#you can combine action and character work

[cripplecharacters]

I write fanfic, and have some concerns about MC's baby. Baby (Hope) was made in lab and has genetic differences. Currently, I consider something like Down Syndrome?

~

Background:

In canon: character mourning his best friend (an alien), and try to clone him. (Alien later later in story come back to life)

My thoughts: When you clone someone, but use DNA from 2 people, it's actually a baby...

Since they are different species, I consider having their child being either triploid (3x chromosomes) or tetraploid (4x).

Which can be genetic issues. And disabilities. I sort of base on Down Syndrome, but also different.

~

Things I thought issues:

1. Should I just have the kid have Down Syndrome? At least it's familiar, and unrepresented. But also DS is only 3rd 21 chromosome, not all chromosoms are 3.

2. Issue about the kid being a baby. Since initialisation is a big problem for ppl w disabilities, DS especially.

3. Dad 1 (the scientist) has a "what have I done" moment. It's before the beby is born, and before her differences are showing, but can be problematic. I try make it clear this is problem bc Dad goes 1) my dead friend didn't agree, 2) i shouldn't make a kid, 3) I'M HAVING A BABY!?!?

4. Also, I don't know if there's problem with "made in lab and different"? (Like it's "punishment", or something about mutations? Idk I'm not from USA nor Christian, but I know people who are has weird issues).

To be clear, both dads love their kid. They call her their light and "our little miracle". Though can also be issue?

Thank you!! I hope it make sense?

Hi!

First, I want to clarify some points from a biology perspective:

Humans are really bad at handling the wrong amount of DNA, and really bad at cross breeding with non-hominids.

A cross-breed between two species with different numbers of chromosomes may or may not be viable (best chance is when the species are closely related), but the hybrid is nearly always sterile.

A haploid (1x) from each parent can make a new human. Most organisms also work this way. But some organisms produce sex cells with multiple copies of the genome--for example melons can be made to have 2x seeds.

Aneuploidy (3x or 4x) is lethal to most species. Some (plant) species are more resistant, but still sterile--a normal 2x melon and a 4x melon produce a seedless 3x melon, for example.

Monosomies and trisomies are not always fatal, as evidenced by Down Syndrome among other chromosome disorders.

If you want to follow biological constraints, I think having Hope be a hybrid is not the best choice.

But you can do whatever you want, and model off of any chromosomal disorder you want, since you're dealing with fantasy biology.

I think the most important/constant aspect of chromosomal disorders is intellectual disability. Hearing and vision loss are also very common.

Infantilization is not so much a worry with an infant character. It's okay to have children in a story. It becomes infantilization if the character is routinely treated as far younger than their age.

I don't think being made in a lab is a problem. Genetic disorders happen, whether chromosomes are combined in a lab or in a body.

And I also think it's normal for your character to have all sorts of emotions about having made a new person. Just like when someone is pregnant. You're clearly showing it as his complex emotions regarding his actions, not disdain for baby Hope.

Mod Rock

[rubykgrant]

(not putting it in the tags because that makes typing/spacing it out difficult)

I love the versatility/creativity of Pinocchio; the way the general concept gets recreated/retold in multiple ways is always fascinating (even when there are some versions that like, miss their own point? or just tell it really BAD). Two versions that I enjoy in particular, that have their own unique touches, are Pinocchio and the Emperor of the Night (1987), and The Adventures of Pinocchio (1996)

The Emperor of the Night is an animated film that works as an almost-sequel (that winds up re-telling the original plot of the fairytale) to the general established story of Pinocchio, but is a stand-alone story with its own characters. In it, Pinocchio has been a real boy for some time, but after visiting a mysterious circus and being tempted to run away to join it, he finds himself turning back into a puppet (and it is implied that other children who join the circus get turned into puppets as well). There is the implication that by joining the circus you “sell your soul” (or something to that effect), and by doing so you become a puppet of the Emperor. I find that part very interesting; the idea that Pinocchio has been a real boy for some time, but now there is another mysterious force that can take away freedom from children, turning them into puppets. I also like the irony of it (a puppet who became real helping real children who have turned into puppets). This was a movie by Filmation, who also did another sequel/retelling of Snow White (that is a whole OTHER conversation; I love that movie too, and it is adorably bonkers with some wonderfully weird/dark themes). The Emperor was voiced by James Earl Jones (RIP), and seems to be some kind of "devil" character (he has a human-like, unassuming disguise, but a "true form" that is more insidious... with multiple arms, just because I guess)

The Adventures of Pinocchio is a live-action film that retells the well known story of Pinocchio (his creation, his journey through life to figure out how to become “real”). The part of this version that most fascinates me is the “Terra Magica” aspect (every version of Pinocchio has something similar to the Pleasure Island location, where children go to be free and act bad, thus trapping/tricking them somehow). In this version, the area is like a huge amusement park with an old-school vibe, featuring a huge rollercaoster ride. At the height of excitement, where all the children have their mouths open in screams, the coaster blasts through a waterfall. By swallowing the enchanted water, the kids begin to transform. The water seems to change whoever drinks it into something that is symbolic. For the kids, they have been acting like “jackasses”, so they turn into donkeys (the human trickster characters, Volpe and Felinet, get turned into a fox and cat near the end so they now match the characters from the fairytale), and the main antagonist turns into a huge monster. The villain, Lorenzini, previously used Pinocchio in his puppet shows (mistreating Pinocchio by luring him with the glamorous life of show business, and then still treating him like property), and was known for also performing his own tricks of eating spicy peppers, then breathing fire. When one of the donkey-kids kicks him, he doesn't just gulp a mouthful of enchanted water, he becomes completely submerged and then swims out to sea. His "over-dose" combined with his cruel nature means he doesn't just become a regular animal, but colossal creature. The fact that the villain evidently found this mysterious water, and then built a trap for children around it is really amazing; he has been "consuming" other people for his own purposes the entire time, and finally becomes a monster that can devour ships, literally the one who swallows Pinocchio and his Papa

These two themes, Pinocchio rescuing children who have been turned into puppets from a spooky circus, and the cursed water that flows through a sinister amusement park that transforms people who drink it are both just… very captivating to me. There are a LOT of other versions of Pinocchio that have their own fantastic interpretations, and unique aspects, but these are two versions I saw when I was young, so they still stick in my mind

I wish gushing over what you love was more popular than hating on what other people love.

[monsterblogging]

So, I decided to rework Amara Namani for a better Pacific Rim 2.

First, her name suggests to me that the character was originally not meant to be white; or that the version of Amara we actually see in the film was combined from multiple characters, one of whom was not white. So, I'm going to make her Desi.

I'm also going to make her a survivor of K-Day, because I suspect this was the original intention, and because it makes things make a little more sense. The novelization informs us that the specific Jaeger Jake was stealing parts from was Romeo Blue, which would suggest that this scene was originally written to take place in Oblivion Bay, in the San Francisco Exclusion Zone. (This will also make Amara a young adult.)

I'm also going to make her someone who fights in mini-Jaeger battles. I don't know for sure if this was the original intention, but it makes sense and establishes her as someone with combat ability. (We know from the comics that these kinds of fights happen, and the very name "Scrapper" makes me think that a double meaning could have been originally intended - the mech is built from scrap, to scrap in fights.)

Jake (who is now Stacker Pentecost's nephew) meets her in a very similar way to what we see in PRU. But there's one important difference: the pair of them don't get chased down by November Ajax, but by Lady Avenger, which is piloted by Mako Mori and Raleigh Becket. (Mako is a little surprised to see that the man she's chasing is her own cousin!)

I'm also getting rid of that weird cop stuff, by the way. (This also means that Jake/Amara/Scrapper are not getting tased, because that was honestly fucked up.)

Amara is offered the chance to join the PPDC as a cadet, where she is trained by Raleigh Becket, who has just been diagnosed with cancer and will no longer pilot Lady Avenger while he's in treatment. (And yes, he will recover!)

This version of Amara also has difficulty fitting in with the other cadets. One of her problems is that she's spent all of these years fighting by herself, for herself. While she wants to pilot a real Jaeger, she doesn't really have the right attitude for it.

Meanwhile, Jake is now working for the PPDC because Mako has convinced him to fill in for Raleigh for the time being. Jake and Amara bond over Jaeger tech together, and before long it's obvious they're drift compatible - we can see them anticipate each others' actions.

When the kaiju attack, Amara is paired up with the best match they can find for her among the other cadets. However, their drift compatibility score wasn't great, and their performance in the conn-pod is also not great. Amara and her assigned co-pilot fare poorly. Jake and Mako step in to save them and take the kaiju down, but Lady Avenger has serious damage, and the fight isn't over.

Jake has an idea - he switches places with Amara's injured co-pilot, and they proceed to kick the ass of the kaiju. (Mako, meanwhile, gets into Scrapper, and continues to assist the fight.) The story plays out similar to what you see in the original PRU, though with certain differences as the nature of the main villain is quite different.

[pyroanime2k16]

Transformers Energon/Super Link fix-it idea + some Cybertron/Galaxy Force stuff

So, a lot of people hate this show. And unfortunately, it IS a very poorly made show. However, I decided to do this as I feel like it can work well, if written competently.

Energon/Super Link

So, the basic idea is that the Autobots are trying to prevent the revival of Unicron after Armada (Energon's preceding show), while the Decepticons are attemptign to revive and control the dark god. The basics are the same, but the execution is different.

At the end of Armada, Optimus...effectively proved Unicron right; that Optimus enjoys battling just as much as the Decepticons. This haunts Optimus for a majority of the story here...and is one of the main reasons why he stopped taking up supreme command.

