, got ready for bed and still was too scared to check it out. Alessandra laid down in her bed, she thought about going to sleep without checking her phone but the curiosity was eating her alive, so she took her phone out and opened Instagram.
Tom Blyth sent you a message 
Tom Blyth 
I would never forget about you Ale 😂
How are you? You never told me you were ballerina!!
Alessandra Di Maggio
are you a millennial?? What’s up with that emoji 💀
well you never told me that you were an actor so we are even 
Tom Blyth 
Being a millennial is okay, I’m a proud millennial 
How old are you?
if you don’t mind me asking 
Alessandra Di Maggio
I’m 22 and you Tom boy?
gonna be honest I was stalking your profile and I want to say that I don’t agree about riding horses but I’m 100% down to ride the cowboy
Tom Blyth 
I’m 27, so you’re an iPad kid???
You gotta be a little bit more creative if that’s the way you flirt but you don’t look bad in those leotards and thighs 
Alessandra Di Maggio
so you’re a grandpa???
I had to make the joke Tom, it was funny to me 🙄🙄🙄
Tom Blyth 
What if we play 21 questions so we can make other type of jokes funny girl 
Alessandra Di Maggio
did you google that??
but sure 
were where you born?
Tom Blyth 
You’re way too funny 🙄🙄
I’m from Birmingham and you?
What’s your fav color?
Alessandra Di Maggio
I’m from Naples, best part of Italy 
such a deep question 
light blue and yours ?
Tom Blyth 
Like the color of my eyes?
Dark purple, I think so 
What’s up with the caption on your la post??
Alessandra Di Maggio
That counts as one of your questions
A little bit lighter than yours British boy
It’s from a song called “JESUS IN BERLIN”
Are you here for pleasure or for work?
Tom Blyth 
I’m working on a Movie, i’ll be here for three months 
Are you a professional ballerina or is just a hobbie?
Alessandra Di Maggio
let’s hope your big movie doesn’t make a chaos in the city 
I’m a professional ballet dancer
okay, now we’re getting into the deeper questions 
Tom Blyth 
I can go deeper if you want funny girl 😏
They talked until like three in the morning until Alessandra felt asleep, both of them couldn’t believe how the conversation was flowing like they known each other for a while also but of them have the same sense of humor so it’s makes everything a little bit easier to get to know each other, Alessandra wasn’t sure if all the dirty jokes were real and he wanted all that but she wouldn’t mind a three month affair with an English boy, at the end they might never see each other again.
Tom Blyth posted a story 
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This is what her if ig looks like 
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holyprincenerd · 2 years ago
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A Few Thoughts Regarding Why the ESC Jury is SO Dysfunctional
I’m going to cut right to the chase: The judgement criteria for the jury make literally no sense once you stop and think about them. They quite literally cause trolley problem after trolley problem. As a reminder, these are the criteria the jury was supposed to use to judge the performances this year:
composition and originality of the song,
quality of the performance on stage,
vocal capacity of the performer(s),
overall impression of the act.
Let’s start simple - vocal capacity of the performer(s):
As everyone’s aware, this year, we had many talented vocalists participating in the competition: A few examples are Sweden, Norway, France, Cyprus, Spain, Estonia, Albania and Portugal. They all came swinging with their vocalists. Notice something funny about this list of countries?
It’s based entirely upon the assumption that the ability to belt or the usage of one’s head voice is what defines someone’s vocal capacity. Here’s why this is a problem: Assuming that belting as an example is the peak performance of singing means to ignore other, arguably harder and more demanding techniques that are more unconventional sounding to the mainstream ear. A hilariously good example of this would be growling. It require a lot, and I mean a lot of technical prowess and control over your voice, and is thus arguably harder than say belting, as an example. Seriously. Try to growl. Right now. I bet most of you have noticed that you literally can’t growl without sounding hilariously pathetic. If you did manage to let out a decent growl, now try to sing while growling. Pick any song you like, and go for it. Pretty hard, right? And guess what! We had someone doing that this year, and being phenomenal at it.
Too bad they came last in the competition.
That’s right, if we’re going to start judging vocal abilities here, arguably the most vocally capable singer was Chris Harms. There are multiple parts in Blood and Glitter where he uses the growling technique. Not only that, but du-du-dum! He also belts during the song, and does so wonderfully. So, based on this, clearly, he was the most vocally talented artist out of the bunch, right? (Obviously, I am 100% simplifying things here, but bear with me for a bit.) He does everything that the previously mentioned group did, and more. Arguably we could also say that alongside him Alessandra is carrying the torch of the most vocally capable performer, as she does have that one whistle tone in her song (if you’re thinking what I think you’re thinking, don’t worry, we’ll get to that later).
However, this gets even more complicated than singing techniques, how hard they are to master, and how many of them you use in your song.
You see, we can’t really judge someone’s vocal capacity and compare them with the other contestants, when many of these artists were performing songs in different genres. Here are some of the genres represented during the Eurovision finale of 2023:
Metal
Industrial metal
Progressive metal
Rock
Alternative rock
Progressive rock
Pop rock
Pop
Dance-pop
House-pop
Latin-pop
Hyperpop
Chanson
Flamenco
Disco-house
Electronic
R&B
Rap
Schlager
Tractor (lol)
With this many genres, different singing techniques are more appropriate for some songs than others. So this is no longer even a question about comparing each contestant’s vocal abilities with one another (which is a problem, since you know, this is a competition), but rather who performs well within their own genre. Suddenly, we can add almost every contestant to the list of competent vocal performances. For those of you who are wondering, yes, even Käärijä came through with his vocal performance, especially in the first half of the song.
While we’re on the topic of Käärijä (and we won’t leave him for a bit), how are the juries supposed to judge the vocals of rap performances that are more heavily reliant on the enunciation of words than the vocals themselves, if the song’s not in English? Part of the reason Cha Cha Cha works so well is because of the way Käärijä raps certain lines or even words. How is any other jury, except the Finnish one, (who’re not allowed to vote for him,) supposed to catch something like how good the ”Ja mä jatkan kunnes en enää pysy tuolissa niinku” part sounds to a Finnish ear? Specifically the words kunnes, en and enää, are doing a lot of heavy lifting in that one singular line due to the rhythm and enunciation. Can a jury member who doesn’t understand Finnish catch onto the way he allows the first two words to almost melt into each other while pronouncing the last word ridiculously fast to create a very specific rhythm? I’m sure some jury members would notice that, but it’s just as likely to go completely unnoticed unless you’re familiar with the language.
Next, composition and originality of the song:
Again, we have a clear victor here: Cha Cha Cha is by far the most ”original” out of these songs (despite the Electric Cowboy plagiarism accusations, and it’s all thanks to the fact that the song does a genre based one-eighty by the end). I mean, hello? Blending industrial metal, rap, hyperpop and Finnish schlager? This is such a strange combination of genres, it becomes its own entity. And somehow it works. Personally, I’d say this is at least in part due to the melodic hook that repeats literally throughout the song. Those beeps and boops you hear after the first line of the song? They keep repeating themselves, in the chorus in the ���Cha, cha cha, cha cha cha cha” portion, and in the schlager part of the song, though there, the melody is cut in half and only the last three keys are present in the ”Niinku cha cha cha” parts and in the lines that end with an ”aa-aa-haa.” (So, ”Niinku cha cha cha, enkä pelkääkään tätä maailmaa-aa-haa” etc.) Obviously, we get to hear the melody in its entirety once again in the final cha chas. Brilliant! Douze point. Sometimes less is more, and I can’t believe I am saying that about fucking Cha Cha Cha but here we are. Simplicity is king.
Now, on the other hand, we could say that most of the pop entries are not original in the slightest. We could argue that there is literally nothing original about repeating the same pop formula and the same chord progressions which can be found in most pop songs. This is why Tattoo, Solo, Unicorn, I Wrote a Song, Break a Broken Heart, etc, are getting compared to other pop songs and accused of plagiarism: Pop music just is that generic in its building blocks. It’s also why we could argue that they’re not particularly noteworthy in their compositions.
And while we’re still on the topic of originality, songs that are tied to a specific genre are practically screwed. No one’s going to reinvent genres like cha-cha-chá, waltz or mambo here, unless they step away from what identifies these genres, the rhythm. If the rhythm isn’t there, it’s not a cha-cha-chá, waltz or mambo song. You wanna blend salsa and reggaeton? Too bad, salsaton is already a thing! Should everyone start doing what Käärijä and his team did, and mix a minimum of four genres with a somewhat unusual structure in order to be ”original”? What even is originality in the context of composition, really? There are only so many chords and chord progressions to use, there’s practically no way to actually be original, which is also why the topic of plagiarism is so fucking complicated when it comes to music in specific.
Anyway, let’s move on to the quality of the performance on stage:
To avoid making a lengthy repetition of the previous point, let’s keep this short: Depending on the genre of the song, a certain type of performance is going to be more appropriate than another. Imagine Alika having a performance like Let 3, or Teya and Salena performing like La Zarra. What’s that? It’s the taste of good ol’ thematic and tonal dissonance. Each song is elevated by a performance that matches that song in specific, and the artists can either perform well or fuck up. Again, this becomes a trolley problem, where the juries have to ask themselves: ”Do we value a performance like Joker Out’s above a performance like Luke Black’s?” When both perform well, it’s hard to compare them because they’re playing in two completely different ballparks.
Finally, the overall impression of the act:
Literally what the fuck does that even mean? This is actually just a preference question. Unless someone fucks up tremendously, everyone should be getting points for this. And that’s the core issue here. Because we’re dealing with such a large variety of different artists, different genres, different languages, it becomes impossible to judge them fairly against each other. Do we value belting above growling? Trolley problem. Do we value pop above metal or rock? Trolley problem. You get the point.
”Okay, but obviously the juries are basing their votes upon objectivity and looking at the whole package,” someone might say, and if they do, they’ve missed the point: There is no objectivity here, and because of that, there is no comparing whole packages either. Literally the only way to be objective about this is if everyone has an identical performance; same song, same staging, same camerawork, same choreography. And that’s not the point of the ESC. We’re supposed to be celebrating our individual cultures and our differences. Variety is quite literally required for this contest to work the way it’s intended to. At the end of the day, music is art, and art can be many things. You can’t argue that EAEA is more artistic than Mama ŚČ! (or vice versa) without opening a philosophical can of worms that is way too big for this silly competition. You can’t say Tattoo is objectively better than Cha Cha Cha (or vice versa), because, again, the songs shine in different criteria and are playing in two completely different ballparks. As a matter of fact, their ballparks exist on completely different planets. There are too many variables at play here for anyone to logically be able to be objective. And that’s when this becomes a question of voting based on opinion and personal taste (you know, if the concept of jury darlings hasn’t made this obvious enough). And personal taste is what the audience is supposed to base their votes upon.
Oh, and before I forget to touch upon that, Alessandra: According to some tabloids, her vocals were struggling during the jury show, and that’s why she in specific didn’t receive as many points from the jury as she probably should and could have otherwise. And that’s ridiculously unfair. Why should the jury and the audience base their judgements of an act on two completely different performances? As Käärijä has said in many interviews, each performance is unique and its own entity. Shit happens. Sometimes your vocals are struggling, other times a wire tries to murder you, etcetera. It’s actually bizarre that we don’t give our votes based on the same performance.
So yeah, shitty system, does not work, 0/10. Zéro point in French.
