#pixar art

[scurviesdisneyblog]

Visual development from The Art of Luca by Enrico Casarosa, Daniel Lopez Munoz, Daniela Strijleva, Tadahiro Useugi, and Don Shank.

[gilbir-t]

Anger and Fear being chill

Inside Out 2 was kinda so good and I kinda liked it a lot

[theartofpixar]

Gifts for pixarians

[goatfellaa]

Nobody’s surprised, I love him

[twentytwoarts]

ELEMENTAL ELEMENTAL ELEMENTAL ELEMENTAL ELEM-

[fistfuloflightning]

some cropranger shenanigans for @valkyrieres 😉

the real reason dusty is wearing blade’s colors at the end

[dek-chan]

"𝐼 𝑤𝑎𝑛𝑡 𝑡𝑜 ℎ𝑎𝑣𝑒 𝑦𝑜𝑢 𝑤𝑖𝑡ℎ 𝑚𝑒 𝑖𝑛 𝑚𝑦 𝑙𝑖𝑓𝑒 𝑓𝑜𝑟𝑒𝑣𝑒𝑟" ❤️‍🔥

[cinelestial]

Disney and Pixar’s CARS released in theaters 18 years ago today.

[spikey-gum]

Luberto Elemental 💦🔥

[midnightconcepts]

‘Oh you big softie, see? You’re still alive.’

Taking a dive into Chuck and Pete’s dynamics -

Well before laughter was the new core of MI. I’d like to think Pete and Chuck got along, as any rising scarer, or jokester needs that offside discipline and emotional support.

As I observed in MaW. Pete perhaps had to make a difficult choice to transfer to Fear Co. (maybe financially or due to lack of comedy knowledge) leaving Chuck at MI to find a new colleague to assist. However, Pete’s soft and delicate nature didn’t quite jibe with Chuck’s tough approach, often accosting Pete for showing his emotions. 🐊🫂

My head-canon 🖊️ - Pete and Chuck still remained as acquaintances, after the Laugh energy shift. Although, Pete took to caring greatly for little Ryan, and finally seeking his emotional support with the human boy. ✨ Something he didn’t receive a lot from Chuck.

That’s my take!

[skiks-cheese]

meet the lightnin’ !!!

[scurviesdisneyblog]

Character designs for Inside Out 2 by Crystal Kung

[gilbir-t]

I rewatched Finding Dory recently and wanted to draw Hank and Dory as humans cause fish aren’t as fun to draw

kinda obsessed

[theartofpixar]

"Joy’s body language is generally pretty broad: her arms always stretching and reaching, and she’s constantly jumping around so as a former 2D animator, drawing her on the movie was quite the delight! Being not *that* extroverted myself, bringing that attitude to life, especially on days when I felt more like Ennui, had some really interesting effects. Have you ever drawn someone yawning and started yawning yourself? That kinda happened to me with drawing Joy. Stepping into her shoes (although she wears none!) was somehow always therapeutic and added a lot of energy and positivity to my days 💛

I am loving the cascade of incredible art pouring out from every department with the release of Inside Out 2! 💙 At one point I was assigned a Sadness action sequence called “Cry Hard” (!) which I’ll share in a future post, so before boarding I spent some time drawing poses and expressions to get a feel for her character. Can we talk about those little slippers. 🥺

Drawing Anger was always somehow satisfying! My Mediterranean roots probably have something to do with it ❤️‍🔥 One thing I loved about boarding sequences with these guys was how the Emotions felt emotions themselves, yet still kept their primary self. When Anger felt joy, it was a fiery happiness; when he felt fear or disgust, his eyebrows would never lie! These sketches are warm-ups from when I was exploring his fiery range of expressions and as I built my library, some of these definitely found their way into my sequences..

When I think of my favorite Emotion to draw, oh man. Disgust 100%. The SASS. Those mouth shapes and the fabulous lashes that just amplify it all. I had so much fun drawing her on Inside Out 2. I don’t wanna spoil the story posting my sequences yet, so these are some warm up sketches from when I was getting familiar with her volumes and expressions. The movie is out TODAY! Go see it in theaters!

And last but not least of the original emotions, Fear! I always thought he was kinda challenging to draw. His design includes a lot of sharp angles and jittery lines to convey his constant tension. His hands are usually close to his body as if to protect himself, and his shoulders always raised. It made me realize it takes a lot of energy to be constantly afraid of something! His eyes are also quite funny; his brows were disconnected, and somehow the back of his head had the shape of eyes too! Here are a few character studies. The poses with him clinging to the rope are taken from one of my sequences." – Alessandra Sorrentino

[abugeatbugworld]

“Don’t. You. Touch. Her.”

Flik doesn’t play games. Not when it comes to his little sister.

(pencil + alcohol markers)

[heartsswirls]

girlboss & malewife 🔥💧