Unicron is calling the shots here. He is still alive, though in a limbo-like state. This allows him to seamlessly manipulate everyone's actions into helping restore him, though Primus is well aware of his brother's schemes.

Optimus and Megatron also become aware, though Optimus is haunted by this, giving him another reason to not take up command. Megatron meanwhile demonstrates extreme willpower, constantly freeing himself of Unicron's influence and plotting to make himself immune to it.

The Autobot side of the story has to deal with them coming to accept their demons and overcome them, while the Decepticon side is meant to demonstrate that, even though a dark god is trying to influence you, you CAN free yourself from corruption and oppression.

The Mini-cons, to Unicron, are a lost cause, so he leaves them be (this bites him in the ass later). He also leaves the humans be, as to him, they’re too insignificant in the grand scheme of things (also bites him in the ass as the human allies help save Optimus from himself and his fears regarding Unicron).

At this point, Optimus takes up supreme command once more and permanently merges with Omega Supreme after a near-death experience. Omega’s spark is transferred to Omega’s personal headmaster.

His mini-cons Sparkplug and Over-Run (who became a full-sized transformer) also combine with him, with Over-Run becoming a set of wings and thrusters on Optimus’s back and feet. Sparkplug once again attaches to his right shoulder.

Primus, meanwhile, has some...issues. He's angry (because his brother is once again manipulating his children of metal), sad (because he knows he can't do much in his current state), and vengeful (because he's taking all of the destruction and loss very personally).

Eventually, Unicron is restored and butchers the entire Transformer race and all of Cybertron's colonies (save for Earth). With everyone as one in the Allspark, Primus finally gives in to his rage, taking all of his resources with him and using Optimus Supreme as a host body.

The brothers duel and Primus wins...but the universe is lost. Dead. With no choice left, Primus resurrects/reboots the universe, knowing that some people will forget so much that they might essentially be different people.

He's willing to take the risk though. This explains why the Autobots and Decepticons forgot a lot of shit in the succeeding show: Cybertron. It also explains some characters' different origins and histories.

Cybertron/Galaxy Force

The restoration of their memories (and by extension, the reunion of past characters) is a major side story in this new version of Cybertron, along with Optimus being able to change from his standard Armada form, his Cybertron form (which includes the Super Mode), and Optimus Supreme at will.

The closing of the Unicron Singularity results in Megatron actively CHOOSING to discard any and all parts of him that make him Megatron, effectively making himself the new Unicron. His hate for Optimus is that great that he is willing to throw away his entire identity just to kill his arch-enemy.

THAT…or Megatron is actually dead and Unicron merely reanimated his corpse to serve his ambition. The latter idea probably works better, as Armada and Energon Megs both had SOME form of respect towards their followers, while Cybertron Megs had NONE.

Primus also dies in the new version of Cybertron, with Optimus taking his place by essentially piloting Cybertron as a Protector God titled Optimus Deus; the one god who is able to truly destroy Unicron.

This results in the torso and head looking identical to Cybertron Prime, a giant Matrix for the chest, and a monochromatic metallic color scheme. The Ark cannon would become a giant sword for this form.

[shouldprobablybereading]

Officially at the halfway point (well 49%) and so far it’s a lot better than what I expected. I’ve had a lot of fun with days 4 and 5 specifically

Biggest disappointment so far is probably the spiritual realm flashbacks. They’re not bad. But I don’t feel like they reveal enough to be worth how much space they are taking up each. Which is a bit about how I feel overall. It’s using so many words but not effectively. It’s also a bit repetitive so far since all plots points are based on doing essentially the same type of thing over and over.

Which becomes a problem when I’m expecting this to be the last time I see at least a few of these characters. That was expected as it was my main problem with the lost metal. If this is the last 400 pages that I get with the characters then I want them to be at their most interesting. But instead they get split off on 45 different missions and the entire book becomes about describing action scenes

Surprisingly Szeth is actually the best part of his own book so far. He’s never been one of my favorites so I thought his flashbacks would be a bit boring. But no shinovar is deeply fascinating and I’m starting to actually get his character

[lem-argentum]

there is a lot that undoubtedly sucks about instagram however letting you add songs to posts is the best thing in the world because there's NOTHINGGG!!!!!!!! i love more than subjecting people to my music. 💛💛💛

[irenespring]

One has to appreciate Chase for talking the talk (saying this) and walking the walk (preventing a genocide by killing a dictator).

Let's bring this energy into the rest of 2025.

HOUSE M.D (2004 - 2012) I 1.05 - Damned If You Do

[whispers-whump]

Some writing advice

that I like to use when I write. None of this is meant to be taken as hard and fast rules, they’re just things I like to do/keep in mind when I’m writing and I thought maybe other people would enjoy! <3

Never say what you mean

This is an offshoot of the very common “show don’t tell” advice, which I think can be confusing in application and unhelpful for scenes where telling is actually the right move. Instead, I keep the advice to never say exactly what I mean in stories.

By using a combination of showing and telling to hint at what you really mean, you force your reader to think and figure it out on their own, which makes for a more satisfying reading experience.

You might show a character getting angry and defensive in response to genuine care and concern. You could tell the audience that the character doesn’t see/talk to their parents often. But never outright give the real meaning that the character feels unlovable because of their strained relationship with their parents and as a result they don’t know how to react to being cared for.

Your readers are smart, you don’t need to spoon feed them.

Be sparse with the important things

You know how in a lot of movies there’s that tense scene where a character is hiding from something/someone and you can only just see this person/thing chasing them through a crack in the door? You get a very small glimpse of whatever’s after the character, sometimes only shadows being visible.

Do that in your writing. Obscure the important things in scenes by overdescribing the unimportant and underdescribing the important.

You might describe the smell of a space, the type of wood the floor is made of, the sound of work boots moving slowly across the room, a flashlight in the character’s hand. And there’s a dead body, laying in a pool of blood in the far corner of the room, red soaking into the rug. Then move on, what kind of rug is it? What is the color, patterns, and type of fabric of the rug?

Don’t linger on the details of the body, give your reader’s imagination some room to work while they digest the mundane you give them.

Dialogue is there to tell your story too

There’s a lot of advice out there about how to make dialogue more realistic, which is absolutely great: read aloud to yourself, put breaks where you feel yourself take a breath, reword if you’re stuttering over your written dialogue. But sometimes, in trying to make dialogue sound more realistic, a little bit of its function is lost.

Dialogue is more than just what your characters say, dialogue should serve a purpose. It’s a part of storytelling, and it can even be a bridging part of your narration.

If you have a scene with a lot of internal conflict that is very narration-heavy, breaking it up with some spoken dialogue can be a way to give some variety to those paragraphs without moving onto a new idea yet; people talk to themselves out loud all of the time.

Dialogue is also about what your characters don’t say. This can mean the character literally doesn’t say anything, they give half-truths, give an expected answer rather than the truth (“I’m fine”), omit important information, or outright lie.

Play with syntax and sentence structure

You’ve heard this advice before probably. Short, choppy sentences and a little onomatopoeia work great for fast-paced action scenes, and longer sentences with more description help slow your pacing back down.

That’s solid advice, but what else can you play with? Syntax and sentence structure are more than just the length of a sentence.

Think about things like: repetition of words or ideas, sentence fragments, stream of consciousness writing, breaking syntax conventions, and the like. Done well, breaking some of those rules we were taught about language can be a more compelling way to deliver an emotion, theme, or idea that words just can’t convey.

Would love to hear any other tips and tricks other people like to use, so feel free to share!!!

[halfvalid]

pretty in that

ABOUT

rating: general audiences

characters: live action!roronoa zoro | fem!reader | live action!monkey d. luffy | live action!nami

pairing: live action!roronoa zoro x fem!reader

word count: 4.2k

description: you have a hard time picking a dress for dinner whilst in kaya's mansion. zoro (sort of) helps!

tags: strawhat!reader, female reader, fluff, kissing, confessions, no use of "y/n", special straw hat appearances (nami & luffy), soft zoro

author's note: i'm a sucker for dress-up scenes so i KNEW i was gonna write smth like this once that ep3 scene started playing. reader chooses a dress at the end; dress is non-described so you can imagine your ideal dress!

You were on Nami and Zoro’s side when it came to whatever was going on in Syrup Village. Kaya’s mansion made you feel vaguely unsettled, and stepping into the building made your heart pound quicker than you would like to admit. But if there was one thing that piqued your interest, it was the order of changing clothes for dinner. You’d been stuck in the same few outfits for weeks now, and the promise of something new—and formal—was nearly exciting, although you’d never admit it in front of Nami and her disapproving gaze. 

Kaya’s kindness combined with the private guest room and bath you were treated to helped soothe your nerves. Soon you found yourself being led to the giant closet the rest of the Straw Hats were already in—Nami was trying on various different pieces, and Zoro seemed to have something in hand too. 

“Ah, there you are!” Luffy said, swiveling on his heel and giving you a big grin as you entered the room. You stared in disbelief at all of the racks around you. Hell, there were even clothes hanging from the ceiling. 

“Well, we certainly have a lot of options,” you said, skimming a hand over a nearby rack. There were a variety of different fabrics, but they all felt expensive: silk and velvet, damasks and brocades. “I don’t even know where to start.” 

“I’m just trying on anything,” Nami called from where she was, before stepping out from the room divider she’d been changing behind. She wore an emerald dress with a plunging neckline, the patterned silk clinging to her curves, and did a little spin. “What do you think?” 