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storiesbyjes2g · 15 days ago
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Fix it
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Hey, guys! It's ME! I'm driving the bus today because there was no way I was going to attempt to make sense of this very sims party! As you can see, Anissa is prepared to TURN UP and is quite proud of what they've done. Let's meet the guests, shall we?
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First up, we got Olivia Kim-Lewis-Talla. Say that five times fast! She is married to Duane Talla of Sulani. They have three children and live in Windenburg (I think). We've met their oldest before. She is Noemi's new friend. Olivia is still a princess and got that man working double time to maintain the lifestyle she's accustom to. Is anyone going to tell her that her parents were actually broke and her daddy worked in Rodney's restaurant? 😅
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Next, we have Aleah Baker. She's practically a saint and adopted an orphan the day after her young adult birthday. At least that is the only logical reason for her having a teenage daughter as a young adult (she's around Nate's age) without ever being pregnant lol. MCCC never told me about that one. Anyway... She raised her on her own until she met her now husband, Waylon. The daughter, Alessandra, is a friend of Noemi's. We also know Aleah's parents since they frequent Rodney's restaurants. They're the people who asked him what they ordered last time lol.
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This is Waylon, Aleah's husband. They live in Glimmerbrook, and for a long time it was the three of them. He's been a great dad to Alessandra and treats her like his own blood. He and Aleah recently decided to expand their family and have two small children together. If you think he looks familiar, you're right! We met him loooooooong time ago when Melany and Anissa were young pups at Britechester. He was the handsome stranger who wanted to play pong with them, and one of the few sims I allowed to be bald lol.
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Finally, Duane Talla, everybody. Very unfashionably late too. He's come a long way from being that nice young man on the island. Frankly, he's a bit too relaxed for my tastes lol. You'll see...
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Olivia brought all that princess energy and had Anissa plotting evil plans in her head. Y'all see that hand? She had to snatch it back lol. Something about the house being quaint. I was just the photographer lol.
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Jorden was looking at Aleah like this all night. Lovestruck says he had an instant attraction. (sigh) Anissa had an instant attraction with Waylon, but I was not surprised lol.
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It was all fun and games until Olivia opened her mouth again. Something about it must suck having to work.
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If you thought she had a problem keeping her thoughts in her head, get a load of this. As soon as Duane arrived, girlfriend tried to steal Anissa's Lin-Z! In front of everyone! Aleah was appalled at her behavior, but Duane did absolutely nothing. Why are all my Dwaynes ultra passive men?? 😂
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Anissa needed a distraction at this point before she actually laid hands on that child. Luckily, Waylon caught her attention. He hit her with the, "Heeey, I know where I know you from." They talked about their time at Britechester, and of course at some point he hit her with the, "Hey, whatever happen to your friend? The famous one." As if you don't know. 😑
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This party needed some life. And they weren't hitting the milestones, so I tried to get them all to grab drinks for an easy win. Instead, they grabbed food instead. Weird. Oh well. At least it got them all at the table to get to know each other. Anissa took pleasure in Olivia's embarrassment.
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Waylon also couldn't believe Olivia tried to steal and was very uncomfortable being around her. Duane still said nothing and acted like he didn't see it.
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Anissa and Jorden were able to grab drinks. When I tell you this man stayed in Aleah's face all night!! I kept telling him not to get in trouble.
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If you're wondering, yes, Anissa noticed. No, she did not appreciate it.
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I couldn't take anymore, so I ended the party lol. You know this situation will come up again sometime in some form, so don't worry lol. We'll get to the bottom of it!
Have a great weekend!
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fanaticsnail · 1 year ago
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I remember you mentioned having a Mihawk playlist, and the way you manage to find songs that perfectly fit the vibes of your fics and enhance the reading experience is one of the things I love about your writing
So I was wondering if you could share some of the songs on your playlist? Or even some songs that you associate with certain characters/tropes/scenarios?
I always love it when you send me asks, @sexc-snail.
I absolutely DO have a Mihawk playlist. I share the playlist construction with another creator on Tumblr who I love, cherish and adore: @sordidmusings. We add to it as we write, recommend songs as they come to us to help with words in works.
I could get into a long, long rant about music so I will add a page break here ❤. Lots of song recs to follow for the OPLA cast so far.
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I am a violinist; have been playing for 25 years this year (I AM GETTING OLD, JEEPERS CREEPERS). Music is a great, passionate love affair for me and I adore learning about songs and pieces new and old. Here are some recommendations for songs and vibes I associate with the characters and the tropes.
I never add lyrics to my fics so the readers can visualize their own favourite melodies where they see fit, but I do have tunes in mind when I write them. The only fic I've really centralised a song about is the "You Should Be Sad" Mihawk fic I wrote a while back and the Koby series I'm writing.
Here are some song recommendations: all songs are Spotify linked. Enjoy a peek into my madness.
For the Characters
Luffy:
Long Way Home: Walk off the Earth, Lindsay Stirling
Following the Sun: SUPER-Hi, NEEKA
La Isla Bonita: Madonna
Zoro
Work Song: Hozier
Promise: Voyager
Cold Shot: Stevie Ray Vaughan
Sanji
Love Story: Indila
Know You Girls: Franz Ferdinand
Family Line: Conan Grey
Nami (She gets four, because she's amazing and I love her)
Runaway: Aurora
My Mother Told Me: NATI, Cullen Vance, Jonny Stewart
Outside: Ellie Golding, Calvin Harris
Queen of the Kings: Alessandra
Usopp
Mechanical Instinct: Aviators
The Higher Ground: Red Hot Chili Peppers
Eastside: Benny Blanco, Halsey, Khalid
Buggy
Be Your Shadow: The Wombats
Gasoline: Halsey
I Wanna Be Your Slave: Maneskin
Shanks:
The One that Got Away: The Civil Wars
Atlantis: Seafret
Barton Hollow: The Civil Wars
Mihawk
Seven Nation Army: Postmodern Jukebox
My Heart With You: The Rescues
The Snake: Lana Lubany
Koby (He also gets four, because he deserves only good things, and because Morgan Davies is Aussie like me)
Grieve No More: Patty Gurdy
Siuil A Run: Ella Roberts
Mad World: Jasmine Thompson
Again: Flyleaf
Helmeppo
Fighter: Christina Aguilera
Torn: Natalie Imbruglia
Elastic Heart: Sia
Garp
Sharp Dressed Man: ZZ Top
Under a Violet Moon: Blackmores Night
Billie Jean: The Civil Wars
For the Tropes
Unrequitted Love (My all time favourite thing)
Wrecking Ball: Beth
Can't Help Falling in Love: Tommee Profitt, Brooke
I Found: Amber Run
Comptine d'un autre ete l'apres-midi: Yann Tierson
Derniere Danse: Indila
Only in my Mind: Kenya Grace
Over and Over: Three Days Grace
Broken Pieces: Apocalyptica Lacey
Too Close: Alex Clare
Stupid Heart: Sorana
Enemies to Lovers
FMLYHM: Sether
Closer: NIN
Hella Good: No Doubt
Play With Fire: Sam Tinnesz, Yacht Money
Why'd You Only Ever Call Me When You're High: Arctic Monkeys
For when they give into their feelings:
Surrender: Natalie Taylor
As the World Caves In: Sarah Cothran
Freeze You Out: Marina Kaye
Say Yes To Heaven: Lana Del Rey
For when they give up but feelings are still there
Lose you to love me: Selena Gomez
Liar: Camilla Cabello
Darkside: Alan Walker
Say My Name: David Guetta, Bebe Rexha, J Balvin
Only Love Can Hurt Like This: Paloma Faith
I See Red: Everybody Loves an Outlaw
If you made it this far, thank you. This was a labour of love. Happy listening ❤
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sleep-y-avi · 6 months ago
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Kai and isabella's
~Bachelorette party
(Isabella's Bachelorette)
Isabella and the girls decided on Hawaii for the Bachelorette party (yay)
Viviana leaving Josie with Luca and Leaf much to Dantes discontentment...he wanted to take her (both) with him :(
Dominic (reluctantly) letting Alessandra go with the girls during her pregnancy
(after reassuring him a thousand times + Isabella swearing on her life to not go feral on the trip)
Isabella threatening telling Sloane that she will throw her phone off the jet if she checked it one more time
Them actually having a well deserved rest and enjoying their time in hawai
Going to beaches , sunbathing, binge watching cheesy Hawaiian romcoms (Sloane insisted) , renting yachts (and a cruise later as Isabella insisted)
Playing drinking games ( Alè drank mocktails) dirty games (ifykyk) male strippers (this idea was shot down before it could leave the owners mouth)
and ofc reviewing isabella's ever famous dildos and other weird sex toys that only she could have.
All in all isabella's Bachelorette was a weirdly successfully therapeutic vacation for the girls
(meanwhile Kai's Bachelorette)
Ok..right of the bat ,me and you both know that ain't no one wanna be here
they're all Billionaires with a capital B and have things to do that are better than this crap (as said by some of the men)
But..they also have wives/girlfriend/fiance
That means if Isabella and friends are having a bachelorette party
then Kai and friends (?) will also have to have a bachelorette party
Kai very depressingly enthusiastically decided on London for the Bachelorette party.....yay...so.. innovative...
So now here they are sitting in one of the most luxurious penthouse in London doing..... nothing... :D
(they are doing something but it's boring as fuck)
Dominic drowning himself in work ! Who would have thought that !
(also him Calling alè hundred times to check on her but her not being able to because of the " don't pickup calls from husband for one week")
(him looking at the ultrasound and literally counting down to when Alè and their baby will come back)
Dante on a 4 hour video call with Josephine seeing her draw... something that is so out of the box ! that he had to brainstorm for 2 hours on what exactly was it that his daughter was drawing with green and red!!
(he also tried calling Vivian but she had to also follow the "don't take calls from husband for one goddamn week" rule)
Kai trying to translate that one book that Isabella said he couldn't translate in Latin ever. ( It was Kamasutra ರ⁠_⁠ರ )
(giving up after the 1st chapter because he wanted to bleach his eyes ")
(not him also calling Isabella who blocked him btw (bcs she set the rules duh it was girls vacation dum bish)
And finally Xavier (who was forced into this trip because Sloane thought that he needed to hang around "decent" people once in a while )
(Also he missed her too much to stay in the same house without her...London was a great distraction....maybe 😃)
Xavier doing sad single things that people do nowadays....
I can see him going "what do un-single people do nowadays ?!.... Other than responsibly being in a relationship ?!"
Not him giving up and just binge watching cheesy romcoms...feeling single again....sad golden retriever :(
Being the sly fox he is he decided to text Sloane..which she texted him back to....it continued for a while until Isabella found out.....need less to say Sloane now has a new phone and number 😀...
DONE.
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savagewildnerness · 6 days ago
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Part IV
The Children of Darkness
Notes are a bit random on this and not well formulated, but in case anyone is interested… book version for page references is new UK Sphere publishing.
POTENTIAL EPISODE TITLES
The Devil’s Road
Symphony of Malice
Notes:
Lestat’s fighting spirit: how have we seen this manifest of the TV show so far?  How will we see it manifest in the future?
What is the connection between Lestat refusing to surrender and him always enduring?
Even in terror: Nicki prisoner and he and Gabrielle in danger, Lestat is still the *doer* - a being of action, who, at odds with his impulsive stereotype is immediately attempting to form some kind of plan.