Luffy shrugged. Zoro wrinkled his nose, barely glancing up from the armchair he was lounging on. “I think it looks nice,” you offered, but Nami still seemed dissuaded. 

“Ugh, these two are impossible. What are you going to wear?” 

“Uh, I’m getting there,” you said with a little laugh. “It’s a bit overwhelming; I’d rather help you guys pick first. Luffy, have you found something yet?” You turned towards the man in the center of the room, who nodded enthusiastically. 

“Yeah, I found this!” He raised up a black waistcoat. You frowned at it. 

“Um, Luffy, waistcoats are supposed to be worn with a suit,” you said, then paused, seeing his blank look. “...Never mind.” 

“And I’m wearing black,” Zoro added, despite the piece of clothing slung along his lap definitely not being black. You exchanged a glance with Nami, who just rolled her eyes. They’re stupid, she mouthed, then returned to the rack she was glancing through. She worked quickly, pulling out various numbers that she scrutinized before either setting on the couch beside her or putting back. 

“Okay,” you said slowly. “Need me to find you some pants with that, Cap?” Nami and Zoro let out identical groans as you spoke the pet name, both turning to give you exasperated looks. You suppressed your laugh. 

“Stop calling him that,” Zoro said with a tired sigh. “You’re encouraging him.��� 

“Kind of the point, yeah,” you said cheerfully. While Zoro and Nami were both still largely unconvinced about the whole pirate crew thing, you’d joined the bandwagon rather quickly. Zoro rolled his eyes, and you turned towards the racks to find Luffy some slacks. “Assumedly you need something other than that shirt too?” 

“I’ll look later,” Zoro said passively. You watched him out of your peripheral vision. He was outfitted in a patterned kimono, his three swords slung along his lap. He didn’t seem too interested in his surroundings, though what he was doing, you weren’t sure. You let him be, turning to page through the racks of clothes again. Finally you found a pair of slacks that seemed like they’d fit Luffy. 

“Here,” you said, passing them over to him. “And find some shoes while you’re at it.” 

“Why does she even have clothes that don’t fit her?” Zoro murmured, sounding as baffled as he could get. “What, she just casually has clothes in all four of our sizes hanging around?” 

“Rich people own things just to own them,” Nami called. She’d changed again; this dress had a halter neckline and was blush pink. Zoro motioned with a hand at it, and Nami frowned, glancing down at the dress. “You don’t like it?” 

“Eh,” Zoro said. Nami made a face. 

“At this point I think you’re hating just to hate.” She pulled up a few more options, narrowing her eyes as she surveyed them. Luffy was seemingly satisfied with what you’d given him, because he took the pieces off of their hangers and slung them over his shoulder. 

“I’m off,” he announced. “Gonna go change in my room and do some exploring before dinner. Have fun!” With that, he left, and Nami sighed, turning towards you. She held up her final two options—a red cheongsam with delicate gold embroidery and a pastel blue dress with an a-line skirt. You gnawed on your bottom lip as you studied the two.

“I think the blue one might wash you out a bit,” you said eventually; it’d clash with her hair no doubt, and make her skin look even paler. The shade wasn’t a right match with her eyes, either. “I like the cheongsam; I think you should go with that one. It contrasts nicely with your hair.” 

Nami raised up the dress again, inspecting it. “You’re right,” she said, ducking back behind the room divider to change. You started pursuing the racks again; Nami stepped out a few moments later, successfully outfitted in her new dress. “Okay, I’m going to go do my hair in my guest room. Good luck.” 

“Bye,” you called, watching as she left the room. You clicked your tongue, almost alone now and with absolutely zero options of clothing. As much as you liked the idea of new clothes, the abundance of options was starting to seem a little daunting. “Okay, now that Nami’s done, it’s my turn to play dress-up.” 

Zoro laughed from where he sat, and you startled, almost having forgotten he was there. He was watching you attentively, his attention having diverted from whatever it was he’d been thinking about earlier. “You like this kind of thing?” 

“Well, I mean.” You shrugged, peering at a few of the pieces on the rack in front of you. You pulled out a deep green dress, eyeing the lace by the neckline before setting it back. “It’s kind of fun, isn’t it?” 

“Not really what I’m into.” 

“You wear jewelry, so clearly you have some fashionable instinct,” you pointed out, bending over to glance at the clothes hiding by your knees. These were all skirts or unreasonably short dresses, with so little fabric you were uncertain they would cover anything at all. “Unless the earrings are for another reason…?”

“Three swords, three earrings.” 

“Makes sense. What are you wearing with your shirt?” You glanced back to see Zoro’s answer, but he merely shrugged. “Do you want me to find you some trousers? A suit?” 

“You don’t need to find clothes for me. I can do that myself.” Still, Zoro made absolutely no move to do so. You rolled your eyes, but turned your attention back on what you’d be wearing for the dinner. Vaguely you wondered how Zoro would look wearing a suit. You flushed almost as soon as the thought popped into your head, shoving it into the very back of your skull and banishing it from seeing the light of day. 

“If you say so,” you said instead, mostly to distract yourself from the beyond inappropriate thoughts starting to run through your head. Honestly, you barely knew your crew mates—the four of you were close to tearing each other’s throats out before you ran into Buggy, after all. And the fact that Zoro was, well, conventionally attractive—and you tried to keep your thoughts on that and that alone, anything emotional was strictly out of the question—shouldn’t be something your mind lingered on. 

You picked out the first dress that looked to be your size. It was dark purple, backless with a tight trumpet skirt. Ducking behind the room divider Nami had used, you stripped off your clothes, donning the dress. There was a mirror along the other side of the divider, and you turned, trying to appraise the dress on your figure. The color didn’t look entirely right, and you were uneasy about the lack of mobility the skirt might have—Kaya’s staff were still extremely suspicious, after all, and you’d rather be safe than sorry. 

“Let me see,” Zoro called from outside. You tugged at the dress, suddenly nervous, but stepped out after you couldn’t find a good enough excuse not to. Zoro’s eyes ran up and down your figure, and you did a slow circle, showing off the dress. The bare skin of your back prickled. 

“You’re not going to be able to move in it,” he eventually said. 

You huffed out a breath, the nervous energy that had accumulated in your chest leaving with the action. Something in your belly stirred; disappointment, maybe, that Zoro had only commented on the practicality of the dress, not how you looked in it. But you pushed those thoughts away with an angry shove. Not the time, and definitely not the person to be thinking those sorts of things about. “Yeah, that’s what I was worried about. Let me find something else.” 

Zoro’s gaze didn’t flicker from your body as you started across the room, ducking between more racks to find something. “You dead-set on a dress?” 

“I haven’t worn a dress in a while,” you answered, picking out a red one before remembering Nami’s choice and setting it back. “Might as well take the opportunity.” The next one you pulled was blue, all shiny and soft. The material looked like some kind of tender silk. You set it aside to try on. “Why?” 

“Haven’t seen either you or Nami in a dress before.” 

“Actually, you have. I’m wearing one right now and Nami tried like five on earlier,” you said, glancing over your shoulder to shoot Zoro an unimpressed look. He scoffed, though there was a smile at the edges of his mouth as he turned his head away. Your next choice was soft pink, and made of tulle that vaguely resembled a puff pastry. You pulled it up. “Think I should try it?” 

“I mean, pick whatever,” Zoro said, though he seemed mildly disgusted by the amount of fabric the skirt had, all bunched up with layers like something a ballerina might wear. “What are you trying to achieve with the dress?” 

“What am I—I’m trying to look nice, Zoro,” you said, stifling your laughter. You set the pink dress back, replacing it with a sage green number instead. “Not everything has ulterior motives.” 

“You always look nice.” 

You froze, a soft chill curling around the back of your neck. Carefully, you straightened up from where’d you been bent over yet another rack of clothes, turning to look Zoro in the eye. His eyes hadn’t moved. “Oh,” you managed out, throat all dry and tongue like sandpaper in your mouth. “Well, thank you.” 

Zoro cleared his throat, a dull noise he made in the hollow of his throat without even parting his lips. His gaze flickered away. “Yeah. Go try those on.” 

Wordlessly, you stepped back behind the room divider and slipped on the blue dress. It had a texture like water—it was some kind of high-end silk, flexible enough that it was near liquid in movement. The dress itself fell to your ankles, and had a simple square neckline. You stepped outside, doing another slow twirl. “Better,” Zoro said. 

“Better how?” 

“You can probably run in it.” 

You twisted your lips, trying to suppress the urge to turn them down into a frown. “Okay. It’s not doing it for me.” You ducked back behind the divider to change yet again; the sage green one was satin, with long sleeves and a neckline you hadn’t anticipated would be that deep. 

Still, upon exiting the divider and turning for Zoro again, he didn’t have any worthwhile feedback. “It’s kind of plain,” he said eventually, not meeting your eyes. 

You huffed, crossing your arms over your chest; you had to almost resist stomping over to the racks to find something more, and spent another few minutes gathering dresses and trying them on. 

To your immense disappointment, each one garnered little to no reaction from Zoro. You even shoved on one of the tiny, too-little fabric dresses you’d disapproved of earlier, but all Zoro did was scan you from head to toe and say, rather flatly, “you’d get stabbed pretty easily in that.” 

Frustration bled into your nerves as you hid behind the divider again. You glared at yourself in the mirror—your skin had started flushing with how annoyed you were getting, which might’ve been funny had you not been so ticked off. Men, you thought, irritated. Was it really so hard to tell you that you looked pretty? 