Nicolas’ presence is often described as some form of “shimmer” – as if his mind is unreachable.
Lestat also describes himself “staring coldly” at Nicki – disassociating in order to be able to cope with the situation?
Lestat talks of his instincts here numerous times – he is drawn to Armand – to his beauty, his power and his allure, but his instinct tells him over and over again how dangerous Armand is and basically Lestat’s instinct says RUN.  Where is this instinct from?  Is it the instinct of The Hunter and Lestat knows the danger of Armand in the exact same way he knows the danger of The Wolves when in front of them?
“the astonishing innocence of his boyish face” (p216) how Assad is this description of Armand?
“as if the devil still retained the face and form of the angel after the fall” is so Memnoch coded!
Lestat is a very new vampire here and even as a mortal he was young!  Yet he is so brave.
Magnus, Allessandra and Armand are not a dissimilar age?  1400’s-ish?
The old queen (Alessandra) talks about dreaming of the mortal world above and its music and so on from her stone pillow in just the same way Lestat describes himself doing in modern day at the start of the book.
P221 “Nicolas looked like an animated corpse.” And I think, in many respects, already he is, sadly sadly sadly.  I love the description of him as “A child thrown among porcelain dolls.”
“The power of Satan will blast you into hell.”  “You keep saying that! And it keeps not happening as we can all see!”  Surely this will be on TV!
“Will any of them allow me to take Nicki alive from this place?” Yes as a reader you already feel how doomed Nicolas is by now.  How can Lestat not feel it too?
Anne loves the word “MALICE” and uses it a lot in this part (in relation to Nicki and to Armand)
P226 he Devil’s fiddler whom you worship from afar every night” – how much of Lestat’s thoughts has Armand actually eavesdropped upon?
I can imagine TV Armand saying “You, for whom the working of the dark trick is an act of shameless greed.  You gave it to the very womb that bore you!”
“that our immortal faces should be such masks for our true souls” I found interesting, as you’d often say a human’s face reflects their soul.  But of course a vampire’s face does not change with time.
P227 – Armand’s quote “Tell me why!” surely will be on the show?
“He knows no limit and so he has no limit” is essentially “Only the impossible can do the impossible”!
Is Lestat’s rage (p227) transference (he feels Armand’s rage) or his own range towards Armand and about Nicolas?
“Ah sad lost child, roaming catacombs beneath a great city and an incomprehensible century.” – Does this description reflect show-Armand’s nature/essence?
I REALLY HOPE Lestat says “I never lie.  At least not to those I don’t love.”
“I am that new evil.  I am the vampire for these times” will surely be on TV?
Nicolas, no matter how on the verge of death he seems is listening to every word when they’re in this place, as he later brings up “The canker In the heart of the rose” that Lestat calls himself.  So what does Nicolas make of it all, listening as a human who has just been tortured by these beasts… who thinks Lestat didn’t love him enough to turn him.  And who knows what the vampires said to Nicki.  They can see his thoughts, so beyond the physical torture, the power they will have had in his mind to potentially reinforce and solidify all of Nicolas’ deepest fears…  Nicki moans at the canker in the heart phrase.
“There is no romance in what you are.  There is great romance in what I am.” I feel this is deeply the essence of Lestat, to be remembered in all he does.  Lestat despises lack of Romance!
“She receded from me as if she were an image in a sailor’s glass.” What a gorgeous metaphor!
Magnus appears to have brought death to MANY mortals quite fine!  So what exactly is Alessandra saying here? I do think Lestat hasn’t fully understood her when he talks of loving mortals already and maybe he is in part horrified by the implications of immortality?  I also wonder what Nicolas, the only human listening here makes of Alessandra’s summation of immortality?
P233 Lestat asks if Magnus loved mortals the way boys love butterflies as they rip of their wings – it’s a thing Armand is often accused of by others.
Orpheus allegory re-Lestat and Nicki p234
P234 The way Lestat describes Nicolas’ experience of being locked up so closely to his own… and Lestat will now do unto Nicki as was done unto him by Magnus.  This is A Lot for them both… because Nicki has fully seen what these beasts are from the way they tortured him… and Lestat is now both beast, lover and lover who (Nicki thinks) didn’t love him enough…?
P235 “Do not do this thing” is italicised.  Lestat cannot hear Gabrielle’s thoughts.  So does she even say this, or does Lestat just imagine it or know she would say it?
I love the mix of love and death and desire in Nicolas’ turning.  It’s a weird combination of the most carnal of all the turnings and yet the only emotion aside from this pure satiation of lust and need is the entire existential dread of existence itself!  That interspersed with such human memory of love and human experiences that are lost forever now, for them both.  Lestat is clearly aroused by turning Nicolas and he seems to kind of shut off his reason/human love and let his desire take over?  It’s a strange mix of desire (what Lestat always wanted), domination (the power Lestat has over Nicki – reflecting somehow that his class meant he always had some kind of power over Nicki) and what Lestat knows himself is a disaster I think even as he does it.
What a quote – “philosophy straining to contain the ghastly images, the torture, to surround it with language…”
Nicki raves about The Witches place on p236 just as Lestat did when he had just been turned on p97
It’s interesting how Lestat acknowledges here that Nicolas cannot truly know what he is asking for in pleading for The Dark Gift and acknowledges how awful it is the power he has over Nicolas.  It’s one of the things I love about this book in particular – no matter what Lestat does, his internal moral compass is incredibly self-aware and correct.
P238 & p266 – Lestat tells Nicki he has misunderstood everything here and Nicolas says very similar in their last argument on p266
For anyone thinking Nicki only hated Lestat by this time – p 239 “Unspoken words coming from him of love.”  Nicolas loves Lestat even now, no matter what he’ll later say.  Lestat sees it in his mind while Nicki is here still mortal.
I feel as though Nickistat represents to Lestat for eternity that tantalizing prospect of what a mortal life might have been.  Lestat was only on the cusp of manhood when he was turned.  What might it have been to be two artists, in love – growing old together, loving and dying.  Well, it would have been awful Lestat – but because you can never access it, it remains eternally an ideal and unreachable vision – that glimmer of a possible mortal life and love with Nicolas.  The last vestige of the idea ever having any reality to it dies along with Nicolas in this section.  Perhaps while Nicki is still human, Lestat is still connected to his own humanity in a way that once Nicki is turned Lestat isn’t ever again, as there is nobody who loved him as his human self who is also still human left alive…?
In Nicolas’ turning, Lestat slits his own throat rather than his wrist to make Nicki a vampire – it is carnal, sexual and indicative of death as well.  On TV there could be some visual parallel possibly between how Lestat creates Nicki and how Louis killed Lestat?
The slant of the colourless landscape in Nicolas’ mind reminded me of the slant of the floor in S2E5
P243 To see Nicki change had been to see him die.  Why do we usually see most humans cope fine with turning and their transition into a vampire in the books?  If it really is so random as Armand says…?  That said, Nicolas was utterly broken before he was turned, so!
P258 – Nicolas keeps his and Lestat’s dressing room as a shrine to Lestat – even a half-drunk bottle of wine left untouched.  If that does not speak of the depth of his love for Lestat and of his pain at his loss, what does?
Lestat finds Nicki’s violin not where he lives, but at Renauds.  Nicolas left Renauds never to return after Lestat’s on-stage breakdown where he saw Lestat shot but not die.  Not only had Nicki given up studying violin – he never played the violin again after that day, until he became a vampire.  Imagine what his experience must have been.  Friendless as all the actors from Renaud’s have gone abroad.  Not even a violin for solace.  Thinking he is unloved.  Nicolas must have felt his own descent into death.
Lestat worries whether vampire Nicki feels anything at all anymore p256
What does Nicki feel about playing The Devil’s instrument?  Especially when he has not played it for so long…
What does it mean that Anne introduced characters as villains (e.g. Armand, but Lestat too) then she and we grow to love them….
P260 quote – why exactly can’t Lestat stand Nicki’s music now seeing as he describes it still as very expressive.  How does it feel to Nicolas that he now has all of the technical and emotional skill he always wished for on the violin and can do with it as he will, and Lestat just calls it ‘petty’ – another punch to the heart to tell him Lestat never loved him? 
Lestat and Nicki loved each other as humans and despise each other as vampires as much.
Lestat compares Nicki to his whinnying and dying mare numerous times – poignant allegory
The sorrow that Lestat and Nicolas’ last fight is in Renauds – a place they were truly happy
Sam is gonna act his socks off in expressing the meaning behind the loss of Renuads and the perversion of it into something vampiric, when it was Lestat’s whole world of artistic expression as a mortal and an emblem too of his and Nicki’s love and start of life.
The Witching Hour again on p247!  Anne uses it so often!
Armand consuming Nicki’s abode, like an insect-demon and he instantly lets Lestat know he knows about Nicki being made (nonverbally)
I love the juxtaposition of opposites in Armand - Devil versus innocence etc… and for Lestat - danger versus allure
When Armand attacks Lestat with the way nobody has ever cared to teach him anything (p250) it is The Cruelest.  That he steals this from Lestat’s mind is even crueller… and I love it.  Please make the TV show…!
As a lover of sunrises and sunsets, may I say, I love how Anne describes skies!
Armand trying to get Lestat to kill Gabrielle and Nicki is utterly horrific.  I hope that’s on TV!
The way Lestat says “Exactly!” When Gabrielle is saying they need to get Armand’s knowledge even though she cares less about it than the meaning of leaves and stars etc. even though Lestat absolutely doesn’t mean exactly, as Gabrielle’s pondering are alien to his own humanistic mindscape!
Nicolas’ shrine to Lestat in Renaud’s.  HE LOVED LESTAT.  I will say it over and over!  (This is not saying they were meant for each other.  I LOVE TOO that Nicki is DEAD!)
I love how Anne even makes the traditional comedy and tragedy theatre emblem into a poetically poignant image
Even though Lestat and Nicki despise each other’s vampire-selves, there’s such sensuality still between them.  When Lestat gives Nicolas his violin, Nicki leans his head against Lestat.  When Nicki says “The Devil’s Instrument”, he looks into Lestat’s eyes for the fist time, and he’s trembling.  This is the first time he has played violin since Lestat’s theatre breakdown!
The music Nicolas plays, Lestat tells Nicki it is petty.  However, he describes this too as sensual and full of emotion.  The violin tells a tale.  The emotion bends and twists Nicki.  It is a lamentation and it seems to perfectly express Nicolas’ inner world.  Why does Lestat call it petty?  Because Nicolas can mock humanity with his music now?  It certainly isn’t because it lacks emotion.  I think Lestat fears how inhuman he is as a vampire, and he hears confirmation of it in Nicki’s music now.  But that doesn’t mean Nicolas’ art is bad or petty or lesser.  Of course, Nicki’s art is *more* now in most respects as now he is technically perfect.  I’m reminded of how this week I told someone (who was asking technical aspect of piano playing of me and I am NOT technical on piano!!!) That violin is my first instrument and their response was - “Like Paganini! Like Stephan Grappellli!”  And like… No…. Not like genius violinists!  Like a rubbish violinist!  Obviously, I know them… but it is odd to me that you namecheck them to me.  Because.  NO.  NOT like them!  Anyway, I digress….
To Nicolas, Lestat calling his vampire-art petty must feel horrendous - like a physical slap.  He envied the ease of Lestat’s success as a mortal, but never begrudged him it.  Now, Nicolas has all the technical skill he desired and Lestat calls his creativity PETTY.  What an insult & a DISMISSAL!  Cruel as Nicki’s words are to Lestat.   (I really wanted to read from Nicki’s perspective this time.  We are literally in Lestat’s mind this entire book, but he is not the only being who feels pain.)
P264 versus p230 - Nicki remembers Lestat’s “canker in the heart of a rose” comment from when he was mortal, near death, tortured by Armand and his coven.  He remembers all these beasts said to each other that night.  What a horrific true first introduction to what happened to Lestat - these monsters torture him, drink his blood, tell him goodness knows what horrendous things about Satan and how evil and Satanic Lestat is… Then Lestat is one of them….
All Lestat wanted as a mortal was to be good and to carve a grove in The Savage Garden.  But now, he uses that as an insult to Nicki.
And I’ve said it many times, but I do not believe Nicki went to Paris, hoping for he and Lestat to fail.  I believe there is truth in it, in the nihilistic way we can all believe “Wouldn’t it be funny if there was an apocalypse in 5 minutes and we were all DEAD.” (Just me?  Well, ME, anyway..) and we all have these dark thoughts… I definitely believe these were thoughts Nicolas had.  But I do not believe he desired it… at least not for Lestat.  I think of it more as a depressive thing - if it fails - YAY, I always knew it would.  And he DID love Lestat.  And he did need his light.  But now he doesn’t.  Now he is A Dark Thing: the summation of his worst fears he no longer needs Lestat and what’s more I think it’s why Lestat cannot stand him - he is now the embodiment of what Lestat fears *he* might be as a vampire: an entirely inhuman creature.  But Lestat is never that.  However, Lestat created vampire-Nicki and the inhuman thing he is.
“It’s all a misunderstanding, my love” Nicki says to Lestat on p266 in their final argument.  Almost exactly what Lestat says to Nicki p238 “You have misunderstood everything” before Nicki is turned.  The sorrow in this echo/twist/reiteration.
I am not sure about it, but I wonder whether part of why Nicki is SO cruel to Lestat at the end is as he NEEDS Lestat to leave him and he knows that no matter how Lestat despises him, he won’t abandon him.  Yet, Nicki probably knows DEATH awaits him not too far away now.  And he likely knows, were Lestat to stay, he could drag Lestat to his death as well.  So, maybe he is freeing Lestat, in a way?
But although Lestat and Nicolas despise each other, they love each other too.  The opposite of love is indifference.
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captaingrebelguf · 1 month ago
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I Can Do Better
Ciao, ciao, ciao. Life is too short; so I've brought another drabble to the two (maybe three or four?) party fan club that I am still dragging my sweet, patient @copiousloverofcopia along with me. Sorry, girl. lol <3
Once again dicking around in the magical AU that came from the mind of the ever lovely: @copiousloverofcopia.
Mrs. Prime Mover Sister Alessandra borrowed from Prime Mover Ren and her series, Tied as One Eternally. Please read. It's life changing. And Ren is the best. Anything you click on written by her will instantly make your day better and leave you beyond flustered. Ayyyoooo!
Be well, be good to each other, and happy Thursday, my dudes.
-----------
Okay. So, this takes place a way a way back...
Terzo handed his radiant, exhausted, (and kind of sweaty) Prime Mover a plastic cup full of ice chips. 
Alessandra stared dumbfoundedly at her husband as if he had three heads; hesitating to take the ice, “Terz… I said--”
“I have Omega and Alpha headed out to go get the shawarma order, it's not something the kitchen could handle,” Terzo cut her off, scrunching his nose at her and placing the cup at her bedside, “Paziente, Mama.”
Alé groaned, letting her head fall back against the mountain of pillows fluffed up behind her, “I’m not going to make it."  
Terzo smiled brightly as he brought his lips to give her a chaste kiss on her forehead, “Soon, cara, soon. You’re strong as hell, Alessandra; this is a cakewalk.”
“You have no idea,” Alessandra sighed in agreement before a yawn slipped out; she looked down at the hour-old infant bundled in her arms. Dante Alessandro Emeritus, their second child, their first son; already had his parents wrapped around all his ten fingers. His button nose was the spitting imitation of Mena’s as a baby. His tufts of soft, ebony-hued hair were already a mess. Dante had Terzo’s full lips and matching eye colors. Alessandra couldn’t see much of herself in their newest addition, but she knew their son was going to be one handsome bastard. Just like his Papa.
“I’m starving,” Alé pouted, stretching her achy back as she gave her husband pouty eyes. Terzo gave her an apologetic smile, biting his tongue before he let himself foolishly mention something else she could put in her mouth.
“Don’t,” Alé warned sternly; knowing exactly where his train of thought was going, “I am in no mood for your jokes.”
“I wasn’t!” Terzo lied, laughing as he stroked his wife’s untamed curls. Alé scoffed, rightfully not believing him. 
“You really are amazing, cara,” Terzo murmured, taking in his strong-willed Prime Mover holding their child at her breast. He lowered his gaze to their son, ‘Satanas, did they make great looking kids.’
Alé smiled tiredly from her cot in the ministry’s infirmary, proudly taking the compliment. Once they had made it from Dante’s impromptu birth suite in the hallway, the nursing staff quickly threw together a temporary private room for the family. Alessandra and Dante had both been fully checked out and given the ‘all clear’ by the physician. Terzo silently watched everything from Alé’s side, slightly shell-shocked as the adrenaline died down.
“He’s pretty handsome, huh?” she whispered still in a happy dopamine-filled daze; her heart couldn’t feel more full looking between a father and his son, “I wonder if you looked like this when you were born..”
Terzo smiled sadly; he couldn't help but instantly think of his own childhood, his own mother. He turned his head away from Alé. She continued to coo over their son, laughing to herself, “Just imagine: now you get to be tormented the same way you punished Primo all those years. What goes around, comes around, Terz.”
Terzo didn’t reply, the fears he’d been suppressing over the last nine months all hit him at once. The memories of his miserable childhood seeped back in as he tried to focus on anything else in the room. Traumatically losing his own mother. Being shipped across the country from one sect to another, before finally arriving at the ministry as a young child. And then immediately being tossed aside by Nihil; already having been inconvenienced enough to have a third unwanted child dropped on his doorstep. Terzo never forgot that dejected, hollow feeling from the man who was supposed to care and love for him.
Terzo held out for longer than he would ever admit waiting for Nihil to see him as his son; waiting for him to be proud. Terzo remembered all the times he had been caught in the middle of Nihil's drunken rage; being screamed at and having items thrown at him. He remembered the silent car rides growing up where Nihil couldn't even pretend to be interested in his own sons' lives. Or Nihil disappearing for months on end on drug benders. The cigarette ashes being flicked at him if he ever said the wrong thing at the wrong time. The public monologues of what a disappointment Terzo was to him.
Terzo looked up at the ceiling and turned his body away from his partner and child, pleading with himself to think of anything else. But the ‘what ifs’ kept circling back. What if this was his future? What if he ended following his own disappointing father’s footsteps and let his own kids down? What if he ended up being a failure?
“Terz?” Alé asked, looking away from the infant only to be met with her husband's back side; realizing he had gotten strangely quiet. He had his arms folded snugly at his chest and stood as straight as an arrow. She saw his shoulders sag down as he took a ragged, calming breath.
“Terzo, what is going on?” Alé pressed again, more worry evident in her voice, “What’s wrong?”
He slowly turned around, avoiding eye contact, mustering up a smile for her sake. Alé could see the misty look in his eyes and held her hand out to her partner, “Terzo, what’s wrong?”
He sniffled and let out a short laugh, he took his wife’s hand, giving it three squeezes, “I’m sorry, cara mia. Everything seems to have caught up to me all at once. I'm just emotional.”
Alé rubbed her thumb over his knuckles soothingly, smiling softly, “I knew you couldn’t be that calm, cool, and collected.”
Terzo chuckled, waving her off, trying to shrug off the conversation, “Sadly: no. Fake it until you make it. I’ll be fine, amore. Promise."
“Well, that's a lie. If you don’t talk to me right now, I swear to Lucifer you will never see me naked again,” Alessandra warned, trying to get her husband to crack. She raised an eyebrow at him as she waited for his response.
Terzo laughed as he dropped himself down into the folding chair the staff had pulled out for him next to Alé’s cot, “Eh. You got me. It’s just been a lot--”
Dante interrupted their conversation with a few snuffles and coos sounding like it might lead into a good cry. Alessandra smiled down at her first son; she gently clutched him closer to her chest, swaying him. She couldn’t believe he was finally here, still thanking Lucifer all went well. Terzo looked away from the infant, choosing instead to stare into the space in front of him as he debated about how to go about this conversation.
Alessandra interrupted his thoughts, “I just realized: Terzo, I’ve been hogging the baby, why don’t you hold him?”
“No, no, cara,” Terzo woke out of his trance and shook his head, trying to lighten the mood, “You’ve earned this, you did all the hard work. You keep the fresh baby.”
Alé rolled her eyes at him, scoffing as she started to move the infant from her chest, trying to swiftly pass him off to Terzo before little Dante started to stir again, “No one likes a martyr, Papa." 
Terzo’s arms remained firmly crossed and unmoving over his chest, “Alé…”
“Why don’t you want to hold your son?” Alé sternly questioned, before slightly grinning and teasing him, “Don't pull a Nihil." 
Terzo pursed his lips, feeling the knot in his throat forming again. Alé immediately regretted her words, knowing she had struck a nerve. She moved Dante back into one arm and with her free hand she reached to rub her husband’s arm, “I'm sorry. That wasn't funny. I didn't mean it like that…" 
“Alessandra,” he finally sputtered, speaking a mile a minute, “I’m so scared this will be different and I won’t have the same bond I have with Mena. What if Dante is like me and he’s a stronzetto? What if I yell at him? What if he hates me? What if I don't have the patience for him? I… I can’t be like Nihil.”
“You’re not!” Alé exclaimed, grasping his hand, giving it a gentle, but firm shake, “You are nothing like him. You are an incredible father, Terzo. I don’t know how many more people you need to hear this from. You are the best father I could ask for for our children. You’re a little… much at times, but you are everything Mena and Dante deserve from a dad. You are nothing like him in the ways where it matters. Why didn’t you bring this up earlier? You promised me no more secrets, Terz. We're in this together." 
Terzo tipped forward and buried his head in his hands, “I don’t have a good excuse. I know you’ve been struggling and worried about having two kids and I refused to add more undue stress to your plate. And… I waited too long to bring this up…”
She reached out and rubbed circles on his back, “My sweet idiot. You are nothing like Nihil. The fact that you’re even having these thoughts is asinine.” 
Terzo didn’t reply at first. He began to open his mouth and then it felt like there was an elephant’s foot on his chest crushing all the air out, “What if I do treat Dante like how Nihil treated me and Primo and Secondo?”
“Again: you won’t,” Alé replied, completely dismissing the idea, “You’re better than that, Terz. After everything he put you through, you know what to do and what not to do. Look at Mena. I think we’re doing a pretty damn good job with her! A little spoiled, no thanks to you, but I think we’re doing well.”
Terzo smiled up at his wife, sniffling as he carefully dabbed at the black smudging around his eyes, “Time will tell… But I can’t stop thinking about it. Every night before bed. Every morning I wake. When there’s a quiet moment in my office. Every time I'm tucking Mena into bed. What if I become my father?”