He’s a bounty hunter, you had to remind yourself. He doesn’t care about this kind of thing. Besides, he was the last person you should be setting your sights on anyway. You tugged at the short dress, the hem just barely grazing the tops of your thighs. 

You heard footsteps approaching from outside the divider, suddenly too close as you snapped yourself out of the reverie of thoughts you’d been lost in. Zoro turned the corner, arm propped up against the divider edge as he peered in, brows furrowed. “You stopped coming out,” he said. He was still in his kimono, swords tossed over one shoulder. The shirt he had was, assumedly, left on the couch he’d finally stood up from. 

“I’m frustrated,” you told him blandly. His frown deepened. 

“Because of… clothing?” 

You suppressed the sigh that threatened to escape your lungs. “Never mind. I’m fresh out of ideas.” You pushed past Zoro, opting to stand in the center of the room as if analyzing it from a different view would magically give you more options. Zoro turned to stare, still looking perplexed. “With so many options, it’s hard to make up my mind, that’s all.” 

“Uh huh.” Zoro was still studying you. “Did I do something?” 

“What? No,” you said hastily. Too hastily. The words had ripped out of your throat like a hiccup, and you seriously needed to learn how to lie a bit better because now Zoro’s expression was even more confused. “No. Why would I be mad at you?” 

“I don’t know. That’s why I’m asking.” 

“It’s nothing,” you insisted, turning away from Zoro to stare at some of the clothes hanging on the wall above his head. These were too high up to properly look at, and as you stepped back, you glanced through the dresses hanging off the arch of the ceiling. You perused them without too much interest, eyes glancing over the various colors and fabrics until— 

Zoro stepped next to you. “Hey,” he said, and you jolted, head snapping down to look at him. You let out a noise of irritation, then turned your focus back on the ceiling. 

Your gaze flickered through the racks until finally falling on one particular dress hanging by the mouth of the room. It was somewhat hidden, tucked in a little corner beside a few other pieces, but from your vantage point it seemed about your size. 

You took a step closer to it, surveying it with your neck craned. The material looked soft and comfortable but it still retained shape, and the color—even in the dim lighting of the closet—was one of your favorites. The undertone would suit your skin perfectly. And, well, you didn’t want to put all your bets on one dress you hadn’t even touched, but it was certainly promising. 

Zoro stepped past you, barely exerting any effort to reach up and bring the dress down from where it hung up high. “This one, right?” he asked, and you swallowed, some of the annoyances you had towards him dissolving as he extended the dress hanger towards you. You nodded wordlessly, taking it. You stood there for a second before Zoro gestured with his head towards the divider. “Go try it on.” 

You did so, retreating safely behind your wall and stepping out of the little dress. You surveyed the one Zoro had grabbed for you again, heart lodged in your throat. It really was beautiful, and exactly your style; now that you saw it up close, you could safely affirm it was your size too, but nervousness still pulsed through your veins at it. 

Carefully, you slipped it on, adjusting the fabric around your hips and fixing up the neckline to rest evenly on your skin.

Zoro spoke out from the rest of the room. “So why are you mad at me?” 

“I’m not—” you sighed, dropping your arms before returning to fiddle with the dress. “I’m not mad at you.” 

“Is it because I wasn’t being helpful with the clothes? Because I already said that’s not exactly my area of expertise—” 

“It’s not because of the clothes, Zoro,” you said sharply, cutting him off. Zoro clicked his tongue, the sound reverberating around the room and thudding in time with your heartbeat. You turned your attention back onto your reflection. “It’s just me being silly. Don’t worry about it.” 

‘I’m worrying about it,” Zoro deadpanned. You sighed, adjusting the dress one final time before arranging your hair and staring at yourself in the mirror. It fit you perfectly, emphasizing all the right places and hiding all the parts of your body you were more insecure about. “Changed yet?” 

“Yeah,” you said, voice limp. 

“Let me see.” 

You bit your lip, suddenly nervous about how he’d react. Knowing him, it’d be something like it’s okay or the color’s fine; perhaps can you even walk in that? or weird shape if he was feeling a little more critical. Still, you stepped out anyway, not meeting Zoro’s eyes as you spun for him, letting him look at the dress from all angles. When you’d finished posing you glanced up, eyes meeting him tentatively. 

“It’s…” Zoro cleared his throat, ripping his gaze away from the dress on your figure to flicker up to your face. His gaze dropped again nearly as fast, like he couldn’t bear to keep eye contact. “Uh.” 

“It’s what?” you prompted, turning to face the nearest mirror. Your lips twisted into a worried frown, turning to glance at the dress again. Was it really not as perfect as you’d thought originally? “Do you like it? It’s my favorite so far, I think, but if you don’t like it—” 

“You look pretty in that,” Zoro blurted, cutting your rambles off with the strident, too-loud sentence. You froze, eyes flickering to meet him in the mirror. Carefully, he glanced up at you, and you could see his Adam’s apple bob as he swallowed hard. 

“Oh.” 

Zoro coughed, averting his gaze as you slowly turned around to face him. You couldn’t see properly with the less-than-ideal lighting of the room, but his face seemed to have taken on a ruddier complexion. “I like it,” he said, words softer than they’d been before. “It’s the one.” 

There was a little rush of something through your veins, and you felt vaguely lightheaded. “Okay,” you barely managed to squeak out. “Thanks.” You stumbled back behind the divider, sucking in a deep breath and trying to regulate your breathing. God, this was actually shameful at this point. 

You composed yourself quickly, gathering all the dresses you’d tried on and abandoned to return to their proper places. Zoro was still watching you attentively, and you glanced over your shoulder at him. Sparks prickled along your skin as your eyes met. “What?” you asked. 

“You’re acting weird.” 

“Am not.” 

Zoro stood up, rolling back his shoulders and stretching his head from side to side. He glanced through the racks and, without even a minute’s hesitation, plucked a suit jacket and matching pants out from beside him. “Yeah, you are. What’s up?”

“You’re just grabbing those without thinking about it?” you demanded, eager to change the subject. Zoro rolled his eyes.

“I picked them like fifteen minutes ago,” he said. “Just didn’t grab them until you were done your whole… thing. Now spill it. You’re all red again.” 

You swiveled towards the closest mirror, unable to suppress your gape as you saw that your skin had indeed turned a distinctive shade of scarlet, flushed undertones creeping their way up your skin. It was entirely recognizable even in the terrible lighting. Even your skin was treacherous, now. “Nothing,” you muttered, unable to meet Zoro’s eyes as you spit it out. “I was annoyed because you weren’t telling me what you thought of the dresses.” 

“I… did, though?” Zoro said, perplexed. You let out a grating sigh, cheeks flaring even hotter now that he was forcing you to confess the entire extent of your sins. 

“Yeah, like, practically,” you said, wrapping your arms defensively over your chest. “You’ll get stabbed in that so easily. You won’t be able to walk. I just wanted you to tell me that—” you cut yourself off with another groan. “Don’t make me say it.”

Zoro blinked. “I have no idea what you’re edging towards, so you’re going to have to say it.”

“I just wanted you to tell me I looked nice!” you finally burst out, turning so you wouldn’t have to look at Zoro’s face. God, you were going to have to quit the Straw Hats after this. It was so entirely stupid. 

“But—” There was a laugh in Zoro’s voice, and you glared down at the floor, all of your dignity having left you by this point. You had no shame left to feel anymore. “I said ‘you always look nice’. Doesn’t that insinuate—” 

“That’s not the point,” you said hotly, tone almost argumentative now. “I wanted you to think I looked pretty in a dress, Zoro.” 

Zoro didn’t respond for a moment, brows creasing and face taking on a baffled expression. “But why—” Zoro cut himself off, and you turned even redder, holding your breath as he finally connected the dots. A single word fell from his lips, like a soft breath of air as he spoke. “Oh.” 

“Oh,” you muttered under your breath, unable to stop the almost whining tone your voice took on. Zoro stepped closer to you, a hand wrapping around your wrist and forcing you to look up at him. 

“I said you looked pretty in this one.” 

“I know,” you insisted, still all red, “which is why I’m not totally mad at you, but—” 

“You looked pretty in all of them,” Zoro said. He didn’t look bashful, per se—you didn’t think Zoro could get shy—but his voice was low, all hoarse in a more tentative way rather than one of his grating remarks this time. “For the record.” 

Your breath caught. 

“This one’s my favorite, though,” Zoro muttered. And then he was leaning down to kiss you, the ghost of his lips just on the corner of your mouth. You gaped up at him in shock as he averted his gaze, staring at some spot about your head. “Was that—” he started, before clearing his throat and trying again with a little more of his dignity this time. “Was that okay?” 

“Yes,” you blurted fervently, and before you could fix up the moment with something more, well, suitable, your big mouth ruined it for you. “But I think we’re holding up dinner. You should get changed, and I still need to find shoes.” 

You bit your tongue immediately after the words had been said, but it was too late—Zoro coughed, turning away from you. You panicked, and now it was your turn to grab his arm and tug you towards him. “Wait!” 

Zoro glanced down at you, perplexed, and then you leaned up to kiss him square on the mouth. He stumbled back, surprised, but adjusted quickly, hand going to cradle the back of your neck and pressing you right to him before you finally broke apart. 

“You should steal it,” he started. You stared up at him in question. “The dress, I mean. You should steal it.” 

“When am I ever going to need to wear this again?” you asked, perplexed. Zoro shrugged, fingers tugging at the edge of the dress's neckline. 

“Dunno. Just take it. She probably won’t even notice.” 