“Terzo,” Alessandra scolded, “You will never become Nihil, you care too much. You're a good man. Now stop being a fool and hold your son.”
Terzo sat up and shook his head, “I’m not ready. Not yet.”
Alé disappointedly sat back, holding the newborn baby tightly to her, “I didn’t realize you were this upset about it, Terzo.”
“Eh, the paperwork, the Papa duties shit, chasing Mena around, and courting you all day are pretty good distractions. As I said: I know you had enough to worry about already,” Terzo admitted to his partner. He looked over at his son as his thoughts began to swarm his mind again.
‘I have a son’ kept reverberating in his brain. He couldn’t believe it, after nine long months, he was finally here. And Terzo was able to be there for Alé the entire pregnancy this time around. He was there for all the milestones: every ultrasound, the first hiccups, the first movements, being there to massage out any and every cramp she had, playing him music (Meliora being the first album once they were convinced the unborn child could hear), the midnight cravings, being there to help Alé with her birth plan (a sad waste of time looking back on it now), and especially feeling his son respond and move when he sang to him. Terzo loved every second of it. Their son was worth it all. Dante wriggled against his mother, making tiny huffing noises; unable to fathom how loved he was already.
“I can't believe he's already here,” Terzo murmured, trying to change the subject, he was hypnotized by the small creature, “I’m sorry for dumping this on you… it should be a happy time... and-- I'm sorry, amata.”
Alé smirked, still watching their son with his Emeritus-colored eyes, sleepily looking up at her, “You’ll learn this soon, Dante. Your Papa makes bad choices; just really, really poor choices and he’s a damned fool. I think he's just scared of you overthrowing him. But believe me, he will grow on you after a while.”
Terzo scoffed as he briefly stood from his seat to kiss Alé’s flushed forehead, “You’re something else, dolce.”
“You’re something special, too. You're a good man. You're a great father. Stop doubting yourself; there's a reason I keep you around and let you knock me up," Alessandra teased, trying to lighten the mood, “I think being retired has made you soft. What happened to the arrogant, self-righteous Papa with an ego so large, it could barely fit through the door.”
Terzo stuck his tongue in his cheek and folded his hands behind his head, laid back as much as he could in the plastic seat, “I’ll show you large.”
“There he is,” Alé giggled, shaking her head. She stroked Dante’s cheek, softening her voice, “These kids have no idea how lucky they are to have a role model as compassionate, empathetic, supportive, and courageous as you.”
“Ah, tesoro, you’re making me blush,” Terzo fanned his face, finding himself unable to pull away from her loving gaze, “Thank you for the pep talk.”
“I mean, do you think Nihil was even present for any of your guys being born? Let alone delivering a baby! You’ve already surpassed him in “dad-ing”. None of this would have been possible without you, again, Dr. Papa Emeritus the Third,” Ale cackled, tossing her head back, gently rousing Dante again.
“Okay, circling back to that,” Terzo began ramping up for his spiel with wide eyes, already waving his arms wildly, “We’re choosing a date for you to be induced next time. Because I’m not doing this any more!”
“Oh, I’m so sorry the problem you helped create is inconvenient for you!” Alessandra mocked, still laughing to herself. 
“It’s not the birth, it's the fact that you keep having me on the receiving end. You know my track record, Alessandra! I’m going to drop the next one!”
“In the name of Lucifer,” Alé groaned quietly as her laughter ceased, wiping at her eyes, “There is not going to be a ‘next one’.”
Terzo’s well-prepared, crude response was interrupted by a soft knock at the door, “We will follow up on this later.”
"There is nothing to discuss!" Alé scoffed as Terzo sarcastically nodded in agreement as he stood.
Once he reached the entryway, he opened the door to see his two older brothers, and there excitedly hanging onto Zio Secondo was Terzo’s perfect daughter.
“Tesoro! Complimenti, Mena! You’re a big sister!” Terzo cried out, holding out his arms to his daughter; both just as equally excited to see each other. Mena almost threw herself out of Secondo’s hold as she eagerly stretched out her arms to her father.
Secondo handed his niece off into her father’s embrace, “We heard congratulations are in order, eh?”
“She did it again, Alé was an absolute macchina. A whole even 8lbs and a whopping 20.6 inches. Maybe the generational stature curse will skip him!” Terzo teased as he shook his ‘older’ brother's hands while balancing Mena on his hip.
Secondo peered past the dim glow of the room, studying his brother’s face. He looked down on him, momentarily lowering his sunglasses, “Perché stai piangendo?” 
Terzo waved him off as he continued to rock his daughter before changing the subject, “I assume you’ve heard where he made his entry?”
“We are aware. Sister Imperator is already there assessing the damage. She’s furious, Terzo. If only you could hear the screeches coming out of her mouth. She’s already roped in as many of the nosy ghouls and siblings loitering around to help facilitate clean-up,” Secondo chuckled, already so proud of his nephew and his excellent choice in timing; already sticking it to Sister. He carefully extracted a wrapped Cuban cigar from the pocket of his onyx suit and handed it to Terzo, “Congratulazioni, fratello.”
“Lo apprezzo molto. Grazie, fratello,” Terzo replied, touched by the gesture before tucking it safely into his breast pocket. Secondo gave him a brotherly pat on the shoulder as he stepped aside for Primo.
“We didn’t want to intrude, but our nipote had been asking nonstop about you two; she is aware her brother has arrived. She’s been insistent on finding her Mama and Papa,” Primo explained from the doorway.
“Thank you for babysitting her, ti devo,” the new father expressed his gratitude as Primo enveloped both him and his daughter into a bear hug. The lingering smell of warm sun beamed off Primo’s button-up shirt, he must have been out gardening when he heard the news. The familiar, comforting aroma lifting a weight off his soul. 
“Non c'è di che,” Primo replied softly as he stepped back from the embrace, “Well, we’ve done our parts. We will let you four have your family time, please let us know if you need anything else. We’re here for you.”
“Nonsense!” Terzo insisted, “You are family, too. Let me check with the mama.”
“Only if it’s not intruding,” Secondo reminded him, before shuffling his hands together, “But… we are excited to meet our nephew.”
“You should be, he’s a looker. He’s going to be something special, just like his big sister,” Terzo beamed at his daughter, receiving a shy giggle in return. He held up a finger as he and Mena headed behind the privacy curtain to see Alé and Dante,  “Aspetta un po’!”
“Mama!” Mena squealed as soon as she laid eyes on her mother in the bed; noting something bundled and stirring in her arms. She began to try and wiggle herself free from Terzo’s hold to run to Alé’s bedside. Terzo clung onto the toddler and fought her tiny iron fists squeezing out of his arms. They had wanted the meeting of the siblings to be a little more controlled and calm. Terzo was insistent on this. From all the books he had devoured over the past nine months, trying to fully prepare himself this time around, he had some idea what he was doing; surprising even himself.
“Oh, my Mena!” Alé’s eyes began to mist up at the sight of her first born, remembering bringing Mena home for the first time years before, “I’m so happy to see you, I’ve missed you, baby.”
“Missed you, too, Mama,” Mena dittoed. She whined against her father, trying to bend herself backwards out of his arms.
“Mena, aspetta, per favore,” Terzo struggled out, beginning to lose hold over his incredibly strong child, “Alé, amore, are you willing to see ai ragazzi? You don’t have to if you’re not up to it.”
“Of course!” Alessandra warmly welcomed the visitation as she sat herself up and pulled her robe back over her chest and shoulders, regaining a little modesty before receiving her brothers-in-law.
Terzo winked at her as he obviously captured one more mental image of her exposed breasts. Alessandra scoffed in disgust at her partner and rolled her eyes, patting down her hair as he turned away to gather their guests.
“Alright, gentlemen,” Terzo excitedly began, waving them into the nurse’s room, “Let’s go say hello!”
The group headed past the curtain to be met with the glowing vision of Prime Mover Alessandra and her newborn son. The exhaustion was still evident on her beautiful face as she happily greeted her guests. She shifted Dante in her arms to allow the older Emerituses a quick peek. Primo and Secondo cooed afar at the newborn as they seated themselves in the other pair of fold out chairs; letting Mena and her new brother have their moment.
Terzo mentally prepared himself, asking his daughter, “Tesoro, are you ready to meet your fratellino?”
“Yes!” Mena whispered excitedly, desperate to get into her mother’s arms.
Terzo and Mena approached Alé and Dante in the bed as Mena began to take in the view of her new sibling. 
“Hi, baby,” Alessandra cooed to her first born. Terzo leaned in to allow Mena to give her a kiss. Alessandra couldn’t believe it seeing her children before her; they had two kids now. Two. She couldn’t comprehend how she had agreed to this again. But she took faith in her husband’s reaffirming words: they’d figure it out and they’d be fine, “Mena, this is your brother, this is Dante.”
The four sat in a brief silence allowing Mena to adjust and take everything in. Terzo hugged Mena a little tighter, drawing her attention to her father, "What do you think, tesoro?”
“He’s hairy,” Mena stared at the newborn intently, taking in all his features.
“He… he is a little hairy… isn’t he?” Terzo hesitantly agreed with his oldest, the books did not prepare him for this scenario, “You too had a lot of hair when you were born, stellina.”
“I remember,” Mena nodded stoically. Terzo and Alé glanced at each other and shared a skeptical, but confused look.
“Eh, right,” Terzo broke the silence, “Do you want to say hello to him, Mena?”
“Ok,” the eldest Emeritus heir nodded slowly; still a little skeptical of the new human nestled in her mother’s arms.
Terzo lowered their daughter onto the bed next to Alé and Dante. Terzo fluffed up a pillow behind her to give her a little extra support. Mena burrowed against her mother, clinging to her arm, but still kept a curious eye on her newborn brother.
“He isn’t scary, I promise,” Alé empathetically whispered to her daughter, “You can get closer to look at him.”
Mena sat up, her small hands still firmly planted on her mother’s arm for security. She peered down at Dante’s face. Alé shifted her arms to move Dante closer to his sibling, he lightly stirred before silently yawning; his eyes still adjusting to his new environment.
“Hi, Dante,” Mena tilted her head, giving her new sibling an unsure, but welcoming smile. Mena cautiously reached a hand out to touch the blanket he was wrapped up in, seeming to relax a little more against her mom. Her little brother tried to focus on her face as she looked down on him. She squinted, inspecting the newborn before whispering for just Alé to hear, “He has my eyes.”
“He does, doesn’t he?” Ale laughed quietly at the innocent revelation, stroking her daughter’s curls, “Don’t you think he looks like Daddy?”
Mena glanced back to observe her father before turning back to her brother, shrugging, “I guess.”
“What do you think, my love? How does it feel to have a little brother so far?” Alé smiled, pressing her lips to her daughter’s crown.
" He's okay…” Mena agreed, taking in her sibling's features before nodding assuredly to herself, "He's gonna be trouble.”
The room erupted in laughter at her statement. Primo gave Terzo a stern, knowing nod, remembering just how much trouble Terzo truly was as a child.
"I'm glad he gets your seal of approval!” Terzo teased smirking at his daughter. Relieved the meeting of the two seemed to be going well.
“Do you want to hold him, Mena?" Alessandra offered.
Mena nodded softly as her mother carefully placed Dante into her tiny, outstretched arms. Terzo's hands waiting on the side of the bed to catch him if Mena lost interest; as he had witnessed her doing with her baby dolls before dropping them to the floor.