“You’re adorable,” you teased; Zoro wrinkled his nose but didn’t complain, opting instead to move away and pick up the clothes he still hadn’t changed into. “Go change. See you at dinner.” 

“Yeah,” Zoro said, his eyes not straying from your figure as you ducked out of the room. Before you could fully leave, though, Zoro grabbed your wrist, spinning you around towards him.

You didn’t have enough time to ask what he was doing when he leaned around to kiss you one final time, his hands cradling your face as your lips moved against each other. It was only a moment later that he stepped away, looking rather sheepish but not very apologetic as he finally let you go. 

“You look more than pretty,” he murmured, eyes sinking into yours, and your throat dried, any words you might’ve formed dying away within seconds. “You always look more than pretty. You look gorgeous.” 

“Thank you,” you whispered, and then he ducked back inside the closet to change. 

© halfvalid 2023

[sunnydayaoe]

My shimeji is done!!! gifs of [Some] individual animations :-]

Here's a google drive with them in it!!

Extra under cut [info [like what are shimeji? +] & how to get it working]

Shimeji are little guys who'll run around your desktotp, climbing walls and interacting with windows you have open [if given permission]. These guys specifically have a lot of added actions that shimeji don't typically have.

You can pet them by tapping their faces, make them hold hands, have them do combined animations [a lot of hugging...], and much more! I also added a lot of character specific idle animations.

To get it working, just put everything in a folder, and run it by opening "Shimeji-ee" I made a shortcut though! You can drag and drop "CB & Fresh" onto your desktop, and you'll have a cute little shortcut with them as its icon :-]

If you want a version without CB, DM me! Fresh has a lot of behaviors/codes that I need to remove if you want that and I'm too lazy to make that unless theirs demand. Also !! please consider tipping me on Ko-FI, I made this all for free over a very very long time, so I would appreciate it; totally not required though! Have fun :-]

[writers-potion]

Writing Weapons (2): Knives and Daggers

Dagger vs. Sword

In many situations, daggers might be more plausible than a sword fight.

Dagger are eaiser to carry and conceal, lighter, faster, good for spontaneous action, suicide bids, self-defense and assassination.

Dagger vs. Knife

No clear distinction; terms used interchangeably

Dagger is more for thrusting with 2 sharp edges

Knife is more for cutting (slashing) with 1 sharp edge

Concealment

Carried in a leather sheath on the belt

Can be concealed under a cloak, in a bodice (sheath sewn into the bodice), in a boot, behind hari ornaments

Bodice daggers (popular in the Renaissance) had no cross guards.

Connotations

Beside its combat value, the dagger has lots of emotional and sexual symbolisms.

The closeness need to attack with a dagger creates intense personal connection. They are often used in fights where emotions are running high: gang warfare, hate crime, vengeance.

Due to its shape and the fact that it's usually worn on a belt made it a symbol of virility in many cultures and periods.

Sometimes it was the hilt rather than the blade: like in the case of bollocks daggers with two...balls on either side of the hilt.

Fighting Techniques

Stabbing:-

The dagger with long, thin blades are made to stab a vital organ like the kidneys, liver, bowel, stomach or heart.

Stabbing directly at the chest seldom works, since the blde may glance off the ribs. Position the dagger below the ribcage and drive it upwards, through the diaphragm and into the lungs. If the sword is long enough and your fighter is a professional, you can get to the heart.

If no professional, just keep going for the stomach and you'll get one of the vital organs eventually.

Slashing:-

When describing a slash wound, show a lot of blood streaming, or even spurting.

Slashing dagger fights are bloody - show your MC's hands getting slick with blood, grip on the weapon slipping.

The aim is to cut the opponent's throat or cut tendoms, muscles, or ligaments to disable. Slashing the muscles in the weapon-wielding arm is the most effective; insides of the writst or back of the knee is also critical.

Assassinations:-

Show good knowledge of the humna antatomy

Use a stabbing dagger

A single, determined, calculated and efficient stroke, probably below the ribs.

Self-Defense:-

Disable the attacker by slashing their weapon-wielding hand (elbow or wrist)

Quick, multiple stabs wherever the MC can get the blade to land; the attacker won't give time for careful positioning

If the blade is too short to do any significant damage, maek up for this by stabbing so ast that the pain and blood loss distracts the opponent.

Vegeance and Hatred:-

Someone who is motivated by raging emotions will stab the victim repeatedly, even after he is already dead.

The attacker may stab or salsh the victim's face, disfiguring it.

Contemporary street fights and gang warfare usually involves these.

Duels:-

If both fighters are armed with daggers, include wrestling-type moves as they try to restrict each other's weapon hand.

Show them trying to disable each other by slashing insides of writes, elbows, the back of the knees, etc.

Dagger + Sword

If the character is expecting a fight, they can hold a sword in their right hand, and a dagger in their left to fight with both

Sword + mace combination also common.

Blunders to Avoid:

Direct stabbing at the chest wouldn't work.

Hero cannot cut his bread with a stabbing sword

adapted from <Writer's Craft> by Rayne Hall

[winterdeepelegy]

Vanilla Gpose Tips

I get asked occasionally how I make my screenshots if I'm not using shaders or mods. The short answer: Patience. Gpose's suite of tools is a lot more robust than it used to be when it was first released. But if you want a screenshot to really shine without using third party add-ons, it's not something you can just go into gpose, take a printscreen and get back out. You might capture a moment with nice lighting that way, but it takes more than that. 1. Choosing a location and time of day is job one. What kind of mood are you trying to convey? Does your intended screenshot have a theme (or a prompt?) or are you just looking at your new glam and marveling at how fine your character looks in it? Does a lighter or darker setting suit the character better? Setting, time of day, and weather can affect this. 2. You can stop time and weather from changing. I keep this on by default because it can take upwards of 30 minutes IRL to fine tune a screenshot. The middle button below. Make sure it's highlighted.

3. Toggle battle effects on/off. It's the button right next to the time/weather stop, the icon of the guy holding the sword. If the icon is highlighted as it is in the screenshot, your battle effects are on. If you want to capture pure motion and not worry about battle effects, turn this off. 4. Wet effect. Use it, use it, use it. It doesn't just make clothes look wet and make skin glossy, it actually helps to bring out texture and detail on the character's outfit. Especially since the graphics updates in 7.1. I've found it also adds shine to hair and can help the eyes stand out more.

5. Sticker Mode. Yes, there are oodles of cute minion stickers, flags, and numbers, but there are also some great effects to be found in the Decorations category! Sparkles and twinkles, lens flare, among other things can help enhance metallic points on a glamour, AND they can be resized! So if you want a more subtle twinkle on the edge of your spectacles or earrings, you can tilt and downsize your desired sparkle. There are also cute flowers and hearts. 6. Quick Keys. If you're playing on a keyboard, the 1 on your top number row freezes the screenshot. This is extremely helpful if you're trying to catch a battle emote right at a specific moment. If you miss it, keep trying because emotes will continue to cycle until you change them. R and Scroll Lock will both hide/unhide the gpose controls. X will turn on lighting. Space Bar will toggle your character to stop them from facing the camera and vice versa. 7. Lighting Intensity is Dependent on Distance. The closer you're zoomed in on your character, the brighter the light is going to be when you turn it on. Try adjusting your zoom in or out and toggling the light to see if the illumination is to your liking. You can also adjust the RGB on the lights to fit the mood/environment. I also recommend turning on Manual Brightness. 8. Color Filter and Screen Effect. These two features, in my opinion, require the most patience. Not every color filter and screen effect will work well together in every scenario. Click through and preview all of them in your screenshots and see if some SE's work better with your preferred CF. You might find an unexpected combination that you love. Trailer and Echo color filters are great for flashbacks (no one uses Aetherometer, it's an eye bleeder). Use the Pencil or one of the monochrome CFs and Noise 2 SE to create a nice black and white film or photo effect. 9. Frames. Frames are one of the more limited features and not always needed in order to capture a great screenshot. Action poses benefit from the Cinema frames, however, while more lighthearted moments play well with the photo options.

10. Emotes. Before you enter Gpose, be sure to /groundsit to clear your most recent emotes. Summoning mounts and minions also count as emotes for the sake of Gpose. By the same token, you can use battle abilities before entering Gpose, and this is what it will cycle through. You can't activate a battle ability while IN Gpose. You will have access to all of your non-battle emotes and facial expressions, though. You can combine any emote with any facial expression by choosing the action first, and expression second, so you can /prettyplease and /awe at the same time to make your character look hilariously horrified. If you enter Gpose with an active battle ability, you can still apply a facial expression to it from within the tool. 11. Bits and Bobs. Enable Manual Focus and Depth of Field will help bring out the details of the background more, and will help to make a more cohesive screenshot. Manual Focus is great if you want your character in the frame, but you want to shift the focus elsewhere, to an object or another person in the background for example. In the same menu where you'll find emotes, click the second eye button to "Track Camera". Your character's eyes will follow the position of the camera. Lastly, again, have patience. Allow yourself time to play with all the tools Gpose has to offer. You're probably not going to get the winning screenshot after clicking Printscreen just one time, you should take multiple shots from different angles with different lighting and effects, then compare them all and pick the ones you like best. And remember, even if it's the true endgame, it's not a competition. Your screenshots are not "worse" or "boring" just because you're not using third party tools. I look forward to seeing what you create, and you should too.

[actiniumwrites]

patches

synopsis: even though you’re both self-proclaimed enemies, they can’t bear to see you hurt. or in which, you show up at your enemies door all bloodied and bruised and they’re forced to take care of you

characters: xiao, gaming, alhaitham, and arlecchino x gn!reader (separately)

warnings: angst to fluff, hurt/comfort, injuries, crying, enemies to lovers, some of them are kinda mean, extremely mild misunderstandings, probably swearing idk

notes: i’m in a massive enemies to lovers kick right now omg you guys don’t understand. this was also inspired by arlecchino’s voiceline from a heavy hit or something where she says, “wanted my full attention, did you?” she’s so fine i’m sobbing 😖

Xiao:

It was a relatively quiet night before you showed up at Xiao’s room at the Wangshu Inn. For the first time in a while, he had felt a semblance of peace. That was until the indistinguishable scent of blood forced itself in his nose and a weak knock sounded at his door.

Xiao opens it immediately. He doesn’t care to know who it is, but rather what they want with him at nearly three in the morning. No one ever bothers Xiao this late. Not unless it was serious.

“What do you—“ he starts harshly but stops mid sentence when he recognizes your face. You’re doused in blood, your clothes all ripped up. And god, you look so weak it almost makes him feel bad for you. “Get inside,” he grabs your arm harshly, but still manages to avoid all your injuries.

You start to speak, but your mouth is full of blood too. He can barely understand what you’re saying aside from a bunch of nonsensical, I’m sorries. And if your injuries weren’t enough to show it, the fact that you’re apologizing to him at all tells him something is seriously wrong. Most of the time you talk to him it’s a bunch of insults thrown back and forth, some even result in physical fighting. Neither of you have been able to get along for centuries, yet here you are getting patched up in his house.

Xiao remains mostly silent as he sets you on the counter and pulls out his medical supplies. First he cleans up all the excess blood with a cloth before tossing it aside and moving to work on the actual injury itself. You can’t help but watch him, feeling nothing but shame as you do. You couldn’t help it. There was no one else you could think to go to.

“You are unbelievably weak and irresponsible. It’s idiotic to think you could ever handle anything in this world, not even a few monsters,” he grumbles between stitches, “Pathetic.”

You just stare at him as tears well up in your eyes. You aren’t one to cry. In fact, you can’t even remember the last time something so bad happened that you did. But sitting here, terrified of the monsters that had you within an inch of your life combined with Xiao’s cold words made you completely shatter inside and out.

Quietly, you sob into your other half-cleaned arm, “I know. You don’t have to say it.” You begin to get up right after, mumbling about it being a mistake coming here but he pushes your knee back down before you can fully stand up.

Xiao looks up surprised from where he sits as he does, his hands drop the thread and needle against the counter. Without word, he stands up and furrows his brows. “I should not have said what I said,” he practically whispers, a twinge of embarrassment hitting him too. A darker look shades his gentle amber irises as he stares into yours, “I don’t entirely dislike you. As stupid as your actions may have been, seeing you injured makes me…upset.”

“They weren’t normal monsters,” you breathe out between the remaining sobs that still involuntarily leave your mouth. You know you don’t owe him an explanation, but you figured you could at least make it known you weren’t taken out by some random hilichurls. “I was down in the Chasm. Those…things weren’t anything like I’ve ever seen before. I didn’t even have time to react.”

Xiao nods and places the last bandage on your face, “You shouldn’t go down there by yourself. It’s too dangerous. The last time I was there I hardly escaped.”

“What do you mean?” you raise a brow, your interest suddenly peaked. Xiao wipes the remaining tears off of your face in silence before turning to walk away.

“Call for me next time and I’ll be there.”

Gaming:

Gaming and you had gotten off on the wrong foot when you first met each other years ago. As children, you always felt like he stole your spotlight and he never seemed to care. And as you got older, it never seemed to go away. You constantly bickered and loathed having to see each other whenever one another’s name was brought up.

Yet whenever you got hurt, he was always the first person you went to. Although normally, it was for small things like paper cuts and bruised elbows. Not for your face having a cut so deep you could barely see and an arm twisted out of place like today.

“Fuck,” you mutter as you bang on his door, hoping it was the right one. There was too much blood in your eyes. Every door in the village looks the same right now, and even if it is the right one, you aren’t sure he’s even home. “Please be home,” you pace back and forth. Gaming stopped asking questions years ago when it first started.

You were forced to go with him after a group of bandits had found and beat you up, taking nearly everything you had in your bag. Gaming had found you while on delivery, and like the sweet guy he is, he stopped and helped you even though you could both barely stand each other. He didn’t want to see you dead either.

You weren’t often hurt, but it became somewhat of a cycle whenever you were. You were a nice person, well liked by most, but you also enjoyed stirring up trouble and it often landed you in some pretty hot water countless times. You knew Gaming wouldn’t say anything to anyone or turn you away like other people would. And above all, you like the kinder side of him whenever he patched you up, which he was good at too.

“Gaming!” your fist pounds on the door again. It’s almost nightfall and a few villagers have begun staring. You almost go to knock again, but your body begins to give out. You mumble a few more curse words before the door opens and you fall forward, directly onto the very person you were looking for.

“Ow ow ow, oh my god my arm!”

“Sorry! Is that blood?! What happened to you?”

“I don’t know! Ask the guys who thought my joke wasn’t funny.”

Gaming picks you up off the floor in a state of panic and rushes you to the bathroom. Luckily for you both, his dad isn’t home to see all of this.

Gaming begins to wipe the blood off your face and examine the cut that runs all the way from your forehead to your cheek, narrowly missing your eye. “This is bad,” he says and begins rummaging through his drawers for medical supplies.

You scoff, “Yeah, you think?”

“You didn’t have to come here, you know. You should’ve gone to a doctor,” he bites back nicely. Sometimes you wish he would just be a little meaner to you. It was easier to hate him that way.

You quiet down and let him take care of your face, “I’m sorry. You’re the only one who I can actually trust to take care of me.”

Gaming hides a small smile while avoiding eye contact with you. Not that you could even see, but just in case. He’d never admit it, but he actually really enjoys when you go to him for help. He’s never resented you like you’ve resented him, but he never bothered to change it either. Somehow he hoped bandaging you up would make you change your mind about him.

“It’s alright,” he says softly, pouring disinfectant onto a small cloth and wiping the cut gently. You wince and he places a hand on your upper arm to silently comfort you, “If you want some good news, you don’t need stitches on your face.”

You breathe out a sigh of relief, having always hated needles, “Thank god.”

“But you will have to see a doctor for your arm. There’s no way for me to fix that on my own,” he says bashfully, “I can maybe…take you if you’d like?”

You peer up at him, shocked at the question. Perhaps this could be a new start between the two of you, and you’re not so against it.

“Yeah, I’d like that.”

Alhaitham:

It’s pouring outside when Alhaitham hears banging on his front door. At first, he ignores it thinking it was just Kaveh forgetting his keys again and he doesn’t care enough to let him in. But the banging persists and then comes the faint sound of pained sobs.

He slams his book shut and groans as he gets up and trudges angrily to the door. He swings it open only to be met with the sight of you clutching your waist, barely keeping yourself standing as the rain envelopes you.

“Please,” you whisper weakly.

Alhaitham scoffs, “Really? I’m not a doctor, go somewhere else.” He begins to shut the door, and he almost does so successfully before you collapse on the floor, blood beginning to mix with the puddle outside his door. And there’s a lot of it.

The next thing you know, you’re in your least favorite scholar’s arms as he carries you to his room. He sets you on a chair and you take the time to take in what his room looks like. It isn’t much different than you expected, yet you never thought you’d see it.

“Don’t move. I don’t want you making any more of a mess than you already have,” he sneers, walking off to the bathroom connected to his room to grab out a small bag of medical supplies. When he returns you’re blankly staring ahead of you, barely conscious as tears start running down your face. It’s like you don’t even know you’re crying. Alhaitham stares at you for a moment in utter disbelief before snapping in your face, “Take your shirt off.”

“Huh?” you snap out of your daze, confusedly wiping your tears as you do so. A few sniffles leave your nose as you do so.

“Do you want help or not?” he snaps again, losing his patience with you. He’s beginning to seriously regret not leaving you on his doorstep. You quickly follow his instructions, taking off your shirt to reveal a huge cut stemming from one side of your stomach to the other.

Alhaitham’s eyes slightly widen in shock, and he almost can’t pull them away. For a brief moment, you even catch them soften but it’s fleeting and doesn’t give you enough time to register that maybe the stoic scribe really does care for you, even just a little bit.

You both sit in complete silence as he begins working. You catch his eyes every so often, but he quickly looks back down at the injury before either of you can speak on it.

“Who was it?” Alhaitham grumbles as he finishes wrapping it up, his arms wrapped around your waist. The feeling of his hands distracts you from the question.

“What?”

“The people that did this. Who was it?” he repeats it, more anger this time around. You shake your head and look off to the side.

“I don’t know. It was too dark to get a good look at them,” you try to explain, but Alhaitham doesn’t have any of it. You’re not sure why, but he doesn’t seem like the normal him. The guy that normally finds any and every chance to torment you.

He gets up and grabs the bag, noting something down on a nearby piece of paper and shoving it in the left pocket of his pants before angrily walking out the door of his bedroom, “I’ll be back.”

“Wait! Don’t go,” Your hand reaches out and grabs his. You pull back suddenly, not realizing how impulsive your decision was until it was too late. You go to mumble a sorry, but before you can, you find your hand back in his.

You stare at him in shock, but he just squeezes your shaking hand. “Stay here,” he says somehow both coldly and warmly at once, pulling the blankets back and gesturing to his bed, “I’ll be back in an hour.”