“See?" Alessandra began, beaming down at the two humans she created, “Holding a baby isn't that scary, Terzo." 
“I don't need your merde," Terzo jokingly muttered in a hushed tone, glowering at her while trying to mask his amusement at her taunts.
“I'm only teasing, my love," Alé winked, wrapping her arm around their daughter and resting her cheek on her head, “Mena, tell your Papa it isn't scary to hold him." 
“You held me, why don’t you hold Dante?” Mena innocently asked, not taking her eyes away from Dante’s face. She seemed to be entranced by the baby as she gently held onto his small hand; taking in all of his features and the strange noises he made.
"That's not fair," Terzo chided Alé for using his daughter against him, clenching his jaw through a tense smile. She flashed a wicked smile at him and a wink.
"You haven't held your own son, yet?” Secondo piped up, joining in on the gentle hen-pecking of his younger brother, "Why won't you hold the baby, Terzo? You are scared, aren't you? Might drop him, mani di ricotta?”
"Stai zitto, testa di minchia,” Terzo seethed at his brother, glaring daggers. Primo gently nudged the middle Emeritus brother, breaking up their spat. Primo could read Terzo like a book and this wasn't the right time; his little brother was more tense than usual.
Primo rose from the seating in the infirmary room and made his way silently to his family. He rested a hand on Terzo's shoulder as he peered at the newest arrival.
“You’re doing so well, tesoro,” Primo complimented Mena, “You’re already such a good big sister.”
“Grazie,” Mena grinned up at her beloved uncle before returning to coo at her little brother.
"He truly is the spitting image of you, Terzo. At least from the few pictures your mama had of you when you arrived here,” Primo recollected, softly smiling as he basked in the glow radiating from the family snuggled on the bed.
“Bah, how would you remember that?” Terzo scoffed at his brother, wrapping his arm around him, patting his back. Primo leaned into the sideways hug, returning the embrace.
"You really would be surprised by all that I remember,” he smiled at his younger brother, tapping at his temple. He leaned close and spoke in a hushed, reassuring tone, "Sei dieci volte più padre per loro di quanto lo sia mai stato per noi. Non avere preoccupazioni." 
Terzo’s eyes widened as his hand clasped over his heart, “Cazzo stregone. Esci dalla mio mente.”
Primo chuckled as he gave his brother another pat on the back, "I know you fairly well, stronzo. Now get that garbage off your mind and celebrate the arrival of your son.”
“Ave Satanas. Grazie, fratello," Terzo shook his head in disbelief. 
“Sí, sí. Go tend to your tua moglie," Primo gestured forward.
Terzo gave his brother's arm a thankful squeeze as he turned his attention back to Alé and their kids. He lowered back down onto the chair, eye-height with Mena, “Tutto bene?”
“Sí!" Mena asserted, “He's very interesting." 
Terzo nodded, pretending to understand, “You're telling me he's not too bad to hold, eh?" 
Mena nodded vigorously as if she were an expert now, “Oh yes, he's a good baby." 
“Alright, Terzo broke the brief silence, clearing his throat. He held his arms out towards his son, “I’m ready for a turn then.”
Notes:
Paziente -- Patience Stronzetto -- Little asshole Complimenti/Congratulazioni -- Congratulations Macchina -- Machine Perché stai piangendo? -- Why were you weeping? Lo apprezzo molto -- I appreciate it Nipote - neice Ti devo -- I owe you Non c'è di che -- Don’t mention it Aspetta un po’ -- Wait a second Ai ragazzi -- the boys Stellina -- little star Mani di ricotta -- butterfingers Testa di minchia -- dickhead Sei dieci volte più padre per loro di quanto lo sia mai stato per noi. Non avere preoccupazioni.-- You are ten times more of a father to them than he ever was to us. Don't have worries. Cazzo stregone. Esci dalla mio mente. -- Fucking witch. Get out of my head. Tua moglie -- Your wife Tutto bene? - All good?
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frikatilhi · 10 months ago
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Bojan joining the sad bojere bitches club after seeing the shirtless photos of Jere, Alessandra and Häärijä. Jere hung out with another artist backstage on Tavastia, is nothing sacred anymore? 😥
Bojan just can't catch a break 😤
Bojan is absolutely texting him (or the sister-wife group chat) pics of himself squeezing his titties like "see Jere I can do it too please just come to London and I'll let you motorboat", in between of losing it and deteriorating on Insta and Twitter, typing "I love you guys" with one hand and crying
First Kris steals Damon (or the other way around, who the f knows anymore) and now this betrayal 😭😭😭😭
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thatuselesshuman · 4 months ago
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Writer Questionnaire Tag
Thank you for the tag @wyked-ao3
It's always fun to do one of these lol
How long have you had your writing Tumblr/Writeblr? A fast and loose estimate is fine!
I've had a Tumblr account for about 6 months or so but I've only been a 'writeblr' for a couple months.
What led you to create it?
Idk tbh. I kinda just decided that I wanted to share my writing and it led me here.
What’s your favorite thing about the Writeblr community?
All of the creativity is amazing. I'm a whore for lore and world building, and the worlds that y'all come up with are immaculate. I could only hope to think of a world that vast and interesting.
What’s one thing you’d like your mutuals to know about you?
Please ddon't take me seriously. I've said it before and I'll say it again, but I'm not just a clown, I'm the entire circus. The day you take me too seriously (especially as an author) is the death of my whimsy.
Is there anything you’d like to see more of on your dash?
Nothing I can really think of. I'm pretty happy with how it is rn lol
WIP it Good
Which Works-in-Progress (WIPs) or writing projects are you noodling about, lately?
Bloody Hands are Kind and None of Us Heroes are always floating around. They're never not beating my ass with ideas and scenes.
How long have you been working on them?
I've been working of the series component of Bloody Hands are Kind since February, and None of Us Heroes for about 1 and a half months.
Do you remember what inspired them/what got you started?
None of Us Heroes started from the Honkai Star Rail brainworms known as Adventurine and Dr Ratio. Their designs and story inspired the two main characters of None of Us Heroes. The series component of Bloody Hands are Kind was basically me shoving a long-standing OC of mine into the Hunger Games universe and praying it would work.
How much time, in your best estimation, do you spend thinking about them?
At least a few hours a day, usually when I'm laying in bed trying to fall asleep. My array of illnesses make falling asleep hard and I find that thinking about my stories makes it easier to forget that I'm not asleep (and therefore hopefully fall asleep).
When someone asks the dreaded, “What do you write about,” question, what do you usually say?
"Whatever the voices command."
What do you want to say (if it’s different from what you do say)?
Meh I say that because I find it funny so idk if I'd change it.
Let’s Rotate Blorbos
Name any characters you created. Side characters, protagonists, antagonists, characters who’ve never been written, the first original abomination you ever pulled from your ass; whomever you’d like!
OHH LORD THIS IS GONNA BE A LONG LIST. So we got Adrian, Nova, Amarantha, Jack, Cora Beth, Ben Al-Badawi (x3), Jack Collins, William Talt, Blue, Zero, One, Two, Three, Four, Five, Six, Seven, Eight, Azrael (aka Amane), Lucifer, Achlys, Quinn Amsel, Atlas Selic, Michael, Adena, Nakir, Evangeline, Celeste, Saeko, Gabriel, Kaz Anderson, Caspian, Jyn Osaka, Nikolai Sevigny, Cyril, Kylan Whitlock, Kestrel, Leo Valandi, Anaïs, Delph, Laz (short for Lazarus), Neo, Roland, Tobias, Will, Mirwais, Simon Cruz, Conrad, James Blackthorn, Alessandra Snow, Max Foster, Benyamin Safi, Haeyun Sin, and Dante Silvestre. There are more, but I either don't care enough to write them down or I've forgotten their names.
Who’s the most unhinged?
Blue 100%. He's not human and it is not uncommon for his species to be cannibalistic. He's not, but he's still unhinged asf
Who comes the most naturally for you to write?
Max Foster. He's easy to write because me and him share a lot if similarities.
Do you ever cringe at them?
Oh definitely. A lot of my old characters are cringy.
How much control do you feel you have over your characters? AKA, do they ever “write themselves,” refuse to cooperate, or do things you didn’t expect? To what degree? Are some less cooperative than others?
Dude idk what to tell you, whenever I try and force my characters to do something I hit the biggest writer's block wall I've ever seen.
On Writeblr Engagement
Do you enjoy people asking questions about your characters? And do you have a preferred means of receiving said questions? For example, as Asks, as replies, as reblogs, as tag notes, as comments on AO3, etc.
YES YES PLEASE ASK ME!! Anyways, I don't really care how you ask (I just want you to ask lol), but if I had to pick it'd either be asks or comments on Ao3. Though ofc I still love questions in any and all forms, even if it's something like making a separate post and tagging me loll.
What makes you want to follow another Writeblr account? Do you follow ‘em as you see ‘em, or take time scoping out the blog to make sure you align with its content? Do you follow based on WIPs, or vibes?
I mostly follow people if I think their cool or if I find myself consistently liking their posts as they come across my dash. I don't follow people often tho lol. I only follow abt 20 people I think.
What makes you decide against following?
If their vibes are too negative, if they're super political, if their content doesn't align with something I care about, or if they're super anti something I am. Any combination of those could be the reason I don't follow.
Do your mutuals’ characters occupy space in your noodle?
Yes. I think about other people's WIPs and such all of the time. I love stories, what can I say?
Do you interact with non-mutuals often?
Of course! As I said, I don't follow many people so I don't have many mutuals. I love interacting with different people though, so I'm happy to strike up conversations with random people I find cool!
@moltenwrites @willtheweaver @the-golden-comet @katenewmanwrites @agirlandherquill +open tag
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chibrary · 11 months ago
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ARTICLE: Charles Leclerc: "Ho imparato anche a dire le parolacce" (2020)
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source: alessandra retico for repubblica.it translation: lovingleclerc2 on twitter series: f1, 2020
Might your arrival in Maranello negatively influenced Vettel’s performances?
I don't think so, on the contrary I think he was pushed even more to show what his true value is, although we all already know that he's a great driver.
Do you have any advice to give him?
I would never allow myself to, he has done much more than me in this sport and he deserves respect.
But between you, there were contrasts and sparks on track.
Yes, but our relationship has always been very good. Maybe at first it was a bit strange because of my 'fault': I was next to a 4-time world champion. It intimidated me, it made me anxious. He is so renowned while I still haven't proved anything. But over time we have sympathized. There's always been a great respect even in difficult times like in Brazil last year or in Styria this year. But once off track we always made it clear and we went on with serenity.
Are you serene about the future?
I'm extremely motivated, happy to get the most out of a difficult situation like this. It won’t be a quick recovery for Ferrari but my job is also to try to push everyone to make sure that this difficult period is as short as possible. Mentally I am as focused as ever and although I would like to fight for higher positions, I know that I‘m doing a good job and that the team is happy with me. Of course, being happy with a 5th or 6th place is not really what I want, I will never want that, but it satisfies me to progress to be as ready as possible when the time comes, for me and for Ferrari.
When will the time come?
As for performance, it'll be difficult to make a miracle with the 2021 car. In 2022, there'll be big changes and from then on we’ll have many years with the same concept of cars. We must start that phase competitive and with enthusiasm.
What can you promise to fans realistically?
To give my best, to give a show, this I can promise.
Meanwhile your popularity is growing.