“Where are you going?”

“To deal with the people that hurt you.”

Arlecchino:

You wince as the door swings open aggressively, not expecting Arlecchino to open the door before you could even think to knock.

“What are you doing here?” she asks, squinting her eyes so as to scale you up and down. For a moment, they linger over your bloodstained clothes and the already bruising cuts that litter your body. You don’t notice the way they widen in shock for a moment, too distracted by the adrenaline wearing off.

You still manage to crack an arrogant smile and sarcastically mutter, “Couldn’t think of anyone worth patching me up but you.”

Without waiting for a response, you push past her figure and let yourself inside already knowing where the infirmary is. Although, you don’t make it two steps before your legs give out and your body tumbles toward the hardwood floors.

The clicking of heels stops from just beside you before a strong hand grips your arm and aggressively pulls you up, “Don’t dirty my floors. The children worked hard to clean those today.”

“Yeah? Well they can clean them again tomorrow,” you grumble and weakly attempt to push her hand off of your body. Arlecchino doesn’t budge, however. She instead drags you all the way to the infirmary and sets you down on one of the beds.

“Wow these are surprisingly comfortable. Didn’t know you had it in you to be so accommodating to all the children you like to hold hostage,” you tease to keep yourself from focusing on the pain. She ignores you and instead places a firm hand on your uninjured chest and slams your back against the bed.

Immediately, she begins working on all the little cuts and gently wipes all the blood away, saving your bigger injuries to be dealt with in a moment. For now, she didn’t mind if you suffered for a little longer.

“So,” Arlecchino starts after a few minutes of silence, finally deeming it worthy to have a real conversation with you, “was this your way of getting my full attention? If you wanted me to notice you, you should have just said something.”

“What? No! I got attacked, I wasn’t trying to ‘get your attention’ or whatever.”

“You don’t sound so sure.”

“I really wasn’t,” you cross your arms and turn your head away from her, “I was scared, you know? I didn’t know who else to go to. Make fun of me all you want, but it’s the truth.”

“Oh.”

“Yeah.”

She doesn’t say anything more after the conversation takes its turn. You’re glad she doesn’t, not wanting to engage in the horrible embarrassment you already felt from having to show up here anyway. She was the last person you’d want to have see your weakness, yet here you are covered in the House of the Hearth’s bandages.

When Arlecchino is done with stitching up your leg, she moves to your face and gently brushes away the blood. And cut by cut, she heals each one and leaves you feeling brand new again. You stare up at her for a brief moment, unable to look anywhere else when the red X’s in her eyes are so focused on you.

“So who did it?” She asks suddenly, her tone a little more caring than before. It almost shocks you, but then again, deep down you knew she cared more than she let on. No matter how much either of you didn’t get along, you always had her back. Even if she didn’t know it. You always liked the think that she had yours too.

You sigh and scribble down a few names on a nearby clipboard left by the bed, “That’s only a few of them…the ones I was able to get talking before everything happened. I’m sure you’ll have no problem finding their leader though.”

Her eyes scan over the paper before she glances back at you and nods. She begins to walk away but stops at the doorway and calls out over her shoulder, “I’ll be back in the morning. My room is on the second floor, last door at the end of the hall. I expect to find you resting there when I return.”

[theatricalmage]

The brainrot took over and so here's a vat7k hadestown au!! Don't know if I'll develop it fully but I liked designing it at least!

More info under the cut:

- Varian, the Coronan royal alchemist, tasks himself with deciphering an incantation capable of bringing the world back into tune. Times are tough, and the royal family + Quirin are doing their best to cope with the meagre crop yields and desolate weather (Corona not really being the sunshine kingdom - hasn't been for a while). He wants to help and do good and I think he'd be a good Orpheus.

- Hugo, having moved about from place to place, still has his interest in alchemy and does what he can to get by. He plans on temporarily staying in Corona before looting, but he encounters a certain like-minded scientist at the Snuggly Duckling. I think him being selfish works especially well in Eurydice's role, having a more pessimistic view of the world. It also works with how he gets drawn to Donella's offer of working for her later on, leading him to his death.

- Ulla as Persephone! I was initially stuck on whether to have Rapunzel (and either Eugene/Cass) as her (and Hades) but I was drawn to the connection that Hugo has to Donella and the Donella/Ulla relationship in vat7k just works too well. In this case, Ulla won't be Varian's mother. She's still gonna be somewhat of an inspiration to him though, being the previous Coronan royal alchemist and for her intelligence. For half the year, she'll return to Corona with food, drinks, and alchemical compounds/inventions, bringing Spring and Summer to the world, if only for a bit.

- Donella would be such an interesting Hades, losing sight of her love for Ulla, heart filled with fear and hurt, leading to bitterness and cruelty. Ingvarr being Hadestown and how by being the esteemed Ingvarrian engineer, she'd be in charge of major technological advances across the kingdoms and so would wield a significant amount of power (like how Hades is literally the ruler of the underworld). Ingvarr essentially being a near death sentence for its workers while also displaying its technological prowess, all still shrouded in mystery and corruption - a place so otherworldly compared to the rest of the kingdoms.

I didn't want to modify the outfits too much nor the personalities,, if anything I imagine the general plot beats being the same as the original musical/story but with slight differences that'd you get inherently as a result of these characters. I wouldn't want it to be the case where it's just the show but the names are changed. I'd want this to still make reasonable sense in this AU, with the actions being understandable for this particular cast of characters.

For Hermes, I ended up picking Xavier, as he's most knowledgeable of old legends and stories, which would work in reference to the Hades and Persephone myth (and so Donella and Ulla)! He'd act as a mentor figure for V, someone who can guide him in uncovering the forgotten incantation. Quirin would still be the good supportive dad he is (even if he doesn't fully understand his son's project).

Last but not least, the fates!! often lurking in the background, I'm still a bit stuck on who it could be? I'm tempted to have it be Raps, Cass, and Nuru as they've had celestial connections at some point (and ya know how stars can represent fate), but I also love the freckled siblings dynamic so much. Also Team Radical... Maybe Raps and Cass can be their normal selves but their Sundrop/Moonstone counterparts are the manifested physical forms of the fates? They wouldn't be visible to the characters though, just voices in the wind.

Anyways yeah!! Those are my thoughts. Do let me know if you've got any cool ideas or questions. I'm really combining my interests at full force and there's nothing anyone, not even myself, can do about it quite frankly. 😮‍💨

[cryptfile]

☆ Loveseat, [ Carmen Berzatto AU ]

SUMMARY — After being in a relationship with Carmen, you cannot help but being extra judgemental when it comes to food.

WARNINGS — i’m currently rotting in hell, meaning: MINORS DO NOT INTERACT, +18 content, there’s a lot of, cursing, choking, praising, dirty talking, mentions of food and eating, hair pulling, fingering.

SIDE NOTES — This is my first post here, so hope you guys like it. English’s not my first language so if there's any mistakes in advance, i’m sorry. Please interact if you like this, reblogs, comments, likes, all means a lot to me! I’ll leave my inbox open so you can suggest more characters! This takes place in an alternative timeline for own my liking, enjoy! x

Lately, Carmen Berzatto was not sure how he managed to get you.

To be completely honest, most of his friends seemed to wonder how he managed to pull the tattooer that adorned his hands with cool designs being that shy, however, when you started texting him photos of your daily food stating it was complete bullshit — He knew he had you in for a long time.

He would explain himself it was something casual at first. A few texts every now and then, swimming between a wave of bad jokes and tension he was sure he was imaging as he read through the texts you send at least twice, then, he would know he’d win you over with food.

Maybe that’s when you became so judgemental at first, after trying the lasagna he made for you after being so tired from working all day long, something else just snapped, even when he was done being near the fire, not even wanting to look at a plate ever again: He managed to spoil you with something good to eat anyways, making you moan in pure pleasure after craving some good food all day.

Of course it was important, can you even blame him?

He was not very vocal about it, hell, it was hard for him to even admit it even after being with you almost six months, but he loved the way you reacted to all his stuff. Even if it was something simple like scrambled eggs or regular pasta with plain butter, it was the way you groaned and grab the spoon licking the silverware clean, showering him with praises after when he was so used to be miserable in the kitchen.

“Open up,” he says before feeding you with the spoon. It was one of those nights where he was trying new stuff at your place, keeping you up till late seated on the kitchen counter close to him as he cooked, opening your mouth just to give an allegedly meaningful critique. “Any thoughts? Feedback?”

It was a wild ride for sure. A turbulent one as you closed your eyes all suddenly, the image burnt on the back of his head when you groaned savoring the taste like it was something else.

“Dunno,” you admit later on, trying to think on anything bad to say — “Need to have another bite before giving an honest answer.”

He smirks in response, repeating the same action just to hear you speak again. Being with you was something similar as his cigarette breaks, escaping from all the stress he usually gets in his life.

Silence again.

“Well fuck, you have me here. Maybe needs some more salt,” you think out loud. Almost trying to say something bad out of force as you knew he wouldn’t stop until he got an brutally honest answer. “The combinations of flavors though is really breathtaking, you outdone yourself this time. Could tattoo this risotto on me, no questions asked.”

Salt? He takes a bite himself almost immediately.

“It doesn’t need any more salt” he replies furrowing his brows in response. “We’ve talked about this sweetheart…”

“You wanted me to be a critique,” you admit almost offended, letting out a light chuckle before stealing the spoon from his hand in one swift movement. “I'm, being indeed, sincere here."

God. It was those moments that made him catch his breath, how the minutes passed slower and everything else seemed to blurry around the two of you. He cannot deny it, cause he loves the snarky responses, the way your mouth wraps around the spoon in a way that made him so devastated at the sight, head spinin’ with the thought of the things he already did to you, the memories that he seems to cherish so deeply.

He cannot stop either when his fingers toy with your hair, the strains sliding smoothly through his fingers. You seemed to enjoy it too, cause it's all it takes to make you forget about the food, leaning into his touch.

"Since when you became my main critique, hm?” he asks, placing himself between your tights as he invaded your space with nothing but pure confidence in his cooking skills. He knew for a fact, it didn't need any more salt. "Made you so spoiled you are a new expert here, baby?"

“Well, it’s your fault anyway" you defend yourself, narrowing your eyes at his words. "You're the one who spoils me rotten, always feeding me nice tasty stuff, keeping me up till’ late trying new things. I’m what you taught me to be, cannot blame for being a good critique. It is what it is."

"So you're blaming me for being a caring partner?" he cannot hold the laugh back, pulling on your hair almost enough to make you look at him. “S’that what you’re implying here?” 

“Would never even dare to” you admit all innocence bitting the inside of your cheek, and Carmen swears you’re doing it just to get in his brain, to control every action in that twisted brain of yours, and he cannot stop himself to fall every time, pulling on your hair slightly rougher this time as he towers over you. “Just implying that you’ll ruin food for me forever if we keep this up.” 

“Not seeing what’s the problem with that” he simply replies as he stared at your expression, how the simple act of your head tilted backwards made his blood boil, the exposed skin of your neck pulling him like the polar opposite of a magnet as he looks down at you — “Don’t really care.”

He’s clearly enjoying that. The sudden proximity as his left hand travels through your side, gripping onto your tight as he gives a light squeeze, tracing invisible patterns against your warm skin that contrasts so much to the chef’s usual cold hands. 

He cannot possibly have enough of you as you melt into his touch, in the very edge of turning into a mad man as he grabs a fistful of your hair to pull you in a demanding kiss, tongue-tracing over your lower lip, almost asking for a formal invitation to finally invade you, his breathing colliding against your skin, holding you in place as he suffers from a burst of pure adrenaline. 

His hands betray him in no time, drawn by the sounds you make when he’s nibbling on that nice curve on your neck, allowing his hand to glide over your soft skin just to end up in your inner tights, fingertips just barely touching as he just watches over you, the sight of you being just enough, that nice smell on your skin when he kisses your neck, your perfume being all around him… it’s getting to him.

He quickly becomes all so vocal, when he’s finally reaching the fabric of your shorts and his touch leaves a burnt sensation behind, the sound of his voice echoing in your ears.

“Gonna’ ruin it f’ya, baby” he says in a low voice — “Looking s’hot all bothered already just for a few kisses, cannot help but spoil m’girl.” 

Of course he fucking loves it. He loves how he knows exactly how to make a mess out of you, touching just the right places, concentrated in your pleasure as he drags the velvety fabric of your shorts to the side, making you crave the touch of his fingertips before finally slide them beneath the fabric of your underwear, lips parted as he finally touches your entrance, taking his time with you.

“God, you’re so wet f’me already, so damn warm” he says in a low whisper, making you talk in between your erratic breathing words that don’t seem to mean anything.

It’s so good. The frantic feeling washing over him as his fingers move in circles over your clit, the almost unnoticible wet sounds filling the air of the kitchen as he places soft kisses in that very spot where your shoulder meet the curvature of your neck. He just knows exactly what he’s doing. How to get under your skin, how to make you run out of breath, and he simply grew attached to it, to the way your skin feels so smooth against his fingers and you act up minutes before beggin’ for more.

And when he finally buries two digits in your cunt — God fucking damn.

He cannot keep the facade, blue eyes drinking the sight of you in as you moan, hips moving against his palm watching how his fingers dissapeared in you, pumping slowly at first, enjoying the way your walls wraps around his fingers, the words that came out of your opened mouth in pure desperation.

“Bear,” you would say in an unsteady breathing “O-oh fuck yes, yes baby, please don’t stop, please-”

The hand who pulled your hair before now tightens around your throat, and he can see you smiling like you’re in fucking paradise before he presses against that nice spot in the side of her neck, cutting the suministration of air to your lungs slightly. Always so eager, making him try new things together even when he was used to an relatively calm, almost non-existant sex life when all his focus was on the restaurant, insisting on trying new things that he end up loving.

“Such a good fuckin’ girl f’me, taking me so s’good” he praises you for a moment, obliging you to look at him when he talks “Lettin’ my fingers fill you up like this, a mess already.”

“That’s it baby, move those pretty hips, need you to keep fuckin’ y’self.”

Lewd sounds, his tight grip on your neck, your hips arching to find that perfect place for him to hit and it’s all it takes for the chef to bring you closer and closer to the edge, fingers curling inside your soaked cunt, moaned sentences that in his ear are only adding up fuel to keep flexing his muscles for you, to keep on stimulating you.

“Gonna cum,” you let him know, but he’s quickly shaking his head in disapproval — “Carm, please, need to-”

“You can hold a little longer, princess” he coos, his grip on your throat almost making you stop breathing completely. Fuck. Your vision becomes dizzy, and for Carmen, the view is nothing but pure delight in front of him. Your shirt raised over your stomach, you pretty little face all disorted thanks to the thrill, parted legs just to give him more space to work with, fighting for some air. He’s so damn greedy about it, knowing he’s the only person who can get you like that. “Hm, stop squeezing me like that baby.”

He chuckles lightly, your hands gripping into the edge of the counter, raising one leg over the table as you try to do what you’re told, to please him every single time. He’s torturing you, and you cannot blame him cause you made him like that, just like he spoiled you with food. All those times whimpering in his bedsheets, asking all shy if he can choke you while pounding into your cunt, cheeks red while riding him, whispering things about how thick he feels inside, how he’s stretching you out so nicely, made him confident enough to know exactly what you like.

Carmen Berzatto is a caring boyfriend after all.

“S’okay, sweetheart” he says moments after, placing soft kisses on your face, your skin glimmering against the lights of your kitchen, a light layer of sweat as you closed your eyes tightly — “Cum baby, let me feel you” he talks you through it, words coming to his mouth so easily now, the sound of his tone so raspy it makes you arch your back as you finally let yourself go, riding the orgasm and making it last as long as you can, your own pleasure being your only priority as his digits bury themselves in your cunt, pressing against your neck to make it more difficult for you, to fill your eyes with tears as you loudly moan his name.

He holds you place, the mess he made out of you in such short time, eyes following the way your body shakes in the glimpse of ecstasy, fingers still pumping inside you but at a much slower pace, knowing you’d be sensitive now, lips swollen, messy hair and ruined mascara.

“Willing to admit now i’m right?” he ask in a low voice, letting you breathe as he was still afected by you — “That it doesn’t need any more salt, smartass?”

You hum in response, chuckling at his stubborn remark, your hands gripping into his arm just to dig your nails in his tattooed skin, almost begging him to let you breathe a second.

“Get up,” he says, not harshly enough to be a command, but instead, a plea. “Bend over the counter baby. M’not done with you yet.”

And even being so sensitive, you cannot help but comply, looking at your boyfriend through half-lidded eyes cause yeah, he made you a spoiled brat in terms of food, but you have definitely broke something else when it came to the intimacy he was now into.

Or maybe you just loved being his main critique.

[quetzalpapalotl]

Just barely related but I think this is why Barber likes to write for Prowl and Starscream so much, besides him enjoying assholes.

Despite them being diametrically opposed, they're both incredibly proactive characters whose motivations are so that they can justify all manner of actions and can easily have then side with or against the "good guys" (as much as that term can be applied to exRID). This makes them extremely useful to push then plot where you need it.

Starscream cares about himself first and foremost, but he's smart enough to know that if he wants to stay in power he needs to be a somewhat efficient ruler. But he also feels his power easily threatened, especially since he tends to think the rest of the world works like him and will take any action to sacire said power even if it ends up being counterproductive in the long rung if you think about it.

Prowl's machiavellian approach can be very useful especially since he won't accept war is over until it's on his terms, doesn't look for outside opinion and he really really really really doesn't want to be wrong. Plus he's motivated by resentment and pettiness way more than he wants to admit and will come out with an excuse for why this is totally reasonable actually.

Really you just need to leave these two to fester in their own thoughts and then will come up with a reason to do almost anything.

The problem with being a villian fan is that is easy for people to forget that they are characters too and not just plot devices. This happens a lot in fic, but also even in the original material as well.

Like sometimes you do need someone do show up and do heinous things for the sake of the plot and I don't mind grabbing the guy who already proved to have no morals. But just because someone would be willing to do any bad thing doesn't mean they would do every bad thing. And this isn't about saying that ny blorbos aren't that bad, but about saying that they are also characters with their own inner world and motivation.

So for example, if a villian's motivation is revenge on one particular guy and they don't care who their trample in order to achieve their goals, they would not jeopardize their plans just to go out of their way to mess with some other guy if they haven't been shown to enjoy being needlessly cruel to people outside the scope of their revenge.

And if you really need said villian to try to fuck with the random guy for plot reasons, you can try to manufacture a motive out of what makes sense for the characters. Idk, maybe they have a short temper and the guy pressed their buttons the right way. But leaving it at "this guy does bad things so might as well" is lazy writing. (I mean characters who do bad things for the lols very much exist but that's not every villian and even then, they also have their own particular traits).