For me, it has always been very important to stay the closest to the people who follow me on social media, on TV, or on track. Now that it’s more difficult without an audience, I want to maintain this closeness. The contact, virtual or physical, being accessible to others, for me is essential. And I’ll tell you more: next year I’m going to expand my social networks, which now are very thematized on my professional life, with content about me behind the scenes, out of track, in my private, to let people see who I am and what I do between one race and the other. I want to tell of myself as a person more.
Who is the private Charles Leclerc?
A normal guy, who enjoys the time he spends with his friends and family. Although since I’m in Ferrari a lot has changed: not like I did bad things before, but now I also have to give a good image of myself outside the car. Just saying, if I eat at the table I have to be careful how I’m doing it.
Your strong and your weak point?
: "I am strong in self-analysis: I'm very sincere with myself and this makes me grow a lot. My weak point is being sometimes too harsh in judging myself. Before, I was very upset about making mistakes that I still make out of inexperience or too much desire. But being demoralized is useless, the past cannot be changed. Making mistakes made me more mature, mentally very strong.
Ferrari will be without a world champion. Did they choose well with Carlos Sainz?
I don't know why they took him rather than another, but Carlos is very strong and consistent. Last year towards the end of the season he used to ask me if there was a free seat in the Red car, I replied that I didn't know, but he already had stars in the eyes.
What do you like the most and the least about Italy?
I like the simplicity, besides food of course. One flaw? I hear the bad words from the mechanics and I got into the habit of saying a lot of them too, I say more in Italian than in French.
Will your brother, now in the FDA, get to Maranello?
It’s soon, but he deserves it. He didn’t have my chances, we started together but then didn’t have enough money to continue both, my father gave the priority to me as I am older, Arthur had to stop and started again since I’ve got into F1, my uncle and I help him. He's talented, we are similar in personality. He will find his way.
Today Mick Schumacher makes his debut with Alfa Romeo in free practice. How much does it matter to be the son of Michael?
The Schumacher name is powerful in F1 and not only, but Mick is here for his talent and not for his name. It’s going to be tough here with this cold weather, for him and for everyone, we look like skiers. What about us? Some aerodynamic update, but we’ll struggle with tyres.
Do you envy anything to Hamilton or Verstappen?
I'm happy with who I am, I don't look at others, in F1 you have to be the best & I try to be the best version of myself. When we have Ferrari in front I hope I’ll be able to show what this team's worth.
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murfpersonalblog · 8 months ago
Text
IWTV Trailer (me losing my freaking marbles - YOLO) Pt1
I'm just going frame by frame thru AMC'S BEAUTIFUL new IWTV trailer. But I had to split this into 2 parts cuz Tumblr won't let me post 30+ pics.
We've already seen Lestat's Theatre portrait on fire (burn, bish!) but the TRANSITION they made here is DISGUSTING--they know what they're doing!
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Lou goes from thinking about setting the Theatre on fire (nervously/uncomfortably rubbing his chin, my poor baby), to another scene of him chainsmoking and staring sadly off into the void. I'm assuming it's the 1970s interview, cuz we see Afro!Lou in the same shirt when he effs up BB!Daniel a few minutes later.
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AND they said Louis's "stronger, and harder, too," during ANOTHER closeup of Louis chainsmoking. Pyromaniac du Lac LIVES.
Then we get that INTERESTING exchange with Loumand about Oldmaniel:
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Armand does NOT like this interview, no ma'am! What are you tryna hide?! 🧐
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The fandom legit already MADE THIS JOKE too! XD
The parallels with Loumand enjoying watching movies together (NO CLAUDIA 👀)--and Loustat enjoying opera & movies together.
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Loumand as a happy old married couple--I mean it, Rolin: what TF happened between the 1970s interview, the year 2000, and 2022, to make Louis' mental state get SO DANG BAD!?
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Armand seems to be implying that 1970s SanFran wasn't where he failed Louis, but 1940s Paris when he burns the Theatre--but I'm seriously wondering if something else went down, cuz LOOK AT MY BABY. BLOOD TEARS. I cannot.
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This hollow, fake smile Claudia gives when Loumand walks into the room; wearing makeup & an adult hairstyle tryna look grown--I wonder if this is the same night she joins the Theatre?
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Lou & Claudia--he just gives her The Eyebrows, not saying anything (but Armand looks WAY too smug ( ͡° ͜ʖ ͡°)); and we know Armand AND Claudia can EASILY read his mind way better than he can read either of theirs.
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Louis calls her "a spark in the dark," right before they cut to the bombs falling all over WWII Europe with flames everywhere--including all over her face--foreshadowing her ashes to ashes, dust to dust. ("Rigged to burn," Louis said in S01E03.)
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Did they get hit by bombs, or fall into mine fields?! Jfc. (OR maybe they were sleeping underground, in the earth, and woke up in a battlefield--GOD.) And this must be the same scene where Lou eats the heart--we see Claud throwing limbs around--are they scavenging bombed up corpses?
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And the flame in the photographs Louis takes, which she's been tearing down--figuratively in the other teaser, and literally here.
Claudia finna GO OFF! (I HAD to make this one a gif, to see her wrath in MOTION 🤌)
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EAT that racist French White, Claudia, PLEASE. Colonizer Capital--Paris SUCKS!
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LOUIS DE POINTE DU LAC, ladies and gentlemen. U_U
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You're one of a kind, sweetie--that's why the whole Theatre was tripping, cuz Lestat's "coven" in NOLA didn't look ANYTHING like how all other vampire covens worked. Lestat & Louis & Claudia were a FAMILY. They lived like humans--or as close to human as possible. Plus they were painfully weak, with none of the Dark Gifts. They weren't living like monsters--at least not on the surface....
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In the other teaser I thought this dirty heifer who attacked Louis was a revenant, but if she's in the Theatre then this must be Alessandra or Eleni (which means a Rhoshamandes name drop!? 👀💀)? Please random dude please be Benedict. 🙏 I need more TVC cameos!
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I'm wondering if this was part of a performance when Madeleine & Claudia were part of the Theatre, not during the Trial? OR this is AMC's recreation of the film version with the naked lady--"so we can eat people."
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Armand finna GO OFF! But WHERE TF are his FANGS!? That's my ONE major gripe with this show--I'm so sick of seeing these stupid acrylics everywhere but no FANGS.
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Then the trailer immediately tells me to STFU, LOL. XD
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Lelio Rising. Lelio Falling. (Ooooo--the Tower Scene should be SPICY)
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Then they use the "script" line to transition to The Trial, when Armand forced Lestat to be scripted! 😭 DIABOLICAL! And I LOVE this frame--it's giving me Oppenheimer when he was walking through the stands as everyone applauded him for dropping the bomb & he was PTSDing. (I had to make a separate post just for this brainworm.)
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So Dan's finished the interview and this is his editor. (OR, even spicier, this dude's from the Talamasca, and Daniel's broken the NDA & fled the penthouse?) But chile, ain't nobody scared of LDPDL. 🙄 Daniel should be well aware by now that Louis snapped in the 1970s, sure, but he's not the REAL threat in that house, Mr. Mediocre Star to a 500 Year Old Vampire. Unless they're talking about LESTAT? 👀💀 WHERE TFC IS HE IN 2022?!
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What in CHRIST'S NAME is coming out of his effing NECK? 😱 It was SQUEALING, like a KOCHON.
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Louis slinging blood at the Sea of Galilee Armand stole for him, LOLOLOL.
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Louis effing Daniel up--"you were disrespectful!" I wonder if BB!Dan crying was when Armand was busy stalking him when he was drunk AF & dying of alcohol poisoning.
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I LOVE THIS. Louis is the center of it all--"It's you and me. Me, and you." 😭💔 Said over and over--Louis and Lestat, Claudia, Armand, and Daniel (and even Santiago U_U).
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stonesylove · 10 months ago
Text
A night out in Berlin pt.4
"Babe"
Chapter 3 - Chapter 5
Alessandra was glad she got her alarm on when she woke up because she could never wake up on her own especially after a night out and even more when she had sex the night before, she looked over to the other side of the bed and he was there looking so hot even when he was asleep, Alessandra couldn’t believe what happened the night before but she didn’t have enough time to just sit down and daydream about the man sleeping next to her, so she got up put on her clothes getting mentally ready for the walk of shame to her home, it was truly a bad idea wearing a short shear dress in fall but as her best friend likes to say “A bitch never gets cold”. Alessandra took a cab and quickly texted him so Tom wouldn’t think that he was just a night stand or maybe she was the night stand but still it was worth taking the shot and inviting him for lunch, the Italian girl got to her flat around 8 am knowing she had to be at the studio at 8:30, at least it was close to her building.
The class went by as planned but Alessandra was completely sore from the night before, Tom was a big guy but she didn’t know a British man could do all those things, she thought that he was gonna be a fun vanilla man but she was so wrong, she knew she wouldn’t be giving her all and Giuliana was giving her funny looks through the mirror which made the situation more unserious, when the class ended Alessandra reached out for her phone in her bag to see a text from the British boy, and he was talking about his eyes but that message didn’t make sense to her until she realized she had posted a pic of her outfit and a little secret message for him, she loved that he take everything so lightheaded and didn’t make it serious.
Alessandra Di Maggio
well Tommy I know a couple blue eyed boys, so I had to shoot my shot and wait for someone to fall
My British boy (Tom)
Hmm I remember a short Italian girl kissing me outside of the club telling me that her favorite color was the color of my eyes 🤔
Alessandra Di Maggio
Such a hot girl move from that Italian girl
My British boy (Tom)
Yeah, she’s taking me out for lunch today
I need to talk about her riding techniques, I was impressed 
Alessandra Di Maggio
Hold your horses cowboy and reverse cowboy
My British boy (Tom)
That doesn’t make sense but I’ll give it to you😂😂😂
Alessandra Di Maggio
You just ruined the moment with that emoji grandpa
But I’m down if you wanna teach me some new stuff
My British boy (Tom)
You can’t call me grandpa and then ask me to fuck you in new ways
I guess that’s how ipad kids flirt
Alessandra Di Maggio
I can’t please you, you don’t like my cowboy jokes and you don’t like the grandpa jokes
My British boy (Tom)
Baby you please me in every way possible but you’re way too funny sometimes
But that’s okay, we can search for your funny bone tonight 
Alessandra Di Maggio
Maybe we can also search for your hair bald guy
My British boy (Tom)
I know the buzzcut turns you on funny girl
But I rather see you looking out for your clothes tomorrow morning
Alessandra Di Maggio
We will see, don’t be so desperate let me rest 
See you at 2 o’clock outside of your hotel British boy
Alessandra didn’t know how to feel about Tom yet, of course he really knew how to make her scream and she loved that but she didn’t want to get too caught up with him. Time passed by pretty fast to her liking and when she was brought back to reality she was waiting for the tall man outside of his hotel; she saw his figure walking out of the lobby and fuck he knew how to look like the hottest man alive. “Hi funny girl” Tom said hugging the short girl, “Hi daddy” Alessandra said making him laugh so loud.
“I like experimenting but I don’t think the “daddy thing” is something I like” Tom said catching his breathe, “You don’t like any of the nick names I gave you, literally such a boomer” she said trying to sound hurt but she loved to poke fun at him “Would you prefer if I call you tom nice balls?” She tried to be as serious as she could while saying that, to what Tom shrug his shoulders and said “okay nice tits”; the stupid conversation continued until they arrived to the café.
“So Tommy nice balls what’s your movie about” Alessandra said after ordering, “It’s the hunger games prequel” Tom said without wanting to give much detail because he knew he couldn’t so he tried to guide the conversation somewhere else; they talked about Alessandra’s work in the ballet company, she told Tom about the fall-winter schedule and maybe if he was in town he could go and see one show even tough she felt immediate regret because of Tom’s reaction talking about how he didn’t know what his schedule would be and that maybe he wouldn’t make it so he won’t make any promises, the Italian girl knew she wasn’t that important to him but she wanted to at least show him what she did for living. The lunch “date” was everything she could’ve wish for, they ate this croissant sandwich that he had to take some pictures of, they talked so much about life, what their dreams were, Alessandra told him about her plan of applying for the royal ballet in London or the American ballet theater in New York but she still had to finish the current season, at the end of the lunch, while Tom was being over dramatic about something that happened on set she saw how he phone screen lighted up and a text from someone saved as 
“Babe” appeared on the screen.
For the first time in a while Alessandra didn’t know to feel, of course they weren’t something serious not even a situationship but still she felt like a knot was forming in her stomach, saying something wasn’t an option she didn’t had any right to ask him about it so Alessandra decided to act like she didn’t see that and everything was perfect; after paying and walking out of the small café Tom tried to grab her hand but she made the excuse that it was freezing so putting her hands in her pockets were the only option, “so what do you want to do know” Tom said with a face she couldn’t describe, maybe he noticed something was off with her but she didn’t wanted to give it away, “To be honest I’m a little bit tired so if you want we can go back to my place and watch a movie or something, I know I’ll be home alone for the rest of the day” she said in a stupid impulse, he enjoyed his company and at the end she wanted to at least be friendly until she knew more about “Babe”. They walked to her place joking and talking, it felt like they’ve known each other for all their lives and she loved that both had a similar sense of humor, as they enter the small apartment Alessandra hanged her coat and asked tom for his, “Do you wanna watch the hunger games or billy the kid” she said making fun of him “I love that scene in billy the kid were everyone can see your ass” Tom was shocked but wouldn’t back down either “I’m really proud of my ass, I think the light reflected so beautiful on it” he said making the Italian girl laugh so hard she could felt how she was losing her breathe, they ended up watching this cute romcom she was obsessed with call “love,Rosie”, Tom had a lot of opinions bout how the main character was an asshole and they just needed to ask the other about how they felt ever and that made Alessandra think how his exact words were the same situation they were living.”Well I better get going tomorrow is going to be a long day in set” tom said to then kiss the short girl, took his stuff and got out the apartment. 
When Tom was gone Alessandra looked him up on instagram checking his comment section to see if she could found any comment that would lead her to “babe”, she knew that all she was doing was crazy but the curiosity was eating her alive but this was something she needed to do; Alessandra read all the comments on all his post but every women that commented was either a fan or a friend so she started to think that maybe she had read that wrong and maybe it didn’t said babe but she was sure of what she saw.
Tom Blyth posted a story 
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Alessandra Di maggio answered the story 
Oooh you went out with someone to eat croissants 
Tom Blyth 
Yes yes with a cute Italian girl but almost had to grab a high chair for her.
Alessandra Di maggio
You are such a funny guy 🙄
Alessandra decided to post some fun pic of her last couple of weeks also a great bikini pic that went with the aesthetic, specially a pic she took of Tom massaging her feet the night they watched films in her apartment and fuck his hands were HOT, also a pic she took in their night out of him dancing on a table.
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Liked by tomblyth, giuli_123 and 1,992 others
Alessssa REd BabE or something like that
Tomblyth great masseur you got there
   alessssa might book another session for this week
giuli_123 coke add?
  alessssa yes, and?
Username1 hottest girl alive
Username2 live your best life girl
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Liked by alessa, rachelzegler and 106,823 others
Tomblyth Dumb blonde out and about 
Username1 from who are those hands hun????
  Usename2 must be Rachel
     Username3 she doesn’t have long hair rn
Hunterschafer your almost a Berlin boy now
 (Tom liked the comment)
Username4 RUE WHEN WAS THIS????
alessssa fav natural blonde
   Tomblyth 100% natural, grow by me
     Username5 babe who’s this
       Username6 private profile??
         Username7 grow up, men can have friends
Joshandrerivera living your best life Tommy boy
    (Tom liked the comment)
Rachezegler that’s some nice red polish
    Username8 right?????
      Username9 those are your hands???
        Username10 MOTHER
After the date they had or well she didn’t know what to called what was that but she had an amazing time with Tom but she couldn’t get out of her head the thought of him having someone else in the States, she knew this wasn’t something serious but she didn’t want to be the other woman, that’s why she decided to text him get the conversation started and ask him about that.
Alessandra Di Maggio
So do you have a girl in every country you work in?
My British Boy (Tom)
That’s not funny Alessandra 🙄
Do you think I’m a fuck boy?
Alessandra Di Maggio 
Don’t call me Alessandra🙄🙄
I’m not judging
My british Boy (Tom)
That’s your name pretty girl
I won’t call you a Alessandra if you won’t call me fuck boy
Alessandra Di Maggio
I promise you I won’t call you a fuck boy
But being serious you don’t have a girl back home?
 (Delivered 2:22 am)
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copiousloverofcopia · 1 year ago
Note
So there's the videos of family responding poorly to pregnancy announcements, right? The disappointed grandparent or even more upset older children? Would that ever happen with Terzo and Alé? Their older kids having a melt down or even Secondo being horrified? Or would it all just be joyous news? lol
I have been promising to do SOMETHING for you lol and then stuff keeps happening!!
lol anyways here is a little something you asked for love, and I hope you enjoy this small snippet, a mini fic reaction of them finding out about Terzo and Alessandra's 3rd baby!
The Greatest Honor
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Terzo and Alessandra have some news to share with the rest of the Emeritus family, though not everyone is excited.
Also available HERE on AO3!
Read below the cut!
Secondo let out an exasperated sigh as he hung up the phone. Rolling his head from side to side, listening to the cracking of his bones. Cursing his age felt in them as he headed into the main hall, his course set for Terzo’s office. The old man, muttering to himself how this little “meeting”, called in the middle of his morning prayers, had better be for something good.
“I'm here. Now what is this all about. Some of us have things to do.” Secondo blurted out as he swung the door open. The man had barely crossed an inch over the threshold and was already trying to hurry things along. 
“Come sit down you old fool so we can all talk.” Terzo chided, rolling his eyes. Secondo approached, taking a seat beside Primo and Copia at Terzo’s desk.
"You're looking rather cheery this morning." Primo teased as Secondo settled into his designated chair. Clearing his throat and crossing one leg over the other. His irritation, worn plainly in his demeanor. 
"So?" Copia asked, decidedly more excited than the others of what was to come. Terzo held up a finger as he pulled open his office drawer, revealing a small envelope.
"Here." He said handing it over for Copia to open. The current Papa worked carefully to open it. 
"Is this?" Copia said, his eyes widening as he removed the contents inside—an ultrasound photo. 
"Alessandra and I are expecting another child." Terzo beamed. Prideful and content and so very excited to be adding to his brood. Copia smiled ear to ear, delighting in the news along with Primo. Secondo, however, raised his brow in judgment. 
“Terzo when the old man told you to sire an heir, he didn't mean an entire convocation.” Secondo snarked, eliciting a quick wack to his bald head from Primo’s hand.  "Stronzo." Secondo said, sneering over to him.
“Papa, how can you say such a thing? Terzo This is wonderful news…more little ones to fawn over.” Copia smiled, just as excited as Terzo at the news. Primo too was joyful at the news. Already imagining teaching the little one the ins and outs of the garden. Assigning them their own plot to tend to once they came of age. That being said he wasn't above giving Terzo his own bit of good-natured teasing.
“You do know how this keeps happening, don’t you fratellino?” Primo asked, sending Terzo a wink. Just as he was about to answer, Alé arrived, bringing Mena and Dante in tow.
“Well hello.” she said as Mena and Dante ran from out her side. Mena, heading directly to her father and little Dante, climbing up on Copia’s lap. 
“Oh mio Dante, stai crescendo così in fretta.” Copia said, hugging him tightly. “I am so excited for you Ragazzino!” Dante, looking over to his father in confusion as Alessandra reached Terzo and Mena behind the desk.
“I see you’ve told them.” she smiled, giving Terzo a kiss. The two of them, still so sickeningly in love as Terzo’s fingertips brushed against the still inconspicuous bump of his Prime Mover’s belly.  
“Sí, though not everyone shares our excitement.” Terzo chuckled, motioning towards Secondo.
“Excitement about what Papa?” asked Mena as she tugged against the bottom of his jacket. Terzo squatted down beside her, wanting to meet her on her level. 
“Mena, dolcezza—Your mother and I…we are going to have another baby. You are going to be a big sister again.” he explained, waiting for his daughter's confusion to turn into elation. Instead Terzo was surprised, along with the others, when her face contorted. Tears, spilling down her cheeks as she brought her hands to her eyes.  
"But I don't wanna have another baby!" She cried. Her face, turning red as Dante played completely unbothered in Copia's lap. 
"Glad I'm not the only one." Secondo said snarkily. Alessandra, snapping a murderous look in his direction. Terzo felt for her. Though he was not the oldest child, he knew what it was like to have many siblings. The endless fighting and vying for attention. It could be a lot for anyone to deal with. 
"Oh…mia principessa. It will be alright." Terzo assured her, picking his little girl up and holding her close in his arms. She was so sweet and beautiful, but also so willful—just like her mother. His heart pained seeing her this way.
"Might I?" Primo began, rising up from his chair and taking the empty spot alongside his brother and niece. Terzo shifted so that Mena might see him better. Wiping her eyes of the tears she couldn't help but shed.
"Zio…" she sniffled, holding her arms out for Primo to take her. Primo smiled, giving her a kiss on her round little cheek. His niece, wrapping her arms around him tightly as her tears slowly began to subside.
"Listen piccola. I too am the oldest sibling." He began as Mena raised her head up from the comfort of his shoulder to look at him.
"You are?"
"I am…and you know what?" Primo continued. His voice, so soothing and calm. 
"What?" Mena asked, sniffing back once more.
"It is the greatest honor that I have ever had." Primo told her. Mena seemed to understand, while it wasn't easy it was something she would do with pride, love, and understanding. Wanting to be just like her Zio Primo.
"Thank you Zio. I will do my best." Mena smiled, squeezing Primo with her little arms.
"That's my dolcezza. Now if you ever need some advice or even a break from your siblings you come tell Zio Primo, sí?" 
"Sí…" Mena replied, as Primo set her down. Mena, quickly going to hug first her mother and then father before staring up at them. "I'm sorry Daddy. I will be a good big sister I promise." She said looking back at Primo who gave her a wink.
"I know you will." Terzo praised, giving her a small kiss atop her head before he set her back down. Mena and Dante, quickly taking off from the office full speed as Copia delightfully tagged along behind them.
"Maybe I should tell you that you'll be a good zio…might help improve your mood." Primo chuckled as he placed his hand on Secondo's shoulder. The room, roaring with laughter from Terzo, Alé, Primo, and surprisingly—even Secondo. 
Notes:
Oh mio Dante, stai crescendo così in fretta.- Oh my Dante, you are growing so fast.
Ragazzino- Little buddy
Dolcezza- honey, sweetheart
mia principessa- my princess
Piccola- little one
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